Glitter Love Quotes

We've searched our database for all the quotes and captions related to Glitter Love. Here they are! All 100 of them:

In a perfect world, you could fuck people without giving them a piece of your heart. And every glittering kiss and every touch of flesh is another shard of heart you’ll never see again.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed - because 'Thou mayest.
John Steinbeck (East of Eden)
i love reading because it is fun
Elle Fowler (Beneath the Glitter (Sophie and Ava London, #1))
Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
Do you love me?" he asked. I fell silent. "For the rest of it is glitter and noise," he said. "At the heart of it all is love. You make that choice, and you go forward from there.
Sharon Shinn (Summers at Castle Auburn)
You’re sarcastic twelve hours a day, but you’re almost never spiteful. You have a good heart under all the glitter.
Cassandra Clare (The Course of True Love [and First Dates] (The Bane Chronicles #10))
To them, as to Magnus, time was like rain, glittering as it fell, changing the world, but something that could also be taken for granted. Until you loved a mortal. Then time became gold in a miser's hands, every bright year counted out carefully, infinitely precious, and each one slipping through your fingers.
Cassandra Clare (The Bane Chronicles)
Love can crystallize things. When love is in the air, distressing rain can become a wonderful avalanche of shimmering diamonds. Raindrops are transformed into a flood of sparkling crystal pearls. The power of love can convert rain into a multitude of glittering prisms. The mental seduction of love and a boundless illusion, inflamed by a profound uprising emotion, can change any ordinary incident into a radiant, luminous voyage. ( "Crystallization under an umbrella" )
Erik Pevernagie
Life is made up of moments, small pieces of glittering mica in a long stretch of gray cement. It would be wonderful if they came to us unsummoned, but particularly in lives as busy as the ones most of us lead now, that won’t happen. We have to teach ourselves how to make room for them, to love them, and to live, really live.
Anna Quindlen (A Short Guide to a Happy Life)
I've missed you, Sebastian." "Have you, love?" He unfastened the buttons of her robe, the light eyes glittering with heat as her skin was revealed. "What part did you miss the most?" "Your mind," she said, and smiled at his expression. "I was hoping for a far more depraved answer than that." "Your mind is depraved," she told him solemnly. He gave a husky laugh. "True.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
It was heaven. Forget angels, forget St. Peter and glittering harpsichords. Heaven was a dance in the arms of one's true love.
Julia Quinn
Face red, but brave in spite of it, Ethan offered an even smaller box. My hands shook as i opened it. Set in a gold promise ring, three small diamonds glittered. One for you, one for me, one for us, he said sweetly. I love you.
Ellen Hopkins
You are everything that's ever been my favourite thing," she wanted to tell him. "You're my love song, my birthday cake, the sound of ocean waves and French words and a baby's laugh. You're a snow angel, crème brulée, a kaleidoscope filled with glitter. I love you and you'll never catch up, because I've gotten a head start and my heart is racing at light speed.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
Like snow globes, you shake them up, and for a moment everything is upside down and glitter everywhere and it's just like magic - but then it all settles and goes back to where it's supposed to be.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Now every mortal has pain and sweat is constant, but if there is anything dearer than being alive, it's dark to me. We humans seem disastrously in love with this thing (whatever it is) that glitters on the earth-- we call it life. We know no other. The underworld's a blank and all the rest just fantasy.
Anne Carson (Grief Lessons: Four Plays by Euripides)
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
I love you, Ivy. I'll never stop loving you." She leaned against the winsow, looking out on a pale and glittering night. She looked through tears. I prayed for one more chance to reach you," he said, "to tell you how much I love you and to tell you to keep on loving. Someone else was meant for you, Ivy, and you were meant for someone else." She stood up straight. "No." Yes, love," he said, softly but firmly. No!" Promise me, Ivy-" I'll promise you nothing but that I love you," she cried. Listen to me," Tristan pleaded. "You know I can't stay any longer." The pale, glittering night was raining now, and fresh tears gleamed on her cheeks, but he had to leave. I love you," he said. "I love you. Love him. - Tristan Carruthers -
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
The Hebrew word, the word timshel - 'Thou mayest' - that gives a choice. It might be the most important word in the world. That says the way is open...Why, that makes a man great...He can choose his course and fight it through and win...I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed - because 'Thou mayest'. ch 24
John Steinbeck (East of Eden)
Rejoice with glitters of ashes tonight Sparkling for moon's spiced silver bite Upon skin of darkness, loving night more Storm begins unlocking cold wind's door
Munia Khan
She was never going to seek gainful employment again, that was for certain. She'd remain outside the public sector. She'd be an anarchist, she'd travel with jaguars. She was going to train herself to be totally irrational. She'd fall in love with a totally inappropriate person. She'd really work on it, but abandon would be involved as well. She'd have different names, a.k.a. Snake, a.k.a. Snow - no that was juvenile. She wanted to be extraordinary, to possess a savage glitter.
Joy Williams
I had been so mad at him when I left, I'd given them back. All except for the one that stuck to the bottom of the jar. He smiled. "They're at home, waiting." "For what?" His eyes glittered. "That, I cannot say.
Kiera Cass (The Elite (The Selection, #2))
Every last souvenir of the love we had, the prizes & the debris of this relationship, like the glitter in the gutter when the parade has passed, all the everything & whatnot kicked to the curb.
Daniel Handler (Why We Broke Up)
This is not theology. I have no bent towards gods. But i have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed - because 'Thou mayest.
John Steinbeck (East of Eden)
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it. I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting. The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it. I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look. Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
Was there some basic flaw in her makeup that made her keep falling in love with this man who couldn’t love her back?
Susan Elizabeth Phillips (Glitter Baby (Wynette, Texas, #3))
It is necessary to find one's own way in New York. New York City is not hospitable. She is very big and she has no heart. She is not charming. She is not sympathetic. She is rushed and noisy and unkempt, a hard, ambitious, irresolute place, not very lively, and never gay. When she glitters she is very, very bright, and when she does not glitter she is dirty. New York does nothing for those of us who are inclined to love her except implant in our hearts a homesickness that baffles us until we go away from her, and then we realize why we are restless. At home or away, we are homesick for New York not because New York used to be better and not because she used to be worse but because the city holds us and we don't know why.
Maeve Brennan
A WAY WITH ALICORNS: [IT’S TRUE. GLITTER BUTT LOVES ME.] [SAY IT WITH ME: KEEFE! KEEFE! KEEFE!]
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
I feel all agitated, like one of those snow globes you see resting peacefully on shop counters. I was perfectly happy being an ordinary, dull little Swiss village. But now Jack Harper’s come and shaken me up, and there are snowflakes all over the place, whirling around until I don’t know what I think anymore. And bits of glitter, too. Tiny bits of shiny, secret excitement.
Sophie Kinsella (Can You Keep a Secret?)
Don't let the glitter fool you." She wiggles her shiny nails in the air, then taps her temple. "I'm up here" "I see that," I say as Noah whispers a very soft, "I love you." "What?" Megan asks. "Nothing," Noah says, then pulls back and walks to the other side of the desk.
Ally Carter (All Fall Down (Embassy Row, #1))
And I feel that I am a man. And I feel that a man is a very important thing - maybe more important than a star. This is not theology. I have no bent toward gods. But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed - because 'thou mayest'.
John Steinbeck (East of Eden)
I had thought a good mother would not elicit such comments, but now I see that a good mother is required to somehow absorb all this ugliness and find a way to fall back in love with her child the next day.
Kelly Corrigan (Glitter and Glue)
All right, sweetheart; here's your last question, and it's a real challenge, so don't let yourself get distracted by these jealous women. To make sure all twelve of our future children are going to be legitimate, what New York City football team did Joe Namath play for?" Gracie's face fell. Lord. Any fool should know the answer to this one. New York City... What football team was from New York City? Her expression brightened. "The New York City YANKEES!" A roar of laughter went up from the crowd, accompanied by more than a few loud groans. Bobby Tom silenced them all with a glare. At the same time, the glitter in his eyes dared any of them to contradict her. When he was certain everyone understood the message, he turned back to Gracie and gathered her into his arms. With a tender look and a gentle brush of his lips, he said "Exactly right, sweetheart. I had no idea you knew so much about football" And that was how every last person in Telarosa, Texas, came to understand that Bobby Tom Denton had finally and forever fallen head over heels in love.
Susan Elizabeth Phillips (Heaven, Texas (Chicago Stars, #2))
I’ve gotten convinced that there’s something kind of timelessly vital and sacred about good writing. This thing doesn’t have that much to do with talent, even glittering talent... Talent’s just an instrument. It’s like having a pen that works instead of one that doesn’t. I’m not saying I’m able to work consistently out of the premise, but it seems like the big distinction between good art and so-so art lies somewhere in the art’s heart’s purpose, the agenda of the consciousness behind the text. It’s got something to do with love. With having the discipline to talk out of the part of yourself that can love instead of the part that just wants to be loved.
David Foster Wallace
It’s not your fault,” Alec was saying. He sounded weary, as if he’d been through this sort of thing with his sister before. Clary wondered how many boyfriends she’d turned into rats by accident. “But it ought to teach you not to go to so many Downworld parties,” he added. “They’re always more trouble than they’re worth.” Isabelle sniffed loudly. “If anything had happened to him, I—I don’t know what I would have done.” “Probably whatever it is you did before,” said Alec in a bored voice. “It’s not like you knew him all that well.” “That doesn’t mean that I don’t—” “What? Love him?” Alec scoffed, raising his voice. “You need to know someone to love them.” “But that’s not all it is.” Isabelle sounded almost sad. “Didn’t you have any fun at the party, Alec?” “No.” “I thought you might like Magnus. He’s nice, isn’t he?” “Nice?” Alec looked at her as if she were insane. “Kittens are nice. Warlocks are—” He hesitated. “Not,” he finished, lamely. “I thought you might hit it off.” Isabelle’s eye makeup glittered as bright as tears as she glanced over at her brother. “Get to be friends.” “I have friends,” Alec said, and looked over his shoulder, almost as if he couldn’t help it, at Jace. But Jace, his golden head down, lost in thought, didn’t notice.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The stars glitter and the eyes of men are closed. Kings have locked their doors and each lover is alone with his love. Here, I am alone with you.
Rābiʻah al-ʻAdawīyah
Time was like the rain, glittering as it fell, changing the world, but something that could also be taken for granted. Until you love a mortal. Then time became gold in a miser's hands, every bright year counted out carefully, infinitely precious, and each one slipping through you fingers. Cassandra Clare: What Really Happened in Peru
Cassandra Clare (What Really Happened in Peru (The Bane Chronicles, #1))
Bound for your distant home" Bound for your distant home you were leaving alien lands. In an hour as sad as I’ve known I wept over your hands. My hands were numb and cold, still trying to restrain you, whom my hurt told never to end this pain. But you snatched your lips away from our bitterest kiss. You invoked another place than the dismal exile of this. You said, ‘When we meet again, in the shadow of olive-trees, we shall kiss, in a love without pain, under cloudless infinities.’ But there, alas, where the sky shines with blue radiance, where olive-tree shadows lie on the waters glittering dance, your beauty, your suffering, are lost in eternity. But the sweet kiss of our meeting ...... I wait for it: you owe it me .......
Alexander Pushkin
I’ve never been more sorry in my life about anything. … He dropped his forehead to mine and with a silky soft kiss, he gently parted my lips, working his velvety tongue against mine. “And I’m more than willing to spend the rest of my life making it up to you, because I love you, Tess. I am so fucking in love with you in a way I’ve never loved someone before.” His eyes glittered with hunger and love. “Please let me prove that to you. Please, Tess.
J. Lynn (Be with Me (Wait for You, #2))
I stare at the stars... And even though there are so many and they look so close together, I know they are light years apart. The glitter in the sky looks as if I could scoop it all up in my hands and let the stars swirl and touch one another, but they are so distant, so very far apart, that they cannot feel the warmth of each other, even though they are made of burning. This is the secret of the stars, I tell myself. In the end, we are alone. No matter how close you seem, no one else can touch you.
Beth Revis (Across the Universe (Across the Universe, #1))
What restless woman can resist a man with a shovel in one hand and a glowing rose bush in the other, and a moderately crazed glitter in his eyes that might be mistaken for love?
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
That was how it always was with Colleen: No matter how sad she felt, there was always this little bit of hope - like a speck of glitter caught in your eyelash - that never went away, no matter what.
Lauren Tarshis (Emma Jean Lazarus Fell in Love)
What Do Women Want?" I want a red dress. I want it flimsy and cheap, I want it too tight, I want to wear it until someone tears it off me. I want it sleeveless and backless, this dress, so no one has to guess what's underneath. I want to walk down the street past Thrifty's and the hardware store with all those keys glittering in the window, past Mr. and Mrs. Wong selling day-old donuts in their café, past the Guerra brothers slinging pigs from the truck and onto the dolly, hoisting the slick snouts over their shoulders. I want to walk like I'm the only woman on earth and I can have my pick. I want that red dress bad. I want it to confirm your worst fears about me, to show you how little I care about you or anything except what I want. When I find it, I'll pull that garment from its hanger like I'm choosing a body to carry me into this world, through the birth-cries and the love-cries too, and I'll wear it like bones, like skin, it'll be the goddamned dress they bury me in.
Kim Addonizio
I don't want Christmas season to end, because it's the only time I can legitimately indulge in on particular addiction: glitter.
Eloisa James (Paris in Love)
I'll talk to him before I go," Carlos grumbled. "And what about the girls?" Toni asked. "They need you, Carlos." "They need a mother!" Carlos yelled. "And I need a mate." Caitlyn gasped. Hes was looking for a mate? What kind of mate? His gaze shifted towards her, and his eyes glittered with a hard, angry look. "You--what?" Toni stepped back, apparently stunned. "You heard me," Carlos growled. "Ye want to get married?" the Scotsman asked. "Don't look so shocked, Ian. Didn't want you want to get married?" "Aye, but--" "You can't get married," Toni declared. "You're gay." Caitlyn snorted. Were they crazy? Carlos glared at her in the shadows, then shifted his gaze to Toni. "I never said I was gay." "Of course you're gay," she insisted. "I saw you dance the samba in a hot pink sequined thong." Carlos shrugged. "So? You said I was very sexy. You were practically drooling." Ian stiffened. "When was this?" "Before I met you," Toni muttered.
Kerrelyn Sparks (Eat Prey Love (Love at Stake, #9))
Falling in love was easy-when romantic attraction was combined with hungry, unsated desire, they formed a glamorous, glittering bauble as fragile as it was alluring, a bauble that could shatter as soon as it was grasped. Tenderness was a different story. It had staying power and the promise of a future.
Robyn Donald (Tiger, Tiger (Romance))
Thousands of stars glittered in an inky sky. Glow-worms sparkled in the grass and owls hooted in the distance. It was so peaceful that Patricius’ breast swelled with love and thankfulness for the Lord’s goodness.
Rowena Kinread (The Missionary)
I call the high and light aspects of my being SPIRIT and the dark and heavy aspects SOUL. Soul is at home in the deep shaded valleys. Heavy torpid flowes saturated with black grow there. The rivers flow like arm syrup. They empty into huge oceans of soul. Spirit is a land of high,white peaks and glittering jewel-like lakes and flowers. Life is sparse and sound travels great distances. There is soul music, soul food, and soul love. People need to climb the mountain not because it is there But because the soulful divinity need to be mated with the Spirit. Deep down we must have a rel affection for each other, a clear recognition of our shared human status. At the same time we must openly accept all ideologies and systems as means of solving humanity's problems. No matter how strong the wind of evil may blow, the flame of truth cannot be extinguished.
Dalai Lama XIV
A strong girl no matter how girly she is, whether she loves unicorns and rabbits and wear sparkly stars in her hair and glitter nail polish, needs to know how to defend herself. - Raising A Strong Daughter: What Fathers Should Know by Finlay Gow JD and Kailin Gow MA
Kailin Gow
I had found out in that glittering corridor off the ballroom that being with him could be more painful than being away from him.
Dodie Smith (I Capture the Castle)
If the king had given me for my own Paris, his citadel, And I for that must leave alone Her whom I love so well, I'd say then to the Crown Take back your glittering town My darling is more fair, I swear. My darling is more fair.
Richard Wilbur (The Misanthrope)
I perceived or thought of the Light of God and in it suspended one small mote (or millions of motes to only one of which was my small mind directed), glittering white because of the individual ray from the Light which both held and lit it...And the ray was the Guardian Angel of the mote: not a thing interposed between God and the creature, but God's very attention itself, personalized...This is a finite parallel to the Infinite. As the love of the Father and Son (who are infinite and equal) is a Person, so the love and attention of the Light to the Mote is a person (that is both with us and in Heaven): finite but divine, i.e. angelic.
J.R.R. Tolkien (The Letters of J.R.R. Tolkien)
With thee conversing I forget all time, All seasons and their change, all please alike. Sweet is the breath of morn, her rising sweet, With charm of earliest birds; pleasant the sun When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening mild, then silent night With this her solemn bird and this fair moon, And these the gems of heav'n, her starry train: But neither breath of morn when she ascends With charm of earliest birds, nor rising sun On this delightful land, nor herb, fruit, flower, Glistring with dew, nor fragrance after showers, Nor grateful evening mild, nor silent night With this her solemn bird, nor walk by moon, Or glittering starlight without thee is sweet.
John Milton (Paradise Lost)
The night garden felt like a home, with the glittering sky for the ceiling, the bushes our rug, and the dilapidated pavilion our bed. He lit up the place like a heart-warming hearth fire. He was the walls of my sanctuary, the food for my eyes, the scent of a home. He was everything.
Weina Dai Randel (The Moon in the Palace (Empress of Bright Moon, #1))
Alexandra drew her shawl closer about her and stood leaning against the frame of the mill, looking at the stars which glittered so keenly through the frosty autumn air. She always loved to watch them, to think of their vastness and distance, and of their ordered march. It fortified her to reflect upon the great operations of nature, and when she thought of the law that lay behind them, she felt a sense of personal security. That night she had a new consciousness of the country, felt almost a new relation to it. Even her talk with the boys had not taken away the feeling that had overwhelmed her when she drove back to the Divide that afternoon. She had never known before how much the country meant to her. The chirping of the insects down in the long grass had been like the sweetest music. She had felt as if her heart were hiding down there, somewhere, with the quail and the plover and all the little wild things that crooned or buzzed in the sun. Under the long shaggy ridges, she felt the future stirring.
Willa Cather (O Pioneers!)
What is this thing called life? I believe That the earth and the stars too, and the whole glittering universe, and rocks on the mountains have life, Only we do not call it so--I speak of the life That oxidizes fats and proteins and carbo- Hydrates to live on, and from that chemical energy Makes pleasure and pain, wonder, love, adoration, hatred and terror: how do these things grow From a chemical reaction? I think they were here already, I think the rocks And the earth and the other planets, and the stars and the galaxies have their various consciousness, all things are conscious; But the nerves of an animal, the nerves and brain Bring it to focus; the nerves and brain are like a burning-glass To concentrate the heat and make it catch fire: It seems to us martyrs hotter than the blazing hearth From which it came. So we scream and laugh, clamorous animals Born howling to die groaning: the old stones in the dooryard Prefer silence; but those and all things have their own awareness, As the cells of a man have; they feel and feed and influence each other, each unto all, Like the cells of a man's body making one being, They make one being, one consciousness, one life, one God.
Robinson Jeffers (The Selected Poetry)
What’s been coming to Becca, since all this began, is this: real isn’t what they try to tell you. Time isn’t. Grown-ups hammer down all these markers, bells schedules coffee-breaks, to stake down time so you’ll start believing it’s something small and mean, something that scrapes flake after flake off of everything you love till there’s nothing left; to stake you down so you won’t lift off and fly away, somersaulting through whirlpools of months, skimming through eddies of glittering seconds, pouring handfuls of hours over your upturned face.
Tana French (The Secret Place (Dublin Murder Squad, #5))
The great trains are going out all over Europe, one by one, but still, three times a week, the Orient Express thunders superbly over the 1,400 miles of glittering steel track between Istanbul and Paris. Under the arc-lights, the long-chassied German locomotive panted quietly with the labored breath of a dragon dying of asthma. Each heavy breath seemed certain to be the last. Then came another.
Ian Fleming (From Russia with Love (James Bond, #5))
We don't unfold ourselves like pieces of paper for everyone to see: that's not how humans work. There are always parts of us we shut away or hide. Bits of ourselves we can't touch because they're too precious and buried too deep. Fragments of truth we barely admit to ourselves. Because sometimes editing our own story is the only way to get through it.
Holly Smale (All That Glitters (Geek Girl, #4))
Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.
Jules Verne (Around the World in Eighty Days)
You think you cannot live anymore. You think that the light of your soul has been put out and that you will stay in the dark forever. But when you are engulfed by such solid darkness, when you have both eyes closed to the world, a third eye opens in your heart. And only then do you come to realize that eyesight conflicts with inner knowledge. No eye sees so clear and sharp as the eye of love. After grief comes another season, another valley, another you. And the lover who is nowhere to be found, you start to see everywhere. You see him in the drop of water that falls into the ocean, in the high tide that follows the waxing of the moon, or in the morning wind that spreads its fresh smell; you see him in the geomancy symbols in the sand, in the tiny particles of rock glittering under the sun, in the smile of a newborn baby, or in your throbbing vein. How can you say Shams is gone when he is everywhere and in everything?
Elif Shafak (The Forty Rules of Love)
Then, there’s the way his eyes have been on you the whole time we’ve been here.” Whoa, what? “It’s been only, what? A couple of hours? And he’s still absorbed by you, watching and following every single move you make, as if you were pooping rainbows and leaving behind a trail of glitter. It would be disgusting if I wasn’t in love myself.” She patted my hand. “And trust me, sis, you all red and blotchy? Not that cute.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Alec surprised Magnus and the werewolf both by breaking away and lunging at Marcy. Whatever he had been planning, it didn’t work: this time the werewolf’s swipe caught him full in the chest. Alec went flying into a hot pink wall decorated with gold glitter. He hit a mirror set into the wall and decorated with curling gold fretwork with enough force to crack the glass across. “Oh, stupid Shadowhunters,” Magnus moaned under his breath. But Alec used his own body hitting the wall as leverage, rebounding off the wall and up, catching a sparkling chandelier and swinging, then dropping down as lightly as a leaping cat and crouching to attack again in one smooth movement. “Stupid, sexy Shadowhunters.
Cassandra Clare (The Course of True Love [and First Dates] (The Bane Chronicles, #10))
This level reach of blue is not my sea; Here are sweet waters, pretty in the sun, Whose quiet ripples meet obediently A marked and measured line, one after one. This is no sea of mine. that humbly laves Untroubled sands, spread glittering and warm. I have a need of wilder, crueler waves; They sicken of the calm, who knew the storm. So let a love beat over me again, Loosing its million desperate breakers wide; Sudden and terrible to rise and wane; Roaring the heavens apart; a reckless tide That casts upon the heart, as it recedes, Splinters and spars and dripping, salty weeds.
Dorothy Parker (The Portable Dorothy Parker)
Edie Sedgwick (1943-1971) I don't know how she did it. Fire She was shaking all over. It took her hours to put her make-up on. But she did it. Even the false eye-lashes. She ordered gin with triple limes. Then a limosine. Everyone knew she was the real heroine of Blonde on Blonde. oh it isn't fair oh it isn't fair how her ermine hair turned men around she was white on white so blonde on blonde and her long long legs how I used to beg to dance with her but I never had a chance with her oh it isn't fair how her ermine hair used to swing so nice used to cut the air how all the men used to dance with her I never got a chance with her though I really asked her down deep where you do really dream in the mind reading love I'd get inside her move and we'd turn around and she'd turn around and turn the head of everyone in town her shaking shaking glittering bones second blonde child after brian jones oh it isn't fair how I dreamed of her and she slept and she slept forever and I'll never dance with her no never she broke down like a baby like a baby girl like a lady with ermine hair oh it isn't fair and I'd like to see her rise again her white white bones with baby brian jones baby brian jones like blushing baby dolls
Patti Smith (Seventh Heaven)
We made it, baby. We’re riding in the back of the black limousine. They have lined the road to shout our names. They have faith in your golden hair & pressed grey suit. They have a good citizen in me. I love my country. I pretend nothing is wrong. I pretend not to see the man & his blond daughter diving for cover, that you’re not saying my name & it’s not coming out like a slaughterhouse. I’m not Jackie O yet & there isn’t a hole in your head, a brief rainbow through a mist of rust. I love my country but who am I kidding? I’m holding your still-hot thoughts in, darling, my sweet, sweet Jack. I’m reaching across the trunk for a shard of your memory, the one where we kiss & the nation glitters. Your slumped back. Your hand letting go. You’re all over the seat now, deepening my fuchsia dress. But I’m a good citizen, surrounded by Jesus & ambulances. I love this country. The twisted faces. My country. The blue sky. Black limousine. My one white glove glistening pink—with all our American dreams.
Ocean Vuong (Night Sky with Exit Wounds)
All eyes flew to the entrance. A great gray stallion reared up in the doorway, its breath frosting the air with puffs of steam. It was a scene from every fairy-tale romance she'd ever read: the handsome prince bursting into the castle astride a magnificent stallion, ablaze with desire and honor as he'd declared his undying love before all and sundry. Her heart swelled with joy. Then her brow puckered as she scrutinized her "prince." Well, it was almost like a fairy tale. Except this prince was dressed in nothing but a drenched and muddy tartan with blood on his face and hands and war braids plaited at his temples. Although determination glittered in his gaze, a declaration of undying love didn't appear to be his first priority. "Jillian!" he roared. Her knees buckled. His voice brought her violently to life. Everything in the room receded and there was only Grimm, blue eyes blazing, his massive frame filling the doorway. He was majestic, towering, and ruthless. Here was her fierce warrior ready to battle the world to gain her love. He urged Occam into the crowd, making his way toward the altar. "Grimm," she whispered.
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
He tried to remember Moon Child's eyes, but was no longer able to. He was sure of only one thing: that her glance had passed through his eyes and down into his heart. He could still feel the burning trail it had left behind. That glance, he felt, was embedded in his heart, and there it glittered like a mysterious jewel. And in a strange and wonderful way it hurt. Even if Bastian had wanted to, he couldn't have defended himself against this thing that had happened to him. However, he didn't want to. Oh no, not for anything in the world would he have parted with that jewel. All he wanted was to go on reading, to see Moon Child again, to be with her. IT never occurred to him that he was getting into the most unusual and perhaps the most dangerous of adventures. But even if he had known this, he wouldn't have dreamed of shutting the book.
Michael Ende (The Neverending Story)
amusement in her eyes and had to grin. "How are you feeling?" he asked, his voice dropping to a low, intimate tone that excluded everyone else in the cafe and made several women draw in their breath. Her mouth quirked in that self-amusement that made him want to grab her to him. "This isn't one of my good days. The only thing holding me together is static cling." "Come home with me, and I'll take care of you." She looked him in the eye and said quietly, "Give me one good reason why I should." Right there in front of God and most of Crook, Montana, he drew in a deep breath and took the gamble of a lifetime, his words plain and heard by all, because no one was making even the pretense of not listening. "Because I love you." Maddie blinked, and to his surprise he saw her eyes glitter with tears. Before he could start forward, however, her smile broke through like sunshine through a cloud bank. She didn't take the time to go around the counter; she climbed on top of it and slid off on the other side. "It's about time," she said as she went into his arms.
Linda Howard (Duncan's Bride (Patterson-Cannon Family, #1))
The organist was almost at the end of the anthem’s long introduction, and as the crescendo increases the cathedral began to glitter before my eyes until I felt as if every stone in the building was vibrating in anticipation of the sweeping sword of sound from the Choir. The note exploded in our midst, and at that moment I knew our creator had touched not only me but all of us, just as Harriet had touched that sculpture with a loving hand long ago, and in that touch I sensed the indestructible fidelity, the indescribable devotion and the inexhaustible energy of the creator as he shaped his creation, bringing life out of dead matter, wresting form continually from chaos. Nothing was ever lost, Harriet had said, and nothing was ever wasted because always, when the work was finally completed, every article of the created process, seen or unseen, kept or discarded, broken or mended – EVERYTHING was justified, glorified and redeemed.
Susan Howatch
It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in,—glittering like the morning-star, full of life, and splendor, and joy. Oh! what a revolution! and what a heart must I have, to contemplate without emotion that elevation and that fall! Little did I dream that, when she added titles of veneration to those of enthusiastic, distant, respectful love, that she should ever be obliged to carry the sharp antidote against disgrace concealed in that bosom; little did I dream that I should have lived to see such disasters fallen upon her in a nation of gallant men, in a nation of men of honour and of cavaliers. I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult.—But the age of chivalry is gone.—That of sophisters, economists, and calculators, has succeeded; and the glory of Europe is extinguished forever. Never, never more shall we behold that generous loyalty to rank and sex, that proud submission, that dignified obedience, that subordination of the heart which kept alive, even in servitude itself, the spirit of an exalted freedom. The unbought grace of life, the cheap defence of nations, the nurse of manly sentiment and heroic enterprise, is gone! It is gone, that sensibility of principle, that chastity of honour which felt a stain like a wound, which inspired courage whilst it mitigated ferocity, which ennobled whatever it touched, and under which vice itself lost half its evil by losing all its grossness.
Edmund Burke (Reflections on the Revolution in France)
Love Letter" Not easy to state the change you made. If I'm alive now, then I was dead, Though, like a stone, unbothered by it, Staying put according to habit. You didn't just tow me an inch, no- Nor leave me to set my small bald eye Skyward again, without hope, of course, Of apprehending blueness, or stars. That wasn't it. I slept, say: a snake Masked among black rocks as a black rock In the white hiatus of winter- Like my neighbors, taking no pleasure In the million perfectly-chisled Cheeks alighting each moment to melt My cheeks of basalt. They turned to tears, Angels weeping over dull natures, But didn't convince me. Those tears froze. Each dead head had a visor of ice. And I slept on like a bent finger. The first thing I was was sheer air And the locked drops rising in dew Limpid as spirits. Many stones lay Dense and expressionless round about. I didn't know what to make of it. I shone, mice-scaled, and unfolded To pour myself out like a fluid Among bird feet and the stems of plants. I wasn't fooled. I knew you at once. Tree and stone glittered, without shadows. My finger-length grew lucent as glass. I started to bud like a March twig: An arm and a leg, and arm, a leg. From stone to cloud, so I ascended. Now I resemble a sort of god Floating through the air in my soul-shift Pure as a pane of ice. It's a gift.
Sylvia Plath (Crossing the Water)
I realised something else tonight. Something about pancakes.’ ‘What about them?’ ‘We both got so obsessed about that first pancake being thrown away that we forgot something really important,’ Max explained. ‘That first pancake tastes just as good as all the other ones. It’s not its fault that it was first in line and the pan wasn’t hot enough so it got a bit lumpy and misshapen.’ ‘And when you’re really famished that first pancake tastes better than all the ones that come after it,’ Neve said, and then she couldn’t wait any longer. Her arms were around Max before she’d even finished forming the thought, but his arms were around her too in that exact same moment. Just having him there to hold, warm and solid and real, was enough for five seconds, and then she was peppering his face with kisses – his forehead, his eyebrows, the tip of his crooked nose, along his cheekbones until she reached the glittering prize of his mouth. Sometimes Neve thought that her appetite was the most robust thing about her, and she didn’t kiss Max so much as she devoured him. Graceless, messy kisses without any thought or reason, but simply because she hungered for him. Kissed him with everything she had and everything she was, and she didn’t know why she could kiss Max and have him kiss her back with the same fierceness but still be greedy for the next kiss and the one after that and the one after that and the one…
Sarra Manning (You Don't Have to Say You Love Me)
The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.
William Faulkner (Intruder in the Dust)
How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap. To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…
Henry Miller (Sexus (The Rosy Crucifixion, #1))
The first sixth-grade assembly.” I look up at him. “Huh?” “That’s the first time I saw you. You were sitting in the row in the front of me. I thought you were cute.” I laugh. “Nice try.” It’s so endearingly Peter to make up stuff to try and sound romantic. He keeps going. “Your hair was really long and you had a headband with a bow. I always liked your hair, even back then.” “Okay, Peter,” I say, reaching up and patting him on his cheek. He ignores me. “Your backpack had your name written on it in glitter letters. I’d never heard of the name Lara Jean before.” My mouth falls open. I hot-glued those glitter letters to my backpack myself! It took me forever trying to get them straight enough. I’d forgotten all about that backpack. It was my prized possession. “The principal started picking random people to come on stage and play a game for prizes. Everybody was raising their hands, but your hair got caught in your chair and you were trying to untangle it, so you didn’t get picked. I remember thinking maybe I should help you, but then I thought that would be weird.” “How do you remember all that?” I ask in amazement. Smiling, he shrugs. “I don’t know. I just do.” Kitty’s always saying how origin stories are important. At college, when people ask us how we met, how will we answer them? The shorty story is, we grew up together. But that’s more Josh’s and my story. High school sweethearts? That’s Peter and Gen’s story. So what’s ours, then? I suppose I’ll say it all started with a love letter.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Lying asleep between the strokes of night I saw my love lean over my sad bed, Pale as the duskiest lily's leaf or head, Smooth-skinned and dark, with bare throat made to bite, Too wan for blushing and too warm for white, But perfect-coloured without white or red. And her lips opened amorously, and said-- I wist not what, saving one word--Delight. And all her face was honey to my mouth, And all her body pasture to my eyes; The long lithe arms and hotter hands than fire, The quivering flanks, hair smelling of the south, The bright light feet, the splendid supple thighs And glittering eyelids of my soul's desire.
Algernon Charles Swinburne
Actually, I believe there are only two kinds of women in this world: Martha people and Oprah people. That doesn’t mean one can’t have an affinity for both of them, but my theory is that every chick is more firmly in one camp than the other. The typical Oprah woman is all self-actualized and best-life-y and Eat, Pray, Love. The Big O seems like the kind of gal who’d insist we all spend the afternoon wearing jammy pants. And how fun would that be?! But Martha? She’s not putting up with that nonsense, and that makes me adore her all the more. She’ll tell you what to eat, where to pray, and who to love, and I appreciate the guidance.
Jen Lancaster (The Tao of Martha: My Year of LIVING; Or, Why I'm Never Getting All That Glitter Off of the Dog)
For a moment she was truly terrified. This was Abbadon the Cruel. The Angel of Destruction. He could and would destroy her if he had to. If he felt like it. He had destroyed worlds before. He had decimated Paradise in the name of the Morningstar. She trembled in his grasp. All his gentleness, all his kindness, all the bright shining gorgeousness of his love, he had always given to someone else. He had adored Gabrielle, had worshiped her, had written her poems and sang her songs, and for Schuyler there were novels and love notes and sweet kisses and furtive tender meetings by a fireplace. But for his twin, Azrael, he had shown nothing but his anger and violence. His strength and destruction. He saved the best of himself for those who did not deserve it. Never showed his true face to those damnable Daughters of the Light. For Azrael, there was only darkness and annihilation. Rape and carnage. War and pillage. A tear escaped from her eye and glittered in the moonlight.
Melissa de la Cruz
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
Anne Rivers Siddons (Colony)
When I first met Cara, she was twelve and angry at the world. Her parents had split up, her brother was gone, and her mom was infatuated with some guy who was missing vowels in his unpronounceable last name. So I did what any other man in that situation would do: I came armed with gifts. I bought her things that I thought a twelve-year-old would love: a poster of Taylor Lautner, a Miley Cyrus CD, nail polish that glowed in the dark. "I can't wait for the next Twilight movie," I babbled, when I presented her with the gifts in front of Georgie. "My favorite song on the CD is 'If We Were a Movie.' And I almost went with glitter nail polish, but the salesperson said this is much cooler, especially with Halloween coming up." Cara looked at her mother and said, without any judgment, "I think your boyfriend is gay.
Jodi Picoult (Lone Wolf)
For he had learned tonight that love was not enough. There had to be a higher devotion than all the devotions of this fond imprisonment. There had to be a larger world than this glittering fragment of a world with all its wealth and privilege. Throughout his whole youth and early manhood, this very world of beauty, ease, and luxury, of power, glory, and security, had seemed the ultimate end of human ambition, the furthermost limit to which the aspirations of any man could reach. But tonight, in a hundred separate moment of intense reality, it had revealed to him its very core. He had seen it naked, with its guards down. He had sensed how the hollow pyramid of a false social structure had been erected and sustained upon a base of common mankind's blood and sweat and agony...Privilege and truth could not lie down together. He thought of how a silver dollar, if held close enough to the eye, could blot out the sun itself. There were stronger, deeper tides and currents running in America than any which these glamorous lives tonight had ever plumbed or even dreamed of. Those were the depths he would like to sound.
Thomas Wolfe (You Can't Go Home Again)
You really know when people are lying?” He nodded. “Prove it.” “Got a boyfriend?” “No.” “Is there a man you’re interested in?” “No.” “You’re lying.” I stiffened. “I am not.” “Yes, you are. He may not be a boyfriend but there’s someone you’re interested in enough that you’re thinking about having sex with him.” I glared. “I am not. And you can’t possibly know that.” He shrugged. “Sorry, Mac, I hear the truth even when the person isn’t admitting it to themselves.” One dark brow lifted. “I don’t suppose it might be me?” I blushed. He’d just made me think it. Us. Naked. Wow. I was a perfectly healthy woman, and he was a gorgeous man. “No,” I said, embarrassed. He laughed, gold eyes glittering. “Lie. A whopper. Gotta love that. Have I told you I’m a big believer in fulfilling a woman’s fantasies?
Karen Marie Moning (Faefever (Fever, #3))
But here's the thing Ona. Howard wrote that song for you.' Quinn had never been more sure of anything. 'I think he wrote all his songs for you, Ona, for young and lovely you.' 'Now you're talking foolish.' 'He wrote them for you, and you refused them because he didn't know how to give them to you.' How could he, living his shadow of a life, floundering in the sludge of grief and failure? 'Have you been drinking?' 'Listen to me,' he said. 'You 're the glittering girl with the cherry-wood hair. You're the angel's breath and sunlight.' 'Oh, for heaven's sake.' She sat up crossly, her tufted hair seeming to quiver. 'Quinn Porter,' she said, 'I never took you for a romantic.' 'Howard Stanhope loved you,' he declared. 'I thought you should know.' 'Well, all right.' 'I thought you should know, Ona.' 'Thank you.' 'People should know these things
Monica Wood (The One-in-a-Million Boy)
Speaking of cold... I shiver. "Has the temperature dropped, or is it just me?" "Here." Etienne unwraps the black scarf that had been tied loosely around his neck,and hands it to me. I take it, gently, and wrap it around mine. It makes me dizzy.It smells like freshly scrubbed boy. It smells like him. "Your hair looks nice," he says. "You bleached it again. I touch the stripe self-consciously. "Mom helped me." "That breeze is wicked,I'm going for coffee." Josh snaps his sketchbook closed. I'd forgotten he was here again. "You coming?" Etienne looks at me, waiting to see how I answer. Coffee! I'm dying for a real cup. I smile at Josh. "Sounds perfect." And then I'm heading down the steps of the Pantheon, cool and white and glittering, in the most beautiful city in the world. I'm with two attractive, intelligent,funny boys and I'm grinning ear to ear. If Bridgette could see me now. I mean,who needs Christopher when Etienne St. Clair is in the world? But as soon as I think of Toph, I get that same stomach churching I always do when I think about him now.Shame that I ever thought he might wait. That I wasted so much time on him. Ahead of mine,Etienne laughs at something Josh said. And the sound sends me spiraling into panic as the information hits me again and again and again. What am I going to do? I'm in love with my new best friend.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Lee’s hand shook as he filled the delicate cups. He drank his down in one gulp. “Don’t you see?” he cried. “The American Standard translation orders men to triumph over sin, and you can call sin ignorance. The King James translation makes a promise in ‘Thou shalt,’ meaning that men will surely triumph over sin. But the Hebrew word, the word timshel—‘Thou mayest’—that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if ‘Thou mayest’—it is also true that ‘Thou mayest not.’ Don’t you see?” “Yes, I see. I do see. But you do not believe this is divine law. Why do you feel its importance?” “Ah!” said Lee. “I’ve wanted to tell you this for a long time. I even anticipated your questions and I am well prepared. Any writing which has influenced the thinking and the lives of innumerable people is important. Now, there are many millions in their sects and churches who feel the order, ‘Do thou,’ and throw their weight into obedience. And there are millions more who feel predestination in ‘Thou shalt.’ Nothing they may do can interfere with what will be. But “Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.” Lee’s voice was a chant of triumph. Adam said, “Do you believe that, Lee?” “Yes, I do. Yes, I do. It is easy out of laziness, out of weakness, to throw oneself into the lap of deity, saying, ‘I couldn’t help it; the way was set.’ But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey. There’s no godliness there. And do you know, those old gentlemen who were sliding gently down to death are too interested to die now?” Adam said, “Do you mean these Chinese men believe the Old Testament?” Lee said, “These old men believe a true story, and they know a true story when they hear it. They are critics of truth. They know that these sixteen verses are a history of humankind in any age or culture or race. They do not believe a man writes fifteen and three-quarter verses of truth and tells a lie with one verb. Confucius tells men how they should live to have good and successful lives. But this—this is a ladder to climb to the stars.” Lee’s eyes shone. “You can never lose that. It cuts the feet from under weakness and cowardliness and laziness.” Adam said, “I don’t see how you could cook and raise the boys and take care of me and still do all this.” “Neither do I,” said Lee. “But I take my two pipes in the afternoon, no more and no less, like the elders. And I feel that I am a man. And I feel that a man is a very important thing—maybe more important than a star. This is not theology. I have no bent toward gods. But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed—because ‘Thou mayest.
John Steinbeck (East of Eden)
She looked down at him, smiling with exasperated amusement. *Stubborn, snarly male.* *Stubbornness is a much-maligned quality,* he panted as he climbed toward her. Her silvery, velvet-coated laugh filled the land. Then he finally got a good look at her. He sank to his knees. *I owe you a debt, Lady.* She shook her head. *The debt is mine, not yours.* *I failed you,* he said bitterly, looking at her wasted body. *No, Daemon,* Jaenelle replied softly. *I failed you. You asked me to heal the crystal chalice and return to the living world. And I did. But I don’t think I ever forgave my body for being the instrument that was used to try to destroy me, and I became its cruelest torturer. For that I’m sorry because you treasured that part of me.* *No, I treasured all of you. I love you, Witch. I always will. You’re everything I’d dreamed you would be.* She smiled at him. *And I—* She shuddered, pressed her hand against her chest. *Come. There’s little time left.* She fled through the rocks, out of sight before he could move. He hurried after her, following the glittering trail, gasping as he felt a crushing weight descend on him. *Daemon.* Her voice came back to him, faint and pain-filled. *If the body is going to survive, I can’t stay any longer.* He fought against the weight. *Jaenelle!* *You have to take this in slow stages. Rest there now. Rest, Daemon. I’ll mark the trail for you. Please follow it. I’ll be waiting for you at the end.* *JAENELLE!* A wordless whisper. His name spoken like a caress. Then silence.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope
John Keats (The Complete Poems)
The moon rose up that evening and shot her silver arrows at the house under the artu tree. The house was empty. Then the moon came across the sea and across the reef. She lit the lagoon to it's dark, dim heart. She lit the coral brains and sand spaces, and the fish casting their shadows on the sand and the coral. The keeper of the lagoon rose to greet her, and the fin of him broke her reflection on the mirror-like surface into a thousand glittering ripples. She saw the white staring ribs of the form on the reef. Then, peeping over the trees, she looked down into the valley, where the great stone idol had kept it's solitary vigil for five thousand years, perhaps, and more. At this base, in his shadow, looking as if under his protection, lay two human beings, naked, clasped in each other's arms and fast asleep. One could scarcely pity his vigil, had it been marked sometimes through the years by such an incident as this. The thing had been conducted just as the birds conduct their love affairs. An affair absolutely natural, absolutely blameless and without sin. A marriage according to Nature, without feasts or guests, consummated with accidental cynicism under the shadow of a religion a thousand years dead.
Henry de Vere Stacpoole (The Blue Lagoon)
Give me, you said, on our very first night, the forest. I rose from the bed and went out, and when I returned, you listened, enthralled, to the shadowy story I told. Give me the river, you asked the next night, then I’ll love you forever. I slipped from your arms and was gone, and when I came back, you listened, at dawn, to the glittering story I told. Give me, you said, the gold from the sun. A third time, I got up and dressed, and when I came home, you sprawled on my breast, for the dazzling story I told. Give me, the hedgerows, give me the fields, I slid from the warmth of our sheets, and when I returned, to kiss you from sleep, you stirred at the story I told. give me the silvery cold, of the moon. I pulled on my boots and my coat, but when i came back, moonlight on your throat outshone the story I told Give me, you howled on our sixth night together, the wind in the trees. You turned to the wall as I left, and when I came home, I saw you were deaf to the blustering story I told. Give me the sky, all the space it can hold. I left you, the last night we loved, and when I returned, you were gone with the gold, and the silver, the river, the forest, the fields, and this is the story I’ve told. "Give
Carol Ann Duffy (Rapture)
You must know, my loved one, that there are beings in the elements which almost appear like mortals, and which rarely allow themselves to become visible to your race. Wonderful salamanders glitter and sport in the flames; lean and malicious gnomes dwell deep within the earth; spirits, belonging to the air, wander through the forests; and a vast family of water spirits live in the lakes and streams and brooks. In resounding domes of crystal, through which the sky looks in with its sun and stars, these latter spirits find their beautiful abode; lofty trees of coral with blue and crimson fruits gleam in their gardens; they wander over the pure sand of the sea, and among lovely variegated shells, and amid all exquisite treasures of the old world, which the present is no longer worthy to enjoy; all these the floods have covered with their secret veils of silver, and the noble monuments sparkle below, stately and solemn, and bedewed by the loving waters which allure from them many a beautiful moss-flower and entwining cluster of sea grass. Those, however, who dwell there, are very fair and lovely to behold, and for the most part, are more beautiful than human beings. Many a fisherman has been so fortunate as to surprise some tender mermaid, as she rose above the waters and sang. He would then tell afar of her beauty, and such wonderful beings have been given the name of Undines. You, however, are now actually beholding an Undine.
Friedrich de la Motte Fouqué (Undine)
As I pass through my incarnations in every age and race, I make my proper prostrations to the Gods of the Market Place. Peering through reverent fingers I watch them flourish and fall, And the Gods of the Copybook Headings, I notice, outlast them all. We were living in trees when they met us. They showed us each in turn That Water would certainly wet us, as Fire would certainly burn: But we found them lacking in Uplift, Vision and Breadth of Mind, So we left them to teach the Gorillas while we followed the March of Mankind. We moved as the Spirit listed. They never altered their pace, Being neither cloud nor wind-borne like the Gods of the Market Place, But they always caught up with our progress, and presently word would come That a tribe had been wiped off its icefield, or the lights had gone out in Rome. With the Hopes that our World is built on they were utterly out of touch, They denied that the Moon was Stilton; they denied she was even Dutch; They denied that Wishes were Horses; they denied that a Pig had Wings; So we worshipped the Gods of the Market Who promised these beautiful things. When the Cambrian measures were forming, They promised perpetual peace. They swore, if we gave them our weapons, that the wars of the tribes would cease. But when we disarmed They sold us and delivered us bound to our foe, And the Gods of the Copybook Headings said: "Stick to the Devil you know." On the first Feminian Sandstones we were promised the Fuller Life (Which started by loving our neighbour and ended by loving his wife) Till our women had no more children and the men lost reason and faith, And the Gods of the Copybook Headings said: "The Wages of Sin is Death." In the Carboniferous Epoch we were promised abundance for all, By robbing selected Peter to pay for collective Paul; But, though we had plenty of money, there was nothing our money could buy, And the Gods of the Copybook Headings said: "If you don't work you die." Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew And the hearts of the meanest were humbled and began to believe it was true That All is not Gold that Glitters, and Two and Two make Four And the Gods of the Copybook Headings limped up to explain it once more. As it will be in the future, it was at the birth of Man There are only four things certain since Social Progress began. That the Dog returns to his Vomit and the Sow returns to her Mire, And the burnt Fool's bandaged finger goes wabbling back to the Fire; And that after this is accomplished, and the brave new world begins When all men are paid for existing and no man must pay for his sins, As surely as Water will wet us, as surely as Fire will burn, The Gods of the Copybook Headings with terror and slaughter return!
Rudyard Kipling
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
Frédéric Gros (A Philosophy of Walking)
You will come upon those who exude life, who burn bright. In their company, how are you to be? Proud to name them friend? Pleased to bask in their fire? Or, in the name of need, will you simply devour all that they offer, like a force of darkness swallowing light, warmth, life itself? Will you make yourself a rocky island, black and gnarled, a place of cold caves and littered bones? The bright waves do not soothe your shores, but crash instead, explode in a fury of foam and spray. And you drink in every swirl, sucked down into your caves, your bottomless caverns. ‘I do not describe a transitory mood. Not a temporary disposition, brought on by external woes. What I describe, in fashioning this island soul, so bleak and forbidding, is a place made too precious to be surrendered, too stolid to be dismantled. This island I give you, this soul in particular, is a fortress of need, a maw that knows only how to ease its eternal hunger. Within its twisted self, no true friend is acknowledged and no love is honest in its exchange. The self stands alone, inviolate as a god, but a besieged god … forever besieged.’ Gothos leaned forward, studied Arathan with glittering eyes. ‘Oddly, those who burn bright are often drawn to such islands, such souls. As friends. As lovers. They imagine they can offer salvation, a sharing of warmth, of love, even. And in contrast, they see in themselves something to offer their forlorn companion, who huddles and hides, who gives occasion to rail and loose venom. The life within them feels so vast! So welcoming! Surely there is enough to share! And so, by giving – and giving – they are themselves appeased, and made to feel worthwhile. For a time. ‘But this is no healthy exchange, though it might at first seem so – after all, the act of giving will itself yield a kind of euphoria, a drunkenness of generosity, not to mention the salve of protectiveness, of paternal regard.’ Gothos leaned back again, drank more from the cup in his hands, and closed his eyes. ‘The island is unchanging. Bones and corpses lie upon its wrack on all sides.’ Arathan
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.” Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!” I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head. He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit. The hilt vibrated in the wood of the ornate mantel next to his head. “So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.” I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest. He laughed, dark eyes glittering with exhilaration. I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give. He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest. Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck. “Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply. I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again. “Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!” His hands were suddenly cruelly tight on my waist. “There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?” Dreamfever
Karen Marie Moning
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted. Each of his thumbs curved over the shells of my ears. "That's my girl." His girl. After all the crap that I'd gone through today, there couldn't have been three better words to hear. Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now. What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings. “What’cha thinkin’, Ritz?” I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?” Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine. "And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me." He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you." He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you." The feeling that swamped me was indescribable. He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it. "Dex," I exhaled his name. He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby." I choked out a laugh. Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass." Fire shot straight through my chest. "Yeah?" I panted. "Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
Mariana Zapata (Under Locke)
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
Nikos Kazantzakis (Travels in China & Japan)
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))