Water Fountains Quotes

Let us find the dam snack bar," Zoe said. "We should eat while we can." Grover cracked a smile. "The dam snack bar?" Zoe blinked. "Yes. What is funny?" "Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries." Even Thalia smiled at that. "And I need to use the dam restroom." ... I started cracking up, and Thalia and Grover joined in, while Zoe just looked at me. "I do not understand." "I want to use the dam water fountain," Grover said. "And..." Thalia tried to catch her breath. "I want to buy a dam t-shirt.

Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water. Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!" Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation. "You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--" All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger. "You dropped this," he said, totally poker-faced.

Did you… Did you just kiss me?” He sounded puzzled, and maybe a little out of breath. His lips were full and plump and… God. Kissed. There was simply no way Olive could get away with denying what she had just done. Still, it was worth a try. “Nope.” Surprisingly, it seemed to work. “Ah. Okay, then.” Carlsen nodded and turned around, looking vaguely disoriented. He took a couple of steps down the hallway, reached the water fountain - maybe where he’d headed in the first place. Olive was starting to believe that she might actually be off the hook when he halted and turned back with a skeptical expression. “Are you sure?

When my daughter was a toddler, I used to take her to a park not far from our apartment. One day as she was playing in a sandbox, an ice-cream salesman approached us. I purchased her a treat, and when I turned to give it to her, I saw her mouth was full of sand. Where I had intended to put a delicacy, she had put dirt. Did I love her with dirt in her mouth? Absolutely. Was she any less of my daughter with dirt in her mouth? Of course not. Was I going to allow her to keep the dirt in her mouth? No way. I loved her right where she was, but I refused to leave her there. I carried her over to the water fountain and washed out her mouth. Why? Because I love her. God does the same for us. He holds us over the fountain. "Spit out the dirt, honey," our Father urges. "I've got something better for you." And so he cleanses us of filth; immorality, dishonesty, prejudice, bitterness, greed. We don't enjoy the cleansing; sometimes we even opt for the dirt over the ice cream. "I can eat dirt if I want to!" we pout and proclaim. Which is true—we can. But if we do, the loss is ours. God has a better offer.

Let us find the dam snack bar," Zoe said. "We should eat while we can." Grover cracked a smile. "The dam snack bar?" Zoe blinked. "Yes. What is funny?" "Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries." Even Thalia smiled at that. "And I need to use the dam restroom." Maybe it was the fact that we were so tired and strung out emotionally, but I started cracking up, and Thalia and Grover joined in, while Zoe just looked at us. "I do not understand." "I want to use the dam water fountain," Grover said. "And…" Thalia tried to catch her breath. "I want to buy a dam T-shirt." I busted up, and I probably would've kept laughing all day, but then I heard a noise: "Moooo." The smile melted off my face. I wondered if the noise was just in my head, but Grover had stopped laughing too. He was looking around, confused. "Did I just hear a cow?" "A dam cow?" Thalia laughed.

Very slowly, using only two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water. Octavian made a squeaking sound. “What was that for? I didn’t say toss it! That could’ve been evidence. Or spoils of war!” Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation. “You other two…” He pointed his blade at Hazel and Piper. “Put your weapons on the dock. No funny bus—” All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth’s dagger. “You dropped this,” he said, totally poker-faced. Annabeth threw her arms around him. “I love you!” “Guys,” Hazel interrupted. She had a little smile on her face. “We need to hurry.

In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves; it seemed to him that he himself was a word spoken by the sunlight.

Yeah, there are no more “colored” water fountains, and it’s supposed to be illegal to discriminate, but if I can be forced to sit on the concrete in too-tight cuffs when I’ve done nothing wrong, it’s clear there’s an issue. That things aren’t as equal as folks say they are.

MOTHER IS WATER I wish I could Shower your head with flowers And anoint your feet with my tears, For I know I have caused you So much heartache, frustration and despair – Throughout my youthful years. I wish I could give you The remainder of my life To add to yours, Or simply erase The lines on your face, And mend all that has been torn. For next to God, You are the fire That has given light To the flame in each of my eyes. You are the fountain That nourished my growth, And from your chalice – Gave me life. Without the wetness of your love, The fragrance of your water, Or the trickling sounds of Your voice, I shall always feel thirsty.

A pure fountain gives pure water

And you, Ring-bearer,’ she said, turning to Frodo. ‘I come to you last who are not last in my thoughts. For you I have prepared this.’ She held up a small crystal phial: it glittered as she moved it, and rays of white light sprang from her hand. ‘In this phial,’ she said, ‘is caught the light of Eärendil’s star, set amid the waters of my fountain. It will shine still brighter when night is about you. May it be a light to you in dark places, when all other lights go out. Remember Galadriel and her Mirror!’ Frodo took the phial, and for a moment as it shone between them, he saw her again standing like a queen, great and beautiful.

Where's the dam water fountain I'm thirsty?

Unlike a fountain that circulates the same water in an enclosed, perpetually recycling system, a human being circulates thoughts in an unlimited reservoir of self. Don't limit yourself to being a mere fountain when you contain an ocean.

He walked on water. Perhaps. But could he have *swum* on land? In matching knickers and dark glasses? With his Fountain in a Love-in-Tokyo? In pointy shoes and a puff? Would he have had the imagination?

In the desert, the only god is a well.

This Bitter Language I know your streets, sweet city, I know the demons and angels that flock and roost in your boughs like birds. I know you, river, as if you flowed through my heart. I am your warrior daughter. There are letters made of your body as a fountain is made of water. There are languages of which you are the blueprint and as we speak them the city rises.

The rain continued. It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains.

God, she was beautiful - my first image of the Orient - a woman such as only the desert poet knew how to praise: her face was the sun, her hair the protecting shadow, her eyes fountains of cool water, her body the most slender of palm-trees and her smile a mirage.

Nobody heard her tears; the heart is a fountain of weeping water which makes no noise in the world.

In the soft grey silence he could hear the bump of the balls: and from here and from there through the quiet air the sound of the cricket bats: pick, pack, pock, puck: like drops of water in a fountain falling softly in the brimming bowl.

It's not haunted". Wajed countered. "It simply... misses its founding family." "The stairs vanished under me the last time I was there, uncle," Ali pointed out. "The water in the fountains turns to blood so often than people don't drink it." "So it misses them a lot.

The wind, one brilliant day, called to my soul with an odor of jasmine. "In return for the odor of my jasmine, I'd like all the odor of your roses." "I have no roses; all the flowers in my garden are dead." "Well then, I'll take the withered petals and the yellow leaves and the waters of the fountain." the wind left. And I wept. And I said to myself: "What have you done with the garden that was entrusted to you?

When I was in Piazza di Spagna, in Rome, I watched (along with others) how many locals came to drink water from the fountain there. The people beside me said to each other "Oh my goodness, how disgusting, people just drink water from anywhere," while the whole time, I was thinking "Oh my goodness, how wonderful, people can drink water from anywhere." We can be in the exact same place, looking at the exact same thing, but see that thing in a completely different way. You can go around the world, and go to all the beautiful places, but never be happy, because happiness is something that you bring inside of you, it is not where you are or what you are looking at, but it is how you are and how you look at.

Raven made a face at the blood that now stained her fingertips. She wiped her hand on his jeans until the blood was all gone. Gabriel watched her with narrowed eyes and said, "You look old." Heather's mouth fell open. Good God. Don't anger the crazy lady. Raven slapped him, hard. "That's what happens when your supply of fountain water starts to run out and you have to dilute it. You age. Magic can only do so much." "Sucks to be you," Gabriel said. Clearly, he did not value his life.

L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire

I’m looking for Fat Hoochie Prom Queen,” I declared. He did not respond. “It’s a book,” I said. “Not a person.” Nope. Nothing. “At the very least, can you tell me the author?” He looked at his computer, as if it had some way to speak to me without any typing on his part. “Are you wearing headphones that I can’t see?” I asked. He scratched at the inside of his elbow. “Do you know me?” I persisted. “Did I grind you to a pulp in kindergarten, and are you now getting sadistic pleasure from this petty revenge? Stephen Little, is that you? Is it? I was much younger then, and foolish to have nearly drowned you in that water fountain. In my defense, your prior destruction of my book report was a completely unwarranted act of aggression.” Finally, a response. The information desk clerk shook his shaggy head. “No?” I said. “I am not allowed to disclose the location of Fat Hoochie Prom Queen,” he explained. “Not to you. Not to anyone. And while I am not Stephen Little, you should be ashamed of what you did to him. Ashamed.

Immanuel, God with us-that He would leave the spiritual realm and be present in the flesh and blood in such an act of humility is a staggering notion. As it is, He willingly gave His blood, in the flesh, so that others might find life, for it is written: "He did not come by water only, but by blood," and "Without the shedding of blood there is no remission." Now blood is required to give new life to the dead. I tell you, He did not give only a small amount to satisfy this requirement. He was beaten and crushed and pierced until that blood flowed like a river for the sake of love. It was for love, not religion, that He died. There is a fountain filled with blood drawn from Immanuel's veins. And those plunged beneath that watery grave to drink of His blood will never be the same.

If you want to get warm you must stand near the fire: if you want to be wet you must get into the water. If you want joy, power, peace, eternal life, you must get close to, or even into, the thing that has them. They are not a sort of prize which God could, if He chose, hand out to anyone. They are a great fountain of energy and beauty spurting up at the very centre of reality. If you are close to it, the spray will wet you: if you are not,, you will remian dry. Once a man is united to God, how could he not live forever? Once a man is separated from God, what can he do but wither and die.

Before there was any water there were tides of fire, both our tones flow from the older fountain.

When water fountains start charging to drink, then you know we have a problem.

Ignorance was my ally as long as it was backed up by curiosity. Ignorance without curiosity is not so good, but with curiosity it was the clear water through which I could see the coins at the bottom of the fountain.

Mira sat down on the rim of the fountain. The marble ledge was damp, and mist sprinkled her skin. Coins shimmered under the water like fish scales. She counted them, each one a wish, and wondered how love could be anything but good.

To the Technocrats: Have mercy on us. Relax a bit, take time out for simple pleasures. For example, the luxuries of electricity, indoor plumbing, central heating, instant electronic communication and such, have taught me to relearn and enjoy the basic human satisfactions of dipping water from a cold clear mountain stream; of building a wood fire in a cast-iron stove; of using long winter nights for making music, making things, making love; of writing long letters, in longhand with a fountain pen, to the few people on this earth I truly care about.

Jay lurched in one direction, jerked back, lurched in another, tripped for no reason. He finally made it through a gauntlet of invisible obstacles and crouched behind a water fountain shaped like a hippopotamous throwing up.

Megalodons," Prometheus announced, pulling the Rukma higher and higher, little fountains of water spilling from the leaks in its sides. "They were at least thirty feet long!" Scathach said. "I know," replied the Elder. "They must have been babies.

As they advanced (towards the fountain) one after another of Bastian's Fastastican gifts fell away from him. The strong, handsome, fearless hero became the small, fat, timid boy. (...) But then he jumped into the crystal-clear water... He drank till his thrist was quenched. And joy filled him from head to foot, the joy of living and the joy of being himself. He was new born. And the best part of it was that he was now the very person he wanted to be. If he had been free to choose, he would have chosen to be no one else.

In order to elucidate especially and most clearly the origination of this error (...) let us imagine a man who, while standing on the street, would say to himself: "It is six o'clock in the evening, the working day is over. Now I can go for a walk, or I can go to the club; I can also climb up the tower to see the sunset; I can go to the theater; I can visit this friend or that one; indeed, I also can run out of the gate, into the wide world, and never return. All of this is strictly up to me, in this I have complete freedom. But still I shall do none of these things now , but with just as free a will I shall go home to my wife". This is exactly as if water spoke to itself: "I can make high waves (yes! in the sea during a storm), I can rush down hill (yes! in the river bed), I can plunge down foaming and gushing (yes! in the waterfall), I can rise freely as a stream of water into the air (yes! in the fountain), I can, finally boil away and disappear (yes! at a certain temperature); but I am doing none of these things now, and am voluntaringly remaining quiet and clear water in the reflecting pond.

Soft sun shone down on a misty cathedral at the opposite end of a football-field length courtyard. The cathedral had a long pointed tower with beautiful rose and ivory stained glass windows. Pink-petal flowers and deep green ivy climbed the stones from the ground to it’s roof. A large fountain stood in the middle of the courtyard with water falling from several lion’s heads. Between the misty air and rolling slope of the earth, the grounds reminded me of a long lost fairy tale.

You've got the fountain of youth hidden in your pants." "What the fuck does that even mean?" Hook demanded, then held up a hand. "Never mind, I don't want to know." "Means fucking keeps you young.

I wish you may profit by my experience. Alas, how much time have I lost and wasted, which, had I been wise—I would have devoted to reading and studying the Bible! But my evil heart obstructs the dictates of my judgment, I often feel a reluctance to read this book of books, and a disposition to hew out broken cisterns which afford me no water, while the fountain of living waters are close within my reach!

This was my conversion to the baroque. Here under that high and insolent dome, under those tricky ceilings; here, as I passed through those arches and broken pediments to the pillared shade beyond and sat, hour by hour, before the fountain, probing its shadows, tracing its lingering echoes, rejoicing in all its clustered feats of daring and invention, I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones was indeed a life-giving spring.

The three witches and the knight set off down the hill together, arm in arm, and all four led long and happy lives, and none of them ever knew or suspected that the Fountain's waters carried no enchantment at all.

Everyone in America is extremely concerned with hydration. Go more than five minutes without drinking, and you’ll surely be discovered behind a potted plant, dried out like some escaped hermit crab. When I was young no one would think to bring a bottle of water into a classroom. I don’t think they even sold bottled water. We survived shopping trips without it, and funerals. Now, though, you see people with those barrels that Saint Bernards carry around their necks in cartoons, lugging them into the mall and the movie theater, then hogging the fountains in order to refill them. Is that really necessary?

Do not make an excuse that you have not opportunities to do anything for the glory of God, for the interest of the Redeemer's kingdom, and for the spiritual benefit of your neighbors. If your heart is full of love, it will find vent; you will find or make ways enough to express your love in deeds. When a fountain abounds in water it will send forth streams.

Would the fountain of your mind were clear again, that I might water an ass at it!

Thinking is like a fountain. Once it gets going at a certain pressure, well, it almost impossible to turn it off. And, my hat! what odd things come up with the water! ("Out Of The Deep")

I did everything wrong," he said. "I misunderstood everything. Moon Child gave me so much, and all I did with it was harm, harm to myself and harm to Fantastica." Dame Eyola gave him a long look. No," she said. "I don't believe so. You went the way of wishes, and that is never straight. You went the long way around, but that was your way. And do you know why? Because you are one of those who can't go back until they have found the fountain from which springs the Water of Life. And that's the most secret place in Fantastica. There's no simple way of getting there." After a short silence she added: "But every way that leads there is the right one.

She was just going to pretend nothing had happened, nod at him politely, and tiptoe her way out of here. Yes, solid plan. "Did you . . . Did you just kiss me?" He sounded puzzled, and maybe a little out of breath. His lips were full and plump and . . . God. Kissed. There was simply no way Olive could get away with denying what she had just done. Still, it was worth a try. "Nope." Surprisingly, it seemed to work. "Ah. Okay, then." Carlsen nodded and turned around, looking vaguely disoriented. He took a couple of steps down the hallway, reached the water fountain—maybe where he'd been headed in the first place. Olive was starting to believe that she might actually be off the hook when he halted and turned back with a skeptical expression. "Are you sure?

But she became Gabby’s friend in that way that can happen, because the girl with the cool boots always finds the girl with the occasional slash of pink in her hair. The two of them like a pair of exotic birds dipping over the school’s water fountains—you knew they would find each other.

The water wasn't the same down here. Water is what runs out of the kitchen taps or a playground drinking fountain. It fills bathubs and pools and yes, of course, the ocean- but at a certain depth, water becomes a barrier from all you remember, all you think you know. You're trapped within it, a plaything of it. Focus erodes. Your thoughts mutate. The pressure. The pressure. The soul can't cope with that. It shouldn't be expected to. Humans weren't built for this. There's a reason nothing lives down here. Or nothing should.

The water of the fountain ran, the swift river ran, the day ran into evening, so much life in the city ran into death according to rule, time and tide waited for no man, the rats were sleeping close together in their dark holes again, the Fancy Ball was lighted up at supper, all things ran their course.

I will tell you the deeper significance of this, which otherwise might seem a banal hydraulic joke. Caus knew that if one fills a vessel with water and seals it at the top, the water, even if one then opens a hole in the bottom, will not come out. But if one opens a hole in the top, also, the water spurts out below." "Isn't that obvious?" I said. "Air enters at the top and presses the water down." "A typical scientific explanation, in which the cause is mistaken for the effect, or vice versa. The question is not why the water comes out in the second place, but why it refuses to come out in the first case." "And why does it refuse?" Garamond asked eagerly. "Because, if it came out, it would leave a vacuum in the vessel, and nature abhors a vacuum. Nequaquam vacui was a Rosicrucian principle, which modern science has forgotten." "Excuse me," Belbo said to Agliè, "but your argument is simply post hoc ergo ante hoc. What follows causes what came before. You must not think linearly. The water in these fountains doesn't. Nature doesn't; nature knows nothing of time. Time is an invention of the West.

There's something narcissistic in the phrase "collected poems." Who's collecting them? The poem. How hard is that? That's not a real collection. Now if he had made a collection of water fountains, or of oven mitts, that would be a collection. Or if he'd collected editions of Festus, the long mad poem written somewhere in the nineteenth century by a lost soul named Bailey--that would be an achievement. But collecting your own poems? What's so great about that? And mixing and mingling them in with some new? New and and Collected Poems? Oh, well! Good job. Nice going.

I would come in armed with only curiosity, and my own natural ignorance. I was learning the value of bringing my ignorance to the surface... Ignorance was my ally, as long as it was backed up by curiosity. Ignorance without curiosity is not so good, but with curiosity, it was the clear water through which I could see the coins at the bottom of the fountain.

Every teacher is a fountain; but you must know that not every fountain’s water is drinkable!

In this hour of all-but-universal darkness one cheering gleam appears: within the fold of conservative Christianity there are to be found increasing numbers of persons whose religious lives are marked by a growing hunger after God Himself. They are eager for spiritual realities and will not be put off with words, nor will they be content with correct "interpretations" of truth. They are athirst for God, and they will not be satisfied till they have drunk deep at the Fountain of Living Water.

And Iluvatar spoke to Ulmo, and said: 'Seest thou not how here in this little realm in the Deeps of Time Melkor hath made war upon thy province? He hath bethought him of bitter cold immoderate, and yet hath not destroyed the beauty of thy fountains, nor of my clear pools. Behold the snow, and the cunning work of frost! Melkor hath devised heats and fire without restraint, and hath not dried up thy desire nor utterly quelled the music of the sea. Behold rather the height and glory of the clouds, and the ever changing mists; and listen to the fall of rain upon the Earth! And in these clouds thou art drawn nearer to Manwe, thy friend, whom thou lovest.' Then Ulmo answered: 'Truly, Water is become now fairer than my heart imagined, neither had my secret thought conceived the snowflake, nor in all my music was contained the falling of the rain. I will seek Manwe, that he and I may make melodies for ever to my delight!' And Manwe and Ulmo have from the beginning been allied, and in all things have served most faithfully the purpose of Iluvatar.

I am the wind and the wind is invisible, all the leaves tremble but I am invisible, blackbird over the dark field but I am invisible, what fills the balloon and what it moves through, knot without rope, bloom without flower, galloping without the horse, the spirit of the thing without the thing, location without dimension, without a within, song without throat, word without ink, wingless flight, dark boat in the dark night, shine without light, pure velocity, as the hammer is a hammer when it hits the nail and the nail is a nail when it meets the wood and the invisible table begins to appear out of mind, pure mind, out of nothing, pure thinking, hand of the mind, hand of the emperor, arm of the empire, void and vessel, sheath and shear, and wider, and deeper, more vast, more sure, through silence, through darkness, a vector, a violence, and even farther, and even worse, between, before, behind, and under, and even stronger, and even further, beyond form, beyond number, I labor, I lumber, I fumble forward through the valley as winter, as water, a shift in the river, I mist and frost, flexible and elastic to the task, a fountain of gravity, space curves around me, I thirst, I hunger, I spark, I burn, force and field, force and counterforce, agent and agency, push to your pull, parabola of will, massless mass and formless form, dreamless dream and nameless name, intent and rapturous, rare and inevitable, I am the thing that is hurtling towards you…

LADY CROOM: ....My lake is drained to a ditch for no purpose I can understand, unless it be that snipe and curlew have deserted three counties so that they may be shot in our swamp. What you painted as forest is a mean plantation, your greenery is mud, your waterfall is wet mud, and your mount is an opencast mine for the mud that was lacking in the dell. (Pointing through the window) What is that cowshed? NOAKES: The hermitage, my lady? LADY CROOM: It is a cowshed. NOAKES: It is, I assure you, a very habitable cottage, properly founded and drained, two rooms and a closet under a slate roof and a stone chimney -- LADY CROOM: And who is to live in it? NOAKES: Why, the hermit. LADY CROOM: Where is he? NOAKES: Madam? LADY CROOM: You surely do not supply an hermitage without a hermit? NOAKES: Indeed, madam -- LADY CROOM: Come, come, Mr Noakes. If I am promised a fountain I expect it to come with water. What hermits do you have? NOAKES: I have no hermits, my lady. LADY CROOM: Not one? I am speechless. NOAKES: I am sure a hermit can be found. One could advertise. LADY CROOM: Advertise? NOAKES: In the newspapers. LADY CROOM: But surely a hermit who takes a newspaper is not a hermit in whom one can have complete confidence.

I hadn’t thought to bring anything to wash down the blood. I wondered if they had a font for holy water, and whether anyone would object to me using it as a drinking fountain. Though given that I was trying to absorb vampire magic, using holy water as a chaser probably wasn’t a great idea.

We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.

All the earth is a grave, and nought escapes it; nothing is so perfect that it does not fall and disappear. The rivers, brooks, fountains and waters flow on, and never return to their joyous beginnings; they hasten on to the vast realms of Tlaloc, and the wider they spread between their marges the more rapidly do they mould their own sepulchral urns. That which was yesterday is not to-day; and let not that which is to-day trust to live to-morrow.

Diogenes the Cynic was an ascetic by choice. He rejected his family's bourgeois status, got himself exiled from his native city, and went about in a threadbare cloak with only the barest possessions, a bag for his crust of bread and a cup for scooping water from fountains. When one day he saw a boy drinking from his hands, he smashed the cup, disgusted by his own love of luxury.

...'I've never told you this, but when you were in your teens one of your teachers called us. He said you'd been fighting in the playground again. With two of the boys from the grade above, but this time it hadn't turned out so well--they'd had to send you to the hospital to have your lip sewn and a tooth taken out. I stopped your allowance, remember? Anyway, Øystein told me about the fight later. You flew at them because they'd filled Tresko's knapsack with water from the school fountain. If I remember correctly, you didn't even like Tresko much. Øystein said the reason you'd been hurt so badly was that you didn't give in. You got up time after time and in the end you were bleeding so much that the big boys became alarmed and went on their way.' Olav Hole laughed quietly. 'I didn't think I could tell you that at the time--it would only have been asking for more fights--but I was so proud I could have wept. You were brave, Harry. You were scared of the dark, but that didn't stop you going there.'...

Where was Bewcastle? But then he was there, standing on the terrace some distance away, and such was the power of his presence that everyone seemed to sense it an fell back away from Alleyne even as they stopped talking. There was still all sorts of noise, of course - horses, carriage wheels, voices, the water spouting out of the fountain - but it seemed to Alleyne as if complete silence fell. Bewcastle had already seen him. His gaze was steady and silver-eyed and inscrutable. His hand reached for the gold-handled, jewel-studded quizzing glass he always wore with formal attire and raised it halfway to his eyes in a characteristic gesture. Then he came striding along the terrace with uncharacteristic speed and did not stop coming until he had caught Alleyne up in a tight, wordless embrace that lasted perhaps a whole minute while Alleyne dipped his forehead to his brother's shoulder and felt at last that he was safe. It was an extraordinary moment. He had been little more than a child when his father died, but Wulfric himself had been only seventeen. Alleyne had never thought of him as a father figure. Indeed, he had often resented the authority his brother wielded over them with such unwavering strictness, and often with apparant impersonality and lack of humor. He had always thought of his eldest brother as aloof, unfeeling, totally self sufficient. A cold fish. And yet it was in Wulfric's arm that he felt his homecoming most acutely. He felt finally and completely and unconditionally loved. An extraordinary moment indeed.

After a long while he sat upright with great effort, exhaled a sigh and reached for a clean sheet of lined paper, smoothing it out on the desk. He unscrewed the lid of his fountain pen, laid it perpendicular to his paper, and began to write. Often he compared his writing to white water. He had only to leap in to be dragged away on its rapids, thrown this way and that with his own will rendered impotent. While writing he found the words came from the muscles in his hands, the feel of the shaft of his pen, the locked joint of his elbow. the scratching noise of the nib marking paper and, underneath all that, some coordinating impulse in his guts. Certainly not from his mind.

The rats had crept out of their holes to look on, and they remained looking on for hours; soldiers and police often passing between them and the spectacle, and making a barrier behind which they slunk, and through which they peeped. The father had long ago taken up his bundle and hidden himself away with it, when the women who had tended the bundle while it lay on the base of the fountain, sat there watching the running of the water and the rolling of the Fancy Ball - when the one woman who had stood conspicuous, knitting, still knitted on with the steadfastness of Fate. The water of the fountain ran, the swift river ran, the day ran into evening, so much life ran in the city ran into death according to rule, time and tide waited for no man, the rats were sleeping close together in their dark holes again, the Fancy Ball was lighted up at supper, all things ran their course

Valencia. City by the sea, birthplace of her favorite painter, Sorolla. Hotel guests speak of Valencia’s tranquil beauty, fragrant orange trees, and rolling blue waters. What does a large body of water sound and smell like? Ana wonders. Landlocked, fenced by circumstance, she has never seen the sea. She sees Spain only through images on postcards that guests collect in their rooms. If she transfers to the hotel business office, perhaps one day she too will walk along the beach in Valencia.

A real panic took hold of me. I didn't know where I was going. I ran along the docks, turned into the deserted streets in the Beauvoisis district; the houses watched my flight with their mournful eyes. I repeated with anguish: Where shall I go? where shall I go? Anything can happen. Sometimes, my heart pounding, I made a sudden right about turn: what was happening behind my back? Maybe it would start behind me and when I would turn around, suddenly, it would be too late. As long as I could stare at things nothing would happen: I looked at them as much as I could, pavements, houses, gaslights; my eyes went rapidly from one to the other, to catch them unawares, stop them in the midst of their metamorphosis. They didn't look too natural, but I told myself forcibly: this is a gaslight, this is a drinking fountain, and I tried to reduce them to their everyday aspect by the power of my gaze. Several times I came across barriers in my path: the Cafe des Bretons, the Bar de la Marine. I stopped, hesitated in front of their pink net curtains: perhaps these snug places had been spared, perhaps they still held a bit of yesterday's world, isolated, forgotten. But I would have to push the door open and enter. I didn't dare; I went on. Doors of houses frightened me especially. I was afraid they would open of themselves. I ended by walking in the middle of the street. I suddenly came out on the Quai des Bassins du Nord. Fishing smacks and small yachts. I put my foot on a ring set in the stone. Here, far from houses, far from doors, I would have a moment of respite. A cork was floating on the calm, black speckled water. "And under the water? You haven't thought what could be under the water." A monster? A giant carapace? sunk in the mud? A dozen pairs of claws or fins labouring slowly in the slime. The monster rises. At the bottom of the water. I went nearer, watching every eddy and undulation. The cork stayed immobile among the black spots.

The queen gazes into the garden. There, near the trees, is a fountain; it is white in the darkness and tall, tall as a ghost. The queen hears, through the talk and the music, the soft splashing of its waters. She looks and thinks. You, Sirs, you are all noble, clever, rich, you throng round me, every one of my words is precious to you, you are all ready to die at my feet, you are my slaves.. But there, by the fountain, by the plashing water, he whose slave I am awaits me. He wears neither gorgeous raiment nor precious stones, no one knows him, but he await me, sure that I come – and I shall come –and there is no power in the world that can stop me when I want to go to him, to be with him, to lose myself with him there in the darkness of the garden, with the rustling of the trees and the murmur of the fountain …' Zinaida was silent.

They came there regularly every evening drawn by some need. It was as if the water floated off and set sailing thoughts which had grown stagnant on dry land, and gave to their bodies even some sort of physical relief. First, the pulse of colour flooded the bay with blue, and the heart expanded with it and the body swam, only the next instant to be checked and chilled by the prickly blackness on the ruffled waves. Then, up behind the great black rock, almost every evening spurted irregularly, so that one had to watch for it and it was a delight when it came, a fountain of white water; and then while one waited for that, one watched, on the pale semicircular beach, wave after wave shedding again and again smoothly, a film of mother-of-pearl.

Did your dad say anything about Nick and Daisy?" "He-" I started. Then I caught a blur out of the corner of my eye, and something landed in the fountain with a resounding splash, drenching me and Jenna in a wave of pink water. Nick surfaced, tossing his head back and sending dropets flying. If a demon and a vampire both staring at him with identical looks of "WTF,dude?" bothered him, he didn't show it. Instead,he gave his usualy creepy grin and asked, "Did one of you lovely ladies say my name?" "Yeah," I said,glaring at him as I wrung water out of my braid. "We were just saying, 'Man,I wish Nick would fling himself into the fountain like a nut job and totally ruin our clothes.' So thanks for that." "Sophie's right," Daisy said, coming to stand next to the fountain. Apparently, wherever Nick was, she was right behind. "Tell them you're sorry." Her words might have sounded sterner if she hadn't been looking at Nick like he was something tasty to eat. God,they were weird. Nick sloshed through the water until he was right in front of me and Jenna. "That's actually why I came out here, my darling," he said to Daisy. "Sophie, I was a jerk to you yesterday." He didn't actually say 'jerk," but another word that was way more accurate. I just raised my eyebrows and waited for him to continue.

But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-" Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves. Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself. "Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist. "What?" he asked once he laid a smacking kiss on her cheek. "They look better like that." Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this." I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit. Then I was in a bikini. So Nick was wearing a particularly poofy purple prom dress. By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling.

The Fire Bug flared up at that. “You want to know what bugs me?” it said indignantly. “Nobodaddy’s friendly about fire. Oh, it’s fine in its place, people say, it makes a nice glow in a room, but keep an eye on it in case it gets out of control, and always put it out before you leave. Never mind how much it’s needed; a few forests burned by wildfires, the occasional volcanic eruption, and there goes our reputation. Water, on the other hand!—hah!—there’s no limit to the praise Water gets. Floods, rains, burst pipes, they make no difference. Water is everyone’s favorite. And when they call it the Fountain of Life!—bah!—well, that just bugs me to bits.” The Fire Bug dissolved briefly into a little cloud of angry, buzzing sparks, then came together again. “Fountain of Life, indeed,” it hissed. “What an idea. Life is not a drip. Life is a flame. What do you imagine the sun is made of? Raindrops? I don’t think so. Life is not wet, young man. Life burns.

Without making a conscious decision to do so, Drew grabbed a fistful of her ridiculous blond wig and tugged. Some of her hair came with it and he felt a moment of satisfaction when she howled. Bianca’s real hair was a matted mess against her head. He looked at the wig in his hand and moved his gaze to the water fountain. Bianca’s eyes widened. “Don’t do it. Don’t you dare.” “Don’t do what? Don’t do this?” He dangled the wig above the fountain. She raised her hands and crept toward him. “Just give it back, Drew, and we’ll be even. Okay?” “Aaawww, is Bianca getting worried? Poor baby.” “Come on.” “Say you’re sorry.” He shook it up and down. “What? No way.” With a shrug, he tossed the wig into the water fountain.

I can't explain the birds to you even if I tried. In the early morning, when the sun's rays peek over the mountain and subtly light up the landscape in a glow that, if audible, would sound like a hum, the birds sing. They sing in a layered symphony, hundreds deep. You really can't believe how beautiful it is. You hear bass notes from across the farm and soprano notes from the tree in front of you all at once, at varying volumes, like a massive choir that stretches across fifty acres of land. I love birds. But not as much as my wife loves them. My wife thinks about them, whereas I only notice them once they call for attention. But she looks for them, builds fountains for them, and saves them after they crash into windows. I've seen her save many birds. She holds them gently in the palm of her hand, and she takes them to one of the fountains she's built especially for them and holds their beaks up to the gentle trickle of water to let them drink, to wake them up from their dazed stupor. No matter how much time it takes, she doesn't leave them until they recover. And they mostly always do.

Aliveness, he will teach, is a gift available to all by God's grace. It flows not from taking, but giving, not from fear but from faith, not from conflict but from reconciliation, not from domination but from service. It isn't found in the upper trappings of religion -rules and rituals, controversies and scruples, temples and traditions. No, it springs up from our innermost being like a fountain of living water. It intoxicates us lie the best wine ever and so turns life from disappointment into a banquet.

When the stars and the moon met, a song began among the moonside Kakri. “Where is the fountain which brought joy to the city, clean and clear at its heart?” There were no instruments, just voices. The starside Kakri answered, also in song, “It has been carried away, the water spilled to the sand, the water given to the sun.” The song, beautiful and strange, reached out to Jason like the tendrils of a plant opening in the morning dew. He felt himself alive, transported, and filled with a deep, melancholy sadness.

Did you, like, google me or something?” She frowned. “I don’t know that word.” “You looked me up,” he said. “Almost like you had some interest in me.” She wrinkled her nose. “I have an interest in not making you a new set of clothes every other day. I have an interest in you not smelling so bad and walking around my island in smouldering rags.” “Oh, yeah.” Leo grinned. “You’re really warming up to me.” Her face got even redder. “You are the most insufferable person I have ever met! I was only returning a favour. You fixed my fountain.” “That?” Leo laughed. The problem had been so simple he’d almost forgotten about it. One of the bronze satyrs had been turned sideways and the water pressure was off, so it started making an annoying ticking sound, jiggling up and down and spewing water over the rim of the pool. He’d pulled out a couple of tools and fixed it in about two minutes. “That was no big deal. I don’t like it when things don’t work right.” “And the curtains across the cave entrance?” “The rod wasn’t level.” “And my gardening tools?” “Look, I just sharpened the shears. Cutting vines with a dull blade is dangerous. And the pruners needed to be oiled at the hinge, and—” “Oh, yeah,” Calypso said, in a pretty good imitation of his voice. “You’re really warming up to me.

Then there was a fine noise of rushing water from the crown of an oak at his back, as if a spigot there had been turned. Then the noise of fountains came from the crowns of all the tall trees. Why did he love storms, what was the meaning of his excitement when the door sprang open and the rain wind fled rudely up the stair, why had the simple task of shutting the windows of an old house seem fitting and urgent, why did the first watery notes of a storm wind have for him the unmistakable sound of good news, cheer, glad tidings?

All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth’s dagger. “You dropped this,” he said, totally poker-faced. Annabeth threw her arms around him. “I love you!” “Guys,” Hazel interrupted. She had a little smile on her face. “We need to hurry.” Down in the water, Octavian yelled, “Get me out of here! I’ll kill you!” “Tempting,” Percy called down.

put another way, electrons and all other particles are no more substantive or permanent than the form a geyser of water takes as it gushes out of a fountain. They are sustained by a constant influx from the implicate order, and when a particle appears to be destroyed, it is not lost. It has merely enfolded back into the deeper order from which it sprang. A piece of holographic film and the image it generates are also an example of an implicate and explicate order. The film is an implicate order because the image encoded in its interference patterns is a hidden totality enfolded throughout the whole. The hologram projected from the film is an explicate order because it represents the unfolded and perceptible version of the image.

She would curl herself onto the couch and listen to him making paintings out of sound. And each piece was a different picture. In her mind’s eye, she could see a garden full of trees with white leaves and a fountain with blush-pink petals floating in the clear water—that was a concerto. The volta: scarlet and plum-colored ribbons winding around each other, battling for dominance. A requiem . . . a lone horse walking down a dimly lit cobbled road, looking for a rider that had died long ago. From these dead foreigners whose names she was slowly growing accustomed to, Nori was learning what it was to live a thousand lifetimes of joy and sorrow without ever leaving this house.

Everyone in America is extremely concerned with hydration. Go more than five minutes without drinking, and you’ll surely be discovered behind a potted plant, dried out like some escaped hermit crab. When I was young no one would think to bring a bottle of water into a classroom. I don’t think they even sold bottled water. We survived shopping trips without it, and funerals. Now, though, you see people with those barrels that Saint Bernards carry around their necks in cartoons, lugging them into the mall and the movie theater, then hogging the fountains in order to refill them. Is that really necessary? I think as I stand behind them with an aspirin dissolving in my mouth, fuming.

Farewell, eyes that I loved! Do not blame me if the human body cannot go three days without water. I should never have believed that man was so truly the prisoner of the springs and freshets. I had no notion that our self-sufficiency was so circumscribed. We take it for granted that a man is able to stride straight out into the world. We believe that man is free. We never see the cord that binds him to wells and fountains, that umbilical cord by which he is tied to the womb of the world. Let man take but one step too many... and the cord snaps. Apart from your suffering, I have no regrets. All in all, it has been a good life. If I got free of this I should start right in again. A man cannot live a decent life in cities, and I need to feel myself live. I am not thinking of aviation. The airplane is a means, not an end. One doesn't risk one's life for a plane any more than a farmer ploughs for the sake of the plough. But the airplane is a means of getting away from towns and their bookkeeping and coming to grips with reality.

A hidden mussel was blowing bubbles like a spring through the sand where his boot was teasing the water. It was the little pulse of bubbles and not himself or herself that was the moment for her then; and he could have already departed and she could have already wept, and it would have been the same, as she stared at the little fountain rising so gently out of the shimmering sand. A clear love is in the world - this came to her as insistently as the mussel's bubbles through the water. There it was, existing there where they came and were beside it now. It is in the bubble in the water in the river, and it has its own changing and its mysteries of days and nights, and it does not care how we come and go.

One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.

There were rockets like a flock of scintillating birds singing with sweet voices. There were green trees with trunks of dark smoke: their leaves opened like a whole spring unfolding in a moment, and their shining branches dropped glowing flowers down upon the hobbits, disappearing with a sweet scent just before their touched their upturned faces. There were fountains of butterflies that flew glittering into the trees; there were pillars of coloured fires that rose and turned into eagles, or sailing ships, or a phalanx of flying swans; there was a red thunderstorm and a shower of yellow rain; there was a forest of silver spears that sprang suddenly into the air with a yell like an embattled army, and and came down again into the Water with a hiss like a hundred hot snakes.

One might think that those who feast most often on communion with God are least hungry. They turn often from the innocent pleasures of the world to linger more directly in the presence of God through the revelation of his Word. And there they eat the Bread of Heaven and drink the Living Water by meditation and faith. But, paradoxically, it is not so that they are the least hungry saints. The opposite is the case. The strongest, most mature Christians I have ever met are the hungriest for God. It might seem that those who eat most would be least hungry. But that’s not the way it works with an inexhaustible fountain, and an infinite feast, and a glorious Lord. When you take your stand on the finished work of God in Christ, and begin to drink at the River of Life and eat the Bread of Heaven, and know that you have found the end of all your longings,

Every person you meet has been assigned to play a role in your story as you are assigned to play one in someone else’s. I often say that the people we come across can be one of the four kinds. They can be like pebbles, fountains, quagmire or bridges. Pebbles are those who you meet commonly and in abundance. They do not facilitate anything great but they help you continue walking on this journey of life. Everyone you cross in life without really connecting with them are pebbles. Then there are fountains – who spring water of happiness on you. They bring positivity and joy; they nourish your soul and irrigate the seeds of good thoughts. Your friends, well-wishers are all fountains. Then, on the other end of the spectrum, you have quagmires. These are the people who cause you pain. Now, even some pebbles may have caused you pain as it happens if you tread on a barbed pebble but the difference is that quagmires do that on purpose. They pull you down, induce fear and negativity by discouraging you and worrying you. They will not let you move on – that’s why they keep you bogged down in your failures. Finally, the rarest ones are the bridges – they connect you to unchartered ground that you wouldn’t have reached on your own. They unite you to your destiny. With them, your plane of consciousness expands, you see things you have not seen before; your life becomes more aware, more enlightened. Your parents, your teachers and anyone who touches your life and transcends it into something more beautiful – they are all bridges.

The world, he now perceived, was in fact a great, flat wheel with a myriad spokes of water, trees and grass, for ever turning and turning beneath the sun and moon. At each spoke was an animal-all the animals and birds he had ever known-horses, dogs, chaffinches, mice, hedgehogs,rabbits, cows, sheep, rooks and many more which he did not recognize-a huge, striped cat, and a monstrous fish spurting water in a fountain to the sky. At the centre, on the axle itself, stood a man, who ceaselessly lashed and lashed the creatures with a whip to make them drive the wheel round. Some shrieked aloud as they bled and struggled, others silently toppled and were trodden down beneath their comrades' stumbling feet. And yet, as he himself could see, the man had misconceived his task, for in fact the wheel turned of itself and all he needed to do was to keep it balanced upon its delicate axle by adjusting, as might be necessary, the numbers of animals upon this side and that. The great fish poured blood as the man pierced it with a flying spear which exploded within its body. The striped cat melted, diminishing slowly to the size of a mouse; and a great, grey beast with a long trunk cried piteously as the man tore its white tusks out of its face. Still on towards the wheel he circled, and between him and the wheel Mr. Ephraim called him silently to fellowship with the dead.

To say that the frozen silence contracted itself into a yet higher globe of ice were to under-rate the exquisite tension and to shroud it in words. The atmosphere had become a physical sensation. As when, before a masterpiece, the acid throat contracts, and words are millstones, so when the supernaturally outlandish happens and a masterpiece is launched through the medium of human gesture, then all human volition is withered at the source and the heart of action stops beating. Such a moment was this. Irma, a stalagmite of crimson stone, knew, for all the riot of her veins that a page had turned over. At chapter forty? O no! At chapter one, for she had never lived before save in a pulseless preface. How long did they remain thus? How many times had the earth moved round the sun? How many times had the great blue whales of the northern waters risen to spurt their fountains at the sky? How many reed-bucks had fallen to the claws of how many leopards, while that sublime unit of two-figure statuary remained motionless? It is fruitless to ask. The clocks of the world stood still or should have done.

Since true life and sustenance are found in the presence of God, we must regularly drink deeply from the river of his delights. In our weariness, though, we often seek life from entertainment, empty friendships and ceaseless activity, which all fail to bring life. So many of our “recreational” activities fail to re-create the inner resources of our soul to face the challenges of each day. Like the Israelites before us, we forsake the river of God’s presence and hew out empty cisterns that do not hold water to satisfy our thirsts (Jer 2:13). Will we satisfy our soul at the fountain of living waters? Or will we hew out cisterns of putrid water that do not satisfy? The rivers of life flowing from the presence of God in Eden beckon us to the satisfaction and re-creation of these refreshing waters that are only found in the presence of God. We sacrifice for what satisfies. The soul-satisfying riches in the presence of God propel us out of our comfort zones, calling us out of the warm confines of our beds to our knees in early-morning prayer and meditation on God’s Word. Only these soul-satisfying riches can sustain us in the rigors of God’s calling on our lives as we move out to proclaim his name to the nations across the street and across the globe. A heart for mission grows out of a soul that finds satisfaction in God’s presence, the riches of which can be seen in the imagery of Eden.

Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water. Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!" Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation. "You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--" All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger. "You dropped this," he said, totally poker-faced. -Heroes of Olympus

Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon.

The Hunchback in the Park The hunchback in the park A solitary mister Propped between trees and water From the opening of the garden lock That lets the trees and water enter Until the Sunday sombre bell at dark Eating bread from a newspaper Drinking water from the chained cup That the children filled with gravel In the fountain basin where I sailed my ship Slept at night in a dog kennel But nobody chained him up. Like the park birds he came early Like the water he sat down And Mister they called Hey mister The truant boys from the town Running when he had heard them clearly On out of sound Past lake and rockery Laughing when he shook his paper Hunchbacked in mockery Through the loud zoo of the willow groves Dodging the park keeper With his stick that picked up leaves. And the old dog sleeper Alone between nurses and swans While the boys among willows Made the tigers jump out of their eyes To roar on the rockery stones And the groves were blue with sailors Made all day until bell time A woman figure without fault Straight as a young elm Straight and tall from his crooked bones That she might stand in the night After the locks and chains All night in the unmade park After the railings and shrubberies The birds the grass the trees the lake And the wild boys innocent as strawberries Had followed the hunchback To his kennel in the dark.

The conclusion, therefore, is that of Augustine, who said that the heart of man was created for God and that it cannot find rest until it rests in his Father’s heart. Hence all men are really seeking after God, as Augustine also declared, but they do not all seek Him in the right way, nor at the right place. They seek Him down below, and He is up above. They seek Him on the earth, and He is in heaven. They seek Him afar, and He is nearby. They seek Him in money, in property, in fame, in power, and in passion; and He is to be found in the high and the holy places, and with him that is of a contrite and humble spirit (Isa. 57:15). But they do seek Him, if haply they might feel after Him and find Him (Acts 17:27). They seek Him and at the same time they flee Him. They have no interest in a knowledge of His ways, and yet they cannot do without Him. They feel themselves attracted to God and at the same time repelled by Him. In this, as Pascal so profoundly pointed out, consists the greatness and the miserableness of man. He longs for truth and is false by nature. He yearns for rest and throws himself from one diversion upon another. He pants for a permanent and eternal bliss and seizes on the pleasures of a moment. He seeks for God and loses himself in the creature. He is a born son of the house and he feeds on the husks of the swine in a strange land. He forsakes the fountain of living waters and hews out broken cisterns that can hold no water ( Jer. 2:13). He is as a hungry man who dreams that he is eating, and when he awakes finds that his soul is empty; and he is like a thirsty man who dreams that he is drinking, and when he awakes finds that he is faint and that his soul has appetite (Isa. 29:8). Science cannot explain this contradiction in man. It reckons only with his greatness and not with his misery, or only with his misery and not with his greatness. It exalts him too high, or it depresses him too far, for science does not know of his Divine origin, nor of his profound fall. But the Scriptures know of both, and they shed their light over man and over mankind; and the contradictions are reconciled, the mists are cleared, and the hidden things are revealed. Man is an enigma whose solution can be found only in God.

I once was a stranger to grace and to God, I knew not my danger, and felt not my load; Though friends spoke in rapture of Christ on the tree, Jehovah Tsidkenu was nothing to me. I oft read with pleasure, to sooth or engage, Isaiah’s wild measure and John’s simple page; But e’en when they pictured the blood sprinkled tree Jehovah Tsidkenu seemed nothing to me. Like tears from the daughters of Zion that roll, I wept when the waters went over His soul; Yet thought not that my sins had nailed to the tree Jehovah Tsidkenu—’twas nothing to me. When free grace awoke me, by light from on high, Then legal fears shook me, I trembled to die; No refuge, no safety in self could I see— Jehovah Tsidkenu my Saviour must be. My terrors all vanished before the sweet Name; My guilty fears banished, with boldness I came To drink at the fountain, life giving and free— Jehovah Tsidkenu is all things to me. Jehovah Tsidkenu! my treasure and boast, Jehovah Tsidkenu! I ne’er can be lost; In Thee I shall conquer by flood and by field, My cable, my anchor, my breast-plate and shield! Even treading the valley, the shadow of death, This “watchword” shall rally my faltering breath; For while from life’s fever my God sets me free, Jehovah Tsidkenu, my death song shall be.

The Undivided Wholeness of All Things Most mind-boggling of all are Bohm's fully developed ideas about wholeness. Because everything in the cosmos is made out of the seamless holographic fabric of the implicate order, he believes it is as meaningless to view the universe as composed of "parts, " as it is to view the different geysers in a fountain as separate from the water out of which they flow. An electron is not an "elementary particle. " It is just a name given to a certain aspect of the holomovement. Dividing reality up into parts and then naming those parts is always arbitrary, a product of convention, because subatomic particles, and everything else in the universe, are no more separate from one another than different patterns in an ornate carpet. This is a profound suggestion. In his general theory of relativity Einstein astounded the world when he said that space and time are not separate entities, but are smoothly linked and part of a larger whole he called the space-time continuum. Bohm takes this idea a giant step further. He says that everything in the universe is part of a continuum. Despite the apparent separateness of things at the explicate level, everything is a seamless extension of everything else, and ultimately even the implicate and explicate orders blend into each other. Take a moment to consider this. Look at your hand. Now look at the light streaming from the lamp beside you. And at the dog resting at your feet. You are not merely made of the same things. You are the same thing. One thing. Unbroken. One enormous something that has extended its uncountable arms and appendages into all the apparent objects, atoms, restless oceans, and twinkling stars in the cosmos. Bohm cautions that this does not mean the universe is a giant undifferentiated mass. Things can be part of an undivided whole and still possess their own unique qualities. To illustrate what he means he points to the little eddies and whirlpools that often form in a river. At a glance such eddies appear to be separate things and possess many individual characteristics such as size, rate, and direction of rotation, et cetera. But careful scrutiny reveals that it is impossible to determine where any given whirlpool ends and the river begins. Thus, Bohm is not suggesting that the differences between "things" is meaningless. He merely wants us to be aware constantly that dividing various aspects of the holomovement into "things" is always an abstraction, a way of making those aspects stand out in our perception by our way of thinking. In attempts to correct this, instead of calling different aspects of the holomovement "things, " he prefers to call them "relatively independent subtotalities. "10 Indeed, Bohm believes that our almost universal tendency to fragment the world and ignore the dynamic interconnectedness of all things is responsible for many of our problems, not only in science but in our lives and our society as well. For instance, we believe we can extract the valuable parts of the earth without affecting the whole. We believe it is possible to treat parts of our body and not be concerned with the whole. We believe we can deal with various problems in our society, such as crime, poverty, and drug addiction, without addressing the problems in our society as a whole, and so on. In his writings Bohm argues passionately that our current way of fragmenting the world into parts not only doesn't work, but may even lead to our extinction.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.