Basement Bar Quotes

I had survived the work gangs in the ghetto. Baked bread under cover of night. Hidden in a pigeon coop. Had a midnight bar mitzvah in the basement of an abandoned building. I had watched my parents be taken away to their deaths, had avoided Amon Goeth and his dogs, had survived the salt mines of Wieliczka and the sick games of Trzebinia. I had done so much to live, and now, here, the Nazis were going to take all that away with their furnace! I started to cry, the first tears I had shed since Moshe died. Why had I worked so hard to survive if it was always going to end like this? If I had known, I wouldn't have bothered. I would have let them kill me back in the ghetto. It would have been easier that way. All that I had done was for nothing.

There is a pirate in the basement. (The pirate is a metaphor but also still a person.) (The basement could rightly be considered a dungeon.) The pirate was placed here for numerous acts of a piratey nature considered criminal enough for punishment by those non-pirates who decide such things. Someone said to throw away the key, but the key rests on a tarnished ring on a book that hands on the wall nearby. (Close enough to see from behind the bars. Freedom kept in sight but out of reach, left as a reminder to the prisoner. No one remembers that now on the key side of the bars. The careful psychological design forgotten, distilled into habit and convenience.) (The pirate realizes this but withholds comment.)

I tell you that my standards are low. The bar has come waaaaay down. At this point I’d settle for a guy simply because he has a penis, more than one towel, and no flags hanging on his walls. I mean, do they actually expect us to have sex with them on a futon in their mom’s basement? Like, actually?” “Yes,” she said flatly. “That is exactly what they expect.” I sat back heavily in my seat. “I’m beginning to think men are not sending us their best people.

The smell of cigarette smoke in the air in a tavern that changes names often, a bar cursed because of a girl who died of a drug overdose in the basement, we put a few coins in the jukebox; chose “Angel Band” by Johnny Cash and sat down at the bar, ordered a soda, you wanted a whiskey on the rocks. We saw the coal miner who moved here from West Virginia knocking back liquor like I drink sweet tea. No one asked why he was so solemn today. It was warm. It was relatively quiet. To anyone else, this place could feel sinister. But to us, it was freedom. It was a hiding place. No one was ever here long enough to know us. And we liked it that way.

But that is the brilliant thing about New York. Addie has wandered a fair portion of the five boroughs, and the city still has its secrets, some tucked in corners—basement bars, speakeasies, members-only clubs—and others sitting in plain sight. Like easter eggs in a movie, the ones you don’t notice until the second or third viewing. And not like Easter eggs at all, because no matter how many times she walks these blocks, no matter how many hours, or days, or years she spends learning the contour of New York, as soon as she turns her back it seems to shift again, reassemble. Buildings go up and come down, businesses open and close, people arrive and depart and the deck shuffles itself again and again and again.

screen T.V. A comfortable and well-stocked family room, including a wet bar with a locked liquor cabinet and a closet with door standing open, shelves packed with tennis rackets and snowshoes and ice skates. All the accoutrements of a well-off, athletic family in a room now tainted with the overwhelming presence of death. The father was slumped in a club chair in front of the television with a rifle at his feet and a bloody cavern where his head had been. Blood and brains sprayed the carpet beneath him. At first glimpse just about anyone would see it as a suicide. “Basement is concrete block,” Epps said. “Family probably never heard the shot.” “The gun his?” Roarke asked, and heard the edge in his voice. “From the cabinet upstairs. Guy is a sportsman,” Aceves answered.

There was some little local controversy too, about a fundraising effort called Suzie's Closet--folks getting together in church basements to make care packages for the plantations--blankets and candy bars.....first they interviewed a local advocate for the homeless, asking why our attention shouuld be down there, "when there's so much suffering right here at home."...it was the usual stuff --all the new stories and just the old stories again.

As you rusticate, you'll encounter beauty and ugliness, peace and danger. But it will be real and of the earth. I'm an optimistic person, but deep inside all optimists, there's a bound-and-gagged pessimist sitting in the basement, struggling to get out. I believe if we don't deconstruct our lives and learn to be more earthbound and earth-friendly and sustainable, and try to live with all God's creatures, even if they're not big-eyed and behind bars in a zoo, or on our screen savers, then sooner than expected we'll be forced to, through political mandate or economics or from overuse of our resources.

Most of the guests left the rehearsal dinner at the country club; the remaining group--a varied collection of important figures in both of our lives--had skittered away to the downtown hotel where all of the out-of-town guests were staying. Marlboro Man and I, not ready to bid each other good night yet, had joined them in the small, dimly lit (lucky for me, given the deteriorating condition of my epidermis) hotel bar. We gathered at a collection of tiny tables butted up together and wound up talking and laughing into the night, toasting one another and spouting various late-night versions of “I’m so glad I know you” and “I love you, man!” In the midst of all the wedding planning and craziness, hanging out in a basement bar with uncles, college friends, and siblings was a relaxing, calming elixir. I wanted to bottle the feeling and store it up forever. It was late, though; I saw Marlboro Man looking at the clock in the bar. “I think I’ll head back to the ranch,” he whispered as his brother told another joke to the group. Marlboro Man had a long drive ahead, not to mention an entire lifetime with me. I couldn’t blame him for wanting a good night’s sleep. “I’m tired, too,” I said, grabbing my purse from under the table. And I was; the long day had finally set in. The two of us stood up and said our good-byes to all the people who loved us so much. Men stood up, some stumbling, and shook hands with Marlboro Man. Women blew kisses and mouthed Love you guys! to us as we walked out of the room and waved good-bye. But no one left the bar. Nobody loved us that much.

MATHEMATICAL MIRACLE Some years ago, I heard a story which has been making the rounds in Midwest A.A. circles for years. I don’t have any names to back up this story, but I have heard it from many sources, and the circumstances sound believable. A man in a small Wisconsin city had been on the program for about three years and had enjoyed contented sobriety through that period. Then bad luck began to hit him in bunches. The firm for which he had worked for some fifteen years was sold; his particular job was phased out of existence, and the plant moved to another city. For several months, he struggled along at odd jobs while looking for a company that needed his specialized experience. Then another blow hit him. His wife was forced to enter a hospital for major surgery, and his company insurance had expired. At this point he cracked, and decided to go on an all-out binge. He didn’t want to stage this in the small city, where everyone knew his sobriety record. So he went to Chicago, checked in at a North Side hotel, and set forth on his project. It was Friday night, and the bars were filled with a swinging crowd. But he was in no mood for swinging—he just wanted to get quietly, miserably drunk. Finally, he found a basement bar on a quiet side street, practically deserted. He sat down on a bar stool and ordered a double bourbon on the rocks. The bartender said, “Yes, sir,” and reached for a bottle. Then the bartender stopped in his tracks, took a long, hard look at the customer, leaned over the bar, and said in a low tone, “I was in Milwaukee about four months ago, and one night I attended an open meeting. You were on the speaking platform, and you gave one of the finest A.A. talks I ever heard.” The bartender turned and walked to the end of the bar. For a few minutes, the customer sat there—probably in a state of shock. Then he picked his money off the bar with trembling hands and walked out, all desire for a drink drained out of him. It is estimated that there are about 8,000 saloons in Chicago, employing some 25,000 bartenders. This man had entered the one saloon in 8,000 where he would encounter the one man in 25,000 who knew that he was a member of A.A. and didn’t belong there. Chicago, Illinois

Old Hubert must have had a premonition of his squalid demise. In October he said to me, ‘Forty-two years I’ve had this place. I’d really like to go back home, but I ain’t got the energy since my old girl died. And I can’t sell it the way it is now. But anyway before I hang my hat up I’d be curious to know what’s in that third cellar of mine.’ The third cellar has been walled up by order of the civil defence authorities after the floods of 1910. A double barrier of cemented bricks prevents the rising waters from invading the upper floors when flooding occurs. In the event of storms or blocked drains, the cellar acts as a regulatory overflow. The weather was fine: no risk of drowning or any sudden emergency. There were five of us: Hubert, Gerard the painter, two regulars and myself. Old Marteau, the local builder, was upstairs with his gear, ready to repair the damage. We made a hole. Our exploration took us sixty metres down a laboriously-faced vaulted corridor (it must have been an old thoroughfare). We were wading through a disgusting sludge. At the far end, an impassable barrier of iron bars. The corridor continued beyond it, plunging downwards. In short, it was a kind of drain-trap. That’s all. Nothing else. Disappointed, we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No, an alcove, with some wooden object that looks like a black statuette. I pick the thing up: it’s easily removable. I stick it under my arm. I told Hubert, ‘It’s of no interest. . .’ and kept this treasure for myself. I gazed at it for hours on end, in private. So my deductions, my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered. And this kind of primitive magic, which the blacks of Central Africa practise today, was known here several centuries ago. The statuette had miraculously survived the onslaught of time: the well-known virtues of the waters of the Bièvre, so rich in tannin, had protected the wood from rotting, actually hardened, almost fossilized it. The object answered a purpose that was anything but aesthetic. Crudely carved, probably from heart of oak. The legs were slightly set apart, the arms detached from the body. No indication of gender. Four nails set in a triangle were planted in its chest. Two of them, corroded with rust, broke off at the wood’s surface all on their own. There was a spike sunk in each eye. The skull, like a salt cellar, had twenty-four holes in which little tufts of brown hair had been planted, fixed in place with wax, of which there were still some vestiges. I’ve kept quiet about my find. I’m biding my time.

I’d met Madison, as I’ve already mentioned, two months earlier, in Budapest. I’d been at a conference. She’d been there with some girlfriends. We’d got talking in the hotel bar. An anthropologist, she’d said; that’s … exotic. Not at all, I’d replied; I work for an incorporated business, in a basement. Yes, she said, but … But what? I asked. Dances, and masks, and feathers, she eventually responded: that’s the essence of your work, isn’t it? I mean, even if you’re writing a report on workplace etiquette, or how to motivate employees or whatever, you’re seeing it all through a lens of rituals, and rites, and stuff. It must make the everyday all primitive and strange—no? I saw what she was getting at; but she was wrong. For anthropologists, even the exotic’s not exotic, let alone the everyday. In his key volume Tristes Tropiques, Claude Lévi-Strauss, the twentieth century’s most brilliant ethnographer, describes pacing the streets, all draped with new electric cable, of Lahore’s Old Town sometime in the nineteen-fifties, trying to piece together, long after the event, a vanished purity—of local colour, texture, custom, life in general—from nothing but leftovers and debris. He goes on to describe being struck by the same impression when he lived among the Amazonian Nambikwara tribe: the sense of having come “too late”—although he knows, from having read a previous account of life among the Nambikwara, that the anthropologist (that account’s author) who came here fifty years earlier, before the rubber-traders and the telegraph, was struck by that impression also; and knows as well that the anthropologist who, inspired by the account that Lévi-Strauss will himself write of this trip, shall come back in fifty more will be struck by it too, and wish—if only!—that he could have been here fifty years ago (that is, now, or, rather, then) to see what he, Lévi-Strauss, saw, or failed to see. This leads him to identify a “double-bind” to which all anthropologists, and anthropology itself, are, by their very nature, prey: the “purity” they crave is no more than a state in which all frames of comprehension, of interpretation and analysis, are lacking; once these are brought to bear, the mystery that drew the anthropologist towards his subject in the first place vanishes. I explained this to her; and she seemed, despite the fact that she was drunk, to understand what I was saying. Wow, she murmured; that’s kind of fucked. 2.8 When I arrived at Madison’s, we had sex. Afterwards,

Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D

At real stripper bars women just dance—so many things they could be checking off their lists. I guess men don’t want to see women work? They get that at home? In my Champagne Room the butches plant bulbs, build bookshelves, clean basements, write checks to the ACLU, retrain your dog.

I was not a denizen of Studio 54, although Steve Rubell gave me house privileges, including access to the basement. The shirtless guys behind the bar were like a college gymnastics team.

Using the Time-Out The time-out process involves six steps, each of which needs to be followed or the time-out will not work. We’ve used the word TEMPER to make the steps easier to remember. T—Take your temperature. Find out if you are at or near your exit point temperature. If you are, proceed with the time-out. E—Explain toyour partner that you need to take a time-out. Let her know you are concerned that if you stay any longer, you may not be able to manage your behavior. M—Mention exactly how many minutes you’ll be gone. We suggest thirty to sixty minutes. P—Promise to return. Tell her that you know your discussion is important and that you want to try to resolve the issue. E—Exit. Leave your home. Going to the basement or garage is not adequate. Use calm breathing and positive self-talk to help quiet yourself and let go of your anger. It may help to take a walk or do another form of exercise. Do not go to a bar, casino, or any other place that interferes with your calming down and thinking clearly. R—Return at the designated time and continue the discussion. If the time-out hasn’t been long enough to let you calm down, then explain to your partner that you need more time. Take another time-out. Once again, let her know how long you will be gone, and promise to return. Returning on time is important; if you don’t, your partner is unlikely to believe you the next time.

Past an empty stretch of white wall with stone flowers inset below windows, he spied a pair of pop-eyed pimp-eyes as urgent as whore-eyes but roundly comical as the pimp twisted himself from side to side not to be sexy but to be urgent as if to say Jimmy this is your one and only chance to get the woman whose cunt will satisfy you for ever and ever, in sickness and in health, so help me God, but you have to come with me right now down this dark dark alley past the sign that says MOVIES and left by the trash cans following the luminescence of my white straw hat and white jeans and the whites of my eyes which I will continually turn back upon you to make sure that you stay with me all the way to the barred basement windows where your good fortune waits for you already saying oh Jimmy Jimmy but as soon as the man opened his mouth he became as monotonous as the intricacies of brick walls and the steel lattice-windows of bars, and Jimmy walked away.

After learning the ins and outs of the gay bar scene, he found it surprisingly easy to meet and spend time with other gay men, often bringing them back to Grandma’s basement for sex. Other times, he secured a hotel room downtown to take his one-night stands.

At the bar—I don’t drink either, but I’m told that at the bar—they serve honey oatmeal vodka. I reverse engineered the recipe, and it’s not a still, but I make it in my basement. The recipe, for those who are interested, is you take a bottle of vodka—you don’t want the supercheap stuff but you don’t want the expensive stuff because that’s a little bit of a rip-off—you pour it over a pound of just plain old oatmeal, uncooked, and half a jar of honey. You let it sit in the fridge for 2 weeks, stirring it now and then. Then you strain it back into the original bottle and you’re done.” *

Barring a necessary and opposing force, the obsession that lives in an addict is always in the basement, doing push-ups, waiting for an opening. And all the treasure, human and otherwise, will not change that math. That’s why reading all the junkie memoirs that ridicule various programs of recovery makes me laugh. As opposed to what? Free will? Moderation? A flash of self-realization followed by a lifetime of self-control? Gee, that sounds like a plan, except an addict alone—me, for instance—is in a very bad neighborhood. Millions of lives have been saved by gathering like minds in a church basement. You don’t like the slogans? Make up some new ones.

Rabbit was, after all, the sort of person—kind, caring, entirely adult—who would come outside to make sure she was okay, if he had witnessed her diving to the sidewalk outside Porter Square’s oldest established watering hole. She’d been inside the Newtowne once or twice. It was your standard townie bar: shouting TVs, glowing blue Keno screens, a dining room on one side and a dark, cozy bar on the other. On a Wednesday night, without any big sporting events, it would be slow and empty, the handful of requisite townies bellied up but none of the students and hipster yuppies who would clog it on trivia nights, the sports fans who preferred the atmosphere—low stakes, low expectations, a relic of another time, like someone’s uncle’s basement—

Auschwitz continues to haunt, not the memory but the accomplishments of man—the space flights; the rockets and missiles; the “labyrinthine basement under the Snack Bar”; the pretty electronic plants, clean, hygienic and with flower beds; the poison gas which is not really harmful to people; the secrecy in which we all participate. This is the setting in which the great human achievements of science, medicine, technology take place; the efforts to save and ameliorate life are the sole promise in the disaster

Benny’s not doing great. And my divorce is final in two weeks.” “Good,” she said dryly. “Free at last.” I rolled my eyes. “Free to do what? Date? Have loads of sex with hot singles? Have you seen it out there?” I leaned forward. “And believe me when I tell you that my standards are low. The bar has come waaaaay down. At this point I’d settle for a guy simply because he has a penis, more than one towel, and no flags hanging on his walls. I mean, do they actually expect us to have sex with them on a futon in their mom’s basement? Like, actually?” “Yes,” she said flatly. “That is exactly what they expect.” I sat back heavily in my seat. “I’m beginning to think men are not sending us their best people.” She scoffed, which was Jessica’s version of laughing. “All they do is lie and throw off your PH balance. They are a constant reminder that we don’t choose our sexuality, because who in their right mind would choose to be attracted to men. They are completely worthless as partners. Did you know that when a wife becomes seriously ill, she is six times more likely to be abandoned by her spouse than a husband is?

We disengage from life, simply because we are afraid to fail. Men leave jobs, families, and responsibilities. Or we live hidden away from life, in basements or bars, drinking our lives away. Over time, we become wraiths, shadow-men living apart from reality and destiny.

Keeping her mind off the basement as well, she wondered exactly when coffee had gone walkabout in France. When she’d first been here, drinking coffee hadn’t been a pedestrian activity. One either sat to do it, in cafés or restaurants, or stood, at bars or on railway platforms, and drank from sturdy vessels, china or glass, themselves made in France. Had Starbucks brought the takeaway cup? she wondered. She doubted it. They hadn’t really had the time. More likely McDonald’s.

Did Avery want to see the aged bottles of wine surrounding his selection? He was so confused. He'd never heard of such a thing. Kane hit the swinging door behind the bar, held it open, and took the stairs down to the basement, still completely baffled.   *

It wasn’t about me anymore. I had a child. A husband who needed me to be there for him in the midst of what was turning out to be a terrible time to be making a living in agriculture. I didn’t have time to get mired in the angst of my own circumstances anymore. I didn’t have time for the past. My family--my new family--was all that mattered to me. My child. And always and forever, Marlboro Man. And then he appeared--walking down the basement steps in his Wranglers and rain-drenched boots. He stepped into the basement, a warm, gentle smile on his face. It was Marlboro Man. He was there. “Hey, Mama…,” he called. “It’s all fine.” The storm had passed us by, the funnel cloud dissipating before it could do any damage. “Hey, Daddy,” I answered. It was the first time I’d ever called him that. Looking on the ground at the water bottles and granola bars, he asked, “What’s all this for?” I shrugged. “I wasn’t sure how long I’d be down here.” He laughed. “You’re funny,” he said as he scooped our sleeping baby from my arms and threw the blanket over his shoulder. “Let’s go eat. I’m hungry.” We walked across the yard to our cozy little white house, where we ate pot roast with mashed potatoes and watched The Big Country with Gregory Peck…and spent the night listening to a blessed September thunderstorm send rain falling from the sky.

the basement of a bar.

bender is going to cook up. Guy Bar-Nahum: And then Google came along and said, “We’re doing Android.” So what’s the difference? Android was going to allow people to download third-party apps. Steve Wozniak: The first iPhone did not have the App Store. Guy Bar-Nahum: Steve panicked, and literally all of a sudden everything clicks through his head and he realizes that he was like a mile behind Google! Steve Wozniak: Openness is so important, and the App Store is a type of openness. It wasn’t the original idea of the iPhone. Steve had to be convinced of it. Guy Bar-Nahum: And so he went to Forstall and told him, “Hey, Forstall, we have to open up an ecosystem,” and that’s where Forstall shined the second time, after making the iPhone UI. He told him, “I was working on it the whole time.” So Forstall had actually ignored Steve’s verbatim order and he worked on it in the basement and made it happen. You have to have balls of steel to do something like that. Guy Bar-Nahum: And then because of Google, Apple was pushed into putting apps on the iPhone. And then apps became the way people touched the web.

My “boyfriend” at the time (let’s call him Mike) was an emotionally withholding, conventionally attractive jock whose sole metric for expressing affection was the number of hours he spent sitting platonically next to me in coffee shops and bars without ever, ever touching me. To be fair, by that metric he liked me a lot. Despite having nearly nothing in common (his top interests included cross-country running, fantasy cross-country running [he invented it], New England the place, New England the idea, and going outside on Saint Patrick’s Day; mine were candy, naps, hugging, and wizards), we spent a staggering amount of time together—I suppose because we were both lonely and smart, and, on my part, because he was the first human I’d ever met who was interested in touching my butt without keeping me sequestered in a moldy basement, and I was going to hold this relationship together if it killed me. Mike had only been in “official” relationships with thin women, but all his friends teased him for perpetually hooking up with fat chicks. Every few months he would get wasted and hold my hand, or tell me I was beautiful, and the first time I tried to leave him, he followed me home and said he loved me, weeping, on my doorstep. The next day, I told him I loved him, too, and it was true for both of us, probably, but it was a shallow, watery love—born of repetition and resignation. It condensed on us like dew, only because we waited long enough. But “I have grown accustomed to you because I have no one else” is not the same as “Please tell me more about your thoughts on the upcoming NESCAC cross-country season, my king.

It was Friday night, so after dropping our bags we went straight to Shep’s Bar, actually just the remodeled basement of Cottage 3. The place was named for Bill Shepherd, a NASA veteran of three space shuttle flights who was now in Star City training to become the first commander of the International Space Station. He was also a former Navy SEAL who was legendary for saying in his astronaut interview, when asked what he could do better than anyone else in the room, “Kill people with my knife.

This is how history happens in America—desperate people crowded into a musty basement, ready to give themselves over to a lawyer who’s supposed to be their savior. In Amsterdam, when they heard the police were coming they barred the doors and took to the rooftops. They stockpiled bricks and stones. They prepared to fight. Here they talk and wring their hands, hoping pieces of paper will save them.