Bar Mitzvah Quotes

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Allowing yourself to stop reading a book - at page 25, 50, or even, less frequently, a few chapters from the end - is a rite of passage in a reader's life, the literary equivalent of a bar mitzvah or a communion, the moment at which you look at yourself and announce: Today I am an adult. I can make my own decisions.
Sara Nelson (So Many Books, So Little Time: A Year of Passionate Reading)
My parents would frisk me before family events. Before weddings, funerals, bar mitzvahs, and what have you. Because if they didn't, then the book would be hidden inside some pocket or other and as soon as whatever it was got under way I'd be found in a corner. That was who I was...that was what I did. I was the kid with the book.
Neil Gaiman
Birthdays, like weddings, anniversaries, baptisms, bar mitzvahs, wakes, are occasions to retie family ties, renew family feuds, restore family feeling, add to family lore, tribalize the psyche, generate guilt, exercise power, wave a foreign flag, talk in tongues, exchange lies, remember dates and the old days, to be fond of how it was, be angry at what it should be, and weep at why it isn't.
William H. Gass (The Tunnel)
Did Max survive because he was brave? Perhaps. Lucky? Absolutely! Stupid? Undoubtedly so. But the number one reason Max sat in front of young Zachary Blake on the eve of the boy’s Bar Mitzvah was Max’s stubborn refusal to give up or give in.
Mark M. Bello (L'DOR V'DOR: From Generation to Generation)
The ceremony was fast so we wouldn't be caught. When it was over, the men all whispered 'Mazel tov' and climbed back onto their shelves. I went up to the boy and pressed the wooden horse into his hands, the only present I could give him. The boy looked at me with big, round eyes. Had I ever been so young? 'We are alive,' I told him. 'We are alive, and that is all that matters. We cannot let them tear us from the pages of the world.' I said it as much for me as for him. I said it in memory of Uncle Moshe, and my mother and father, and my aunts and other uncles and cousins. The Nazis had put me in a gas chamber. I had thought I was dead, but I was alive. I was a new man that day, just like the bar mitzvah boy. I was a new man, and I was going to survive.
Alan Gratz (Prisoner B-3087)
The only downside to the Bar Mitzvahs was that I killed a man once.
Tiffany Haddish (The Last Black Unicorn)
When 1:45 came, half the class left, and Danny Hupfer whispered, "If she gives you a cream puff after we leave, I'm going to kill you" - which was not something that someone headed off to prepare for his bar mitzvah should be thinking. When 1:55 came and the other half of the class left, Meryl Lee whispered, "If she gives you one after we leave, I'm going to do Number 408 to you." I didn't remember what Number 408 was, but it was probably pretty close to what Danny Hupfer had promised. Even Mai Thi looked at me with narrowed eyes and said, "I know your home." Which sounded pretty ominous.
Gary D. Schmidt (The Wednesday Wars)
I had survived the work gangs in the ghetto. Baked bread under cover of night. Hidden in a pigeon coop. Had a midnight bar mitzvah in the basement of an abandoned building. I had watched my parents be taken away to their deaths, had avoided Amon Goeth and his dogs, had survived the salt mines of Wieliczka and the sick games of Trzebinia. I had done so much to live, and now, here, the Nazis were going to take all that away with their furnace! I started to cry, the first tears I had shed since Moshe died. Why had I worked so hard to survive if it was always going to end like this? If I had known, I wouldn't have bothered. I would have let them kill me back in the ghetto. It would have been easier that way. All that I had done was for nothing.
Alan Gratz (Prisoner B-3087)
I would be quite content to go to their children's bar mitzvahs, to marvel at their Gothic cathedrals, to 'respect' their belief that the Koran was dictated, though exclusively in Arabic, to an illiterate merchant, or to interest myself in Wicca and Hindu and Jain consolations. And as it happens, I will continue to do this without insisting on the polite reciprocal condition - which is that they in turn leave me alone. But this, religion is ultimately incapable of doing.
Christopher Hitchens
The comment quieted the room, like a sudden shout of "Who wants extra bacon?" at a bar mitzvah.
Brandon Sanderson (Calamity (Reckoners, #3))
I became an “energy producer” at Bar Mitzvahs. Energy producer is what white suburban people call a “hype man.” I was basically the Flava Flav of Bar Mitzvahs.
Tiffany Haddish (The Last Black Unicorn)
Meg is planning your wedding? Honey, that’s like asking the pope to plan a bar mitzvah.
Kristin Hannah (Between Sisters)
Paying for your lover’s funeral is the gay version of a bar mitzvah. It is how you know that you have become a man.
Sarah Schulman (Rat Bohemia)
So I close this long reflection on what I hope is a not-too-quaveringly semi-Semitic note. When I am at home, I will only enter a synagogue for the bar or bat mitzvah of a friend's child, or in order to have a debate with the faithful. (When I was to be wed, I chose a rabbi named Robert Goldburg, an Einsteinian and a Shakespearean and a Spinozist, who had married Arthur Miller to Marilyn Monroe and had a copy of Marilyn’s conversion certificate. He conducted the ceremony in Victor and Annie Navasky's front room, with David Rieff and Steve Wasserman as my best of men.) I wanted to do something to acknowledge, and to knit up, the broken continuity between me and my German-Polish forebears. When I am traveling, I will stop at the shul if it is in a country where Jews are under threat, or dying out, or were once persecuted. This has taken me down queer and sad little side streets in Morocco and Tunisia and Eritrea and India, and in Damascus and Budapest and Prague and Istanbul, more than once to temples that have recently been desecrated by the new breed of racist Islamic gangster. (I have also had quite serious discussions, with Iraqi Kurdish friends, about the possibility of Jews genuinely returning in friendship to the places in northern Iraq from which they were once expelled.) I hate the idea that the dispossession of one people should be held hostage to the victimhood of another, as it is in the Middle East and as it was in Eastern Europe. But I find myself somehow assuming that Jewishness and 'normality' are in some profound way noncompatible. The most gracious thing said to me when I discovered my family secret was by Martin, who after a long evening of ironic reflection said quite simply: 'Hitch, I find that I am a little envious of you.' I choose to think that this proved, once again, his appreciation for the nuances of risk, uncertainty, ambivalence, and ambiguity. These happen to be the very things that 'security' and 'normality,' rather like the fantasy of salvation, cannot purchase.
Christopher Hitchens (Hitch 22: A Memoir)
Until he turned twelve, Nimrod was a shitty person. The kind of whiner that, if he wasn’t your best friend, you’d have kicked his ass a long time ago. And then one day, just before his bar mitzvah, they put insoles in his shoes, and suddenly the guy was a whole new human being.
Etgar Keret (The Nimrod Flipout: Stories)
Intimacy doesn’t take a lot of time, but you do have to make the time. You can’t work long hours, days at a time, only keeping the prize at the end. A healthy relationship needs constant attention, daily, even if just a few moments to connect. Like a pot on the stove – you want to keep it on simmer so it doesn’t boil over.
Kat Bastion (Two Bar Mitzvahs (No Weddings, #3))
In the United States, thirteen-year-old Jewish boys often mark the transition to adulthood with a bar mitzvah, involving a rather elaborate ceremony that includes singing a passage from the ancient Torah, followed by a celebration of dancing to hip-hop music and gorging on dessert. Sambian boys in Papua New Guinea mark the same transition by participating in the Flute Ceremony, which includes playing ritual flutes and performing fellatio on older boys and elders of their tribe. Imagine if the Sambian and American Jewish boy suddenly changed places. We’d witness how a momentous source of pride to members of one culture could be a totally meaningless or humiliating experience to members of another, because the behaviors and achievements that confer self-esteem do so only to the extent that we embrace a cultural worldview that deems them worthy.
Sheldon Solomon (The Worm at the Core: On the Role of Death in Life)
No, no. Absolutely not. We had a talk with the rabbi, and now we’re fully in salvage-the-bar-mitzvah mode.” “You had a talk? You think talk got us out of Egypt or Entebbe? Uh-uh. Plagues and Uzis. Talk gets you a good place in line for a shower that isn’t a shower.
Jonathan Safran Foer (Here I Am)
Daniel." He looked up. "El-la.I was wondering if you'd catch me." He offered me a cigarette. I gave him a shame-on-you look;he grinned. "This is your band?" I asked. Visible piercings aside, no one looked like that went by the name Ax. "Nope,but I go to school with the lead's sister. Regular guy got food poisoning at a Christmas party last night.I've played with them before." "Weddings?" It wasn't quite how I'd pictured him performing. "Usually clubs, but the last one was a bar mitzvah. Musicians have to eat, too," he added, a little sharply. "Sorry." I wanted to wave the smoke away, but figured that might be adding insult to inury. "I thought you played the guitar." "Guitar, piano, a little violin, but badly, and I'll have to garrote you ith one of the strings if you tell anyone." That's the thing about Daniel. Obviously-the violin being a case in point-I don't know him very well,but he seems to hold a grudge for even less time than Frankie. "Secret's safe with me." He shrugged, telling me he didn't really care. Then, "Nice dress." "Just when I start liking you a litte.." He made his vampire-boy face. I could see why it usually worked. "You like me,Ella. Wanna do something when this is over?" "Tempting," I said. "No, I mean that. But no,thanks. I'm not at my best these days." "You're good," he said quietly, blowing out a stream of smoke. "You'll be fine." "Yeah." I shivered. It was bitter outside. "I should go in." "You should." The cold didn't seem to be bothering him at all, and he wasn't even wearing a jacket over his white dress shirt. I turned to go. "Oh, I think I figured it out, by the way." "Figured out what?" "The question.The one everyone should ask before getting involved with someone. Not 'Will he-slash-she make me happy?' but 'Does it bring out the best in me,being with him?'" "Him-slash-her," Daniel corrected, clearly amused. Then, "Nope. No way. Wasn't me who posed the question to you, Marino.I would never be so Emo." "Of course not.But it was one smart boy." I waved. "Hug Frankie for me." "Will do. Hey.Any requests for the band?" "'Don't Stop Believin'," I shot back. He rolled his eyes. "I'm curious, in that last song-are the words really 'I cut my chest wide open'?" "Yup.Followed by, "They come and watch us bleed.Is it art like I was hoping now?" Avett Brothers. Too gruesome for you?" "You have no idea," I told him. How much I get it.
Melissa Jensen (The Fine Art of Truth or Dare)
I would be quite content to go to their children's bar mitzvahs, to marvel at their Gothic cathedrals, to "respect" their belief that the Koran was dictated, though exclusively in Arabic, to an illiterate merchant, or to interest myself in Wicca and Hindu and Jain consolations. And as it happens, I will continue to do this without insisting on polite reciprocal condition - which is that they in turn leave me alone. But this, religion is ultimately incapable of doing. As I write these words, and as you read them, people of faith are in their different ways planning your and my destruction, and the destruction of all the hard-won human attainments that I have touched upon.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
There aren't enough words to describe what you do to me, for me. Every day, I wake thinking about how I can make you smile, cause your laugh. I know I love you because of the things I want to learn about you, endless ways I want to touch your body, your heart. There are so many adventures I want to take you on, experiences I want to have with you - just to live in the moment with you.
Kat Bastion (Two Bar Mitzvahs (No Weddings, #3))
We have to talk more. I need you to know what we need to talk about. In fact, don’t decide what is and isn’t important to share with me, it all is—from the mundane to the shocking. If something upsets you? Tell me. Make me a part of your life in such a deep way that I don’t feel separate from it. I don’t ever want to feel like you’re keeping things from me again, even if it’s unintentional.
Kat Bastion (Two Bar Mitzvahs (No Weddings, #3))
My eye keeps escaping towards the big blue lacquered door that I've had painted in a trompe-l'oeil on the back wall. I would like to call Mrs. Cohen back and tell her there's no problem for her son's bar mitzvah, everything's ready: I would like to go through that door and disappear into the garden my mind's eye has painted behind it. The grass there is soft and sweet, there are bulrushes bowing along the banks of a river. I put lime trees in it, hornbeams, weeping elms, blossoming cherries and liquidambars. I plant it with ancient roses, daffodils, dahlias with their melancholy heavy heads, and flowerbeds of forget-me-nots. Pimpernels, armed with all the courage peculiar to such tiny entities, follow the twists and turns between the stones of a rockery. Triumphant artichokes raise their astonished arrows towards the sky. Apple trees and lilacs blossom at the same time as hellebores and winter magnolias. My garden knows no seasons. It is both hot and cool. Frost goes hand in hand with a shimmering heat haze. The leaves fall and grow again. row and fall again. Wisteria climbs voraciously over tumbledown walls and ancient porches leading to a boxwood alley with a poignant fragrance. The heady smell of fruit hangs in the air. Huge peaches, chubby-cheeked apricots, jewel-like cherries, redcurrants, raspberries, spanking red tomatoes and bristly cardoons feast on sunlight and water, because between the sunbeams it rains in rainbow-colored droplets. At the very end, beyond a painted wooden fence, is a woodland path strewn with brown leaves, protected from the heat of the skies by a wide parasol of foliage fluttering in the breeze. You can't see the end of it, just keep walking, and breathe.
Agnès Desarthe (Chez Moi: A Novel)
To suggest, as Shine does, that my father was in some way mean-spirited is totally unfair. Holding back David’s career was not in the least my father’s aim. He was extremely proud of his son and nurtured his talent in every way. He was David’s strongest advocate. But allowing any boy who had just turned fourteen to live by himself so far away without proper provisions being made for him would have been irresponsible, to say the least. In David’s case, it would have been particularly inappropriate. He had never been abroad before; he was completely hopeless in practical matters; and he needed to be looked after, cooked for, and cared for. He was also by that time behaving rather erratically, although of course we did not know then that these may have been the first signs of a serious mental illness. My father’s attitude was proved correct: when David did go to London of his own volition four years later, he fell ill and ended up receiving psychiatric care. In any case there simply wasn’t enough money available to finance the trip to America. Contrary to what is related in Shine, where my father and Mr. Rosen decide that David should have a bar mitzvah as a method of raising money for this trip, David had already had his bar mitzvah almost a year earlier, when he turned thirteen, the usual age for this ceremony. His bar mitzvah had nothing to do with “digging for gold,” as Mr. Rosen puts it in Shine, in one of several offensive references in the film to Jews or Judaism. My father may not have been an Orthodox Jew himself, but he still had a strong desire to hold onto the basic tenets of Jewish tradition and to pass them on to his children.
Margaret Helfgott (Out of Tune: David Helfgott and the Myth of Shine)
Gogol flips through the book. A single picture at the front, on smoother paper than the rest of the pages, shows a pencil drawing of the author, sporting a velvet jacket, a billowy white shirt and cravat. The face is foxlike, with small, dark eyes, a thin, neat mustache, an extremely large pointy nose. Dark hair slants steeply across his forehead and is plastered to either side of his head, and there is a disturbing, vaguely supercilious smile set into long, narrow lips. Gogol Ganguli is relieved to see no resemblance. True, his nose is long but not so long, his hair dark but surely not so dark, his skin pale but certainly not so pale. The style of his own hair is altogether different—thick Beatle-like bangs that conceal his brows. Gogol Ganguli wears a Harvard sweatshirt and gray Levi’s corduroys. He has worn a tie once in his life, to attend a friend’s bar mitzvah. No, he concludes confidently, there is no resemblance at all. For by now, he’s come to hate questions pertaining to his name, hates having constantly to explain. He hates having to tell people that it doesn’t mean anything “in Indian.” He hates having to wear a nametag on his sweater at Model United Nations Day at school. He even hates signing his name at the bottom of his drawings in art class. He hates that his name is both absurd and obscure, that it has nothing to do with who he is, that it is neither Indian nor American but of all things Russian. He hates having to live with it, with a pet name turned good name, day after day, second after second. He hates seeing it on the brown paper sleeve of the National Geographic subscription his parents got him for his birthday the year before and perpetually listed in the honor roll printed in the town’s newspaper. At times his name, an entity shapeless and
Anonymous
I know I am a child because I have been to more bar mitzvahs than funerals.
Leigh Stein (Dispatch from the Future: Poems)
Theo, Celery doesn't think you should invite Lulu to your hypothetical Bar Mitzvah.
Gitty Daneshvari (Class is Not Dismissed! (School of Fear, #2))
practice, the synagogue generally limits its services only to members in the area of bat or bar mitzvah. Most life-cycle events (outside of these four core events) that individuals mark, such as getting a drivers license or graduating from college, are outside the purview of the synagogue. And for life-cycle events that used to be a benefit of synagogue membership, such as bar or bat mitzvahs and weddings, families are looking outside of the synagogue for assistance. This new model allows the synagogue to reach a larger target population and expand its ability to bring Judaism together with important milestones, beyond the traditional four, in a person’s life.
Kerry M. Olitzky (Playlist Judaism: Making Choices for a Vital Future)
hegemony of the modern synagogue. These are the events that surround birth, coming of age, marriage (including divorce), and death. Many synagogues will name babies for parents who are not members, presuming that one day they might become members. And more often than not, those who marry are not synagogue members, since they no longer live in their hometowns and, as young singles, have not been motivated to join a synagogue in their new city of residence. Following the common trajectory of synagogue membership, by the time people die (in old age), they have already discontinued their synagogue membership, although perhaps their children are still members. Thus, some synagogues do funerals for people who are technically not members. In practice, the synagogue generally limits its services only to members in the area of bat or bar mitzvah. Most life-cycle events (outside of these four core events) that individuals mark,
Kerry M. Olitzky (Playlist Judaism: Making Choices for a Vital Future)
What Jews do you know who don’t make comedy of their lives? It’s part of the religion. I’ll bet you think all that Hebrew at bar mitzvahs is prayers, don’t you? Fooled you, didn’t we? It’s stand-up.
Jennifer Coburn (Tales From The Crib)
Everyone looked like I’d just told a Jewish joke at a bar mitzvah.
Ben Reeder (The Demon's Apprentice (The Demon's Apprentice, #1))
at least once in my life make something that would go around the world, create a lick that guitarists everywhere would play, be number one in America, be heard at weddings, bar mitzvahs, births, funerals, be adapted into the repertoire of brass bands in the north of England, and make my mum and dad proud.
Andy Summers (One Train Later: A Memoir)
As Campbell pointed out, in all spiritual traditions the hero must undergo initiation and testing. These rites of passage awaken and develop latent human capacities as they mark and safely ritualize the process of maturity, empowerment, and agency among members of a group. Initiation is a way adolescent naivete and dependency ends as we develop a sense of mastery, meaning, and purpose and are reborn as adults and active, contributing members of the tribe. Vision quests, shamanic journeys, sun dances, ordinations, Bar and Bat Mitzvahs, and confirmations offer access to a time-tested method steeped in a collective body of wisdom and community that mitigates risk and gives reproducible outcome. (p. 18) Regardless of time, place, or culture, the motifs and stages of every initiation are the same. Whether symbolic or actual they include leaving home or separating from the community, facing a symbolic or literal hardship that serves as a psychological catalyst for an altered state of consciousness, and awakening as the nascent hero. The process continues with integrating and embodying wisdom, sometimes with the help of elders, priests, or shamans, and returning to the community as a mature member, active contributor, or leader. Initiation hastens development so the latent hero nature can be realized. (p. 18)
Miles Neale (Gradual Awakening: The Tibetan Buddhist Path of Becoming Fully Human)
Shimon turned sixteen on February 5, 1944. Three years earlier he had stood beneath the golden hands - the hands of the Kohanim - that adorned the ark of the Torah at Temple Taharat Hakodesh and chanted his Bible portion in Hebrew. A bar mitzvah boy. His mother and grandmother wept with pride. Did Shimon remember it was his birthday? Did he still believe in God? Occasionally the slaves sang Hebrew songs - songs 'filled with nostalgia, hope, and desire for life.' Did Shimon join in?
David Laskin (The Family: Three Journeys into the Heart of the Twentieth Century)
Charlotte Party Rentals provide entertainment for company picnics, trade shows, convention events, holiday parties, weddings, bar and bat mitzvahs, birthday parties, graduations, proms, school and church functions, fall festivals, and more! Whether you are planning a private birthday party or even a large city carnival, we have bounce houses, water slides, obstacle courses, dunk tanks, tents, and more. We can even provide food and live entertainment!
Charlotte Party Rentals
Kelvinist and Calvinist, schoolgirlishly light-hearted, she stood out in Manhattan like a Welsh miner at a bar mitzvah.
John Osborne (Looking Back: Never Explain, Never Apologise)
Modern rite of passage ceremonies include the bar mitzvah, debutante ball, graduation, baptism, wedding, coronation, and inauguration.
Nancy Duarte (Illuminate: Ignite Change Through Speeches, Stories, Ceremonies, and Symbols)
Why would I make it up?" I said. If I were going to make something up, it would be something like: studying too much for your bar mitzvah can stunt your growth, or eating only Chinese food causes premature baldness. Personally, I would like to spend less time studying Torah and more time eating pizza.
Madelyn Rosenberg (This Is Just a Test)
begun studying at a local synagogue to become b’not mitzvah, the ceremony in which more than one person becomes bat or bar mitzvah together.
Leslie Gilbert-Lurie (Bending Toward the Sun: A Mother and Daughter Memoir)
And you look like you're going to a bar mitzvah at the Ponderosa.
Rachel Howzell Hall (Land of Shadows (Detective Elouise Norton, #1))
They were not bound to anything. They could sample all the possibilities. They flashed by trees that took a hundred years to grow. They tore through towns where men lived their whole lives. . . . Back in the city their families were growing like vines. . . . They were flying from the majority, from the real bar mitzvah, the real initiation, the real and vicious circumcision which society was hovering to inflict through limits and dull routine,” Leonard wrote, re-creating these night rides with Mort in fiction. “The highway was empty. They were the only two in flight and that knowledge made them deeper friends than ever.”20
Sylvie Simmons (I'm Your Man: The Life of Leonard Cohen)
The 15-layer was already spoken for, of course, in its capacity as the sympathy group. The 5-layer seemed to function as the support clique – the small group of people willing to provide unstinting emotional, physical and financial help and advice. I often refer to this layer as the shoulders-to-cry-on friends. The 15-layer is probably where you draw most of your everyday social companions from – the people you invite round for a quiet dinner or an evening out at the pub or theatre. I am inclined to think of the 50-layer as your party friends: the people you would invite round for a weekend BBQ or a celebratory birthday or anniversary party. The 150-layer is what you might call the wedding/bar mitzvah/funeral group – the people that would turn up to your once-in-a-lifetime events. It also probably contains most of the children of your closer friends. Otherwise, our women’s network data suggest that this layer is mainly populated by members of your extended family – people whose friendship does not need much regular reinforcement because it is held in place by the ties of kinship.
Robin I.M. Dunbar (Friends: Understanding the Power of our Most Important Relationships)
Primitives (so-called) know these facts and surround all the points of imprint vulnerability with rituals, “ordeals,” “rites of passage,” etc. well designed to imprint the desired traits of a well-integrated member of that tribe at that time. Relics of these imprint ceremonies survive in Baptism, Confirmation, Bar Mitzvahs, Marriage Ceremonies, the Masonic “raising,” etc.
Robert Anton Wilson (Prometheus Rising)
wrestled Cena and A. J. Styles in front of a hot, standing-room-only Palm Springs crowd in some kind of carpeted event room where I swear to God there was a bar mitzvah going on next door.
Jon Moxley (MOX)
pope to plan a bar mitzvah
Kristin Hannah (Between Sisters)
The concept of Bar Mitzvah finds its roots in the Talmud, a central text of Jewish law and tradition. It notes that at age thirteen for boys and twelve for girls, an individual becomes “obligated in commandments.” This signifies their newfound spiritual maturity and accountability for their actions.
Ahoy Publications (Culture of the Jews: 101 Notable Jewish Cultural Traditions (Curious Histories Collection))
I inevitably think of the joke about the boy on the day of his bar mitzvah who is told he is now a man and will be connected from that day forward, for the rest of his life, to all previous generations. The kid responds: “Today I am a man. Tomorrow I return to the seventh grade.
Michael Krasny (Let There Be Laughter: A Treasury of Great Jewish Humor and What It All Means)
And you look like you’re going to a bar mitzvah at the Ponderosa.
Rachel Howzell Hall (Land of Shadows (Detective Elouise Norton, #1))
That had been a hell of a fight, his mom furious at his decision to become a photographer. “You’re going to throw everything away and take pictures of weddings and bar mitzvahs for the rest of your life?” she’d demanded, eyes almost glowing with rage. Logan had known, of course, that his mother didn’t actually think he’d ever make it as an artist. He’d realised then, though, that even the worst-case scenario of photographing other people’s happy events was better than the life she wanted for him. “Yes,” he’d said and walked out.
Marina Vivancos (Paint Eater)
the group of burly, t-shirted men would have stood out like a triple-decker bacon and pork sandwich at a Bar Mitzvah,
Albert J. Clack (Murder at the Theatre Royal (The Inspector Warren Mysteries Book 1))
Xander, let me remind you, I have three kids,’ Sylvia spelled out. ‘My oldest, Nathan, is applying to colleges this year, so it’s a really crucial time for him. Rachel is two years behind him and always has boyfriend trouble, and my youngest, Jacob, is dealing with asthma and a bar mitzvah in the next six months. So I can’t just up and move to LA when I feel like it because “that’s where the industry is”.
Winnie M. Li (Complicit)
Because feedback givers are abundant and our shortcomings seemingly boundless, we imagine that feedback can trigger us in a googolplex of ways. But here’s more good news: There are only three. We call them “Truth Triggers,” “Relationship Triggers,” and “Identity Triggers.” Each is set off for different reasons, and each provokes a different set of reactions and responses from us. Truth Triggers are set off by the substance of the feedback itself—it’s somehow off, unhelpful, or simply untrue. In response, we feel indignant, wronged, and exasperated. Miriam experiences a truth trigger when her husband tells her she was “unfriendly and aloof” at his nephew’s bar mitzvah. “Unfriendly? Was I supposed to get up on the table and tap dance?” This feedback is ridiculous. It is just plain wrong. Relationship Triggers are tripped by the particular person who is giving us this gift of feedback. All feedback is colored by the relationship between giver and receiver, and we can have reactions based on what we believe about the giver (they’ve got no credibility on this topic!) or how we feel treated by the giver (after all I’ve done for you, I get this kind of petty criticism?). Our focus shifts from the feedback itself to the audacity of the person delivering it (are they malicious or just stupid?). By contrast, Identity Triggers focus neither on the feedback nor on the person offering it. Identity triggers are all about us. Whether the feedback is right or wrong, wise or witless, something about it has caused our identity—our sense of who we are—to come undone. We feel overwhelmed, threatened, ashamed, or off balance. We’re suddenly unsure what to think about ourselves, and question what we stand for. When we’re in this state, the past can look damning and the future bleak. That’s the identity trigger talking, and once it gets tripped, a nuanced discussion of our strengths and weaknesses is not in the cards. We’re just trying to survive.
Douglas Stone (Thanks for the Feedback: The Science and Art of Receiving Feedback Well)
A second wonder of life is collective effervescence, a term introduced by French sociologist Émile Durkheim in his analysis of the emotional core of religion. His phrase speaks to the qualities of such experiences: we feel like we are buzzing and crackling with some life force that merges people into a collective self, a tribe, an oceanic “we.” Across the twenty-six cultures, people told stories of collective effervescence at weddings, christenings, quinceañeras, bar and bat mitzvahs, graduations, sports celebrations, funerals, family reunions, and political rallies, as in this one from Russia:
Dacher Keltner (Awe: The New Science of Everyday Wonder and How It Can Transform Your Life)
It swept him forward, and though the crowd grew denser with every step—his advance was checked several yards short of the stage by a wall of spike-studded leather jackets—he was now closer than he had ever been to live music, save for at his bar mitzvah. The sheer monophonic power of this sound blew away any impression those tuxed fucks had left. It was an avalanche, hurtling downhill, snapping trees and houses like tinkertoys, taking up every sound in its path and obliterating it in a white roar. As Charlie felt himself being taken up into it, totally, unable to decide whether it was good or bad—unable, even, to care.
Garth Risk Hallberg (City on Fire)
The practice of silent reading would not become common until almost the modern period, and some linguists argue that while most modern Western languages are easy to read silently, the ancient Semitic languages, particularly vowel-less Hebrew, could not be read silently, a contention that most bar and bat mitzvah boys and girls would surely agree with.19 In the words of biblical scholar David Carr, When you list those people who are depicted as writing in ancient Israel, it quickly becomes evident that virtually all are some sort of official. Aside from God, who is one of the Bible’s most prolific writers, virtually all writers and readers in the Bible are officials of some kind: scribes, kings, priests, and other bureaucrats.20
William J. Bernstein (Masters of the Word: How Media Shaped History from the Alphabet to the Internet)
Let’s call it the theory of receptivity. It’s the idea, often cited by young people in their case against the relevance of even marginally older people, that one’s taste—in music or film, literature or fine cuisine—petrifies during life’s peak of happiness or nadir of misery. Or maybe it’s not that simple. Maybe a subtler spike on the charts—upward, downward, anomalous points in between—might qualify, so long as it’s formative. Let’s say that receptivity, anyway, can be tied to the moments when, for whatever reason, a person opens herself to the things we can all agree make life worth living in a new and definitive way, whether curiosity has her chasing down the world’s pleasures, or the world has torn a strip from her, exposing raw surface area to the winds. During these moments—sleepaway camp right before your bar mitzvah; the year you were captain of the hockey team and the baseball team; the time after you got your license and before you totaled the Volvo—you are closely attuned to your culture, reaching out and in to consume it in vast quantities. When this period ends, your senses seal off what they have absorbed and build a sensibility that becomes, for better or worse, definitive: This is the stuff I like. These films/books/artists tell the story of who I am. There is no better-suited hairstyle. This is as good/bad as it gets for me. The theory suggests that we only get a couple of these moments in life, a couple of sound tracks, and that timing is paramount. If you came of age in the early eighties, for instance, you may hold a relatively shitty cultural moment to be the last time anything was any good simply because that was the last time you were open and engaged with what was happening around you, the last time you felt anything really—appallingly—deeply. I worry about this theory. I worry because it suggests that receptivity is tied closely to youth, and firsts, and also because as with many otherwise highly rejectable theories—Reaganomics and communism come to mind—there is that insolent nub of truth in it.
Michelle Orange (This Is Running for Your Life: Essays)
A Jew ain't only a religion, and it ain't a race. It isn't an ethnicity, and you aren't disqualified if you're good at spreading mayonnaise on white bread or bad at money or good at sports or bad at guilt. It ain't about whether your mother is Jewish or your father converted or both parents fasted on Yom Kippur. It don't matter if you were bar or bat mitzvahed, or if your grandma's recipe for chicken soup kicked Campbell's ass, or any of that. It ain't about a toe in Israel, or an opinion on Palestine, or an uncle who died of a heart attack in Brooklyn or Queens, or a family story from Ellis Island, or an aunt who was murdered by nazis or Russian pogromchiks, or whether or not three-fifths of your person is scared shitless of Auggie's "schvartzes," or at least the young bucks you see walking with guns out and half their pants down.
Alex Kudera (Auggie's Revenge)
In the early ’90s, as I approached my thirteenth birthday and bar/bat mitzvahs became a weekly occurrence, I knew I was in for some real Great Gatsby shit.
Jensen Karp (Kanye West Owes Me $300: And Other True Stories from a White Rapper Who Almost Made It Big)
What many people fail to understand is that coming out doesn't happen all at once. There is no gay correlation to a bar mitzvah or confirmation, in which you read the sacred texts of Oscar Wilde in front of friends and family and then receive a rainbow flag from Ellen DeGeneres, who drapes it about your shoulders as a disco band strikes up "I'm Coming Out.
David Khalaf (Modern Kinship: A Queer Guide to Christian Marriage)
On those nights, we watched TV shows from our native lands. 'American Gladiators.' 'Wipeout'. All easy-to-digest slapstick with American budgets. But they were not shows I'd known before. Abu Dhabi became this to me: memories of my country that weren't mine, and celestial Indian food.
Adam Valen Levinson (The Abu Dhabi Bar Mitzvah: Fear and Love in the Modern Middle East)
At the end of 1996, the five most valuable companies in the world were General Electric, Royal Dutch Shell, the Coca-Cola Company, NTT (Nippon Telegraph and Telephone), and ExxonMobil—traditional industrial and consumer companies that relied on massive economies of scale and decades of branding to drive their value. Just twenty-one years later, in the fourth quarter of 2017, the list looked very different: Apple, Google, Microsoft, Amazon, and Facebook. That’s a remarkable shift. Indeed, while Apple and Microsoft were already prominent companies at the end of 1996, Amazon was still a privately held start-up, Larry Page and Sergey Brin were still a pair of graduate students at Stanford who were two years away from founding Google, and Mark Zuckerberg was still looking forward to his bar mitzvah. So what happened? The Networked Age happened, that’s what. Technology now connects all of us in ways that were unthinkable to our ancestors. Over two billion people now carry smartphones (many of them made by Apple, or using Google’s Android operating system) that keep them constantly connected to the global network of everything. At any time, those people can find almost any information in the world (Google), buy almost any product in the world (Amazon/ Alibaba), or communicate with almost any other human in the world (Facebook/ WhatsApp/ Instagram/ WeChat). In this highly connected world, more companies than ever are able to tap into network effects to generate outsize growth and profits.
Reid Hoffman (Blitzscaling: The Lightning-Fast Path to Building Massively Valuable Companies)
When we arrived in the United States, the Jewish community in Boston assigned us to a well-meaning suburban family to help us in the acculturation process. Our relationship with them played out in accordance with a scenario followed by tens of thousands of pairings of Jewish families around the United States in the 1970s and 1980s. They were nice. They wanted to celebrate Shabbat with us and help us find our way to a synagogue. They wanted to facilitate my belated bat mitzvah and my brother's bar mitzvah, this one in a timely manner, God willing. All my parents wanted was the option, finally, of not being Jewish. I wanted something marginally more complicated: unlimited access to Yiddish musical schlock.
Masha Gessen (Where the Jews Aren't: The Sad and Absurd Story of Birobidzhan, Russia's Jewish Autonomous Region (Jewish Encounters Series))