Palomino Quotes

We've searched our database for all the quotes and captions related to Palomino. Here they are! All 83 of them:

You’re the light in all this madness. You’re my light. I should have been with you...” The thought hit him as his face crumpled in amazement. “Oh God, why am I not with you?” “Because you’re an idiot,” I said.
Karina Halle (Lying Season (Experiment in Terror, #4))
A world without Perry Palomino is just too fucking boring. I wouldn't wish it upon anyone.
Karina Halle (And With Madness Comes the Light (Experiment in Terror, #6.5))
Who can resist this handsome mug?” He stroked his broad jaw and I tried my hardest not to nod along. “Complete with rapist facial hair,” I added.
Karina Halle (Dead Sky Morning (Experiment in Terror, #3))
Honestly kiddo? You’re beautiful. You use your weight as an excuse but you’re just all woman. Not every woman has to look like a stripper. Or a model. Or Megan Fox. You’re petite, have a tiny waist, a fantastic rack, a devastating ass…what the hell more do you want? You should know it. Everyone else knows it…that’s why you’re getting all these asinine comments. Can’t you just see that it’s just jealously that’s ripping these people apart?
Karina Halle (Dead Sky Morning (Experiment in Terror, #3))
Can't you see me as king of the Hereford ranchers, Lucy?" "Oh, I can see you, all right... I can see you riding out on your beautiful palomino checking the herd... There you sit, silhouetted against the evening sky... Sucking your thumb and holding that stupid blanket!
Charles M. Schulz (The Complete Peanuts, Vol. 7: 1963-1964)
I should have known what I was getting into with you.” “Oh please,” I tell him. “I am a motherfucking delight.
Karina Halle (Veiled (Ada Palomino, #1))
In all of our experiences together, there always was that moment that I could have turned back and I never ever did. Even if it scared me to the core, to the very soul and fiber of my being, I still went forward into the unknown. Some may call that brave. I don't think I'd call it that. Stubborn beyond repair seemed more fitting.
Karina Halle (Dead Sky Morning (Experiment in Terror, #3))
Do you think you're special, Perry?" he asked seriously. I winced. "A little bit. Maybe more in the Special Olympics kind of way." He smiled and turned his eyes to the road. "You are special, kiddo. ...And not entirely in the Special Olympics kind of way.
Karine Halle Red Fox
Hell isn’t fire and brimstone. It’s New York City.
Karina Halle (Veiled (Ada Palomino, #1))
The judge arrived half an hour later with the file he had collected from his office on the way, signed several papers, had Sam sign them, the matron witness them; Josh cried, Norm cried, she cried, the judge grinned, and Timmie waved his teddy bear at the judge with a broad grin as they wheeled into the elevator. "So long!" he shouted, and when the doors closed, the judge was laughing and crying too.
Danielle Steel (Palomino)
من يدفع الثمن دوماً هو نحن الفقراء ، أما الأسماك الكبيرة فلا
Mario Vargas Llosa (Who Killed Palomino Molero?)
Dex has always had an aura of cool about him but right now he could be just about any dork drooling over his idol. What a twatwaffle.
Karina Halle (Veiled (Ada Palomino, #1))
Once someone shows you who they are, believe them the first time’.
Honey Palomino (Gods of Chaos MC Vol. 3 (Gods of Chaos MC #7-9))
Perry Palomino, kiddo, baby—will you be my wife?
Karina Halle (Ashes to Ashes (Experiment in Terror, #8))
There was a Fender Palomino acoustic lying in the corner in an open case, which, as you know, often symbolizes low morals or easy virtue in paintings of antiquity.
Elvis Costello (Unfaithful Music and Disappearing Ink)
Ordinary was a word that came charging out of the sunrise on a palomino pony as soon as you thought about her.
Stuart Pawson (Laughing Boy (Charlie Priest, #8))
While I lay there in his arms, me his wife and he my husband, I realized I didn’t know what the future held. But I knew it held Dex. And that was more than good enough for me. That was everything.
Karina Halle (Dust to Dust (Experiment in Terror #9))
En un lugar de la Mancha, de cuyo nombre no quiero acordarme, no ha mucho tiempo que vivía un hidalgo de los de lanza en astillero, adarga antigua, rocín flaco y galgo corredor. Una olla de algo más vaca que carnero, salpicón las más noches, duelos y quebrantos los sábados, lentejas los viernes, algún palomino de añadidura los domingos, conmuían las tres partes de su hacienda. El resto della concluían sayo de velarte, calzas de velludo para las fiestas, con sus pantuflos de los mesmo, y los días de entresemana se honraba con su vellorí de lo más fino.
Miguel de Cervantes Saavedra (Don Quijote de la Mancha)
When I first met you, I knew, somehow, that you were going to change my life. I just didn’t know in what way. I didn’t know that you’d make me love you. And most importantly, I didn’t know that you’d make me love me. Baby, you make me see the good in myself and the good in everything on this damn earth. You chase my ghosts away, and…” He cleared his throat, and to my surprise, I saw his eyes were watering. Oh fuck. Please don’t cry, Dex, cuz I will fucking lose it. He swallowed hard, blinking tears back. “And you bring me peace. I can’t thank you enough for being in my life. And I want you there for the whole journey. Through everything—the good and the bad, the batshit crazy and the sane, the scary and the sexy. Especially the sexy. Just you and me, baby, until death do us part.” Somehow I found my voice. “Even though we’ve only known each other for eight months?” I asked quietly, afraid of his answer. But he just smiled up at me. “Time has no bearing on the truth. And what we have, that’s true as fucking anything.” He gave my hand a squeeze and reached into his pocket. I sucked in my breath, feeling all my emotions flood me at once, and watched as he took out a beautiful, sparkling ring, and held it poised at my finger. He gazed at me, and it was like I saw every moment we had with each other captured in his eyes. “Perry Palomino, kiddo, baby—will you be my wife?” I didn’t even have to think about it. “Yes!” I blurted out in a sob as the tears started
Karina Halle (Ashes to Ashes (Experiment in Terror, #8))
It’s impossible to not believe in God when you see all the good in the world.
Karina Halle (Veiled (Ada Palomino, #1))
The normal I’ve always wanted to be will now never be reached. It was always in my grasp…but it’s just smoke in my hand.
Karina Halle (Veiled (Ada Palomino, #1))
Godverdegodver,’ filosofeerde de guardia.
Mario Vargas Llosa (Who Killed Palomino Molero?)
We were Dex and Perry and our relationship seemed to thrive on the universe being out of order. Either that or our relationship actually caused the world to turn upside down. It was hard to say.
Karina Halle (Dust to Dust (Experiment in Terror #9))
When you wake up from a nightmare, the reality comforts you. When you wake up from the best dream ever, reality is a burden, a slap-in-the-face reminder that you could feel this, you could have this, but you don’t and you won’t.
Karina Halle (Veiled (Ada Palomino, #1))
You have a fight ahead of you, one that goes far beyond what you’ve seen in your dreams.” Well fucking hell. “Please tell me some good news,” I whisper to him, my nails digging into my palm. “Your bedside manner sucks.” “I’m your good news.
Karina Halle (Veiled (Ada Palomino, #1))
In a therapy session, the only labels the horses get are the ones the client gives them.” “So you wouldn’t want me to notice that the Palomino horse, the one with the white mane and the tan body, looks like you and that she’s always making a nuisance of herself?” “Sackett?” I was outraged on Sackett’s behalf more than my own. “Sackett isn’t annoying! And Sackett’s a he, which just proves my point about pre-conceived ideas. If you knew he was a he and not a she, you wouldn’t be able to label him as Georgia and say mean things. Sackett is wise! Whenever things get really deep, you can always count on Sackett being right in the thick of things.” I heard the affront in my voice and I glowered at Moses for a moment before launching my own attack. “And Lucky is just like you!” I said. Moses just stared at me blandly, but I could tell he was enjoying himself. “Because he’s black?” “No, stupid. Because he’s in love with me, and he tries to pretend every day like he doesn’t want to have anything to do with me,” I shot back. Moses choked, and I punched him hard in the stomach, making him gasp and grab for my hands. “So you want the clients to not pay any attention to the color of the horse. That’s not even human nature, you know.” Moses pinned my hands over my head and stared down into my flushed face. When he could see I wasn’t going to continue punching he relaxed his hold, but he looked back toward the horses and continued talking.
Amy Harmon (The Law of Moses (The Law of Moses, #1))
Fucking Little Fifteen Ada Palomino throwing change at a hotdog vendor and trying to catch up with Maximus, all long limbs and bad eye makeup. What the actual fuck?
Karina Halle (Dust to Dust (Experiment in Terror #9))
En amour il n'est pas de grade, comme dit la chanson.
Mario Vargas Llosa (Who Killed Palomino Molero?)
Les insultes d'une femme sont des fleurs pour un homme.
Mario Vargas Llosa (Who Killed Palomino Molero?)
A young man named for a god of fucking rode his palomino next to my dun.
Mark Wunderlich (The Earth Avails: Poems)
...seeing ghosts and demons just lends itself to listening to White Zombie and Slayer and Fantomas on repeat. One Direction and Selena Gomez are for the girls who don’t see dead people every fucking day.
Karina Halle (Veiled (Ada Palomino, #1))
They say you’re only as old as you feel but try telling that to a ninety-year-old on their deathbed, just wishing he could do all the bloody things he wants to do.
Karina Halle (Veiled (Ada Palomino, #1))
A young body, a young heart, and endless courage. That last part is the most important. Don’t let anyone tell you any differently. Why do you think we used to send so many kids your age off to war?
Karina Halle (Veiled (Ada Palomino, #1))
I’ve seen him before you know. In real life.” “What? When?” I catch a twinge of hurt in her voice for not filling her in on it earlier. “When I was at Sephora,” I tell her. “So he’s a metrosexual ghost as well?” Dex asks.
Karina Halle (Veiled (Ada Palomino, #1))
You can learn a lot about a person through their dreams. It’s your subconscious, split open and bare for all to see.
Karina Halle (Veiled (Ada Palomino, #1))
Fear gives people their humanity. Fear of loss.
Karina Halle (Veiled (Ada Palomino, #1))
It’s funny how your mind can be open, expansive, to almost anything but when there’s a hard limit, something your brain can’t make that extra leap for, it all shuts down.
Karina Halle (Veiled (Ada Palomino, #1))
I never realized how much I loved life until I knew it was being taken away.
Karina Halle (Veiled (Ada Palomino, #1))
But the more time I spend with you . . . the more like you I become.” He pulls back and I’m left with that heavy, yet strangely flattering, confession. I’m not sure what I should say. So I awkwardly mumble, “Well, be prepared to become totally awesome.
Karina Halle (Veiled (Ada Palomino, #1))
I’m pretty sure there are some things in the dark that we’re not meant to see.
Karina Halle (Veiled (Ada Palomino, #1))
I tried to take a selfie or ten. Lame, maybe, but I hadn’t posted to IG in a few days now and since I actually make money from my account for posting things like my outfits, then it’s something I can’t really neglect, demons or not. “What are you doing?” Jay asks, leaning across the roof of the car and watching me curiously. I chuck the duffel bag a few feet from me to get it out of the shot and try another angle, holding the iPhone far above my head. A lone scraggly-haired man in his pajamas exits his room, heading to the vending machine. He looks at me like I have a screw loose. Whatever. He probably takes dick pics so he should know all about getting the right angle.
Karina Halle (Veiled (Ada Palomino, #1))
People say things are going to be Hell without even the slightest notion of what Hell is.
Karina Halle (Veiled (Ada Palomino, #1))
The river had a dream in it. I faced the opposite bank and stood there naked in the water. I saw a band of horses in a field dotted with dogwood and willow. Each was like the others in temperament, all roans except for a single old palomino that looked at me as the others grazed in the thin moonlight. It was bloodied on its hooves and carried the marks of both lash and brand on its haunches. Ducking its head sweetly it entered the shallow water. As it walked toward me the blood washed downstream and the horse left a little red wake as it walked. It stepped lightly but bore no grimace on its face, and was only tentative in its step. I stood, still naked, and softly splashed the water around me with both hands. Not hard, just back and forth through the water with my hands in semicircles. It neared and I watched it snort a little and as it neared it shook its head, once, twice, calmly. It stood before me, old and worn from the lash and it bled into the gently flowing water and stood tall despite its wounds. It leaned in and nuzzled me about my shoulder and neck and I leaned in too and nuzzled back and put my arms around it and I could feel the power in its bruised old muscles. The horse's eyes were black and soft.
Kevin Powers
I want a bibimbap wrap (honestly I just like saying “bibimbap”),
Karina Halle (Veiled (Ada Palomino, #1))
I don’t even really know who you are.” “I’m the one who has your back,” he says. “And I’ve been watching you for a very, very long time.
Karina Halle (Veiled (Ada Palomino, #1))
I can promise you I have your best interests at heart. I always have.
Karina Halle (Veiled (Ada Palomino, #1))
The past doesn’t define us. It’s what we do here and now, today, that does. This world was built on second chances.
Karina Halle (Veiled (Ada Palomino, #1))
You’re destined for something great, Ada, I know this. And it’s an honor to help see you through it.
Karina Halle (Veiled (Ada Palomino, #1))
I may be immortal but I am still a man with blood pumping in my veins.” He moves an inch closer. My skin heats up. Every nerve is burning. “You are off-limits. You are forbidden to me. And all it does is make me want you more.
Karina Halle (Veiled (Ada Palomino, #1))
Well, hell hath no motherfucking fury like a woman scorned.
Karina Halle (Veiled (Ada Palomino, #1))
No se puede pretender que un hombre, o una mujer, esté en actividad permanente. A veces hay que darle un descanso para que pueda entregarse a sus penas.
Danielle Steel (Palomino)
Pero no te preocupes, palomino, un día no muy lejano volverá a sonreírte la fortuna a ti también.
Danielle Steel (Palomino)
¿Te das cuenta de lo que tienes ante los ojos, Samantha? Tienes a dos personas que se aman, cuyas vidas se complementan a la perfección: las pinturas de ella con los trofeos de él; sus viejas fotografías con sus libros y sus discos; la cómoda butaca de cuero de él y la pequeña mecedora con el escabel frente al fuego para ella. Fíjate en ello, Sam. Mira. ¿Sabes lo que ves allí? Simplemente, amor. Eso es el amor: esos cacharros de cobre, ese antiguo almohadón bordado y esa ridícula cabeza de cerdo. Son dos personas eso que ves ahí, dos personas que se han amado apasionadamente durante largo tiempo y que aún siguen amándose.
Danielle Steel (Palomino)
Estéril es la persona que no puede amar, que no puede dar nada, que vive encerrada en sí misma. Todo eso es lo que importa y nada de eso eres tú, Sam. Tú no eres así.
Danielle Steel (Palomino)
Viniste aquí a que cicatrizaran tus heridas, Sam, y eso es lo que está ocurriendo, y es posible que yo sólo sea una parte del tratamiento.
Danielle Steel (Palomino)
Afterword to “Where Hesperus Falls” Words, words, words are the enemy of a writer. I take great pleasure in simplifying language and sentences whenever I can. If I’ve started something, I write through to the end of the paragraph or section, then go back and prune out whole sentences. I’m pleased if I reach the end having deleted thirty sentences, making the thing tighter without losing any of the impact. Of course, I keep having to go back to make sure that I have the right words and no repetition. Norma catches a lot of this, and it’s a great deal of work. I liked it much better in the old days when I could still see and could assimilate a whole page at a time like other writers do. You mustn’t try too hard to produce effects either. They have to come kind of quietly, sneaking up on you out of the action and feeling. When you want to describe something that’s flamboyant, weird and strange, anything a little bit outrageous, wicked or nasty, you don’t do it by exposition, which can become long-winded and tiresome. You have one of your characters describe it to somebody else. Instead of writing that a man is an evil beast, without a redeeming quality, you have a girl come in out of the cold with her clothes torn and say: ‘I met this fellow, Steve, and he did such and such. That man is a beast. Do you know what he did to Henrietta? He pulled all her hair out.’ I’m exaggerating, but this is almost a trade secret: not having the exposition come from the writer, but rather from the mouths of the characters themselves. So cut those words out. Sometimes you can combine the adjective and the noun into a single notion. Instead of saying there was a horse colored all kinds of different colors, you say a palomino came down the road. —Jack Vance The Phantom Milkman I’ve had all I can stand.
Jack Vance (Hard-Luck Diggings: The Early Jack Vance)
We'll start with oysters on the half shell and homemade salt-and-pepper potato chips, just to whet the appetites. Then a wedge salad with homemade ranch dressing and crumbled peppered bacon. For the main course, a slow-roasted prime rib, twice-baked potatoes, creamed spinach, tomato pudding baked into tomato halves, and fresh popovers instead of bread. For dessert, the world's most perfect chocolate cream pie. Marcy and I went on a Sunday boondoggle to Milwaukee last year and had lunch at this terrific gastropub called Palomino, and while the whole meal was spectacular, notably the fried chicken, the chocolate cream pie was life changing for us both. Marcy used her pastry-chef wiles to get the recipe, and we both love any excuse to make it. It's serious comfort food, and I can't think of a better way to ring in the New Year.
Stacey Ballis (How to Change a Life)
palomino
John Gilstrap (Against All Enemies (Jonathan Grave, #7))
Yvette’s eyes flashed this microburst of anger at her husband, so subtle but so hot that I felt my stomach gurgle. And when she turned that look on Dan, I nose-burped acid. She spat, “Do you know that? Do you know what mountain lions are like? Do you know that it wasn’t just scared by us all and trying to get away, and now it’s hurt unnecessarily, and what you did could’ve provoked it to attack…kill Palomino!
Max Brooks (Devolution: A Firsthand Account of the Rainier Sasquatch Massacre)
palomino.
Katrina Kahler (Julia Jones' Diary / Horse Mad Girl / Diary of an Almost Cool Girl / Diary of Mr TDH)
I want you.” “Always?” I tease. “Always, evermore, and on and on.
Karina Halle (Song for the Dead (Ada Palomino, #2))
You won’t hold me back, Max. You’ll hold me exactly where I need to be. Please.” I lean in and kiss him softly on the lips just as a tear spills out from my eye. “Please,” I say against his mouth. “Do this for me. Stay for me.
Karina Halle (Song for the Dead (Ada Palomino, #2))
What do you want?” I ask, … “I have what I want.” He kisses me deeply, pulls back to look intently in my eyes. “You.” “And what am I?” His gaze drops to my mouth, to my cheek, to my nose, back to my eyes. “You’re everything and the only thing.
Karina Halle (Song for the Dead (Ada Palomino, #2))
Nothing could be hotter than this, watching this man expertly wield a medieval-looking sword in the middle of Royal Street, decapitating demons left and right. Be still my fucking heart.
Karina Halle (Song for the Dead (Ada Palomino, #2))
I love you. I really do. I think maybe you’re my destiny.” A grin slowly spreads across his face and he looks at me, in me, like he sees every single part. And if he can, he’d see there’s no darkness here, only light. Light for him, light for my life, light for everything. “Sweetheart, I am so in love with you,” he says, and then kisses me, lips tender and warm and soft and I can feel his love radiating outward. He pulls back. “But that destiny shit is pretty cheesy.
Karina Halle (Song for the Dead (Ada Palomino, #2))
Everyone always leaves me … I’m always left behind.” He exhales hard, his breath moving my hair. “I have to admit, you’re breaking my heart here, Ada,” he says after a moment. “I’m not going to leave you.” “Because you can’t?” “I wouldn’t even if I could.
Karina Halle (Song for the Dead (Ada Palomino, #2))
I know I could take you inside, fuck your brains out. Make you come, make you scream, make you beg for more. Lord knows I’ve been dreaming about it from day one. And I’ll do it. I’ll blow your fucking mind.
Karina Halle (Song for the Dead (Ada Palomino, #2))
There’s destiny in all of this. I’ve always believed in it. Now I know for sure. That’s why I’m sitting here right now.” “But how can you be so sure?” His green eyes look exhausted for a brief moment before they sharpen again. “Because I have to believe it. I have to believe this all makes sense. You have no idea what I’ve gone through, what I’ve seen…to be back here like this…it’s for a reason. I just don’t know what that reason is. But I have no doubt I’ll find out.
Karina Halle (Song for the Dead (Ada Palomino, #2))
Sweetheart,” he says to me, his voice causing a cascade of shivers down my spine, “you’re all I fucking think about, all the damn time. I’m thinking about you even when you’re right here in front of me.” He pauses. “To say I want you is a fucking understatement.” I open my eyes. “Then find your balls and do something about it.
Karina Halle (Song for the Dead (Ada Palomino, #2))
Yes,” I tell him, too afraid to be annoyed. “But the light was on. It turned on, by itself, just as I was about to open the door. I heard . . .” I trail off, not sure if I should say anything else. Perry is watching me closely. “Heard what?” I swallow hard and give her a pleading look. “I heard mom,” I whisper. “You know that’s not her,” she says to me but I can’t quite agree. Dex frowns at us, then looks around him. He quickly moves to the desk and grabs the pencil I was using to sketch and holds it like a knife. “What the hell are you going to do with that?” Perry hisses. “Draw the ghosts?
Karina Halle (Veiled (Ada Palomino, #1))
I feel like this is totally a moment for Perry and Dex, considering they’ve been to Hell and back (again, literally) and seem to understand each other on this basic, soulmate kind of level. I guess it’s kind of inspiring to see a couple such as Dawn and Sage still together, considering they seem to have gone through something similar. True love binds. Of course that makes me have a tiny pity party for myself, complete with festive hat, confetti, and party horn that makes a pathetic little toot, since I also seem to be damned with these afflictions and yet I’m still alone. Finding someone who understands me seems pretty much impossible. That
Karina Halle (Veiled (Ada Palomino, #1))
Oh, please,” I tell him. “I am a motherfucking delight.” Another
Karina Halle (Veiled (Ada Palomino, #1))
Sometimes I look at you and I wonder,” he says, his voice taking on a strange quality, like it’s being filtered, muffled, “what power your blood could bring.” It’s not what he says at the end there that makes my blood run cold. And it’s not the Irish accent that he says it in. It’s that when I look at his eyes, I don’t see Jay anymore. I see someone else entirely. Stare into the abyss and the abyss stares right back. Silas Black. “Ada!
Karina Halle (Veiled (Ada Palomino, #1))
Lotari turned back to the dance floor in time to see Stitch spin Carah before sweeping her into a low dip. Stitch grinned at Jerin and gave him a wink. Jerin's fist clenched. His face went from red to almost purple. Lotari thought he might need to intervene before this got out of hand and Jerin pulled out the sword. He glanced at Alyra. The bird was gone. The girl sat wide-eyed, her hands fumbling with something beneath the table. "Ooh, oh, my." The palomino stumbled. Lotari rushed over to help. "Oh, my leg. My leg!" he limped, draping his arm over Carah's shoulder. "Please, my dear, help me over to my friends where I can rest it a moment. Ohhh, this is tragic. I was having such fun. Oh my." Lotari stopped, realizing Stitch had suddenly switched the leg he limped on. "I am sorry. You are such a marvelous dancer. Jerin, you must take her out for me. She is much too good to be another wallflower." Jumping right into the game, Lotari gave the big man a hard push. "Yes, you must." Carah's gaze narrowed on Stitch with suspicious amusement. Perhaps realizing the opportunity given her, she smiled endearingly, turning the solid young man into a puddle of mush. "I'll be most grateful if you could finish the song with me, Jerin." She even flipped her strawberry curls from her face. Perfect. Lotari wasn't sure, but thought Jerin said something that sounded like, "Ilbebbedgladtoooo." As he led Carah to the dance floor, Stitch and Lotari clapped each other's back. "Well done, Son" Lotari looked toward Alyra. "Pure brilliance." She was gone.
Jackie Castle (Luminosity (White Road Chronicles #2))
palomino.
Leanne Owens (Horses Of The Light (Outback Riders #2))
Mounted on a bay horse (or, according to some accounts, a palomino) with clipped tail and ears and a plow-horse’s harness, the abbot’s representative carried a whip, a seed bag of wheat, and a basket filled with 120 rissoles. These were crescent-shaped pastries made of rye flour, stuffed with minced veal cooked in oil. A dog followed, also with clipped ears and tail, and with a rissole tied around his neck. The agent circled a stone cross at the entrance to the court three times, cracking his whip on each tour, dismounted and knelt at the lion platform, and, if each detail of equipment and performance was exactly right so far, was allowed to proceed. He then mounted the platform, kissed the lion, and deposited the rissoles plus twelve loaves of bread and three portions of wine as his homage. The Sire de Coucy took a third of the offerings, distributed the rest among the assembled bailiffs and town magistrates, and stamped the document of homage with a seal representing a mitered abbot with the feet of a goat.
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
Hagrid added in a whisper to Harry, “but he’ll have a harder time frightenin’ you, an’ we’ve gotta get this done.” So Harry set off into the heart of the forest with Malfoy and Fang. They walked for nearly half an hour, deeper and deeper into the forest, until the path became almost impossible to follow because the trees were so thick. Harry thought the blood seemed to be getting thicker. There were splashes on the roots of a tree, as though the poor creature had been thrashing around in pain close by. Harry could see a clearing ahead, through the tangled branches of an ancient oak. “Look —” he murmured, holding out his arm to stop Malfoy. Something bright white was gleaming on the ground. They inched closer. It was the unicorn all right, and it was dead. Harry had never seen anything so beautiful and sad. Its long, slender legs were stuck out at odd angles where it had fallen and its mane was spread pearly-white on the dark leaves. Harry had taken one step toward it when a slithering sound made him freeze where he stood. A bush on the edge of the clearing quivered. . . . Then, out of the shadows, a hooded figure came crawling across the ground like some stalking beast. Harry, Malfoy, and Fang stood transfixed. The cloaked figure reached the unicorn, lowered its head over the wound in the animal’s side, and began to drink its blood. “AAAAAAAAAAARGH!” Malfoy let out a terrible scream and bolted — so did Fang. The hooded figure raised its head and looked right at Harry — unicorn blood was dribbling down its front. It got to its feet and came swiftly toward Harry — he couldn’t move for fear. Then a pain like he’d never felt before pierced his head; it was as though his scar were on fire. Half blinded, he staggered backward. He heard hooves behind him, galloping, and something jumped clean over Harry, charging at the figure. The pain in Harry’s head was so bad he fell to his knees. It took a minute or two to pass. When he looked up, the figure had gone. A centaur was standing over him, not Ronan or Bane; this one looked younger; he had white-blond hair and a palomino body. “Are you all right?” said the centaur, pulling
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
I know who I am completely; if I am uncomfortable with a situation and see something bad, I will not risk anything.
Lorenza Palomino
The first rule of Hell is: don’t talk about Hell.
Karina Halle (Veiled (Ada Palomino, #1))
Bet you did not know that in Mexico they call a Palomino an Isabella. Or that George Washington's warhorse was an Arab named Magnolia. I sure as hell did not. Hey, Magnolia! Takes a mighty secure man to ride a horse into battle with a name like that; well, to ride a horse into battle at all.
Julia Glass (The Whole World Over)
I hope you do too!     Hi, my name is Abbie and this diary is all about me and my very first pony, Sparkle who is a beautiful 13 hand Palomino. She is the best first pony anyone could wish for and we’ve had so many great adventures together. Luckily, I live on a rural property with lots of land and also other neighborhood girls to ride with. We have our very own “Saddle Club” and it’s such a great way to grow up. I have many fun times to share with you and if you’re anywhere near as horse mad as me, I’m sure you’ll enjoy reading this book. Now, from the beginning…
Katrina Kahler (Julia Jones' Diary / Horse Mad Girl / Diary of an Almost Cool Girl / Diary of Mr TDH)
Dayna, wait,” she called ahead. “I hear Tux up there.” She pointed at the tumbled rocks. She saw Dayna slowly turn Champagne and head back at a slow walk. “Why would Shane’s dog go up there?” she drawled. “Maybe he found Bando.” Liv tried to keep the sarcasm out of her voice. “Isn’t that what we’re all trying to do?” “I don’t hear any barking,” Dayna said doubtfully. Liv blew out an exasperated breath. “Well, I heard him. Are you coming with me to look, or not?” “Oh all right, but this is a total waste of time,” she heard Dayna mutter behind her. “We’re never gonna find that colt alive.” “Don’t be so sure.” Liv called over her shoulder as she leaned forward to help Cactus Jack climb over the stony surface. “These Spanish horses have survival skills your fancy palominos could only wish for.” Dayna caught up. “That’s a laugh.” She shrugged. “My dad says your grandparents’ horses are just scruffy little leftovers from the past. The herd is down to, what? Thirty-three horses now and it’s gonna keep shrinking. So much for their survival skills.” “We can build it up again. And there are thirty-four horses if we can find Bando.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
None of it was good enough for James Watson. I want my daughter. And then, when we ride out of there, I want that place burning down behind me. You sound like a cowboy, Leander had scoffed, and it was then, as they'd crossed the state line, that they hit on a plan that appealed to the both of them. "Hose thieves," Watson said, with some satisfaction. Araminta coughed in the driver's seat, but offered no commentary. Leander had grown up taking riding lessons; James had insisted he'd worked as a trail guide in college. ("He had not," Watson said, "worked as a trail guide in college.") They'd stopped at a twenty-four-hour Walmart and changed from their formal wear into flannel shirts and Carhartts and hats to hide their faces. They bought bolt cutters, shovels, fertilizer, two long-handled lighters, and three twenty-five-packs of Saturn Missile Extremely Loud Fireworks. They'd paid for it all in cash. After parking the car in the woods, they'd approached the facility on foot. The "school" was protected by a twelve-food-high fence crowned with barbed wire. Luckily, it wasn't electrified; less luckily, it was surrounded a spot close enough to the stables for their purposes. Then James chose a spot a mile farther along, laid down both bags of fertilizer, and started a massive fire. At the same time, Leander cut a hole in the fence big enough for a palomino, ducked through, and set off his pack of fireworks. They sang like missiles into the sky as he made his way to the stables. James Watson went for his daughter. In short order, the school was surrounded by fire engines and police cars.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))