Bamboo Strength Quotes

Sahib, a bamboo doesn’t flower, but usually when it does it dies. So I am metaphorical to this plant. Last night, I flowered. In the morning I died. I am not being guilty or unhappy regarding the occurrence sahib. I am in ecstasy. I never bloomed in my life, I did once and that was my last. What died is the desire to be alive in spite of repetition of events like I used to, the strength to drink my sorrows and search happiness elsewhere not in you. We are bound by the rules of society, and I am a woman of morals. We both know things between us have changed and being around you would simply make no sense practically.

The Four Manifestations of Beauty. “Would you like to know what’s inside?” he asked. I nodded. Anyone who overheard us would have thought we were speaking of school lessons. But really, he was speaking of love. He turned the page. “With any form of beauty, there are four levels of ability. This is true of painting, calligraphy, literature, music, dance. The first level is Competent.” We were looking at a page that showed two identical renderings of a bamboo grove, a typical painting, well done, realistic, interesting in the detail of double lines, conveying a sense of strength and longevity. “Competence,” he went on, “is the ability to draw the same thing over and over in the same strokes, with the same force, the same rhythm, the same trueness. This kind of beauty, however, is ordinary. “The second level,” Kai Jing continued, “is Magnificent.” We looked together at another painting, of several stalks of bamboo. “This one goes beyond skill,” he said. “Its beauty is unique. And yet it is simpler, with less emphasis on the stalk and more on the leaves. It conveys both strength and solitude. The lesser painter would be able to capture one quality but not the other.

These words come back to remind me that I am a slave, and it is in this truth that my strength lies. Whether a field slave or a house slave, man, woman, or child, the slave is a creature who has lost his soul between the mill and the sugarcane, between the ship's hold and its steerage, between the crinoline and the slap in the face. Shame stains our every gesture. When we place our feet, undeserving of shoes, on the ground, when we let our exhausted bodies fall on cornhusk mattresses, and when we swing the bamboo fans, we crush our souls under the weight of our shame. Only our gestures of revolt truly belong to us.

Jade does not loose its brilliance even if it breaks and the bamboo does not bend even if it burns.

There are many opinions about God. Each opinion is a path. There are innumerable opinions and innumerable paths leading to God.” Bhavanath: “Then what should we do?” Master: “You must stick to one path with all your strength. A man can reach the roof of a house by stone stairs or a ladder or a rope-ladder or a rope or even by a bamboo pole. But he cannot reach the roof if he sets foot now on one and now on another. He should firmly follow one path with all his strength.

As if in grief, the bamboos were pressed to the ground. But within a matter of minutes, they nodded and waved. They shook off the rain and reoriented themselves toward the sky. My mother was impressed, indeed. Now that, she thought, is strength. Perseverance and flexibility are not opposites. Survival requires certain compromises. Endurance is defined by the last one standing. These were the lessons, I imagine, that she must have learned. My mother resolved to be the last one standing.

There were no lawns, flowers were never patterned – instead, individual plants were placed next to craggy rocks. And there was a complex symbolism of flowers. For example, the chrysanthemum, the flower of autumn, ‘stands for retirement and culture’; the water lily, ‘rising stainless from its bed of slime’, stands for purity and truth; the bamboo, ‘unbroken by the fiercest storm’, represents suppleness and strength but also lasting friendship and hardy age.65 ‘Asymmetrical and spontaneous, the Chinese garden is a statement of faith in Nature