Ballroom Dance Quotes

Invitation to Dance- It’s a Dance. And sometimes they turn the lights off in this ballroom. But we’ll dance anyway, you and I. Even in the Dark. Especially in the Dark. May I have the pleasure?

He goes directly to the ballroom, making his way to the center of the dance floor. He takes Celia’s arm, spinning her away from Herr Thiessen. Marco pulls her to him in an emerald embrace, so close that no one distinction remains between where his suite ends and her gown begins. To Celia there is suddenly no one else in the room as he holds her in his arms. But before she can vocalize her surprise, his lips close over hers and she is lost in wordless bliss. Marco kisses her as though they are the only two people in the world. The air swirls in a tempest around them, blowing open the glass doors to the garden with a tangle of billowing curtains. Every eye in the ballroom turns in their direction. And then he releases her and walks away. By the time Marco leaves the room, almost everyone has forgotten the incident entirely. It is replaced by a momentary confusion that is blamed on the heat or the excessive amounts of champagne. Herr Thiessen cannot recall why Celia has suddenly stopped dancing, or when her gown has shifted to its current deep green. “Is something wrong?” he asks, when he realizes that she is trembling.

I'm so glad you're okay." "So, how do we celebrate my okayness? It's my day off. Let's go crazy. Glow-in-the-dark bowling?" "No" "I'll let you use the kiddie ball." "Shut up. I do NOT need the kiddie ball." "The way you bowl, I think you might." He grabbed her in an exaggerated formal dance pose and whirled her around, backpack and all, which didn't make her any more graceful. "Ballroom dancing?" "Are you INSANE?" "Hey, girls who tango are hot." "You think I'm not hot because I don't tango?" He dropped the act. Shane was a smart boy. "I think you are too hot for ballroom or bowling. So you tell me. What do you want to do? And don't say study.

Dancing, at its best, is independence and intimacy in balance.

Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.

Dance less in motion and more in spirit; awaken the dreamer within.

Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.

If movements were a spark every dancer would desire to light up in flames.

Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.

Meditation practice is like piano scales, basketball drills, ballroom dance class. Practice requires discipline; it can be tedious; it is necessary. After you have practiced enough, you become more skilled at the art form itself. You do not practice to become a great scale player or drill champion. You practice to become a musician or athlete. Likewise, one does not practice meditation to become a great meditator. We meditate to wake up and live, to become skilled at the art of living.

Show me a person who found love in his life and did not celebrate it with a dance.

Dance is the timeless interpretation of life.

They have courses teaching you foreign languages and ballroom dancing and etiquette and cooking. But there are no classes to learn how to be by yourself in a furnished room with chipped dishes, or how to be alone in general without any words of concern or familiar sounds.

If spirit is the seed, dance is the water of its evolution.

Life is an affair of mystery; shared with companions of music, dance and poetry.

If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.

Don't breathe to survive; dance and feel alive.

Honey, life can be a ballroom dance and it can be full of shit. Your job in both cases is to watch where you step.

He loved her. It was in every embrace, in flights under stars, in the crossing of swords, in secret ballroom dances, in the giving of things, in the life-savings, in the passing of handkerchiefs, the accidental touchings, the arguing about hyphenated surnames, the drunken picnics, the shared cups of tea. He loved her. She made him understand the word.

Music does not need language of words for it has movements of dance to do its translation.

As soon as she was close, she whispered, "you've got to get out of here." "No, you've got to get out of here," he told her. "Go downstairs. Go now." "No," she countered. "You go." "Why?" he asked. "You tell me first." But before they could say another word, the last elevator slid slowly open and two men in masks rushed out. From the opposite side of the of the ballroom, shots rang out, rapid fire, piercing the ceiling, plaster falling onto the dance floor like snow. And then Hale and Macey whispered in unison, "Because of that.

Dance to inspire, dance to freedom, life is about experiences so dance and let yourself become free.

Through synergy of intellect, artistry and grace came into existence the blessing of a dancer.

DANCE – Defeat All Negativity (via) Creative Expression.

Dancing Towards Bethlehem If there is only enough time in the final minutes of the 20th century for one last dance I would like to be dancing it slowly with you, say, in the ballroom of a seaside hotel. My palm would press into the small of your back as the past hundred years collapsed into a pile of mirrors or buttons or frivolous shoes, just as the floor of the 19th century gave way and disappeared in a red cloud of brick dust. There will be no time to order another drink or worry about what was never said, not with the orchestra sliding into the sea and all our attention devoted to humming whatever it was they were playing.

Dance resides within us all. Some find it when joy conquers sorrow, others express it through celebration of movements; and then there are those... whose existence is dance,

Soar like an eagle beyond skies of heavens reach; as wings of dreams dance with winds of reality.

She who is a dancer can only sway the silk of her hair like the summer breeze.

But as he came forward to draw her into the center of the ballroom to dance, every worry fled her mind, for at that moment she was where she most wanted to be in all the world, in the arms of someone who loved her.

Dance is the ritual of immortality.

When the melody plays, footsteps move, heart sings and spirit begin to dance.

One step, two steps, three steps; like winds of time experience joy of centuries, when movements become revelations of the dance of destinies.

In a country that values the ballroom dancing talents of washed-up actors, writers were less than afterthoughts.

Matthew sighed as he set the bottle on the mantel. “You know what they say,” he said, as he and James left the room and began to wend their way back toward the party. “Drink, and you will sleep; sleep, and you will not sin; do not sin, and you will be saved; therefore, drink and be saved.” “Matthew, you could sin in your sleep,” said a languorous voice. “Anna,” said Matthew, sagging against James’s shoulder. “Have you been sent to fetch us?” Lounging against the wall was James’s cousin Anna Lightwood, gorgeously dressed in fitted trousers and a pin-striped shirt. She had the Herondale blue eyes, always disconcerting for James to see, as it felt a bit as if his father were looking at him. “If by ‘fetch,’ you mean ‘drag you back to the ballroom by any means possible,’  ” Anna said. “There are girls who need someone to dance with them and tell them they look pretty, and I cannot do it all on my own.” The musicians in the ballroom suddenly struck up a tune—a lively waltz. “Crikey, not waltzing,” said Matthew, in despair. “I loathe waltzing.” He began to back away. Anna seized him by the back of the coat. “Oh, no, you don’t,” she said, and firmly herded both of them toward the ballroom.

Dance is that delicacy of life radiating every particle of our existence with happiness.

Burdened no more is soul for whom life flows through dance and not breath.

When you can be still and still dance, you are a great dancer. When you can move and still be still, you are a greater dancer.

Hearts shall dance once again; when canvas of ice is painted with the brush of skates.

Transcend the terrestrial; surpass the celestial, from nature’s hands when you receive the sublime pleasures of dance.

It is destroying me that I cannot ask you to dance,” Marco whispers as she passes by him in the ballroom, the deep green of his suit seeping across her gown like moss.

My mind was empty as a ballroom and I was not compelled to dance.

I go to the bathroom. All my life I have been an orphan and an only child. Now I come from a big noisy family who go ballroom dancing and live forever.

I've wasted the last five years of my life dealing in religious articles. People today find spiritual solace in ballroom dancing.

[Reacher] knew people with houses. He had talked to them, with the same kind of detached interest he would talk to a person who kept snakes as pets or entered ballroom dancing competitions.

In the common walks of life, with what delightful emotions does the youthful mind look forward to some anticipated scene of festivity! Imagination is busy sketching rose-tinted pictures of joy. In fancy, the voluptuous votary of fashion sees herself amid the festive throng, 'the observed of all observers.' Her graceful form, arrayed in snowy robes, is whirling through the mazes of the joyous dance; her eye is brightest, her step is lightest in the gay assembly. "In such delicious fancies time quickly glides by, and the welcome hour arrives for her entrance into the Elysian world, of which she has had such bright dreams. How fairy-like does everything appear to her enchanted vision! Each new scene is more charming than the last. But after a while she finds that beneath this goodly exterior, all is vanity, the flattery which once charmed her soul, now grates harshly upon her ear; the ball-room has lost its charms; and with wasted health and imbittered heart, she turns away with the conviction that earthly pleasures cannot satisfy the longings of the soul!

World seems like a void of silence every time footsteps are deprived of dancing shoes.

When a dancer performs, melody transforms into a carriage, expressions turn into fuel and spirit experiences a journey to a world where passion attains fulfillment.

Make dance the mission every moment seeks to accomplish.

The daughter of a marquess does not charge out of a ballroom. The daughter of a marquess does not abandon her partner in the middle of a dance. The daughter of a marquess does not hunt faeries.

He was, she realised, quite graceful. The very idea surprised her. Male grace was a quality she'd never thought of beyond the ballroom; either a man could dance a quadrille with skill and without stepping on her feet or he could not. But here was another kind of grace altogether--and untrained grace, an instinctive animal grace.

I don't want you stashing yourself away with your Smolny friends tonight," Maman said. "I want to see you dancing with lots of handsome young princes and grand dukes." I rolled my eyes and stared out the window at the snow-covered city. I resolved to dance with the ugliest and the poorest men in the ballroom--if they should ask me.

I would rather go mad, gone down the dark road to Mexico, heroin dripping in my veins, eyes and ears full of marijuana, eating the god Peyote on the floor of a mudhut on the border or laying in a hotel room over the body of some suffering man or woman; rather jar my body down the road, crying by a diner in the Western sun; rather crawl on my naked belly over the tincans of Cincinnati; rather drag a rotten railroad tie to a Golgotha in the Rockies; rather, crowned with thorns in Galveston, nailed hand and foot in Los Angeles, raised up to die in Denver, pierced in the side in Chicago, perished and tombed in New Orleans and resurrected in 1958 somewhere on Garret Mountain, come down roaring in a blaze of hot cars and garbage, streetcorner Evangel in front of City I-Tall, surrounded by statues of agonized lions, with a mouthful of shit, and the hair rising on my scalp, screaming and dancing in praise of Eternity annihilating the sidewalk, annihilating reality, screaming and dancing against the orchestra in the destructible ballroom of the world, blood streaming from my belly and shoulders flooding the city with its hideous ecstasy, rolling over the pavements and highways by the bayoux and forests and derricks leaving my flesh and my bones hanging on the trees.

I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more that that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might just end up having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. that's fine, too. Sometimes it's like that. What you absolutely must not do is turn around and walk out. Otherwise, you will miss the party, and that would be a pity, because - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment.

Dancing is an innately spiritual affair. Its height is Divinity and its depth is humanity. It is the ever-moving balance between independence and intimacy.

The Dance there is a cloak of sorrow wrapped about my heart oh God, where is the dance? and in the stillness comes the slow dance Christ makes my heart His ballroom

Spirit is a child, the tune of dancing feet its lullaby.

This is America. Dreams are cheap.

You did what you had to do. Nothing works out perfectly in the ballroom world.

Burdened no more is soul for whom life flows through dance like breath.

Fear of being thought cowardly by a beautiful woman is a major reason why men go to war, get in cage fights, wrestle alligators, and subject themselves to ballroom dancing lessons.

Louisa and her husband gave their daughters unheard-of-freedom to enjoy Paris to the full. They socialised, frequented the theatre (where they were mesmerized by Sarah Bernhardt) and took dancing lessons with the famed Isodora Duncan. They performed at their parents’ parties and dnaced European-style ballroom dancing with close body contact with foreign men. The family’s lifestyle, including Louisa letting a Frenchman kiss her hand, raised not only eyebrows, but also rancour: the family was denounced to the throne by outraged mission officials.

Maybe it would have, if I hadn’t started self-defense lessons at seven and ballroom dance lessons at eight. Self-defense teaches you to kick ass. Ballroom dance teaches you to do it in heels.

She dreamt in shades of amethyst, drinking the deep purple elixir in ballads of wood nymphs, tiptoeing by elves that hid in the veiled alcoves of trees and spinning past garden faeries laughing.

The death beams slide around the sky like dancers on ice. As if exchanging partners in this vaulted ballroom of coloured smoke. He imagines a Strauss waltz accompanying the dance of the Nazi searchlights.

She was thinking that if darkness had loved Scott, why then that was true love, wasn’t it, for he had loved it as well; had danced with it across the ballroom of years until it had finally danced him away.

Just as ballroom dancing and pair skating command partners to work together seamlessly, in the sport of dressage, the rider performers an intricate pas de deux with his partner—a twelve-hundred-pound four-footed beast.

Revisiting the music of one’s youth is part of the reunion with self. Whatever your parents may have thought of the music, however the music may survive the test of time, if it was the music you listened to in high school or college days, then it plays forever in some ballroom of your mind. You can still mouth the words and do the dances.

Evil Hall had been transformed into a magnificent ballroom, glittering with green tinsel, black balloons, thousands of green-flamed candles, and a spinning chandelier streaking wall murals with emerald bursts of light. Around a towering ice sculpture of two entwined snakes, Hort and Dot stumbled through a waltz, Anadil wrapped her arms around Vex, Brone tried not to step on Mona's green feet, and Hester and Ravan swayed and whispered as more villainous couples waltzed around them. Ravan's bunk mates picked up the music on reed violins as more pairs flooded onto the floor, clumsy, bashful, but aglow with happiness, dancing beneath a spangled banner: THE 1ST ANNUAL VILLAINS "NO BALL

BALLROOMS OF MARS" "You gonna look fine Be primed for dancing You're gonna trip and glide All on the trembling plane Your diamond hands Will be stacked with roses And wind and cars And people of the past I'll call you thing Just when the moon sings And place your face in stone Upon the hill of stars And gripped in the arms Of the changeless madman We'll dance our lives away In the Ballrooms of Mars You talk about day I'm talking 'bout night time When the monsters call out The names of men Bob Dylan knows And I bet Alan Freed did There are things in night That are better not to behold You dance With your lizard leather boots on And pull the strings That change the faces of men You diamond browed hag You're a gutter-gaunt gangster John Lennon knows your name And I've seen his

At the end of a workday I still had plenty of energy left to compete against Yank for the neighborhood girls. My secret weapon against Yank was my dancing. Most big men are clumsy and heavy-footed, but not me. I had a good sense of rhythm and I could move every part of my body. I had very fast hands, too, and good coordination. Swing music was sweeping the country and social dancing was all the rage. I went dancing six nights a week (never on a Sunday) to a different hall every night. That’s how you learned the dances. You learned by going dancing. They all had certain steps, unlike today where you just make it up as you go along. After the war, one of the jobs I had was a ballroom dance instructor. In

The ceaseless motion and incomprehensible bustle of life. Feigenbaum recalled the words of Gustav Mahler, describing a sensation that he tried to capture in the third movement of his Second Symphony. Like the motions of dancing figures in a brilliantly lit ballroom into which you look from the dark night outside and from such a distance that the music is inaudible…. Life may appear senseless to you.

Good dancers awaken the joy in our hearts, we have seen them ablaze on stage, videos, on our streets, in the theaters, in our homes, schools and they have successfully ignited the love of dancing in our soul. At least, this is the major reason why dancers are born and made.

In the Blue Room, Cora Cash was trying to concentrate on her book. Cora found most novels hard to sympathise with -- all those plain governesses -- but this one had much to recommend it. The heroine was 'handsome, clever, and rich', rather like Cora herself. Cora knew she was handsome -- wasn't she always referred to in the papers as 'the divine Miss Cash'? She was clever -- she could speak three languages and could handle calculus. And as to rich, well, she was undoubtedly that. Emma Woodhouse was not rich in the way that she, Cora Cash, was rich. Emma Woodhouse did not lie on a lit à la polonaise once owned by Madame du Barry in a room which was, but for the lingering smell of paint, an exact replica of Marie Antoinette's bedchamber at le petit Trianon. Emma Woodhouse went to dances at the Assembly Rooms, not fancy dress spectaculars in specially built ballrooms. But Emma Woodhouse was motherless which meant, thought Cora, that she was handsome, clever, rich and free.

She knew she looked well, she loved to dance, she felt that her foot was on the native heath in a ball-room, and enjoyed the delightful sense of power which comes when young girls first discover the new and lovely kingdom they are born to rule by virtue of beauty, youth, and womanhood.

For the company to assemble at a late hour and engage in unusual, exciting and severe exercise throughout the entire night, is often too great a tax upon the physical system. To dress too thinly, and in a state of perspiration to be exposed, as ladies at the ball frequently are, to draughts of cold, is oftentimes to plant the seeds of a disease from which they never recover. Again, to come in contact, as ladies are liable to, more especially at the public ball, with disreputable men, is sometimes to form alliances that will make a lifetime of sorrow.' —Thomas E. Hill, Evils of the Ball, 1883

He loved her. It was in every embrace, in flights under stars, in the crossing of swords, in secret ballroom dances, in the giving of things, in the life-savings, in the passing of handkerchiefs, the accidental touchings, the arguing about hyphenated surnames, the drunken picnics, the shared cups of tea. He loved her. She made him understand the word.

Dance can transcend logical, time-bound, and place-specific limitations.

Limit not to only five, when the divine gifts the supreme sixth; the sense of dance

from the terrace. When the weather was cold they danced upstairs in the ballroom, but when it was nice

The sky was full - of blue and sun. The ocean reflected it and was flat and glossy like a fancy ballroom floor. To Martha, this was the most beautiful sight, a miracle. The ocean made her feel insignificant and slightly afraid, but in an exhilarating way. Her inclination was not to walk or dance across the water's surface. Nor to swim through it. She wanted to *be* the ocean

I held her, there on the croquet course in the late sunshine. Our shadows looked as if they were dancing. Perhaps in the Make-Believe Ballroom we used to listen to on the radio back in those days.

Civilization was a dance, and the ancient Wyr were late to the ball. They donned masks and slipped with silent predatory grace into the ballroom. They watched with sharp eyes that glittered deep in the shadows behind their assumed facades, recording and learning the twist and rhythm of the dance, the social mores, when to bow and press their lips to the back of the hand, how to smile and say good evening, please and thank you and yes, I shall take more sugar with my tea. All the while they noted the pulse that fluttered at the base of the dancers' necks, the scents of sweat and the quickened breath.

Tancredi and Angelica were passing in front of them at that moment, his gloved right hand on her waist, their outspread arms interlaced, their eyes gazing into each other's. The black of his tail coat, the pink of her dress, combining formed a kind of strange jewel. They were the most moving sight there, two young people in love dancing together, blind to each other's defects, deaf to the warnings of fate, deluding themselves that the whole course of their lives would be as smooth as the ballroom floor, unknowning actors made to play the parts of Juliet and Romeo by a director who had concealed the fact that tomb and poison were already in the script. Neither of them was good, each full of self-interest, swollen with secret aims; yet there was something sweet and touching about them both; those murky but ingenuous ambitions of theirs were obliterated by the words of jesting tenderness he was murmuring in her ear, by the scent of her hair, by the mutual clasp of those bodies of theirs destined to die. . . For them death was purely an intellectual concept, a fact of knowledge as it were and no more, not an experience which pierced the marrow of their bones. Death, oh yes, it existed of course, but it was something that happened to others. The thought occurred to Don Fabrizio that it was ignorance of this supreme consolation that made the young feel sorrows much more sharply than the old; the latter are nearer the safety exit.

Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.

I lay down and started to feel a little depressed about prom. I refused to feel any kind of sadness over the fact that I wasn't going to prom, but I had - stupidly, embarrassingly - thought of finding Margo, and getting her to come home with me just in time for prom, like late on Saturday night, and we'd walk into the Hilton ballroom wearing jeans and ratty T-shirts, and we'd be just in time for the last dance, and we'd dance while everyone pointed at us and marveled at the return of Margo, and then we'd fox-trot the hell out of there and go get ice cream at Friendly's. So yes, like Ben, I harbored ridiculous prom fantasies. But at least I didn't say mine out loud.

It is destroying me that I cannot ask you to dance," Marco whispers as she passes by him in the ballroom, the deep green of his suit seeping across her gown like moss. "Then you are far too easily destructible," Celia murmurs softly.

One last dance. We’re both quiet. It’s not over yet. We still have the whole summer ahead. But high school, the two of us here together, Lara Jean and Peter as we are today, that part is done. We’ll never be here exactly like this again. I’m wondering if he’s feeling sad too, and then he whispers, “Check out Gabe over there trying to casually rest his hand on Keisha’s butt.” He turns me slightly so I can see. Gabe’s hand is indeed hovering at Keisha Wood’s lower back/butt area, like an indecisive butterfly looking for a landing spot. I giggle. This is why I like Peter so much. He sees things I don’t see. “I know what our song should be,” he says. “What?” And then, like magic, Al Green’s voice fills the hotel ballroom. “Let’s Stay Together.” “You made them play this,” I accuse. I’m tearing up a little bit. He grins. “It’s fate.” Whatever you want to do…is all right with me-ee-ee. Peter takes my hand and puts it on his heart. “Let’s, let’s stay together,” he sings. His voice is clear and true, everything I love about him.

The girls here are so young. One of them twines her fingers into mine, her hand so small I could crush it. There are more of them in the ballroom, standing well outside the pools of light that demarcate the dancing from the sitting, the illusion from the reality.

Peter smiled as Concheetah sashayed across the ballroom floor Concheetah sashayed towards him, wriggling her hips, full lips in a pout, followed obediently by the tentative, Tapping Ted dressed in tight shorts and singlet. Tapping? Tapping because he always wore conspicuous, tap-dancing shoes in the club. Was Ted going to rip up the stage as a mincing Irish dancer or maybe perform a Gene Kelly routine or the Swan Lake ballet in taps? It was terrible to imagine. Peter bit his lip at that thought, hoping he wouldn’t burst into howls of laughter. He had noted after coming to several shows, that Ted usually stood at the side of the stage ready with a drink of champagne and an encouraging word and a dry towel to mop Her Highness’s face. And he always cried during the show’s finale, Abba’s Dancing Queen. Poor Tapping Ted.

Not that this new husband is anything special—his name is Tony and he used to be in the auto glass business in New Jersey. But Roz fixed him up and took him shopping for shirts at Bloomingdale’s, and now they’re taking all these classes at the JCC together—Conversational Spanish and Ballroom Dancing and Massage for Lovers and Creative Soap and Candle Making. I don’t particularly want a husband. They’re a lot of work, but I don’t want to spend the rest of my life alone either, and it would be nice to have someone to go to classes with is what I’m saying.

She knew she looked well, she loved to dance, she felt that her foot was on her native heath in a ball-room, and enjoyed the delightful sense of power which comes when young girls first discover the new and lovely kingdom they are born to rule by virtue of beauty, youth, and womanhood.

She was the stained glass in the ballroom, and every book that surrounded the woods of color, each volume of her life, could shatter more easily than ever before. It would have been wise, perhaps, to run from those woods, to turn from glass to girl. Instead, she offered him her hand.

The dress and the dance and the music, all together, meant you could turn a daydream into something real, for those three minutes on the floor, his hand holding yours, your knees brushing his thigh. You could be a dream woman, and your partner could be the man of your most romantic fantasies.

...at every twirl a year fell from his shoulders; soon he felt back at the age of twenty, when in that very same ballroom he had danced with Stella before he knew disappointment, boredom, and the rest. For a second, that night, death seemed to him once more "something that happens to others."...

He's poking and prodding again. Just like I’ve been poking and prodding him. I feel like we’re locked in a ballroom masquerade dance, both of us attempting to lead, both trying to sneak glances under each other’s sequined mask to see what really lies underneath. He’s frustratingly observant. Maybe he feels similarly about me.

A gasp caught her attention, followed by a rush of whispers that filled the sudden silence that fell over the room. People stopped talking to turn and stare. People stopped dancing. Even the orchestra stopped playing. Curious, Rose turned to see what everyone was staring at with such blatant shock. Oh, dear God. Her eyes had to be deceiving her! But no, she knew who it was she saw standing just inside the ballroom doors, looking as though he owned the place, meeting every gaze with calm, ducal arrogance. It was Grey. And everyone else knew it was him as well, because unlike every other person in that ballroom, the Duke of Ryeton did not wear a mask.

I give in,” she gasped. “What has turned your evening into such a dreadful affair?” “What or whom?” “‘ Whom’?” she echoed, tilting her head as she looked at him. “This grows even more interesting.” “I can think of any number of adjectives to describe all of the ‘whoms’ I have had the pleasure of meeting this evening, but ‘interesting’ is not one of them.” “Now, now,” she chided, “don’t be rude. I did see you chatting with my brothers, after all.” He nodded gallantly, tightening his hand slightly at her waist as they swung around in a graceful arc. “My apologies. The Bridgertons are, of course, excluded from my insults.” “We are all relieved, I’m sure.” Simon cracked a smile at her deadpan wit. “I live to make Bridgertons happy.” “Now that is a statement that may come back to haunt you,” she chided. “But in all seriousness, what has you in such a dither? If your evening has gone that far downhill since our interlude with Nigel, you’re in sad straits, indeed.” “How shall I put this,” he mused, “so that I do not completely offend you?” “Oh, go right ahead,” she said blithely. “I promise not to be offended.” Simon grinned wickedly. “A statement that may come back to haunt you.” She blushed slightly. The color was barely noticeable in the shadowy candlelight, but Simon had been watching her closely. She didn’t say anything, however, so he added, “Very well, if you must know, I have been introduced to every single unmarried lady in the ballroom.” A strange snorting sound came from the vicinity of her mouth. Simon had the sneaking suspicion that she was laughing at him. “I have also,” he continued, “been introduced to all of their mothers.” She gurgled. She actually gurgled. “Bad show,” he scolded. “Laughing at your dance partner.” “I’m sorry,” she said, her lips tight from trying not to smile. “No, you’re not.” “All right,” she admitted, “I’m not. But only because I have had to suffer the same torture for two years. It’s difficult to summon too much pity for a mere evening’s worth.

The band in the ballroom announced the cover of a special request, and after a pause, the woman's voice sang out the breathy first line of Etta James's "At Last." Chairs barked as guests rose to greet the champion of all wedding songs, the one that always brought indifferent or fighting or estranged couples to the dance floor for momentary reconciliation.

As Anabelle walked with Owen to the center of the ballroom, her first thought was that the orchestra really should be playing. They’d only played a set, for heaven’s sake, and already they were taking a break. Her second thought was that while the only people actually on the dance floor were Owen and her, the whole population of England appeared to be circled around it.

Style” comes on and we all go crazy, screaming in each other’s faces and jumping up and down. Peter goes craziest of all. He keeps asking me if I’m having fun. He only asks out loud once, but with his eyes he asks me again and again. They are bright and hopeful, alight with expectation. With my eyes I tell him, Yes yes yes I am having fun. We’re starting to get the hang of slow dancing, too. Maybe we should take a ballroom-dancing class when I get to UVA so we can actually get good at it. I tell him this, and fondly he says, “You always want to take things to the next level. Next-level chocolate chip cookies.” “I gave up on those.” “Next-level Halloween costumes.” “I like for things to feel special.” At this, Peter smiles down at me and I say, “It’s just too bad we’ll never dance cheek to cheek.” “Maybe we could order you some dancing stilts.” “Oh, you mean high heels?” He snickers. “I don’t think there’s such a thing as ten-inch heels.” I ignore him. “And it’s too bad your noodle arms aren’t strong enough to pick me up.” Peter lets out a roar like an injured lion and swoops me up and swings me around, just like I knew he would. It’s a rare thing, to know someone so well, whether they’ll pivot left or right. Outside of my family, I think he might be the person I know best of all.

After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many curious caddies, a few of the more ingenious chauffeurs, the golf professional's deaf sister--and there were usually several stray, diffident waves who might have rolled inside had they so desired. This was the gallery. The balcony was inside. It consisted of the circle of wicker chairs that lined the wall of the combination clubroom and ballroom. At these Saturday-night dances it was largely feminine; a great babel of middle-aged ladies with sharp eyes and icy hearts behind lorgnettes and large bosoms. The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval, for it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous, girls will sometimes be kissed in the parked limousines of unsuspecting dowagers. But, after all, this critical circle is not close enough to the stage to see the actors' faces and catch the subtler byplay. It can only frown and lean, ask questions and make satisfactory deductions from its set of postulates, such as the one which states that every young man with a large income leads the life of a hunted partridge. It never really appreciates the drama of the shifting, semicruel world of adolescence. No; boxes, orchestra-circle, principals, and chorus are represented by the medley of faces and voices that sway to the plaintive African rhythm of Dyer's dance orchestra.

Don't misunderstand, but how dare you risk your life? What the devil did you think, to leap over like that? You could have stayed safe on this side and just helped me over." Even to her ears, her tone bordered on the hysterical. Beneath her fingers, the white lawn started to redden. She sucked in a shaky breath. "How could you risk your life-your life, you idiot!" She leaned harder on the pad, dragged in another breath. He coughed weakly, shifted his head. "Don't you dare die on me!" His lips twisted, but his eyes remained closed. "But if I die"-his words were a whisper-"you won't have to marry, me or anyone else. Even the most censorious in the ton will consider my death to be the end of the matter. You'll be free." "Free?" Then his earlier words registered. "If you die? I told you-don't you dare! I won't let you-I forbid you to. How can I marry you if you die? And how the hell will I live if you aren't alive, too?" As the words left her mouth, half hysterical, all emotion, she realized they were the literal truth. Her life wouldn't be worth living if he wasn't there to share it. "What will I do with my life if you die?" He softly snorted, apparently unimpressed by-or was it not registering?-her panic. "Marry some other poor sod, like you were planning to." The words cut. "You are the only poor sod I'm planning to marry." Her waspish response came on a rush of rising fear. She glanced around, but there was no one in sight. Help had yet to come running. She looked back at him, readjusted the pressure on the slowly reddening pad. "I intend not only to marry you but to lead you by the nose for the rest of your days. It's the least I can do to repay you for this-for the shock to my nerves. I'll have you know I'd decided even before this little incident to reverse my decision and become your viscountess, and lead you such a merry dance through the ballrooms and drawing rooms that you'll be gray within two years." He humphed softly, dismissively, but he was listening. Studying his face, she realized her nonsense was distracting him from the pain. She engaged her imagination and let her tongue run free. "I've decided I'll redecorate Baraclough in the French Imperial style-all that white and gilt and spindly legs, with all the chairs so delicate you won't dare sit down. And while we're on the subject of your-our-country home, I've had an idea about my carriage, the one you'll buy me as a wedding gift..." She rambled on, paying scant attention to her words, simply let them and all the images she'd dreamed of come tumbling out, painting a vibrant, fanciful, yet in many ways-all the ways that counted-accurate word pictures of her hopes, her aspirations. Her vision of their life together. When the well started to run dry, when her voice started to thicken with tears at the fear that they might no longer have a chance to enjoy all she'd described, she concluded with, "So you absolutely can't die now." Fear prodded; almost incensed, she blurted, "Not when I was about to back down and agree to return to London with you." He moistened his lips. Whispered, "You were?" "Yes! I was!" His fading voice tipped her toward panic. Her voice rose in reaction. "I can't believe you were so foolish as to risk your life like this! You didn't need to put yourself in danger to save me." "Yes, I did." The words were firmer, bitten off through clenched teeth. She caught his anger. Was anger good. Would temper hold him to the world? A frown drew down his black brows. "You can't be so damned foolish as to think I wouldn't-after protecting you through all this, seeing you safely all this way, watching over you all this time, what else was I going to do?

Nesta is a wolf who has been locked in a cage her whole life. 'I know,' Cassian said. She was a wolf who had never learned how to be a wolf, thanks to that cage humans called propriety and society. And like any maltreated animal, she bit anyone who came near. Good thing he liked being bitten. Good thing he savoured the bruises and scratches she left on his body every night, and that her unleashing when he was buried in her made him want to answer with his own. Elain leaned forward. 'You only think you know- you haven't seen her on the dance floor. That's when Nesta truly lets the wolf roam free. When there's music.' 'Really?' Nesta had told him once, when he'd dragged her out of a particular seedy tavern, that she'd been there for the music. He'd ignored her, thinking it an excuse. 'Yes,' Elain said. 'She was trained in dance from a very young age. She loves it, and music. Not in the way I enjoy a waltz or a gavotte, but in the way that performers make an art of it. Nesta could bring an entire ballroom to a halt when she danced with someone.

For members of a particular religious community, the sense of obligation takes a specific form when it comes to their commitment to each other. In the movie Shall We Dance?, Richard Gere plays a bored middle-aged attorney who surreptitiously takes up ballroom dancing. His wife, played by Susan Sarandon, becomes suspicious at his renewed energy and vitality. She hires a private detective, who discovers the dance studio and reports the news. She decides to let her husband continue dancing undisturbed. In the scene where she meets the private detective in a bar to pay his fee and end the investigation, they linger over a drink and discuss why people marry in the first place. The detective, whose countless investigations into infidelity have rendered him cynical about marriage, suggests that the desire to marry has something to do with hormones and passing fancy. She disagrees. The reason we marry, she insists, is that “we need a witness to our lives. There’s a billion people on the planet. . . . I mean, what does any one life really mean? But in a marriage, you’re promising to care about everything. The good things, the bad things, the terrible things, the mundane things . . . all of it, all of the time, every day. You’re saying ‘Your life will not go unnoticed because I will notice it. Your life will not go un-witnessed because I will be your witness.’ ” The sacramental bond that unites two people in a marriage or committed relationship is known as a covenant. A covenant—the word means mutual agreement—is a promise to bear witness to the life of another: the good things, the bad things, the terrible things, the mundane things. At its heart, the relationship among members of a religious community is covenantal as well. As with marriage, the relationship also includes other dimensions, such as friendship and perhaps financial and/or legal partnership. But the defining commitment that members of a religious community make to each other arises from their calling—their covenantal duty—to bear witness to each other’s lives: the lives they now lead and the lives they hope to lead in the future, and the world they now occupy and the world they hope to occupy in the future.

Stuyvesants and Vanderbilts and Roosevelts and staid, respectable Washington Square. Trinity Church. Mrs. Astor’s famous ballroom, the Four Hundred, snobby Ward McAllister, that traitor Edith Wharton, Delmonico’s. Zany Zelda and Scott in the Plaza fountain, the Algonquin Round Table, Dottie Parker and her razor tongue and pen, the Follies. Cholly Knickerbocker, 21, Lucky Strike dances at the Stork, El Morocco. The incomparable Hildegarde playing the Persian Room at the Plaza, Cary Grant kneeling at her feet in awe. Fifth Avenue: Henri Bendel, Bergdorf’s, Tiffany’s.

I understand Mrs. Donovan is a free woman, Mr. Dardano. It’s all for a good cause after all, isn’t it?” “Fifty thousand dollars,” Alessandro countered, deadly calm though inside he was fairly trembling with rage. “One hundred thousand dollars,” Hadley countered, getting to his feet, appearing to enjoy the spectacle of all eyes being on the two of them now. Alessandro stood, his fists clenched tight at his sides. “Two hundred and fifty thousand dollars,” Bree was staring at them both, her mouth open. Kevin smiled at him. “Three hundred thousand dollars,” “One million dollars,” Alessandro shot back, his eyes clouding with rage. So help him, if the son of a bitch opened his mouth, Alessandro was gonna shove his fist down his throat. The entire ballroom was dead silent. Holding its breath. “Uh…Going once?” Alex announced. Kevin met Alessandro’s gaze, smirking. “Going twice?” Kevin lifted his hands in surrender. “The best man won. I hope you get more than a dance, my friend,” “Sold,” Alex announced, slamming the little gavel down. Alessandro felt a rush of both victory and relief as he stared at Brianna. He walked up to her and extended his hand. “Darling?

If only he weren’t so infuriating and so solicitous, all at once. One or the other, she knew how to resist, but insolence and charm made a potent brew indeed. The way he’d soothed her concern with rough fingers, even as his words teased. The way he’d guided her with a light touch at the small of her back, kissed her fingers so tenderly…they could have been in an elegant ballroom, preparing to dance a quadrille. By all evidence-his fine attire, cultured accent, proud bearing, the rare flash of politesse-Mr. Grayson was a man who could move in the highest echelons of English society, but delighted in doing just the reverse.

Acceptance" is a very important word in our lives. People drive themselves into madness and death thinking about the chasm that exists between their ideals and their actual reality that they are living. There must be a balance between improvement of one's self and one's circumstances and the acceptance of reality. There is a beautiful dance that one must learn, which involves embracing the reality of your life as you would embrace a Latin dance partner on the ballroom floor, and moving that partner (your reality) in graceful strides, towards where you want to be situated, on that dance floor. If you dance with no partner (your current reality), you will arrive at your destination empty. Empty. That is, if you ever arrive at all. But when you dance with that partner, embracing and accepting it for all of its flaws and its redeeming qualities, you will be able to move across that dance floor as a full, whole person. Wherever you end up stopping in that ballroom, you will stop there as a whole person, not an empty one. So, accept the mistakes that have been done unto you and the mistakes that you have done. Accept the fact that you didn't grow up perfectly and you are not perfect now. Accept, embrace, love the people who are given to you to love. And love yourself just as you are.

As he and Serena walked toward the door to the church, he breathed in the crisp winter day and imagined Serena in a duchess's finery. A satin ball gown in green, to match her eyes. Jewels hanging from her ears and around her neck, dipping into the ivory hollow of her throat. White silken gloves that reached just above her elbows where the tender flesh of her upper arm would he bare until the slender lace of a sleeve began. With her hair artfully arranged and just a touch of pink on her lips... she would be devastating. And she had no idea, no idea the power she could wield. He pictured her dancing, close in his arms, whirling to the violins in one of the many grand ballrooms of his world.

She can’t explain or quite understand what it is that is special about dancing with Harry. When he opens his arms to her, he is so sure, the way he holds her, not too hard, not too soft. Like coming home. Where she belongs. The way he moves her. They are a part of the music. Their bodies fit together, move like one person. Perfect. The way a man and a woman must feel, she thinks, when they are in love. He makes her feel beautiful, too, like when he assures her that someday she will be good enough to be a professional dancer. Harry must know, because he is the best dancer, the best teacher, a girl could have, patient and gentle. She is lucky that he believes in her. That is how she feels outside his door.

We do a thing in America, which is to label people “workaholics” and tell them that work is ruining their lives. It’s such a widespread opinion that it seems like the premise to every indie movie is “Workaholic mom comes home to find that her entire family hates her. It’s not until she cuts back on work, smokes a little pot, and takes up ballroom dancing classes with her neglected husband that she realizes what is truly important in life. Not work.” Working parents have now eclipsed shady Russian-esque operatives as America’s most popular choice of movie villain. And to some degree, I understand why the trope exists. It probably resonates because most people in this country hate their jobs. The economies of entire countries like Turks and Caicos are banking on US citizens hating their jobs and wanting to get away from it all. And I understand that. But it’s a confusing message for kids. The reason I’m bringing this up is not to defend my status as someone who always works. (I swear I’m not that Tiger Mom lady! I don’t think you need to play piano for eleven hours with no meals! Or only watch historical movies, then write reports on them for me to read and grade!) It’s just that, the truth is, I have never, ever, ever met a highly confident and successful person who is not what a movie would call a “workaholic.” We can’t have it both ways, and children should know that. Because confidence is like respect; you have to earn it.

We see the old women again. A laugh that is a little too forced and shrill jazz music have made them start. One of them whispers, worried: “Perhaps ... we should go and see ...” “The youngsters don’t like it when we are obviously watching them, and besides, what can we do? It’s us, the adults, with our suspicions who put evil thoughts in their minds.” The other lady (hesitant): “All the same, my dear, we’re meant to be chaperoning them.” We see the ballroom where about twenty couples are holding each other tightly and dancing a sensual tango in the semidarkness. Nadine, the young lady of the house, wearing very modern clothes, notices her mother and her aunt coming over to them, and tells everyone in a playful whisper: “Yikes! The cops are here!

Magnus’s head was tipped back, his shimmering white suit rumpled like bedsheets in the morning, his white cloak swaying after him like a moonbeam. His mirrorlike mask was askew, his black hair wild, his slim body arching with the dance, and wrapped around his fingers like ten shimmering rings was the light of his magic, casting a spotlight on one dancer, then another. The faerie Hyacinth caught one radiant stream of magic and whirled, holding on to it as if the light were a ribbon on a maypole. The vampire woman in the violet cheongsam, Lily, was dancing with another vampire who Alec presumed was Elliott, given the blue and green stains around his mouth and all down his shirtfront. Malcolm Fade joined in the dance with Hyacinth, though he appeared to be doing a jig and she seemed very puzzled. The blue warlock who Magnus had called Catarina was waltzing with a tall horned faerie.The dark-skinned faerie whom Magnus had addressed as a prince was surrounded by others whom Alec presumed were courtiers, dancing in a circle around him. Magnus laughed as he saw Hyacinth using his magic like a ribbon, and sent shimmering streamers of blue light in several directions. Catarina batted away Magnus’s magic, her own hand glowing faintly white. The two vampires Lily and Elliott both let a magic ribbon wrap around one of their wrists. They did not seem like trusting types, but they instantly leaned into Magnus with perfect faith, Lily pretending to be a captive and Elliott shimmying enthusiastically as Magnus laughed and pulled them toward him in the dance. Music and starshine filled the room, and Magnus shone brightest in all that bright company. As Alec made for the stairs, he brushed past Raphael Santiago, who was leaning against the balcony rail and looking down at the dancing crowd, his dark eyes lingering on Lily and Elliott and Magnus. There was a tiny smile on the vampire’s face. When Raphael noticed Alec, the scowl snapped immediately back on. “I find such wanton expressions of joy disgusting,” he declaimed. “If you say so,” said Alec. “I like it myself.” He reached the foot of the stairs and was crossing the gleaming ballroom floor when a voice boomed out from above. “This is DJ Bat, greatest werewolf DJ in the world, or at least in the top five, coming to you live from Venice because warlocks make irresponsible financial decisions, and this one is for the lovers! Or people with friends who will dance with them. Some of us are lonely jerks, and we’ll be doing shots at the bar.

My mother never seemed to listen to much music, but she loved Barbara Streisand, counting The Way We Were and Yentl as two of her favorite films. I remembered how we used to sing the song "Tell Him" together, and skipped through the album until I found it on track four. "Remember this?" I laughed, turning up the volume. It's a duet between Babe and Celine Dion, two powerhouse divas joining together for one epic track. Celine plays the role of a young woman afraid to confess her feelings to the man she loves, and Barbara is her confidant, encouraging her to take the plunge. "I'm scared, so afraid to show I care... Will he think me weak, if I tremble when I speak?" Celine begins. When I was a kid my mother used to quiver her lower lip for dramatic effect when she sang the word "tremble." We would trade verses in the living room. I was Barbara and she was Celine, the two of us adding interpretive dance and yearning facial expressions to really sell it. "I've been there, with my heart out in my hand..." I'd join in, a trail of chimes punctuating my entrance. "But what you must understand, you can't let the chance to love him pass you by!" I'd exclaim, prancing from side to side, raising my hand to urge my voice upward, showcasing my exaggerated vocal range. Then, together, we'd join in triumphantly. "Tell him! Tell him that the sun and moon rise in his eyes! Reach out to him!" And we'd ballroom dance in a circle along the carpet, staring into each other's eyes as we crooned along to the chorus. My mom let out a soft giggle from the passenger seat and we sang quietly the rest of the way home. Driving out past the clearing just as the sun went down, the scalloped clouds flushed with a deep orange that made it look like magma.

Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.” Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“ “No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.” She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“ “Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.” Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.” Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!” Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?" Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself." Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?" He smiled. "I thought-puce." "An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.

Via Negativa Sometimes it's too hard with words or dark or silence. Tonight I want a prayer of high-rouged cheekbones and light: a litany of back-lit figures, lithe and slim, draped in fabrics soft and wrinkleless and pale as onion slivers. Figures that won't stumble or cough: sleek kid-gloved Astaires who'll lift ladies with glamorous sweeps in their hair— They'll bubble and glitter like champagne. They'll whisper and lean and waltz and wink effortlessly as figurines twirling in music boxes, as skaters in their dreams. And the prayer will not be crowded. You'll hear each click of staccato heel echo through the glassy ballrooms—too few shimmering skirts; the prayer will seem to ache for more. But the prayer will not ache. When we enter, its chandeliers and skies will blush with pleasure. Inside we will be weightless, and our goodness will not matter in a prayer so light, so empty it will float.

Am I to assume the Valerie I was introduced to earlier was the Valerie of our greenhouse notes?” He realized his mistake the instant her eyes clouded over and she glanced in the direction he’d looked. “Yes.” “Shall I ask Willington to clear his ballroom so you have the requisite twenty paces? Naturally, I’ll stand as your second.” Elizabeth drew a shaky breath, and a smile curved her lips. “Is she wearing a bow?” Ian looked and shook his head. “I’m afraid not.” “Does she have an earring?” He glanced again and frowned. “I think that’s a wart.” Her smile finally reached her eyes. “It’s not a large target, but I suppose-“ “Allow me,” he gravely replied, and she laughed. The last strains of their waltz were dying away, and as they left the dance floor Ian watched Mondevale making his way toward the Townsendes, who’d returned to the ballroom. “Now that you’re a marquess,” Elizabeth asked, “will you live in Scotland or in England?” “I only accepted the title, not the money or the lands,” he replied absently, watching Mondevale. “I’ll explain everything to you tomorrow morning at your house. Mondevale is going to ask you to dance as soon as we reach the Townsendes, so listen closely-I’m going to ask you to dance again later. Turn me down.” She sent him a puzzled look, but she nodded. “Is there anything else?” she asked when he was about to relinquish her to her friends. “There’s a great deal else, but it will have to wait until tomorrow.” Mystified, Elizabeth turned her attention to Viscount Mondevale. Alex watched the byplay between Elizabeth and Ian but her mind was elsewhere. While the couple danced, Alex had told her husband exactly what she thought of Ian Thornton who’d first ruined Elizabeth’s reputation and now deceived her into thinking he was still a man of very modest means. Instead of agreeing that Thornton was completely without principles, Jordan had calmly insisted that Ian intended to set matters aright in the morning, and then he’d made her, and his grandmother, promise not to tell Elizabeth anything until Ian had been given the opportunity to do so himself. Dragging her thoughts back to the ballroom, Alex hoped more than anything that Ian Thornton would do nothing more to hurt her good friend. By the end of the evening a majority of the guests at the Willington ball had drawn several conclusions: first, that Ian Thornton was definitely the natural grandson of the Duke of Stanhope (which everyone claimed to have always believed); second, that Elizabeth Cameron had very probably rebuffed his scandalous advances two years ago (which everyone claimed to have always believed); third, that since she had rejected his second request for a dance tonight, she might actually prefer her former suitor Viscount Mondevale (which hardly anyone could really believe).

Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.

Lady Cameron,” he said, playing his role with elan as he nodded toward Ian. “You recall our friend Lord Thornton, Marquess of Kensington, I hope?” The radiant smile Elizabeth bestowed on Ian was not at all what the dowager had insisted ought to be “polite but impartial.” It wasn’t quite like any smile she’d ever given him. “Of course I remember you, my lord,” Elizabeth said to Ian, graciously offering him her hand. “I believe this waltz is mine,” he said for the benefit of Elizabeth’s avidly interested admirers. He waited until they were near the dancers, then he tried to sound more pleasant. “You seem to be enjoying yourself tonight.” “I am,” she said idly, but when she looked up at his face she saw the coolness in his eyes; with her new understanding of her own feelings, she understood his more easily. A soft, knowing smile touched her lips as the musicians struck up a waltz; it stayed in her heart as Ian’s arm slid around her waist, and his left hand closed around her fingers, engulfing them. Overhead a hundred thousand candles burned in crystal chandeliers, but Elizabeth was back in a moonlit arbor long ago. Then as now, Ian moved to the music with effortless ease. That lovely waltz had begun something that had ended wrong, terribly wrong. Now, as she danced in his arms, she could make this waltz end much differently, and she knew it; the knowledge filled her with pride and a twinge of nervousness. She waited, expecting him to say something tender, as he had the last time. “Belhaven’s been devouring you with his eyes all night,” Ian said instead. “So have half the men in this ballroom. For a country that prides itself on its delicate manners, they sure as hell don’t extend to admiring beautiful women.” That, Elizabeth thought with a startled inner smile, was not the opening she’d been waiting for. With his current mood, Elizabeth realized, she was going to have to make her own opening. Lifting her eyes to his enigmatic golden ones, she said quietly, “Ian, have you ever wanted something very badly-something that was within your grasp-and yet you were afraid to reach out for it?” Surprised by her grave question and her use of his name, Ian tried to ignore the jealousy that had been eating at him all night. “No,” he said, scrupulously keeping the curtness from his voice as he gazed down at her alluring face. “Why do you ask? Is there something you want?” Her gaze fell from his, and she nodded at his frilled white shirtfront. “What is it you want?” “You.” Ian’s breath froze in his chest, and he stared down at her lustrous hair. “What did you just say?” She raised her eyes to his. “I said I want you, only I’m afraid that I-“ Ian’s heart slammed into his chest, and his fingers dug reflexively into her back, starting to pull her to him. “Elizabeth,” he said in a strained voice, glancing a little wildly at their avidly curious audience and resisting the impossible impulse to take her out onto the balcony, “why in God’s name would you say a thing like that to me when we’re in the middle of a damned dance floor in a crowded ballroom?” Her radiant smile widened. “I thought it seemed like exactly the right place,” she told him, watching his eyes darken with desire. “Because it’s safer?” Ian asked in disbelief, meaning safer from his ardent reaction. “No, because this is how it all began two years ago. We were in the arbor, and a waltz was playing,” she reminded him needlessly. “And you came up behind me and said, ‘Dance with me, Elizabeth.’ And-and I did,” she said, her voice trailing off at the odd expression darkening his eyes. “Remember?” she added shakily when he said absolutely nothing. His gaze held hers, and his voice was tender and rough. “Love me, Elizabeth.” Elizabeth felt a tremor run through her entire body, but she looked at him without flinching. “I do.

Colonel Melchett silently marvelled at the amount of aids to beauty that women could use. Rows of jars of face cream, cleansing cream, vanishing cream, skin-feeding cream! Boxes of different shades of powder. An untidy heap of every variety of lipstick. Hair lotions and “brightening” applications. Eyelash black, mascara, blue stain for under the eyes, at least twelve different shades of nail varnish, face tissues, bits of cotton wool, dirty powder-puffs. Bottles of lotions—astringent, tonic, soothing, etc. “Do you mean to say,” he murmured feebly, “that women use all these things?” Inspector Slack, who always knew everything, kindly enlightened him. “In private life, sir, so to speak, a lady keeps to one or two distinct shades, one for evening, one for day. They know what suits them and they keep to it. But these professional girls, they have to ring a change, so to speak. They do exhibition dances, and one night it’s a tango and the next a crinoline Victorian dance and then a kind of Apache dance and then just ordinary ballroom, and, of course, the makeup varies a good bit.” “Good lord!” said the Colonel. “No wonder the people who turn out these creams and messes make a fortune.” “Easy money, that’s what it is,” said Slack. “Easy money. Got to spend a bit in advertisement, of course.” Colonel

Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.” “Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?” “Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.” “Speaking of shrubbery,” she teased, pausing on the balcony to cast a last fond look at the “arbor” of potted trees with silk blossoms that occupied one-fourth the length of the entire ballroom, “everyone is talking about having gardens and arbors as themes for future balls. I think you’ve stared a new ‘rage.’” “You should have seen your face,” he teased, drawing her away, “when you recognized what I had done.” “We are probably the only couple,” she returned her face turned up to his in laughing conspiracy, “ever to lead off a ball by dancing a waltz on the sidelines.” When the orchestra had struck up the opening waltz, Ian had led her into the mock “arbor,” and they had started the ball from there. “Did you mind?” “You know I didn’t,” she returned, walking beside him up the curving staircase. He stopped outside her bed chamber, opened the door for her, and started to pull her into his arms, then checked himself as a pair of servants came marching down the hall bearing armloads of linens. “There’s time for this later,” he whispered. “All the time we want.

And then the world stopped and there was nothing but Rose as she slipped from the crowd to stand before him. Grey forgot about Lady Devane. He forgot about everyone but her. She wore a mask, but even if he hadn’t recognized the hair and the dress he would have known it was her. He knew her scent, the shape of her mouth. He recognized her by the way his heart rejoiced at her nearness. She stared at him, her mask doing nothing to conceal her wonder. “Why are you here?” Grey smiled down at her. Did she notice that he’d pinned the rosette from the gown she’d worn their first night together to his lapel? “Because I hold you above my horse, my fortune, and my pride.” Her brow puckered. “I beg your pardon?” “Those were the traits you said you required in a husband, were they not?” Her face relaxed, and he thought he saw a glimmer of understanding in her dark eyes. “Yes. I believe they were. You came here just to tell me that?” He laughed. Her face was so bright below the edge of her mask, her eyes damp and warm. It broke is heart-and buoyed it as well-to know he was responsible for all of that. “No. I came here to dance with my wife. And to do this.” He took her face in his hands and kissed her in front of the entire ballroom. He didn’t care about the gasps or that everyone could see. He didn’t care what they said or whether or not his behavior was proper. He was a duke, damn it. A scandalous one at that. When he lifted his head, Rose’s eyes fluttered open. Her breath came in short, gentle heaves. “I’m very glad you decided that could not wait until I get home.” Grey offered his arm. “Shall we?” “There’s no music.” But she took his arm anyway. The orchestra had stopped playing shortly after he walked in. Grey turned his gaze in their direction, nodded at the leader and once again the room was filled with music.

The sight of the duke taking liberties had made something boil up inside Jackson that he couldn't suppress. He'd uncharacteristically acted on impulse, and already regretted it. Because the duke now pulled back with the languid motion of all such men of high rank to fix him with a contemptuous stare. "I don't believe we've met, sir." Jackson fought to rein in the wild emotions careening through him. Lady Celia was glaring at him, and the duke was clearly irritated. But now that Jackson had stuck his nose in this, he would see it out. "I'm Jackson Pinter of the Bow Street Office. This lady's brother has hired me to...to..." If he said he'd been hired to investigate suitors, Lady Celia would probably murder him on the spot. "Mr. Pinter is investigating our parents' deaths," she explained in a silky voice that didn't fool Jackson. She was furious. "And apparently he thinks that such a position allows him the right to interfere in more personal matters." When Jackson met her hot gaze, he couldn't resist baiting her. "Your brother also hired me to protect you from fortune hunters. I'm doing my job." Outrage filled the duke's face. "Do you know who I am?" An imminently eligible suitor for her ladyship, damn your eyes. "A man kissing a young, innocent lady without the knowledge or permission of her family." Lady Celia looked fit to be tied. "Mr. Pinter, this is His Grace, the Duke of Lyons. He is no fortune hunter. And this is none of your concern. I'll thank you to keep your opinions to yourself." Jackson stared her down. "As I said the other day, madam, there isn't enough money in all the world for that." The duke cast him a considering glance. "So what do you plan to do about what you saw, sir?" Jackson tore his gaze from Lady Celia. "That depends upon you, Your Grace, if you both return to the ballroom right now, I don't plan to do anything." Was the relief or chagrin he saw on the duke's face? It was hard to tell in this bad light. "As long as you behave yourself with propriety around Lady Celia in the future," Jackson went on, "I see no reason for any of this to pass beyond this room." "That's good of you." The duke offered Lady Celia his arm. "Shall we, my lady?" "You go on," she said coolly. "I need to speak to Mr. Pinter alone." Glancing from her to Jackson, the duke nodded. "I'll expect a dance from you later, my dear," he said with a smile that rubbed Jackson raw. "Of course." Her gaze locked with Jackson's. "I'd be delighted.

she had dark chestnut hair, a heart-shaped face, large wide eyes, full lips…and appeared about as miserable as he’d ever seen a young woman, a state he suspected had something to do with the older woman at her side. His gaze slid over the matron. Well-rounded with dark hair, she was pretty despite the bloom of youth being gone—or she would be if she weren’t wearing a pursed, dissatisfied expression as she surveyed the activity in the ballroom. Adrian glanced back to the girl. “First season?” he queried, his curiosity piqued. “Yes.” Reg looked amused. “Why is no one dancing with her?” A beauty such as this should have had a full card. “No one dares ask her—and you will not either, if you value your feet.” Adrian’s eyebrows rose, his gaze turning reluctantly from the young woman to the man at his side. “She is blind as a bat and dangerous to boot,” Reg announced, nodding when Adrian looked disbelieving. “Truly, she cannot dance a step without stomping on your toes and falling about. She cannot even walk without bumping into things.” He paused, cocking one eyebrow in response to Adrian’s expression. “I know you do not believe it. I did not either…much to my own folly.” Reginald turned to glare at the girl and continued: “I was warned, but ignored it and took her in to dinner….” He glanced back at Adrian. “I was wearing dark brown trousers that night, unfortunately. She mistook my lap for a table, and set her tea on me. Or rather, she tried to. It overset and…” Reg paused, shifting uncomfortably at the memory. “Damn me if she did not burn my piffle.” Adrian stared at his cousin and then burst into laughter. Reginald looked startled, then smiled wryly. “Yes, laugh. But if I never sire another child—legitimate or not—I shall blame it solely on Lady Clarissa Crambray.” Shaking his head, Adrian laughed even harder, and it felt so good. It had been many years since he’d found anything the least bit funny. But the image of the delicate little flower along the wall mistaking Reg’s lap for a table and oversetting a cup of tea on him was priceless. “What did you do?” he got out at last. Reg shook his head and raised his hands helplessly. “What could I do? I pretended it had not happened, stayed where I was, and tried not to cry with the pain. ‘A gentleman never deigns to notice, or draw attention in any way to, a lady’s public faux pas,’” he quoted dryly, then glanced back at the girl with a sigh. “Truth to tell, I do not think she even realized what she’d done. Rumor has it she can see fine with spectacles, but she is too vain to wear them.” Still smiling, Adrian followed Reg’s gaze to the girl. Carefully taking in her wretched expression, he shook his head. “No. Not vain,” he announced, watching as the older woman beside Lady Clarissa murmured something, stood, and moved away. “Well,” Reg began, but paused when, ignoring him, Adrian moved toward the girl. Shaking his head, he muttered, “I warned you.” -Adrian & Reg

Whatever genuinely brings people together in a positive and heartfelt way is a powerful force for good. Nothing of real worth is ever gained by force, and nothing of substance is ever lost by listening to our higher self.

Michael Kidd, one of New York’s best choreographers, had already been working in Hollywood, but on Seven Brides he was essential, as his extremely athletic style matched the aggressive nature of the backwoodsman avatar. And, in a unique casting scheme, the brothers and brides were primarily dancers. Keel and Powell of course were singers, and, further, MGM was building Jeff Richards as a jeune premier and insisted on making him one of the brothers. A former baseball player, Richards was anything but a ballroom whiz, and Kidd had to work around him—Richards is especially awkward in “Goin’ Co’tin’,” ensconced in a chair almost throughout while Powell teaches his brothers how to dance—and, at that, MGM ended up dubbing some of the boys and girls. But Seven Brides is a dance piece in a way even the Astaire-Rogers RKOs aren’t. They dance because Astaire dances. Seven Brides dances because that’s how we understand the difference between what men want women to be (chattel) and what women want men to be (nice to them).

Dorian Havilliard stood at the ballroom window, watching Celaena and Chaol dance in the garden beyond,

Vera would rather be drawn and quartered than take ballroom dancing lessons, but she tried to appear excited.

Kel has chosen a dance partner. He walks past me, arm held aloft, clutching Rosalina’s hand. It’s as if the entire ballroom takes a collective breath. “What in the realms is Prince Keldarion doing with that human?” my partner sneers. Kel sweeps Rosalina in his arms and the music slows, a passionate lilt filling the air. A small smile creeps over my lips. Inside, my chest eases for the first time all night. “He’s dancing,” I murmur, “with our girl.

The dances were not without their downside notwithstanding all their glitter and gaiety. Quite apart from any damage to hearts or reputations, wax dripped from the overhead candelabra and chandeliers onto the dancers with some regularity. The wilder dances involved mad sorties across the floor (one etiquette book found it necessary to warn cavalry officers not to wear spurs in the ballroom) and with the bracelets that some ladies wore, in at least one instance someone slammed into another girl cutting her arm and sending blood spurting all over.

If we want our men to dance, we have to seduce them. But with what? Not with blatant sexuality. That is too common, too little. But with something more, something bigger, something that will give them a reason to want to dance. We have to inspire them.

The greatest joy of partner dancing is difference. You feed off each other and make the other better and more than we can be on our own.

Ballrooms, dance halls and cinemas enabled everyone to step into another existence, leaving the world of wartime behind for the time being

The movement is part of the still. The still is part of the movement. The dancer can be still and still dance. He or she can move and still be still.

Eventually, the master of dance arrives at the still point. Movement and thought, body and mind, are so refined and intentioned that everything moves from the calm still point. It is not to say that the movement is calm. It may be explosive, violent, and dramatic. However, the intention is calmly, deliberately focused. It is not altered by the ups and downs, the fluctuations, of the internal or external environment. The still point is thus never lost. The movement is part of the still. The still is part of the movement. The dancer can be still and still dance. He or she can move and still be still.

That evening, Samantha headed toward a nondescript door that was tucked into the downstairs hallway like an architect's afterthought. It might not look impressive, but this was the Door of Sighs, the royal family's private entrance to the grand ballroom: so named because generations of princesses had lingered there when they were too young to attend, and sighed romantically as they watched the dancing.

and the charm of her smiling eyes, would have been very happy to have followed up a mere ballroom acquaintanceship. Unfortunately there was no possibility of following it up in the accepted mode, and although several susceptible gentlemen inveighed bitterly against the barbarity of a parent who would permit no visitor to enter his house none of them was so deeply heart-smitten after standing up with the lovely Miss Lanyon for one country-dance as to cast aside every canon of propriety (as well as to the horrid dread of making a great cake of himself) and ride out of York to Undershaw, either to hang about the gates of the Manor in the hope of achieving a clandestine meeting with Venetia, or to force his way into the house.

captivated by her frank manners and the charm of her smiling eyes, would have been very happy to have followed up a mere ballroom acquaintanceship. Unfortunately there was no possibility of following it up in the accepted mode, and although several susceptible gentlemen inveighed bitterly against the barbarity of a parent who would permit no visitor to enter his house none of them was so deeply heart-smitten after standing up with the lovely Miss Lanyon for one country-dance as to cast aside every canon of propriety (as well as to the horrid dread of making a great cake of himself) and ride out of York to Undershaw, either to hang about the gates of the Manor in the hope of achieving a clandestine meeting with Venetia, or to force his way into the house.

their kids in hockey, soccer, and judo. Girls are now passionate about ballroom dancing and tango,

Evie and Lillian hurried to each other and embraced warmly. The two of them, along with Lillian's sister Daisy Swift, and the vivacious Annabelle Hunt, had begun a lifelong friendship more than three decades ago. They had all been downtrodden wallflowers, consigned to sitting in a row at the side of a ballroom while everyone else danced. But instead of competing for male attention, they had made a compact to help each other. And throughout the years, they had championed and saved each other, time and again.

With the Allies on the advance nearly everywhere and invasion talk in the air, London was a welcoming place for young airmen who were taking the fight to Hitler’s doorstep. The first stop for American airmen was usually the nearest Red Cross Club, where helpful volunteers made bookings free of charge at commercial hotels or at one of the Red Cross’s own dormitory-like facilities. After checking in and dropping off their kits, most men headed straight for Rainbow Corner. Located on the corner of Shaftesbury Avenue and Piccadilly Circus, it was a place as close to home as a GI could find in all of England. Administered by the American Red Cross, Rainbow Corner had been designed “to create a strictly American atmosphere.” There was an exact replica of a small-town corner drugstore in the club’s basement, where ice-cold Cokes were sold for a nickel and grilled hamburgers for a dime. Upstairs, in the grand ballroom, servicemen danced with volunteer hostesses to the driving music of soldier bands—the Flying Forts, the Thunderbolts, the Sky Blazers. There was also a lounge with a jukebox and a small dance floor with tables and chairs around it. Lonely GIs dunking donuts in fresh coffee would loaf there, listening to the latest American hits. Rainbow Corner never closed its doors. The key had been symbolically thrown away the day of the grand opening in November 1942.

Diana and I return to the ballroom and find ourselves seated next to Confi-Dance, who glare at us. These people need to have sex more often.

Her feet ached and the music threaded a painful throbbing into her brain, but she danced on.

The theme of music making the dancer dance turns up everywhere in Astaire’s work. It is his most fundamental creative impulse. Following this theme also helps connect Astaire to trends in popular music and jazz, highlighting his desire to meet the changing tastes of his audience. His comic partner dance with Marjorie Reynolds to the Irving Berlin song “I Can’t Tell a Lie” in Holiday Inn (1942) provides a revealing example. Performed in eighteenth-century costumes and wigs for a Washington’s birthday–themed floor show, the dance is built around abrupt musical shifts between the light classical sound of flute, strings, and harpsichord and four contrasting popular music styles played on the soundtrack by Bob Crosby and His Orchestra, a popular dance band. Moderate swing, a bluesy trumpet shuffle, hot flag-waving swing, and the Conga take turns interrupting what would have been a graceful, if effete, gavotte. The script supervisor heard these contrasts on the set during filming to playback. In her notes, she used commonplace musical terms to describe the action: “going through routine to La Conga music, then music changing back and forth from minuet to jazz—cutting as he holds her hand and she whirls doing minuet.”13 Astaire and Reynolds play professional dancers who are expected to respond correctly and instantaneously to the musical cues being given by the band. In an era when variety was a hallmark of popular music, different dance rhythms and tempos cued different dances. Competency on the dance floor meant a working knowledge of different dance styles and the ability to match these moves to the shifting musical program of the bands that played in ballrooms large and small. The constant stylistic shifts in “I Can’t Tell a Lie” are all to the popular music point. The joke isn’t only that the classical-sounding music that matches the couple’s costumes keeps being interrupted by pop sounds; it’s that the interruptions reference real varieties of popular music heard everywhere outside the movie theaters where Holiday Inn first played to capacity audiences. The routine runs through a veritable catalog of popular dance music circa 1942. The brief bit of Conga was a particularly poignant joke at the time. A huge hit in the late 1930s, the Conga during the war became an invitation to controlled mayhem, a crazy release of energy in a time of crisis when the dance floor was an important place of escape. A regular feature at servicemen’s canteens, the Conga was an old novelty dance everybody knew, so its intrusion into “I Can’t Tell a Lie” can perhaps be imagined as something like hearing the mid-1990s hit “Macarena” after the 2001 terrorist attacks—old party music echoing from a less complicated time.14 If today we miss these finer points, in 1942 audiences—who flocked to this movie—certainly got them all. “I Can’t Tell a Lie” was funnier then, and for specifically musical reasons that had everything to do with the larger world of popular music and dance. As subsequent chapters will demonstrate, many such musical jokes or references can be recovered by listening to Astaire’s films in the context of the popular music marketplace.

It was a dance. Or would be, if the composer and the musicians were all mad, and the ballroom was a sodden grave.

I have a fleeting vision of me in a dinner jacket and him in his negligee, foxtrotting arm in arm around the ballroom, like on Strictly Come Dancing but without Bruno’s suggestive comments. I don’t actually own a dinner jacket but I reckon Lucien’s got a few more of those slinky negligees tucked away

was in love with her. There was no denying it. The girl with the Skittles. The sassy redhead who was terrible at ballroom dancing. The loving woman with her arms wrapped around my sister. She owned me. Heart. Body. And soul. She just didn’t know it yet and I was done waiting on her to realize it.

How could I not love you? The man made of crystalline cicada wings that remind me of home?” I ask, taking his hand away from my cheek and pressing my lips to it. He exhales and closes his eyes as he leans into the affection. He unwinds his other hand from my hair and rests them both against the small of my back as if we’re dancing on the ballroom floor once more. “The man so beautiful that even his scars are golden?His tears silver?” I kiss the scar on his cheekbone, tiptoeing as I do. I take a step forward, he follows my lead. “The man so kind that even his skin reminds me of stained glass cathedral windows?” I kiss the jawline of his slightly silver-stained, iridescent skin. He’s pressed against the wooden bedpost like a flower into a diary entry.

It’s like life, we all drift around, spinning in circles, watched by others, thinking we have control until, bam, we’re hit with something unexpected. Yet somehow we keep on dancing through our lives, drifting around the ballroom at the lunatics’ ball.

He knew people with houses. He had talked to them, with the same kind of detached interest he would talk to a person who kept snakes as pets or entered ballroom dancing competitions.

The diamond chandelier casts a warm glow across the shimmering silk dresses, spinning into romantic colors. Rich bright gold, soft blush, and glittering champagne.

Dance has the power to create happy moments—timeless moments when all is forgotten except the dance. The endless complaints and struggles are erased by being present in the calmness and unity. It is a spiritual experience because it is unifying, healing, happifying, and uplifting.

Who cares about judges when you have each other and you are creating something together? Winning only matters when you don’t have what dancing really is.

In amongst the momentary glory and inevitable change is the unrelenting, ferocious desire to express the soul through the mechanics of a limited body in the hope that it can bring some peace to a painful inner and outer world.

If we want our men to dance, we have to inspire them. Not with blatant sexuality. That is too common, too little. But with something more, something bigger, something that will give them a reason to want to dance.

Every one wanted to be her, to be ex-maybe-boyfriend's amazing championship mother, so they dispensed with the father, either pairing off themselves as two supremely costumed waltzing women, or else just pretending to have a male prop dancing partner, "for that way," explained wee sisters, "you get to dress up and be her every time." This explained the colour - for there had been an explosion of colour - plus fabric, accessories, make-up, feathers, plumes, tiaras, beads, sparkles, tassels, lace, ribbons, ruffles, layered petticoats, lipsticks, eyeshadows, even fur - I had glimpsed fringed fur - high heels too, which belonged to the little girls' big sisters and which didn't fit which was why periodically the little girls fell over, sustaining injuries. "But the thing is," reiterated wee sisters, "and you don't seem to be overjoyed by this, middle sister, you get to be her every time!

Mencheres leaned forward, catching the laughing young man’s attention. His eyes flashed green before he spoke. “Lean back with her into the corner. Say nothing. You feel no fear.” That familiar complacent look settled over the young man’s face as he draped an arm around Kira and leaned them into the side of the carriage. She almost gasped. With half his body pressed to hers, his pulse seemed to drown out all the other noises around them, focusing her attention on that delicious, steady rhythm. “The hand is safest until you have more experience. Then advance to the wrist, then the neck—but never bite the jugular unless you mean to kill,” Mencheres instructed in a calm voice. The ride entered a faux ballroom filled with images of dozens of dancing ghosts dressed in eighteenth-century attire. Kira looked at them instead of the young man’s face as she slowly drew his hand to her mouth, reminding herself to exert no more pressure than she had when handling those eggs. If anyone could see them, all they’d notice was a couple huddled in the corner of the Doom Buggy, the man’s hand over a woman’s mouth as if urging her to silence. Her glasses hid her glowing eyes, and the young man’s hand blocked her fangs from anyone’s view when they popped out as that throbbing pulse beneath his thumb neared her mouth. She closed her eyes, chanting “gently, gently” to herself as she pressed her fangs into the vein jumping against her lips.

Ball-room introductions cease with the object—viz.: dancing; nor subsequently anywhere else can a gentleman approach the lady by salutation or in any other mode without a re-introduction of a formal character.

How did you learn to ballroom dance? That’s quite an accomplishment for a boy your age.” “My mom taught me.” He glanced at her. The anger had faded from his eyes. “I’m pretty good.” “I’m not surprised.” She liked the way he’d perked up. It was good to see his confidence emerging. Too bad he couldn’t showcase his talent for tomorrow’s audience. She was certain it would be beneficial. “Is there anything else you could do for the show? What other talents do you have?” Max shrugged. “Nothing, really.” His feet shuffled under the table. “’Cept being a goalie and building boat models, but I can’t do those for a talent show.” “Is there some other kind of dance you could do?” “It’s too late to come up with a new dance. The show’s tomorrow. Besides, it’s for a parent and their child.” His eyes pulled down at the corners, and he ducked his head. “I wish I could help, but I don’t know how to ballroom dance. I guess it wouldn’t be the same without your mom anyway.” His head lifted. Hope sparkled in his eyes. “You could learn.” “Oh, I—I think it would take longer than a day, Max.” Meridith laughed uneasily. “Especially for me.” His head and shoulders seemed to sink. “I guess you’re right. I only know how to lead, and I don’t know how to teach it.” “I know how.” Jake appeared in the doorway, filling it with his broad shoulders and tall frame. “Didn’t mean to eavesdrop.” “He could teach you!” Max’s eyes widened. He looked back and forth between Jake and Meridith. “Oh,” Meridith said, “We couldn’t ask—” “I’m offering,” Jake said. “I can be here bright and early tomorrow morning.” Max’s dimple hollowed his cheek. “No, I—you don’t understand, the show’s tomorrow night, and I’m a bad dancer.” Jake leaned against the doorframe, crossed his arms. “You said you wanted to help.” “Well, I do, but I don’t see how—you know how to ballroom dance?” The notion suddenly struck her as unlikely. “I can do more than swing a hammer.” “I didn’t mean—” “So you’ll do it?” Max bounced on the chair. She hadn’t seen him this excited since she’d arrived. She looked at Jake. At his wide shoulders, thick arms, sturdy calloused hands. She remembered the look in his eyes just minutes ago and imagined herself trapped in the confines of his embrace for as long as it took her to learn the dance. Which would be about, oh, a few years. “And why would you do this?” It wasn’t as if he owed her anything. Unless he was punching the time clock on the lessons. “Let’s just say I was picked on a time or two myself.” Max rubbed his hands together. “Toby and Travis, eat your heart out!” “Now, hold on. We already missed dress rehearsals. I don’t know if Mrs. Wilcox will let us slip in last minute.” “Call her,” Jake said. He had all the answers, didn’t he? She spared him a scowl as she slid past on her way to the phone. “Hi, Mrs. Wilcox? This is Meridith Ward again.” She looked over her shoulder. Max waited, Jake standing behind him, thumbs hooked in his jeans pockets, looking all smug. “I was wondering. If Max can get a replacement for the dance, could he still participate?” Please say no. “I know he’s missing dress rehearsals and—” “That would be no problem whatsoever.” Mrs. Wilcox sounded delighted. “We’d fit him in and be glad to have him. Have you found him another partner?” “Uh, looks like we have.” She thanked Mrs. Wilcox and hung up, then turned to face a hopeful Max. “What did she say?” he asked. Meridith swallowed hard. “She said they could work you back into the schedule.” She cast Jake a plea. “But I don’t know if I can do this. I wasn’t kidding, I have no rhythm whatsoever.” “Look at the kid. You can’t say no to that.” Max was grinning from ear to ear. It was Meridith’s shoulders that slunk now. Heaven help her. She winced and forced the words. “All right. I’ll do it.” Max let out a whoop and threw his arms around her.

She was sitting out a dance when Caleb took her hand, pulled her into the shadowy alcove off the ballroom, and presented her with a worn velvet box. “This belonged to my mother,” he said quietly. Holding her breath, Lily lifted the lid. Inside was a delicate silver filigree necklace accented with a snowfall of diamonds. “Oh, Caleb.” Caleb took the splendid creation from its box and moved behind Lily to put it around her neck and fix the clasp. He bent and kissed the place where the two ends of the chain met. “Someday our son will give this to his wife.” Lily turned to look up into Caleb’s eyes. If she had ever doubted his love for her, those feelings were behind her for all time. No man would have given such a cherished heirloom to a woman if he didn’t care about her deeply. “It was the best thing that ever happened to me, meeting you,” she said. She smiled, remembering that day in the hotel dining room in Tylerville when the soldiers had been teasing her and she’d dropped her tray. “Though I must admit I didn’t think so at the time.” Caleb put his hand under her chin and gently lifted her face for a light, brief kiss. “I knew the instant I saw you,” he confessed when his lips had left hers, “that I wanted to be with you forever. I just didn’t have sense enough to see that you were made to be a wife, not a mistress.” Lily was full of quiet joy. All that was needed to make her happiness complete was some word of her sisters. “While you’re dancing with all these admirers of yours,” Caleb went on, with a wicked light glittering in his eyes as he nodded toward the contingent of handsome young men gathered in the ballroom, “I want you to remember whose bed you sleep in.” Lily

The baleen is then detached from the jaw with spades and separated into smaller sections for stowing. What remains of the upper jawbone is stowed in the hold. “By Christmas, the bones of this dead and gruesome stinker will be nestling in the delicately perfumed corsets of some as yet unfucked lovely dancing the Gay Gordons in a ballroom on the Strand. That’s a thought to fairly make your head spin, is it not, Mr. Black?” Cavendish says. “Behind every piece of sweet-smelling female loveliness lies a world of stench and doggery,” Black agrees. “He’s a lucky man who can forget that’s true or pretend it isn’t.” After

Dorian Havilliard stood at the ballroom window, watching Celaena and Chaol dance in the garden beyond, their dark cloaks flowing around them like they were no more than two wraiths spinning through the wind. After hours of dancing, he’d finally managed to get free of the ladies demanding his attention, and had come to the window to get some much-needed fresh air. He’d intended to go outside, but then he’d seen them. That had been enough to still his steps—but not enough to make him walk away. He knew he should. He should walk away and pretend he hadn’t seen it, because even though it was just a dance …

You said to get involved with people, that I can’t learn about connections in a vacuum.” I agreed. “So what’s not working?” She pulled a long list from her purse. “This,” Linda said, “is a list I put together of all the involvements I’ve had in the past few months. And nothing’s happening.” I read the list, which looked something like this: Dancing lessons: ballroom, disco, and line Sports: sailing, rollerblading, golf, and tennis Music: opera, modern, and piano lessons Art: ceramics and museums Spiritual: Bible study, worship, and missions Career: Ongoing training, night school to earn an MBA “What are you grinning at?” Linda asked me. I wasn’t even aware I was smiling. I told her, “This is a proud moment for me. I’ve never met a real live renaissance woman.” “Now I’m really confused,” Linda said. I explained, “Linda, this is the most well-rounded, comprehensive, and exhausting list I’ve ever seen. I can’t imagine how you can even get up in the mornings. But it’s not solving your problem. “These are all great activities, designed to develop you and help you in your life. But each of them is primarily functional, rather than relational. Their goal is competence in some skill, or recreation, or learning more about God’s creation. But relationship isn’t the goal. These are ‘doing’ things, not ‘connecting’ things.” Linda started to get it. “You know, I’ve noticed that I am talking to people at these activities. But all the talk is about tennis or management theories. I’ve wondered when someone in the classroom was going to ask me about my emotional and spiritual life.” “Don’t hold your breath,” I said.

Do you seriously think I’m coming to your dance?” I went on. “Why, I haven’t got a dress, or a face fit to show in a ball-room; and I’ve not been to a ball for years.” They fought this statement inch by inch: they would lend me a dress; my face didn’t matter; and after all, I was only twenty-eight, not really old. I ended the discussion by promising to go, for an idea had flashed into my mind that made me dizzy.

Easy.” She heard him laugh softly. “My fault. I shouldn’t have kissed you like that.” “You’re right,” she said, her sense of humor tentatively reasserting itself. “I should give you a set-down . . . slap you or something . . . what is the usual response from ladies you’ve taken liberties with?” “They encourage me to do it again?” Harry suggested in such a helpful manner that Poppy couldn’t help smiling. “No,” she said. “I’m not going to encourage you.” They faced each other in darkness relieved only by the slivers of light shed by upper-floor windows. How capricious life was, Poppy thought. She should have been dancing with Michael tonight. But now she was Michael’s castoff, and she was standing outside the ballroom, in the shadows with a stranger. Interesting, that she could be so in love with one man and yet find another so compelling. But Harry Rutledge was one of the most fascinating people she had ever met, with so many layers of charm and drive and ruthlessness that she couldn’t fathom what kind of man he really was. She wondered what he was like in his private moments. She was almost sorry she would never find out. “Give me a penance,” Harry urged. “I’ll do whatever you ask.” As their gazes caught and held in the shadows, Poppy realized that he actually meant it. “How large a penance?” she asked. Harry tilted his head a little, studying her intently. “Ask for anything.” “What if I wanted a castle?” “Done,” he said promptly. “Actually, I don’t want a castle. Too drafty. What about a diamond tiara?” “Certainly. A modest one suitable for daytime wear, or something more elaborate?” Poppy began to smile, when a few minutes earlier she had thought she would never smile again. She felt a surge of liking and gratitude. She couldn’t think of anyone else who would have been able to console her in these circumstances. But the smile turned bittersweet as she looked up at him once more. “Thank you,” she said. “But I’m afraid no one can give me the one thing I truly want.

Originally built as the state ballroom for the British Viceroy, Ashoka Hall also had a wooden dance floor. It was ironic that prime ministers and other ministers took their sacrosanct oath of office and secrecy in this particular hall. After all, prime ministers needed a killer instinct to reach the position first. The rest of their tenure was coloured by the great dance of Indian democracy—defections, rebellions, and general chaos.

In London, Alexander knows, they like neither his sister nor himself. Society considers the Tsar silly and vain, a ballroom dancer with golden curls and a lorgnette up his sleeve, an aloof monarch who turns a deaf ear, as Napolean said of him at Erfurt, to anything he does not want to hear. In effect, when the Tsar turns an ear, it is only to favour the right, as he is quite deaf in the left. Yes, Alexander loves to dance, he is myopic, he turns a deaf ear. What of it?

Skating and dancing are the only two forms of recreative exercise within the reach of the gentler sex, the former being infinitely more healthful than the latter, from the fact that the rapid motion through a clear, bracing atmosphere, incident to skating, quickens the circulation and introduces the pure oxygen of nature into the system, instead of the noxious gases of the ballroom, where the atmosphere is redolent of carbonic acid, frivolous tittle tattle, eau de cologne, insipid small talk, cutaneous exhalations, and simpering stupidity. The contrast, too, between the social surroundings of the skating pond and the ballroom is equally in favor of the outdoor recreation. But there is one circumstance which tends to give skating the precedence over any other amusement, and that is the privilege a gentleman enjoys of imparting instruction in the art to his fair companion. To intervene, just in the critical moment, between her departure from the perpendicular and her assumption of the horizontal is to enjoy a combination of duty and pleasure not often within reach, and no relation is more calculated to produce tender attachments than that of pupil and tutor under such circumstances. In fact, the exercise not only brings roses to the cheeks, and imparts buoyancy to the spirits, but weaves nets to catch Cupid, and makes cages to retain him. From The New York Herald, December 24, 1864.

Ballroom dancing was inherently social, but steps replaced words and beats ironed out pauses. The shy, the awkward, and the weird found a home where good rhythm or a barn of a memory vanquished their shyness, awkwardness, and weirdness. Some got good while others stayed middling. Everyone, though, had fun.

The school was going to suspend him for the rest of the year, but instead Jake took two years off while his mother homeschooled him. He learned Latin and Hebrew and Greek, how to write sestinas, how to make sushi, how to play bridge, and even how to knit. He learned fencing and ballroom dancing. He worked in a soup kitchen and made a Super 8 movie about Civil War reenactors who play extreme croquet in full costume instead of firing off cannons. He started learning how to play guitar. He even wrote a novel. I’ve never read it—he says it was awful.

Do you ever regret the choices you made?” He asked because a man could love his wife and still be honest. Flint’s answer was to leaf through the sketches and pull out one of a young couple from a bygone era, his evening attire nearly as resplendent as her ball gown—for all the image was in black and white. “The fashion at one point was to have mirrors in ballrooms, the better to serve both light and vanity. At our betrothal ball, I caught a particular glimpse of your mother’s face as we danced, and it has been all the answer any husband should ever need.” The young marchioness gazed at her husband much as the queen had gazed at her king—with love and admiration, but without the worry. Clearly she had found her way into the arms of the one man in all the world who was right for her. Flint picked up the sketch. “I would give up the ability to see any color, the ability to sketch, and several appendages as well to spend my life with your mother.

I am going to the ball now, Lord Martin. Doubtless my dance card will be full. Do you still wish to reserve a spot?" So much for not being foolish. She should have just let him forget, which he surely would have done as soon as he saw all the other women in the ballroom. He crossed his wrists over the newel post at the top and leaned upon it. "Yes, I would like to reserve a spot. If I may have first choice, I'll take the last dance please." "Well, you had best hope I don't grow tired and leave early." He replied with smooth confidence. "You won't." She pursed her lips. "Don't be so sure." "How can I not be?" he replied. "Because I think you enjoy a good party, Mrs. Wheaton. More than you let on. Or maybe you don't even know it yet. Maybe you've never experienced a night that was truly exhilarating." He was gazing down at her with presumptuous assistance, as if he knew exactly what she was about, and it shook her inwardly, because curse him, he was right. She had experienced very little excitement in her life because she had witnessed the consequences of women who loved exciting men. She'd seen her mother's broken heart over her father's many disgraces with other women, and Penelope's heartbreak over Martin and others after him. Most importantly, she knew about rejection. She had been living with it all her life, since as early as she could remember, beginning with the most painful rejection of all- her father's. And later, her husband's. She knew how much it hurt and had learned to avoid it by never seeking attention. Instead, she was deliberately unapproachable. Her mask of contempt was her shield.

Epigraphs from Ballroom Dancing: An Erotic Romance of Dominance and Submission "He’s like my father in a way—loves the chase and is bored with the conquest—and once married, needs proof he’s still attractive, so flirts with other women and resents you." —Jacqueline Bouvier, July, 1952, making an observation about her future husband in a letter to her priest “Father L,” the Reverend Joseph Leonard of Dublin, Ireland. "Happy Birthday to you, Happy Birthday to you, Happy Birthday, Mr. President..." —Norma Jeane Mortenson, May 19, 1962, Madison Square Garden, New York City.

J: You will not believe what Mom is doing. M: Ballroom dancing lessons? Hot-air balloon classes?

A little conversation can be delicious foreplay...

We all knew Evelyn as a woman who grabbed life with both hands," the elderly priest said, "whether she was winning ballroom dance competitions or skewering politicians for The Downey Eagle.

The music had started, the couples had begun a promenade, but Mr. Nobley paused to hold Jane’s arm and whisper, “Jane Erstwhile, if I never had to speak with another human being but you, I would die a happy man. I would that these people, the music, the food and foolishness all disappeared and left us alone. I would never tire of looking at you or listening to you.” He took a breath. “There. That compliment was on purpose. I swear I will never idly compliment you again.” Jane’s mouth was dry. All she could think to say was, “But…but surely you wouldn’t banish all the food.” He considered, then nodded once. “Right. We will keep the food. We will have a picnic.” And he spun her into the middle of the dance. While the music played, they didn’t speak again. All his attention was on her, leading her through the motions, watching her with admiration. He danced with her as though they were evenly matched, no indication that she was the lone rider of the Precedence Caboose. She had never before felt so keenly that Mr. Nobley and Miss Erstwhile were a couple. But I’m not really Miss Erstwhile, thought Jane. Her heart was pinching her. She needed to get away, she was dizzy, she was hot, his eyes were arresting, he was too much to take in. What am I supposed to do, Aunt Caroline? she asked the ceiling. Everything’s headed for Worse Than Before. How do I get out of this alive? She spun and saw Martin, and kept her eyes on him as though he were the lone landmark in a complicated maze. Mr. Nobley noticed her attention skidding. His eyes were dark when he saw Martin. His recent smile turned down, his look became more intense. As soon as the second number ended, Jane curtsied, thanked her partner, and began to depart, anxious for a breath of cold November air. “A moment, Miss Erstwhile,” Mr. Nobley said. “I have already taken your hand for the last half hour, but now I would beg your ear. Might we…” “Mr. Nobley!” A woman with curls shaking around her face flurried his way. Had Mr. Nobley been making visits to other estates while he was supposed to be hunting? Or was this a repeat client who might’ve known the man from a past cast? “I’m so happy to find you! I insist on dancing every dance.” “Just now is not…” Jane took advantage of the interruption to slip away, searching above the tops of heads for Martin. He’d been just over there…a hand grabbed her arm. She turned right into Mr. Nobley, their faces close, and she was startled by the wildness in him now, a touch of Heathcliff in his eyes. “Miss Erstwhile, I beg you.” “Oh, Mr. Nobley!” said another lady behind him. He glanced back with a harried look and gripped Jane’s arm tighter. He walked her out of the ballroom and into the darkened library, only then releasing her arm, though he had the good grace to look embarrassed. “I apologize,” he said. “I guess you would.” He was blocking the escape, so she gave in and took a chair. He began to pace, rubbing his chin and occasionally daring to look at her. The candlelight form the hallway made of him a silhouette, the starlight from the window just touching his eyes, his mouth. It was as dark as a bedroom. “You see how agitated I am,” he said. She waited, and her heart set to thumping without her permission. He wildly combed his hair with his fingers. “I can’t bear to be out there with you right now, all those indifferent people watching you, admiring you, but not really caring. Not as I do.” Jane: (hopeful) Really? Jane: (practical) Oh, stop that. Mr. Nobley sat in the chair beside her and gripped its arm. Jane: (observant) This man is all about arm gripping.

A hand touched her shoulder. “Miss Erstwhile,” Martin said. Jane spun around, guilty to have just come from a marriage proposal, ecstatic at her refusal, dispirited by another ending, and surprised to discover Martin was the one person in the world she most wanted to see. “Good evening, Theodore,” she said. “I’m Mr. Bentley now, a man of land and status, hence the fancy garb. They’ll allow me to be gentry tonight because they need the extra bodies, but only so long as I don’t talk too much.” His eyes flicked to a point across the room. Jane followed his glance and saw Mrs. Wattlesbrook wrapped in yards of lace and eyeing them suspiciously. “Let’s not talk, then.” Jane pulled him into the next dance. He stood opposite her, tall and handsome and so real there among all the half-people. They didn’t talk as they paraded and turned and touched hands, wove and skipped and do-si-doed, but they smiled enough to feel silly, their eyes full of a secret joke, their hands reluctant to let go. As the dance finished, Jane noticed Mrs. Wattlesbrook making her determined way toward them. “We should probably…” Martin said. Jane grabbed his hand and ran, fleeing to the rhythm of another dance tune, out the ballroom door and into a side corridor. Behind them, hurried boot heels echoed. They ran through the house and out back, crunching gravel under their feet, making for the dark line of trees around the perimeter of the park. Jane hesitated before the damp grass. “My dress,” she said. Martin threw her over his shoulder, her legs hanging down his front. He ran. Jostled on her stomach, Jane gave out laughter that sounded like hiccups. He weaved his way around hedges and monuments, finally stopping on a dry patch of ground hidden by trees. “Here you are, my lady,” he said, placing her back on her feet. Jane wobbled for a moment before gaining her balance. “So, these are your lands, Mr. Bentley.” “Why, yes. I shape the shrubs myself. Gardeners these days aren’t worth a damn.” “I should be engaged to Mr. Nobley tonight. You know you’ve absolutely ruined this entire experience for me.” “I’m sorry, but I warned you, five minutes with me and you’ll never go back.” “You’re right about that. I’d decided to give up on men entirely, but you made that impossible.” “Listen, I’m not trying to start anything serious. I just--” “Don’t worry.” Jane smiled innocently. “Weird intense Jane gone, new relaxed Jane just happy to see you.” “You do seem different.” He touched her arms, pulled her in closer. “I’m happy to see you too, if you’d know. I think I missed you a bit.” “That’s the nicest thing you’ve ever said to me.

But it was the aforementioned stubborn streak that had him executing his plan by striding down the halls of Lord Welsing’s London townhouse, peering into rooms and stopping to question any passing staff, while guests danced and laughed in the ballroom. The young lady crucial to his matrimonial campaign had gone missing. Again. Miss

O wayfarer! Yearn finds quench, not in meadows, seashores or altitude of mountain peaks; but when being becomes dance.

That evening, Desi took her to El Zerape, a Mexican-Cuban nightspot close to downtown Los Angeles and the current rage for slumming Hollywood celebrities. It turned out to be a group excursion organized by George Abbott, a fanatic ballroom dancer. Nearly the entire cast of Too Many Girls was there, including the fourteen singing and dancing choristers that RKO had hired from the New York production at a weekly salary of forty dollars each.

Dancing?", ventured Portia. "I do so prefer dancing to suffering, don't you, Nerissa?" "You speak as if one must choose one over another. For every gentleman who has turned you around a ballroom can attest, dancing and suffering can be partners in step.

Not leaving so soon, are you?” he asked when he reached her. “Lord Carrington was in pursuit,” she said. He nodded, a smile tugging at his lips. “And you ran like a rabbit.” “Like a jackrabbit,” she agreed, smiling. “How did you know it was me?” He touched a curl hanging to her shoulder. “No one else has hair like that.” His comment brought her pleasure. “Thank you. I think.” She smiled up into his face. He put her hand on his arm and turned back toward the ballroom. “It’s necessary for us to face our fears. I promise to protect you.” “How easy for you to say,” she said. “You aren’t out of your element like I am mine. I don’t even know how to dance.” “We can remedy that.” He laid his right hand on top of hers, where it rested on his left arm. “I’m not the best dancer in the world, but I can waltz without breaking your toes.” “I can’t give you the same promise,” she said. “You’ll be risking your feet if you dance with me.” “I do believe it would be worth it,” he said, leading her back into the crowd.

As it turned out, ballroom dance practice techniques led me out of my little loop of “mystery misery.” Instead of starting out trying to pray a good Rosary with the contemplative powers of a saint, I treated the repetition of the Rosary as though it were a foundation for later prayer, and all I had to do was practice keeping a steady beat.

This is how you must do it, people. I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more than that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might end up just having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. That's fine, too. Sometimes it's like that. What you must not do is turn around and walk out. Otherwise you will miss the party, and that would be a pity because, - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment.

I’m not going to the ball.” “Of course you are,” Everett argued before Abigail had the chance. “My mother is counting on you being there, and I’d look at it as a great privilege if you’d honor me with a dance.” “I don’t know how to dance. And I never intended on attending the ball. I thought I was simply supposed to escort the children, and then stay with them as they peeked through a banister. Although . . . I do think that window off the side terrace might be a better choice, given that it’s far away from where any guests will be.” Everett narrowed his eyes as much as he could, which wasn’t much, since they’d taken to swelling. “I’m not comfortable with the idea of you hiding in the shadows, Millie. You’ve become an integral part of my family, and as such, I’d like you at the ball.” Millie drew herself up and suddenly looked rather fierce. “If you’ve forgotten, this is Caroline’s ball. She’s been looking forward to it for months, which means it would not be fair to her to have me anywhere near the ballroom. My presence would only ruin her evening, and I’m sorry, but I won’t be responsible for that.” Everything

Take off your shoes,” Jake said after the kids disappeared up the stairs. Meridith eyed her leather loafers. For some reason, she was reluctant to part with them. Not to mention she needed every inch of height. “You’re still wearing yours.” “I’m not planning on trampling your feet.” She removed her shoes and set them by the wall, taking her time. “You want something to drink? I made coffee. Or there’s always tea or soda if you prefer.” He tucked the corner of his lip. “No, thanks. You want to come closer? I can’t teach you from over there.” She inched closer. “I’m really bad.” “So you said.” He gestured to the blue box. “We’ll start with a basic box step. Ballroom dancing is counted off like this: one-two-three, one-two-three. Max said he knows how to lead, so I’ll teach you to follow.” “Good luck with that.” “Stand

Ashton took her hand, resting his other palm against her waist. He moved in a slow tempo, giving her time to pick up each foot in the dance step. But every time he attempted to turn her, her feet seemed to tangle together. “I’m so clumsy,” she apologized. “My feet won’t move the way I want them to.” She lacked the physical ability to keep the rhythm, and it heightened her frustration. “I don’t even know what I was thinking. No one waltzes this slowly.” He didn’t deny it, but his hand pressed lightly at her waist, turning her once more. “You knew it wouldn’t be easy.” “You’re right. And besides that, I only took my first steps a week ago. It could take months before I’m nimble enough to dance.” In answer to that, the earl lifted her up and held her body aloft while he spun her in the waltz step. The sudden motion caught her unawares, and she began to laugh. “You cannot lift me up in a ballroom, Lord Ashton. Please put me down.” Her cheeks were flushed with embarrassment, though the Irishman didn’t seem to care. He stopped spinning her, but held her up a moment longer. “Iain,” he corrected. But he did not set her down just yet. He kept his arms beneath her hips, and Rose was caught up in his green eyes. He stared at her with unveiled interest, and his dark hair framed a chiseled face. She could half-imagine him carrying her across the garden and laying her down against the grass before he kissed her again. The thought brought her attention back to his firm mouth. She had enjoyed his kiss, and it had soothed her pride to know that she’d kindled his interest. It had been so long since she’d seen Thomas, she didn’t know what remained between them. But it felt good to have a man watching her as if he wanted her. “Iain,” she murmured. He brought her down, but the entire time, her body was pressed close to his. She kept her arms upon his shoulders a moment longer before she took slow, limping steps back to the garden bench. Why did she allow her imagination to trespass into thoughts of what could never be? He needed an heiress who would return with him to Ireland. Not a woman like her. They were friends, and that was all.

Would you grant me the honor of your first dance, Lady Rose?” Can you manage it? he seemed to be asking. She looked around the ballroom once more, trying to decide what was best. She supposed she could either dance with Lord Ashton and show everyone that she was no longer an invalid . . . or she could remain in a chair beside the wall. “Only if you dance with Miss Sinclair next,” she countered with a smile of her own. It was a reasonable enough request. “If Miss Sinclair is willing, I should be very glad of her company.” He sent her a charming smile, which made Evangeline’s fan flutter faster. “Of course, I would be happy to dance with you, Lord Ashton,” the young woman agreed. Her expression turned worried, and she continued, “But as for Lady Rose, I fear that—” She stopped abruptly, and looked perplexed, as if to remind them both, She cannot walk. But the moment Iain extended his hand, Rose took it and stood slowly. He gave her a moment to steady her balance, and then she leaned against him when she took her first step. Her eyes fixed upon his with a silent plea, Keep it slow. At least then she could hide her heavy limp. She heard Evangeline give a soft gasp, and there were murmurs all around them. It took all her concentration to walk, but Rose leaned against Iain, determined to keep her balance. “There’s a lass.” He smiled at her, allowing her to set the pace. Her heart hammered faster, and she felt the eyes of every guest staring at her. Never in her life had she felt so self-conscious. Though she had longed to take her first steps with Lord Burkham at her side, now she was beginning to reconsider. Iain was the man who had helped her to walk again, and of anyone here, she trusted him not to let her stumble. He knew the limits of her endurance, and she could confess when she needed to stop and rest. “You look grand this night.” He gave her hand a gentle squeeze as they moved closer to the dancing. “Thank you.” She had worn a sky-blue gown with a full skirt and a lace shawl to cover her bare shoulders. It wasn’t the most fashionable gown, but her grandmother had deemed it quite appropriate for the evening. Because she expected me to remain in a chair, Rose thought. No one expected me to dance. “Do you think you can manage this?” Iain asked. His expression revealed the sincerity of a man who didn’t want her to be embarrassed. “Only if it’s a waltz.” A quick-paced dance would be quite beyond her balance. But right now, this was about proving herself to others. She wanted everyone to see that she had overcome her illness and could walk again. She took one step that was too heavy, and stumbled forward. Iain caught her immediately and halted, waiting for her to regain her balance. Her cheeks burned, and she blurted out, “I am sorry.” “Don’t be.” He brought her to the edge of the dancers, nearest to the wall. They would be away from the others, and yet, she could join in. The music shifted into a lilting waltz, and he rested his hand against her waist. “If you begin to tire, step on my feet. Your skirts will hide it, and no one will notice,” he advised. He’d

If I may be so bold, sir,” the butler spoke up, causing Sebastian to start. Good lord, he hadn’t even realized he was still there. “I could not help but notice that you seemed to have quarreled with Miss Westforth.” Sebastian grunted in response. “She is your old friend from home.” The butler shrugged. “She will forgive you. Of course, may I suggest that you beg forgiveness as soon as possible? That seems the smoothest way to go about these things. Especially when you know someone as well as you know Miss Westforth.” “That’s just it!” Sebastian cried, with more vehemence than he realized he’d felt. “I do know Susie – Miss Westforth. And that fashionable creature is not her!” The Susie Sebastian knew would have laughed at a crowd of men vying for her attention. She would have rather been reading or working on puzzles or… “She is acting foolish, and I simply point this out, and I am told off for it. She’s dancing with Parkhurst and… and laughing with him, for God’s sake!” “Mr. Parkhurst is perhaps not the most humor-inducing young man here,” the butler agreed solemnly. “But how is Miss Westforth’s dancing and laughing different from any other young lady’s actions tonight?” “It’s…. it just is.” Sebastian said stubbornly. “And her dress… it’s unseemly!” “Actually, I have it on good authority that Miss Westforth’s gown is of the highest fashion and appropriate modesty for a young lady of nineteen.” Nineteen . God, hadn’t she just been sixteen and all bony angles? “How do you know all this?” Sebastian grumbled after a time. “About Miss Westforth’s gown… and how we are old friends, come to think of it.” The butler simply shrugged. “I am Philbert, sir. I know everything.” “Did you know that she tried to kiss me, then?” Sebastian mumbled, kicking his boot against the grey stone balustrade. Philbert’s mouth crooked up. “In the ballroom? How very forward.” “No, not now. She told me she tried to kiss me before.” “Before…?” “Before I went away. But apparently I wasn’t paying attention, and she ended up kissing a log.” “And were you?” Philbert asked. Sebastian’s eyebrow went up, not understanding. “Were you not paying attention,” he clarified. “Or did you know she tried to kiss you?” Sebastian felt another shift in the world beneath his feet. Smaller this time, but so, so important. Something clicking into place. “No. I suppose I did know. I just pretended it hadn’t happened.” He’d seen it. Just out of the corner of his eye, but he’d seen it. Three years ago, after a long run on their horses, breathless, her cheeks flushed and lovely. Sitting nearly leg to leg with him on that felled tree. And his heart had skipped a beat. A rush of… something had him standing before her lips could touch his cheek. “Why did you pretend it hadn’t happened?” Philbert asked quietly. “Because it would have changed things,” Sebastian answered in kind. A

O wayfarer! Yearn finds quench, not in meadows, seashores or altitude of mountain peaks; but when being and dance are one.

But Charles, at that very moment, was roving the house in search of Amy.  He had stayed at the ball only long enough to claim the first dance with his sister; then, when the dancing was in full swing, he'd melted into the crush, strode through the doors leading back to the main part of the castle, and gone looking for Amy. But she was not in her rooms.  She was not in the dining room, the library, or wandering the halls.  It wasn't until he strode into the Gold Parlor and found Juliet — who would not, of course, be attending the ball in her advanced condition — quietly working on a piece of embroidery, that Charles got the first clue to her whereabouts. He bowed to his sister-in-law, who looked up at him in some surprise. "Why, hello, Charles.  What are you doing out here?  You look most annoyed." "Amy.  I can't find her anywhere, haven't seen her all day and I'm sick to death of everyone monopolizing her time.  You haven't seen her, have you?" Juliet looked at him peculiarly, then lowered her needlework, a little smile touching her lips.  "Actually, I have.  You might try checking the ballroom." "She wouldn't be in there." Juliet's eyes sparkled with mirth.  "Oh, I wouldn't be so sure." At that moment Gareth, who was dividing his time between his wife and the ball, entered the room, fashionably splendid in raspberry silk, tight breeches, and shoes sporting huge Artois buckles.  In his hand were two glasses, one of sherry, the other of cider, the latter of which he handed to his wife.  He had caught the tail end of the conversation. "Yes, you really should check the ballroom, Charles," he said, his own blue eyes twinkling. Was there some damned conspiracy going on here? 

For once in his life, Charles didn't care what anyone thought of his behavior.  He marched straight up to Perry, tapped him on the shoulder, and jerked his thumb to indicate that Perry had better relinquish Amy to him. Now. Perry, grinning, bowed and backed off.  At the same time, Amy turned her head and saw Charles, her face breaking into such an expression of joy that he was nearly undone. "Charles!" she cried, and he knew then that if they weren't in the middle of a crowded ballroom, with everyone staring at them, she would've thrown herself straight into his arms.  As it was, she stumbled such that he had to catch her and set her on her feet, a move that he managed to carry off such that she barely missed a step.  "Oh, Charles, I've been waiting all evening for you to arrive!  Where have you been?" "Looking for you."  He stared at her.  "Amy, you look . . . ravishing," he said, and it was all he could do not to claim those smiling, carmine-rouged lips and kiss her senseless. "For once in my life, I actually feel ravishing!  Oh, Charles — will you look at all these powdered heads, the jewels and silks and satins, everyone having such a good time!  Isn't it just wonderful?  Isn't this just the most magical place on earth?" He swung her through the steps.  "Amy, I do not wish to spoil your enjoyment, but exactly what are you doing?" "I'm dancing!" she said, her cheeks flushed, her eyes sparkling as he led her through the steps.  "Oh, Charles, this is such fun!  Your brother was so kind to give me this night . . . I feel like Cinderella!" "What?" "Lucien!  He was so grateful for what I did for you back in America that he gave me this night, this gown, a new identity, and . . . and, even these diamonds at my ears!  Well, he didn't actually give them to me, I understand that they belonged to your grandmother but he said that only someone with my coloring would be able to carry them off. . . ."  She blushed.  "Charles, you don't think everyone's staring at me because I'm the only one here with unpowdered hair, do you?  Lucien said that I really should leave it natural, and —" "No, Amy," he said tightly, realizing that everyone was staring at her, and it had nothing to do with her hair. It was because she was the most strikingly beautiful woman in the room and one couldn't help but stare at her. "Charles, are you angry?" "Yes, Amy, I am angry, quietly furious, in fact, but not with you." "Then with who?  Certainly, not Perry I hope, because he's now dancing with your sister — she has a tendre for him, you know." "And where did you learn that word, Amy?" "Oh, Nerissa taught it to me.  I understand it is quite the thing to know some French.  Oh, Charles, please don't be angry with Perry, he did nothing wrong —" "It's not Perry I'm angry with, it's Lucien."  The dance ended.  "And by God, I'm going to give him a piece of my mind." His

and my patients have told me about many other ways to get themselves in synch, ranging from choral singing and ballroom dancing to joining basketball teams, jazz bands and chamber music groups. All of these foster a sense of attunement and communal pleasure.

The S.S. Honolulu's ballroom was as magnificent as the rest of her. Sheer elegance was on grand display as gentlemen in perfectly tailored tuxedos and women in glittering floor-length dresses danced cheek to cheek to the new song urging them to do just that. Astaire and Rogers were not on hand but the band’s vocalist was more than adequate in inspiring couples to adhere to his romantic admonition.

The egg (which presumably had been liberated from the Piazza's kitchen) was help precisely, released exactly, and timed to the centisecond. The experiment continued with a teacup, a billiard ball, a dictionary, and the pineapple, all of which completed their journey to the dance floor in the same amount of time. Thus, in the ballroom of the Metropol Hotel on the twenty-first of June 1926, was the heretic, Galileo of Galilei, vindicated by a ping, a splat, a smash, a thunk, a thump, and a thud.

Convention be damned, this next dance belonged to him no matter what it said on her card, and he intended to claim it. Because if he had to watch one more perfumed whelp put his soft hands on her, he’d open throats right in the middle of the Northwalk ballroom.

One of the many foolish things about the fools who compare writing about music to dancing about architecture is that dancing usually is about architecture. When bodies move in relation to a designed space, be it stage or ballroom or living room or gymnasium or agora or Congo Square, they comment on that space

choral singing and ballroom dancing to joining basketball teams, jazz bands and chamber music groups. All of these foster a sense of attunement and communal pleasure.

It’s always sad when a man gets shackled to a ball and chain. Next thing you know, you’ll be taking ballroom fucking dancing, calling everything ‘ours’, losing your closet to shoes, and having to watch romantic comedies instead of going to the bar with the boys.