Ballroom Culture Quotes

With the thunderous boom of each firework, Isabela’s heart sank further and further. She loved Papi, and she loved Marco. She could never choose between them.

The ballroom collective House of Xtravaganza once summed up their position on the matter in a succinct Instagram post: “You can’t be homophobic/transphobic and use terms such as ‘yaaass’ or ‘giving me life’ or ‘werk’ or ‘throwing shade’ or ‘reading’ or ‘spilling tea.’ These phrases are direct products of drag and ball culture. You don’t get to dehumanize black and Latinx queer/trans people and then appropriate our shit.

If only he weren’t so infuriating and so solicitous, all at once. One or the other, she knew how to resist, but insolence and charm made a potent brew indeed. The way he’d soothed her concern with rough fingers, even as his words teased. The way he’d guided her with a light touch at the small of her back, kissed her fingers so tenderly…they could have been in an elegant ballroom, preparing to dance a quadrille. By all evidence-his fine attire, cultured accent, proud bearing, the rare flash of politesse-Mr. Grayson was a man who could move in the highest echelons of English society, but delighted in doing just the reverse.

Being thoroughly a man, one whose nature was rooted in competition, Zachary had experienced jealousy before. But nothing like this. Not this mixture of rage and alarm that shredded his insides. He was no idiot—he had seen the way Holly was looking at Ravenhill in the ballroom, and he had understood it all too well. They were cut from the same cloth, and they shared a past that he'd had no part of. There were bonds between them, memories, and even more, the comfort of knowing exactly what to expect from each other. All of a sudden Zachary hated Ravenhill with an intensity that approached fear. Ravenhill was everything he was not… everything he could never be. If only this were a more primitive time, the period of history when simple brute force overrode all else and a man could have what he wanted merely by staking his claim. That was how most of these damned bluebloods had originated, in fact. They were the watered-down, inbred descendents of warriors who had earned their status through battle and blood. Generations of privilege and ease had tamed them, softened and cultured them. Now these pampered aristocrats could afford to look down their noses at a man who probably resembled their revered ancestors more than they themselves did. That was his problem, Zachary realized. He had been born a few centuries too late. Instead of having to mince and prance his way into a society that was clearly too rarefied for him, he should have been able to dominate… fight… conquer. As Zachary had seen Holly leave the ballroom, her small hand tucked against Ravenhill's arm, it had required all his will to appear collected. He had nearly trembled with the urge to snatch Holly into his arms and carry her away like a barbarian. For a moment, the rational part of his brain had commanded him to let Holly go without a struggle. She had never been his to lose. Let her make the right decisions for herself, the comfortable decisions. Let her find the peace she deserved. The hell I will, he had thought savagely. He had followed the pair, intent as a prowling tiger, letting nothing stand in the way of what he wanted. And now he found Holly sitting here alone in the garden, looking dazed and dreamy, and he wanted to shake her until her hair cascaded loose and her teeth rattled.

Wall Street is fueled by greed and oiled by cupidity. It is a state of mind, a culture, a never-never land with all the hopeful romance of the Roseland Ballroom and the grungy despair of a Bowery flophouse. Men have soared on Wall Street—and not all of them through the nearest window because they guessed wrong.

Francis Warren Nicholls, Jr., who DJed as Frankie Knuckles, were lifelong friends from Harlem's early ’70s ballroom scene, where they both contributed musically and designed and made costumes and dresses. The two friends eventually met David Mancuso—a hippie DJ who held a particular interest in Black men, and entered a business and pleasure relationship with Levan.50 Mancuso founded the infamous invitation-only underground party The Loft, where Levan DJed for an elite and fashionable crowd of people well connected in the music industry, using state-of-the-art sound systems designed by Mancuso's friend and audio engineer, Robert Long.51 The Loft influenced

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