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Favorite Quotations.
I speak my mind because it hurts to bite my tongue.
The worth of a book is measured by what you carry away from it.
It's not over till it's over.
Imagination is everything.
All life is an experiment.
What the caterpillar calls the end of the world, the master calls the butterfly.
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Pat Frayne (Tales of Topaz the Conjure Cat: Part I Topaz and the Evil Wizard & Part II Topaz and the Plum-Gista Stone)
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The other bodyguard, Hardin, grinned, showing his crooked teeth. “Sidewinder. Like the snake.” The room was silent, waiting for his point. “You know what they used to call the Green Berets when we were active?”
Ty tried hard not to roll his eyes. Behind him, Kelly answered wryly, “Snake Eaters.”
Both security men chuckled. “Best watch out, Sidewinders. Don’t want to get eaten.”
Nick barked a laugh. “I appreciate the offer, Hoss, but I got someone taking care of me already.”
Hardin squared his shoulders, his face growing ruddy.
“Don’t worry, you’ll find that someone special,” Kelly assured him, his voice sincere.
”
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Abigail Roux (Ball & Chain (Cut & Run, #8))
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C’mon, Padre, didn’t the Lord promise something about floods?” “He promised not to destroy the world. Individuals are still expected to get to high ground.
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T. Kingfisher (Snake-Eater)
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It was a small kindness you did,” they said. “But you and I are both small creatures
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T. Kingfisher (Snake-Eater)
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Fortunately, some things stay true whether we believe in them or not.
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T. Kingfisher (Snake-Eater)
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You want us all to be snake-charmers and scorpion-eaters," he raged, at one point in their conversation ...
"Naturally," Eunice replied in her most provoking manner. "It would be far preferable to being a nation of tenth-rate pseudo-civilized rug-sellers.
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Paul Bowles (Let It Come Down)
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Copper gazed at her soulfully and attempted to convey that she had never been petted, not once, but would like to experience it.
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T. Kingfisher (Snake-Eater)
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Ty got the feeling, from cues in the Teklan’s physique and general style of movement, that he was some manner of Snake Eater.
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Neal Stephenson (Seveneves)
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Your soul may well consist of artists and artisans, crooks and charlatans, writers and wanderers, poets and performers, vagabonds and visionaries, cigar box jugglers and contortionists, sword swallowers, storey-tellers and snake worshippers, fire eaters and fire dancers, human cannonballs, treasure hunters, swashbuckling pirates, pilgrims, Bedouin tribesmen and Gypsies. Everything that’s rash and wild inside of you is striving for freedom. And I’m not asking for this to hit you like an epiphany. It’s not supposed to. But if you read that list of misfits above and gave just the tiniest of nods – even at a deep subliminal level – then you understand
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Karl Wiggins (Wrong Planet - Searching for your Tribe)
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ცუდას რად უნდა მტერობა, კარგია მუდამ მტრიანი.
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Vazha-Pshavela (Three Poems: Host and Guest / Aluda Ketelauri / The Snake-Eater)
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I like you. I don’t like who you turn into when he’s in the room.
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T. Kingfisher (Snake-Eater)
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Finally one of my teachers took me aside and said: ‘Manuel, you are not God. You aren’t omnipotent. Wanting to help is good, but this belief that you, personaly, have so much power to affect the universe is starting to border on personal idolatry.’” He snorted. “He wasn’t wrong.”
“Did that help?” Selena asked.
“Not really, but at least then I felt guilty about feeling guilty, which is very catholic.
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T. Kingfisher (Snake-Eater)
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There was a sound of movement, of clinking glass: Amycus was coming round. Before Harry or Luna could act, Professor McGonagall rose to her feet, pointed her wand at the groggy Death Eater, and said, “Imperio.”
Amycus got up, walked over to his sister, picked up her wand, then shuffled obediently to Professor McGonagall and handed it over along with his own. Then he lay down on the floor beside Alecto. Professor McGonagall waved her wand again, and a length of shimmering silver rope appeared out of thin air and snaked around the Carrows, binding them tightly together.
“Potter,” said Professor McGonagall, turning to face him again with superb indifference to the Carrows’ predicament.
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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თავის მარცხს კაცნი ვერ ვიტყვით, ჩქარა ვიუბნებთ სხვისასა.
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Vazha-Pshavela (Three Poems: Host and Guest / Aluda Ketelauri / The Snake-Eater)
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ნისლი ფიქრია მთებისა, იმათ კაცობის გვირგვინი.
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Vazha-Pshavela (Three Poems: Host and Guest / Aluda Ketelauri / The Snake-Eater)
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MEET THE BOOGER EATER
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James Patterson (How I Survived Bullies, Broccoli, and Snake Hill (Middle School #4))
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The flash of green light illuminated every corner of the room. Charity fell, with a resounding crash, onto the table below, which trembled and creaked. Several of the Death Eaters leapt back in their chairs. Draco fell out of his onto the floor. “Dinner, Nagini,” said Voldemort softly, and the great snake swayed and slithered from his shoulders onto the polished wood.
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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All we’ve got to do now is to trace the development of language in the same way and then we’ve really and truly progressed from the insect-eater to man.” “Let’s see. When does an animal emit a sound? In pain or in surprise; in anger, or on recognizing danger.” “Take the recognition of danger: the springbok whistles; the baboon roars. Each recognition produces a feeling based on experience. The tone will differ according to whether the object recognized by the baboon is a snake or a leopard. Recognition is based on recollection. Where an animal relies on its eyes recollection consists primarily of pictures. Animals which live together in herds experience the same things together; isn’t it therefore possible that the same sound produces the same picture in the recollection of all of them? And oughtn’t we to look for the beginning of word formation there?” “So long as the shock of the experience produces the sound, as in the case of the baboons, we can’t talk of word or language. But with growing intelligence and the capacity to learn, children increasingly imitate—in play—the behavior of the adults and also the sounds they make. In play the sounds are separated from the experience which produced them, and by association they call up the appropriate picture or pictures in the mind. Thus pictures can be conjured up again and again merely by the repetition of the appropriate sounds. In short, children can play with danger—without danger. In this way and because of the long duration of childhood, speech can develop from children’s games.” “Deliberately reproduced pictures in the mind represent the beginning of thought. Thus thought and speaking are twins; they develop hand in hand. As soon as a certain store of words has been collected pictures can be conjured up and linked together at will. What the thinker has not yet experienced in reality he can now experience in thought and at the same time he can foresee future experiences. Life no longer consists merely of past and present as it does with animals; it has a future too. Thus with speaking and thinking man creates a new dimension for himself. It’s astonishing what life can produce with an unburdened childhood at its disposal. “Yes, it’s quite true: without a protected childhood in which there’s time for play, mankind would probably never have risen above an animal existence. And perhaps in the future the playing of children will be recognized as more important than technical developments, wars and revolutions. Woe betide the people which forces its children and their games into the strait-jacket of adult politics!
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Henno Martin (The Sheltering Desert: A Classic Tale of Escape and Survival in the Namib Desert)
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hidden from the pedestrians who wandered across to buy discount Viagra; it was deeper into the town, the disorder, the ruinous buildings, the litter, the donkeys cropping grass by the roadside. Reynosa was not its plaza, but rather another hot, dense border town of hard-up Mexicans who spent their lives peering across the frontier, easily able to see—through the slats in the fence, beyond the river—better houses, brighter stores, newer cars, cleaner streets, and no donkeys. At the first stoplight at the intersection of a potholed road of Reynosa, a fat, middle-aged man in shorts and wearing clown makeup—whitened face, red bulb nose, lipsticked mouth—began to juggle three blue balls as the light turned red, and a small girl in a tattered dress, obviously his daughter, passed him a teapot which he balanced on his chin. The small girl hurried to the waiting cars, soliciting pesos. At the next light, a man in sandals and rags juggled three bananas and flexed his muscles while making lunatic faces. A woman hurried from car to car with a basket, offering tamales. Farther on was a fire-eater, a skinny man in pink pajamas gulping smoky flames from a torch.
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Paul Theroux (On The Plain Of Snakes: A Mexican Journey – A Humanizing Exploration of the US-Mexico Border, Immigration Debate, and the Layered World of a Region in Conflict)
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If she were wearing gloves, it would help. I’m thinking about gloves while I’m pushing a load of possessed owl skins to the church. Of course I am.
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T. Kingfisher (Snake-Eater)
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Does that work?” “Probably not. Brains aren’t big enough to shove gratitude into. Still, never hurts to try.” She scooped the creature up with a spatula and shoved the frying pan handle into Selena’s hand. The scorpion sat inside the pan, looking sullen (although Selena was willing to admit that she might be projecting a bit).
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T. Kingfisher (Snake-Eater)
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Dunno,” she said finally. “It’s like telling apart people, I guess. You might not recognize someone after the first time, but the third or fourth or tenth time, you know who they are. It’s the same with plants. You just have to get good at looking at them.
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T. Kingfisher (Snake-Eater)
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All it took was one run of bad luck and it didn’t matter how hard you’d worked your whole life
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T. Kingfisher (Snake-Eater)
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Was it more humiliating to go insane or to take someone’s gray cornmeal? Selena did not feel that she was cut out for this kind of social arithmetic. Clearly they were far beyond scripts, so she stuck to the bare facts. “There was a man wearing green stripes in the garden. He had something on his head, and then he vanished when I looked away.
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T. Kingfisher (Snake-Eater)
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Finally one of my teachers took me aside and said
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T. Kingfisher (Snake-Eater)
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If I was going to describe the platonic ideal of a Kingfisher horror novel
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T. Kingfisher (Snake-Eater)
T. Kingfisher (Snake-Eater)
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You’re right,” she said. “Of course. I’m being stupid.” “No
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T. Kingfisher (Snake-Eater)
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Grandma Billy didn’t seem like a good candidate for a cult
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T. Kingfisher (Snake-Eater)
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powers. I truly cannot say.” “The odds are fifty-fifty,” Grandma Billy said. “Either we win or we don’t.” “That is not how odds work,” Selena said. “You ever won any money gambling?” “No?
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T. Kingfisher (Snake-Eater)
T. Kingfisher (Snake-Eater)
T. Kingfisher (Snake-Eater)