Mutual Break Up Quotes

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Five minutes later, we were rolling around on the helipad as he tried to muscle his way out of my armlock, after slamming me onto the helipad. “I finally realized the source of your mutual attraction,” Saiman said, his voice dry. I looked up. He was standing a few feet away. “Do enlighten us.” Curran tried to roll into me to break the lock. Oh no you don’t. “You both think violence is foreplay.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Our breakup broke the record for the most mutual parting of ways in history. Here’s the text-message conversation: Me: Hey . . . should we break up? Canadian: Ya probably. Me: Ok. Canadian: Did you watch Hoarders last night? Me: Ya! I can’t believe that woman ate her dead dog thinking it was jerky. Canadian: I know! Crazy! Me: Well . . . goodbye I guess. Canadian: Do we have to unfollow each other on Twitter? I’d rather still follow you. You have funny tweets. Me: No way. I never unfollow anyone. That’s so tacky. Canadian: Agreed.
Shane Dawson (I Hate Myselfie: A Collection of Essays by Shane Dawson)
If you have the power to hit people over the head whenever you want, you don’t have to trouble yourself too much figuring out what they think is going on, and therefore, generally speaking, you don’t. Hence the sure-fire way to simplify social arrangements, to ignore the incredibly complex play of perspectives, passions, insights, desires, and mutual understandings that human life is really made of, is to make a rule and threaten to attack anyone who breaks it. This is why violence has always been the favored recourse of the stupid: it is the one form of stupidity to which it is almost impossible to come up with an intelligent response. It is also of course the basis of the state.
David Graeber (Fragments of an Anarchist Anthropology (Paradigm))
Our little tribal circles, bound by social contracts and selfish mutual need. Everyone working in their own greedy self-interests and huddling together with their tribe, at war with all those outside who they regard as barely human. What breaks a human mind out of that iron cage of mistrust, is a sacrifice. The martyr who gives up everything, who abandons all personal gain, who lays down his life for the good of those outside his group. He becomes a symbol all can rally around. So instead of trying to make a selfish, violent primate somehow empathize with the whole world, which is impossible, you only need to get him to remember and love the martyr. As one is forgotten, another must replace it.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
Grief is love’s souvenir. It’s our proof that we once loved. Grief is the receipt we wave in the air that says to the world: Look! Love was once mine. I loved well. Here is my proof that I paid the price. So I’ll just show up and sit quietly and practice not being God with her. I’m so sorry, I’ll say. Thank you for trusting me enough to invite me close. I see your pain and it’s real. I’m so sorry. The Journey of the Warrior. This is it. The journey is learning that pain, like love, is simply something to surrender to. It’s a holy space we can enter with people only if we promise not to tidy up. So I will sit with my pain by letting my own heart break. I will love others in pain by volunteering to let my heart break with theirs. I’ll be helpless and broken and still—surrendered to my powerlessness. Mutual surrender, maybe that’s an act of love. Surrendering to this thing that’s bigger than we are: this love, this pain. The courage to surrender comes from knowing that the love and pain will almost kill us, but not quite.
Glennon Doyle Melton (Love Warrior)
My girl got sick. She was constantly nervous because of problems at work, personal life, her failures and children. She lost 30 pounds and weighted about 90 pounds. She got very skinny and was constantly crying. She was not a happy woman. She had suffered from continuing headaches, heart pain and jammed nerves in her back and ribs. She did not sleep well, falling asleep only in the mornings and got tired very quickly during the day. Our relationship was on the verge of a break up. Her beauty was leaving her somewhere, she had bags under her eyes, she was poking her head, and stopped taking care of herself. She refused to shoot the films and rejected any role. I lost hope and thought that we’ll get separated soon… But then I decided to act. After all I’ve got the MOST Beautiful Woman on earth. She is the idol of more than half of men and women on earth, and I was the one allowed to fall asleep next to her and to hug her. I began to shower her with flowers, kisses and compliments. I surprised and pleased her every minute. I gave her a lot of gifts and lived just for her. I spoke in public only about her. I incorporated all themes in her direction. I praised her in front of her own and our mutual friends. You won’t believe it, but she blossomed. She became better. She gained weight, was no longer nervous and loved me even more than ever. I had no clue that she CAN love that much. And then I realized one thing: the woman is the reflection of her man. If you love her to the point of madness, she will become it.
Brad Pitt
You’re not gonna believe what just happened to me,” Jase says the minute I flip my cell open, taking advantage of break at the B&T. I turn away from the picture window just in case Mr. Lennox, disregarding the break sign, will come dashing out to slap me with my first-ever demerit. “Try me.” His voice lowers. “You know how I put that lock on the door of my room? Well, Dad noticed it. Apparently. So today, I’m stocking the lawn section and he comes up and asks why it’s there.” “Uh-oh.” I catch the attention of a kid sneaking into the hot tub (there’s a strict no-one-under-sixteen policy) and shake my head sternly. He slinks away. Must be my impressive uniform. “So I say I need privacy sometimes and sometimes you and I are hanging out and we don’t want to be interrupted ten million times.” “Good answer.” “Right. I think this is going to be the end of it. But then he tells me he needs me in the back room to have a ‘talk.’” “Uh-oh again.” Jase starts to laugh. “I follow him back and he sits me down and asks if I’m being responsible. Um. With you.” Moving back into the shade of the bushes, I turn even further away from the possible gaze of Mr. Lennox. “Oh God.” “I say yeah, we’ve got it handled, it’s fine. But, seriously? I can’t believe he’s asking me this. I mean, Samantha. Jesus. My parents? Hard not to know the facts of life and all in this house. So I tell him that we’re moving slowly and—” “You told him that?” God, Jase! How am I ever going to look Mr. Garret in the eye again? Help. “He’s my dad, Samantha. Yeah. Not that I didn’t want to exit the conversation right away, but still . . .” “So what happened then?” “Well, I reminded him they’d covered that really thoroughly in school, not to mention at home, and we weren’t irresponsible people.” I close my eyes, trying to imagine having this conversation with my mother. Inconceivable. No pun intended. “So then . . . he goes on about”—Jase’s voice drops even lower—“um . . . being considerate and um . . . mutual pleasure.” “Oh my god! I would’ve died. What did you say?” I ask, wanting to know even while I’m completely distracted by the thought. Mutual pleasure, huh? What do I know about giving that? What if Shoplifting Lindy had tricks up her sleeve I know nothing about? It’s not like I can ask Mom. “State senator suffers heart attack during conversation with daughter.” “I said ‘Yes sir’ a lot. And he went on and on and on and all I could think was that any minute Tim was gonna come in and hear my dad saying things like, ‘Your mom and I find that . . . blah blah blah.’” I can’t stop laughing. “He didn’t. He did not mention your mother.” “I know!” Jase is laughing too. “I mean . . . you know how close I am to my parents, but . . . Jesus.
Huntley Fitzpatrick (My Life Next Door)
The person you choose to share your life with is someone who is simply along for the ride. They aren't your life itself. Your be all and end all. You merely have a mutual agreement that you're sharing a journey. So if they choose to bail, it's disappointing and hurtful of course but... the journey still continues. With all of its highs and lows and triumphs and fireworks. But now there's a free space in your car for someone who will appreciate it better. Keep going.
Carrie Hope Fletcher
The repeated attempts that have been made to improve humanity - in particular to make it more peacable - have failed, because nobody has understood the full depth and vigour of the instincts of aggression innate in each individual. Such efforts do not seek to do more than encourage the positive, well-wishing impulses of the person while denying or suppressing his aggressive ones. And so they have been doomed to failure from the beginning. But psychoanalysis has different means at its disposal for a task of this kind. It cannot, it is true, altogether do away with man's aggressive instinct as such; but it can, by diminishing the anxiety which accentuates those instincts, break up the mutual reinforcement that is going on all the time between his hatred and his fear. When, in our analytic work, we are always seeing how the resolution of early infantile anxiety not only lessens and modifies the child's aggressive impulses, but leads to a more valuable employment and gratification of them from a social point of view; how the child shows an ever-grwing, deeply rooted desire to be loved and to love, and to be at peace with the world about it; and how much pleasure and benefit, and what a lessening of anxiety it derives from the fulfilment of this desire - when we see all this, we are ready to believe that what now would seem a Utopian state of things may well come true in those distant days when, as I hope, child-analysis will become as much a part of every person's upbringing as school-education is now. Then, perhaps, that hostile attitude, springing from fear and suspicion, which is latent more or less strongly in each human being, and which intensifies a hundredfold in him every impulse of destruction, will give way to kindlier and more trustful feelings towards his fellowmen, and people may inhabit the world together in greater peace and goodwill than they do now.
Melanie Klein (Love, Guilt and Reparation: And Other Works 1921-1945 (The Writings of Melanie Klein, Volume 1))
Know Deeply, Know Thyself More Deeply" Go deeper than love, for the soul has greater depths, love is like the grass, but the heart is deep wild rock molten, yet dense and permanent. Go down to your deep old heart, woman, and lose sight of yourself. And lose sight of me, the me whom you turbulently loved. Let us lose sight of ourselves, and break the mirrors. For the fierce curve of our lives is moving again to the depths out of sight, in the deep dark living heart. But say, in the dark wild metal of your heart is there a gem, which came into being between us? is there a sapphire of mutual trust, a blue spark? Is there a ruby of fused being, mine and yours, an inward glint? If there is not, O then leave me, go away. For I cannot be bullied back into the appearances of love, any more than August can be bullied to look like March. Love out of season, especially at the end of the season is merely ridiculous. If you insist on it, I insist on departure. Have you no deep old heart of wild womanhood self-forgetful, and gemmed with experience, and swinging in a strange union of power with the heart of the man you are supposed to have loved? If you have not, go away. If you can only sit with a mirror in your hand, an ageing woman posing on and on as a lover, in love with a self that now is shallow and withered, your own self–that has passed like a last summer’s flower– then go away– I do not want a woman whom age cannot wither. She is a made-up lie, a dyed immortelle of infinite staleness.
D.H. Lawrence (The Complete Poems of D.H. Lawrence)
I wish I could answer your question. All I can say is that all of us, humans, witches, bears, are engaged in a war already, although not all of us know it. Whether you find danger on Svalbard or whether you fly off unharmed, you are a recruit, under arms, a soldier." "Well, that seems kinda precipitate. Seems to me a man should have a choice whether to take up arms or not." "We have no more choice in that than in whether or not to be born." "Oh, I like choice, though," he said. "I like choosing the jobs I take and the places I go and the food I eat and the companions I sit and yarn with. Don't you wish for a choice once in a while ?" She considered, and then said, "Perhaps we don't mean the same thing by choice, Mr. Scoresby. Witches own nothing, so we're not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don't feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?" "Well, I'm kinda with you on that. Sticks and stones, I'll break yer bones, but names ain't worth a quarrel. But ma'am, you see my dilemma, I hope. I'm a simple aeronaut, and I'd like to end my days in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I've got enough, ma'am, I'm gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I'll never leave the ground again." "There's another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves." "I see that, ma'am, and I envy you; but I ain't got your sources of satisfaction. Flying is just a job to me, and I'm just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain't been told nothing about kinda troubling." "lorek Byrnison's quarrel with his king is part of it too," said the witch. "This child is destined to play a part in that." "You speak of destiny," he said, "as if it was fixed. And I ain't sure I like that any more than a war I'm enlisted in without knowing about it. Where's my free will, if you please? And this child seems to me to have more free will than anyone I ever met. Are you telling me that she's just some kind of clockwork toy wound up and set going on a course she can't change?" "We are all subject to the fates. But we must all act as if we are not, or die of despair. There is a curious prophecy about this child: she is destined to bring about the end of destiny. But she must do so without knowing what she is doing, as if it were her nature and not her destiny to do it. If she's told what she must do, it will all fail; death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...
Philip Pullman (The Golden Compass (His Dark Materials, #1))
Howe's first object is, partly by threats and partly by promises, to terrify or seduce the people to deliver up their arms and receive mercy. The ministry recommended the same plan to Gage, and this is what the tories call making their peace, "a peace which passeth all understanding" indeed! A peace which would be the immediate forerunner of a worse ruin than any we have yet thought of. Ye men of Pennsylvania, do reason upon these things! Were the back counties to give up their arms, they would fall an easy prey to the Indians, who are all armed: this perhaps is what some Tories would not be sorry for. Were the home counties to deliver up their arms, they would be exposed to the resentment of the back counties who would then have it in their power to chastise their defection at pleasure. And were any one state to give up its arms, that state must be garrisoned by all Howe's army of Britons and Hessians to preserve it from the anger of the rest. Mutual fear is the principal link in the chain of mutual love, and woe be to that state that breaks the compact. Howe is mercifully inviting you to barbarous destruction, and men must be either rogues or fools that will not see it. I dwell not upon the vapors of imagination; I bring reason to your ears, and, in language as plain as A, B, C, hold up truth to your eyes.
Thomas Paine (The Crisis, #1 (Annotated with an Introduction and Summary))
I got up to get another glass of water when Zac asked from his spot still at the stove, breaking up the two pounds of ground beef he’d added to the vegetables. “Vanny, were you gonna want me to help you with your draft list again this year?” I groaned. “I forgot. My brother just messaged me about it. I can’t let him win again this year, Zac. I can’t put up with his crap.” He raised his hand in a dismissive gesture. “I got you. Don’t worry about it.” “Thank—what?” Aiden had his glass halfway to his mouth and was frowning. “You play fantasy football?” he asked, referring to the online role-playing game that millions of people participated in. Participants got to build imaginary teams during a mock draft, made up of players throughout the league. I’d been wrangled into playing against my brother and some of our mutual friends about three years ago and had joined in ever since. Back then, I had no idea what the hell a cornerback was, much less a bye week, but I’d learned a lot since then. I nodded slowly at him, feeling like I’d done something wrong. The big guy’s brow furrowed. “Who was on your team last year?” I named the players I could remember, wondering where this was going and not having a good feeling about it. “What was your defensive team?” There it went. I slipped my hands under the counter and averted my eyes to the man at the stove, cursing him silently. “So you see…” The noise Zac tried to muffle was the most obvious snicker in the world. Asshole. “Was I not on your team?” I gulped. “So you see—” “Dallas wasn’t your team?” he accused me, sounding… well, I didn’t know if it was hurt or outraged, but it was definitely something. “Ahh…” I slid a look at the traitor who was by that point trying to muffle his laugh. “Zac helped me with it.” It was the thump that said Zac’s knees hit the floor. “Look, it isn’t that I didn’t choose you specifically. I would choose you if I could, but Zac said Minnesota—” “Minne-sota.” Jesus, he’d broken the state in two. The big guy, honest to God, shook his head. His eyes went from me to Zac in… yep, that was outrage. Aiden held out his hand, wiggling those incredibly long fingers. “Let me see it.” “See what?” “Your roster from last year.” I sighed and pulled my phone out of the fanny pack I still had around my waist, unlocking the screen and opening the app. Handing it over, I watched his face as he looked through my roster and felt guilty as hell. I’d been planning on choosing Dallas just because Aiden was on the team, but I really had let Zac steer me elsewhere. Apparently, just because you had the best defensive end in the country on your team, didn’t mean everyone else held up their end of the bargain. Plus, he’d missed almost the entire season. He didn’t have to take it so personally.
Mariana Zapata (The Wall of Winnipeg and Me)
Compassion and communication are both incredibly important in relationships, but most of us use these at the wrong time. If we communicate, it's only in times of conflict, allowing repressed emotions and unsaid worries form into their worst phrasings. If we show compassion, it's only in good times, when we're feeling good about one another and don't feel triggered or attacked. What if we changed our approach? What if we showed compassion in conflict—taking the time to listen, understand, help each other release pent-up emotions? And what if we communicated in good times—taking the time to talk about patterns we fall into, triggers we both have, and how we can work together to break our cycles? Then, we would stop helplessly dancing the same old tango of mutual misunderstanding. Then, we could work on giving one another room to feel, to love, and to grow.
Vironika Tugaleva
The newcomers and those who were at home were accustoming themselves to each other in their own way and their own time; getting to know what the strangers smelled like, how they moved, how they breathed, how they scratched, the feel of their rhythms and pulses. These were their topics and subjects of discussion, carried on without the need of speech. To a greater extent than a human in a similar gathering, each rabbit, as he pursued his own fragment, was sensitive to the trend of the whole. After a time, all knew that the concourse was not going to turn sour or break up in a fight. Just as a battle begins in a state of equilibrium between the two sides, which gradually alters one way or the other until it is clear that the balance has tilted so far that the issue can no longer be in doubt—so this gathering of rabbits in the dark, beginning with hesitant approaches, silences, pauses, movements, crouchings side by side and all manner of tentative appraisals, slowly moved, like a hemisphere of the world into summer, to a warmer, brighter region of mutual liking and approval, until all felt sure that they had nothing to fear.
Richard Adams (Watership Down)
SELF-RELIANCE Self-reliance is not only the belief that you can handle things and become successful; it is something more than that. It is having the courage to listen to your inner promptings for a hint of the kind of success you truly desire. It means taking your cue from yourself—not listening to something or someone outside yourself to get an idea of what you should be, do, or have. When we learn to read the “signs” correctly and follow our intuition, we can begin to trust ourselves and not follow the beat of someone else’s drum. RECOGNIZING AND BREAKING THE DEPENDENCY HABIT Dependency is slavery by mutual agreement. It is degrading for both the person who is dependent and the person who is being depended upon. Both parties are equally lacking in self-reliance, for such a relationship flourishes on mutual exploitation. The most unfortunate aspect of dependency is that when you think you are dependent on another individual—you are! You neglect to develop the necessary self-reliance to meet and solve your own problems. A sure sign of dependency is when you habitually look up to others as superior. The moment you begin to compare yourself
Robert Anthony (The Ultimate Secrets of Total Self-Confidence)
When I Have to Confess Something to My Husband Confess your trespasses to one another, and pray for one another, that you may be healed. The effective, fervent prayer of a righteous man avails much. JAMES 5:16 THERE ARE TIMES in every wife’s life when she needs to confess something to her husband that will be hard for him to hear. For example, if she has dented the car, or spent too much money, or overdrawn the bank account, or accidentally given away his favorite football shirt—or something even worse—and she knows his reaction to what she has to tell him will not be good, she needs help from above. If this happens to you, the thing to do is pray before you speak. If you have something to tell your husband you know he will not approve of, ask God to help you break it to him in the best way possible. Don’t just blurt it out. Ask God to prepare your husband’s heart to hear hard things without having a bad reaction to them. Ask the Lord to give you the right words to say and the right time to say it. There may be occasions when your husband needs to confess something to you, and you will want to set a good example of calm and patience for him to want to emulate. If you feel your husband overreacts to things, pray that God will give him a compassionate and understanding heart and an even temper. Ask God to plant in him the desire to pray for you instead of criticize or lecture. After you seek your husband’s forgiveness, tell him how effective it would be to pray together about this so that it never happens again. My Prayer to God LORD, help me to speak to my husband about what I know I need to confess to him. Give me the words to say. Open his heart to receive what I need to tell him with a good and godly attitude. If it is something I know I did wrong, help me to not do it again. Give me the wisdom and discernment I need to avoid that in the future. Where it is something I did that I feel was not wrong, but I know he will not be happy about it, help us to talk calmly and peacefully about this issue. Enable us to come to an agreement regarding what should be done in the future. Give my husband and me compassionate attitudes that don’t resort to anger. Help us to talk peacefully and come to a mutual understanding so that we always exhibit respect for each other. Teach us to believe for the best in each other. When I have to confess something that is hard for him to hear, reign in both of our hearts so that our words glorify You. Where there are things that should be confessed to each other but have been hidden because of not wanting to stir up anything negative, I pray You would help us to get these things out in the open honestly. Your Word says that confessing our trespasses—both to You and to each other—can be a prelude to healing, not only of body and soul but also of our relationship and marriage. Enable us to freely confess and freely pray for each other so that we may find the healing we need. In Jesus’ name I pray.
Stormie Omartian (The Power of a Praying Wife Devotional)
We may finally summarize the emotional dilemma of the schizoid thus: he feels a deep dread of entering into a real personal relationship, i.e. one into which genuine feeling enters, because, though his need for a love-object is so great, he can only sustain a relationship at a deep emotional level on the basis of infantile and absolute dependence. To the love-hungry schizoid faced internally with an exciting but deserting object all relationships are felt to be 'swallowing-up things' which trap and imprison and destroy. If your hate is destructive you are still free to love because you can find someone else to hate. But if you feel your love is destructive the situation is terrifying. You are always impelled into a relationship by your needs and at once driven out again by the fear either of exhausting your love-object by the demands you want to make or else losing your own individuality by over-dependence and identification. This 'in and out' oscillation is the typical schizoid behaviour, and to escape from it into detachment and loss of feeling is the typical schizoid state. The schizoid feels faced with utter loss, and the destruction of both ego and object, whether in a relationship or out of it. In a relationship, identification involves loss of the ego, and incorporation involves a hungry devouring and losing of the object. In breaking away to independence, the object is destroyed as you fight a way out to freedom, or lost by separation, and the ego is destroyed or emptied by the loss of the object with whom it is identified. The only real solution is the dissolving of identification and the maturing of the personality, the differentiation of ego and object, and the growth of a capacity for cooperative independence and mutuality, i.e. psychic rebirth and development of a real ego.
Harry Guntrip (Schizoid Phenomena, Object Relations and the Self)
Mr. Scoresby,” said the witch, “I wish I could answer your question. All I can say is that all of us, humans, witches, bears, are engaged in a war already, although not all of us know it. Whether you find danger on Svalbard or whether you fly off unharmed, you are a recruit, under arms, a soldier.” “Well, that seems kinda precipitate. Seems to me a man should have a choice whether to take up arms or not.” “We have no more choice in that than in whether or not to be born.” “Oh, I like choice, though,” he said. “I like choosing the jobs I take and the places I go and the food I eat and the companions I sit and yarn with. Don’t you wish for a choice once in a while?” Serafina Pekkala considered, and then said, “Perhaps we don’t mean the same thing by choice, Mr. Scoresby. Witches own nothing, so we’re not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don’t feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don’t consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?” “Well, I’m kinda with you on that. Sticks and stones, I’ll break yer bones, but names ain’t worth a quarrel.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
In chem, Peter sits a row in front of me. I write him a note. Why would you tell Josh that we’re-- I hesitate and then finish with a thing? I kick the back of his chair, and he turns around and I hand him the note. He slouches in his seat to read it; then I watch as he scribbles something. He tips back in his chair and drops the note on my desk without looking at me. A thing? Haha. I press down so hard my pencil tip chips off. Please answer the question. We’ll talk later. I let out a frustrated sigh and Matt, my lab partner, gives me a funny look. After class Peter is swept away with all his friends; they leave in a big group. I’m packing up my backpack when he returns, alone. He hops up on the table. “So let’s talk,” he says, super casual. I clear my throat and try to gather my bearings. “Why did you tell Josh we were--” I almost say “a thing” again, but then change it to “together?” “I don’t get what you’re so upset about. I did you a favor. I could have just as easily blown up your spot.” I pause. He’s right. He could have. “So why didn’t you?” “You’ve sure got a funny way of saying thank you. You’re welcome, by the way.” Automatically I say, “Thank you.” Wait. Why am I thanking him? “I appreciate you letting me kiss you, but--” “You’re welcome,” he says again. Ugh! He’s so insufferable. Just for that I’m going to toss a little dig his way. “That was…really generous of you. To let me do that. But I’ve already explained to Josh that it’s not going to work out with us because Genevieve has you whipped, so it’s all good. You can stop pretending now.” Peter glares at me. “I’m not whipped.” “But aren’t you, though? I mean, you guys have been together since the seventh grade. You’re basically her property.” “You don’t know what you’re talking about,” Peter scoffs. “There was a rumor last year that she made you get a tattoo of her initials on your butt for her birthday.” I pause. “So did you?” I reach around him and fake try to lift up the back of his shirt. He yelps and jumps away from me, and I collapse in a fit of giggles. “So you do have a tattoo!” “I don’t have a tattoo!” he yells. “And we’re not even together anymore, so can you stop with this shit? We broke up. We’re over. I’m done with her.” “Wait, didn’t she break up with you?” I ask. Peter shoots me a dirty look. “It was mutual.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Witches own nothing, so we’re not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don’t feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don’t consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?” “Well, I’m kinda with you on that. Sticks and stones, I’ll break yer bones, but names ain’t worth a quarrel. But ma’am, you see my dilemma, I hope. I’m a simple aeronaut, and I’d like to end my days in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I’ve got enough, ma’am, I’m gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I’ll never leave the ground again.” “There’s another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves.” “I see that, ma’am, and I envy you; but I ain’t got your sources of satisfaction. Flying is just a job to me, and I’m just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain’t been told nothing about kinda troubling.” “Iorek Byrnison’s quarrel with his king is part of it too,” said the witch. “This child is destined to play a part in that.” “You speak of destiny,” he said, “as if it was fixed. And I ain’t sure I like that any more than a war I’m enlisted in without knowing about it. Where’s my free will, if you please?
Philip Pullman (The Golden Compass (His Dark Materials, #1))
3. Improve relations to the end Providence designed them. Walk together as coheirs of the grace of life; study to be mutual blessings to each other; so walk in your relations, that the parting day may be sweet. Death will shortly break up the family; and then, nothing but the sense of duty discharged, or the neglects pardoned, will give comfort.
John Flavel (The Mystery of Providence (Vintage Puritan))
Reading Group Guide  1.   The river town of Hobnob, Mississippi, is in danger of flooding. To offset the risk, the townspeople were offered the chance to relocate in exchange for money. Some people jumped at the opportunity (the Flooders); others (the Stickers) refused to leave, so the deal fell through. If you lived in Hobnob, which choice would you make and why? If you’d lived in New Orleans at the time of Hurricane Katrina, would you have fled the storm or stayed to protect your house? Did the two floods remind you of each other in terms of official government response or media coverage?  2.   How are the circumstances during the Prohibition era (laws against consuming or selling alcohol, underground businesses that make and sell booze on the black market, corruption in the government and in law enforcement) similar to what’s happening today (the fight to legalize and tax marijuana, the fallout of the drug war in countries like Mexico and Colombia, jails filled with drug abusers)? How are the circumstances different? Do you identify with the bootleggers or the prohibitionists in the novel? What is your stance on the issue today?  3.   The novel is written in third person from two different perspectives—Ingersoll’s and Dixie Clay’s—in alternating chapters. How do you think this approach adds to or detracts from the story? Are you a fan of books written from multiple perspectives, or do you prefer one character to tell his/her side of the story?  4.   The Tilted World is written by two authors. Do you think it reads differently than a book written by only one? Do you think you could coauthor a novel with a loved one? Did you try to guess which author wrote different passages?  5.   Language and dialect play an important role in the book. Do you think the southern dialect is rendered successfully? How about the authors’ use of similes (“wet towels hanging out of the upstairs windows like tongues”; “Her nylon stockings sagged around her ankles like shedding snakeskin.”). Do they provide necessary context or flavor?  6.   At the end of Chapter 5, when Jesse, Ham, and Ingersoll first meet, Ingersoll realizes that Jesse has been drinking water the entire time they’ve been at dinner. Of course, Ham and Ingersoll are both drunk from all the moonshine. How does this discovery set the stage for what happens in the latter half of the book?  7.   Ingersoll grew up an orphan. In what ways do you think that independence informed his character? His choices throughout the novel? Dixie Clay also became independent, after marrying Jesse and becoming ostracized from friends and family. Later, after Ingersoll rescues her, she reflects, “For so long she’d relied only on herself. She’d needed to. . . . But now she’d let someone in. It should have felt like weakness, but it didn’t.” Are love and independence mutually exclusive? How did the arrival of Willy prepare these characters for the changes they’d have to undergo to be ready for each other?  8.   Dixie Clay becomes a bootlegger not because she loves booze or money but because she needs something to occupy her time. It’s true, however, that she’s not only breaking the law but participating in a system that perpetrates violence. Do you think there were better choices she could have made? Consider the scene at the beginning of the novel, when there’s a showdown between Jesse and two revenuers interested in making an arrest. Dixie Clay intercepts the arrest, pretending to be a posse of gunslingers protecting Jesse and the still. Given what you find out about Jesse—his dishonesty, his drunkenness, his womanizing—do you think she made the right choice? If you were in Dixie Clay’s shoes, what would you have done?  9.   When Ham learns that Ingersoll abandoned his post at the levee to help Dixie Clay, he feels not only that Ingersoll acted
Tom Franklin (The Tilted World)
Understandably, given public anger at bailouts, support had been gathering from both the right and the left for breaking up the largest institutions. There were also calls to reinstate the Depression-era Glass-Steagall law, which Congress had repealed in 1999. Glass-Steagall had prohibited the combination within a single firm of commercial banking (mortgage and business lending, for example) and investment banking (such as bond underwriting). The repeal of Glass-Steagall had opened the door to the creation of “financial supermarkets,” large and complex firms that offered both commercial and investment banking services. The lack of a new Glass-Steagall provision in the administration’s plan seemed to me particularly easy to defend. A Glass-Steagall–type statute would have offered little benefit during the crisis—and in fact would have prevented the acquisition of Bear Stearns by JPMorgan and of Merrill Lynch by Bank of America, steps that helped stabilize the two endangered investment banks. More importantly, most of the institutions that became emblematic of the crisis would have faced similar problems even if Glass-Steagall had remained in effect. Wachovia and Washington Mutual, by and large, got into trouble the same way banks had gotten into trouble for generations—by making bad loans. On the other hand, Bear Stearns and Lehman Brothers were traditional Wall Street investment firms with minimal involvement in commercial banking. Glass-Steagall would not have meaningfully changed the permissible activities of any of these firms. An exception, perhaps, was Citigroup—the banking, securities, and insurance conglomerate whose formation in 1998 had lent impetus to the repeal of Glass-Steagall. With that law still in place, Citi likely could not have become as large and complex as it did. I agreed with the administration’s decision not to revive Glass-Steagall. The decision not to propose breaking up some of the largest institutions seemed to me a closer call. The truth is that we don’t have a very good understanding of the economic benefits of size in banking. No doubt, the largest firms’ profitability is enhanced to some degree by their political influence and markets’ perception that the government will protect them from collapse, which gives them an advantage over smaller firms. And a firm’s size contributes to the risk that it poses to the financial system. But surely size also has a positive economic value—for example, in the ability of a large firm to offer a wide range of services or to operate at sufficient scale to efficiently serve global nonfinancial companies. Arbitrary limits on size would risk destroying that economic value while sending jobs and profits to foreign competitors. Moreover, the size of a financial firm is far from the only factor that determines whether it poses a systemic risk. For example, Bear Stearns, which was only a quarter the size of the firm that acquired it, JPMorgan Chase, wasn’t too big to fail; it was too interconnected to fail. And severe financial crises can occur even when most financial institutions are small.
Ben S. Bernanke (The Courage to Act: A Memoir of a Crisis and Its Aftermath)
While contemporary restaurants pay lip service to the notion of companionability, they provide us with only its most inadequate simulacrum. The number of people who nightly patronize restaurants implies that these places must be refuges from anonymity and coldness, but in fact they have no systematic mechanisms by which to introduce patrons to one another, to dispel their mutual suspicions, to break up the clans into which people chronically segregate themselves or to get them to open up their hearts and share their vulnerabilities with others. The focus is on the food and the decor, never on opportunities for extending and deepening affections. In a restaurant no less than in a home, when the meal itself – the texture of the escalopes or the moistness of the courgettes – has become the main attraction, we can be sure that something has gone awry. Patrons will tend to leave restaurants much as they entered them, the experience having merely reaffirmed existing tribal divisions. Like so many institutions in the modern city, restaurants are adept at gathering people into the same space and yet lack any means of encouraging them to make meaningful contact with one another once they are there.
Alain de Botton (Religion for Atheists: A Non-Believer's Guide to the Uses of Religion)
Because the roles maintain the balance of the system, they exist for the system. The children give up their own reality to take care of the family system—to keep it whole and balanced. Each form of abandonment breaks the interpersonal bridge and the mutual-intimacy bond. A child is precious and incomparable. Unless treated with value and love, this sense of preciousness and incomparability diminishes. In toxic, internalized shame, it disappears completely.
John Bradshaw (Healing the Shame that Binds You)
I stare at Finlay and he stares back. We’re both fixed on each other, and as seconds pass, I realize neither of us is trying to pretend it’s anything other than a heart-struck gaze of mutual longing. Everything about his face is so ridiculously, staggeringly lovely to me, in this moment, I’m unable to speak. Beauty isn’t an arrangement of features, even features as perfect as Finlay Hart’s, it’s a feeling. This is how it feels in the split second you suddenly become aware that you’re falling in love with someone. The click of a jigsaw’s last piece, the rainfall of coins in a jackpot slot machine, the right song striking up and your being swept away by its opening bars. That conviction of making complete sense of the universe, in one moment. Of course. You’re where I should be. You’re here. “How are you?” Fin says to me, eventually, and we both break into broad smiles at the ludicrousness of having declared our feelings without saying a word. I can’t wait to talk to him properly, after we leave here. I can’t wait, full stop.
Mhairi McFarlane
Organization and mutual aid are essential aspects in many animal cultures, including elephants, gorillas, and chimpanzees. Zoos, however, are places wherein that culture is restricted, altered, or even destroyed. This is done, whether intentionally or not, through the removal of autonomy, the break up of the family unit, restrictions on corporeal movement, continuous transfer of animals from one facility to next, and in the alteration of other living patterns. Psychologists call this a process of alienation and institutionalization. Hence, within these species, what we tend to see in zoos is a much more individualistic-based community.
Jason Hribal (Fear of the Animal Planet: The Hidden History of Animal Resistance (Counterpunch))
But the Reserve Fund was not a normal mutual fund. It was a money-market fund. Despite the standard warnings that the fund might lose money, people did not think of their money in the fund as an investment. They thought of their money in the fund as their money. You put in a dollar, you get back a dollar whenever you want it. If the fund were to lose 1 percent of its value, investors wouldn’t get all their money back. This, for a money-market fund, is a disaster known as “breaking the buck.
Jacob Goldstein (Money: The True Story of a Made-Up Thing)
One non-limerent, on learning of limerence theory, felt that the pain of limerence may be great but that it should not be forgotten that non-limerents hurt, too. He expressed his feelings in a poem about his sadness over having to end a relationship that was dear to him because his lover had begun to demand the impossible in her limerence. ‘We hurt too you know, its not easy to give up a good friend. To see someone change before your very eyes from someone you feel knows and loves you, to someone who is suddenly demanding the impossible. As if you were not you at all.’ This poem tells how strongly I felt the sadness of having to part. I was allowed to keep a copy of the poem to show others. I did. I explained the circumstances of its being written before reading it to a few interviewees. A limerent who was suffering from the pain of non-mutuality gave the following reaction, ‘Okay, I understand what the poem is saying, and I can see that the writer really didn’t like the relationship to break up and all. But frankly, almost from the first line my feelings were for the person addressed in the poem. The person being told to leave by a lover when the crime has only been that of loving.
Dorothy Tennov (Love and Limerence: The Experience of Being in Love)
As a result men—even men she has been intimate with—do not now gaze upon her with dismay, as upon a beloved landscape devastated by fire, flood, or urban development. They do not mind that Vinnie Miner, who was never much to look at, now looks old. After all, they hadn’t slept with her out of romantic passion, but out of comradeship and temporary mutual need—often almost absent-mindedly, to relieve the pressure of their desire for some more glamorous female. It wasn’t uncommon for a man who had just made love to Vinnie to sit up naked in bed, light a cigarette, and relate to her the vicissitudes of his current romance with some temperamental beauty-breaking off occasionally to say how great it was to have a pal like her
Alison Lurie (Foreign Affairs)
I believe that we shocked each other by how swiftly we went from being the people who knew each other best in the world to being a pair of the most mutually incomprehensible strangers who ever lived. But it was vital to my survival to have a one bedroom of my own i saw the aprtment almost as a sanatorium a hospice clinci for my own recovery I painted the walls in the warmest colors i could find and bought myself flowers every week as if i were visiting myself in the hospital is this lifetime supposed to be only about duty why are you studying Italian so that just in case Italy ever invades Ethiopia again and is actually successful this time? ciao comes from if you must know it's an abbreviation of a phrase used by medieval venetians as an intimate salutation Sono il Suo Schiavo meaning i am your slave. om Naamah Shivaya meaning I honor the divinity that resides whin me. I wanted to experience both , I wanted worldly enjoyment and divine transcendence the dual glories of a human life I wanted what the Greeks called kalos kai agathos the singular balance of the good and he beautiful I'd been missing both during these last hard years because both pleasure and devotion require a stress free space in which to flourish and I'd been living in a giant trash compactor of nonstop anxiety , As for how to balance the urge for pleasure against the longing for devotion. four feet on the ground a head full of foliage looking at the world through the heart. it was more than I wanted to toughly explore one aspect of myself set against the backdrop of each country in a place that has traditionally done that one thing very well. same guatemalan musicians are always playing id rather be a sparrow than a snail on their bamboo windpipes oh how i want italian to open itself up to me i havent felt so starved for comprehension since then dal centro della mia vita venne una grande fontanana dolce sitl nuovo Dante wrote his divine comedy in terza rima triple rhyme a chain of rhymes with each rhyme repeating here times every five lines. lamor che move il sole e laltre stelle we are the masters of bel far niente larte darrangiarsi The reply in italy to you deserve a break today would probably be yeah no duh that's why I'm planning on taking a break at noon to go over to your house and sleep with your wife, I walked home to my apartment and soft-boiled a pair of fresh brown eggs for my lunch i peeled the eggs and arranged them on a plate beside the seven stalks of the asparagus (which were so slim and snappy they didn't need to be cooked at all,)I put some olives on the plate too and the four knobs of goat cheese I'd picked up yesterday from the fromagerie down the street tend two slices of pink oily salmon for dessert a lovely peach which the woman at the market had given to me for free and which was still warm form the roman sunlight for the longest time I couldn't even touch this food because it was such a masterpiece of lunch a true expression of the art of making something out of nothing finally when i had fully absorbed the prettiness of my meal i went and sat in apatch of sunbeam on my clean wooden floor and ate every bit of it with my fingers while reading my daily newspaper article in Italian happiness inhabited my every molecule. I am inspired by the regal self assurance of this town so grounded and rounded so amused and monumental knowing that she is held securely in the palm of history i would like to be like rome when i am an old lady. I linger over my food and wine for many hours because nobody in
Elizabeth Gilbert (Eat, Pray, Love)
credit for. And really good sex. She liked to think she gave him just the same. Most days she saddled up and rode to work with him, then home again. If she could juggle the time, she rode home again midday to give her grannies a little break from Alice. “I like her.” Though she had an agenda in mind, Bodine rode easily beside Callen. “Every once in a while something—someone—peeks out from the trauma. And I know I’d like that someone. And the dogs like her, which is a good gauge.” “The dogs like Alice?” “And it’s mutual. A lot of the time they sprawl and snore at her feet when she
Nora Roberts (Come Sundown)
PARTIES, CONFERENCES AND NETWORKING EVENTS. You’ve got to be honest with yourself; this was the actual lesson you’ve been dreading, only if you are a natural extrovert, there are some things that are more stressful than going to parties and other networking activities. Today is going to be a bit tough, so you are going to have to be tougher. This is where all the lessons you’ve learnt so far will pay off. When you’re in a party, a conference or networking event, you are likely to hold one of four possible roles. How you react to the event will depend on this role. The possibilities include: Host/Greeter. Guest. Networker. Support. People will definitely come to you if you’re in the first category, making introduction moderately easy and opportunities for small talk plentiful. You may be in charge of giving a presentation or attending to a table at a convention or any similar event. Make sure to create eye contact and smile at strangers to acknowledge them, someone will approach you in no time. Topics that may outstand may include how successful the turnout was or other positive factors that craved out of the event. If you happen to be a guest or a visitor, the challenge is on you to approach and kick start conversations. The golden rule for breaking ice at events and starting small talks ate networking arena are remarkably the same. You have to keep one thing in mind; everyone attends a party with the intention of meeting a new person and talking with them. So, if you find out that your introduction is not so much an imposition as making it up to meet new people, you will find it much compelling and easy. Your best topics in this case are basically probing enquires about what brings your other party to the event and if you have mutual acquaintances. Your own work as a networker is a little bit different from being a host or guest. As a networker, you have to join groups, or even groups of groups in a cohesive way. You may need to go in to many conversations in the middle. The best way to go about this is to smile or enthusiastically go with something that was just said. When this is done, be careful not to shoehorn your conversation topics in to small talks, but try to carefully merge in to each of them as if you’re approaching from a highway on- ramp. Support is the final role, and the sad part about this is that you might find yourself at the end catering an event or working as a neutral staff. Even with that, you may still create opportunities for personal networking or even very revealing small talks during the course of the event. Conversation with other staff, special guests or even the host can turn out to invaluable connections that you can make use of later. With this at the back of your mind, always prepare for short conversations when you’re working an event just as seriously as if you were attending the event as a special guest. Maybe you’re not that kind of person that can withstand large crowd, take a break to regain who you are and review the topical assessments you prepared in the previous lessons. Don’t forget to excuse yourself so you can move around in the event centre on a regular basis, perhaps going for another role you think you’re capable of. This particular aspect does not have any other way to go about it. In fact, it might take the next 5 days before you put the whole concept together, and you may need to combine the zeal with tomorrow’s lesson. Now, you should go for a party or be the host to one yourself so you can utilize all these principles you learnt today. There’s no way to wave this, you have to learn it and be perfect. Bring your partner who has been your support all this while along to tackle the four roles and many more within the time frame. Until then, maintain the free flow with ease.
Jack Steel (Communication: Critical Conversation: 30 Days To Master Small Talk With Anyone: Build Unbreakable Confidence, Eliminate Your Fears And Become A Social Powerhouse – PERMANENTLY)
Use relations to the end providence designed them. Walk together as co-heirs of the grace of life; study to be mutual blessings to each other; so walk in your relations that the parting day may be sweet. Death will shortly break up the family; and then nothing but the sense of duty discharged, or the neglects pardoned, will give comfort.
Randall J. Pederson (Daily Readings - The Puritans)
The obvious solution in this traditional account is renunciation: the rationality of adult maturity must triumph over the illusions of infantile fantasy. The ill-fated lover is enjoined to grow up and rededicate himself to the drab, predictable familiarity of his ordinary life! But I have found it useful in these kinds of clinical situations to reverse the question and ask, rather: How is it that in his or her primary relationship this man or woman manages to feel so safe? With such patients, it is as if the available is assumed to be completely known, always accessible, wholly predictable. Safety is presumed. But in exploring in detail the textures of such established relationships, I have invariably discovered that the sense of safety is not a given but a construction, the familiarity not based on deep mutual knowledge but on collusive contrivance, the predictability not an actuality but an elaborate fantasy. So often, in long-standing relationships that break apart, one or both partners discover with a shock that the assumptions they made about the other’s experience, the very convictions that made the other both safe and dull, were inventions, often collusively agreed upon. The husband really was not so dependable; the wife was really not so devoted. They often discover that their dull “partner” has had all sorts of secrets, very private thoughts and feelings, and, perhaps, a clandestine relationship to express them in. “She is not the person I thought she was,” is the lament of the betrayed. Precisely.
Stephen A. Mitchell (Can Love Last?: The Fate of Romance over Time (Norton Professional Books (Paperback)))
5. The Mystery of Life. Thus far we have pointed out the inevitable conflictions in life in order to prepare ourselves for an insight into the depth of life. We are far from being pessimistic, for we believe that life consists in confliction, but that confliction does not end in confliction, but in a new form of harmony. Hope comes to conflict with fear, and is often threatened with losing its hold on mind; then it renews its life and takes root still deeper than before. Peace is often disturbed with wars, but then it gains a still firmer ground than ever. Happiness is driven out of mind by melancholy, then it is re-enforced by favourable conditions and returns with double strength. Spirit is dragged down by matter from its ideal heaven, then, incited by shame, it tries a higher flight. Good is opposed by evil, then it gathers more strength and vanquishes its foe. Truth is clouded by falsehood, then it issues forth with its greater light. Liberty is endangered by tyranny, then it overthrows it with a splendid success. Manifoldness stands out boldly against unity; difference against agreement; particularity against generality; individuality against society. Manifoldness, nevertheless, instead of annihilating, enriches unity; difference, instead of destroying agreement, gives it variety; particularities, instead of putting an end to generality, increase its content; individuals, instead of breaking the harmony of society, strengthen the power of it. Thus 'Universal Life does not swallow up manifoldness nor extinguish differences, but it is the only means of bringing to its full development the detailed content of reality; in particular, it does not abolish the great oppositions of life and world, but takes them up into itself and brings them into fruitful relations with each other.' Therefore 'our life is a mysterious blending of freedom and necessity, power and limitation, caprice and law; yet these opposites are constantly seeking and finding a mutual adjustment.' 6.
Kaiten Nukariya (The Religion of the Samurai A Study of Zen Philosophy and Discipline in China and Japan)
In The Archaeology of Knowledge, Foucault chides his readers from the outset for being duped by the appeal of vacuous historical terms (such as the “spirit [of an age]” or “[Western] influence”), which are endowed with a “virtual self-evidence” that should sound an alarm rather than warrant the trust too quickly invested in them.24 Most pointedly, he cautions that concepts are no more than “ready-made syntheses.”25 The task is “to free the problems they pose.” Nor are concepts “tranquil,” stable configurations in a resting mode but in restive agitation.26 Concepts are moving targets. They act in concert, as Gilles Deleuze and Félix Guattari repeatedly remind us.27 A concept accumulates force from the other concepts that congeal, collide, and rearrange themselves around it. Replacing a concept not only displaces another. It breaks up contiguities and can render invisible the mutual dependencies (such as that between “colony” and “camp,” as I argue later) that join them to a problem, the articulations through which they do their work.
Ann Laura Stoler (Duress: Imperial Durabilities in Our Times (a John Hope Franklin Center Book))
We don’t start our lives in a state of independence and then face the challenge of creating some sort of relationship or bond with others. But when we are supposed to argue for the importance of a society we almost always start here: with an autonomous individual, and then we enumerate the reasons why he should create dependencies and relationships. – It’ll be easier to produce food. – It’ll be easier to defend ourselves against wild animals. – It will make him happier. – He can get help when he is sick. – He will live longer. There are many advantages to having other people around. As if we had ever had any other choice. The process is actually the opposite. We are born into other people’s demands and expectations. To be a child is to be almost completely dependent on others. We have never known anything else. Totally at the mercy of their hopes, demands, love, neuroses, traumas, disappointments and unrealized lives. To take care of a child is in a way to constantly be meeting the needs of another, and from this intimacy, the child must learn, step by step, to become more independent. As the feminist theorist Virginia Held has pointed out: the natural human state is to be enveloped by our dependency on others. The challenge is to break out of this and find one’s own identity. Carve out more and more space for one’s self. From within a context of other people, relationships and the world they bring, you set out to find what’s you. Those who take care of the child must themselves be able to support a separate identity. Not be swallowed by constant engagement or to be enticed into finding all of their value by being so completely needed by someone else. Managing to do this and to keep the relationships of mutual dependency healthy is the challenge that shapes most lives and societies. Every day and every hour. So many of the mental and emotional wounds that characterize our lives are created here. And perhaps it’s not strange that we are drawn to fantasies about things being different. Fantasies about being alone. Floating in an empty space with just an umbilical cord connecting us to our surroundings. That economic man doesn’t match up to reality is one thing. We’ve known that for years. What’s interesting is that we so dearly want him to align with reality. Apparently we want to be like him. We want his selfsufficiency, his reason and the predictable universe that he inhabits. Most of all, we seem to be prepared to pay a high price for it.
Katrine Kielos (Who Cooked Adam Smith's Dinner?: A Story of Women and Economics)
That guy I told you I met at Loren’s birthday. Seriously, he’s so annoying. I’m trying to be nice and let him down gently because we have mutual friends, but he won’t take the hint. I’m on the verge of saying something really mean,
Daniel Chidiac (The Modern Break-Up)
There it is, forming behind us: The Fat Blue Phalanx. All the smug self-satisfied maleness you can drink, and free refills at the station house. It's all I can see in cops, that patriarchal bullshit that will never yield to a contract of mutual respect. That grunting fuck-obsessed inability to deobjectify you and treat you as a person, it’s a subclass of male that will never, ever change, no matter what. There they are with their uniforms and their discipline, an abstract and codified representation of all the construction workers who ever whistled at you and there you were, too polite to pee in their toolboxes in retaliation, too polite to challenge them, walking away red-faced because the worst part of it is that you were wondering whether they were really whistling like they’d whistle at Caprice or if they were just being sarcastic and were even now laughing at you with your short skinny legs and flat ass. Besides you’re not supposed to let it get to you. You’re supposed to have a sense of humour: they do. See them waving their cocks at each other and farting? You aren’t allowed to break the rules of their society which say that you are a cold uptight lesbian bitch if you don’t like their hohoho aggressive male ways so just hold your head high from your position of moral superiority and go home and tell your boyfriend (if you have one, which I don’t) who if you’re lucky will offer to go beat them up knowing you won’t take him up on it because you know perfectly well he’d probably get his ass kicked, most of the boys you know are highly ass-kickable because they’ve been brought up nicely. They were brought up in the luxury of knowing the money power of the military-industrial complex would protect them from the dirt and the grime of uneducated testosterone. its thanx to our weak boyfriends that we have cops at all, surrogate cock and balls to maintain ‘order’, whatever that is. Or was. And where does it really leave you as a prisoner of the suburbs? Fuming over some tiny incident that the aggressors have already forgotten about, but you have the sinking feeling you've just sniffed the true underbelly and the aroma was not what you get in Calvin Klein ads. Scratch 'n' sniff, scratch 'n' sniff, peel the onion... will you ever get down to the reality of what this place is about? And I know I shouldn't brand individual cops with the big blue brush but in my mind these guys are a symbol of the whole iron-cage Boy system that makes me always a victim, no matter what I do, it's a cage I can't escape. I'm the little princess. They dominate, they aggress, they protect.
Tricia Sullivan (Maul)