Breeze Travel Quotes

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It is unearned love--the love that goes before, that greets us on the way. It's the help you receive when you have no bright ideas left, when you are empty and desperate and have discovered that your best thinking and most charming charm have failed you. Grace is the light or electricity or juice or breeze that takes you from that isolated place and puts you with others who are as startled and embarrassed and eventually grateful as you are to be there.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
I keep going back as if Im looking for something I have lost back to the motherland, sisterland, fatherland back to the beacon, the breast the smell and taste of the breeze, and the singing of the rain.
Heather Nova (The Sorrowjoy)
Now let me say this: when you're traveling a good cloak is worth more than all of your other possessions put together. If you've nowhere to sleep, it can be your bed and blanket. It will keep the rain off your back and the sun from your eyes. You can conceal all manner of interesting weaponry beneath it if you are clever, and a smaller assortment if you are not. But beyond all that, two facts remain to recommend a cloak. First, very little is as striking as well-worn cloak, billowing lightly about you in the breeze. And second, the best cloaks have innumerable little pockets that I have an irrational and overpowering attraction toward.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Peaches and Cheese”: The vagabond sun winks down through the trees, While lilacs, like memories, waft on the breeze, My friend, I was born for days such as these, To inhale perfume, And cut through the gloom, And feast like a king upon peaches and cheese! I’ll travel this wide world and go where I please, Can’t stop my wand’ring, it’s like a disease. My only regret as I cross the high seas: What I leave behind, Though I hope to find, My own golden city of peaches and cheese!
Rachel Hartman (Seraphina (Seraphina, #1))
I closed my eyes, took a deep breath, and filled myself up with the breeze from the valley. Then I let it out slow so it could get back to its travels, with a little bit of me added to it.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
Over the years, one comes to measure a place, too, not just for the beauty it may give, the balminess of its breezes, the insouciance and relaxation it encourages, the sublime pleasures it offers, but for what it teaches. The way in which it alters our perception of the human. It is not so much that you want to return to indifferent or difficult places, but that you want to not forget.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
One of those flash epiphanies of travel, the realization that worlds you'd love vibrantly exist outside your ignorance of them. The vitality of many lives you know nothing about. The breeze lifting a blue curtain in a doorway billows just the same whether you are lucky enough to observe it or not. Travel gives such jolts. I could live in this town, so how is it that I've never been here before today?
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
It does good also to take walks out of doors, that our spirits may be raised and refreshed by the open air and fresh breeze: sometimes we gain strength by driving in a carriage, by travel, by change of air, or by social meals and a more generous allowance of wine.
Seneca
Perhaps the palms had been whispering warnings in the sultry breeze.
T.L. Parker (The Devil's Graveyards)
We take to the breeze, we go as we please.
E.B. White (Charlotte’s Web)
I liked the exoticism his travels gave him, the unknownness. He had blown in with the soft breezes of a wider world, and it was weirdly seductive.
Jojo Moyes (Me Before You (Me Before You, #1))
I [Music] was born in the open air, in the breaks of waves and the whistling of sandstorms, the hoots of owls and the cackles of tui birds. I travel in echoes. I ride the breeze. I was forged in nature, rugged and raw. Only man shapes my edges to make me beautiful. [Chapter 2]
Mitch Albom (The Magic Strings of Frankie Presto)
So what is it about evenings that makes you pensive and thoughtful? Is it the slightly wafting cold breeze that beckons you on a journey of soulful serenity? A cornucopia of feelings, emotions and nostalgic charm that reverberate into the mystic beats of a faraway drum.
Avijeet Das
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don't know where it will take me, because I don't know anything. I could see this inn as a prison, for I'm compelled to wait in it; I could see it as a social center, for it's here that I meet others. But I'm neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlors, from where their songs and voices conveniently drift out here to me. I'm sitting at the door, feasting my eyes and ears on the colors and sounds of the landscape, and I softly sing - for myself alone - wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I'm given and the soul I'm given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don't read it, or are not entertained, that's fine too.
Fernando Pessoa (The Book of Disquiet)
Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea. When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair. In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed. Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.
Italo Calvino (Invisible Cities)
For I was reared in the great city, pent with cloisters dim, and saw naught lovely but the sky and stars. But thou, my babe! Shalt wander like a breeze By lakes and sandy shores, beneath the crags Of ancient mountains, and beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shall thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who from eternity doth teach Himself in all, and al things in himself Great universal teacher! He shall mold Thy spirit and by giving , make it ask.
Samuel Taylor Coleridge
She wanted me as the moon wants the sun, but I was wandering as the breeze, so I drifted away.
Avijeet Das
Came the visions of icy beauty, from the land of death where they dwell. Pursuing their prize and grisly duty, came the thieves of the charm and spell. The bells chimed thrice, and death came a-calling. Alluring of shape though seldom seen, they traveled the breeze on a spark. some fed twigs to their newborn queen, while others invaded the dark. the bells chimed thrice, and death came a-calling. some they called and others they kissed as they traveled on river and wave. with resolve they came and did insist: every one touched to a grave. the bells chimed thrice, and death came a-calling. roving to hunt and gathering to dance, they practiced their dark desires by casting a hex and a beautiful trance, before feeding the queen's new fires. the bells chimed thrice, and death came a-calling. till he parted the falls and the bells chimed thrice, till he issued the calls and demanded the price. the bells chimed thrice and death met the mountain. they charmed and embraced and they tried to extoll but he bade them in grace and demanded a soul. the bells fell silent and the mountain slew them all. and the mountain entombed them all.
Terry Goodkind (Soul of the Fire (Sword of Truth, #5))
I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don’t know where it will take me, because I don’t know anything. I could see this inn as a prison, for I’m compelled to wait in it; I could see it as a social centre, for it’s here that I meet others. But I’m neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I’m sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing – for myself alone – wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I’m given and the soul I was given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don’t read it, or are not entertained, that’s fine too
Fernando Pessoa
It’s not possible to ever forget the life moments where, in the morning ocean breeze, you can walk along the beach and pick colorful shells and corals… pity you are not allowed to take them home, but you can always take a picture or video.
Sahara Sanders (MALDIVES... THE PARADISE (ALL AROUND THE WORLD: A Series of Travel Guides))
She’d worried, after Asterin and Vesta had left them aboard the ship they’d sailed here, that she might have made a mistake in choosing to travel with three immortal males. That she’d be trampled underfoot. But Gavriel had been kind from the start, making sure Elide ate enough and had blankets on frigid nights, teaching her to ride the horses they’d spent precious coin to purchase because Elide wouldn’t stand a chance of keeping up with them on foot, ankle or no. And for the times when they had to lead their horses over rough terrain, Gavriel had even braced her leg with his magic, his power a warm summer breeze against her skin.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Here—how do you travel? Do you float like a mist and waft upon the breeze?” “Presumably I would have to order myself a breeze to waft next in the right direction. No, dearheart, I walk. It’s surprisingly effective.
Robin McKinley (The Hero and the Crown (Damar, #2))
Suddenly, a spiral of lightning snaked across the frowning sky and struck Ray and Ilsa. In a spectacular flash, they vanished. An earth-shattering bang of thunder knocked over all the FBI agents. Ilsa’s file of genealogical records flew into the air. The thoroughly singed pages flew down the street, twisting in the frantic breeze. The bullhorn fell from the limp fingers of Agent Schweppes’ hand. The rain began to fall like bullets.
James Allen Moseley (The Duke of D.C.: The American Dream)
I wanted, I told her, to lie under the stars and smell different breezes. I wanted to drink different waters, feel different heats. Stand with my comrades atop the ruin of old ideas. Plant my boot and steel my eye and not run. I said all this to my dead mother, spoke it down through the dirt: there was a conflagration to come; I wanted to lend it my spark.
Laird Hunt
The longing provoked by the brochure was an example , at once touching and pathetic, of how projects (and even whole lives) might be influenced by the simplest and most unexamined images of happiness; of how a lengthy and ruinously expensive journey might be set in motion by nothing more than the sigh of a photograph of a palm tree gently inclining in a tropical breeze. I resolved to travel to the island of Barbados.
Alain de Botton (The Art of Travel)
People who have never canoed a wild river, or who have done so only with a guide in the stern, are apt to assume that novelty, plus healthful exercise, account for the value of the trip. I thought so too, until I met the two college boys on the Flambeau. Supper dishes washed, we sat on the bank watching a buck dunking for water plants on the far shore. Soon the buck raised his head, cocked his ears upstream, and then bounded for cover. Around the bend now came the cause of his alarm: two boys in a canoe. Spying us, they edged in to pass the time of day. ‘What time is it?’ was their first question. They explained that their watches had run down, and for the first time in their lives there was no clock, whistle, or radio to set watches by. For two days they had lived by ‘sun-time,’ and were getting a thrill out of it. No servant brought them meals: they got their meat out of the river, or went without. No traffic cop whistled them off the hidden rock in the next rapids. No friendly roof kept them dry when they misguessed whether or not to pitch the tent. No guide showed them which camping spots offered a nightlong breeze, and which a nightlong misery of mosquitoes; which firewood made clean coals, and which only smoke. Before our young adventurers pushed off downstream, we learned that both were slated for the Army upon the conclusion of their trip. Now the motif was clear. This trip was their first and last taste of freedom, an interlude between two regimentations: the campus and the barracks. The elemental simplicities of wilderness travel were thrills not only because of their novelty, but because they represented complete freedom to make mistakes. The wilderness gave them their first taste of those rewards and penalties for wise and foolish acts which every woodsman faces daily, but against which civilization has built a thousand buffers. These boys were ‘on their own’ in this particular sense. Perhaps every youth needs an occasional wilderness trip, in order to learn the meaning of this particular freedom.
Aldo Leopold (A Sand County Almanac; with essays on conservation from Round River)
Crushed sandstone sifted through Caleb’s fingers, insubstantial as dust. A breeze caught the debris mid-fall and spirited it away before it could join the ashes blanketing the ground. He stopped in the middle of what had once been a street, his arms pulled in at his sides, his fists balled in barely restrained fury.
G.S. Jennsen (Dissonance (Aurora Renegades #2))
Only five minutes later he noticed a dozen crocuses growing round the foot of an old tree- gold and purple and white. Then came a sound even more delicious than the sound of water. Close beside the path they were following, a bird suddenly chirped from the branch of a tree. It was answered by the chuckle of another bird a little further off. And then, as if that had been a signal, there was chattering and chirruping in every direction, and then a moment of full song, and within five minutes the whole wood was ringing with birds' music, and wherever Edmund's eyes turned he saw birds alighting on branches, or sailing overhead or chasing one another or having their little quarrels or tidying up their feathers with their beaks. "Faster! Faster!" said the Witch. There was no trace of the fog now. The sky became bluer and bluer, and now there were white clouds hurrying across it from time to time. In the wide glades there were primroses. A light breeze sprang up which scattered drops of moisture from the swaying branches and carried cool, delicious scents against the faces of the travelers. The trees began to come fully alive. The larches and birches were covered with green, the laburnums with gold. Soon the beech trees had put forth their delicate, transparent leaves. As the travelers walked under them the light also became green. A bee buzzed crossed their path.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
Oh, the meadows were gold and the sky so blue, I traveled down that pebble path I so well knew. The sun shined on down through trees so green And I picked white flowers for which I was so keen. Oh sweet lilies of mine, the beauty you shine, Over hilltops and streams below, You bend in the breeze and bloom with ease, In the morning as the dew starts to glow…
Katlyn Charlesworth (We All Fall Down)
I am already far north of London, and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is forever visible, its broad disk just skirting the horizon and diffusing a perpetual splendour. There—for with your leave, my sister, I will put some trust in preceding navigators—there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phenomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle and may regulate a thousand celestial observations that require only this voyage to render their seeming eccentricities consistent forever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river. But supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind, to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine.
Mary Wollstonecraft Shelley (Frankenstein, or the Modern Prometheus)
What happened to me? I asked myself. Morris's high, smoky voice took me back to my university years, when I thought rich people were evil, a shirt and tie were prison clothes, and life without freedom to get up and go - motorcycle beneath you, breeze in your face, down the streets of Paris, into the mountains of Tibet - was not a good life at all. What happened to me?
Mitch Albom (Tuesdays with Morrie)
Apples of Hesperides Glinting golden through the trees, Apples of Hesperides! Through the moon-pierced warp of night Shoot pale shafts of yellow light, Swaying to the kissing breeze Swings the treasure, golden-gleaming, Apples of Hesperides!. Far and lofty yet they glimmer, Apples of Hesperides! Blinded by their radiant shimmer, Pushing forward just for these; Dew-besprinkled, bramble-marred, Poor duped mortal, travel-scarred, Always thinking soon to seize And possess the golden-glistening Apples of Hesperides!. Orbed, and glittering, and pendent, Apples of Hesperides! Not one missing, still transcendent, Clustering like a swarm of bees. Yielding to no man's desire, Glowing with a saffron fire, Splendid, unassailed, the golden Apples of Hesperides!
Amy Lowell
It was a fine feeling indeed to be standing up there like that, with the sound of summer all around one and a light breeze on one's face. And I believe it was then, looking on that view, that I began for the first time to adopt a frame of mind appropriate for the journey before me. For it was then that I felt the first healthy flush of anticipation for the many interesting experiences I know these days ahead hold in store for me.
Kazuo Ishiguro
His day is done. Is done. The news came on the wings of a wind, reluctant to carry its burden. Nelson Mandela’s day is done. The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber. Our skies were leadened. His day is done. We see you, South African people standing speechless at the slamming of that final door through which no traveller returns. Our spirits reach out to you Bantu, Zulu, Xhosa, Boer. We think of you and your son of Africa, your father, your one more wonder of the world. We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath. Your man of strength, Gideon, emerging triumphant. Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons. Would the man survive? Could the man survive? His answer strengthened men and women around the world. In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors. His stupendous heart intact, his gargantuan will hale and hearty. He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment. Even here in America, we felt the cool, refreshing breeze of freedom. When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration. We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools. No sun outlasts its sunset, but it will rise again and bring the dawn. Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet. He has offered us understanding. We will not withhold forgiveness even from those who do not ask. Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you. Thank you our Gideon, thank you our David, our great courageous man. We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.
Maya Angelou (His Day Is Done: A Nelson Mandela Tribute)
I call it “pedal magic” and only those who ride know the utter ecstasy of bicycling. Pressing a pedal toward Earth gives flight to my fancy. Every rotation powers my traveling machine toward yet another date with destiny. The breeze clears my senses. The wind blows away my troubles. The sun shines upon my future. Spinning spokes create flashing metal upon an endless path—cycling feels like an infinite spiritual rush. It cleanses my mind. All my troubles fade into joy.
Frosty Wooldridge
The trees might have been old growth the way they towered over the road, blocking out the sun and covering everything in gloomy shadows. The breeze flowing into the bus's open windows turned suddenly cold, its dampness sharp against the skin.
Haruki Murakami (Norwegian Wood)
Farsickness rough translation of fernweh (Ger): the opposite of homesickness. Imagine a love turned out as bread best cast to the rivers, feedings for smaller, far-flung things— fire-flights of stillness, forms alighting, then airborne, until the breeze begins to feel like hunger, the wayward sweep of desire— for the holy wheel rotating foot, breath, and earth, the pilgrim's chaff, frayed and heliocentric, in need of distance as a horizon of prayer to both call and receive.
Megan Harlan (Mapmaking: poems)
There is no pain - just travel. On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again. It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open. It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever. She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too. Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge. And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up. She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down. She wonders if she will ever hit the bottom, wonders will the splash ever come. Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities. And also they make forever seem like an okay thing.
Alden Bell (The Reapers are the Angels (Reapers, #1))
The river breeze washed over him. He saw the magnificent views of the city and the bridge connecting Algiers Point to New Orleans. He marveled at the crescent shape of New Orleans as the ferry traveled nearly parallel to the curve in the Mississippi River.
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
Tania, why don’t you take off your shoes? You’ll be more comfortable.” “I’m fine,” she said. How did he know her feet were killing her? Was it that obvious? “Go on,” he prodded gently. “It will be easier for you to walk on the grass.” He was right. Breathing a sigh of relief, she bent, unstrapped the sandals, and slipped them off. Straightening up and raising her eyes to him, she said, “That is a little better.” Alexander was silent. “Now you’re really tiny,” he said at last. “I’m not tiny,” she returned. “You’re just outsized.” Blushing, she lowered her gaze. “How old are you, Tania?” “Older than you think,” Tatiana said, wanting to sound old and mature. The warm Leningrad breeze blew her blonde hair over her face. Holding her shoes with one hand, she attempted to sort out her hair with the other. She wished she had a rubber band for her ponytail. Standing in front of her, Alexander reached out and brushed the hair away. His eyes traveled from her hair to her eyes to her mouth where they stopped. Did she have ice cream all around her lips? Yes, that must be it. How awkward. She licked her lips, trying to clean the corners. “What?” she said. “Do I have ice cream—” “How do you know how old I think you are?” he asked. “Tell me, how old are you?” “I’m going to be seventeen soon,” she said. “When?” “Tomorrow.” “You’re not even seventeen,” Alexander echoed. “Seventeen tomorrow!” she repeated indignantly. “Seventeen, right. Very grown up.” His eyes were dancing. “How old are you?” “Twenty-two,” he said. “Twenty-two, just.” “Oh,” she said, and couldn’t hide the disappointment in her voice. “What? Is that very old?” Alexander asked, failing to keep the smile off his face. “Ancient,” Tatiana replied, failing to keep the smile off her face. Slowly they walked across the Field of Mars, Tatiana barefoot and carrying the red sandals in her slightly swinging hands.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Most people are like a falling leaf that twists and spirals in the air, and flutters and tumbles to the ground. But there are others, a few, who are like the stars and travel a fixed course; no breeze can blow them sideways, their wisdom and their purpose lie within them.
Hermann Hesse (Siddartha)
I am already far north of London, and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight.
Mary Wollstonecraft Shelley (Frankenstein)
James was exactly the same height as Harry. He was wearing the clothes in which he had died, and his hair was untidy and ruffled, and his glasses were a little lopsided, like Mr. Weasley’s. Sirius was tall and handsome, and younger by far than Harry had seen him in life. He loped with an easy grace, his hands in his pockets and a grin on his face. Lupin was younger too, and much less shabby, and his hair was thicker and darker. He looked happy to be back in this familiar place, scene of so many adolescent wanderings. Lily’s smile was widest of all. She pushed her long hair back as she drew close to him, and her green eyes, so like his, searched his face hungrily, as though she would never be able to look at him enough. “You’ve been so brave.” He could not speak. His eyes feasted on her, and he thought that he would like to stand and look at her forever, and that would be enough. “You are nearly there,” said James. “Very close. We are…so proud of you.” “Does it hurt?” The childish question had fallen from Harry’s lips before he could stop it. “Dying? Not at all,” said Sirius. “Quicker and easier than falling asleep.” “And he will want it to be quick. He wants it over,” said Lupin. “I didn’t want you to die,” Harry said. These words came without his volition. “Any of you. I’m sorry--” He addressed Lupin more than any of them, beseeching him. “--right after you’d had your son…Remus, I’m sorry--” “I am sorry too,” said Lupin. “Sorry I will never know him…but he will know why I died and I hope he will understand. I was trying to make a world in which he could live a happier life.” A chilly breeze that seemed to emanate from the heart of the forest lifted the hair at Harry’s brow. He knew that they would not tell him to go, that it would have to be his decision. “You’ll stay with me?” “Until the very end,” said James. “They won’t be able to see you?” asked Harry. “We are part of you,” said Sirius. “Invisible to anyone else.” Harry looked at his mother. “Stay close to me,” he said quietly. And he set off. The dementors’ chill did not overcome him; he passed through it with his companions, and they acted like Patronuses to him, and together they marched through the old trees that grew closely together, their branches tangled, their roots gnarled and twisted underfoot. Harry clutched the Cloak tightly around him in the darkness, traveling deeper and deeper into the forest, with no idea where exactly Voldemort was, but sure that he would find him. Beside him, making scarcely a sound, walked James, Sirius, Lupin, and Lily, and their presence was his courage, and the reason he was able to keep putting one foot in front of the other.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB
Ashish Bhardwaj
However, whatever frightening mask it might assume, the national spirit in its original state was of pristine whiteness. Traveling through a country like Thailand, Honda realized more clearly than ever the simplicity and purity of things Japanese, like transparent stream water through which one could glimpse pebbles below, or the probity of Shinto rites. Honda’s life was not imbued with such spirit. Like the majority of Japanese he ignored it, behaving as though it did not exist and surviving by escaping from it. All his life he had dodged things fundamental and artless: white silk, clear cold water, the zigzag white paper of the exorciser’s staff fluttering in the breeze, the sacred precinct marked by a torii, the gods’ dwelling in the sea, the mountains, the vast ocean, the Japanese sword with its glistening blade so pure and sharp. Not only Honda, but the vast majority of Westernized Japanese, could no longer stand such intensely native elements.
Yukio Mishima (The Temple of Dawn (The Sea of Fertility, #3))
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has traveled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more fervent and vivid.
Mary Wollstonecraft Shelley (Frankenstein)
And besides, can't I do it the way I always used to as a child in matters that were dangerous? I don't even need to go to the country myself, it isn't necessary. I'll send my clothed body. If it staggers out of the door of my room, the staggering will indicate not fear but its nothingness. Nor is it excitement if it stumbles on the stairs, if it travels in the country, sobbing as it goes, and there eats its supper in tears. For I myself am meanwhile lying in my bed, smoothly covered over with the yellow-brown blanket, exposed to the breeze that is wafted through the seldom-aired room. The carriages and people in the street move and walk hesitantly on shining ground, for I am still dreaming.
Franz Kafka
Do you want the other news?” Roshar tentatively asked. No. Arin was suddenly sure that he did not want to hear it, would not be able to bear it. He felt a sinking dread. Your…” Roshar stumbled. A chicken feather lifted in a sudden breeze and eddied along the base of the well. “Arin, Kestrel’s dead.” His ears were ringing. He felt as if he’d fallen into the well. He heard Roshar’s voice from far away. The words tumbled down to him. “It was recent,” Roshar said. “A disease. While she was away from the capital, traveling with the prince. The whole empire is in mourning.” “That’s not true.” Roshar said something. Arin couldn’t hear him. He was at the bottom of the well. The water closed over his head, cold and black.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The Life of a Day Like people or dogs, each day is unique and has its own personality quirks which can easily be seen if you look closely. but there are so few days as compared to people, not to mention dogs, that it would be surprising if a day were not a hundred times more interesting than most people. But usually they just pass, mostly unnoticed, unless they are wildly nice, like autumn ones full of red maple trees and hazy sunlight, or if they are grimly awful ones in a winter blizzard that kills the lost traveler and bunches of cattle. For some reason we like to see days pass, even though most of us claim we don't want to reach our last one for a long time. We examine each day before us with barely a glance and say, no, this isn't one I've been looking for, and wait in a bored sort of way for the next, when, we are convinced, our lives will start for real. Meanwhile, this day is going by perfectly well-adjusted, as some days are, with the right amounts of sunlight and shade, and a light breeze scented with a perfume made from the mixture of fallen apples, corn stubble, dry oak leaves, and the faint odor of last night's meandering skunk.
Tom Hennen
This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my day dreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is for ever visible; its broad disk just skirting the horizon, and diffusing a perpetual splendour
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
We were scorning the symbol of hypocrisy and hope. Many of us had only begun to realize in Africa that the Stars and Stripes was our flag and our only flag, and that knowledge was almost too painful to bear. We could physically return to Africa, find jobs, learn languages, even marry and remain on African soil all our lives, but we were born in the United States and it was the United States which had rejected, enslaved, exploited, then denied us. It was the United States which held the graves of our grandmothers and grandfathers. It was in the United States, under conditions too bizarre to detail, that those same ancestors had worked and dreams of “a better day, by and by.” . . . I shuddered to think that while we wanted that flag dragged into the mud and sullied beyond repair, we also wanted it pristine, its white stripes, summer cloud white. Watching it wave in the breeze of a distance made us nearly choke with emotion. It lifted us up with its promise and broke our hearts with its denial.
Maya Angelou (All God's Children Need Traveling Shoes)
I remember being fascinated by trucks— their vivid colours, their discordant musical honks that rattled my eardrums, the lingering scent of diesel fumes they left in their wake, the cryptic personal quotes that I hastened to read before we overtook them. In my juvenile imagination, truckers weren’t deviant. They were free as the breeze, cruising over the cheek of our vast nation without a care in the world. Naturally, the very idea of their life and the possibility of someday travelling with them appealed to me as the stuff of high adventure.
Rajat Ubhaykar
One Or Two Things Mary Oliver 1 Don't bother me I've just been born. 2 The butterfly's loping flight carries it through the country of the leaves delicately, and well enough to get it where it wants to go, wherever that is, stopping here and there to fuzzle the damp throats of flowers and the black mud; up and down it swings, frenzied and aimless; and sometimes for long delicious moments it is perfectly lazy, riding motionless in the breeze of the soft stalk of some ordinary flower 3 The god of dirt came up to me many times and said so many wise and delectable things; I lay on the grass listening to his dog voice, crow voice, frog voice; now he said, and now, and never once mentioned forever, 4 which has nevertheless always been, like a sharp iron hoof, at the center of my mind. 5 One or two things are all you need to travel over the blue pond, over the deep roughage of the trees and through the stiff flowers of lightning --- some deep memory of pleasure, some cutting knowledge of pain. 6 But to lift the hoof! For that you need an idea. 7 For years and years I struggled just to love my life. And then the butterfly rose, weightless, in the wind. "Don't love your life too much," it said, and vanished into the world.
Mary Oliver (New and Selected Poems, Volume One)
I started thinking about how many contented, happy people there are in actual fact! What an oppressive force! Think about this life of ours: the insolence and idleness of the strong, the ignorance and bestiality of the weak, unbelievable poverty everywhere, overcrowding, degeneracy, drunkenness, hypocrisy, deceit... Meanwhile all is quiet and peaceful in people's homes and outside on the street; out of the fifty thousand people who live in the town, there is not one single person prepared to shout out about it or kick up a fuss. We see the people who go to the market for their groceries, travelling about in the daytime, sleeping at night, the kind of people who spout nonsense, get married, grow old, and dutifully cart their dead off to the cemetery; but we do not see or hear those who are suffering, and all the terrible things in life happen somewhere offstage. Everything is quiet and peaceful, and the only protest is voiced by dumb statistics: so many people have gone mad, so many bottles of vodka have been drunk, so many children have died from malnutrition... And this arrangement is clearly necessary: it's obvious that the contented person only feels good because those who are unhappy bear their burden in silence; without that silence happiness would be inconceivable. It's a collective hypnosis. There ought to be someone with a little hammer outside the door of every contented, happy person, constantly tapping away to remind him that there are unhappy people in the world, and that however happy he may be, sooner or later life will show its claws; misfortune will strike - illness, poverty, loss - and no one will be there to see or hear it, just as they now cannot see or hear others. But there is no person with a little hammer; happy people are wrapped up in their own lives, and the minor problems of life affect them only slightly, like aspen leaves in a breeze, and everything is just fine.
Anton Chekhov (About Love and Other Stories)
Let me tell you, there is no other way than to live like this – Love with abandon Laugh uncontrollably Write your heart out Dance in the rain (try it!) Sit and try hatching ideas Fall madly in love with someone Move to the drumbeats of your heart Feel the earth beneath your bare feet Go cloud watching, star gazing and moonbaths Have walks along the beach during sunset or sunrise Overnight with fireflies, savor the evening breeze Find at least one snowflake or a miracle Excite your senses, taste everything Indulge in higher pleasures Smell the morning mist Travel. Travel. Travel. Take a leap of faith Live with Passion Bare your soul Why not? Be bold Revel LIVE
Mystqx Skye (Bared - Beneath a Myriad of Skies)
From the pleasure podium of Ali Qapu, beyond the enhanced enclosure, the city spread itself towards the horizon. Ugly buildings are prohibited in Esfahan. They go to Tehran or stay in Mashhad. Planters vie with planners to outnumber buildings with trees. Attracting nightingales, blackbirds and orioles is considered as important as attracting people. Maples line the canals, reaching towards each other with branches linked. Beneath them, people meander, stroll and promenade. The Safavids' high standards generated a kind of architectural pole-vaulting competition in which beauty is the bar, and ever since the Persians have been imbuing the most mundane objects with design. Turquoise tiles ennoble even power stations. In the meadow in the middle of Naghshe Jahan, as lovers strolled or rode in horse-drawn traps, I lay on my back picking four-leafed clovers and looking at the sky. There was an intimacy about its grandeur, like having someone famous in your family. The life of centuries past was more alive here than anywhere else, its physical dimensions unchanged. Even the brutal mountains, folded in light and shadows beyond the square, stood back in awe of it. At three o'clock, the tiled domes soaked up the sunshine, transforming its invisible colours to their own hue, and the gushing fountains ventilated the breeze and passed it on to grateful Esfahanis. But above all was the soaring sky, captured by this snare of arches.(p378)
Christopher Kremmer (The Carpet Wars: From Kabul to Baghdad: A Ten-Year Journey Along Ancient Trade Routes)
A caravan from China comes; For miles it sweetens all the air With fragrant silks and dreaming gums, Attar and myrrh -- A caravan from China comes. O merchant, tell me what you bring, With music sweet of camel bells; How long have you been travelling With these sweet smells? O merchant, tell me what you bring. A lovely lady is my freight, A lock escaped of her long hair, -- That is this perfume delicate That fills the air -- A lovely lady is my freight. Her face is from another land, I think she is no mortal maid, -- Her beauty, like some ghostly hand, Makes me afraid; Her face is from another land. The little moon my cargo is, About her neck the Pleiades Clasp hands and sing; Hafiz, 't is this Perfumes the breeze -- The little moon my cargo is.
Richard Le Gallienne
You know the feeling, when the morning breeze gushes onto you and makes you literally wonder how on Earth are you so fortunate to walk on this Beautiful planet, the feeling that the Mountains wave in your heart telling you nothing is too big to leave you in pain, while the waves find you the soothing monotony of Calm making you know that the Simplest of Life is the Purest of All. That, precisely that is the feeling I am always running after, and in wandering along the woods I find them, in the Stillness of a long lost wind, in the restless air softly kissing away my eyes, and the galloping meandering murky redolence of Earth, who knows exactly how to find me a missing piece, somewhere stolen and quietly tucked in the time-worn fragments of a solitary Sunshine.
Debatrayee Banerjee
Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
Victor Hugo
The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)
Elinor Wylie
He straightened. "Are you ready?" "Yes." He nodded, his gaze traveling the length of her body, deliberately, slowly, as if to memorize her as she stood. "Then may I have a kiss?" he asked, unmoving. "For luck?" She felt her heart pick up. She felt her face grow hot. "You see? I'm asking, not demanding." He lifted his hands to her, palms up. "Even the most beastly of us can learn." Rue dropped her gaze to the ground, discomfited. "I don't think you're beastly." "Thank goodness. I was about to point out that that fellow down there has far worse breath than I do." She laughed softly, shaking her head, but by then his fingers were curling around hers. "Is that a yes, mouse?" She inhaled: heat, and animal. Him. Rue lifted her chin. "Yes." Everything happened so gently at first, so languidly, as his hands drew hers behind his back so that she had to step toward him, so that their fronts had to touch. As soon as they did his fingers released; he smoothed his palms up her back, one hand at her waist and the other rising to cradle her head. She felt her hair bunch and slide with the passage of his fingers. She felt the cool air on her skin, and the welcome warmth of his chest and stomach and hips. His eyes roamed her face with that half-lidded intensity; she brought up a hand to the slope of his shoulder, resting it there. They stood there together in the open dark, soft and hard, while her stomach tied in knots and her hair stirred with the breeze. She wet her lips, nervous. "Are...are you going to do it?" "I am." His head tilted to hers. She felt his lips against her cheek, light, thistledown, barely there. "I just..." "What?" she whispered, staring out into the shadows. "I just like looking at you." So when he kissed her she was smiling a little, her lips curved under his. Kit loved that curve. -Kit & Rue
Shana Abe (The Smoke Thief (Drakon, #1))
never expected. And, at the end, I only had one plea. I hoped the Trace seared us into its soul. When people traveled it in a thousand years, maybe a few of them would hear my parents and me. In fallen leaves and birdsong. In the echo of their own footsteps. In a field of daffodils winking in the breeze. I stood next to the Natchez Trace Parkway sign, flanked by my parents. When I smiled into the camera, with one arm around each of them, I made one final addendum. I wanted to recall every molecule of our adventure. The sound
Andra Watkins (Not Without My Father: One Woman's 444-Mile Walk of the Natchez Trace)
O beautiful wine-bearer, bring forth the cup and put it to my lips Path of love seemed easy at first, what came was many hardships. With its perfume, the morning breeze unlocks those beautiful locks The curl of those dark ringlets, many hearts to shreds strips. In the house of my Beloved, how can I enjoy the feast Since the church bells call the call that for pilgrimage equips. With wine color your robe, one of the old Magi’s best tips Trust in this traveler’s tips, who knows of many paths and trips. The dark midnight, fearful waves, and the tempestuous whirlpool How can he know of our state, while ports house his unladen ships. I followed my own path of love, and now I am in bad repute How can a secret remain veiled, if from every tongue it drips? If His presence you seek, Hafiz, then why yourself eclipse? Stick to the One you know, let go of imaginary trips.
Hafiz: Tongue of the Hidden: A Selection of Ghazals from his Divan
X Today set sail like a cruising ship taking us with it, so we waved goodbye to the selves that we were yesterday and left them ashore like a memory while we launched out on the open sea, were travelling! The breeze grew stiff so we grabbed the railings,tasted the surf as the sky came toward us, the equator noon a place to pass us, while the tropics of tea swung over us and straight on by as time kept sailing and we hung on, admiring the vistas of being away while the shadows died down from the flames of day and we coasted around a long headland of sky and into night's port while, out in the bay tomorrow called out like a ringing buoy.
Gwyneth Lewis
The Eager Traveler Even in the torture chamber, I was the lucky one; When each lottery was over, unaccountably I had won. And even the mightiest rivers found accessible refuge in me; Though I was called an arid desert, I turned out to be the sea. And how sweetly I remember you, oh, my wild, delectable love — Like the purest white blossoms, on talented branches above. And while I’m half-convinced that folks adore me in this town, Still, all the hands I kissed held knives and tried to shake me down. You lost the battle, my coward friend, my craven enemy, When, to victimize my lonely soul, you sent a despoiling army. Lost in the wastelands of vast love, I was an eager traveler, Like a breeze in search of your fragrance, a vagabond explorer.
Ahmad Faraz
She slides between these walls one foot, two feet, a hand and two this is the space in which she lives breathes, empties all that she is   she knows, where the eye seeks to spy through circles drilled into the walls the hidden, they watch, scratching idly starving for love, the thing she lost   the ones she forgot were left behind they hide now like ghosts in the leaves rustling they leap upon the breeze echoes of the past haunting mirrors   the scribe knows, he laughs sometimes knowing all the things he does it only makes him fail, too self-absorbed to comprehend what she really is   the ghosts they circle inside these walls pushing their fingers through the paper seeking to caress the curls of her hair twisting, she knows they linger   inside, watching where the beetle runs trailing all his miniscule unlived lives between the pages of a book unseen she lived it, breathed it, all that ripples   thus she dances here alone, casting rainbow dust upon the bleakest grey the steel that rusts in crusts of red rosebud offerings to the elements   laughter so raw covers an ache so deep like a monster it yearns to spring inside, where the waiting ends inside, where the spiral grows   there’s a twist in the passage that eels a malevolent darkness screams opening the chasm that yawns awake stealing tomorrow for its own sake   it twists, but nothing can touch her, lost as she is in the echoes of her past
Vickie Johnstone (Travelling Light)
She imagines, without speaking, the Spirit of Annie moving like a fine piece of silk in a breeze above the top of the ocean. She imagines Annie turning into the wind & grazing her fingers across the waves & smiling as she feels the air lift her & carry her further out to sea. She imagines Annie singing softly as the cool night air moves across her skin & the sun dances eagerly on the other side of the world. She imagine Annie at peace & never wondering if she did the right thing as she flows into the next world on the wings of her own angels & under the power of her own beautiful energy.
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
water lapped softly against the side of the marina walkway, the sound of muffled conversations and kids laughing occasionally floated by, the heat of the sun warmed skin while the breeze off the water kept the temperature pleasant, and a time-traveling vampire pirate was dragging a sensual, yet innocent,
Juliet Spenser (Blissful Kisses (Bliss Harbor #1.5, 2.5, 3.5))
Grace was breathing heavily when she crested a hill that was a lot steeper than she had originally though. She stood looking over the land even as a cold breeze blew past her. She wrapped her arms around herself. Though she had traveled extensively all over Europe, she continued to set her stories in Scotland. Her father used to laugh about it, telling her that there must be something in Scotland drawing her to the land. She used to roll her eyes at his teasing. Now she wondered if he hadn't been right.
Donna Grant (Dragon King (Dark Kings #6.5; Dark World #20.5))
Somewhere around mile three on the trek up the hill Pitry Suturashni decides he would not describe the Javrati sun as “warm and relaxing,” as all the travel advertisements say. Nor would he opt to call the breezes here “a cool caress upon the neck.” And he certainly would not call the forests “fragrant and exotic.” In fact, as Pitry uselessly mops his brow for the twentieth time, he decides he would rather describe the sun as “a hellish inferno,” the breezes as “absolutely nonexistent,” and the forests as “full of things with far too many teeth and a great desire to apply them to the human body.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
A flock of small birds took off from the wall of the fort. They moved like a length of dark silk caught by the breeze as they headed out to sea. Behind them, the sky was the colour of forget-me-nots. The sun blazed.
Sara Sheridan (On Starlit Seas)
As if the whimsy of chugging through a gargantuan slice of watermelon wasn't enough, you can actually smell the mouthwatering scent of watermelon as you breeze through it. The box of animal crackers that you travel through smells of vanilla cookies-- always a soothing scent--and a giant gnawed apple exudes an apple fragrance as you pass.
Leslie Le Mon (The Disneyland Book of Secrets 2014 - DCA: One Local's Unauthorized, Rapturous and Indispensable Guide to the Happiest Place on Earth)
It was a breezy rainy day. As the breathful afternoon melted away into a warm evening, the cold caress of fresh air lapped up my heart with images of forever's smile. I watched and watched how a little boy walked hand in hand with his mother, how an old man sat waiting for someone in a distant shelter, how a youthful love sparkled away in that gentle embrace of moments in making, how an old lady watched the children laughing away in a happy carousel, how a noisy afternoon throbbed through clutching silences, how the sky sailed along a bunch of stories never to share, an untold harmony of unsung moments. And as the rain smoothed its wings to a lulling breeze, I saw a day smiling with moments of forever's shine. It was a breezy rainy day, and one of the most beautiful days of my wandering heart.
Debatrayee Banerjee
But she couldn’t stop. The smell of her burning house still filled her nostrils even as the chilly breeze swept by her enticingly. The screams that rang out were deafening; flames shot up everywhere. The screams were prolonged and were she, a little child of ten, not so scared, they would have been very irritating for they were constant; they were horror filled, they spelt death and terror.
Nagwa Malik (Life Makes A Novel...A Novel)
She was standing where the artist had stood. Vincent Van Gogh had stood right here and watched these creamy-pink clouds roll in, watched these cypresses sway in the breeze, travelled every muddy inch of these furrows - first with his boots and then with his brush. And then he had reached out and touched the sky.
Belinda Bauer (The Beautiful Dead)
The tram was mostly empty. It climbed steadily up a slope of tilted plain, stopping to pick up or drop off a few travellers. Those that saw Tefwe all stopped and stared at her for a few moments, then ignored her. Nobody chose to sit close to her. The sound built very slowly; it would have been hard to know when it first started to become distinct from the noises of the rattling, swaying tram and the wind moving over the surrounding fields of tall, bronze-coloured grasses and occasional thick-trunked coppery trees. She became aware of the sound when she realised that she’d been assuming for a while that somebody was humming monotonously just behind her, only there was nobody there. “Is that… the sound?” she sub-vocalised to the suit. “Yes.” The tram clattered to a stop at another station, and now she could hear the sound properly, distinctly; it was a low booming collection of tones like very distant and continuous thunder, all the individual claps rolled together and coming and going on the wind. She got up out of the uncomfortably tilted seat and went to the front of the tram’s middle carriage, heading upstairs to get a better view. There were more of the locals here; they parted as though to let her through to the front, but she bowed, gestured, hung back. She could see well enough. The mountains rose out of the hazy plain ahead like a dark storm of rock, the higher massifs draped with cloud, the highest peaks capped in orange-white ice and snow. The sound swelled and fell away with a sort of tantalising grace, its strength implicitly influenced not just by the light breezes circling round the tram but by mightier winds blowing tens of kilometres away towards the far horizon and kilometres further into the sky. The sound, she thought, was like something you might have heard from an enormous choir of basses singing a slow, sonorous hymn in a language you would never understand. The tram station in the foothills possessed a sort of modest, ordered busyness to it, full of the dark folds moving about it with their odd, side-to-side, flip-flopping walk. The station connected with a whole fan of cogged funicular lines, winding up into the mountains like something being unravelled. The sound here was a little louder, still coming and going on the wind.
Iain M. Banks (The Hydrogen Sonata (Culture, #10))
No words can convey an idea of the beauty and delightfulness of tropical weather, at least while any breeze from the north is blowing. There is a pleasure in the very act of breathing—a voluptuous consciousness that existence is a blessed thing; the pulse beats high, but calmly; the eye feels expanded, the chest heaves pleasurably as if air was a delicious draught to thirsty lungs, and the mind takes its colouring and character from sensation. No thought of melancholy ever darkens over us—no painful sense of isolation or of loneliness, as day after day we pass on through silent deserts, upon the silent and solemn river. One seems, as it were, removed into another state of existence; and all the strifes and struggles of that from which we have emerged seem to fade, softened into indistinctness.
Eliot Warburton (The Crescent And The Cross: Or, Romance And Realities Of Eastern Travel, Parts 1-2)
I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don’t know where it will take me, because I don’t know anything. I could see this inn as a prison, for I’m compelled to wait in it; I could see it as a social centre, for it’s here that I meet others. But I’m neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I’m sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing – for myself alone – wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I’m given and the soul I was given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don’t read it, or are not entertained, that’s fine too.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
When she reached him, she put her hands on the bars and looked at him through them, her dark eyes wide. "It is you! Frasier said you were coming back, but he didn't know exactly when. It's been forever since you've answered a text. I was getting worried." Her presence blew over him like a fresh breeze. He found himself smiling at her, a little goofily. He must still be travel-drunk. "It was an intense road trip.
Sarah Addison Allen (Other Birds)
I shuddered to think that while we wanted that flag dragged into the mud and sullied beyond repair, we also wanted it pristine, its white stripes, summer cloud white. Watching it wave in the breeze of a distance made us nearly choke with emotion. It lifted us up with its promise and broke our hearts with its denial.
Maya Angelou (All God's Children Need Traveling Shoes)
The actress found an ally who could help her net her wayward soul and she traveled soul and she traveled to a ruined city, where Hadith, as the breeze sang sweet melodies that wooed the soul to earth.
Storm Constantine (Burying the Shadow)
The incessant marching and beating of drums, the sweeping searchlights, flaming torches, and thousands upon thousands of gigantic red and black swastikas flapping in the breeze, were all skillfully deployed to pay homage to the one supreme chieftain, the demi-god pre-ordained to lead his tribe out of darkness to its rightful place in the sun.
Julia Boyd (Travellers in the Third Reich)
If you have not yet prepared your mind to climb the ladder to greatness when you travel abroad, you had better stay where you are, for the moment you cross the outer edge of your country into another, you will be blown about by an irreversible breeze of change. Therefore, no matter how long you spend abroad, you will never return home to who you were before, it is either the people laugh with you or they laugh at you.
Godwin Elijah
Some people thought to travel with chunks of dry ice, suspended in towel slings from the inside windows of the car—again a potentially lethal idea, as the release of all that carbon dioxide could cause everyone in the car to black out right on the road. Less dangerously, there was a small rubber-bladed fan that plugged into the cigarette lighter and clipped on to the dashboard to give the driver a breeze. Failing any of these remedies, drivers joked about the least expensive cooling system of all: “Four-Forty Air Conditioning—four windows down, forty miles an hour.
Salvatore Basile (Cool: How Air Conditioning Changed Everything)
He loved talking to the mountains. He loved talking to the breeze. He loved to drift. And he loved to ride his motorcycle.
Avijeet Das
But the rumor was cast abroad and began to spread quickly through town because, as we know, calumny travels light as a breeze.
Andrea Camilleri (Hunting Season: A Novel (Paperback) - Common)
Have you never heard of the traveler from the distant state of Yue? When he had been away from his homeland for a few days, he was glad whenever he saw an acquaintance. When he had been away for a fortnight or a month, he was delighted to see anyone he had even met with in his home country. After a year, he was delighted to see anyone who even resembled anyone he had met there. Was this not because he missed his countrymen more and more deeply the longer he was away? Now imagine someone who had fled to the empty wastelands, where tangles of goosefeet and woodbine block the paths even of the weasels and polecats who hop from spot to spot through the wastes. How delighted he would be if he were to hear the stomping of human footsteps, and how much more so if he were to catch a sound in the breeze of his brothers and relatives chatting and chuckling somewhere nearby! How long indeed it must have been since my lord has heard even the chatting and chuckling of a Genuine Human anywhere near him!
Zhuangzi (Zhuangzi: The Complete Writings)
And just like that, without a goodbye, the sweet breeze sweeps him away. I fall off my cloud again.
Snehil Niharika (That’ll Be Our Song)
He decides that he must do something, and he lets nothing stop him. Even when it would be wiser to stop. But that is only sometimes. The rest of the time, he is a leaf in a breeze. He does not know what he wants, so he does what others tell him. It is an irritating combination.
Will Wight (City of Light (Traveler's Gate, #3))
I can hear the darkness. It is like a breeze on a frigid winter's night that rattles the leafless branches. It is like the cold that travels through your open mouth and down your throat, a frozen kiss stealing your breath. It is like a blizzard that swallows you in its swiftness, blinding behind and before, and side to side. Darkness is winter. It is the end. It is death.
Jaime Jo Wright (Night Falls on Predicament Avenue)
Every stroke of breeze felt like pangs of freedom, the freedom to breathe fresh air, the freedom to evolve, the freedom to befriend, the freedom to live. Even though I was not explicitly smiling, my heart was, and this moment filled me with immense gratitude.
Srishti Bansal (Go Travel Solo)
I knew Gigi would understand. My life started here, in Thailand. In a small commune run by women, for women. They say it takes a village to raise a child and that’s what I had. A whole village of like-minded women who looked out for one another and their offspring. Until the next adventure beckoned on the balmy breeze, and with babes strapped to their chests they followed their hearts and kept roaming. The communes are long since gone. Those beautiful barefoot women with a baby on a breast are now elsewhere. They were ahead of their time with their wildness, their sense of adventure … ‘Now Mom’s only battle is beating cancer. But she’s got her apothecary for that, and she’s winning. Every day she gets that little bit stronger.’ A year ago, she gave me the news of her diagnosis. Mom told me not to cut my travels short and rush home. It was under control. While Mom might be the best healer there is, she doesn’t like being the coddled patient. Still, she’s my everything, so rush home I did. I stayed for a few weeks and saw with my very own eyes that she was getting
Rebecca Raisin (The Little Venice Bookshop)
Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)
Robin M. King (Memory of Monet (Remembrandt, #3))
Abstract white cirrus clouds streaked across the sky. The cool breeze rustled the leaves in the trees and disturbed the ones settled on the ground. Anaya couldn’t help but see a metaphor in that.
G.M.T. Schuilling (The Watchmaker's Doctor)
The back-and-forth ancient lull of the tide. The cry of seagulls passing overhead. The smell of salt and fish carried on the warm breeze. With each step along the old wooden planks of the pier, tiny grains of sand that hitchhiked from the beach below are pulverized under our heels. Sand that traveled millions of miles over billions of years across shifting continents and churning oceans, surviving plate tectonics, erosion, and sedimentary deposition is crushed by our new sandals. The cosmos can be cruel.
Sarah Ockler (Twenty Boy Summer)
The sun was beginning to set and the water was sparkling in the low light as the onshore breeze that had built up through the heat of the day rippled across the reflective surface, breaking it into a million diamonds of yellow-white light.
Emma Bamford (Casting off: How a City Girl Found Happiness on the High Seas)
They were travelers, created as such with the breeze at their backs, meant to fill any gaps the gods had forgotten. There were stars in the sky but still no moon, and a temporary rounded her body into an iridescent orb. “Great idea,” one god said, feasting on honeydew, and the moon was made in her image. The intentions of the moose were always unclear to the elk, and a temporary vaulted her arms into antlers so the animals could lock themselves into thorny disagreements, then eventually, solutions. Shoelaces were always frayed at the ends. A temporary reduced herself to a fraction of her size, capped an aglet on the laces with her new, plastic countenance. The sky would not meet the sea, and so a temporary folded herself into a thin connecting strip of mist and air, henceforth called a horizon.
Hilary Leichter (Temporary)
If you have not yet prepared your mind to climb the ladder to greatness when you travel abroad, you had better stay where you are, for the moment you cross the outer edge of your country into another, you will be blown about by an irreversible breeze of change. Therefore, no matter how long you spend abroad, you will never return home to who you were before, it is either the people laugh with you or they laugh at you.
Elijah Onyemmeri