Back To Pavilion Quotes

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The past does not only draw us back to the past. There are certain memories of the past that have strong steel springs and, when we who live in the present touch them, they are suddenly stretched taut and then they propel us into the future.
Yukio Mishima (The Temple of the Golden Pavilion)
O Thou who art my quietness, my deep repose, My rest from strife of tongues, my holy hill, Fair is Thy pavilion, where I hold me still. Back let them fall from me, my clamorous foes, Confusions multiplied; From crowding things of sense I flee, and Thee I hide. Until this tyranny be overpast, Thy hand will hold me fast; What though the tumult of the storm increase, Grant to Thy servant strength, O Lord, and bless with peace.
Amy Carmichael (Toward Jerusalem)
You are free when you gain back yourself,” Madame Wu said. “You can be as free within these walls as you could be in the whole world. And how could you be free if, however far you wander, you still carry inside yourself the constant thought of him? See where you belong in the stream of life. Let it flow through you, cool and strong. Do not dam it with your two hands, lest he break the dam and so escape you. Let him go free, and you will be free.
Pearl S. Buck (Pavilion of Women)
The son of Poseidon frowned across at us. 'All right, who unleashed he giant bronze guy? Apollo, did you do this?' 'I am offended!' I cried. 'I am only indirectly responsible for this! Also, I have a plan to fix it.' 'Oh, yeah?' Percy glanced back at the destroyed dinning pavilion. 'How's that going?
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
I do not doubt that you would have done all that was in your power to make her happy. But it is not in your power to build a new world; or to turn back time
M.M. Kaye (The Far Pavilions)
So we were back in the Children's Pavilion, and there was again the familiar scene: the mothers with their nearly dead, the false face of mercy, the Slaughter of the Innocents.
Peter De Vries (The Blood of the Lamb)
He no longer derives any pleasure from the work: he wants everything finished now, at once. And for whom? The paths are to be levelled so that Ottilie can walk in comfort, the seats in place so that Ottilie can rest. On the new pavilion too he does what work he can: it is to be got ready for Ottilie's birthday. Eduard's intentions are, like his actions, no longer ruled by moderation. The consciousness of loving and of being loved drives him beyond all bounds. His rooms, his surroundings have all changed, they all look different. He no longer knows his own house. Ottilie's presence consumes everything: he is utterly lost in her, he thinks of nothing else but only her, the voice of conscience no longer reaches him; everything in his nature that had been restrained, held back, now bursts forth, his whole being flows out towards Ottilie.
Johann Wolfgang von Goethe (Elective Affinities)
My claim to understanding cricket is that I know what it is like to be bowled by a nine-year-old girl and face the long walk of shame back to the pavilion, past smirking bystanders. I also understand that feeling of guilt after spilling the simplest of dolly catches, attempting to spare my blushes with the most outlandish excuses. I even know what it feels like to collide with my batting partner whilst attempting a run, losing my trousers, dignity and wicket in one very foul swoop.
Rob Harris
I will tell you something else, King, which may be a surprise for you. It will not happen for hundreds of years, but both of us are to come back. Do you know what is going to be written on your tombstone? Hic jacet Arthurus Rex quondam Rexque futurus. Do you remember your Latin? It means, the once and future king.’ ‘I am to come back as well as you?’ ‘Some say from the vale of Avilion.’ The King thought about it in silence. It was full night outside, and there was stillness in the bright pavilion. The sentries, moving on the grass, could not be heard. ‘I wonder,’ he said at last, ‘whether they will remember about our Table?
T.H. White (The Once and Future King)
Father's face was buried in early summer flowers. There was something gruesome about the utter freshness of those flowers. It was as though they were peering down into the bottom of a well. For a dead man's face falls to an infinite depth beneath the surface which the face possessed when it was alive, leaving nothing for the survivors to see but the frame of a mask; it falls so deep, indeed, that it can never be pulled back to the surface. A dead man's face can tell us better than anything else in this world how far removed we are from the true existence of physical substance, how impossible it is for us to lay hands on the way in which this substance exists.
Yukio Mishima (The Temple of the Golden Pavilion)
The world that Tsurukawa had inhabited was overflowing with bright feelings and good intentions. Yet I can definitely affirm that it was not thanks to his misunderstandings or to his sweet, gentle judgments that he lived there. That bright heart of his, which did not belong to this world, was backed by a strength and by a powerful resiliency, and it was these that had come to regulate his actions. There was something superbly accurate about the way in which he had been able to translate each of my dark feelings into bright feelings. Sometimes I had suspected that Tsurukawa had actually experienced my own feelings, just because bis brightness corresponded so accurately to my darkness, because the contrast between our feelings was so perfect. But no, it was not so! The brightness of his world was both pure and one-sided. It had brought into being its own detailed system, and it possessed a precision which might also have approached the precision of evil. If that young man's bright, transparent world had not constantly been supported by his untiring bodily power, it might instantly have collapsed.
Yukio Mishima (The Temple of the Golden Pavilion)
On the evening of Wednesday, June 22, 1955, there was an official re-election ceremony being held on the open porch behind the Executive Mansion. As usual it was hot and steamy in Monrovia and without air-conditioning the country’s President and several members of his administration were taking in the cooler, but still damp, night air. Without warning, several shots were fired in the direction of the President. In the dark all that could be seen were the bright flashes from a pistol. Two men, William Hutchins, a guard, and Daniel Derrick, a member of the national legislature, fell wounded, but fortunately President Tubman had escaped harm and was hurried back into the building. In the dark no one was certain, but Paul Dunbar was apparently seen by someone in the garden behind the mansion. James Bestman, a presidential security agent, subdued and apprehended the alleged shooter in the Executive Pavilion, best known for its concrete painted animals. It was said that Bestman had used his .38 caliber “Smith and Wesson,” revolver. Members of the opposition party were accused of participating in the assassination plot and a dragnet was immediately cast to round up the alleged perpetrators. It didn’t take long before the son of former President William Coleman, Samuel David Coleman, was indicted, as was his son John. The following day, warrants for the arrest of Former President Barclay, and others in opposition to Tubman, were also issued for allegedly being accomplices. Coleman and his son fled to Clay-Ashland, a township 15 miles north of Monrovia in the St. Paul River District of Montserrado County. Photo Caption: The (former) Liberian Executive Mansion.
Hank Bracker
Saphira? he asked. Flecks of purple light danced around the interior of the pavilion as she twisted her neck and fixed her eyes upon Eragon’s. Little one? Should I go? I think you must. He pressed his lips together in a rigid line. And what of you? You know I hate to be separated from you, but Nasuada’s arguments are well reasoned. If I can help keep Murtagh and Thorn away by remaining with the Varden, then perhaps I should. His emotions and hers washed between their minds, tidal surges in a shared pool of anger, anticipation, reluctance, and tenderness. From him flowed the anger and reluctance; from her other, gentler sentiments—as rich in scope as his own—that moderated his choleric passion and lent him perspectives he would not otherwise have. Nevertheless, he clung with stubborn insistence to his opposition to Nasuada’s scheme. If you flew me to Farthen Dûr, I would not be gone for as long, meaning Galbatorix would have less of an opportunity to mount a new assault. But his spies would tell him the Varden were vulnerable the moment we left. I do not want to part with you again so soon after Helgrind. Our own desires cannot take precedence over the needs of the Varden, but no, I do not want to part with you either. Still, remember what Oromis said, that the prowess of a dragon and Rider is measured not only by how well they work together but also by how well they can function when apart. We are both mature enough to operate independently of each other, Eragon, however much we may dislike the prospect. You proved that yourself during your trip from Helgrind. Would it bother you fighting with Arya on your back, as Nasuada mentioned? Her I would mind least of all. We have fought together before, and it was she who ferried me across Alagaësia for nigh on twenty years when I was in my egg. You know that, little one. Why pose this question? Are you jealous? What if I am? An amused twinkle lit her sapphire eyes. She flicked her tongue at him. Then it is very sweet of you…. Would you I should stay or go? It is your choice to make, not mine. But it affects us both. Eragon dug at the ground with the tip of his boot. Then he said, If we must participate in this mad scheme, we should do everything we can to help it succeed. Stay, and see if you can keep Nasuada from losing her head over this thrice-blasted plan of hers. Be of good cheer, little one. Run fast, and we shall be reunited in short order. Eragon looked up at Nasuada. “Very well,” he said, “I will go.
Christopher Paolini (Brisingr)
She stepped inside a vestibule with a silver bowl of pure, clear water set on a pedestal made of what Delphine could only assume was a very large, very sturdy zinnia. Was she supposed to wash in it, or was she firmly barred from touching it? She glanced in its shallow depth, and it began to pulse and swirl with pale light. She stepped away quickly. A filmy veil of light separated the interior; she held out a tentative finger, and the light brushed it like organza and separated for her. She stepped through into the Court, sprawling and open to the sky above, yet bound by the pale walls on all sides. Inside, the Court looked back at her. Dozens of Fae, gathered in twos and threes, beneath trees of gold and silver and around pools of deep azure blue, inside pavilions made of sheer flower petals and on carpets that must have been woven bird feathers. They all watched her, silently, unmoving. Each was almost painful to look at, beautiful and yet sharp and cold. All of them were arrayed in the spoils of their bargains, with sheer gowns of watercolor silk and robes of pliable silver, elaborate braids adorned with finely wrought metal and tautly bound silk, and even, on a few, wings and horns and talons refashioned from wood and bone and glass. Delphine was terrified of them, and yet also drawn to them. A great and terrible power hummed among them, just below the surface, a nearly tangible potential for change, for creation, for more than anything the world on her own side of the veil could offer.
Rowenna Miller (The Fairy Bargains of Prospect Hill)
started out with a hundred in the first match of the season, scoring 125 before getting out, and it was a dismissal I have never forgotten. I was out stumped to an off-spinner who was hearingimpaired and I vividly remember the expression on his face when I was beaten by a beautifully flighted delivery. But the ball went on to elude the keeper and within a fraction of a second the bowler’s expression turned from euphoria to despair as he saw the missed stumping opportunity. Yet I did not go back to the crease and instead started walking back to the pavilion, allowing the wicketkeeper to complete the stumping. It was the only time I was out in that season’s competition. While I didn’t consciously mean to show sympathy to the bowler, it was one of those moments that are difficult to explain. It was not an act of charity exactly. Rather, it was a good ball and I knew I had been comprehensively beaten. The keeper fumbled the take and the bowler looked distraught at the missed opportunity. He had done everything for the wicket and deserved the dismissal.
Anonymous
He stroked a hand slowly down her back, reveling in the contour of her muscles and bones beneath his fingers. “The other night…” She didn’t step back, but he felt the tension infuse her spine. “At dinner?” “I’m sorry. I’ve wanted to say that, but I haven’t found the moment. I have no conversation, Louisa, and what few manners…” What was he trying to say? He knew arguing with a lady wasn’t done, but it was more than that. “Prinny’s Pavilion is an extravagance, regardless of how pretty or different, and you are entitled to your very sensible opinions.” He allowed himself to rest his cheek against her hair, trying to memorize each pleasure the moment afforded him: The pleasure of making reparation for a conversation he had not managed well at all. The pleasure of her body next to his, warm from their exertions, and yet quiet in his arms. The pleasure of her scent, clean and sweet and unique to her. The pleasure of her simple willingness to remain close to him. She obliterated all those pleasures with one more delight, one he could not have foreseen, could not have envisioned in his wildest imaginings, when she went up on her toes and kissed him. ***
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
dropped. Queen Glory, Deathbringer, and Anemone all flew after him. Turtle took a step back into the pavilion. His heart was beating anxiously. What if his spell didn’t work, and Kinkajou was as bewitched by Darkstalker as anyone else? Or what if Darkstalker wasn’t using a spell after all, and everyone else genuinely liked him, and Turtle was just wrong? Kinkajou ducked back inside, catching a delicate lavender orchid on one of her frills, and sauntered over to him. “So, that dragon’s totally evil,” she said. “You think so? You really do?” said Turtle. He felt as though he could collapse right here and nap for three days. He wasn’t imagining things. And he wasn’t alone anymore. “He’s acting like the boss of Anemone, he’s making creepy unnecessary un-RainWing-y things with his magic, and he’s clearly trying to manipulate everyone with stuff like ‘I’ll save you from assassins!’ and ‘oh, I was going to heal her myself, actually.’ The good news is, Queen Glory and Deathbringer will see right through him. They’re probably planning some clever way to drive him out of the rainforest right now.” “Um,” said Turtle. “Unfortunately, they’re not. They like him — or they think they do. See, I think he’s using his magic on everyone. I don’t know the details of the spell, but it seems like everyone who meets him or talks to him ends up thinking he’s perfectly nice, harmless, and trustworthy.” “Everyone?” said Kinkajou. “Even Winter,” said Turtle. “Winter worst of all.
Tui T. Sutherland (Talons of Power (Wings of Fire, #9))
The son of Poseidon frowned across at us. “All right, who unleashed the giant bronze guy? Apollo, did you do this?” “I am offended!” I cried. “I am only indirectly responsible for this! Also, I have a plan to fix it.” “Oh, yeah?” Percy glanced back at the destroyed dining pavilion. “How’s that going?
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
other side of the pavilion, he hissed, “Your Majesty, I think there’s one of them right behind me.” The dragon next to him looked around in alarm, spotted Winter, and leaped backward, nearly knocking one of her companions off the platform. “Oh my gosh, is that what they look like?” she cried. “Why’s it pointy all over?” “Look at its tail!” yelped another. “It really is all spiky!” “And can you feel how cold it is? Whoa, that’s so weird,” said a fourth, reaching for Winter’s wing. Winter twitched back and growled at her.
Tui T. Sutherland (Winter Turning (Wings of Fire, #7))
noises of the Summer Palace waking up. Dragon wings fluttered overhead. Bubbles burbled up from underwater caves where most of the SeaWings were sleeping. Pots clattered on the kitchen level of the pavilion, reminding her of how hungry she was. “Uh-oh,” Anemone whispered, glancing down. “I think she’s waking up. We’d better go back in.” Tsunami hesitated. Should she go visit her friends now? But what would her mother think if she woke up and found Tsunami gone? “All right,” she said, “but I have one more question. What happened to Orca?” If Anemone could tell her, she could put off going to ask Starflight about it.
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
After the initial surprise, Chu Wanning convinced himself that he had misheard. After all, Mo Ran had always called him “Shizun.” And it was one thing for Mo Ran to call him “Chu Wanning,” but to call him “Wanning”— His mind tracked back to that night at the Red Lotus Pavilion, when they had slept holding one another and Mo Ran, fast asleep, had clearly called out “Wanning,” then pressed a kiss to his lips, light as the touch of a dragonfly on water. Was it possible that, in Mo Ran’s heart, there actually was a little bit of…
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 2)
I mounted the stairs to my pavilion and sank onto Hlidskjalf, the magic throne from which I can peer into the Nine Worlds. The seat cradled my posterior with its ermine-lined softness. I took a few deep breaths to focus my concentration, then turned to the worlds beyond. I usually begin with a cursory look-see of my own realm, Asgard, then circle through the remaining eight: Midgard, realm of the humans; the elf kingdom of Alfheim; Vanaheim, the Vanir gods’ domain; Jotunheim, land of the giants; Niflheim, the world of ice, fog, and mist; Helheim, realm of the dishonorable dead; Nidavellir, the gloomy world of the dwarves; and Muspellheim, home of the fire giants. This time, I didn’t make it past Asgard. Because goats. Specifically, Thor’s goats, Marvin and Otis. They were on the Bifrost, the radioactive Rainbow Bridge that connects Asgard to Midgard, wearing footy pajamas. But there was no sign of Thor, which was odd. He usually kept Marvin and Otis close. He killed and ate them every day, and they came back to life the next morning. More disturbing was Heimdall, guardian of the Bifrost. He was hopping around on all fours like a deranged lunatic. “So here’s what I want you guys to do,” he said to Otis and Marvin between hops. “Cavort. Frolic. Frisk about. Okay?” I parted the clouds. “Heimdall! What the Helheim is going on down there?” “Oh, hey, Odin!” Heimdall’s helium-squeaky voice set my teeth on edge. He waved his phablet at me. “I’m making a cute baby goat video as my Snapchat story. Cute baby goat videos are huge in Midgard. Huge!” He spread his hands out wide to demonstrate. “I’m not a baby!” Marvin snapped. “I’m cute?” Otis wondered. “Put that phablet away and return to your duties at once!” According to prophecy, giants will one day storm across the Bifrost, a signal that Ragnarok is upon us. Heimdall’s job is to sound the alarm on his horn, Gjallar—a job he would not be able to perform if he were making Snapchat stories. “Can I finish my cute baby goat video first?” Heimdall pleaded. “No.” “Aw.” He turned to Otis and Marvin. “I guess that’s a wrap, guys.” “Finally,” Marvin said. “I’m going for a graze.” He hopped off the bridge and plummeted to almost certain death and next-day resurrection. Otis sighed something about the grass being greener on the other side, then jumped after him. “Heimdall,” I said tightly, “need I remind you what could happen if even one jotun snuck into Asgard?” Heimdall hung his head. “Apologetic face emoji.” I sighed. “Yes, all right.
Rick Riordan (9 From the Nine Worlds)
Memory is a curse. I wasn't the first to say this, but I was proof of it. My memory was sharp. A thorn, a broken water glass, a jellyfish that crashed into me and reached back for more. My secret sense, which I have come to understand as my condition, gave me a way to encode information that was immediate and long-lasting, an inborn mnemonic device. The ancient Greeks had a mnemonic device that called for thinking of a path, say through the streets of a familiar city, and depositing along the way the information that they wished to retain. At the corner of the Street of Wine Merchants, they would place fact number one; continuing ahead twenty paces to the Fountain of Bacchus, they would place fact number two; turning right onto the Street of Pleasure Houses by the front door of the Pavilion of Virgins (the name was ironic because even back then virgins were rare and mythical beings), they would place facts number three through ten (because it was there among the rare and mythical beings that they wanted to linger); and in that way their journey would continue on. To retrace this path in their mind was to gather up the facts again, easy and showy as red roadside poppies. My own mnemonic device worked in similar fashion, but instead of a path there was a multicourse meal prepared by a mad scientist who knew and cared nothing about food. To revisit the dishes and their chaotic juxtaposition of flavors was to recall with precision those facts, from the trivial to the significant, that I have acquired, via the spoken word, during the course of my life.
Monique Truong (Bitter in the Mouth)
She says: ‘We are cursed, who are born beneath the peach blossom and fated to work these green pavilions. I thought I had escaped them, but the breeze has blown me back. To understand life is to know despair. Genius and beauty are worthless: they make heaven jealous. I had filtered my springwater with alum: it bubbles now with muck and mud. The potter’s wheel torments all women: it spins and spins, without throwing us off. When I left home, I accepted my fate: but why must destiny still hack away at a rose already shredded? Half my youth is gone too soon. I’ll offer up the rest of it. I’ll end my young days here.
Nguyễn Du (The Tale of Kiều)
I saw on the crest a lone pavilion; a little chatri, it's slender pillars and graceful dome dark against the yellow dawn: the last lonely remnant of some forgotten city. And to me at that moment the sight of the little ruined chatri seemed the personification of India and History and Romance. It still does; for I have never forgotten it. But on that particular morning it was also a reminder of all that I was leaving behind; and watching it grow smaller and smaller as the train raced on, I knew that even if I was fortunate enough to come back again one day, nothing was ever going to be the same. Because I could only come back as a grown-up.
M.M. Kaye (The Sun in the Morning: My Early Years in India and England)
We had reached the bathing pavilion. There I checked the bag, together with my watch and money, putting the two last-named articles in a big manila envelope and writing my name across the back. I received in exchange a numbered metal tag on a thick rubber band. I followed Bat Shayne’s example of putting this band around my neck, feeling just a little like a licensed dog as I did so.
Albert Payson Terhune (An Albert Payson Terhune Reader)
After another forty-five minutes, the train reached the station at Heron's Point, a seaside town located in the sunniest region in England. Even now in autumn, the weather was mild and clear, the air humid with healthful sea breezes. Heron's Point was sheltered by a high cliff that jutted far out into the sea and helped to create the town's own small climate. It was an ideal refuge for convalescents and the elderly, with a local medical community and an assortment of clinics and therapeutic baths. It was also a fashionable resort, featuring shops, drives and promenades, a theatre, and recreations such as golf and boating. The Marsdens had often come here to stay with the duke's family, the Challons, especially in summer. The children had splashed and swum in the private sandy cove, and sailed near the shore in little skiffs. On hot days they had gone to shop in town for ices and sweets. In the evenings, they had relaxed and played on the Challons' back veranda, while music from the town band floated up from the concert pavilion. Merritt was glad to bring Keir to a familiar place where so many happy memories had been created. The seaside house, airy and calm and gracious, would be a perfect place for him to convalesce.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))