β
I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
Books are the mirrors of the soul.
β
β
Virginia Woolf (Between the Acts)
β
Why are women... so much more interesting to men than men are to women?
β
β
Virginia Woolf
β
One cannot think well, love well, sleep well, if one has not dined well.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
If you do not tell the truth about yourself you cannot tell it about other people.
β
β
Virginia Woolf
β
Writing is like sex. First you do it for love, then you do it for your friends, and then you do it for money.
β
β
Virginia Woolf
β
As a woman I have no country. As a woman I want no country. As a woman, my country is the whole world.
β
β
Virginia Woolf
β
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
β
β
Virginia Woolf
β
When you consider things like the stars, our affairs don't seem to matter very much, do they?
β
β
Virginia Woolf
β
As long as she thinks of a man, nobody objects to a woman thinking.
β
β
Virginia Woolf (Orlando)
β
The eyes of others our prisons; their thoughts our cages.
β
β
Virginia Woolf
β
No need to hurry. No need to sparkle. No need to be anybody but oneself.
β
β
Virginia Woolf (A Room of One's Own / Three Guineas)
β
Growing up is losing some illusions, in order to acquire others.
β
β
Virginia Woolf
β
There was a star riding through clouds one night, & I said to the star, 'Consume me'.
β
β
Virginia Woolf (The Waves)
β
Women have served all these centuries as looking glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
Nothing thicker than a knife's blade separates happiness from melancholy.
β
β
Virginia Woolf (Orlando)
β
I am rooted, but I flow.
β
β
Virginia Woolf
β
Anon, who wrote so many poems without signing them, was often a woman.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
A woman must have money and a room of her own if she is to write fiction.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
Second hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack.
β
β
Virginia Woolf
β
Love, the poet said, is woman's whole existence.
β
β
Virginia Woolf (Orlando)
β
All extremes of feeling are allied with madness.
β
β
Virginia Woolf (Orlando)
β
Orlando naturally loved solitary places, vast views, and to feel himself for ever and ever and ever alone.
β
β
Virginia Woolf (Orlando)
β
The history of men's opposition to women's emancipation is more interesting perhaps than the story of that emancipation itself.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
I thought how unpleasant it is to be locked out; and I thought how it is worse, perhaps, to be locked in.
β
β
Virginia Woolf
β
How much better is silence; the coffee cup, the table. How much better to sit by myself like the solitary sea-bird that opens its wings on the stake. Let me sit here for ever with bare things, this coffee cup, this knife, this fork, things in themselves, myself being myself.
β
β
Virginia Woolf (The Waves)
β
I am reading six books at once, the only way of reading; since, as you will agree, one book is only a single unaccompanied note, and to get the full sound, one needs ten others at the same time.
β
β
Virginia Woolf (The Letters of Virginia Woolf: Volume Three, 1923-1928)
β
The truth is, I often like women. I like their unconventionality. I like their completeness. I like their anonymity.
β
β
Virginia Woolf
β
Melancholy were the sounds on a winter's night.
β
β
Virginia Woolf (Jacob's Room)
β
What is the meaning of life? That was all- a simple question; one that tended to close in on one with years, the great revelation had never come. The great revelation perhaps never did come. Instead, there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one.
β
β
Virginia Woolf (To the Lighthouse)
β
So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
I am made and remade continually. Different people draw different words from me.
β
β
Virginia Woolf (The Waves)
β
She had the perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very, dangerous to live even one day.
β
β
Virginia Woolf (Mrs. Dalloway)
β
I have lost friends, some by death...others by sheer inability to cross the street.
β
β
Virginia Woolf
β
He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink.
β
β
Virginia Woolf (Mrs. Dalloway)
β
Damn you, spoilt creature; I shanβt make you love me any the more by giving myself away like this.
β
β
Vita Sackville-West (The Letters of Vita Sackville-West and Virginia Woolf)
β
To look life in the face, always, to look life in the face, and to know it for what it is...at last, to love it for what it is, and then, to put it away...
β
β
Virginia Woolf
β
A woman knows very well that, though a wit sends her his poems, praises her judgment, solicits her criticism, and drinks her tea, this by no means signifies that he respects her opinions, admires her understanding, or will refuse, though the rapier is denied him, to run through the body with his pen.
β
β
Virginia Woolf (Orlando)
β
Alone, I often fall down into nothingness. I must push my foot stealthily lest I should fall off the edge of the world into nothingness. I have to bang my head against some hard door to call myself back to the body.
β
β
Virginia Woolf (The Waves)
β
What does the brain matter compared with the heart?
β
β
Virginia Woolf (Mrs. Dalloway)
β
I have a deeply hidden and inarticulate desire for something beyond the daily life.
β
β
Virginia Woolf (Moments of Being: A Collection of Autobiographical Writing)
β
When the Day of Judgment dawns and people, great and small, come marching in to receive their heavenly rewards, the Almighty will gaze upon the mere bookworms and say to Peter, βLook, these need no reward. We have nothing to give them. They have loved reading.
β
β
Virginia Woolf
β
And all the lives we ever lived and all the lives to be are full of trees
and changing leaves.
β
β
Virginia Woolf (To the Lighthouse)
β
I meant to write about death, only life came breaking in as usual
β
β
Virginia Woolf
β
I will not be "famous," "great." I will go on adventuring, changing, opening my mind and my eyes, refusing to be stamped and stereotyped. The thing is to free one's self: to let it find its dimensions, not be impeded.
β
β
Virginia Woolf (A Writer's Diary)
β
It might be possible that the world itself is without meaning.
β
β
Virginia Woolf (Mrs. Dalloway)
β
I see you everywhere, in the stars, in the river, to me you're everything that exists; the reality of everything.
β
β
Virginia Woolf (Night and Day)
β
Literature is strewn with the wreckage of those who have minded beyond reason the opinion of others.
β
β
Virginia Woolf (A Room of One's Own)
β
When I cannot see words curling like rings of smoke round me I am in darknessβI am nothing.
β
β
Virginia Woolf (The Waves)
β
Mrs Dalloway is always giving parties to cover the silence
β
β
Virginia Woolf (Mrs. Dalloway)
β
For it would seem - her case proved it - that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver.
β
β
Virginia Woolf (Orlando)
β
I don't believe in aging. I believe in forever altering one's aspect to the sun.
β
β
Virginia Woolf
β
Blame it or praise it, there is no denying the wild horse in us.
β
β
Virginia Woolf (Jacob's Room)
β
He smiled the most exquisite smile, veiled by memory, tinged by dreams.
β
β
Virginia Woolf (To the Lighthouse)
β
Anything may happen when womanhood has ceased to be a protected occupation.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
I'm sick to death of this particular self. I want another.
β
β
Virginia Woolf (Orlando)
β
She thought there were no Gods; no one was to blame; and so she evolved this atheist's religion of doing good for the sake of goodness.
β
β
Virginia Woolf (Mrs. Dalloway)
β
I want to write a novel about Silence," he said; βthe things people donβt say.
β
β
Virginia Woolf (The Voyage Out (The Virginia Woolf Library))
β
I am in the mood to dissolve in the sky.
β
β
Virginia Woolf
β
Just in case you ever foolishly forget; I'm never not thinking of you.
β
β
Virginia Woolf (Selected Diaries)
β
I worship you, but I loathe marriage. I hate its smugness, its safety, its compromise and the thought of you interfering with my work, hindering me; what would you answer?
β
β
Virginia Woolf
β
It is a thousand pities never to say what one feels.
β
β
Virginia Woolf (Mrs. Dalloway)
β
How many times have people used a pen or paintbrush because they couldnβt pull the trigger?
β
β
Virginia Woolf
β
To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have- to want and want- how that wrung the heart, and wrung it again and again!
β
β
Virginia Woolf (To the Lighthouse)
β
Each has his past shut in him like the leaves of a book known to him by heart and his friends can only read the title.
β
β
Virginia Woolf
β
For this moment, this one moment, we are together. I press you to me. Come, pain, feed on me. Bury your fangs in my flesh. Tear me asunder. I sob, I sob.
β
β
Virginia Woolf (The Waves)
β
Mrs. Dalloway said she would buy the flowers herself.
β
β
Virginia Woolf (Mrs. Dalloway)
β
To love makes one solitary.
β
β
Virginia Woolf (Mrs. Dalloway)
β
For now she need not think of anybody. She could be herself, by herself. And that was what now she often felt the need of - to think; well not even to think. To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others... and this self having shed its attachments was free for the strangest adventures.
β
β
Virginia Woolf (To the Lighthouse)
β
Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
I detest the masculine point of view. I am bored by his heroism, virtue, and honour. I think the best these men can do is not talk about themselves anymore.
β
β
Virginia Woolf (The Pargiters)
β
They went in and out of each other's minds without any effort.
β
β
Virginia Woolf
β
The beauty of the world...has two edges, one of laughter, one of anguish, cutting the heart asunder.
β
β
Virginia Woolf
β
I feel so intensely the delights of shutting oneself up in a little world of oneβs own, with pictures and music and everything beautiful.
β
β
Virginia Woolf (The Voyage Out (The Virginia Woolf Library))
β
I feel a thousand capacities spring up in me. I am arch, gay, languid, melancholy by turns. I am rooted, but I flow.
β
β
Virginia Woolf (The Waves)
β
Really I don't like human nature unless all candied over with art
β
β
Virginia Woolf (The Diary of Virginia Woolf, Volume Four: 1931-1935)
β
Arrange whatever pieces come your way.
β
β
Virginia Woolf (A Writer's Diary)
β
Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely? All this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely?
β
β
Virginia Woolf (Mrs. Dalloway)
β
It is far harder to kill a phantom than a reality.
β
β
Virginia Woolf (The Death of the Moth and Other Essays)
β
She felt... how life, from being made up of little separate incidents which one lived one by one, became curled and whole like a wave which bore one up with it and threw one down with it, there, with a dash on the beach.
β
β
Virginia Woolf (To the Lighthouse)
β
I need silence, and to be alone and to go out, and to save one hour
to consider what has happened to my world, what death has done to my
world.
β
β
Virginia Woolf (The Waves)
β
Friendships, even the best of them, are frail things. One drifts apart.
β
β
Virginia Woolf (To the Lighthouse)
β
It is in our idleness, in our dreams, that the submerged truth sometimes makes its way to the surface.
β
β
Virginia Woolf
β
And the poem, I think, is only your voice speaking.
β
β
Virginia Woolf (The Waves)
β
About here, she thought, dabbling her fingers in the water, a ship had sunk, and she muttered, dreamily half asleep, how we perished, each alone.
β
β
Virginia Woolf (To the Lighthouse)
β
I begin to long for some little language such as lovers use, broken words, inarticulate words, like the shuffling of feet on pavement.
β
β
Virginia Woolf (The Waves)
β
By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream
β
β
Virginia Woolf
β
My own brain is to me the most unaccountable of machinery - always buzzing, humming, soaring roaring diving, and then buried in mud. And why? What's this passion for?
β
β
Virginia Woolf
β
Was not writing poetry a secret transaction, a voice answering a voice?
β
β
Virginia Woolf (Orlando)
β
Beauty was not everything. Beauty had this penalty β it came too readily, came too completely. It stilled life β froze it.
β
β
Virginia Woolf (To the Lighthouse)
β
He who robs us of our dreams robs us of our life.
β
β
Virginia Woolf (Orlando)
β
Dearest, I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that β everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been. V.
β
β
Virginia Woolf
β
Let us again pretend that life is a solid substance, shaped like a globe, which we turn about in our fingers. Let us pretend that we can make out a plain and logical story, so that when one matter is despatchedβlove for instanceβwe go on, in an orderly manner, to the next.
β
β
Virginia Woolf (The Waves)
β
When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
I want someone to sit beside after the day's pursuit and all its anguish, after its listening, and its waitings, and its suspicions. After quarrelling and reconciliation I need privacy - to be alone with you, to set this hubbub in order. For I am as neat as a cat in my habits.
β
β
Virginia Woolf (The Waves)
β
Therefore I would ask you to write all kinds of books, hesitating at no subject however trivial or however vast. By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
Beauty, the world seemed to say. And as if to prove it (scientifically) wherever he looked at the houses, at the railings, at the antelopes stretching over the palings, beauty sprang instantly. To watch a leaf quivering in the rush of air was an exquisite joy. Up in the sky swallows swooping, swerving, flinging themselves in and out, round and round, yet always with perfect control as if elastics held them; and the flies rising and falling; and the sun spotting now this leaf, now that, in mockery, dazzling it with soft gold in pure good temper; and now again some chime (it might be a motor horn) tinkling divinely on the grass stalksβall of this, calm and reasonable as it was, made out of ordinary things as it was, was the truth now; beauty, that was the truth now. Beauty was everywhere.
β
β
Virginia Woolf (Mrs. Dalloway)
β
I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. You, with all your un-dumb letters, would never write so elementary a phrase as that; perhaps you wouldnβt even feel it. And yet I believe youβll be sensible of a little gap. But youβd clothe it in so exquisite a phrase that it would lose a little of its reality. Whereas with me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. So this letter is just really a squeal of pain. It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shanβt make you love me any the more by giving myself away like this βBut oh my dear, I canβt be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I donβt love. I have brought it to a fine art. But you have broken down my defences. And I donβt really resent it.
β
β
Vita Sackville-West (The Letters of Vita Sackville-West and Virginia Woolf)
β
I told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Leeβs life of the poet. She died youngβalas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the crossβroads still lives. She lives in you and in me, and in many other women who are not here toβnight, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her. For my belief is that if we live another century or soβI am talking of the common life which is the real life and not of the little separate lives which we live as individualsβand have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sittingβroom and see human beings not always in their relation to each other but in relation to reality; and the sky. too, and the trees or whatever it may be in themselves; if we look past Miltonβs bogey, for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeareβs sister will put on the body which she has so often laid down. Drawing her life from the lives of the unknown who were her forerunners, as her brother did before her, she will be born. As for her coming without that preparation, without that effort on our part, without that determination that when she is born again she shall find it possible to live and write her poetry, that we cannot expect, for that would he impossible. But I maintain that she would come if we worked for her, and that so to work, even in poverty and obscurity, is worth while.
β
β
Virginia Woolf (A Room of Oneβs Own)