Baby Rolled Over Quotes

We've searched our database for all the quotes and captions related to Baby Rolled Over. Here they are! All 100 of them:

First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
For a moment, I pretended. Not that we weren't two different species, because I didn't see him that way, but that we actually liked each other. And then he shifted and rolled. I was on my back, and he was still on the move. His face burrowed into the space between my neck and shoulder, nuzzling. Sweet baby Jesus...Warm breath danced over my skin, sending shivers down my body. His arm was heavy against my stomach, his leg between mine, pushing up and up. Scorched air fled my lungs. Daemon murmured in a language I couldn't understand. Whatever it was, it sounded beautiful and soft. Magical. Unearthly. I could've woken him up but for some reason I didn't. The thrill of him touching me was far stronger than anything else. His hand was on the edge of the borrowed shirt, his long fingers on the strip of exposed flesh between the hem on the shirt and the band of the worn pajama bottoms. And his hand inched up under the shirt, across my stomach, where it dipped slightly. My pulse went into cardiac territory. The tips of his fingers brushed my ribs. His body moved, his knee pressed against me. I gasped. Daemon stilled. No one moved. The clock on the wall ticked. And I cringed.
Jennifer L. Armentrout (Obsidian (Lux, #1))
Baby, we have no choice of what color we're born or who our parents are or whether we're rich or poor. What we do have is some choice over what we make of our lives once we're here.
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don't patch the cup. Don't patch anything. Don't mend. Buy safety pins. Don't even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don't keep all the pieces of the puzzles or the doll's tiny shoes in pairs, don't worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic-decide first what is authentic, then go after it with all your heart. Your heart, that place you don't even think of cleaning out. That closet stuffed with savage mementos. Don't sort the paper clips from screws from saved baby teeth or worry if we're all eating cereal for dinner again. Don't answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don't read it, don't read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.
Louise Erdrich (Original Fire)
Baby, we have no choice of what color we're born or who our parents are or whether we're rich or poor. What we do have is some choice over what we make of our lives once we're here.
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
There is a child - a baby - who long since kicked off her blankets. Her skin is ashen and her mouth open in a perpetual yet silent scream. She isn't old enough to roll over, to sit up, to climb. So she lies there kicking her fat legs against the footboard of the crib, eternally calling for her mother. For food. For flesh.
Carrie Ryan (The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1))
Baby, we have no choice of what colour we're born or who our parents are or whether we're rich or poor. What we do have is some choice over what we make of our lives once we're here.
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Literature Guide: Grades 4-8))
Take good care of my babies,” Jesper said as he handed them over to Dirix. “If I see a single scratch or nick on those, I’ll spell forgive me on your chest in bullet holes.” “You wouldn’t waste the ammo.” “And he’d be dead halfway through forgive,” Big Bolliger said as he dropped a hatchet, a switchblade, and his preferred weapon—a thick chain weighted with a heavy padlock—into Rotty’s expectant hands. Jesper rolled his eyes. “It’s about sending a message. What’s the point of a dead guy with forg written on his chest?” “Compromise,” Kaz said. “I’m sorry does the trick and uses fewer bullets.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I knew it! I knew you'd hate my body!" She slammed her hands on her hips, marched over to the bed, and glared down at him. "Well, for your information, mister, all those cute little sex kittens in your past might have had perfect bodies, but they don't know a lepton from a proton,and if you think that I'm going to stand here and let you judge me by the size of my hips and because my belly's not flat, then you're in for a rude awakening." She jabbed her finger at him. "This is the way a grown woman looks, buster! This body was designed by God to be functional, not to be stared at by some hormonally imbalanced jock who can only get aroused by women who still own Barbie dolls" "Damn. Now I've got to gag you." With one swift motion, he pulled her down on the bed, rolled on top of her, and covered her lips with his own.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
I listened to the men's voices outside, muted by my car walls. "...went at it with a flamethrower in the online video. Didn't even pucker the paint." "Of course not. You could roll a tank over this baby. Not much of a market for one over here. Designed for Middle East Diplomats, arm dealers, and drug lords mostly." "Think she's something?" the short one asked in a softer voice. I ducked my head, cheeks flaming. "Huh," the tall one said. "Maybe. Can't imagine what you'd need missile-proof glass and four thousand pounds of body armor for around here. Must be headed somewhere more hazardous." Body armor. Four thousand pounds of body armor. And missle-proof glass? Nice. What had happened to good old-fashioned bulletproof?
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid. Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge. Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year? It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to. Now that part, more than ever. It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year. It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one. Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
She is crazy. Head to head with an ogre. Loony Lolli, Sketchy Dave, Crazy Val. You're all a bunch of freaks." Val made a formal bow, dipping her head in their direction, and then sat on the blanket. Loony Luis, more likely," Lolli said, kicking her flip-flop in his direction. Luis One-Eye," Dave said. Luis smirked. "Bug-head Dave." Princess Luis," Dave said. "Prince Valiant." Val laughed, thinking of the first time Dave had called her that. "How about Dreaded Dave?" Luis leaned over, grabbing his brother in a headlock, both of them rolling on the cloth, and said, "How about Baby Brother? Baby Brother Dave?" Hey," Lolli said. "What about me? I want to be a princess like Luis.
Holly Black (Valiant (Modern Faerie Tales, #2))
I’m steamroller baby, I’m ‘bout to roll over you”.
Elvis Presley
Rush please," I begged, fighting the urge to grab his hand and force him to bring me relief from the throbbing underneath his touch "I need..." I didn't know what I needed. I just needed. Rush lifted his head and ran his nose up my neck then pressed a kiss to my chin. "I know what you need. I'm just not sure I can handle watching you get it. You've got me all kinds of worked up, girl. I'm trying hard to be a good boy. I can't lose control in the back of damn car." I shook my head. He couldn't stop. I didn't want him to be good. I wanted him inside me. Now. "Please, don't be good. Please," I begged. Rush let out a rugged breath "Shit, baby. Stop it. I'm going to explode. I'll give you your release but when I finally bury myself inside you for the first time you won't be sprawled in the back of my car. You'll be in my bed." His hand moved before I could respond and my eyes rolled back in my head. "That's it. Come for me, sweet Blaire. Come on my hand and let me feel it. I want to watch you." His words sent me spiralling over the edge of the cliff I'd been trying so hard to reach. "Ruuuuuush!" I heard the loud cry that came from me as i went falling into complete bliss. I knew I was crying for him, screaming out his name and maybe even clawing at him but I could no longer control myself. The ecstasy was too much.
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
These bugs are from Jurassic Park.” He swings his arms around to get them off him. “No bugs are this big.” I go back to my instructions. Okay, so it says here that this pole goes into this . . . “Ahh,” he cries as he slaps his arm. “I’m getting fucking malaria over here, Emily.” I roll my eyes. “Stop being a baby.” I put the pole into the correct place. “Can you grab the corner and stretch it out, please?
T.L. Swan (The Stopover (Miles High Club, #1))
Pearl rolled a tiny pink speck in her fingers, possibly part of Rose's new leg that I'd tried so hard to make a good match. Pearl laughed and flicked it away as if it was snot out of her nose. I suddenly couldn't stand it. I rushed at her.She saw I wasn't playing around. She ran for it but I caught up with her along the landing. I punched her hard in the chest and she staggered back wards - back and back, and then she wobbled and went right over, down the stairs.
Jacqueline Wilson (Dustbin Baby)
Eyes closed a knee in his back hand at his neck forcing his face into the floor of the elevator rough under his cheek smell of vomit and matted fur "God don't hurt me" struggles against indignity his pajamas pulled down around his knees a needle sunk deep into his thigh twists moans and all of it loose like water flowing salt tickles inner edges of his eyes into his mouth twists onto his back arms over his head raw wails of anguish break off in pieces hurt his ears "Baby it's okay" Leo is over him lifts coaxing "Let's get up off the floor huh?" arm around his waist sags heavy his wrist aches where Leo holds him dragged along the watery dark he rolls off Leo's shoulder to the bed eyes closed hands folded in prayer between his legs can't look "God don't hurt me. Please.
Judith Guest
I am what became of your child. I found an old baby picture of me. And it was somebody else, not me. It was somebody pink and fat who never heard of sick or lonely, somebody who cried and got fed,, and reached up and got held and kicked but didn't hurt anybody, and slept whenever she wanted to, just by closing her eyes. Somebody who mainly just laid there and laughed at the colors waving around over her head and chewed on a polka-dot whale and woke up knowing some new trick nearly every day and rolled over and drooled on the sheet and felt your hand pulling my quilt back up over me. That's who I started out and this is who is left. That's what this is about. It's somebody I lost, all right, it's my own self. Who I never was. Or who I tried to be and never got there. Somebody I waited for who never came. And never will. So, see, it doesn't much matter what else happens in the world or in this house, even. I'm what was worth waiting for and I didn't make it. Me...who might have made a difference to me...I'm not going to show up, so there's no reason to stay, except to keep you company, and that's...not reason enough because I'm not...very good company. Am I.
Marsha Norman ('night, Mother)
Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love
Lana Del Rey
9. Random movements provide variation that leads to developmental breakthroughs. Monumental gains, Feldenkrais discovered, are made not by mechanical movement but by the opposite—random movements. Children learn to roll over, crawl, sit, and walk through experimentation. Most babies learn to roll over, for instance, when they follow something with their eyes that interests them, then follow it so far that, to their surprise, they roll over.
Norman Doidge (The Brain's Way of Healing: Remarkable Discoveries and Recoveries from the Frontiers of Neuroplasticity)
A bright haze seemed to lie over everything, and she had a feeling of unreality, but the scene itself looked almost unbelievably wholesome, like something out of a commercial. Just your average family sitting down to eat turkey, she thought. One slightly flustered aunt, worried that the peas will be mushy and the rolls burnt, one comfortable uncle-to-be, one golden-haired teenage niece and her baby sister. One blue-eyed boy-next-door type, one spritely girlfriend, one gorgeous vampire passing the vegetables. A typical American household.
L.J. Smith (Vampire Diaries Collection (The Vampire Diaries #1-7))
Then he was gone, and Prentice was alone in a silence that rang with all his shrill, unspoken words. He was so alone that the only thing to do was lie back on the bed and roll over and draw up his knees like an unborn baby, staring with dry eyes at a cluster of pink flowers on the wallpaper, knowing he had never been so alone in his life.
Richard Yates (A Special Providence)
How about you get on my back? So in a way you’re not being carried – you’re riding me.” I paused and then winked. Kat stared. “What?” I laughed, and her eyes immediately narrowed. “You should see yourself right now. Like a kitten – that’s what I keep telling you. Your hackles are raised.” Her eyes rolled as she shuffled behind me. “You should conserve your energy and stop talking.” “Ouch.” “You’ll get over it.” She placed her hands on my shoulders. “Besides, you could be knocked down a peg or two.” ... “Baby, I’m so far up the ladder there aren’t any pegs under me to be knocked down.” “Wow”, she said. “That’s a new one.” “You loved it.” .. “Hold on, Kitten. I’m going to start to glow just a little, and we’re going to go fast.” “I like when you glow. It’s like having my own personal flashlight.” I grinned. “Glad I can be of assistance.” She patted my chest. “Giddy up.
Jennifer L. Armentrout (Origin (Lux, #4))
Sit! Stand! Roll over! Good boy! Now, split into a bunch of smaller slimes! Wait. Baby slimes can't do that, can they?
Cube Kid (Diary of a Wimpy Villager #6 (An Unofficial Minecraft book))
I never dreamed that she meant lights. Sparkling. Shimmering. Waves of light. We could see them from the front of the cafe. Besides the few customers, everyone who lived on the street was gathered inside. And I mean everyone, even strange little Esther. She'd squeezed herself into the darkest corner of the room, sitting on the floor with her arms wrapped around her bent knees. But even her face was in awe. Silvers. Pearls. Iridescent pinks. They now sprayed out into the sunless room and hit the ceiling. The walls. The floor. Glowing copper. Gilded orange. And all kinds or gold. Sequins of light that swirled and spun through the air. Cascades of light flowing in, breaking up, and rolling like fluid diamonds over the worn tile. Emerald. Turquoise. Sapphire. It went on for hours. I looked over there and there were tears streaming down Gabe's wrinkled face: God bless you, Eve. And finally only the muted glow of a cool aquamarine. Then we heard the baby's first thin cry- and the place went wild.
Gloria Naylor (Bailey's Café)
With a great sigh, Jesper removed the gun belts at his hips. She had to admit he looked less himself without them. The Zemeni sharpshooter was long-limbed, brown-skinned, constantly in motion. He pressed his lips to the pearl handles of his prized revolvers, bestowing each with a mournful kiss. “Take good care of my babies,” Jesper said as he handed them over to Dirix. “If I see a single scratch or nick on those, I’ll spell forgive me on your chest in bullet holes.” “You wouldn’t waste the ammo.” “And he’d be dead halfway through forgive,” Big Bolliger said as he dropped a hatchet, a switchblade, and his preferred weapon—a thick chain weighted with a heavy padlock—into Rotty’s expectant hands. Jesper rolled his eyes. “It’s about sending a message. What’s the point of a dead guy with forg written on his chest?” “Compromise,” Kaz said. “I’m sorry does the trick and uses fewer bullets.” Dirix laughed, but Inej noted that he cradled Jesper’s revolver’s very gently. “What about that?” Jesper asked, gesturing to Kaz’s walking stick. Kaz’s laugh was low and humorless. “Who’d deny a poor cripple his cane?” “If the cripple is you, then any man with sense.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
He arched a brow. “Miss Lahey, are you flirting with me?” “Well, hot stuff, if you have to ask, I’m not doing it right.” His laughter rumbled low, slithering heat underneath my skin. I pulled him to me, backing him against the table, risking a literal firestorm as his lips laid upon mine with a burning promise of— “That’s how babies are made!” I reeled back and knocked over a chair. “Aunt M!” “Sex kills!” “M, seriously.” Mom walked into the kitchen and rolled her eyes. My aunt patted her belly. “It killed my waistline.” Then she cackled. Who was the banshee now? “Ayden and Rory sitting in a tree,” Selena sing-songed, “making b-a-b-b-y-n-g.” “Mom!” “Selena,” Mom admonished. “That’s not the right spelling.
A. Kirk
Ren crossed his arms over his chest. "is it LoJacked?" "Of course," Andy said indignantly. "That's my baby. I even have a kill switch on her." "Then stop the engine." Andy appeared downright horrified by Ren's suggestion. "Are you out of your mind? What if someone hits it for stalling? I had that thing on order for over a year. Custom hand built. The epitome of German engineering. I even paid extra for the paint on her. Ain't no way I'm going to chance someone denting my baby. Or, God forbid, totaling it." Jess rolled his eyes at the boy's hissy fit. If he kept that up, he'd be putting Andy back in diapers. He turned to Ren. "You take the air. I'll get a bike." Then he focused his attention on Andy again. "And you-" Andy held his cell phone out to him. "Have an app. Track her down, get my car back, and beat the hell out of her...in that precise order.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Ruby and Aaron are both crazy patient; they’re good parents.” “I could be a good dad,” Ivan whispered, still feeding Jess. I could have told him he’d be good at anything he wanted to be good at, but nah. “Do you want to have kids?” he asked me out of the blue. I handed Benny another block. “A long time from now, maybe.” “A long time… like how long?” That had me glancing at Ivan over my shoulder. He had his entire attention on Jessie, and I was pretty sure he was smiling down at her. Huh. “My early thirties, maybe? I don’t know. I might be okay with not having any either. I haven’t really thought about it much, except for knowing I don’t want to have them any time soon, you know what I mean?” “Because of figure skating?” “Why else? I barely have enough time now. I couldn’t imagine trying to train and have kids. My baby daddy would have to be a rich, stay-at-home dad for that to work.” Ivan wrinkled his nose at my niece. “There are at least ten skaters I know with kids.” I rolled my eyes and poked Benny in the side when he held out his little hand for another block. That got me a toothy grin. “I’m not saying it’s impossible. I just wouldn’t want to do it any time soon. I don’t want to half-ass or regret it. If they ever exist, I’d want them to be my priority. I wouldn’t want them to think they were second best.” Because I knew what that felt like. And I’d already screwed up enough with making grown adults I loved think they weren’t important. If I was going to do something, I wanted to do my best and give it everything. All he said was, “Hmm.” A thought came into my head and made my stomach churn. “Why? Are you planning on having kids any time soon?” “I wasn’t,” he answered immediately. “I like this baby though, and that one. Maybe I need to think about it.” I frowned, the feeling in my stomach getting more intense. He kept blabbing. “I could start training my kids really young…. I could coach them. Hmm.” It was my turn to wrinkle my nose. “Three hours with two kids and now you want them?” Ivan glanced down at me with a smirk. “With the right person. I’m not going to have them with just anybody and dilute my blood.” I rolled my eyes at this idiot, still ignoring that weird feeling in my belly that I wasn’t going to acknowledge now or ever. “God forbid, you have kids with someone that’s not perfect. Dumbass.” “Right?” He snorted, looking down at the baby before glancing back at me with a smile I wasn’t a fan of. “They might come out short, with mean, squinty, little eyes, a big mouth, heavy bones, and a bad attitude.” I blinked. “I hope you get abducted by aliens.” Ivan laughed, and the sound of it made me smile. “You would miss me.” All I said, while shrugging was, “Meh. I know I’d get to see you again someday—” He smiled. “—in hell.” That wiped the look right off his face. “I’m a good person. People like me.” “Because they don’t know you. If they did, somebody would have kicked your ass already.” “They’d try,” he countered, and I couldn’t help but laugh. There was something wrong with us. And I didn’t hate it. Not even a little bit.
Mariana Zapata (From Lukov with Love)
Constance is lying naked on her bed - naked except for five bracelets, two necklaces and an anklet (she never her wears rings if sex is in the air). One lithe arm is curled around her purple halo of hair while the other lies dormant on her taut belly (it will be three years before there’ll be a baby in there). Scents of verbena and lemons rise from her warm pink skin. She rolls over, revealing her voluptuous posterior to a man who is watching her from a window across the way, and reaches for a book under her bed.
Marie Wilson
Investigation unearthed political divides as arbitrary and re-earthed our home as one place; a shimmering disco bauble spinning over a cosmic after-party, a baby blue Vote For Life button on a dark velvet lapel, a nutty chocolate miracle wrapped in crinkly cerulean prayer rolling around in God’s glovebox – immense, impossible, unbelievable, alone. Our only spot in eternity. Our home.
Kanan Gill (Acts of God)
Fifteen minutes later I’m hunched over the steering wheel of a two-seater that looks like something you’d find in your corn flakes packet. The Smart is insanely cute and compact, does about seventy miles to a gallon, and is the ideal second car for nipping about town but I’m not nipping about town. I’m going flat out at maybe a hundred and fifty kilometers per hour on the autobahn while some joker is shooting at me from behind with a cannon that fires Porsches and Mercedes. Meanwhile, I’m stuck driving something that handles like a turbocharged baby buggy. I’ve got my fog lights on in a vain attempt to deter the other road users from turning me into a hood ornament, but the jet wash every time another executive panzer overtakes me keeps threatening to roll me right over onto my roof. And that’s before you factor in the deranged Serbian truck drivers driven mad with joy by exposure to a motorway that hasn’t been cluster-bombed and then resurfaced by the lowest bidder.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
She took two steps toward the door, rolling her shoulders as if walking into a fight. It would be better to just get it over with. Rip the first day off like a bandage rather than wallowing in her misery like a baby.
Danika Stone (Icarus)
I don’t remember a time in my life that Jules and her family weren’t in it. You have shared everything that has ever mattered with me, even the birth of my baby. When Jules and Nate got together,” Natalie turns to the audience and smiles. Will takes my hand in his and kisses my knuckles. “I was astonished to watch the change in her. Jules is a kick-ass girl. She’s not big on public displays of affection, which she reminds me of almost daily.” “Seriously, you guys are gross,” Jules rolls her eyes, but I can see the tears threatening to spill over. “But Nate brought out that soft side of her. He makes her better. And I think she does the same for him. I just couldn’t have found anyone more suited to you, my friend, if I tried.” Nat raises her glass and we all follow suit. “So, to my new brother-in-law Nate, and my sister of the heart, his Julianne. May your love continue to grow every day.
Kristen Proby (Play with Me (With Me in Seattle, #3))
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
Here’s the reality: “Infants and toddlers are natural night-wakers which has been shown to be protective against SIDS (Sudden Infant Death Syndrome). Children tend to differ not in whether they wake in the night or not, but in whether they need help being soothed back to sleep or not based on their own unique personality, health, environmental factors, etc. Sleeping patterns are neither a sign of a ‘good’ baby or a ‘bad’ baby, just a normal baby. Even adults tend to wake frequently at night, but typically just roll over or adjust their blankets or take a quick trip to the bathroom and then go back to sleep. They just often don’t remember any of it in the morning! In reality, night-waking is simply a biological norm1 that has been misconstrued as ‘problems sleeping’ or ‘sleep issues’ by the demands of our modern, hectic lifestyle.
L.R. Knost (The Gentle Parent: Positive, Practical, Effective Discipline)
Give me a moment, baby. I just need to roll those words over in my head a couple of times. ‘It’s really hard to climb a stripper pole when you’re wearing an ankle monitor.’ It’s like slutty poetry. I never dared dream that a child of mine would ever utter such a beautiful sentence.
Jess Whitecroft (Dirty Little Freaks (The FuBar #4))
Angel?” My dad’s voice comes from the bottom of the stairs, and I somehow manage to perch on my elbows while Malachi bruises my thighs with his grip, sweat coating my skin as my dad stands with my discarded jeans in his hand, mortification all over his face. “Daddy?” I whisper, my eyes rolling, falling back as my spine tingles, my breasts turning tender as my brother keeps eating me out, despite my dad being present. He rushes up the stairs, stopping when he sees who’s destroying his baby girl’s pussy. “Malachi!” Dad grabs his shoulder and tries to pull him away from me, but my brother’s grip doesn’t falter; nor do the strokes of his tongue, and we’re both dragged across the floor while Dad tries to get him off me. My brother doesn’t stop, and my eyes close as my dad tries again. His mouth disconnects from my pussy, and I whimper from the loss, and the next thing, Malachi is being dragged off me, and Dad punches him. Malachi’s nose is bleeding when he stands up, gathering something in his mouth before he grabs Dad’s jaw and spits in his face. Your daughter tastes fucking delicious, he signs. Too bad she’s all mine.
Leigh Rivers (Little Stranger (The Web of Silence Duet, #1))
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family. After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping." "I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder." Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?" "It would be more accurate to say I'm thrashing like a drowning rat." "Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness. While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy. Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
He stood hat in hand over the unmarked earth. This woman who had worked for his family fifty years. She had cared for his mother as a baby and she had worked for his family long before his mother was born and she had known and cared for the wild Grady boys who were his mother's uncles and who had all died so long ago and he stood holding his hat and he called her his abuela and he said goodbye to her in Spanish and then turned and put on his hat and turned his wet face to the wind and for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead. In four days' riding he crossed the Pecos at Iraan Texas and rode up out of the river breaks where the pumpjacks in the Yates Field ranged against the skyline rose and dipped like mechanical birds. Like great primitive birds welded up out of iron by hearsay in a land perhaps where such birds once had been…..The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country because it was barren country indeed yet he came at evening upon a solitary bull rolling in the dust against the bloodred sunset like an animal in sacrificial torment. The bloodred dust blew down out of the sun. He touched the horse with his heels and rode on. He rode with the sun coppering his face and the red wind blowing out of the west across the evening land and the small desert birds flew chittering among the dry bracken and horse and rider and horse passed on and their long shadows passed in tandem like the shadow of a single being. Passed and paled into the darkening land, the world to come.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
Robert Browning
I move in slow motion to roll out of bed, arrange clothing under the covers, and silently remove the screen from my window. Smoothly and soundlessly, I slip out and lower myself to the ground, reaching high above my head to replace the screen. I crouch and skim across the lawn to the street, moving quickly from tree shadow to tree shadow until I reach his car, the passenger door already open and waiting. “Ready?” Steve asks as we synchronize the closing of the door with the starting of the engine. Within moments, we’re on our way to our favorite spot. “You’re awfully quiet tonight, baby.” He parks the car and we both peer out at the lights of the town displayed below us. “Your father get after you again?” It’s a peculiar way to word it, but even my father won’t use words like beat or hit to describe his actions. He’ll use a quote like, “Spare the rod, spoil the child.” Or declare that he is saving my soul. But my silence tonight isn’t about my father’s form of discipline, nor my mother’s sharp tongue. I take a long, slow breath before speaking the words that I’ve rehearsed for over a month. “I’m pregnant.” My voice comes out soft and raspy.
Diane Winger (The Abandoned Girl)
short red pants with purple suspenders over a bright yellow and black sweat shirt. On my feet I put my purple push-down socks and a pair of red hightop sneakers. I added jewelry — a big necklace with wooden bananas and oranges strung on it, and dangly earrings shaped like sunglasses. I fixed my hair. I brushed it until it was full and shiny. Then I rolled up a red scarf and tied it in my hair
Ann M. Martin (Welcome Back, Stacey (The Baby-Sitters Club, #28))
Telegraph Road A long time ago came a man on a track Walking thirty miles with a pack on his back And he put down his load where he thought it was the best Made a home in the wilderness He built a cabin and a winter store And he ploughed up the ground by the cold lake shore And the other travellers came riding down the track And they never went further, no, they never went back Then came the churches, then came the schools Then came the lawyers, then came the rules Then came the trains and the trucks with their loads And the dirty old track was the telegraph road Then came the mines - then came the ore Then there was the hard times, then there was a war Telegraph sang a song about the world outside Telegraph road got so deep and so wide Like a rolling river ... And my radio says tonight it's gonna freeze People driving home from the factories There's six lanes of traffic Three lanes moving slow ... I used to like to go to work but they shut it down I got a right to go to work but there's no work here to be found Yes and they say we're gonna have to pay what's owed We're gonna have to reap from some seed that's been sowed And the birds up on the wires and the telegraph poles They can always fly away from this rain and this cold You can hear them singing out their telegraph code All the way down the telegraph road You know I'd sooner forget but I remember those nights When life was just a bet on a race between the lights You had your head on my shoulder, you had your hand in my hair Now you act a little colder like you don't seem to care But believe in me baby and I'll take you away From out of this darkness and into the day From these rivers of headlights, these rivers of rain From the anger that lives on the streets with these names 'Cos I've run every red light on memory lane I've seen desperation explode into flames And I don't want to see it again ... From all of these signs saying sorry but we're closed All the way down the telegraph road
Mark Knopfler (Dire Straits - 1982-91)
She lay on her back, her belly sticking up like a mountain on top of her little frame, and Jack couldn’t keep his hands off of it. While there was a time he couldn’t keep his hands off the rest of her—and she had no doubt they would be there again before long—right now it was the antics of his baby within her that occupied him thoroughly. He would let go a loud bellow when her entire abdomen shifted, caving in on one side and protruding enormously on the other. And he especially liked when it appeared a foot was sliding in a large lump up one side. She could actually doze while he occupied himself with her pregnancy. It brought to her mind what he was going to look like rolling a ball on the floor with their baby girl, bouncing her on his knee, twirling her around over his head. “We
Robyn Carr (Shelter Mountain (Virgin River, #2))
Okay, okay . . . where do you hear it coming from?” “Around here somewhere.” “Always in this spot?” “No. Not always. You are going to think I am even more insane, but I swear it is following me around.” “Maybe it is my new powers. The power to drive you mad.” She wriggled her fingers at him theatrically as if she were casting a curse on him. “You already drive me mad,” he teased, dragging her up against him and nibbling her neck with a playful growling. “Ah hell,” he broke off. “I really am going mad. I cannot believe you cannot hear that. It is like a metronome set to some ridiculously fast speed.” He turned and walked into the living room, looking around at every shelf. “The last person to own this place probably had a thing for music and left it running. Listen. Can you hear that?” “No,” she said thoughtfully, “but I can hear you hearing it if I concentrate on your thoughts. What in the world . . . ?” Gideon turned, then turned again, concentrating on the rapid sound, following it until it led him right up to his wife. “It is you!” he said. “No wonder it is following me around. Are you wearing a watch?” He grabbed her wrist and she rolled her eyes. “A Demon wearing a watch? Now I have heard everything.” Suddenly Gideon went very, very still, the cold wash of chills that flooded through him so strong that she shivered with the overflow of sensation. He abruptly dropped to his knees and framed her hips with his hands. “Oh, Legna,” he whispered, “I am such an idiot. It is a baby. It is our baby. I am hearing it’s heartbeat!” “What?” she asked, her shock so powerful she could barely speak. “I am with child?” “Yes. Yes, sweet, you most certainly are. A little over a month. Legna, you conceived, probably the first time we made love. My beautiful, fertile, gorgeous wife.” Gideon kissed her belly through her dress, stood up, and caught her up against him until she squeaked with the force of his hug. Legna went past shock and entered unbelievable joy. She laughed, not caring how tight he held her, feeling his joy on a thousand different levels. “I never thought I would know this feeling,” he said hoarsely. “Even when we were getting married, I never thought . . . It did not even enter my mind!” Gideon set her down on her feet, putting her at arm’s length as he scanned her thoroughly from head to toe. “I cannot understand why I did not become aware of this sooner. The chemical changes, the hormone levels alone . . .” “Never mind. We know now,” she said, throwing herself back up against him and hugging him tightly. “Come, we have to tell Noah . . . and Hannah! Oh, and Bella! And Jacob, of course. And Elijah. And we should inform Siena—” She was still rattling off names as she teleported them to the King’s castle.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Well,” Joel said, “I guess maybe we'd better get started right away.” He rolled over on top of her, covering her body with his own and crushing her deep into the thick mattress. “Hold it,” Letty said, already breathless. “Where I come from, we don't start planning babies until we've planned the wedding.” “Don't worry about it, one way or another there's going to be a wedding before next spring.” Joel kissed her throat. “You're sure?” “I'm sure.” He kissed her mouth.
Jayne Ann Krentz (Perfect Partners)
One Thanksgiving Porter and June were getting ready to leave, back when their children were small, and June was heading toward the door with the baby in her arms and Danny hanging onto her coat and this load of toys and supplies when Porter called out, ‘Halt!’ and started reading from one of those cash-register tapes that he always writes his lists on: blanket, bottles, diaper bag, formula out of the fridge … June just looked over at the other two and rolled her eyes.
Anne Tyler (The Accidental Tourist)
Good morning, Mike,” I mumbled, making a beeline for the coffeepot. “Oooooh!” he teased again. “Someone is getting married tonight! Woooooooo…” “Yep,” I said, taking that first glorious sip of java. “Hard to believe, isn’t it?” Mike put his hand over his mouth and snickered. Then he asked, “So…are you guys gonna do some…some kissin’?” “I certainly hope so,” I said. This only served to make Mike laugh harder. “Ooooooh!” he squealed. “Are you gonna have a baby?” Oh, Lord. I took another hit of Gevalia and answered, “Not today.” Mike cracked up again. He was clearly on a roll. “What’s so funny this morning, Mike?” I asked. “Your s-s-s-stomach is gonna get so fat,” he answered. Mike was quickly approaching manic stage--the result of a large, busy weekend and his routine being disrupted. Soon the inevitable crash would come. I just hoped I was on the plane to Australia when it happened. It wasn’t going to be pretty. “Oh, whatever, Mike,” I answered, feigning indignation.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
least.” “I don’t remember you complaining.” “Yes, well, I’d only been fantasizing about it for ages.” “See, there’s a thing,” Alex points out. “You just told me that. You can tell me other stuff.” “It’s hardly the same.” He rolls over onto his stomach, considers, and very deliberately says, “Baby.” It’s become a thing: baby. He knows it’s become a thing. He’s slipped up and accidentally said it a few times, and each time, Henry positively melts and Alex pretends not to notice, but he’s not above playing dirty here. There’s a slow hiss of an exhale across the line, like air escaping through a crack in a window. “It’s, ah. It’s not the best time,” he says. “How did you put it? Nutso family stuff.” Alex purses his lips, bites down on his cheek. There it is. He’s wondered when Henry would finally start talking about the royal family. He makes oblique references to Philip being wound so tight as to double as an atomic clock, or to his grandmother’s disapproval, and he mentions Bea as often as Alex mentions June, but Alex knows there’s more to it than that. He couldn’t tell you when he started noticing, though, just like he doesn’t know when he started ticking off the days of Henry’s moods. “Ah,” he says. “I see.” “I don’t suppose you keep up with any British tabloids, do you?” “Not if I can help it.” Henry offers the bitterest of laughs. “Well, the Daily Mail has always had a bit of an affinity for airing our dirty laundry. They, er, they gave my sister this nickname years ago. ‘The Powder Princess.’” A ding of recognition. “Because of the…” “Yes, the cocaine, Alex.” “Okay, that does sound familiar.” Henry sighs. “Well, someone’s managed to bypass security to spray paint ‘Powder Princess’ on the side of her car.” “Shit,” Alex says. “And she’s not taking it well?” “Bea?” Henry laughs, a little more genuinely this time. “No, she doesn’t usually care about those things. She’s fine. More shaken up that someone got past security than anything.
Casey McQuiston (Red, White & Royal Blue)
Could be just the local boys holding a moonlight circle-jerk up on the hill or sitting around on the tombstones smoking grass. Mostly he'd run into them over in Cumberland, on the checkout line at the supermarket, each with two or three little kids and a little underage wife - who already looks as though life has passed her by - with poor coloring and a pregnant belly pushing a cart piled with popcorn, cheese bugles, sausage rolls, dog food, potato chips, baby wipes, and twelve-inch-round pepperoni pizzas stacked up like money in a dream.
Philip Roth (Sabbath's Theater)
Blood had been pouring from my body, so much more than could be held back by a simple bandaid. Maybe I had been to the hospital and they stitched it up? Were there stitches underneath this bandaid?  I didn't remember going to the hospital, but then again, I didn't remember much from last night. Why wasn't I in the hospital now? Shouldn't a suicidal teenager be in the hospital? Or some sort of mental institution? Why was I here, lying in my bed?  ​Confused, I struggled to sit up. "Who put this bandaid here?"   ​Katie rolled her eyes and leaned towards me, not attempting to help me sit up. "Mom did, of course. You cut your wrist on the glass bottle that you smashed all over my bed." She narrowed her stormy gray eyes at me. "Thanks a lot for that, by the way. We had to throw my bedding out. I guess I have to keep an eye on you at all times, don't I? You're like a baby." ​ I was stunned. They thought I had cut myself by accident! They didn't realize I had done it on purpose! Didn't I make it clear that I was trying to KILL myself? Wasn't my desperate plea for help loud enough?
Heather Balog (Letters To My Sister's Shrink)
Hey, baby,” Chelsea said in a voice that bordered on baby talk as Mike bent down to give her a quick kiss. “Miss me?” Violet almost rolled her eyes. “I thought about you all period,” he answered, his voice husky. “Did you get the note I left in your backpack?” Violet couldn’t hold back any longer; she rolled her eyes. Neither of them noticed. “I did. You’re so sweet.” The cooing verged on sickening. “Did anyone say anything about your mustache?” Mike winced, as if he suddenly remembered the patchy hair on his upper lip. “A coupla’ people,” he reluctantly responded, and Violet suspected that he’d taken his hair share of ribbing over it. Chelsea ignored the obvious distress in his voice. “Vi and I gotta run or we’ll be late.” She stretched up to kiss him and then rubbed her thumb across the hairs above his lip as if she were petting them. “See you after class.” Chelsea tugged at Violet, who was still staring at his unsightly mustache. It was like seeing a car accident…hard to look away. “So do you? Like it, I mean?” Violet asked as she was being dragged down the hallway. “The mustache?” Chelsea grimaced. “God, no. It’s hideous on him.” “Then, why?” “I told you, to see if he’d actually do it. Don’t worry. I’m gonna make him shave it this weekend.” Violet wasn’t sure whether to congratulate her friend on her training abilities or reprimand her for being so cruel. In the end, she didn’t do either, mostly because she knew it wouldn’t make any difference. Chelsea was Chelsea. Trying to convince her that what she’d done was wrong would be like banging your head against a brick wall. It would be painful to you but accomplish nothing.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
REGRET ME When you look in the mirror Take stock of your soul And when you hear my voice, remember You ruined me whole Don’t you dare sleep easy And leave the sleepless nights to me Let the world weigh you down And, baby, when you think of me I hope it ruins rock ’n’ roll Regret me Regretfully When you look at her Take stock of what you took from me And when you see a ghost in the distance Know I’m hanging over everything Don’t you dare sleep easy And leave the sleepless nights to me Let the world weigh you down And, baby, when you think of me I hope it ruins rock ’n’ roll Regret me Regretfully Regret me
Taylor Jenkins Reid (Daisy Jones & The Six)
REGRET ME When you look in the mirror Take stock of your soul And when you hear my voice, remember You ruined me whole Don’t you dare sleep easy And leave the sleepless nights to me Let the world weigh you down And, baby, when you think of me I hope it ruins rock ’n’ roll Regret me Regretfully When you look at her Take stock of what you took from me And when you see a ghost in the distance Know I’m hanging over everything Don’t you dare sleep easy And leave the sleepless nights to me Let the world weigh you down And, baby, when you think of me I hope it ruins rock ’n’ roll Regret me Regretfully Regret me Regretfully
Taylor Jenkins Reid (Daisy Jones & The Six)
Emilio quit making exaggerated leering faces at Boyd and opened the door. "Hey sexy," he drawled, grabbing Owen's shirt and hauling him into the apartment. "Boyd is here, so I'll have to teach you about dick sucking another time. Actually, I dunno, maybe he wants to watch." Owen looked startled while Boyd rolled his eyes. "I could probably teach you pointers on that one," Boyd drawled to Emilio. "I don't need to watch anything." Emilio shoved Owen in another step and kicked his door closed as he released what had once been his typical loud, charismatic laugh. "Believe me, baby, I sure as fuck know that," he said with a wink. "But I was talking about pointers for Owen here. I'm no joke at the trade myself." "Whoa, whoa," Owen said, lifting his hands. "Information to place in the 'deleted' folder and recycled, man. Give a guy some notice." Even so, he didn't seem too bothered by the topic as he immediately perked up when he saw the coffee table. "Oh! Score, is that food? Well, obviously it is. Hey, can I have some?" He was already walking over as he asked. "Unless Sir Sucks A Lot is sharing his shit, you better back off mine or I'll shoot you in the face," Emilio said as he flipped the locks to his door. "And why the fuck are you here, anyways?
Ais (Fade (In the Company of Shadows, #4))
Once I had found the courage to tell Rebecca about the children in my head, it wasn't so hard in the coming months to tell Roberta. On the train from Huddersfield one day in May I made a roll call of the usual suspects: Baby Alice; Alice 2, who was two years old and liked to suck sticky lollipops; Billy; Samuel; Shirley; Kato; and the enigmatic Eliza. There was boy I would grow particularly fond of named limbo, who was ten, but like Eliza he was still forming. There were others without names or specific behaviour traits. I didn't want to confuse the issue with this crowd of 'others' and just counted off the major players with their names, ages and personalities, which Roberta scribbled down on a pad. Then she looked slightly embarrassed. 'You know, I've met Billy on a few occasions, and Samuel once too,' she said. 'You're joking.' I felt betrayed. 'Why didn't you tell me?' 'I wanted it to come from you, Alice, when you were ready.' For some reason I pulled up my sleeves and showed he my arms. 'That's Kato,' I said, 'or Shirley.' She looked a bit pale as she studied the scars. I had feeling she didn't know what to say. The problem with counsellors is that they are trained to listen, not to give advice or diagnosis. We sat there with my arms extended over the void between us like evidence in court, then I pushed down my sleeves again. 'I'm so sorry, Alice,' she said finally and I shrugged. 'It's not your fault, is it?' Now she shrugged, and we were quiet once more.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
William sees it all happen again. The pain is not in the event. The subjection to it and his powerless state each time is where his anguish lies. He is unable to influence the situation, despite his desire. He sees the nest outside his house. He sees the baby bird that fell. The mother bird cries frantically for her lost chick. William knows as he approaches the chick that if he touches it his scent will linger, and the mother will reject it. Circling around the fallen creature William hopes it will flee from him, back toward the tree from which it had fallen. His presence only intensifies the creature’s fear. It speeds to his left, heading for the street. Again William tries to flank the bird, but it is too frightened to return to the nest. The chick’s mother wails vainly. William walks into the street trying to herd the bird to safety. The stop light a block away has just turned green. The driver accelerates. William moves from the car’s path and it runs over the bird. The momentum from its wake lifts the bird to the underside of the car, breaking its neck, but not killing it. William watches the bird roll helplessly. It is silent for a second, before it begins to whimper. Its contorted head dangles limply from its body. The noise is tragic. The bird’s mother hears the chick’s pain, but nothing can be done. She laments. A second speeder crushes the chick, leaving only a wet feathered spot in the street. As the cars continue to pass, only one bird is heard. A mother’s grief falls deafly on an unconcerned world.
M.R. Gott (Where The Dead Fear to Tread)
It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.” Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.” “It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it. “He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.” Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.” “Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami. Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself. Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .” “Oh, no.” Ian burst out laughing. “You’re not telling her that story.” “You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.” “You said to throw him to the crocs,” Ian reminded. “What was in the bar that you had to go in?” Azami asked, clearly puzzled. “Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing. Azami shook her head. “You two could be crazy. Are you making these stories up?” “Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—” “The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.” “He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.” “The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.
Christine Feehan (Samurai Game (GhostWalkers, #10))
She’s just getting a tat,” she says, turning me around. “What kind of tat?” “A tiny little butterfly or something equally as cute. Maybe a Disney princess. She hadn’t decided yet.” She rolls her eyes. Friday has skulls and crossbones and turtles and all sorts of weird shit all over her body. “I want to help her pick something,” I say, trying to push past Friday. “Stop,” she says. “She wants to surprise you.” I run a frustrated hand through my hair. “Tats mean different things to different people,” Friday says. “This means a lot to her, and she should be the one to decide what she gets.” I already know this, but I want to be involved, dammit. “You don’t trust Paul to take care of her?” Friday asks, her eyebrows crashing together. Of course I trust him. “But this is my girl,” I say. I know I sound like a baby. But there it is. She pats me on the arm. “Suck it up, buttercup,” she says.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
You’re as beautiful as you were the night we made our son,” she whispered, bending to kiss him tenderly. His fingers traced her dark eyebrows, her cheeks, her mouth. “I wish we could have another baby,” he said heavily. “So do I. But I’m too old,” she said sadly. She lay her cheek against his broad, damp chest and stroked the silver-tipped hair that covered it. “We’ll have to hope for grandchildren, if he ever forgives us.” He held her tightly, as if by holding her he could keep her safe. What he felt for her was ferociously protective. She misunderstood the tightening of his arms. She smiled and sighed. “We can’t, again. Cecily will think we’ve deserted her.” His hand smoothed her long hair. “She probably knows exactly what we’re doing,” he said on a chuckle. “She loves you.” “She likes you. Maybe we could adopt her.” “Better if our son marries her.” She grinned. “We can hope.” She sat up and stretched, liking the way he watched her still-firm breasts. “The last time I felt like this was thirty-six years ago,” she confided. “The same is true for me,” he replied. She searched his eyes, already facing her departure. She would have to go back to the reservation, home. He could still read her better than she knew. He drew her hand to his mouth. “It’s too late, but I want to marry you. This week. As soon as possible.” She was surprised. She didn’t know what to say. “I love you,” he said. “I never stopped. Forgive me and say yes.” She considered the enormity of what she would be agreeing to do. Be his hostess. Meet his friends. Go to fund-raising events. Wear fancy clothes. Act sophisticated. “Your life is so different from mine,” she began. “Don’t you start,” he murmured. “I’ve seen what it did to Cecily when Tate used that same argument with her about all the differences. It won’t work with me. We love each other too much to worry about trivial things. Say yes. We’ll work out all the details later.” “There will be parties, benefits…” He pulled her down into his arms and kissed her tenderly. “I don’t know much about etiquette,” she tried again. He rolled her over, pinning her gently. One long leg inserted itself between both of hers as he kissed her. “Oh, what the hell,” she murmured, and wrapped her legs around his, groaning as the joints protested. “Arthritis?” he asked. “Osteoarthritis.” “Me, too.” He shifted, groaning a little himself as he eased down. “We’ll work on new positions one day. But it’s…too late…now. Leta…!” he gasped. She didn’t have enough breath to answer him. He didn’t seem to notice that she hadn’t. Bad joints notwithstanding, they managed to do quite a few things that weren’t recommended for people their ages. And some that weren’t in the book at all.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I don’t give a fuck what people say,” Ryan said. “I want a good cuddle after this sucky day.” He smiled at the unintentional rhyme and opened his arms. “Come here, Jamie bear.” Rolling his eyes but grinning, Jamie walked over and all but flopped on top of Ryan. “You’re still such a big baby,” Jamie said, resting his cheek against Ryan’s shoulder. “If your brothers knew you still use me as your teddy bear when you have a shitty day, they’d never let you live it down.” “You would never tell them,” Ryan said, wrapping his arms around Jamie tightly and closing his eyes as the tension that had been gathering in his body over the last month somehow ebbed gently away from him. “You’d never tell them, because I’m your favorite person in the world.” Jamie just sighed, burrowing his face into his neck. He didn’t say anything. But he didn’t deny it, either. “Don’t do it again,” Ryan said, opening his eyes and putting a hand on Jamie’s nape. “Okay?
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
Over the course of the 1970s conservatives made the endangered child into a kind of political and rhetorical abstraction, a way of thinking about the country and its citizens that could help advance a wide range of policy initiatives. They opposed the counterculture on the grounds that rock and roll caused adolescents to lose respect for family life. They promoted the War on Drugs with racially tinged morality tales about addicted inner-city mothers and, crucially, the “superpredator” “crack babies” to whom those mothers supposedly gave birth. (That particular epidemic was later shown to be a myth.)40 And when Anita Bryant led a campaign to allow Dade County to discriminate against homosexuals in hiring teachers for public schools, she named the effort “Save Our Children.” The fear that tied all of these campaigns together was of the ease with which children could be victimized or else corrupted and turned against the society that was supposed to nurture them.
Richard Beck (We Believe the Children: The Story of a Moral Panic)
I had us both on our knees, her back pressed up against my chest, her head leaning back on my shoulder. I was slowly thrusting up inside her, only my hands cupped over her breasts keeping her in place. We were like a choreographed dance. With each push she tilted her hips back against me. So that with each thrust and parry I got so deep into her. It was unlike anything I had ever done. It was un-fucking-real. “Jake. Jake.” She liked to do that. She liked to just say my name. “I’m going to make you come so hard you’re going to scream.” I moved my hand down her body, slid a finger through her pussy, circled her clit. “Yes, yes, please do that!” My hips were snapping now. I could feel it coming. “Come for me, baby. Now.” “Ahhhhhhh!” And there it was. I could feel her squeezing me hard even as I shot my load inside her. She practically melted back against me. Her head rolling back and forth on my shoulder. “Is that sharing, Jake?” “Yes,” I puffed out. “Mmmm. I like sharing.
S. Doyle (The Lover (The Bride, #3))
I learned many things at Dixie County High School. There was a class called Life Management. One week we brought in a 5lb sacks of flour. For 2 weeks we were to carry this around as our baby. It needed to return intact to get a grade. But tape could be used for repairs. So the first night I wrapped my Piggy Wiggly-brand flour baby in 2 rolls of duct tape. Added a face. Glued on some orange faux fur hair. Five pounds became 8. They grow up so fast! Over the next week we tossed this tape baby against brick walls. No harm was done. Parenting came naturally it seemed. Until we decided to drop junior out a car window while heading down County Road 55A. It bounced off the road and out into a field. We searched... but never found that sack of flour. It might be out there still. The next morning I told my teacher what had happened. Baby went out a window. Was lost in a field. She just stared. Told me not to tell anyone else this story. I still got full credit though. No one expected much of parents back then.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
On Claud, though, the look is very cool.) For example, today she was wearing a neon green tank top under a white oversized man’s shirt and fuschia pink stirrup pants. The shirt was rolled at the sleeves and belted with a colorful woven belt. Claud finished the outfit with dangly ceramic-bead earrings she’d made herself in pottery class. She’s super artistic. She paints, sketches, draws, sculpts. You name it! Besides art and cool clothing, Claudia loves junk food. Her parents disapprove of Ho-Ho’s and Twinkies and stuff like that, so she hides them all over her room. You never know when you’re going to pick up a pillow and find a bag of potato chips or something behind it. The other thing she stashes away are her Nancy Drew books. Her parents don’t approve of those, either. They don’t think the mysteries are “intellectual” enough. Claudia couldn’t care less if the books are “intellectual.” One thing Claud is not interested in is school work. Although she can’t spell for anything, she’s definitely not dumb. She just doesn’t like school. And, unfortunately, her grades show it. She’s the complete
Ann M. Martin (Jessi and the Awful Secret (The Baby-Sitters Club, #61))
I pulled up at home and saw Marlboro Man’s truck next to the house. When I walked in the door of our little white house, he was there, sitting on the bench, taking off his boots. “Hey,” he said, leaning back against the wall. “How’re you doing?” “Better,” I replied. “I had a Frosty.” He pulled off his left boot. “What’d you find out?” “Well,” I started. My lip began to quiver. Marlboro Man stood up. “What’s wrong?” he said. “I’m p…” My lip quivered even more, making it difficult to speak. “I’m pregnant!” I cried. The tears started rolling. “What?” he exclaimed, moving toward me. “Really?” All I could do was nod. The lump in my throat was too big for me to talk. “Oh, wow.” He moved in, hugging me close. I guess he hadn’t expected it either. I just stood there and cried silently. For our past…for our future. For my nausea and my fatigue. For receiving a diagnosis. As for Marlboro Man, he just stood there and held me as he always had when I’d broken into unanticipated crying attacks, all the while trying his best not to explode with excitement over the fact that his baby was growing in my belly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Hey…,” I said as we climbed into bed one rainy night. “What if we just put the house on hold for a while?” I reached over to my bedside table, grabbed the lemon half, and took a big sniff. Lemon halves were my new narcotic. Marlboro Man was quiet. He worked his leg under mine and locked it into what had become its official position. It was warm. “I think maybe we should get to a stopping point,” I said. “And just put it on hold for a while.” “I’ve thought about it,” he answered quietly. He rubbed his leg slowly up and down mine. Feeling better, I set the lemon back on the table and reached my arm toward him, rolling over and draping my other leg over his waist and resting my head on his chest. “Well, I was thinking it might be easier for me not to worry about it with my parents and the baby and everything else.” Maybe it would be more effective, I thought, if I turned the focus on me. “Well, that makes sense,” he said. “But let’s talk about it tomorrow.” He wrapped his other arm around my waist, and within seconds we were in a totally different world, where parents and drywall--and crippling nausea--were no longer welcome.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
She sighed “Can’t you just think about sex like a normal guy?” He blinked. “Excuse me?” “How are you not thinking about sex right now?” “You don’t know what I’m thinking about.” “Yeah, but I know what you’re feeling. And you’re feeling…happy. Where’s all the desire and want?” He picked up another arrow. “Are you seriously mad at me right now because I’m not having lustful thoughts?” “No. I’m just confused. I mean, I’m thinking about sex. But you’re over there coating arrows in blood and thinking about God knows what—“ “Star Wars figurines.” “What?” “That’s what I was thinking about.” She blinked in confusion. “Star Wars figurines make you happy?” He smiled and went back to the arrows on the table. “No. You make me happy. My happy feelings are because of you. My desire and want feelings—which I have plenty of—are also because of you, but I have those contained right now because I’m trying not to overwhelm you with emotions.” “Oh.” “Trust me,” he grabbed another arrow. “You don’t want me to think about sex when you can feel my emotions. It’s very intense. I could barely handle it with you and I had five hundred years of practice.” She shot her eyes to him. “What are you trying to say? That I’m some kind of baby? I can handle it.” He shook his head and smiled. “You have no idea what you’re talking about.” “Try me.” This was a dangerous game, but since only his life was at stake… “Okay.” He shrugged and started thinking about sex. With Scarlet. He watched as she stood frozen and the color drained from her face as everything he felt rolled into her. Then bright red color returned to her face and she looked like she might catch fire. He kept his eyes on her as his feelings stayed in the hottest parts of his being. She looked at him with hungry eyes and moved her mouth to speak but no sound came out. He watched her breathing grow heavier. She dropped the arrows she held and stared at him. He changed his pattern of thought and tried to calm his emotions so she wouldn’t do anything she regretted. Once his thoughts were back on happy non-sexual things, he glanced at Scarlet, who was still frozen in place with red cheeks and parted lips. “Scar?” He leaned to the side to look in her far away eyes. “You okay?” She mouthed something and nodded, then tried again. “Yeah.” Her voice cracked. She was staring at the wall with big eyes. “I’m, uh…I’m good. I’m great.” He went back to the arrows and smiled. “Told you.” Scarlet blinked a few times and looked at Tristan. “We definitely need a chaperone.
Chelsea Fine (Avow (The Archers of Avalon, #3))
... as the cover falls my hawk makes a curious, bewitching movement. She twitches her head to one side then turns it upside down and continues to regard me with the tip of her beak pointing at the ceiling. I am astonished. I've seen this head-turning before. Baby falcons do it when they play. But goshawks? Really? I pull a sheet of paper towards me, tear a long strip from one side, scrunch it into a ball, and offer it to the hawk in my fingers. She grabs it with her beak, It crunches. She likes the sound. She crunches it again and then lets it drop, turning her head upside down as it hits the floor. I pick it up and offer it to her again. She grabs it and bites it very gently over and over again: gnam gnam gnam. She looks like a glove puppet, a Punch and Judy crocodile. Her eyes are narrowed in bird-laughter. I am laughing too. I roll a magazine into a tube and peer at her through it as if it were a telescope. She ducks her head to look at me through the hole. She pushes her beak into it as far as it will go, biting the empty air inside. Putting my mouth to my side of my paper telescope I boom into it: 'Hello, Mabel.' She pulls her beak free. All the feathers on her forehead are raised. She shakes her tail rapidly from side to side and shivers with happiness.
Helen Macdonald (H is for Hawk)
We’d been together for a year when he lost his job in Chicago and I started noticing a change in him. Gone was his ever present smile when we were together; more often than not he would be withdrawn and seemed as if he was carrying the weight of the world on his shoulders. Then, he got a job offer from his Uncle in Dalton, Ohio. He needed a new mechanic and wanted to help Beau out. Beau begged me to go with him; said he loved me and couldn’t bear to live without me. My parents and my best friend, Kate, were dead against it. They had noticed the change in Beau. They’d never been happy with our relationship, so they weren’t shy at expressing their concerns about moving across a whole other state to live with my “bad boy” boyfriend, and were vehemently against me giving up nursing school to do so. In the end, Beau used the ace up his sleeve, something I didn’t see coming until it was too late. He blackmailed me into moving with him. We were lying in bed one night, having just made love, and I was stuck in the post-coital haze that had my mind thinking of fluffy bunnies and rainbows. He rolled over and brushed the hair out of my face. “I can’t leave you behind, so I’ve decided you’re coming with me, Mac. It’s you and me against the world. I can’t survive without you, baby.” And
B.J. Harvey (Temporary Bliss (Bliss, #1))
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
Tina Fey (Bossypants)
What’s behind your back, baby?” “It’s nothing,” she says, her eyes growing bigger the closer I get to her. She starts to turn, and that’s when a big purple dildo fumbles out of her hands, bouncing once before rolling under the bed. “It’s not mine, I swear!” she says, looking distraught, holding up both her hands in front of her. “It’s not your dildo?” I ask, trying not to laugh. “No, it’s my friend’s.” “You have your friend’s dildo?” I c**k my head to the side. “Yes,” she says, her shoulders slumping. “So you’re telling me you keep a dildo…for your friend…in your closet?” I start to laugh. “Oh God, that sounds really stupid.” She covers her face. “I mean, my friend got it for me.” I bend down, picking it up from underneath the bed. The thing is not only bright purple with sparkles, but it has to be at least a foot long and three inches across. “I’m going to kill Maggie,” she whispers with her eyes closed. “Babe, I seriously hope you never tried to use this,” I say, turning it over in my hand. “Oh. My. God. Kill me now,” she groans, her eyes still closed. “Baby.” I laugh so hard that tears start to fall from my eyes. “No, I’m pretending that if I can’t see you, then this isn’t really happening,” she says, making me laugh harder than I have in my entire life. “Look at me,” I finally wheeze out. “Nuh-uh…” she mumbles, eyes still closed.
Aurora Rose Reynolds (Until Nico (Until, #4))
I was here. I was fine. It was a beautiful day, and I was around people who gave me more love and happiness in a month than I’d had for seventeen years. I would never have to see those jerks again. And today was going to be a good day, damn it. So I got it together and finally looked back down at my best friend to ask, “Did I tell you I stole a bottle of Visine once because I wanted to put a few drops into my dad’s coffee, but I always chickened out?” Lenny snickered. “No. Psycho. Did I tell you that one time I asked Santa to bring my mom back?” I made a face. “That’s sad, Lenny.” I blinked. “I pretty much did the same thing.” “Uh-huh.” I raised my eyebrows at her. “Did I ever tell you that I wanted to have like ten kids when I was younger?” The laugh that came out of her wasn’t as strong as it usually was, but I was glad she let it out anyway. It sounded just like her, loud and direct and so full of happiness it was literally infectious. “Ten? Jesus, why?” I wrinkled my nose at her. “It sounded like a good number.” The scoff that came out of her right then was a little louder. “You’re fucking nuts, Luna. One, two, three, four, five, six, seven, eight, nine, ten-ten?” “That’s what ten means.” I grinned at her. “I said that was back when I was younger, not any time recently. I can’t afford ten kids.” “Still. How about… none?” I glanced down the table again when I heard Thea’s sharp laugh. “Okay, Only Child.” I laughed. “I think four’s a good number now.” My friend beside me groaned before reaching forward to grab a chip, dipping it into the tiny bowl of guacamole beside it. “Look, Grandpa Gus was basically my brother, my dad, my uncle, and my grandpa all rolled into one, and I had a bunch of kids to play with,” she claimed. “Whatever makes you happy, but I think I’m fine with zero kids in my future.” I reached over and grabbed one of the pieces of fajita from her plate and plopped it into my mouth. “Watch, you’ll end up with two,” I told her, covering my mouth while I chewed the meat. “You’ve already got that ‘mom’ vibe going on better than anyone I know.” That had her rolling her eyes, but she didn’t argue that she didn’t, because we both knew it was true. She was a twenty-seven-year-old who dealt with full-grown man babies daily. She had it down. I was friends with my coworkers. Lenny was a babysitter for the ones she was surrounded with regularly. “Like you’re one to talk, bish,” she threw out in a grumpy voice that said she knew she couldn’t deny it. She had a point there. She picked up a piece of fajita and tossed it into her mouth before mumbling, “For the record, you should probably get started on lucky number four soon. You aren’t getting any younger.” I rolled my eyes, still chewing. “Bish.” “Bish.
Mariana Zapata (Luna and the Lie)
And that unfortunate loss? Was that really an accident,or did you lose deliberately so I wouldn't have to pay the bill?" He shrugged. "My lips are sealed." "I should have known." Once on the open highway he turned on the radio,and they both sang along with Garth as he lamented his papa being a rolling stone. When the song ended,Marilee looked over. "I'll consider that a sermon. According to Garth, a woman would be a fool to lose her heart to a man who'd rather drive a truck than be home with her." Wyatt winked,and in his best imitation of Daffy's smoky voice he said, "Honey, a man may love the open road,but any female with half a brain can figure out how to compete with a truck.Just bat those pretty little red-tipped lashes at any male over the age of twelve, and his brain turns to mush.Next thing you know, instead of revving up his engine, he's on his hands and knees, carrying a toddler on his back around a living room full of toys and baby gear." Though the image was a surprisingly pretty one,Marilee had to wipe tears from her eyes,she was laughing so hard. When she caught her breath she managed to say, "You've got Daffy down so perfectly,you could probably answer the phone at the Fortune Saloon and no one would believe it wasn't her." "She's easy." He chuckled. "I think she's the only female with a voice that's deeper than mine." She looked out the window at the full moon above Treasure Chest Mountain in the distance. "It's a shame to waste such a pretty night.Maybe you ought to pull over and park.We can make out like teenagers." "Not a bad idea." At his arched brow she added, "It would give me a chance to see if I could turn your brain to mush." "Believe it.
R.C. Ryan (Montana Destiny)
Open All Night" (originally by Bruce Springsteen) I had the carburetor cleaned and checked With her line blown out, she's hummin' like a turbojet Propped her up in the backyard on concrete blocks For a new clutch plate and a new set of shocks Took her down to the carwash, check the plugs and points I'm goin' out tonight, I'm gonna rock that joint Early north Jersey industrial skyline I'm a all-set cobra jet creepin' through the nighttime Gotta find a gas station, gotta find a payphone This turnpike sure is spooky at night when you're all alone Gotta hit the gas, baby, I'm runnin' late This New Jersey in the mornin' like a lunar landscape The boss don't dig me, so he put me on the nightshift It takes me two hours to get back to where my baby lives In the wee wee hours, your mind gets hazy Radio relay towers, won't you lead me to my baby? Underneath the overpass, trooper hits his party light switch Goodnight, good luck, one two powershift I met Wanda when she was employed Behind the counter at the Route 60 Bob's Big Boy Fried chicken on the front seat, she's sittin' in my lap We're wipin' our fingers on a Texaco roadmap I remember Wanda up on scrap metal hill With them big brown eyes that make your heart stand still 5 A.M., oil pressure's sinkin' fast I make a pit stop, wipe the windshield, check the gas Gotta call my baby on the telephone Let her know that her daddy's comin' on home Sit tight, little mama, I'm comin' round I got three more hours, but I'm coverin' ground Your eyes get itchy in the wee wee hours Sun's just a red ball risin' over them refinery towers Radio's jammed up with gospel stations Lost souls callin' long distance salvation Hey Mr. DJ, won't you hear my last prayer? Hey ho rock 'n' roll, deliver me from nowhere Ryan Adams, Nebraska (2022)
Ryan Adams
I have some questions for you.” Serious, indeed. He brushed her hair back from her forehead with his thumb. “I will answer to the best of my ability.” “You know about changing nappies.” “I do.” “You know about feeding babies.” “Generally, yes.” “You know about bathing them.” “It isn’t complicated.” She fell silent, and Vim’s curiosity grew when Sophie rolled to her back to regard him almost solemnly. “I asked Papa to procure us a special license.” He’d wondered why the banns hadn’t been cried but hadn’t questioned Sophie’s decision. “I assumed that was to allow your brothers to attend the ceremony.” “Them? Yes, I suppose.” She was in a quiet, Sophie-style taking over something, so he slid his arm around her shoulders and kissed her temple. “Tell me, my love. If I can explain my youthful blunders to you over a glass of eggnog, then you can confide to me whatever is bothering you.” She ducked her face against his shoulder. “Do you know the signs a woman is carrying?” He tried to view it as a mere question, a factual inquiry. “Her menses likely cease, for one thing.” Sophie took Vim’s hand and settled it over the wonderful fullness of her breast then shifted, arching into his touch. “What else?” He thought back to his stepmother’s confinements, to what he’d learned on his travels. “From the outset, she might be tired at odd times,” he said slowly. “Her breasts might be tender, and she might have a need to visit the necessary more often than usual.” She tucked her face against his chest and hooked her leg over his hips. “You are a very observant man, Mr. Charpentier.” With a jolt of something like alarm—but not simply alarm—Vim thought back to Sophie’s dozing in church, her marvelously sensitive breasts, her abrupt departure from the room when they’d first gathered for dinner. “And,” he said slowly, “some women are a bit queasy in the early weeks.” She moved his hand, bringing it to her mouth to kiss his knuckles, then settling it low on her abdomen, over her womb. “A New Year’s wedding will serve quite nicely if we schedule it for the middle of the day. I’m told the queasiness passes in a few weeks, beloved.” To Vim’s ears, there was a peculiar, awed quality to that single, soft endearment. The feeling that came over him then was indescribable. Profound peace, profound awe, and profound gratitude coalesced into something so transcendent as to make “love”—even mad, passionate love—an inadequate description. “If you are happy about this, Sophie, one tenth as happy about it as I am, then this will have been the best Christmas season anybody ever had, anywhere, at any time. I vow this to you as the father of your children, your affianced husband, and the man who loves you with his whole heart.” She
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
A knock at the enameled door of the carriage altered them to the presence of a porter and a platform inspector just outside. Sebastian looked up and handed the baby back to Evie. He went to speak to the men. After a minute or two, he came back from the threshold with a basket. Looking both perturbed and amused, he brought it to Phoebe. “This was delivered to the station for you.” “Just now?” Phoebe asked with a nonplussed laugh. “Why, I believe it’s Ernestine’s mending basket! Don’t say the Ravenels went to the trouble of sending someone all the way to Alton to return it?” “It’s not empty,” her father said. As he set the basket in her lap, it quivered and rustled, and a blood-curdling yowl emerged. Astonished, Phoebe fumbled with the latch on the lid and opened it. The black cat sprang out and crawled frantically up her front, clinging to her shoulder with such ferocity that nothing could have detached her claws. “Galoshes!” Justin exclaimed, hurrying over to her. “Gosh-gosh!” Stephen cried in excitement. Phoebe stroked the frantic cat and tried to calm her. “Galoshes, how . . . why are you . . . oh, this is Mr. Ravenel’s doing! I’m going to murder him. You poor little thing.” Justin came to stand beside her, running his hands over the dusty, bedraggled feline. “Are we going to keep her now, Mama?” “I don’t think we have a choice,” Phoebe said distractedly. “Ivo, will you go with Justin to the dining compartment, and fetch her some food and water?” The two boys dashed off immediately. “Why has he done this?” Phoebe fretted. “He probably couldn’t make her stay at the barn, either. But she’s not meant to be a pet. She’s sure to run off as soon as we reach home.” Resuming his seat next to Evie, Sebastian said dryly, “Redbird, I doubt that creature will stray more than an arm’s length from you.” Discovering a note in the mending basket, Phoebe plucked it out and unfolded it. She instantly recognized West’s handwriting. Unemployed Feline Seeking Household Position To Whom It May Concern, I hereby offer my services as an experienced mouser and personal companion. References from a reputable family to be provided upon request. Willing to accept room and board in lieu of pay. Indoor lodgings preferred. Your servant, Galoshes the Cat Glancing up from the note, Phoebe found her parents’ questioning gazes on her. “Job application,” she explained sourly. “From the cat.” “How charming,” Seraphina exclaimed, reading over her shoulder. “‘Personal companion,’ my foot,” Phoebe muttered. “This is a semi-feral animal who has lived in outbuildings and fed on vermin.” “I wonder,” Seraphina said thoughtfully. “If she were truly feral, she wouldn’t want any contact with humans. With time and patience, she might become domesticated.” Phoebe rolled her eyes. “It seems we’ll find out.” The boys returned from the dining car with a bowl of water and a tray of refreshments. Galoshes descended to the floor long enough to devour a boiled egg, an anchovy canapé, and a spoonful of black caviar from a silver dish on ice. Licking her lips and purring, the cat jumped back into Phoebe’s lap and curled up with a sigh.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Luna left, too, with a cheery, “Thanks for the morning entertainment. That provided a better jolt than a cup of espresso.” Then it was just Arabella, her brother, and the really, really big man, who had just turned his gaze on her. Given his threats and violent solution, Arabella should have been quaking. At the very least staring at her toes lest she incur his wrath. But the gentlest blue eyes caught hers, and his tone was soft and soothing when he addressed her. “You must be Arabella. I’m Leo, the pride’s omega.” “More like enforcer,” Jeoff muttered, still rubbing his head. “If you behave, then I don’t have to resort to my methods.” “He started it,” Jeoff accused, pointing at finger at Hayder, who emerged from the bedroom clad in low-hipped jeans that hugged his corded thighs and a soft T-shirt that clung to his chest. “Hey, it’s not my fault you jumped to the wrong conclusion when I answered the door.” “What else was I to think? You’re in my sister’s condo wearing only a rag.” “Protecting her.” “The same way you protected her last night when you took her out and flaunted her?” “I took her to dinner.” “What the hell do you mean you took her out to dinner? You put my baby sister in danger.” “She wasn’t in danger.” “They snatched her off the street!” “And I got her back.” The men glared at each, toe-to-toe, bodies bristling. Leo, who’d seated himself on a stool by the kitchen island, cleared his throat. “Don’t make me get off this stool.” The tension remained, but the impending violence moved down a few notches. Seeming satisfied, Leo turned to her. “Coffee?” He addressed that to Arabella, holding out a cup he’d brewed from the machine on the counter. With a wary look at both Hayder and her brother, she went toward him but then almost scalded herself when Hayder barked, “Baby, where are your pants?” Oh yeah. She peeked down at her bare legs. To his credit, Leo didn’t, but he did smile. “How about I add some sugar and milk to this while you find some pants? You look like you need something sweet.” She couldn’t help but return his smile. “Yes, please.” Still ignoring the other two men, she stepped past them to the bedroom, where she scrounged in a drawer for pants. As she dressed, she listened to the arguing. “She’s leaving with me.” Her brother hadn’t relented. Neither did Hayder. “Wrong. Arabella isn’t going anywhere.” Ouch. She knew her brother wouldn’t like that. She was right. “Excuse me? You don’t get a say. She’s my sister, my responsibility. I’m taking her.” Arabella stepped back into the living room. “What of the danger though, Jeoff? The pack is in town, and they’re looking for me.” “We’ll figure something out.” “We already have. She’ll stay here with me where she’s safe.” Hayder crossed his arms over his impressive chest, looking much too determined— and sexy. A certain brother wasn’t impressed. “As safe as she was last night?” Hayder rolled his eyes. “Oh please. What part of ‘we had the situation under control’ can you not grasp? Leo, tell the wolf that Arabella was never in any danger.” “I don’t lie to my friends,” Leo said as he re-handed Arabella her coffee. She took a sip of the hot brew and sighed as she listened to the arguing. When Leo patted the stool beside him, she hopped on. For such a big man, he offered a strangely calming effect. On her at least. Hayder and Jeoff, on the other hand, just couldn’t stem their tirade. “I was wrong to stick her here. So you can forget I asked.” “Too late. She’s part of the pride now.” “She’s a wolf, or have you forgotten? She belongs with her own kind.” Jeoff crooked his finger at her and inclined his head to the door. Arabella didn’t move, more because Hayder’s next words froze her. “She belongs with me. Arabella is my mate.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.” I’d been afflicted with acute boy-craziness for over half my life. But what I was feeling for Marlboro Man was indescribably powerful. It was a primal attraction--the almost uncontrollable urge to wrap my arms and legs around him every time I looked into his eyes. The increased heart rate and respiration every time I heard his voice. The urge to have twelve thousand of his babies…and I wasn’t even sure I wanted children. “So anyway,” he continued. That’s when we heard the loud knocking on the pickup window. I jumped through the roof--it was after 2:00 A.M. Who on earth could it be? The Son of Sam--it had to be! Marlboro Man rolled down the window, and a huge cloud of passion and steam escaped. It wasn’t the Son of Sam. Worse--it was my mother. And she was wearing her heather gray cashmere robe. “Reeee?” she sang. “Is that yoooou?” She leaned closer and peered through the window. I slid off of Marlboro Man’s lap and gave her a halfhearted wave. “Uh…hi, Mom. Yeah. It’s just me.” She laughed. “Oh, okay…whew! I just didn’t know who was out here. I didn’t recognize the car!” She looked at Marlboro Man, whom she’d met only one time before, when he picked me up for a date. “Well, hello again!” she exclaimed, extending her manicured hand. He took her hand and shook it gently. “Hello, ma’am,” he replied, his voice still thick with lust and emotion. I sank in my seat. I was an adult, and had just been caught parking at 2:00 A.M. in the driveway of my parents’ house by my robe-wearing mother. She’d seen the foggy windows. She’d seen me sitting on his lap. I felt like I’d just gotten grounded. “Well, okay, then,” my mom said, turning around. “Good night, you two!” And with that, she flitted back into the house. Marlboro Man and I looked at each other. I hid my face in my hands and shook my head. He chuckled, opened the door, and said, “C’mon…I’d better get you home before curfew.” My sweaty hands still hid my face. He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet. “I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?” It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I think I'm going to have it,' I said, joking between pains. The midwife rolled competent sleeves over corpulent milky arms. 'Dear, you never have it, we deliver it.' A judgement the years proved true. Certainly I've never had you As you still have me. Why does a mother need a daughter? Heart's needle, hostage to fortune, freedom's end. Yet nothing's more perfect than that bleating, razor-shaped cry that delivers a mother to her baby. The bloodcord snaps that held their sphere together. The child, tiny and alone, creates the mother. A woman's life is her own until it is taken away by a first, particular cry. Then she is not alone but a part of the premises of everything there is: a time, a tribe, a war. When we belong to the world we become what we are.
Anne Stevenson
Why would you want to leave?’ ‘I’ve just made up my mind. It’s the best thing to do. Lots of people move to London.’ ‘Lots of people living in London wish they could move to Cornwall.’ Tears were now rolling down Millie’s cheeks. Silently, they dripped on to the starched cotton sheets pulled up over her knees. When she was confident she could sound normal - and not as if she was blubbing like a big baby - she said, ‘I just think I need a change. Nothing wrong with that. Oh, and there’s something else I’ve decided.’ There was a long pause. ‘What?’ ‘The next time we bump into each other, I’m going to show you something. My tattoo.’ ‘Why?’ ‘Because it doesn’t matter any more. I’ll be moving away, won’t I?’ Draining the last dregs from the bottle into her tooth mug, Millie wiped her
Jill Mansell (Millie's Fling)
The restaurant owner brought them wine, pale and golden and cool. There were just four oysters each, and when they were all gone they turned their attention to the cecinella. After the soft shapeless texture of the oysters these were almost the opposite: hard, crunchy skeletons whose flavor was all on the outside, a crisp bite of garlic and peperone that dissolved to nothing in your mouth. The ricci, or sea urchins, were another taste again, salty and exotic and rich. It was hard to believe that he had once thought they could be an austerity measure. After that they were brought without being asked a dish of baby octopus, cooked with tomatoes and wine mixed with the rich, gamey ink of a squid. For dessert the owner brought them two peaches. Their skins were wrinkled and almost bruised, but the flesh, when James cut into it with his knife, was unspoiled and perfectly ripe, so dark it was almost black. He was about to put a slice into his mouth when Livia stopped him. "Not like that. This is how we eat peaches here." She cut a chunk from the peach into her wine, then held the glass to his lips. He took it, tipping the wine and fruit together into his mouth. It was a delicious, sensual cascade of sensations, the sweet wine and the sweet peach rolling around his mouth before finally, he had to bite it, releasing the fruit's sugary juices. It was like the oyster all over again, a completely undreamt-of experience, and one that he found stirringly sexual, in some strange way that he couldn't have defined.
Anthony Capella (The Wedding Officer)
We didn’t believe when we first heard because you know how church folk can gossip. Like the time we all thought First John, our head usher, was messing around on his wife because Betty, the pastor’s secretary, caught him cozying up at brunch with another woman. A young, fashionable woman at that, one who switched her hips when she walked even though she had no business switching anything in front of a man married forty years. You could forgive a man for stepping out on his wife once, but to romance that young woman over buttered croissants at a sidewalk café? Now, that was a whole other thing. But before we could correct First John, he showed up at Upper Room Chapel that Sunday with his wife and the young, hip-switching woman—a great-niece visiting from Fort Worth—and that was that. When we first heard, we thought it might be that type of secret, although, we have to admit, it had felt different. Tasted different too. All good secrets have a taste before you tell them, and if we’d taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season. But we didn’t. We shared this sour secret, a secret that began the spring Nadia Turner got knocked up by the pastor’s son and went to the abortion clinic downtown to take care of it. She was seventeen then. She lived with her father, a Marine, and without her mother, who had killed herself six months earlier. Since then, the girl had earned a wild reputation—she was young and scared and trying to hide her scared in her prettiness. And she was pretty, beautiful even, with amber skin, silky long hair, and eyes swirled brown and gray and gold. Like most girls, she’d already learned that pretty exposes you and pretty hides you and like most girls, she hadn’t yet learned how to navigate the difference. So we heard all about her sojourns across the border to dance clubs in Tijuana, the water bottle she carried around Oceanside High filled with vodka, the Saturdays she spent on base playing pool with Marines, nights that ended with her heels pressed against some man’s foggy window. Just tales, maybe, except for one we now know is true: she spent her senior year of high school rolling around in bed with Luke Sheppard and come springtime, his baby was growing inside her. — LUKE SHEPPARD WAITED TABLES at Fat Charlie’s Seafood Shack, a restaurant off the pier known for its fresh food, live music, and family-friendly atmosphere. At least that’s what the ad in the San Diego Union-Tribune said, if you were fool enough to believe it. If you’d been around Oceanside long enough, you’d know that the promised fresh food was day-old fish and chips stewing under heat lamps, and the live music, when delivered, usually consisted of ragtag teenagers in ripped jeans with safety pins poking through their lips.
Brit Bennett (The Mothers)
Almost as soon as we got our baby home, we packed her up to leave. Bindi was six days old when she embarked on her first film shoot (actually, her second, if you count filming her birth). Steve, Bindi, and I headed off for the United States, with a stop first at Australia’s Double Island to film turtles. We drove through the Double Island sand dunes, spending a day filming on the area’s spectacular beaches. Bindi did marvelously. Some of the four-wheel driving was a bit rough, so I would lean over her capsule in the back of the four-wheel drive, helping to hold her head, so that the bouncing of the truck wouldn’t jostle her around too much. Once we arrived on location, she was absolutely content. Fraser, one of the assistants on the shoot, stayed with Bindi while Steve and I filmed. Then we’d walk around behind the camera to hug and kiss her, and I could feed her. She didn’t squeak or squawk. I swear she seemed to keep quiet when John called out “Rolling!
Terri Irwin (Steve & Me)
It felt fantastic to be back filming again, and it made me realize how much I missed it. The crew represented our extended family. I never once caught a feeling of annoyance or impatience at the prospect of having a six-day-old baby on set. To the contrary, the atmosphere was one of joy. I can mark precisely Bindi Irwin’s introduction to the wonderful world of wildlife documentary filming: Thursday, July 30, 1998, in the spectacular subtropics of the Queensland coast, where the brilliant white sand meets the turquoise water. This is where the sea turtles navigate the rolling surf each year to come ashore and lay their eggs. Next stop: America, baby on board. Bindi was so tiny she fit on an airplane pillow. Steve watched over her almost obsessively, fussing with her and guarding to see if anything would fall out of the overhead bins whenever they were opened. Such a protective daddy. Our first shoot in California focused on rattlesnakes and spiders. We got a cute photo of baby Bindi with a little hat on and a brown tarantula on her head. In Texas she got to meet toads and Trans-Pecos rat snakes. Steve found two stunning specimens of the nonvenomous snakes in an abandoned house. I watched as two-week-old Bindi reacted to their presence. She gazed up at the snakes and her small, shaky arms reached out toward them. I laughed with delight at her eagerness. Steve looked over at me, as if to say, See? Our own little wildlife warrior!
Terri Irwin (Steve & Me)
(Why am I the only Thomas kid who acts her age?) Ignoring his obnoxious comment, I pressed the receiver to my ear and tried to listen. “House of Wiley?” asked Mary Anne. (That’s what it sounded like. It was hard to tell over the noise.) “Whaaat?” I asked. Sam rolled his eyes. “I said, when are you going to be off the phone?” “How … was … Hawaii?” Mary Anne said loudly. Before I could answer either of them, Sam pulled open the fridge, releasing
Ann M. Martin (Kristy's Worst Idea (The Baby-Sitters Club, #100))
Newsflash. I do want to do that. I want to spread you out on my bed and fuck you until you’re so full of me it’s spilling out of you. And then, just for good measure, I want to roll you over and do it again.
Taryn Quinn (Have My Baby (Crescent Cove, #1))
Watching you and my daughter, seeing how you’ve survived things other women couldn’t--” She licked her lips. “That steel in your backbones came from your bringin’ up, from me. I’ve taught you to stand up and fight back. I’ve raised you proud. Lately, I’ve been staring into my looking glass, wondering where the old Rachel has got off to.” “Oh, Aunt Rachel, you’ve only done what you felt you had to for me and Amy.” Rachel nodded. “Yes. But there comes a time when a body must draw the line." She sighed and rolled her eyes, a reluctant smile tugging at her mouth. “If it’s a draw between a baby and Henry, I’ll kick his ornery butt all the way to the fancy house in Jacksboro and tell him to stay there this time.” Appalled and uncertain how to react, Loretta said, “Fancy house?” “You don’t really think he goes there to get tobacco and coffee and the Godey’s Lady’s Book for us, do you?” Rachel touched Loretta’s shoulder. “Don’t look so woebegone. He leaves me alone for nigh on a month after. I consider it a blessing.” Loretta threw back her head and gave a weak laugh. “Uncle Henry visiting a fancy house? Oh, Aunt Rachel, I bet those ladies double their rates when they see the likes of him coming!” “No doubt,” Rachel said grimly. “A lover, Henry ain’t. I’ve wasted a lot of years kowtowing to him. I don’t plan to waste any more. I can make it without a man. Just you watch me.” She pushed to her feet and extended Loretta a helping hand. “Come on, little mother. I’ll fix you some remedy for that rolling tummy.” “Oh, Aunt Rachel, do you think it’s for sure?” “Sure enough that we’d best start cutting out nightshirts. I got flannel tucked away in my barrel. That’ll make up nice.” Loretta smiled, and taking a deep breath, she passed a hand over her brow. “I am powerful pleased, Aunt Rachel!” “Just keep thinkin’ that way until I get Henry told.” “Do we have to tell him right now?” “Honey, if you go to upchucking of a morning before you can reach the privacy, he’s gonna know anyway. May as well light his fuse when we’re expecting the explosion.
Catherine Anderson (Comanche Moon (Comanche, #1))
Mommy. I just can’t stop thinking: It’s the polar bears now. But nobody cares. So next, it’s gonna be us.” Then she rolled over, fell asleep, and left me all alone in the dark room, stunned into paralysis myself. I stood over her, eyes wide, arms wrapped around my body. “Oh. My. God. The polllaaarrr bears!! We have to save the mother freaking polar bears! Next it’s gonna be us. What is wrong with us??” Then I looked down at my baby and thought: Ah. You are not crazy to be heartbroken over the polar bears; the rest of us are crazy not to be.
Glennon Doyle (Untamed)
The Book of the Grotesque The writer, an old man with a white mustache, had some difficulty in getting into bed. The windows of the house in which he lived were high and he wanted to look at the trees when he awoke in the morning. A carpenter came to fix the bed so that it would be on a level with the window. Quite a fuss was made about the matter. The carpenter, who had been a soldier in the Civil War, came into the writer’s room and sat down to talk of building a platform for the purpose of raising the bed. The writer had cigars lying about and the carpenter smoked. For a time the two men talked of the raising of the bed and then they talked of other things. The soldier got on the subject of the war. The writer, in fact, led him to that subject. The carpenter had once been a prisoner in Andersonville prison and had lost a brother. The brother had died of starvation, and whenever the carpenter got upon that subject he cried. He, like the old writer, had a white mustache, and when he cried he puckered up his lips and the mustache bobbed up and down. The weeping old man with the cigar in his mouth was ludicrous. The plan the writer had for the raising of his bed was forgotten and later the carpenter did it in his own way and the writer, who was past sixty, had to help himself with a chair when he went to bed at night. In his bed the writer rolled over on his side and lay quite still. For years he had been beset with notions concerning his heart. He was a hard smoker and his heart fluttered. The idea had got into his mind that he would some time die unexpectedly and always when he got into bed he thought of that. It did not alarm him. The effect in fact was quite a special thing and not easily explained. It made him more alive, there in bed, than at any other time. Perfectly still he lay and his body was old and not of much use any more, but something inside him was altogether young. He was like a pregnant woman, only that the thing inside him was not a baby but a youth. No, it wasn’t a youth, it was a woman, young, and wearing a coat of mail like a knight. It is absurd, you see, to try to tell what was inside the old writer as he lay on his high bed and listened to the fluttering of his heart. The thing to get at is what the writer, or the young thing within the writer, was thinking about. The old writer, like all of the people in the world, had got, during his long fife, a great many notions in his head. He had once been quite handsome and a number of women had been in love with him. And then, of course, he had known people, many people, known them in a peculiarly intimate way that was different from the way in which you and I know people. At least that is what the writer thought and the thought pleased him. Why quarrel with an old man concerning his thoughts? In the bed the writer had a dream that was not a dream. As he grew somewhat sleepy but was still conscious, figures began to appear before his eyes. He imagined the young indescribable thing within himself was driving a long procession of figures before his eyes. You see the interest in all this lies in the figures that went before the eyes of the writer. They were all grotesques. All of the men and women the writer had ever known had become grotesques. The grotesques were not all horrible. Some were amusing, some almost beautiful, and one, a woman all drawn out of shape, hurt the old man by her grotesqueness. When she passed he made a noise like a small dog whimpering. Had you come into the room you might have supposed the old man had unpleasant dreams or perhaps indigestion. For an hour the procession of grotesques passed before the eyes of the old man, and then, although it was a painful thing to do, he crept out of bed and began to write. Some one of the grotesques had made a deep impression on his mind and he wanted to describe it.
Sherwood Anderson (Winesburg, Ohio)
rendered the aircraft no longer airworthy and was thereby beyond the scope of human endeavor to control.” The force that rendered the aircraft uncontrollable was unknown. Another report from a similar disappearance said that “no more baffling problem has ever been presented for investigation.” It was obvious to me that my research into the subject of missing planes had become an obsession, which had everyone concerned, because the media frenzy was over. The public’s fascination with the Bermuda Triangle had passed. I was the only one still fixated on it. One friend suggested it was pregnancy hormones, but Sarah thought I had lost touch with reality. A week ago, she’d begged me, yet again, to see a therapist. As I sat at the kitchen table, I felt the sweet sensation of my baby moving in my belly. It was like a flutter of butterfly wings. Was he kicking or rolling over? Or was he a she? I sat back and stared at those crash reports and realized how quiet the condo was. There was no music or television, laughter or conversation. It was just me, alone with the sound of pages turning. It wasn’t so bad in the daytime, but at night, in the darkness, with only one lamp at my desk or with the cold glare of the fluorescent light bulb over the kitchen table and the unbearable silence, I recognized how desperately I missed Dean.
Julianne MacLean (Beyond the Moonlit Sea)
Breakfast Burrito Serves: 2 ½ cup chopped onion 1 cup chopped green bell pepper 1 cup sliced mushrooms 1 cup diced tomatoes 3 cups baby spinach or baby kale 8 ounces (½ block) firm tofu (or 3 eggs whites, see Note) 1 tablespoon nutritional yeast 1 teaspoon MatoZest*, Mrs. Dash, or other no-salt seasoning blend to taste 2 (100% whole grain) flour tortillas Water-sauté onions, peppers, mushrooms, and tomatoes until onion is translucent. Add greens and continue cooking until just wilted. Squeeze out as much water as possible from the tofu, then crumble it over the vegetable mixture and cook until tofu is just starting to turn golden. Stir in nutritional yeast and seasoning. Spread the cooked mixture on the tortillas and roll up to form burritos. Note: This recipe can be made with egg whites instead of or in addition to the tofu. Blend egg whites with ¼ cup nondairy milk, pour over the vegetable tofu mixture, and cook until eggs are done. PER SERVING: CALORIES 370; PROTEIN 26g; CARBOHYDRATE 50g; TOTAL FAT 9.6g; SATURATED FAT 1.5g; SODIUM 234mg; FIBER 12.4g; BETA-CAROTENE 9832mcg; VITAMIN C 199mg; CALCIUM 377mg; IRON 6.7mg; FOLATE 69mcg; MAGNESIUM 67mg; ZINC 1.8mg; SELENIUM 4.4mcg
Joel Fuhrman (The End of Heart Disease: The Eat to Live Plan to Prevent and Reverse Heart Disease (Eat for Life))
That’s how babies are made!” I reeled back and knocked over a chair. “Aunt M!” “Sex kills!” “M, seriously.” Mom walked into the kitchen and rolled her eyes. My aunt patted her belly. “It killed my waistline.
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
Joan Joyce is the real deal, a fierce competitor and one of the greatest athletes and coaches in sports history. Tony Renzoni’s moving tribute to Joan shows us why she is a champion in sports and in life. —Billie Jean King, sports icon and equality pioneer The story is all true. Joan Joyce was a tremendous pitcher, as talented as anyone who ever played. [responding to a newspaper account of his early 1960s match-ups against Joan Joyce] —Ted Williams, Hall of Famer and Boston Red Sox great, December 30, 1999 Joan Joyce is truly the greatest female athlete in sports history. And a great coach as well. Tony Renzoni’s well-researched book is a touching tribute to this phenomenal athlete. I highly recommend this book! —Bobby Valentine, former MLB player and manager Quotes for Historic Connecticut Music Venues: From the Coliseum to the Shaboo: I would like to thank Tony Renzoni for giving me the opportunity to write the foreword to his wonderful book. I highly recommend Connecticut Music Venues: From the Coliseum to Shaboo to music lovers everywhere! —Felix Cavaliere, Legendary Hall of Famer (Young Rascals/Rascals, Solo) As the promoter of the concerts in many of the music venues in this book, I hope you enjoy living the special memories this book will give you. —Jim Koplik, Live Nation president, Connecticut and Upstate New York Tony Renzoni has captured the soul and spirit of decades of the Connecticut live music scene, from the wild and wooly perspective of the music venues that housed it. A great read! —Christine Ohlman, the “Beehive Queen,” recording artist/songwriter Tony Renzoni has written a very thoughtful and well-researched tribute to the artists of Connecticut, and we are proud to have Gene included among them. —Lynne Pitney, wife of Gene Pitney Our Alice Cooper band recorded the Billion Dollars Babies album in a mansion in Greenwich. Over the years, there have been many great musicians from Connecticut, and the local scene is rich with good music. Tony Renzoni’s book captures all of that and more. Sit back and enjoy the ride. —Dennis Dunaway, hall of famer and co-founder of the Alice Cooper band. Rock ’n’ Roll music fans from coast to coast will connect to events in this book. Strongly recommended! —Judith Fisher Freed, estate of Alan Freed
Tony Renzoni
If Kafka had been a woman, then Gregor Samsa would not have turned into an insect, he would not have had to. Gregor would be Gretel and she would wake up one morning pregnant. She would try to roll over and discover she was stuck on her back. She would wave her little hands uselessly in the air.
Anne Enright (Babies)
She’s mine, and the baby in her belly is mine. I’ve wanted her since she was sixteen, but I knew better than to cross that fucking line, but now…” Reid’s dark gaze lifted to mine as my father rolled over, cradling his nose in his hands. “Now, I don’t give a fuck. You can say whatever you want about me, but don’t say a fucking word about Bridget.
J.L. Beck (Daddy's Bestfriend)
Hilde’s lip trembled as she saw her dolly beneath Adler’s elbow. Tears formed in her eyes. Adler glanced down at her, his face dark, lips drawn into a deep frown. He followed her gaze down to the cloth doll. Rolling his eyes, Adler moved his elbow and tossed the doll to Hilde. “It’s not worth crying over.” “It is when you’re five and some mean fellow’s got your baby,” Sarge teased as he took a seat next to Hilde. He smiled. “Isn’t she adorable?
Ryana Lynn Miller (Stille Nacht)
God sees everybody. I wanted to be special. I guess I thought it would be very fine if everybody said, ‘There goes Brother Gregory; he may only be a second son, but he’s really illuminated.’ But that just turns out to be Pride.” He sighed. “I guess you can’t find God by looking.” “I think—I think you can by asking. And—by listening …” She curled up in the covers and closed her eyes again. Gregory tucked his knees up, and put his elbows on them. Resting his chin on his cupped hands, he peered into the impenetrable darkness. He listened. First he heard his own breath coming evenly in the quiet, and the soft pulse of Margaret’s beside him as she returned to sleep. Then he heard the little uneven puffs of the baby in the cradle, and through the walls the children and old Mother Sarah and Cook and even the neighbors. The little thoughts that cluttered his mind like busy ships moving to and fro in the harbor had been swept away in the listening, and he no longer sensed himself as he listened. He wasn’t turning over old sins like moss-covered stones to see what was underneath; he wasn’t addressing prayers to the Virgin or imagining the Passion; he wasn’t naming the seven virtues or praising the mighty deeds of God. Not a thought of last night’s supper or tomorrow’s breakfast flitted past like a distracting moth. And still he listened, until he could hear the deep and ageless sound of the earth breathing. And beyond that, nothing. As he entered Nothing, a strange warmth sprang up in his breast, somewhere around the heart. And he didn’t say, Aha! this is described in the Incendium Amoris but not in the Scala Claustralium, but instead, Let it be. It kindled and sprang higher until he was ablaze with it. It reached high up, outward, and inward into the Nothing. Pure love, on fire. It blazed, for a fragment of a moment, all the way to God, like a spark rising in the darkness. And as it died down, he could sense that everything on earth was softly glowing with it. “Astonishing,” said Gregory to himself as it faded and he returned. “I must try this again sometime,” he mumbled, as he rolled over and sleep overtook him.
Judith Merkle Riley (In Pursuit of the Green Lion (Margaret of Ashbury, #2))