“
Winter is the time for comfort, for good food and warmth, for the touch of a friendly hand and for a talk beside the fire: it is the time for home.
”
”
Edith Sitwell
“
What are all these?" Clary asked.
"Vials of holy water, blessed knives, steel and silver blades," Jace said, piling the weapons on the floor beside him, "electrum wire - not much use at the moment but it's always good to have spares - silver bullets, charms of protetion, crucifixes, stars of David-"
"Jesus," said Clary
"I doubt he'd fit."
"Jace." Clary was appalled.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Things end. People leave. And you know what? Life goes on. Besides, if bad things didn't happen, how would you be able to feel the good ones?
”
”
Elizabeth Scott (Perfect You)
“
Step 4: Cough and gag.
Step 5: Repeat Step 4 until it feels like maybe your lungs aren't inside your body anymore.
Step 6: Remember that a really cute boy is beside you, so try to cough in a far more attractive manner.
”
”
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
“
You’re mad,” I said. “You know what he can do. No prize is worth that.”
Sturmhond grinned. “That remains to be seen.”
“The Darkling will hunt you for the rest of your days.”
“Then you and I will have something in common, won’t we? Besides, I like to have powerful enemies. Makes me feel important.”
Mal crossed his arms and considered the privateer. “I can’t decide if you’re crazy or stupid.”
“I have so many good qualities,” Sturmhond said. “It can be hard to choose.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
He was beside me then, his arms wrapped around me, holding me tightly.
"I'm not crazy," I whispered.
"I know."
Believe it or not, that's the most romantic thing Zachary Goode ever told me.
And I kind of loved him for it.
”
”
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
“
I see that you are working this vampire angle with some success. And kudos. Lots of girls love that sensitive-undead thing. But I'd drop the whole musician angle if I were you. Vampire rock stars are played out, and besides, you can't possible be very good.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Falling in love, we said; I fell for him. We were falling women. We believed in it, this downward motion: so lovely, like flying, and yet at the same time so dire, so extreme, so unlikely. God is love, they once said, but we reversed that, and love, like heaven, was always just around the corner. The more difficult it was to love the particular man beside us, the more we believed in Love, abstract and total. We were waiting, always, for the incarnation. That word, made flesh.
And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends had been evasive about it, at the time.
There is a good deal of comfort, now, in remembering this.
”
”
Margaret Atwood (The Handmaid's Tale)
“
Ash and Puck shared a brief glance, and then Ash pushed himself off the wall to stand beside me. “Lead the way,” he said, nodding into the darkness. “We’ll be right behind you.”
“For the record,” Grimalkin stated as we ventured, single file, into the black, “I do not think this is a good idea. But, as no one listens to the cat anymore, I will have to wait until we are completely lost to say ‘I told you so.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
No. Absolutely not.'
'Simon,' she said. 'It’s a perfectly fine plan.'
'The plan where you follow Jace and Sebastian off to some unknown dimensional pocket and we use these rings to communicate so those of us over here in the regular dimension of Earth can track you down? That plan?'
'Yes.'
'No,' he said. 'No, it isn’t.'
Clary sat back. 'You don’t just get to say no.'
'This plan involves me! I get to say no! No.'
'Simon—'
Simon patted the seat beside him as if someone were sitting there. 'Let me introduce you to my good friend No.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness.
She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Trust. We stake our lives on it, but it's a subject that not even the Gallagher Academy can teach. When do you let your guard down? Who do you let in? And I knew at that moment, as I sat beside my mother, bathing in the warm spring light, that those were the questions a good spy never stops asking
”
”
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
It is a good idea sometimes to think of the importance and dignity of our every-day duties. It keeps them from being so tiresome; besides, others are apt take us at our own valuation.
”
”
Laura Ingalls Wilder
“
Sure, we'd faced some things as children that a lot of kids don't. Sure, Justin had qualified for his Junior de Sade Badge in his teaching methods for dealing with pain. We still hadn't learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you're just going to get hurt again. But each time, you learn something.
Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There's the little empty pain of leaving something behind - gradutaing, taking the next step forward, walking out of something familiar and safe into the unknown. There's the big, whirling pain of life upending all of your plans and expecations. There's the sharp little pains of failure, and the more obscure aches of successes that didn't give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life they grow and learn. There's the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens.
And if you're very, very lucky, there are a very few blazing hot little pains you feel when you realized that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last - and yet will remain with you for life.
Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don't feel it.
Pain is a part of life. Sometimes it's a big part, and sometimes it isn't, but either way, it's a part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you're alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.
”
”
Jim Butcher
“
Okay, we didn’t work, and all
memories to tell you the truth aren’t good.
But sometimes there were good times.
Love was good. I loved your crooked sleep
beside me and never dreamed afraid.
There should be stars for great wars
like ours.
”
”
Sandra Cisneros
“
She still spoke to Ravi every day. Not the real one, the one who lived in her head. She spoke to him when she was scared or unsure, asked him what he would do if he were there. He sat beside her when she was lonely, and she was always lonely, looking at old photos on her phone. He told her goodnight and kept her company in the dark while she learned how to sleep again.
”
”
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
“
I want you to tell me about every person you’ve ever been in love with.
Tell me why you loved them,
then tell me why they loved you.
Tell me about a day in your life you didn’t think you’d live through.
Tell me what the word home means to you
and tell me in a way that I’ll know your mother’s name
just by the way you describe your bedroom
when you were eight.
See, I want to know the first time you felt the weight of hate,
and if that day still trembles beneath your bones.
Do you prefer to play in puddles of rain
or bounce in the bellies of snow?
And if you were to build a snowman,
would you rip two branches from a tree to build your snowman arms
or would leave your snowman armless
for the sake of being harmless to the tree?
And if you would,
would you notice how that tree weeps for you
because your snowman has no arms to hug you
every time you kiss him on the cheek?
Do you kiss your friends on the cheek?
Do you sleep beside them when they’re sad
even if it makes your lover mad?
Do you think that anger is a sincere emotion
or just the timid motion of a fragile heart trying to beat away its pain?
See, I wanna know what you think of your first name,
and if you often lie awake at night and imagine your mother’s joy
when she spoke it for the very first time.
I want you to tell me all the ways you’ve been unkind.
Tell me all the ways you’ve been cruel.
Tell me, knowing I often picture Gandhi at ten years old
beating up little boys at school.
If you were walking by a chemical plant
where smokestacks were filling the sky with dark black clouds
would you holler “Poison! Poison! Poison!” really loud
or would you whisper
“That cloud looks like a fish,
and that cloud looks like a fairy!”
Do you believe that Mary was really a virgin?
Do you believe that Moses really parted the sea?
And if you don’t believe in miracles, tell me —
how would you explain the miracle of my life to me?
See, I wanna know if you believe in any god
or if you believe in many gods
or better yet
what gods believe in you.
And for all the times that you’ve knelt before the temple of yourself,
have the prayers you asked come true?
And if they didn’t, did you feel denied?
And if you felt denied,
denied by who?
I wanna know what you see when you look in the mirror
on a day you’re feeling good.
I wanna know what you see when you look in the mirror
on a day you’re feeling bad.
I wanna know the first person who taught you your beauty
could ever be reflected on a lousy piece of glass.
If you ever reach enlightenment
will you remember how to laugh?
Have you ever been a song?
Would you think less of me
if I told you I’ve lived my entire life a little off-key?
And I’m not nearly as smart as my poetry
I just plagiarize the thoughts of the people around me
who have learned the wisdom of silence.
Do you believe that concrete perpetuates violence?
And if you do —
I want you to tell me of a meadow
where my skateboard will soar.
See, I wanna know more than what you do for a living.
I wanna know how much of your life you spend just giving,
and if you love yourself enough to also receive sometimes.
I wanna know if you bleed sometimes
from other people’s wounds,
and if you dream sometimes
that this life is just a balloon —
that if you wanted to, you could pop,
but you never would
‘cause you’d never want it to stop.
If a tree fell in the forest
and you were the only one there to hear —
if its fall to the ground didn’t make a sound,
would you panic in fear that you didn’t exist,
or would you bask in the bliss of your nothingness?
And lastly, let me ask you this:
If you and I went for a walk
and the entire walk, we didn’t talk —
do you think eventually, we’d… kiss?
No, wait.
That’s asking too much —
after all,
this is only our first date.
”
”
Andrea Gibson
“
Hale." Kat sighed. "The headmaster's car? Really? That's not to cliched for you?"
What can I say?" He shrugged. "I'm an old-fashioned guy. Besides, it's a classic for a reason." He leaned against the window. "It's good to see you, Kat."
Kat didn't know what to say. It's good to see you, too? Thanks for getting me kicked out? Is it possible you've gotten even hotter? I think I might have missed you?
”
”
Ally Carter
“
Clary sat back. "You don't just get to say no."
"This plan involves me! I get to say no! No."
"Simon -"
Simon patted the seat beside him as if someone were sitting there. "Let me introduce you to my good friend No.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Please, Noah, I don't want to do this wrong. Tell me how to make you feel good."
He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength.
His chocolate-brown eyes softened. "Being with you feels good. Touching you-" he tucked a curl behind my ear. "-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
To begin with, I had never done any good deeds; besides, even if I had simply fabricated a few, I would not have enjoyed going on about them.
”
”
M. Agueev (Novel with Cocaine (European Classics))
“
No one's making any decisions today," Mom translated. "It's late, and we're all tired and a little overwhelmed. Besides, Lucius, Jessica is not ready to contemplate marriage. She hasn't even kissed a boy yet, for goodness' sake."
Lucius smirked at me, raising one eyebrow. "Really? No suitors? How shocking. I would have thought your pitchfork skills would be attractive to certain bachelors here in farm country.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
The LORD is my shepherd; I shall not want. He maketh me to lie down in green pastures: he leadeth me beside the still waters. He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me. Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the LORD forever.
[Psalms 23]
”
”
Anonymous (The Holy Bible: King James Version)
“
Don't fret. We'll just have to find something else you're good at besides killing people.
”
”
Clare B. Dunkle (Close Kin (The Hollow Kingdom Trilogy, #2))
“
I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say: “By-the-way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. She’s married, with two children.” And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again.
”
”
Daphne du Maurier (Rebecca)
“
She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
The war is over. Black people got rights now, just like us white folk. Besides…” he tapped his chest. “It’s what in here that counts.
”
”
Donald Montano (Drink Deep from the Well of Good Intentions (The Return To Charleston Book 1))
“
If the gospel isn't good news for everybody, then it isn't good news for anybody. And this is because the most powerful things happen when the church surrenders its desire to convert people and convince them to join. It is when the church gives itself away in radical acts of service and compassion, expecting nothing in return, that the way of Jesus is most vividly put on display. To do this, the church must stop thinking about everybody primarily in categories of in or out, saved or not, believer or nonbeliever. Besides the fact that these terms are offensive to those who are the "un" and "non", they work against Jesus' teachings about how we are to treat each other. Jesus commanded us to love our neighbor, and our neighbor can be anybody. We are all created in the image of God, and we are all sacred, valuable creations of God. Everybody matters. To treat people differently based on who believes what is to fail to respect the image of God in everyone. As the book of James says, "God shows no favoritism." So we don't either.
”
”
Rob Bell
“
I wish I didn't have to think about you. You wanted to impress me; well, I'm not impressed, I'm disgusted...You wanted to make damn good and sure I'd never be able to turn over in bed again without feeling that body beside me, not there but tangible, like a leg that's been cut off. Gone but the place still hurts.
”
”
Margaret Atwood (Life Before Man)
“
She rests her hand on the ruffled costume beside her. “Just answer this one question. My brother never got over you. Did you ever get over him?”I swallow. “There are some people in life that you can’t get over.”
“Good.” Calliope stands and gives me a grim smile. “But break Cricket’s heart? I’ll break your face.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Close your eyes and picture it. Can you see it?"
I nod, eyes closed.
"Imagine it right there before you. See its texture, shape, and color—got it?"
I smile, holding the image in my head.
"Good. Now reach out and touch it. Feel its contours with the tips of your fingers, cradle its weight in the palms of your hands, then combine all of your senses—sight, touch, smell, taste—can you taste it?"
I bite my lip and suppress a giggle.
"Perfect. Now combine that with feeling. Believe it exists right before you. Feel it, see it, touch it, taste it, accept it, manifest it!" he says.
So I do. I do all of those things. And when he groans, I open my eyes to see for myself.
"Ever." He shakes his head. "You were supposed to think of an orange. This isn't even close."
"Nope, nothing fruity about him." I laugh, smiling ateach of my Damens—the replica I manifested before me, and the flesh and blood version beside me. Both of them equally tall, dark, and so devastatingly handsome they hardly seem real.
”
”
Alyson Noel (Blue Moon (The Immortals, #2))
“
It felt very good to have him walking beside her. Good like rest and quiet, like something you could live without but you needed anyway. That you had to learn how to miss, and then you'd never stop missing it.
”
”
Marilynne Robinson (Lila (Gilead, #3))
“
Frodo: 'It's a pity Bilbo didn't kill Gollum when he had the chance.'
Gandalf: 'Pity? It's a pity that stayed Bilbo's hand. Many that live deserve death. Some that die deserve life. Can you give it to them, Frodo? Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends. My heart tells me that Gollum has some part to play in it, for good or evil, before this is over. The pity of Bilbo may rule the fate of many.' Frodo: 'I wish the Ring had never come to me. I wish none of this had happened.'
Gandalf: 'So do all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world, Frodo, besides that of evil. Bilbo was meant to find the Ring, in which case you were also meant to have it. And that is an encouraging thought.
”
”
J.R.R. Tolkien
“
A good dog never dies. He always stays. He walks besides you on crisp autumn days when frost is on the fields and winter's drawing near. His head is within our hand in his old way.
”
”
Mary Carolyn Davies
“
But most dragons seem to have interesting personalities--besides probably having quite good reasons for what they do, if only one could understand them
”
”
Diana Wynne Jones (Fire and Hemlock)
“
I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
”
”
Madeline Miller (Circe)
“
What young people didn't know, she thought, lying down beside this man, his hand on her shoulder, her arm; oh, what young people did not know. They did not know that lumpy, aged, and wrinkled bodies were as needy as their own young, firm ones, that love was not to be tossed away carelessly . . . No, if love was available, one chose it, or didn't chose it. And if her platter had been full with the goodness of Henry and she had found it burdensome, had flicked it off crumbs at a time, it was because she had not know what one should know: that day after day was unconsciously squandered. . . . But here they were, and Olive pictured two slices of Swiss cheese pressed together, such holes they brought to this union--what pieces life took out of you.
”
”
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
“
I just wanted to say that it's okay if you dislike me. If you make Clary happy, I'm fine with you." He stuck his hand out, and Jace took his own hand out of Clary's and shook Simon's, a bemused look on his face.
"I don't dislike you," he said. "In fact, because I actually do like you, I'm going to offer you some advice."
"Advice?" Simon looked wary.
"I see that you are working this vampire angle with some success," Jace said, indicating Isabelle and Maia with a nod of his head. "And kudos. Lots of girls love that sensitive-undead thing. But I'd drop the whole musician angle if I were you. Vampire rock stars are played out, and besides, you can't possibly be very good."
Simon sighed. "I don't suppose there's any change you could reconsider the part where you didn't like me?"
"Enough, both of you," Clary said. "You can't be complete jerks to each other forever, you know."
"Technically," said Simon, "I can."
Jace made an inelegant noise; after a moment Clary realized that he was trying not to laugh, and only semi-succeeding.
Simon grinned. "Got you."
"Well," Clary said. "This is a beautiful moment.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
She shrugged and flipped her glossy hair behind her shoulders. "What else do you have to do with your time besides think about stuff like this? It's not like you're real heavy into extracurriculars. Besides, you're all, like, goth and into the dead, right?"
Alona Dare, queen of the insult-compliment. "Wow. Thanks. Anyone ever tell you you're good with people?"
She frowned. "No."
"Good. I'm not goth."
"Your hair is black, you have piercings, you wear black all the time and act all freaky-"
"My hair is naturally this color. I have three earings in one ear, that's it. This shirt" -I tugged at the fabric across my chest- "is navy blue, and if I act weird all the time, it's because of ghosts like you.
”
”
Stacey Kade (The Ghost and the Goth (The Ghost and the Goth, #1))
“
I want pancakes.”
“What? Right now?”
“No. For breakfast.”
“Oh.” He yawned. “You’d better get up early then.”
“Me? I’m not going to make them.”
“Yeah?” His sleepy voice carried mock sympathy. “Who’s going to make them for you then?”
“You are.”
“Am I? You think I’m going to make you pancakes? Is that how you think it’s going to be?"
"You’re so good at,” I whined. “Besides, if you do, I’ll sit on the counter in a short robe while you cook.”
His soft laughter segued into another yawn. “Oh. Well then.” He kissed my ear again. “Maybe I’ll make you pancakes.
”
”
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
“
Beside him a tiny elderly woman was leaning on a cane, studying him with curiosity. Since good manners seemed to require that he speak to her, Jon cast about for some sort of polite conversation pertinent to the occasion. “I hate funerals, don’t you?” He said.
“I rather like them,” she said smugly. “At my age, I regard each funeral I attend as a personal triumph, because I was not the guest of honor.
”
”
Judith McNaught (Paradise (Paradise, #1))
“
The children came to a perfume shop. In the show window was a large jar of freckle salve, and beside the jar was a sign, which read: DO YOU SUFFER FROM FRECKLES?
'What does the sign say?' ask Pippi. She couldn’t read very well because she didn’t want to go to school as other children did.
'It says, "Do you suffer from freckles?"' said Annika.
'Does it indeed?' said Pippi thoughtfully. 'Well, a civil question deserves a civil answer. Let’s go in.'
She opened the door and entered the shop, closely followed by Tommy and Annika. An elderly lady stood back of the counter. Pippi went right up to her. 'No!' she said decidedly.
'What is it you want?' asked the lady.
'No,' said Pippi once more.
'I don’t understand what you mean,' said the lady.
'No, I don’t suffer from freckles,' said Pippi.
Then the lady understood, but she took one look at Pippi and burst out, 'But, my dear child, your whole face is covered with freckles!'
'I know it,' said Pippi, 'but I don’t suffer from them. I love them. Good morning.'
She turned to leave, but when she got to the door she looked back and cried, 'But if you should happen to get in any salve that gives people more freckles, then you can send me seven or eight jars.
”
”
Astrid Lindgren (Pippi Longstocking (Pippi Långstrump, #1))
“
Beware of manufacturing a God of your own: a God who is all mercy, but not just; a God who is all love, but not holy; a God who has a heaven for every body, but a hell for none; a God who can allow good and bad to be side by side in time, but will make no distinction between good and broad in eternity. Such a God is an idol of your own, as truly an idol as any snake or crocodile in an Egyptian temple. The hands of your own fancy and sentimentality have made him. He is not the God of the Bible, and beside the God of the Bible there is no God at all.
”
”
J.C. Ryle
“
Civilized people must, I believe, satisfy the following criteria:
1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...)
2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...)
3) They respect other people's property, and therefore pay their debts.
4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...)
5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...)
6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...)
7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...)
8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano.
And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings.
[From a letter to Nikolay Chekhov, March 1886]
”
”
Anton Chekhov (A Life in Letters)
“
if you are unwilling to endure your own suffering even for an hour, and continually forestall all possible misfortune, if you regard as deserving of annihilation, any suffering and pain generally as evil, as detestable, and as blots on existence, well, you have then, besides your religion of compassion, yet another religion in your heart (and this is perhaps the mother of the former)-the religion of smug ease. Ah, how little you know of the happiness of man, you comfortable and good-natured ones! For happiness and misfortune are brother and sister, and twins, who grow tall together, or, as with you, remain small together!
”
”
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
“
Do you take pride in your hurt?' Samuel asked. 'Does it make you seem large and tragic? . . . Maybe you're playing a part on a great stage with only yourself as audience . . . there's all that fallow land, and here beside me is all that fallow man. It seems a waste. And I have a bad feeling about waste because I could never afford it. Is it a good feeling to let your life lie fallow?
”
”
John Steinbeck (East of Eden)
“
Werewolf Property Laws
1. If I want it, it’s mine.
2. If I like it, it’s mine.
3. If I don’t like it, I’m still not giving it to you.
4. If it’s mine, it cannot appear to be yours in any way.
5. If it’s yours, it will soon be mine.
6. If it once was mine, it’ll be mine forever and I’ll be getting it back.
7. If it looks good on me, beside me, or under me, it’s mine.
8. If it’s shiny, I’ll probably make it mine.
9. If I trick you out of it, it’s so fucking mine.
10. If you bargain with me, you’ll soon be mine.
11. If you have a soul, my dark heart wants to make it mine.
”
”
Finn Marlowe
“
I didn’t have any friends. I didn’t know any kids besides my cousins. I wasn’t a lonely kid—I was good at being alone. I’d read books, play with the toy that I had, make up imaginary worlds. I lived inside my head. I still live inside my head. To this day you can leave me alone for hours and I’m perfectly happy entertaining myself. I have to remember to be with people.
”
”
Trevor Noah (Born a Crime: Stories From a South African Childhood)
“
I understand perfectly. Darquesse isn't a separate entity. She isn't another person. She's you. If you make the wrong choices, if you stop loving the people who love you, if you allow the world to twist and turn and change you, then yes, the future we've seen will come to pass. But if you fight, and if you kick, and struggle, and refuse to give in to the apathy, or the anger, or the hopelessness, then you'll change the future, and you'll walk your own path. And I'll be right there beside you, Valkyrie. I'll always be beside you.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
I saw then what I hadn't seen before, that I was very good at despising slavery in the abstract, in the removed and anonymous masses, but in the concrete, intimate flesh of the girl beside me, I'd lost the ability to be repulsed by it. I'd grown comfortable with the particulars of evil. There's a frightful muteness that dwells at the center of all unspeakable things, and I had found my way into it.
”
”
Sue Monk Kidd (The Invention of Wings)
“
This good fellowship - camaraderie - usually occurring through the similarity of pursuits is unfortunately seldom super-added to love between the sexes, because men and women associate, not in their labors but in their pleasures merely. Where, however, happy circumstances permit its development, the compounded feeling proves itself to be the only love which is strong as death - that love which many waters cannot quench, nor the floods drown, besides which the passion usually called by the name is as evanescent as steam.
”
”
Thomas Hardy (Far From the Madding Crowd)
“
If we could capture feelings like we capture pictures, none of us would ever leave our rooms. It would be so tempting to inhabit the good moments over and over again. But I don't want to be the kind of person who lives backwardly, who memorializes moments before she's finished living in them. So I plant my feet here on this hillside beside a boy who is undoing me, and I kiss him back like I mean it. And, God help me, with the sky wrapped around us in every direction, I do mean it.
”
”
Emery Lord (Open Road Summer)
“
So, explain this," Avery said, "You just, what, hang around the Academy all day? Are you trying to redo your high school experience?"
"Nothing to redo," said Adrian loftily. "I totally ruled my high school. I was worshiped and adored—not that that should come as a shock." Beside him, Christian nearly choked on his food.
"So. . .You're trying to relive your glory days. It's all gone downhill since then, huh?"
"No way," said Adrian. "I'm like a fine wine. I get better with age. The best is yet to come."
"Seems like it'd get old after a while," said Avery, "I'm certainly bored, and I even spend part of the day helping my dad."
"Adrian sleeps most of the day," noted Lissa, "So he doesn't actually have to worry about finding things to do."
"Hey, I spend a good portion of my time helping you unravel the mysteries of spirit," Adrian reminded her. "And," he added, "I can visit people in their dreams."
Christian held up a hand. "Stop. I can feel there's a comment coming on about how women already dream about you. I just ate, you know."
"I wasn't going to go there," said Adrian. But he kind of looked like he wished he'd thought of the joke first.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
The wild worship of lawlessness and the materialist worship of law end in the same void. Nietzsche scales staggering mountains, but he turns up ultimately in Tibet. He sits down beside Tolstoy in the land of nothing and Nirvana. They are both helpless—one because he must not grasp anything, and the other because he must not let go of anything. The Tolstoyan’s will is frozen by a Buddhist instinct that all special actions are evil. But the Nietzscheite’s will is quite equally frozen by his view that all special actions are good; for if all special actions are good, none of them are special. They stand at the crossroads, and one hates all the roads and the other likes all the roads. The result is—well, some things are not hard to calculate. They stand at the cross-roads.
”
”
G.K. Chesterton
“
And why don't you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven't written. (And why I didn't write before the age of twenty-seven.) Because writing is at once too high, too great for you, it's reserved for the great-that is for "great men"; and it's "silly."
Besides, you've written a little, but in secret. And it wasn't good, because it was in secret, and because you punished yourself for writing, because you didn't go all the way, or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty-so as to be forgiven; or to forget, to bury it until the next time.
”
”
Hélène Cixous (The Laugh of the Medusa)
“
Besides, there was something under the good girl facade. She hated me on sight because she’d been burned by someone like me before. No way was she a slut, though. Not even a reformed slut. I could spot them a mile away. My game face slowly melted away. I’d finally found a girl that was interesting enough to get to know, and a version of me had already hurt her.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Kelsier exhaled in exasperation. “Elend Venture? You risked your life—risked the plan, and our lives—for that fool of a boy?”
Vin looked up, glaring at him. “Yes.”
“What is wrong with you, girl?” Kelsier asked. “Elend Venture isn’t worth this.”
She stood angrily, Sazed backing away, the cloak falling the floor. “He’s a good man!”
“He’s a nobleman!”
“So are you!” Vin snapped. She waved a frustrated arm toward the kitchen and the crew. “What do you think this is, Kelsier? The life of a skaa? What do any of you know about skaa? Aristocratic suits, stalking your enemies in the night, full meals and nightcaps around the table with your friends? That’s not the life of a skaa!”
She took a step forward, glaring at Kelsier. He blinked in surprise at the outburst.
“What do you know about them, Kelsier?” she asked. “When’s the last time you slept in an alley, shivering in the cold rain, listening to the beggar next to you cough with a sickness you knew would kill him? When’s the last time you had to lay awake at night, terrified that one of the men in your crew would try to rape you? Have you ever knelt, starving, wishing you had the courage to knife the crewmember beside you just so you could take his crust of bread? Have you ever cowered before your brother as he beat you, all the time feeling thankful because at least you had someone who paid attention to you?”
She fell silent, puffing slightly, the crewmembers staring at her.
“Don’t talk to me about noblemen,” Vin said. “And don’t say things about people you don’t know. You’re no skaa— you’re just noblemen without titles.”
She turned, stalking from the room. Kelsier watched her go, shocked, hearing her footsteps on the stairs. He stood, dumbfounded, feeling a surprising flush of ashamed guilt.
And, for once, found himself without anything to say.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
Just as he reached for my neck, I tased him. I was there to bag and tag, not to kill. Besides, if I had to carry separate weapons for every paranormal I took out, I'd be dragging around a full luggage set. Tasers are a one-size-fits-all paranormal butt-kicking option. Mine's pink with rhinestones. Tasey and I have had a lot of good times together.
”
”
Kiersten White (Paranormalcy (Paranormalcy, #1))
“
Oh, I almost forgot. In case that anyone besides big-headed Near or the deluded murderer is reading these notes, then I shall at least perform the basic courtesy of introducing myself, here at the end of the prologue, I am your narrator, your navigator, your storyteller. For anyone else but those two, my identity may be of no interest to you, but I am the world's runner-up, the best dresser that died like a dog, Mihael Keehl. I once called myself Mello and was addressed by that name, but that was a long time ago.
Good memories and nightmares.
”
”
NisiOisiN (Death Note: Another Note - The Los Angeles BB Murder Cases)
“
Where there is to be creative action, it is quite beside the point to discuss what we should or should not do in order to be right or good. A mind that is single and sincere is not interested in being good, in conducting relations with other people so as to live up to a rule. Nor, on the other hand, is it interested in being free, in acting perversely just to prove its independence. Its interest is not in itself, but in the people and problems of which it is aware; these are “itself.” It acts, not according to the rules, but according to the circumstances of the moment, and the “well” it wishes to others is not security but liberty.
”
”
Alan W. Watts (The Wisdom of Insecurity: A Message for an Age of Anxiety)
“
How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself.
Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port.
Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together.
It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
”
”
Michael Cunningham (The Hours)
“
This Beloved of ours is merciful and good. Besides, he so deeply longs for our love that he keeps calling us to come closer. This voice of his is so sweet that the poor soul falls apart in the face of her own inability to instantly do whatever he asks of her. And so you can see, hearing him hurts much more than not being able to hear him… For now, his voice reaches us through words spoken by good people, through listening to spiritual talks, and reading sacred literature. God calls to us in countless little ways all the time. Through illnesses and suffering and through sorrow he calls to us. Through a truth glimpsed fleetingly in a state of prayer he calls to us. No matter how halfhearted such insights may be, God rejoices whenever we learn what he is trying to teach us.
”
”
Teresa de Ávila (Interior Castle)
“
Then it's goodbye, Sangsara for me
Besides, girls aren't as good as they look
And Samadhi is better than you think
When it starts in hitting your head
In with Buzz of glittergold
Heaven's Angels, wailing, saying
We've been waiting for you since morning, Jack
Why were you so long dallying in the sooty room?
This transcendental Brilliance
Is the better part (of Nothingness
I sing) Okay. Quit. Mad. Stop.
”
”
Jack Kerouac
“
And everywhere people asked him why he was walking through the country.
Because he loved true things, he tried to explain. He said he was nervous and besides he wanted to see the country, smell the ground and look at grass and birds and trees, to savor the country, and there was no other way to do it save on foot. And people didn't like him for telling the truth. They scowled, or shook and tapped their heads, they laughed as though they knew it was a lie and they appreciated a liar. And some, afraid for their daughters or pigs, told him to move on, to get going, just not to stop near their place if he knew what was good for him.
And so he stopped telling the truth. He said he was doing it on a bet - that he stood to win a hundred dollars. Everyone liked him then and believed him.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
I stood there, staring at the closed doors. I reached out and touched the bone handle.
You can fix this, I told myself. You can make this right. But I just stood there, frozen, Mal's words ringing in my ears. I bit down hard on my lip to silence the sob that shook my chest. That's good, I thought as the tears spilled over. That way the servants won't hear. An ache had started between my ribs, a hard, bright shard of pain that lodged beneath my sternum, pressing tight against my heart.
I didn't hear the Darkling move; I only knew when he was beside me. His long fingers brushed the hair back from my neck and rested on the collar. When he kissed my cheek, his lips were cold.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
Wordlessly, she slipped off her shoes. Gently, she placed a palm on the floor, shifted to stand, but that was when Macey felt another hand pressing down on hers.Hard. Too Hard.
"Just what do you think you're doing ?" Hale hissed in her ear. His fingers burned into her skin. And Macey knew if she was going to take out the gunman, she was first going to have to neutralize the boy beside her.
"Why don't you let me go and I'll show you," she said with only a modicum of flirt in her voice.
"Why don't you put your fancy shoes back on and sit there like a good little girl?"
"First of all, I'm good at a lot of things. Taking orders from bored billionaires isn't one of them. Second of all, he's alone, and I can take him," Macey said.
"No!" Hale said. "You don't know anything about this guy."
"I know he's left handed and has an old injury to his right knee---probably a torn ACL at some point but the details don't matter. And the way he keeps his finger purposefully away from the safety of that gun means he's never fired it. And he doesn't want to."
"You're kinda scary.
”
”
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
“
When I was in Piazza di Spagna, in Rome, I watched (along with others) how many locals came to drink water from the fountain there. The people beside me said to each other "Oh my goodness, how disgusting, people just drink water from anywhere," while the whole time, I was thinking "Oh my goodness, how wonderful, people can drink water from anywhere." We can be in the exact same place, looking at the exact same thing, but see that thing in a completely different way. You can go around the world, and go to all the beautiful places, but never be happy, because happiness is something that you bring inside of you, it is not where you are or what you are looking at, but it is how you are and how you look at.
”
”
C. JoyBell C.
“
Besides being blind to lots of good things, the GDP also benefits from all manner of human suffering. Gridlock, drug abuse, adultery? Goldmines for gas stations, rehab centers, and divorce attorneys. If you were the GDP, your ideal citizen would be a compulsive gambler with cancer who’s going through a drawn-out divorce that he copes with by popping fistfuls of Prozac and going berserk on Black Friday. Environmental pollution even does double duty: One company makes a mint by cutting corners while another is paid to clean up the mess. By contrast, a centuries-old tree doesn’t count until you chop it down and sell it as lumber.
”
”
Rutger Bregman (Utopia for Realists: And How We Can Get There)
“
My “Best Woman” speech
Good evening everyone, my name is Rosie and as you can see Alex has
decided to go down the non-traditional route of asking me to be his best
woman for the day. Except we all know that today that title does not belong
to me. It belongs to Sally, for she is clearly his best woman.
I could call myself the “best friend” but I think we all know that today
that title no longer refers to me either. That title too belongs to Sally.
But what doesn’t belong to Sally is a lifetime of memories of Alex the
child, Alex the teenager, and Alex the almost-a-man that I’m sure he would
rather forget but that I will now fill you all in on. (Hopefully they all will
laugh.)
I have known Alex since he was five years old. I arrived on my first day
of school teary-eyed and red-nosed and a half an hour late. (I am almost sure
Alex will shout out “What’s new?”) I was ordered to sit down at the back of
the class beside a smelly, snotty-nosed, messy-haired little boy who had the
biggest sulk on his face and who refused to look at me or talk to me. I hated
this little boy.
I know that he hated me too, him kicking me in the shins under the table
and telling the teacher that I was copying his schoolwork was a telltale sign.
We sat beside each other every day for twelve years moaning about school,
moaning about girlfriends and boyfriends, wishing we were older and wiser and out of school, dreaming for a life where we wouldn’t have double maths
on a Monday morning.
Now Alex has that life and I’m so proud of him. I’m so happy that he’s
found his best woman and his best friend in perfect little brainy and annoying
Sally.
I ask you all to raise your glasses and toast my best friend Alex and his
new best friend, best woman, and wife, Sally, and to wish them luck and
happiness and divorce in the future.
To Alex and Sally!
”
”
Cecelia Ahern (Love, Rosie)
“
That if you didnt get your medicine in the next twenty-four hours you'd be dead?" i said, " Not exactly, but close. you know, the old ' upping the ante with a fatal disease that needs medication twist. APerently it still works."
"Kind of a letdown, then, huh?"
"No kidding. Look at you, your not even gasping."
" All right then, emergency medical situation, take two."
he leaped to his feet, stagored, kneeled over, then lifted his head weakly.
Chloe? Is that you?" he couphed, " DO you have my insulin?"
i placed it in his outstreched hand.
"You savedmy life, how can i ever repay you?" he said.
"undying servitude sounds good. i like my eggs scrambled."
he held up a piece of fruit, "Would you settle for a bruised apple?"
i lauphed.
"YOu guys are wierd." tori said.
simon sat on the crate beside me. "thats right. we are totally wierd and completely uncool. you popularity is plummeting just by being near us. so why dont you-"
"Chloe?" derek inturupted. "Hows your arm?"
"HEr-?" simon swore under his breath. "Way to keep showing me up. first food. now her arm" he turned to me"How is it?
”
”
Kelley Armstrong
“
You realize that is you allow me to court you, all your opposition to marriage is going to have to be reconsidered."
She smiled, feigning innocence."What opposition to marriage?"
"Excellent."
"But I'm thinking we should have a long courtship."
"Why?" He looked surprised.
"Because i find I've developed a taste for adventure."
"That sounds dangerous. Not at all in character for a delicate flower."
She laughed." We know I've never been good at being a delicate flower. Besides, it shan't be too dangerous."
"How can you be so sure?"
She smiled brilliantly at him, taking his breath away.
"Because, on my next adventure, I'll have you by my side.
”
”
Sarah MacLean (The Season)
“
Reluctantly Bastian's thoughts turned back to reality. He was glad the Neverending Story had nothing to do with that.
He didn't like books in which dull, cranky writers describe humdrum events in the very humdrum lives of humdrum people. Reality gave him enough of that kind of thing, why should he read about it? Besides, he couldn't stand it when a writer tried to convince him of something. And these humdrum books, it seemed to him, were always trying to do just that.
Bastian liked books that were exciting or funny, or that made him dream. Books where made-up characters had marvelous adventures, books that made him imagine all sorts of things.
Because one thing he was good at, possibly the only thing, was imagining things so clearly that he almost saw and heard them.
”
”
Michael Ende (The Neverending Story)
“
When God creates Eve, he calls her an ezer kenegdo. 'It is not good for the man to be alone, I shall make him [an ezer kenegdo]' (Gen. 2:18 Alter). Hebrew scholar Robert Alter, who has spent years translating the book of Genesis, says that this phrase is 'notoriously difficult to translate.' The various attempts we have in English are "helper" or "companion" or the notorious "help meet." Why are these translations so incredibly wimpy, boring, flat...disappointing? What is a help meet, anyway? What little girl dances through the house singing "One day I shall be a help meet?" Companion? A dog can be a companion. Helper? Sounds like Hamburger Helper. Alter is getting close when he translates it "sustainer beside him"
The word ezer is used only twenty other places in the entire Old Testament. And in every other instance the person being described is God himself, when you need him to come through for you desperately.
”
”
Stasi Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
“
Nina sat down next to Alys. “Would you um … like some tea?”
“With honey?” Alys asked.
“I, uh … I think we have sugar?”
“I only like tea with honey and lemon.”
Nina looked like she might tell Alys exactly where she could put her honey and lemon, so Matthias said hurriedly, “How would you like a chocolate biscuit?”
“Oh, I love chocolate!”
Nina’s eyes narrowed. “I don’t remember saying you could give away my biscuits.”
“It’s for a good cause,” Matthias said, retrieving the tin. He’d purchased the biscuits in the hope of getting Nina to eat more. “Besides, you’ve barely touched them.”
“I’m saving them for later,” said Nina with a sniff. “And you should not cross me when it comes to sweets.”
Jesper nodded. “She’s like a dessert-hoarding dragon.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them."
Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry.
"I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?"
His uncertainty made me smile. "Yes. Now would be a great time."
He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me.
"I only really ever hug my mother. Is this okay?" he asked.
I laughed. "It's hard to get a hug wrong."
After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family."
I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me.
"America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first."
I nodded.
"I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America."
He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
The rage of the Beast Lord was a terrible thing to behold. Some people stormed, some punched things, but Curran slipped into this icy, bone-chilling calm. His face hardened into a flat mask, and his eyes turned into a molten inferno of pure gold. If you looked at it for longer than two seconds, your muscles locked, your knees shook, and you had to fight to keep from cringing. It was easier to look at the floor,
but I didn’t. Besides, he wasn’t angry with me. He wasn’t even angry with Kate. He was angry with Anapa. I had no doubt that if he could’ve gotten a hold of the god at that moment, he would’ve broken him in half.
“It’s only ribs,” Kate told him. “And they’re not even broken. They are fractured.”
“And the hip,” Doolittle said. “And the knee.”
There you go. Don’t expect mercy from a honeybadger.
“How long do you need to keep her?” Curran looked to Doolittle.
“She can go to her quarters, provided she doesn’t leave them,” Doolittle said. “I can’t do anything else with the magic down. She must stay down until I can patch her up.”
“She will.” Curran reached for Kate. “Hey, baby. Ready?”
She nodded. Curran slid his hands under her and picked her up, gently, as if she weighed nothing.
“Good?” he asked.
She put her arm around him. “Never better.
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
“
And do you know what “the world” is to me? Shall I show it to you in my mirror? This world: a monster of energy, without beginning, without end; a firm, iron magnitude of force that does not grow bigger or smaller, that does not expend itself but only transforms itself; as a whole, of unalterable size, a household without expenses or losses, but likewise without increase or income; enclosed by “nothingness” as by a boundary; not something blurry or wasted, not something endlessly extended, but set in a definite space as a definite force, and not a space that might be “empty” here or there, but rather as force throughout, as a play of forces and waves of forces, at the same time one and many, increasing here and at the same time decreasing there; a sea of forces flowing and rushing together, eternally changing, eternally flooding back, with tremendous years of recurrence, with an ebb and a flood of its forms; out of the simplest forms striving toward the most complex, out of the stillest, most rigid, coldest forms striving toward the hottest, most turbulent, most self-contradictory, and then again returning home to the simple out of this abundance, out of the play of contradictions back to the joy of concord, still affirming itself in this uniformity of its courses and its years, blessing itself as that which must return eternally, as a becoming that knows no satiety, no disgust, no weariness: this, my Dionysian world of the eternally self- creating, the eternally self-destroying, this mystery world of the twofold voluptuous delight, my “beyond good and evil,” without goal, unless the joy of the circle is itself a goal; without will, unless a ring feels good will toward itself— do you want a name for this world? A solution for all of its riddles? A light for you, too, you best-concealed, strongest, most intrepid, most midnightly men?— This world is the will to power—and nothing besides! And you yourselves are also this will to power—and nothing besides!
”
”
Friedrich Nietzsche (The Will to Power)
“
I'm pretty good at inventing phrases- you know, the sort of words that suddenly make you jump, almost as though you'd sat on a pin, they seem so new and exciting even though they're about something hypnopaedically obvious. But that doesn't seem enough. It's not enough for the phrases to be good; what you make with them ought to be good too...I feel I could do something much more important. Yes, and more intense, more violent. But what? What is there more important to say? And how can one be violent about the sort of things one's expected to write about? Words can be like X-rays, if you use them properly-they'll go through anything. You read them and you're pierced. That's one of the things I try to teach my students-how to write piercingly. But what on earth's the good of being pierced by an article about a Community Sing, or the latest improvement in scent organs? Besides, can you make words really piercing-you know, like the very hardest X-rays when you're writing about that sort of thing? Can you say something about nothing?
”
”
Aldous Huxley (Brave New World)
“
My dearest Rose,
One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It's a shame, because if I could dream, I know I'd dream about you. I'd dream about the way you smell and how your dark hair feels like silk between my fingers.
I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss.
Without dreams, I have to be content with my own imagination - which is almost as good. I can picture all of those things perfectly, as well as how it'll be when I take your life from this world.
It's something I regret having to do, but you've made my choice inevitable. Your refusal to join me in eternal life and love leaves no other course of action, and I can't allow someone as dangerous as you to live. Besides, even if I forced your awakening, you now have so many enemies among the Strigoi that one of them would kill you. If you must die, it'll be by my hand. No one else's.
Nonetheless, I wish you well today as you take your trails - not that you need any luck. If they actually making you take them, it's a waste of everyone's time. You're the best in that group, and by this evening you'll wear your promise mark. Of course, that means you'll be all that much more of a challenge when we meet again - which I'll definitely enjoy.
And we will be meeting again. With graduation, you'll be turned out of the Academy, and once you're outside the wards, I'll find you.
There is no place in this world you can hide from me. I'm watching.
Love,
Dimitri
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other.
“Are you sober?” I asked from the doorway.
He turned and leveled a smile at me that made me a little wobbly. “I am."
“Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook."
Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.”
“Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ”
He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.
”
”
Myra McEntire (Hourglass (Hourglass, #1))
“
Mother,” Alec’s voice as he interrupted his mother was firm, implacable, and not unkind. “Father. There’s something I have to tell you.” he smiled at them. “I‘m seeing someone.”
Robert Lightwood looked at his son with some exasperation. “Alec,” he said. “This is hardly the time.”
“Yes, it is. This is important. You see, I‘m not just seeing anyone.” Words seemed to be pouring out of Alec in a torrent, while his parents looked on in confusion. Isabelle and Magnus were staring at him with expressions of nearly identical astonishment. “I‘m seeing a Downworlder. In fact, I‘m seeing a war-”
Magnus‘s fingers moved, quick as a flash of light, in Alec‘s direction. There was a faint shimmer in the air around Alec-his eyes rolled up-and he dropped to the floor, felled like a tree.
“Alec!” Maryse clapped her hand to her mouth. Isabelle, who had been closest to her brother, dropped down beside him. But Alec had already begun to stir, his eyelids fluttering open. “Wha-what-why am I on the floor?”
“That‘s a good question.” Isabelle glowered down at her brother. “What was that?”
“What was what?” Alec sat up, holding his head. A look of alarm crossed his face. “Wait-did I say anything? Before I passed out, I mean.”
Jace snorted. “You know how we were wondering if that thing Clary did would work or not?” he asked. “It works all right.”
Alec looked supremely horrified. “What did I say?”
“You said you were seeing someone,” his father told him. “Though you weren’t clear as to why that was important.”
“Its not,” Alec said. “I mean, I‘m not seeing anyone. And its not important. Or it wouldn’t be if I was seeing someone, which I‘m not.”
Magnus looked at him as if he were an idiot. “Alec‘s been delirious,” he said. “Side effect of some demon toxins. Most unfortunate, but he‘ll be fine soon.”
~pg.286-287~
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Beside the watch was a pearl bracelet she always wore. She never took it off. Will had given it to her when they had been married thirty years, smiling as fastened it on. He had had gray in his hair them, she knew, though she had never really seen it. As if her love had given him his own shape-shifting ability, no matter how much time had passed, when she looked at him, she always saw the wild, black-haired boy she had fallen in love with.
It still seemed incredible to her sometimes that they had managed to grow old together, herself and Will Herondale, whom Gabriel Lightwood had once said would not live to be older than nineteen. They had been good friends with the Lightwoods too, through all those years. Of course Will could hardly not be friends with the man who was married to his sister. Both Cecily and Gabriel had seen Will on the day he dies, as had Sophie, though Gideon had himself passed away several years before.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Clary: Simon, it's a perfectly fine plan.
Simon: The plan where you follow Jace and Sebastian off to some unknown dimension pocket and we use these rings to communicate so those of us over here in the regular dimension of Earth can track you down? That plan?
Clary: Yes
Simon: NO. No, it isnt.
Clary: You dont just get to say no!
"This plan involves me and I get to say no"
"Simon-"
simon patted the seat beside him as if someone were really sitting there. "Let me introduce you to my good friend No.
"Maybe we can compromise," she suggested.
"No"
"SIMON"
" 'No' is a magical word," he told her, "Here's how it goes. You say 'Simon, I have an insane, suicidal plan. WOuld you like to help me carry it out? And i say: why, no!
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Theirs was that substantial affection which arises (if any arises at all) when the two who are thrown together begin first by knowing the rougher sides of each other's character, and not the best till further on, the romance growing up in the interstices of a mass of hard prosaic reality. This good-fellowship—camaraderie—usually occurring through similarity of pursuits, is unfortunately seldom superadded to love between the sexes, because men and women associate, not in their labours, but in their pleasures merely. Where, however, happy circumstance permits its development, the compounded feeling proves itself to be the only love which is strong as death—that love which many waters cannot quench, nor the floods drown, beside which the passion usually called by the name is evanescent as steam.
”
”
Thomas Hardy (Far from the Madding Crowd)
“
There are very few things in the mind which eat up as much energy as worry. It is one of the most difficult things not to worry about anything. Worry is experienced when things go wrong, but in relation to past happenings it is idle merely to wish that they might have been otherwise. The frozen past is what it is, and no amount of worrying is going to make it other than what it has been. But the limited ego-mind identifies itself with its past, gets entangled with it and keeps alive the pangs of frustrated desires. Thus worry continues to grow into the mental life of man until the ego-mind is burdened by the past. Worry is also experienced in relation to the future when this future is expected to be disagreeable in some way. In this case it seeks to justify itself as a necessary part of the attempt to prepare for coping with the anticipated situations. But, things can never be helped merely by worrying. Besides, many of the things which are anticipated never turn up, or if they do occur, they turn out to be much more acceptable than they were expected to be. Worry is the product of feverish imagination working under the stimulus of desires. It is a living through of sufferings which are mostly our own creation. Worry has never done anyone any good, and it is very much worse than mere dissipation of psychic energy, for it substantially curtails the joy and fullness of life.
”
”
Meher Baba (Discourses)
“
Raphael calls me every month,” said Ragnor. “Raphael knows that it is important to preserve good relations and maintain regular communication between the different Downworlder factions. I might add, Raphael always remembers important occasions in my life.”
“I forgot your birthday one time sixty years ago!” said Magnus. “You need to let that go.”
“It was fifty-eight years ago, for the record. And Raphael knows we need to maintain a united front against the Nephilim and not, for instance, sneak around with their underage sons,” Ragnor continued.
“Alec is eighteen!”
“Whatever,” said Ragnor. “Raphael would never date a Shadowhunter.”
“Of course, why would he, when you two are in loooove?” Magnus asked. “‘Oooh, Raphael is
always so professional.’ ‘Oooh, Raphael brought up the most interesting points in that meeting you forgot to attend.’ ‘Oooh, Raphael and I are planning a June wedding.’ Besides, Raphael would never date a Shadowhunter because Raphael has a policy of never doing anything that is awesome.
”
”
Cassandra Clare (What to Buy the Shadowhunter Who Has Everything (The Bane Chronicles, #8))
“
It's cool in the basement, so I pull the blanket up to my chest. Caleb slides in beside me, and I feel his bare legs against mine. "You're shivering," he says, his voice a low whisper.
"I'm a little cold... and a little nervous."
"Don't be nervous, Maggie. It's juste me."
It's the real Caleb, without the tough facade. I'm glad it's completely dark now and he can't see my trembling fingers as they move up to his beautiful face. "I know."
He pulls me closer. I rest my head in the crook of his arm and am more content than ever.
"Maggie ?"
"Yeah ?"
"Thanks."
"For what ?"
"For making me feel alive again."
I drape my arm across his chest, the warmth of his skin melting into mine. I want to remember this night forever, because we'll probably never get another chance to hold each other like this again. It makes me want to do more than just sleep in his arms. I try and relax, to slow my own erratic heartbeat as I wrap my right leg, the one that wasn't severely damaged in the accident, around him. It's a definite hint that I'm ready to do more than just lie in his arms.
He moans in response. "Maggie, you're treading into dangerous territory. I'm trying to be a good, honorable guy here."
" I know. But I'm not asking you to be one."
"You sure you know what you're getting into ?"
"Nope. I've got no clue." I start kissing and feeling my way across his broad chest.
"You're killing me", he says, his hands slowly reaching for me and urging me up so we're face to face.
”
”
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
“
I looked for you on the Trident,” Ned said to them.
“We were not there,” Ser Gerold answered.
“Woe to the Usurper if we had been,” said Ser Oswell.
“When King's Landing fell, Ser Jaime slew your king with a golden sword, and I wondered where you were.”
“Far away,” Ser Gerold said, “or Aerys would yet sit the Iron Throne, and our false brother would burn in seven hells.”
“I came down on Storm's End to lift the siege,” Ned told them, and the Lords Tyrell and Redwyne dipped their banners, and all their knights bent the knee to pledge us fealty. I was certain you would be among them.”
“Our knees do not bend easily,” said Ser Arthur Dayne.
“Ser Willem Darry is fled to Dragonstone, with your queen and Prince Viserys. I thought you might have sailed with him.”
“Ser Willem is a good man and true,” said Ser Oswell.
“But not of the Kingsguard,” Ser Gerold pointed out. “The Kingsguard does not flee.”
“Then or now,” said Ser Arthur. He donned his helm.
“We swore a vow,” explained old Ser Gerold.
Ned’s wraiths moved up beside him, with shadow swords in hand. They were seven against three.
“And now it begins,” said Ser Arthur Dayne, the Sword of the Morning. He unsheathed Dawn and held it with both hands. The blade was pale as milkglass, alive with light.
“No,” Ned said with sadness in his voice. “Now it ends.
”
”
George R.R. Martin
“
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it."
He grumbled, but I could see relif in his eyes, like he was glad to see me smile.
"SO i was right, wasn't I? It's still youm even in wolf form."
He grunted.
"No sudden uncontrollable urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?"
I got a real look for that one.
"Just covering all the bases."
He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers.
Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it.
"The lack of opposanle thumbs is going to take some getting used to, huh?"
He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it.
"Okay, okay. I'm just trying not to croud you."
That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace.
He grunted.
"Yes, thats better.thanks. now get some rest."
i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that.
and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days?
Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing.
when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep.
i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me.
"S-sorry, I didn't mean-"
He cut me short with a growl, telling me off for apologizing.
”
”
Kelley Armstrong
“
is a broken man an outlaw?"
"More or less." Brienne answered.
Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know.
"Then they get a taste of battle.
"For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe.
"They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
"If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world...
"And the man breaks.
"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
”
”
George R.R. Martin
“
One fine day you decide to talk less and less about the things you care most about, and when you have to say something, it costs you an effort . . . You’re good and sick of hearing yourself talk . . . you abridge . . . You give up … For thirty years you’ve been talking . . . You don’t care about being right anymore. You even lose your desire to keep hold of the small place you’d reserved yourself among the pleasures of life . . . You’re fed up … From that time on you’re content to eat a little something, cadge a little warmth, and sleep as much as possible on the road to nowhere. To rekindle your interest, you’d have to think up some new grimaces to put on in the presence of others . . . But you no longer have the strength to renew your repertory. You stammer. Sure, you still look for excuses for hanging around with the boys, but death is there too, stinking, right beside you, it’s there the whole time, less mysterious than a game of poker. The only thing you continue to value is petty regrets, like not finding time to run out to Bois-Colombes to see your uncle while he was still alive, the one whose little song died forever one afternoon in February. That horrible little regret is all we have left of life, we’ve vomited up the rest along the way, with a good deal of effort and misery. We’re nothing now but an old lamppost with memories on a street where hardly anyone passes anymore.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Had I catalogued the downsides of parenthood, "son might turn out to be a killer" would never have turned up on the list. Rather, it might have looked something like this:
1. Hassle.
2. Less time just the two of us. (Try no time just the two of us.)
3. Other people. (PTA meetings. Ballet teachers. The kid's insufferable friends and their insufferable parents.)
4. Turning into a cow. (I was slight, and preferred to stay that way. My sister-in-law had developed bulging varicose veins in her legs during pregnancy that never retreated, and the prospect of calves branched in blue tree roots mortified me more than I could say. So I didn't say. I am vain, or once was, and one of my vanities was to feign that I was not.)
5. Unnatural altruism: being forced to make decisions in accordance with what was best for someone else. (I'm a pig.)
6. Curtailment of my traveling. (Note curtailment. Not conclusion.)
7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.)
8. Worthless social life. (I had never had a decent conversation with a friend's five-year-old in the room.)
9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew--every woman, too, which is depressing--would take me less seriously.)
10. Paying the piper. (Parenthood repays a debt. But who wants to pay a debt she can escape? Apparently, the childless get away with something sneaky. Besides, what good is repaying a debt to the wrong party? Only the most warped mother would feel rewarded for her trouble by the fact that at last her daughter's life is hideous, too.)
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong.
I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling"
It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face.
The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith)
Being alone has nothing to do with how many people are around. (J.R. Moehringer)
You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way.
At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words.
The dream was obviously a sign: he was too enticing to resist.
Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it.
I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night.
Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened.
Because I'm So uncool and so afraid.
If there was a clue, that meant the mystery was still intact
I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding.
This was not a haystack. We were people, and people had ways of finding eachother.
It was one of those moments when you feel the future so much that is humbles the present.
Don't worry. It's your embarrassment at not having the thought that counts.
You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately.
Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head
You should never wish for wishful thinking
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
”
”
Maya Angelou
“
It is natural to want to employ your friends when you find yourself in times of need. The world is a harsh place, and your friends soften the harshness. Besides, you know them. Why depend on a stranger when you have a friend at hand? Men are more ready to repay an injury than a benefit, because gratitude is a burden and revenge a pleasure. TACITUS, c. A.D. 55-120 The problem is that you often do not know your friends as well as you imagine. Friends often agree on things in order to avoid an argument. They cover up their unpleasant qualities so as to not offend each other. They laugh extra hard at each other’s jokes. Since honesty rarely strengthens friendship, you may never know how a friend truly feels. Friends will say that they love your poetry, adore your music, envy your taste in clothes—maybe they mean it, often they do not. When you decide to hire a friend, you gradually discover the qualities he or she has kept hidden. Strangely enough, it is your act of kindness that unbalances everything. People want to feel they deserve their good fortune. The receipt of a favor can become oppressive: It means you have been chosen because you are a friend, not necessarily because you are deserving. There is almost a touch of condescension in the act of hiring friends that secretly afflicts them. The injury will come out slowly: A little more honesty, flashes of resentment and envy here and there, and before you know it your friendship fades. The more favors and gifts you supply to revive the friendship, the less gratitude you receive. Ingratitude has a long and deep history. It has demonstrated its powers for so many centuries, that it is truly amazing that people continue to underestimate them. Better to be wary. If you never expect gratitude from a friend, you will be pleasantly surprised when they do prove grateful. The problem with using or hiring friends is that it will inevitably limit your power. The friend is rarely the one who is most able to help you; and in the end, skill and competence are far more important than friendly feelings.
”
”
Robert Greene (The 48 Laws of Power)
“
Two small figures were beating against the rock; the girl had fainted and lay on the the boy's arm. With a last effort Peter pulled her up the rock and then lay down beside her. Even as he also fainted he saw that the water was raising, He knew that they would soon be drowned, but he could do no more.
As they lay side by side a mermaid caught Wendy by the feet, and began pulling her softly into the water. Peter feeling her slip from him, woke with a start, and was just in time to draw her back. But he had to tell her the truth.
"We are on the rock, Wendy," he said, "but it is growing smaller. Soon the water will be over it."
She did not understand even now.
"We must go," she said, almost brightly.
"Yes," he answered faintly.
"Shall we swim or fly, Peter?"
He had to tell her.
"Do you think you could swim or fly as far as the island, Wendy, without my help?"
She had to admit she was too tired.
He moaned.
"What is it?" she asked, anxious about him at once.
"I can't help you, Wendy. Hook wounded me. I can neither fly nor swim."
"Do you mean we shall both be downed?"
"Look how the water is raising."
They put their hands over their eyes to shut out the sight. They thought they would soon be no more. As they sat thus something brushed against Peter as light as a kiss, and stayed there, as if to say timidly, "Can I be of any us?" It was the tail of a kite, which Michael had made some days before. It had torn itself out of his hand and floated away.
"Michael's kite," Peter said without interest, but the next moment he had seized the tail, and was pulling the kite towards him.
"It lifted Michael off the ground," he cried; "why should it not carry you?"
"Both of us!"
"It can't left two; Michael and Curly tried."
"Let us draw lots," Wendy said bravely.
"And you a lady; never." Already he had tied the tail round her. She clung to him; she refused to go without him; but with a "Good-bye, Wendy." he pushed her from the rock; and in a few minutes she was borne out of his sight. Peter was alone on the lagoon.
The rock was very small now; soon it would be submerged. Pale rays of light tiptoed across the waters; and by and by there was to be heard a sound at once the most musical and the most melancholy in the world: the mermaids calling to the moon.
”
”
J.M. Barrie (Peter Pan)
“
At the end of that class Demian said to me thoughtfully: "There’s something I don’t like about this story, Sinclair. Why don’t you read it once more and give it the acid test? There’s something about it that doesn’t taste right. I mean the business with the two thieves. The three crosses standing next to each other on the hill are almost impressive, to be sure. But now comes this sentimental little treatise about the good thief. At first he was a thorough scoundrel, had committed all those awful things and God knows what else, and now he dissolves in tears and celebrates such a tearful feast of self-improvement and remorse! What’s the sense of repenting if you’re two steps from the grave? I ask you. Once again, it’s nothing but a priest’s fairy tale, saccharine and dishonest, touched up with sentimentality and given a high edifying background. If you had to pick a friend from between the two thieves or decide which one you’d rather trust, you most certainly wouldn’t choose the sniveling convert. No, the other fellow, he’s a man of character. He doesn’t give a hoot for ‘conversion’, which to a man in his position can’t be anything but a pretty speech. He follows his destiny to it’s appointed end and does not turn coward and forswear the devil, who has aided and abetted him until then. He has character, and people with character tend to receive the short end of the stick in biblical stories. Perhaps he’s even a descendant of Cain. Don’t you agree?"
I was dismayed. Until now I had felt completely at home in the story of the Crucifixion. Now I saw for the first time with how little individuality, with how little power of imagination I had listened to it and read it. Still, Demian’s new concept seemed vaguely sinister and threatened to topple beliefs on whose continued existence I felt I simply had to insist. No, one could not make light of everything, especially not of the most Sacred matters.
As usual he noticed my resistance even before I had said anything.
"I know," he said in a resigned tone of voice, "it’s the same old story: don’t take these stories seriously! But I have to tell you something: this is one of the very places that reveals the poverty of this religion most distinctly. The point is that this God of both Old and New Testaments is certainly an extraordinary figure but not what he purports to represent. He is all that is good, noble, fatherly, beautiful, elevated, sentimental—true! But the world consists of something else besides. And what is left over is ascribed to the devil, this entire slice of world, this entire half is hushed up. In exactly the same way they praise God as the father of all life but simply refuse to say a word about our sexual life on which it’s all based, describing it whenever possible as sinful, the work of the devil. I have no objection to worshiping this God Jehovah, far from it. But I mean we ought to consider everything sacred, the entire world, not merely this artificially separated half! Thus alongside the divine service we should also have a service for the devil. I feel that would be right. Otherwise you must create for yourself a God that contains the devil too and in front of which you needn’t close your eyes when the most natural things in the world take place.
”
”
Hermann Hesse (Demian)
“
Hardly had the light been extinguished, when a peculiar trembling began
to affect the netting under which the three children lay.
It consisted of a multitude of dull scratches which produced a metallic
sound, as if claws and teeth were gnawing at the copper wire. This was
accompanied by all sorts of little piercing cries.
The little five-year-old boy, on hearing this hubbub overhead, and
chilled with terror, jogged his brother's elbow; but the elder brother
had already shut his peepers, as Gavroche had ordered. Then the little
one, who could no longer control his terror, questioned Gavroche, but in
a very low tone, and with bated breath:--
"Sir?"
"Hey?" said Gavroche, who had just closed his eyes.
"What is that?"
"It's the rats," replied Gavroche.
And he laid his head down on the mat again.
The rats, in fact, who swarmed by thousands in the carcass of the
elephant, and who were the living black spots which we have already
mentioned, had been held in awe by the flame of the candle, so long as
it had been lighted; but as soon as the cavern, which was the same
as their city, had returned to darkness, scenting what the good
story-teller Perrault calls "fresh meat," they had hurled themselves in
throngs on Gavroche's tent, had climbed to the top of it, and had begun
to bite the meshes as though seeking to pierce this new-fangled trap.
Still the little one could not sleep.
"Sir?" he began again.
"Hey?" said Gavroche.
"What are rats?"
"They are mice."
This explanation reassured the child a little. He had seen white mice in
the course of his life, and he was not afraid of them. Nevertheless, he
lifted up his voice once more.
"Sir?"
"Hey?" said Gavroche again.
"Why don't you have a cat?"
"I did have one," replied Gavroche, "I brought one here, but they ate
her."
This second explanation undid the work of the first, and the little
fellow began to tremble again.
The dialogue between him and Gavroche began again for the fourth time:--
"Monsieur?"
"Hey?"
"Who was it that was eaten?"
"The cat."
"And who ate the cat?"
"The rats."
"The mice?"
"Yes, the rats."
The child, in consternation, dismayed at the thought of mice which ate
cats, pursued:--
"Sir, would those mice eat us?"
"Wouldn't they just!" ejaculated Gavroche.
The child's terror had reached its climax. But Gavroche added:--
"Don't be afraid. They can't get in. And besides, I'm here! Here, catch
hold of my hand. Hold your tongue and shut your peepers!
”
”
Victor Hugo (Les Misérables)