Baby Poster Quotes

While walking back to the highway I stop, choke back a sob, my throat tightens. "I just want to..." Facing the skyline, through all the baby talk, I murmur, "keep the game going." As I stand, frozen in position, an old woman emerges behind a Threepenny Opera poster at a deserted bus stop and she's homeless and begging, hobbling over, her face covered with sores that look like bugs, holding out a shaking red hand. "Oh will you please go away?" I sigh. She tells me to get a haircut.

Baby, let me tell you what's going to happen. In a few years, there are going to be beautiful posters of Malcolm X, and his photographs will be everywhere. The same people who don't give a damn now will lie and say they always supported him.

When we get engaged—” “We’re not getting engaged.” “I want a ring the size of my fist.” He snorted. “Good luck with that.” “And when we get married—” “We’re not getting married.” “I want a big house in the country, with a huge four-poster bed and one of those giant flat-screen televisions hanging on the wall.” “And where am I going to find the money for that?” I beamed at him. “I thought you said we weren’t getting married.” “We’re not.” He turned to face me. “We can’t because I’ll be in prison for robbing a bank to pay for that fist-size ring you have your eye on.” “And when we have babies—” “We’re not having babies.” “They’ll be blond and green-eyed and just like their dad.” “You’re insane.” “I’m in love.

While she eventually adjusts to the faded motivational posters featuring long-dead baby animals and the fifties-era reading books whose soporific effects have intensified with each decade of use she can't get it out of of her head that while she is speeding around in circles waiting to be told when to stop other kids are flying to the moon.

There are two ways to turn devils into angels: First, acknowledge things about them that you genuinely appreciate. Uncle Morty took you to the beach when you were a kid. Your mom still sends you money on your birthday. Your ex-wife is a good mother to your children. There must be something you sincerely appreciate about this person. Shift your attention from the mean and nasty things they have said or done to the kind and helpful things they have said or done—even if there are just a few or even only one. You have defined this person by their iniquities. You can just as easily—actually, more easily—define them by their redeeming qualities. It’s your movie. Change the script. Perhaps you are still arguing that the person who has hurt you has no redeeming qualities whatsoever. She is evil incarnate, Rosemary’s baby conceived with Satan himself, poster child for the dark side of the Force, destined to wreak havoc and horror in the lives of everyone she touches. A nastier bitch never walked the earth. Got it. Let’s say all of this is true—the person who troubles you is a no-good, cheating, lying SOB. Now here’s the second devil-transformer. Consider: How has this person helped you to grow? What spiritual muscles have you developed that you would not have built if this person had been nicer to you? Have you learned to hold your power and self-esteem in the presence of attempted insult? Do you now speak your truth more quickly and directly? Are you now asking for what you want instead of passively deferring? Are you setting healthier boundaries? Have you deepened in patience and compassion? Do you make more self-honoring choices? There are many benefits you might have gained, or still might gain, from someone who challenges you.

Daniel: What do you think of the idea? Sternlight: I’ll tell you man, I think it’s a fantastic idea. Fuck me if I’m consistent. I told your sister if she had all that bread to pass on for a bail fund or a free school or any good shit like that, I would retract everything I said about your parents. Not only that, I would actually change my opinion. I would think differently. OK? Daniel: OK. Sternlight: discards the poster. Sternlight: That’s the one question you shouldn’t have asked. Daniel: Maybe so. Sternlight: And I’ve been pretty easy on you, too. Susan never mentioned you. Except once. She said she had a brother who was politically undeveloped. She made it sound like undescended tesicles. Baby: Come on, Artie. Sternlight: gets up, turns on the television squats in front of it.

Can you tell me which is yours?" Standing at Bird's side, the nurse spoke as if she were addressing the father of the hospital's healthiest and most beautiful baby. But she wasn't smiling, she didn't even seem sympathetic; Bird decided this must be the standard intensive care ward quiz. Not only the nurse who had asked the question but two young nurses who were rinsing baby bottles beneath a huge water heater on the far wall, and the older nurse measuring powdered milk next to them, and the doctor studying file cards at a cramped desk against the smudgy poster-cluttered wall, and the doctor on this side of him, conversing with a stubby little man who seemed, like Bird, to be the father of one of the seeds of calamity gathered here—everybody in the room stopped what he was doing and turned in expectant silence to look at Bird.

I've said this before: a lot of people think they're artists because they feel things deeply. You know, we're in a culture now and a time where people think they talk about their truth...'If I feel something so deeply, it must be true!' You know, 'I know that I was raped by a big-footed six and had to give up the...the big-foot baby two aliens to go back to Zontar!', you know? People believe this sh*t! I talked about this crazy woman who I knew years ago who thinks she had a near-death experience and now could control electricity and talk to God and angels and stuff..and every poster she puts up that I see gets more elaborate and insane! You know...pretty soon, she's gonna be, you know, f***ing, who knows...ISIS! [...] it's like, these are the kinds of people...they're not only in the arts, they're everywhere, and years ago, when [politicians] would talk about the 'wisdom of the masses', the common people...the Internet has proved that's utterly ridiculous.

In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.

electrical wires dragged down by the weight of the ice and flickering balefully, a row of sleet-covered planes stranded in an airport, a huge truck that’s jackknifed and tipped over and is lying on its side with smoke coming out. An ambulance is on the scene, a fire truck, a huddle of raingear-clad operatives: someone’s been injured, always a sight to make the heart beat faster. A policeman appears, crystals of ice whitening his moustache; he pleads sternly with people to stay inside. It’s no joke, he tells the viewers. Don’t think you can brave the elements! His frowning, frosted eyebrows are noble, like those on the wartime bond-drive posters from the 1940s. Constance remembers those, or believes she does. But she may just be remembering history books or museum displays or documentary films: so hard, sometimes, to tag those memories accurately. Finally, a minor touch of pathos: a stray dog is displayed, semi-frozen, wrapped in a child’s pink nap blanket. A gelid baby

The almanac cut her and her babies adrift; she and they fell into the vast ocean of ordinary people, whose births and deaths and marriages are, like their loves and fears and breakfast preferences, too insignificant to be worth recording for posterity. Charlie, though, was a male. The almanac could stretch itself—just—to include him, though the dimness of insignificance was already casting its shadow. Information was scant. His name was Charles Angelfield. He had been born. He lived at Angelfield. He was not married. He was not dead. As far as the almanac was concerned, this information was sufficient.

Lance, cut Jaylynn to stretch her out, to get the baby away from this new mommy, with the same pair of dull school scissors. At that time, he took the helpless baby away from her, and said that he was going to get rid of it… and there was nothing she could do to stop it. Furthermore, he just let Jaylynn there sitting on the toilet to bleed to death, I guess that is when she had enough pain, and not long after that, she cut her wrist… and I lost two girls… to the curse of the Tower! Maybe that is when my struggle with affection began. Raged Lance or as I called him walked away, but later that year he put a rifle in his mouth, and he blew his brains, and other things, all over his bedroom walls, on a life-size poster of my little daughter.

Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.

Daniel: What do you think of the idea? Sternlight: I’ll tell you man, I think it’s a fantastic idea. Fuck me if I’m consistent. I told your sister if she had all that bread to pass on for a bail fund or a free school or any good shit like that, I would retract everything I said about your parents. Not only that, I would actually change my opinion. I would think differently. OK? Daniel: OK. Sternlight: discards the poster. Sternlight: That’s the one question you shouldn’t have asked. Daniel: Maybe so. Sternlight: And I’ve been pretty easy on you, too. Susan never mentioned you. Except once. She said she had a brother who was politically undeveloped. She made it sound like undescended testicles. Baby: Come on, Artie. Sternlight: gets up, turns on the television squats in front of it.

Let’s face it, he could have gone with a poster of Obama dressed as an actual cannibal (loincloth, human bones around his neck), grinning as he stirred a huge cooking pot swirling with white babies, aborted foetuses, bloodstained dollar bills and topped off with the tag line ‘DO YOU WANT SOME FUCKING MORE OF THIS, WHITEY?’, and 30 per cent of America would have stood up and fucking cheered.

Matilde leads us into one of the apartment’s two bedrooms, obviously belonging to Bruno and Luca. Bunk beds are stacked in the corner and the walls are covered in soccer posters. “You can have the bottom bed, Pippa,” Chiara says. “You seem to have a problem with steps.” I snatch a pillow and whip it at her, but she ducks in time, the pillow knocking over a stack of sports magazines. “Girls same as boys.” Matilde laughs as she turns back to the living area. We pull fresh clothes out of our luggage and Chiara heads to the bathroom--the only one in the apartment--closing the door behind her and leaving me to change. I shed my shirt and freshen my deodorant, then fan my skin trying to cool off. I feel wet everywhere. I can still hear Chiara shuffling around in the bathroom, so I quickly change my shorts into ones that are more breathable, and then decide to sprinkle some baby powder down my bra. Just as a little cloud of powder hits my chest, a voice that is neither Chiara’s nor her aunt’s announces its presence in the now open doorway. “You are the American girl who is taking my bed.

The Inside of Sister Linda’s Door In the poorest rural parts of Africa, it is still the nuns who maintain many basic health services. Some of these clever, hardworking, and pragmatic women became my closest colleagues. Sister Linda, whom I worked with in Tanzania, was a devout Catholic nun who dressed all in black and prayed three times a day. The door to her office was always open—she closed it only during health-care consultations—and on its outside, the first thing you saw as you entered, was a glossy poster of the pope. One day, she and I were in her office and started discussing a sensitive matter. Sister Linda stood up and closed the door, and for the first time I saw what was on its inside: another large poster and, attached to it, hundreds of little bags of condoms. When Sister Linda turned back around and saw my surprised face she smiled—as she often did when discovering my countless stereotypes of women like her. “The families need them to stop both AIDS and babies,” she said simply. And then she continued our discussion.

After breakfast, we join hands in the living room like we always do, under the framed poster of the Ten-Point Program, and Daddy leads us in prayer. “Black Jesus, watch over my babies today,” he says. “Keep them safe, steer them from wrong, and help them recognize snakes from friends. Give them the wisdom they need to be their own people. “Help Seven with this situation at his momma’s house, and let him know he can always come home. Thank you for Sekani’s miraculous, sudden healing that just so happened to come after he found out they’re having pizza at school today.

My favorite phrase those days, which I saw on a Family Dog poster, was “May the Baby Jesus Shut Your Mouth and Open Your Mind,” which came from a Captain Beefheart record.

Jessi held up her poster.

We already have posterity," I said. "When?' "We were babies and we grew old

When Prince Charles arrived home from a recent private visit to France she found his presence so oppressive that she literally ran out of Kensington Palace. Diana phoned a friend who was grieving over the death of a loved one. She could sense that her chum was crying and said: “Right I’m coming over now.” As her friend recalls: “She came instantly for me but when she arrived she was visibly unsettled. Diana told me: “I’m here for you but I’m also here for me. My husband appeared and I just had to fly out and escape.’ She was all of a dither.” As far as is practicable they lead separate lives, joining forces only to maintain a façade of unity. These reunions merely give the public a glimpse into their isolated existences. At last year’s soccer Cup Final at Wembley they sat next to each other but never exchanged a word or glance during the ninety-minute game. More recently Prince Charles missed his wife’s cheek and ended up kissing her neck at the end of a polo match during their tour of India. Even their notepaper which used to have a distinctive intertwined “C and D” has been discarded in favour of individual letterheadings. When she is at Kensington palace he will be at Highgrove or Birkhall on the Balmoral estate. At Highgrove she has the large four-poster in the master bedroom; he sleeps in a brass bed which he borrowed from his son, Prince William, because he found its extra width more comfortable after he broke his right arm during a polo match. Even these distant sleeping arrangements have led to marital discord. When Prince William asked for his bed back, his father refused. “Sometimes I don’t know who the baby is in this family,” commented Diana caustically. The days when she affectionately called him “Hubcap” are long gone. As James Gilbey notes: “Their lives are spent in total isolation. It’s not as though they ring each other and have sweet chats each evening and say: ‘Darling what have you been doing?’ It simply doesn’t happen.

When they reached the top level, Susan turned to the left. The corridor had raised wallpaper in a classic floral design and nothing else. No small tables, no chairs, no pictures in frames, no Oriental runners. They passed by maybe a dozen rooms, only two with doors open. Myron noticed that the doors were extra wide and he remembered his visit to Babies and Children’s Hospital. Extra wide doors there too. For wheelchairs and stretchers and the like. When they reached the end of the corridor, Susan stopped, took a deep breath, looked back at Myron. “Are you ready?” He nodded. She opened the door and stepped inside. Myron followed. A four-poster antique bed, like something you’d see on a tour of Jefferson’s Monticello, overwhelmed the room. The walls were warm green with woodwork trim. There was a small crystal chandelier, a burgundy Victorian couch, a Persian rug with deep scarlets. A Mozart violin concerto was playing a bit too loudly on the stereo. A woman sat in the corner reading a book. She too started upright when she saw who it was. “It’s okay,” Susan Lex said. “Would you mind leaving us for a few moments?” “Yes, ma’am,” the woman said. “If you need anything—” “I’ll ring, thank you.” The woman did a semi-curtsy/semi-bow and hurried out. Myron looked at the man in the bed. The resemblance to the computer rendering was uncanny, almost perfect. Even, strangely enough, the dead eyes. Myron moved closer. Dennis Lex followed him with the dead eyes, unfocused, empty, like windows over a vacant lot.

She stepped back into the house. “I want to show you something.” Trying to get his legs back, his head wobbly, and his internal referee still giving him the eight count, Myron followed her silently up the stairway. She led him down a darkened corridor lined with modern lithographs. She stopped, opened a door, and flipped on the lights. The room was teenage-cluttered, as if someone had put all the belongings in the center of the room and dropped a hand grenade on them. The posters on the walls—Michael Jordan, Keith Van Horn, Greg Downing, Austin Powers, the words YEAH, BABY! across his middle in pink tie-dye lettering—had been hung askew, all tattered corners and missing pushpins. There was a Nerf basketball hoop on the closet door. There was a computer on the desk and a baseball cap dangling from a desk lamp. The corkboard had a mix of family snapshots and construction-paper crayons signed by Jeremy’s sister, all held up by oversized pushpins. There were footballs and autographed baseballs and cheap trophies and a couple of blue ribbons and three basketballs, one with no air in it. There were stacks of computer-game CD-ROMs and a Game Boy on the unmade bed and a surprising amount of books, several opened and facedown. Clothes littered the floor like war wounded; the drawers were half open, shirts and underwear hanging out like they’d been shot mid-escape. The room had the slight, oddly comforting smell of kids’ socks.

Look out for the baby seals!” I yelled. “Don’t let the torpedo blow them up!” “I’m doing my best!” Erica yelled back. “You know how I feel about baby seals!” I did. Despite her generally tough and cold exterior, Erica loved baby seals. And sea otters. And kittens. Back at our original spy school, her dormitory walls had been covered with posters of them (as well as one incredibly precious baby sloth)

In the summer of 2002, I embarked on a mission that had been a goal of mine for many years. That mission was to write about a group of American servicemen who fought for our country. I was naturally drawn to WWII as a subject. I had read numerous accounts of how America led the effort to defeat the twin evils of Hitler’s Germany and Tojo’s Japan. A visit to a local bookstore, however, opened my eyes to two realities: 1) many books have been written about the heroes of WWII; 2) few books have been written about the heroes of the Vietnam War. The reasons for this discrepancy were obvious to me. Conventional wisdom tells us that the men and women of WWII were heroes who won our last great war. The deeds of our heroes should be recorded for posterity. Conventional wisdom is correct. Yet, that same “wisdom” has two faces. The men of WWII were treated as heroes. The men of the Vietnam War were not. Instead of receiving ticker tape parades, many were greeted with shouts of “baby killer” and “war monger”. Thrown tomatoes, rocks, profanities and,in some cases, being spat on by fellow Americans was a common occurrence. That “wisdom” tells us that the men and women who fought in Vietnam were not heroes. They fought an immoral war, a war which they did not “win”. Not only were they immoral, they were losers as well. The conventional wisdom about the men and women who fought in Vietnam could not be more wrong. The heroes of Vietnam fought for the same reasons as every other American in every other war: for freedom, for country, for family and for the buddy holding the line next to him. That visit to the bookstore opened my eyes. My mission was crystal clear: I was to write a book about the heroes of the Vietnam War. That book was to tell a true account of combat, an account that had been ignored by historians up to that point. I wanted to tell a story that might be lost to posterity forever but for my efforts. The book was to set the record of “conventional wisdom” straight for good: that the men and women of Vietnam were and are heroes who won the war they were told to fight. That, as heroes, their deeds should be recorded for posterity. Conventional wisdom should get it right. Lions of Medina is a true account of Marine courage at its best. Courage in the face of overwhelming odds. Courage that defined the generation of men and women who fought in Vietnam. This book is a tribute to those who fought the Vietnam War, a reminder that freedom is never free, and a testament to the valor of the American soul. Doyle D. Glass May, 2007 Acknowledgments Lions of Medina would not have been possible without the contributions of many dedicated individuals.

They're not celebrating anything, baby girl, they're asking for approval. These are advertising posters, they're shop windows displaying their wares, like, well, like prostitutes, frankly, like you see in the knocking-shop fronts in Amsterdam. Honestly, Rosie, some of them may as well put a price tag on and have done with it. I might be stuck in the ice age, my love, but at least we didn't confuse being attractive with being a commodity.