“
You see, cuckoos are parasites. They lay their eggs in other birds' nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places."
"Enormous?" said Jace. "Did you just call me fat?"
"It was an analogy."
"I am not fat.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
The Inquisitor stared at him as if he were a talking cockroach. "Do you know about the cuckoo bird, Jonathan Morgenstern?"
Jace wondered if perhaps being the Inquisitor—it couldn't be a pleasant job—had left Imogen Herondale a little unhinged.
"The cuckoo bird," she said. "You see, cuckoos are parasites. They lay their eggs in other birds' nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places."
"Enormous?" said Jace. "Did you just call me fat?"
"It was an analogy."
"I am not fat.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Do you know about the cuckoo bird, Jonathon Morgenstern?"
Jace wonderwd if perhaps being the Inquisitor—it couldn't be a pleasant job—had left Imogen Herondale a little unhinged. "The what?"
"The cuckoo bird," she said. "You see, cuckoos are parasites. They lay their eggs in other birds' nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food for the enormous cuckoo child who has murdered their babies and taken their places."
"Enormous?" said Jace. "Did you just call me fat?"
"It was an analogy."
"I am not fat.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
the cuckoo bird," she said, "You see, cuckoos are parasites. THey lay their eggs in in other birds' nests. Whhen the egg hatches, the baby cuckoopushes the other birds out of the nest. THe poor parent birds work to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places.'
Enormous?' said Jace. 'Did you just call me fat?'
It was an analogy.'
I am not fat.
”
”
Cassandra Clare
“
Rats
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook's own ladles.
Split open the kegs of salted sprats,
Made nests inside men's Sunday hats,
And even spoiled the women's chats
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.
”
”
Robert Browning (The Pied Piper of Hamelin)
“
Does the work get easier once you know what you are doing?"
"Your lungs grow thick with stone dust and your eyes bleary from the sun and fragments thrown up by the chisel. You pour your lifeblood out into works of stone for Romans who will take your money in taxes to feed soldiers who will nail your people to crosses for wanting to be free. Your back breaks, your bones creak, your wife screeches at you, and your children torment you with open begging mouths, like greedy baby birds in the nest. You go to bed every night so tired and beaten that you pray to the Lord to send the angel of death to take you in your sleep so you don't have to face another morning. It also has its downside.
”
”
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
“
What good is a crow to a pack of grieving humans? A huddle. A throb. A sore. A plug. A gape. A load. A gap. So, yes. I do eat baby rabbits, plunder nests, swallow filth, cheat death, mock the starving homeless, misdirect, misinform. Oi, stab it! A bloody load of time wasted. But I care, deeply. I find humans dull except in grief.
”
”
Max Porter (Grief is the Thing with Feathers)
“
The baby was warm against my chest. I knew I was broken too. I wasn't like other people. I was scared and weird and anxious and sad lots of the time, and I didn't know why. My parents thought I was abnormal, I was pretty sure. They said I wasn't, but you don't get sent to a therapist if you're normal.
Sometimes we really aren't supposed to be the way we are. It's not good for us. And people don't like it. You've got to change. You've got to try harder and do deep breathing and maybe one day take pills and learn tricks so you can pretend to be more like other people. Normal people. But maybe Vanessa was right, and all those other people were broken too in their own ways. Maybe we all spent too much time pretending we weren't.
”
”
Kenneth Oppel (The Nest)
“
My town is a factory for the production of human babies. People live in nests packed closely together. It's just like the silkworm room in Granny's house. The nests are lined up neatly in rows, and each contains a breeding pair of male and female humans and their babies. The breeding pairs raise their young inside their nests.
The Baby Factory produces humans connected by flesh and blood. Eventually we children will also leave the factory and be shipped out.
Once shipped out, male and female humans are trained how to take food back to their own nests. They become society's tools, receive money from other humans, and purchase food. Eventually these young humans also form breeding pairs, coop themselves up in new nests, and manufacture more babies.
”
”
Sayaka Murata (Earthlings)
“
Moonlight drifts from over
A hundred thousand miles
To fall upon a cemetery
It reads a hundred epitaphs
And then smiles at a nest of
Baby owls
”
”
Richard Brautigan
“
You see when a new baby laughs for the first time a new fairy is born and as there are always new babies there are always new fairies. They live in nests in the top of trees; and the mauve ones are boys and the white ones are girls, and the blue ones are just little sillies who are not sure what they are.
”
”
J.M. Barrie
“
But do you know how you should live? Like that crow that has built a nest on that palm tree. When it knows it is going to lay eggs, it builds its nest. Then it incubates the eggs and hatches them. It finds food for the little ones and takes care of them until they grow their own wings. Once that happens, what do you think is the relationship between the baby crow and its mother? They go their separate ways. “You got your wings, now get out of here, and fend for yourself.” That’s the way to live. Instead, we give birth, raise them, get them married, save money and struggle. Is this any way to live? If we were more like crows and cuckoos, I’d also like to have children.
”
”
பெருமாள் முருகன் (One Part Woman)
“
Did you know that at some point, a mama eagle pushes her babies out of the nest? She shoves them right out, and they have to fly to survive the fall.” “And if they don’t fly?” “I guess they don’t buy her a Mother’s Day present.
”
”
Jenny B. Jones (Can't Let You Go (Katie Parker Productions, #5))
“
I'll trim you babies like little lambs
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
We don't use the words begetting or begotten much in modern English, but everyone still knows what they mean. To beget is to become the father of: to create is to make. And the difference is this. When you beget, you beget something o the same kind as yourself. A man begets human babies, a beaver begets little beavers and a bird begets eggs which turn into little birds. But when you make, you make something of a different kind from yourself. A bird makes a nest, a beaver builds a dam, a man makes a wireless set – or he may make something more like himself than a wireless set: say, a statue. If he is clever enough carver he may make a statue which is very like man indeed. But, of course, it is not a ream man; it only looks like one. It cannot breathe or think. It is not alive.
Now that is the first thing to get clear. What God begets is God; just as what man begets is man. What God creates is not God; just as what man makes is not man. That is why men are not Son's of God in the sense that Christ is. They may be like God in certain ways, but they are not things of the same kind. They are more like statues or pictures of God.
”
”
C.S. Lewis
“
LIKE MOTHER, LIKE LOVER
There is the mother
Who cooks too much
To feed her children,
And there is the mother
Who cooks too little,
Or not at all.
There is the bird
That returns to its nest
With just a frail worm
And feeds it to her babies,
And there is the bird
That kills its frail babies
Just to eat the worm.
There is the lover
Who argues that
There is never
Enough love,
And there is the other lover
Who argues that love is
All there ever
Was.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Moonlarks face more predators than most other creatures.So even though the parents follow their eggs across the ocean and are never far away,they do not make contact, and they do not bring their babies to the nest.Their insticts know that if they did, they would shelter the younglings and weaken their ability to survive.~Calla
”
”
Shannon Messenger
“
The changes that happen in the mommy brain are the most profound and permanent of a woman’s life. For as long as her child is living under her roof, her GPS system of brain circuits will be dedicated to tracking that beloved child. Long after the grown baby leaves the nest, the tracking device continues to work. Perhaps this is why so many mothers experience intense grief and panic when they lose day-to-day contact with the person their brain tells them is an extension of their own reality.
”
”
Louann Brizendine (The Female Brain)
“
The bell on the cat's collar roused her. He'd brought her something: a baby pigeon stolen from its nest, mauled and draped on Jacey's pillowcase. The thing was pink, nearly translucent, with magenta cheeks and lavender around the eyes. It looked like a half-cooked eraser with dreams of someday becoming a prostitute. -- Wild America
”
”
Wells Tower (Everything Ravaged, Everything Burned)
“
Getting out of the house. Every. Single. Day. The best thing you can do for yourself, your sanity, and your baby is to leave the scene of the crime. Leave the place with the dishes in the sink and the overflowing Diaper Genie. Put your baby in a carrier or a stroller and go on a walk around the neighborhood. Put in some headphones and listen to Beyoncé or Adele or a podcast on business ethics. Do whatever you have to do to remind yourself that there is a life beyond your nest and that you are still part of it.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
The three-story derelict is home to Smitty, Gale, and Gale's baby - a nuclear family nested on the corner - and Ella is accustomed to seeing them on the front steps, waiting for redemption or a cool breeze from the harbor, neither of which seems particularly likely.
”
”
David Simon (The Corner: A Year in the Life of an Inner-City Neighborhood)
“
Like the baby bird that flies the nest too soon, because it can’t comprehend anything better to do. Freedom is still freedom, even when it ends in a suicide song.
”
”
Anonymous
“
One of our favorite spring rituals is to buy packs of white goose feathers at a craft store, climb our bird-watching tower, and stand, feathers in our outstretched fingers, until tree swallows gather the courage to hover close, snatch them, and bear them off to their nest.
”
”
Julie Zickefoose (Baby Birds: An Artist Looks into the Nest)
“
MY BOSS SENDS me home because of all the dried blood on my pants, and I am overjoyed.
The hole punched through my cheek doesn’t ever heal. I’m going to work, and my punched-out eye sockets are two swollen-up black bagels around the little piss holes I have left to see through. Until today, it really pissed me off that I’d become this totally centered Zen Master and nobody had noticed. Still, I’m doing the little FAX thing. I write little HAIKU things and FAX them around to everyone. When I pass people in the hall at work, I get totally ZEN right in everyone’s hostile little FACE.
Worker bees can leave
Even drones can fly away
The queen is their slave
You give up all your worldly possessions and your car and go live in a rented house in the toxic waste part of town where late at night, you can hear Marla and Tyler in his room, calling each other hum; butt wipe.
Take it, human butt wipe.
Do it, butt wipe.
Choke it down. Keep it down, baby.
Just by contrast, this makes me the calm little center of the world.
Me, with my punched-out eyes and dried blood in big black crusty stains on my pants, I’m saying HELLO to everybody at work. HELLO! Look at me. HELLO! I am so ZEN. This is BLOOD. This is NOTHING. Hello. Everything is nothing, and it’s so cool to be ENLIGHTENED. Like me.
Sigh.
Look. Outside the window. A bird.
My boss asked if the blood was my blood.
The bird flies downwind. I’m writing a little haiku in my head.
Without just one nest
A bird can call the world home
Life is your career
I’m counting on my fingers: five, seven, five. The blood, is it mine? Yeah, I say. Some of it. This is a wrong answer.
”
”
Chuck Palahniuk (Fight Club)
“
Seahorses are Luna's favorite animal because the male seahorse is the only animal in nature to carry the baby and not the mother. The male seahorse is the one to incubate the offspring. To fall pregnant. To nest.
”
”
L.J. Shen (Scandalous (Sinners of Saint, #3))
“
In exchange for his first taste of powdered milk, Pascal showed me a tree we could climb to find a bird's nest. After we handled and examined the pink-skinned baby birds, he popped one of them into his mouth like a jujube. It seemed to please him a lot. He offered a baby bird to me, pantomiming that I should eat it. I understood perfectly well what he meant, but I refused. He did not seem disappointed to have to eat the whole brood himself.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
Male rats don’t experience the hormonal changes that trigger maternal behavior in female rats. They never normally participate in infant care. Yet put a baby rat in a cage with a male adult and after a few days he will be caring for the baby almost as if he were its mother. He’ll pick it up, nestle it close to him as a nursing female would, keep the baby rat clean and comforted, and even build a comfy nest for it.29 The parenting circuits are there in the male brain, even in a species in which paternal care doesn’t normally exist.30 If a male rat, without even the aid of a William Sears baby-care manual, can be inspired to parent then I would suggest that the prospects for human fathers are pretty good.
”
”
Cordelia Fine (Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference)
“
Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked.
“Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.”
“Washed her window?” both older sisters asked at the same time.
“Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree— do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?”
“No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.”
“Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?”
Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.”
“So did I,” Amelia said, blowing her nose.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
But what’s so important about these words?” she asked. I didn’t know, exactly. It was more feeling than thought. Some words were just like baby birds fallen from the nest. With others, I felt as though I’d come across a clue: I knew it was important, but I wasn’t sure why.
”
”
Pip Williams (The Dictionary of Lost Words)
“
He welcomes the chance to do fatherly things with the little girl, and those ten morning minutes with dear little four-year-old Ruby, with her deep soulful eyes, and the wondrous things she sees with them, and her deep soulful voice, and the precious though not entirely memorable things she says with it, and the smell of baby shampoo and breakfast cereal filling the car, that little shimmering capsule of time is like listening to cello music in the morning, or watching birds in a flutter of industry building a nest, it simply reminds you that even if God is dead, or never existed in the first place, there is, nevertheless, something tender at the center of creation, some meaning, some purpose and poetry.
”
”
Scott Spencer (A Ship Made of Paper)
“
When Carleton was three months old, Henry had realized that they’d misunderstood something. Babies weren’t babies—they were land mines; bear traps; wasp nests. They were a noise, which was sometimes even not a noise, but merely a listening for a noise; they were a damp, chalky smell; they were the heaving, jerky, sticky manifestation of not-sleep. Once Henry had stood and watched Carleton in his crib, sleeping peacefully. He had not done what he wanted to do. He had not bent over and yelled in Carleton’s ear. Henry still hadn’t forgiven Carleton, not yet, not entirely, not for making him feel that way.
”
”
Kelly Link (Magic for Beginners)
“
You see when a new baby laughs for the first time a new fairy is born, and as there are always new babies there are always new fairies. They live in nests on the tops of trees; and the mauve ones are boys and the white ones are girls, and the blue ones are just little sillies who are not sure what they are.
”
”
J.M. Barrie
“
I want to do with her as one would a proper lover, fuck her ferociously,working up an appetite for a beasts breakfast and then returning to bed, to do it again, finally rousing at two or three,to snack, feeding each other in bed like baby birds still in the nest, fucking again, then sleeping until supper with the comfort of newfound familiarity.
”
”
A.M. Homes (The End of Alice)
“
If a baby stork is not happy with the way it is being reared, it sometimes abandons its parents and wanders into another nearby nest to be fed by a new family!
”
”
Jack Goldstein (101 Amazing Facts)
“
We sat down and made a nest in the long red grass. Yulka curled up like a baby rabbit and played with a grasshopper
”
”
Willa Cather
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
It's a fucking Fiero, dude. It's twenty years old. It has 150,000 miles on it, which is practically what it takes to get to the moon. I'm going to bet if I open this thing up, it's going to smell like stale Drakkar Noir and chemical pine scent. There is probably a dead rat in the trunk. Maybe a whole nest of dead rats and rat babies." She finishes her drawing. (Spoiler alert: it's a penis.) "You should really be paying me to take this burden of Detroit steel off your hands.
”
”
Chuck Wendig (The Cormorant (Miriam Black, #3))
“
I'm not good at the friends thing. I'm the human equivalent of one of those baby birds that fall out of a nest and then some nice person picks the baby bird up and puts it back. Except that now the baby bird smells all wrong. I think I smell wrong.
”
”
Kelly Link
“
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
”
”
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
“
...On their first day in the new house, Addams had gotten up in the dark. From the surrounding swamp came bloodcurdling screams - the sound of possums mating, Tee later speculated, though it was perhaps a fisher, the dark-colored marten who stalked the wetlands, rooting rabbits from their nests. Addams returned to bed. "Someone is murdering babies in the swamp," he said. "Oh darling," came the sleepy reply from the pillows, "I forgot to tell you about the neighbors."
"All my life I wanted to live in one of those Addams Family houses, but I've never achieved that," Addams had recently told a reporter. "I do my best to add little touches," he said. ...Still, he conceded, "it's hard to convert a ranch-type house into a Victorian monster."
”
”
Linda H. Davis (Chas Addams: A Cartoonist's Life)
“
What happened? Stan repeats.
To us?
To the country?
What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have.
What happened?
Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we
Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear.
What happened?
You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what
Happened?
Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by
Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what
Happened?
Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day
we are responsible for ourselves.
We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't
Who we wanted to be.
”
”
Don Winslow (The Kings of Cool (Savages, #1))
“
Babies weren’t babies—they were land mines; bear traps; wasp nests. They were a noise, which was sometimes even not a noise, but merely a listening for a noise; they were a damp, chalky smell; they were the heaving, jerky, sticky manifestation of not-sleep.
”
”
Kelly Link (Stone Animals (Electric Literature's Recommended Reading))
“
I used to read three newspapers every morning. Three.” Her voice was softer now so as not to disturb the baby. “You know where I get all my news now? Fucking Oprah.” Her expression was rueful, but also resigned, her fingers making small circles on the baby’s
”
”
Cynthia D'Aprix Sweeney (The Nest)
“
The stench of sewers mixed with mud, the smell of the odd crack of lightning, wind tugging at tiles, power lines, empty nests; the stifling heat behind the low ill-fitting windows... impatient, annoyed half-words of lovers embracing... demanding wails of babies, their cries sliding off into the tin-smell of dusk; streets pliable, parks soaked to their roots lying obedient to the rain, bare oaks, half-broken dry flowers, scorched grass all prostrate, humbled by the storm, sacrifices strewn at the executioner's feet.
”
”
László Krasznahorkai (Satantango)
“
My town was a collection of nests, a factory for manufacturing babies. I was a tool for the town’s good, in two senses. Firstly, I had to study hard to become a work tool. Secondly, I had to be a good girl, so that I could become a reproductive organ for the town.
”
”
Sayaka Murata (Earthlings)
“
Ça m'a pris presque un an pour réaliser qu'elle n'est nulle part, l'aventure. L'aventure ne se trouve pas dans un livre, un guide ou une expédition prévue pour ça. L'aventure est une porte qui s'ouvre par en-dedans. Le reste dépend de vous. Ça peut se passer à Bombay, à Brossard ou dans la prison de Tanguay. L'aventure débute avec la fin de la peur: de la peur de rire quand on doit se taire; de la peur de fuir quand on doit plaire; de la peur d'être nu, ridicule et vulnérable, mort; de la peur de se tromper; de la peur d'échouer. Se placer volontairement les pieds dans les plats? Pourquoi pas! Se confronter à une tâche impossible à réaliser? Kick ass, baby! L'aventure a la tête dure. L'aventure n'apprend pas de ses erreurs, sinon qu'elle n'en a jamais assez commises. Et toujours, l'aventure prend des fucking de drôles de tournures. Même que, parfois, elle commence où on croit qu'elle finit...
”
”
Bruno Blanchet
“
I did not really listen, fixing my eyes on the nearest tapestry, which showed a white unicorn sitting with its front hooves in the lap of a fair-haired maiden in a gorgeous medieval gown. The embroidered grass was studded with flowers, and the two overarching trees were hung with pomegranates. Small beasts- rabbits and squirrels and badgers- watched from the shelter of the forest, not noticing the hunters creeping closer with their dogs and spears. I stared at this tapestry for an hour every day and still I found new things in it- a nest of baby birds, a hunter who looked sad, a ladybird on a leaf.
”
”
Kate Forsyth (Bitter Greens)
“
because you see when a new baby laughs for the first time a new fairy is born, and as there are always new babies there are always new fairies. They live in nests on the tops of trees; and the mauve ones are boys and the white ones are girls, and the blue ones are just little sillies who are not sure what they are.
”
”
J.M. Barrie
“
My town was a collection of nests, a factory for manufacturing babies. I was a tool for the town’s good, in two senses. Firstly, I had to study hard to become a work tool. Secondly, I had to be a good girl, so that I could become a reproductive organ for the town. I would probably be a failure on both counts, I thought.
”
”
Sayaka Murata (Earthlings)
“
My town was a collection of nests, a factory for manufacturing babies. I was a tool for the town's good, in two senses.
Firstly, I had to study hard to become a work tool.
Secondly, I had to be a good girl, so that I could become a reproductive organ for the town.
I would probably be a failure on both counts, I thought.
”
”
Sayaka Murata (Earthlings)
“
My town was a collection of nests, a factory for manufacturing babies. I was a tool for the town's good, in two senses.
Firstly, I had to study hard to become a work tool.
Secondly, I had to be a good girl, so that I could become a reproductive organ for the town.
I would probably be a failure on both counts, I thought.
”
”
Sayaka Murata (Earthlings)
“
I’d walked in my first—and most likely last—New York Fashion Week show and I could hardly wrap my head around the insanity of it. I’d been sewn into a dress, had my makeup done and my hair professionally styled, and then they’d shoved me out from backstage like a mama bird pushing her baby bird out of the nest…and I’d SOARED.
”
”
R.S. Grey (The Allure of Julian Lefray (The Allure, #1))
“
Hush-a-bye baby in the tree top, when the wind blows the cradle will rock, when the bough breaks the cradle will fall, and down will come baby, cradle and all.
Momma will catch you, give you a squeeze, send you back up to play in the trees, when twilight falls and birds seek their nests, come home to the one who loves you the best.
”
”
Eloisa James (A Duke of Her Own (Desperate Duchesses, #6))
“
George Bailey: Mary Hatch, why in the world did you ever marry a guy like me?
Mary: To keep from being an old maid!
George Bailey: You could have married Sam Wainright, or anybody else in town...
Mary: I didn't want to marry anybody else in town. I want my baby to look like you.
George Bailey: You didn't even have a honeymoon. I promised you...
[stops]
George Bailey: Your what?
Mary: My baby!
George Bailey: [stuttering] Your, your, your, ba- Mary, you on the nest?
Mary: George Baily Lassos Stork!
George Bailey: [still stuttering] Lassos a stork?
[Mary nods]
George Bailey: What're'ya... You mean you're... What is it, a boy or a girl?
Mary: [nods enthusiastically] Mmmm-hmmm!
”
”
It's a Wonderful Life
“
Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it.
"The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child.
"'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs.
"The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind.
"That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love.
"In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life....
"The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun.
Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees:
There was a child went forth every day
And the first object he look'd upon, that object he became...
The early lilacs became part of this child...
And the song of the phoebe-bird...
In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.
”
”
Jay Griffiths (A Country Called Childhood: Children and the Exuberant World)
“
Wild geese pair off for life. I never knew them to even make an application for divorce. The male guards his mate on the nest. As soon as the young hatch, he protects them from the side opposite the mother, keeping the babies between the parents. He will leave his family for her and for her only, but he will die in the front ranks for any of them....I have placed their bushels of corn around one of my mating pairs, and of the thousands of hungry geese that come here, none will interfere with these little plots to take even one kernel...When traveling in the air, the male Canada Goose leads the way, breaking the air for his sweetheart, who is quartering behind him, and his family travels next to her. In brief, he is one of the most self-sacrificing, godly-principled leaders the human eye ever beheld, and to know him is to love and admire him.
”
”
Jack Miner (Jack Miner and the Birds: And Some Things I Know About Nature (Classic Reprint))
“
We had three more attics, but one of them was full of old lumber and bricks left over from the various additions that had been built onto the house, and one of them was full of bats, and the last could only be reached by climbing through a trapdoor in the ceiling of the next-to-the-last attic and even if I could get past the bats and through the lumber and bricks I did not think I could keep taking the baby up and down through a trapdoor.
”
”
Shirley Jackson (The Magic of Shirley Jackson: The Bird's Nest, Life Among the Savages, Raising Demons, and Eleven Short Stories, including The Lottery)
“
[God] tells the woman that she will now bring forth children in sorrow, and desire an unworthy, sometimes resentful man, who will in consequence lord her biological fate over her, permanently. What might this mean? It could just mean that God is a patriarchal tyrant, as politically motivated interpretations of the ancient story insist. I think it’s—merely descriptive.
Merely. And here is why: As human beings evolved, the brains that eventually gave rise to self-consciousness expanded tremendously. This produced an evolutionary arms race between fetal head and female pelvis.56 The female graciously widened her hips, almost to the point where running would no longer be possible. The baby, for his part, allowed himself to be born more than a year early, compared to other mammals of his size, and evolved a semi-collapsible head.57 This was and is a painful adjustment for both. The essentially fetal baby is almost completely dependent on his mother for everything during that first year. The programmability of his massive brain means that he must be trained until he is eighteen (or thirty) before being pushed out of the nest. This is to say nothing of the woman’s consequential pain in childbirth, and high risk of death for mother and infant alike. This all means that women pay a high price for pregnancy and child-rearing, particularly in the early stages, and that one of the inevitable consequences is increased dependence upon the sometimes unreliable and always problematic good graces of men.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
My doubts fall away and leave me weightless and whole. I turn. I look. I see the frame of my face in another’s. I see my eyes staring back at me. It’s her. It is her. She is lovely. She is delicate. She is a familiar mix of me. (p. 301)
They’re expecting Aimee. I’m not Aimee. I can’t be anything like the Aimee they imagined me to be, I worried. What if I’m not as easy to love as the baby they gave away? What if this doesn’t work out? What will I tell my daughters? What will I tell myself? (p.295)
Gloria wasn’t all bad; she did have days that made me want to nest in her arms and surrender to her care. The truth is, I very much wanted a mother, and most of the time I wanted her to be my mother. (p.179)
I would have been good. I would have behaved. Eaten my vegetables, cleaned my room, said “please” and “thank you.” I would have made you love me. Somehow. (p. 297)
We have taken our time getting to know one another. Our relationship has had the luxury of a gestation period—a block of time that nature affords to every mother and her offspring. (p. 323)
”
”
Kathy Hatfield (Secret Storms)
“
Ode, Elegy, Aubade, Pslam"
1
The songbird that escapes
from a burning house
will build its nest
in the shape of a cage.
2
This is one thing
we know: song begs
for the places that make it
grow from seed to starling,
3
places that put the heart’s hemlock
in an empty rowboat
and heave it from the shore.
4
We only praise what we cannot
keep: violin strings berried with rain,
teacups overflowing with brandywine,
radios sickened with static.
5
Glass tossed out with the tide
will come back smoother and stranger,
but never to the same person.
6
This is something we want
to know. The woman in love
never touches her ears.
7
The man in his house is always lost
without her.
8
Morning pulls light
from the dark like a boy
hoisting a trout from the lake
by its clean, pink gills.
9
When the woman escapes
from a burning house
she will know the path of the wind,
10
how it writes its scripture
in peach blossoms blown
into a baby’s empty pram.
11
She’ll feel it compose its words
against her body, against the night,
against the water, in an endless, artless psalm.
”
”
Ryan Teitman (Litany for the City)
“
one summer hornets made a nest deep in the garage and my aunt said we’d have to empty the whole thing in order to find where they were coming from
my grandfather refused
and I don’t think I need to say too much in order for you to understand that he wasn’t willing to empty the container of his body either
he would rather let a threat linger between tightly packed muscles if it meant he never had to pull the pain out
stack it in the driveway
let the neighbors and god catch a glimpse
or, sweet baby Jesus, ever send someone in to smoke out the harm
”
”
Stephanie Greene
“
By the time I woke up on a summer morning—the alarm having missed fire again, for the third time in a week—it was already too hot to move. I lay in bed for a few minutes, wanting to get up but unable to exert the necessary energy. From the girls’ room, small voices rose in song, and I listened happily, thinking how pleasant it was to hear a brother and two sisters playing affectionately together; then, suddenly, the words of the song penetrated into my hot mind, and I was out of bed in one leap and racing down the hall. “Baby ate a spider, Baby ate a spider,” was what they were singing.
”
”
Shirley Jackson (The Magic of Shirley Jackson: The Bird's Nest, Life Among the Savages, Raising Demons, and Eleven Short Stories, including The Lottery)
“
She instantly lowered her face, staring at her lap, so that nothing was visible of her beyond the clusters of sunflower curls that framed the netted bun on top of her head. Intrigued by the curve of one plump cheek, he lifted her chin and made her look toward him, ignoring her flinch as he touched her.
His first impression was of green eyes, wide as a baby owl's and just as solemn. Dumpling cheeks, a straight nose, and a firm little mouth- all ordinary, and all in common female proportion. There was nothing notably strange about her features- and yet it was an odd face, the kind of face that looked out of burrows and tree-knots and hedgerows, unblinking, innocent and as old as time. If she'd had whiskers to twitch it wouldn't have surprised him, so strong was the impression of a small, prudent wild creature with dark brows like furry markings.
Strangely, she made him want to smile, as if he'd just pulled aside a branch and discovered a nightingale staring gravely back at him from its nest. He found himself reacting in the same way, consciously containing his moves and his voice, as if he might startle her away.
"Hullo," he said softly, giving her a light, suggestive chuck beneath her plump chin as he let her go.
”
”
Laura Kinsale (Seize the Fire)
“
In the dewy wood tinselled with bewildering moonlight, the bumbling, tumbling babies of the fairy creche trip over the hem of her dress, which is no more nor less than the margin of the wood itself; they stumble in the tangled grass as they play with the coneys, the quick brown fox-cubs, the russet fieldmice and the wee scraps of grey voles, blind velvet Mole and striped Brock with his questing snout - all the denizens of the woodland are her embroiderings, and the birds flutter round her head, settle on her shoulders and make their nests in her great abundance of disordered hair, in which are plaited poppies and ears of wheat.
”
”
Angela Carter
“
The Falcon of Central Park West
On the highest parapet of that castle like building
I reside at on Central Park West, a falcon nests.
I've reported this to the slavic doorman, the ASPCA,
and to the presiding coop board, to no avail.
This raptor launches from my parapet at blinding speed, sailing
over Central Park like a kite, picking up baby squirrels
and d-CON resistant rats to regurgitate to her fledglings.
A first I thought her a nuisance, a stowaway on a luxury liner.
But now I'm quite fond of my falcon, my avatar,
doing what she's 'gotta do' to survive in New York,
and keep her lofty crib in the castle
just like the rest of us.
”
”
Beryl Dov
“
Now let me tell you something.
I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.
I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously.
I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten.
I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends.
I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes.
I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things.
But—
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
”
”
Gerald Durrell
“
William sees it all happen again. The pain is not in the event. The subjection to it and his powerless state each time is where his anguish lies. He is unable to influence the situation, despite his desire. He sees the nest outside his house. He sees the baby bird that fell. The mother bird cries frantically for her lost chick. William knows as he approaches the chick that if he touches it his scent will linger, and the mother will reject it. Circling around the fallen creature William hopes it will flee from him, back toward the tree from which it had fallen. His presence only intensifies the creature’s fear. It speeds to his left, heading for the street. Again William tries to flank the bird, but it is too frightened to return to the nest. The chick’s mother wails vainly. William walks into the street trying to herd the bird to safety. The stop light a block away has just turned green. The driver accelerates. William moves from the car’s path and it runs over the bird. The momentum from its wake lifts the bird to the underside of the car, breaking its neck, but not killing it. William watches the bird roll helplessly. It is silent for a second, before it begins to whimper. Its contorted head dangles limply from its body. The noise is tragic. The bird’s mother hears the chick’s pain, but nothing can be done. She laments. A second speeder crushes the chick, leaving only a wet feathered spot in the street. As the cars continue to pass, only one bird is heard. A mother’s grief falls deafly on an unconcerned world.
”
”
M.R. Gott (Where The Dead Fear to Tread)
“
For many years, a family of ospreys lived in a large nest near my summer home in Maine. Each season, I carefully observed their rituals and habits. In mid-April, the parents would arrive, having spent the winter in South America, and lay eggs. In early June, the eggs hatched. The babies slowly grew, as the father brought fish back to the nest, and in early to mid August were large enough to make their first flight. My wife and I recorded all of these comings and goings with cameras and in a notebook. We wrote down the number of chicks each year, usually one or two but sometimes three. We noted when the chicks first began flapping their wings, usually a couple of weeks before flying from the nest. We memorized the different chirps the parents made for danger, for hunger, for the arrival of food. After several years of cataloguing such data, we felt that we knew these ospreys. We could predict the sounds the birds would make in different situations, their flight patterns, their behavior when a storm was brewing. Reading our “osprey journals” on a winter’s night, we felt a sense of pride and satisfaction. We had carefully studied and documented a small part of the universe. Then, one August afternoon, the two baby ospreys of that season took flight for the first time as I stood on the circular deck of my house watching the nest. All summer long, they had watched me on that deck as I watched them. To them, it must have looked like I was in my nest just as they were in theirs. On this particular afternoon, their maiden flight, they did a loop of my house and then headed straight at me with tremendous speed. My immediate impulse was to run for cover, since they could have ripped me apart with their powerful talons. But something held me to my ground. When they were within twenty feet of me, they suddenly veered upward and away. But before that dazzling and frightening vertical climb, for about half a second we made eye contact. Words cannot convey what was exchanged between us in that instant. It was a look of connectedness, of mutual respect, of recognition that we shared the same land. After they were gone, I found that I was shaking, and in tears. To this day, I do not understand what happened in that half second. But it was one of the most profound moments of my life.
”
”
Alan Lightman (The Accidental Universe: The World You Thought You Knew)
“
The year the Europeans seized Jomo Kenyatta (1952), Chepusepa and I were sharing our homestead with Arimo, a Teso, who was a headman of the local road crew. One day, Arimo's son found an ostrich's nest between Amudat and Katabok, while he was watching cattle. There were six eggs, and both of our cowherds took one. The brought the two eggs to our home and put them in the ashes near the fire. After two weeks, they hatched.
I remember the baby ostriches walking about, eating millet and stones. Arimo took care of them, and they grew quite large. One night a leopard got the female, but the male continued to thrive, and Arimo harvested its feathers twice. Then, one day, when it was fully grown, our ostrich wandered into the town of Amudat. A European saw it and asked the people, "Where did this come from?"
"Oh, it is the 'ox' of a man named Arimo, they told him.
The European immediately summoned Arimo to Amudat. "Do you have license to keep an ostrich?" he demanded.
"Of course not!" Arimo replied. "This ostrich doesn't belong to anyone else--it's mine. So why do I need a license?"
But the European decreed,"From this day on, you must not keep this ostrich without a license. If you do, you will go to jail for stealing from the government!"
That was only the beginning. The Europeans have been seizing our pet ostriches ever since. When other people heard about Arimo's trouble, they killed their ostriches so they could at least have the feathers. Another man was so angry, he killed his female ostrich and destroyed all her eggs.
”
”
Pat Robbins
“
To my children three. Life is like a movie, it starts and it ends.If you are reading this probably i'm gone. but my presence is always with you. All wanted to say how much I loved you. and I wanted to share my life journey with all of you. When I Conceived each of you, I can feel the butterflies in my tummy and I already fail in love with you. When each of you were born, tears dropped of my eye, I know it that was a happy tears. When you said dada, I was excited and happy to hear you saying it over and over. I see you growing like a flower and flying like a bird in front of my eye, in front of the pales a colorful garden who always stay blooming. Slowly you gew wing and all you flew away from the nest. All i'm left with good memories an album full of beautiful of pictures.from you baby showers, 1st word, 1st birthdays,1st trip to Disney or Universal Studios, each of you got to meet your favored TV characters. Your smiley faces was telling me I was doing ok as a parent, although I been told I'm the worst mom. But I know you did not mean that, you meant to say I love you mom. and I love you to my children, It was a nice journey. If I have to go back on time to change the way I raised you, I won't change a thing, beside some of your friends, but you were old enough and free to make your own choices. You have to make your mistakes and i'm pretty sure you learned from them. But at the end I never worry about you, because I'm pretty sure I give 200% as a parent. I know I taught, I armed and I shield you with everything including knowledge you need to survive in world. Remember don't matter how old are you, you always will be my babies. and I always be your Angel ! "Toko - Lock " te ka nana sho. Love Mom & Grandma!
”
”
Zybejta (Beta) Metani' Marashi
“
Carol's liveliest interest was in her walks with the baby. Hugh wanted to know what the box-elder tree said, and what the Ford garage said, and what the big cloud said, and she told him, with a feeling that she was not in the least making up stories, but discovering the souls of things. They had an especial fondness for the hitching-post in front of the mill. It was a brown post, stout and agreeable; the smooth leg of it held the sunlight, while its neck, grooved by hitching-straps, tickled one's fingers. Carol had never been awake to the earth except as a show of changing color and great satisfying masses; she had lived in people and in ideas about having ideas; but Hugh's questions made her attentive to the comedies of sparrows, robins, blue jays, yellowhammers; she regained her pleasure in the arching flight of swallows, and added to it a solicitude about their nests and family squabbles.
”
”
Sinclair Lewis
“
This is how it works. The exomemory stores data – all data – that the Oubliette gathers, the environment, senses, thoughts, everything. The gevulot keeps track of who can access what, in real time. It’s not just one public/private key pair, it’s a crazy nested hierarchy, a tree of nodes where each branch can only be unlocked by the root node. You meet someone and agree what you can share, what they can know about you, what you can remember afterwards.’ ‘Sounds complicated.’ ‘It is. The Martians have a dedicated organ for it.’ I tap my head. ‘A privacy sense. They feel what they are sharing, what is private and what isn’t. They also do something called co-remembering, sharing memories with others just by sharing the appropriate key with them. We just have the baby version. They give the visitors a bit of exomemory and an interface to it, reasonably well-defined. But there is no way we can appreciate the subtleties.
”
”
Hannu Rajaniemi (The Quantum Thief (Jean le Flambeur #1))
“
This popular ideology contends that the religious experience is tranquil and neatly ordered, tender and delicate; it is an enchanted stream for embittered souls and still waters for troubled spirits. The person “who comes in from the field, weary” (Gen. 25:29), from the battlefield and campaigns of life, from the secular domain which is filled with doubts and fears, contradictions and refutations, clings to religion as does a baby to its mother and finds in her lap “a shelter for his head, the nest of his forsaken prayers” and there is comforted for his disappointments and tribulations. This Rousseauian ideology left its stamp on the entire Romantic movement from the beginning of its growth until its final (tragic!) manifestations in the consciousness of contemporary man. Therefore, the representatives of religious communities are inclined to portray religion, in a wealth of colors that dazzle the eye, as a poetic Arcadia, a realm of simplicity, wholeness, and tranquillity. This ideology is intrinsically false and deceptive. That religious consciousness in man’s experience, which is most profound and most elevated, which penetrates to the very depths and ascends to the very heights, is not that simple and comfortable. On the contrary, it is exceptionally complex, rigorous, and tortuous. Where you find its complexity, there you find its greatness. The consciousness of homo religiosis flings bitter accusations against itself and immediately is filled with regret, judges its desires and yearnings with excessive severity, and at the same time steeps itself in them, casts derogatory aspersions on its own attributes, flails away at them, but also subjugates itself to them. It is in a condition of spiritual crisis, of psychic ascent and descent, of contradiction arising from affirmation and negation, self-abnegation and self-appreciation. Religion is not, at the outset, a refuge of grace and mercy for the despondent and desperate, an enchanted stream for crushed spirits, but a raging clamorous torrent of man’s consciousness with all its crises, pangs, and torments.
”
”
David Brooks (The Road to Character)
“
Has anyone had a look at Merripen's shoulder?" Amelia asked, glancing at Win. "It's probably time for the dressing to be changed."
"I'll do it," Win said at once. "And I'll take up a supper tray."
"Beatrix will accompany you," Amelia advised.
"I can manage the tray," Win protested.
"It's not that... I meant it's not proper for you to be alone with Merripen in his room."
Win looked surprised, and made a face. "I don't need Beatrix to come. It's only Merripen, after all."
After Win left the dining hall, Poppy looked at Amelia. "Do you think that Win really doesn't know how he-"
"I have no idea. And I've never dared to broach the subject, because I don't want to put ideas into her head."
"I hope she doesn't know," Beatrix ventured. "It would be dreadfully sad if she did."
Amelia and Poppy both glanced at their younger sister quizzically. "Do you know what we're talking about, Bea?" Amelia asked.
"Yes, of course. Merripen's in love with her. I knew it a long time ago, from the way he washed her window."
"Washed her window?" both older sisters asked at the same time.
"Yes, when we lived in the cottage at Primrose Place. Win's room had a casement window that looked out onto the big maple tree- do you remember? After the scarlet fever, when Win couldn't get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds' nest on one of the other tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look so grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?"
"No," Amelia said with difficulty, her eyes stinging. "I didn't know he did that."
"Merripen said the sky should always be blue for her," Beatrix said. "And that was when I knew he... are you crying, Poppy?"
Poppy used a napkin to dab at the corners of her eyes. "No, I just inh-haled some pepper."
"So did I," Amelia said, blowing her nose.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
So enticing is the red gape of a cuckoo nestling that it is not uncommon for ornithologists to see a bird dropping food into the mouth of a baby cuckoo sitting in some other bird's nest! A bird may be flying home, carrying food for its own young. Suddenly, out of the corner of its eye, it sees the red super-gape of a young cuckoo, in the nest of a bird of some quite different species. It is diverted to the alien nest where it drops into the cuckoo's mouth the food that had been destined for its own young. The 'irresistibility theory' fits with the views of early German ornithologists who referred to foster-parents as behaving like 'addicts' and to the cuckoo nestling as their 'vice'. It is only fair to add that this kind of language finds less favour with some modern experimenters. But there's no doubt that if we do assume that the cuckoo's gape is a powerful drug-like super-stimulus, it becomes very much easier to explain what is going on. It becomes easier to sympathize with the behaviour of the diminutive parent standing on the back of its monstrous child. It is not being stupid. 'Fooled' is the wrong word to use. Its nervous system is being controlled, as irresistibly as if it were a helpless drug addict, or as if the cuckoo were a scientist plugging electrodes into its brain.
”
”
Richard Dawkins (The Selfish Gene)
“
Life as an Enron employee was good. Prestwood’s annual salary rose steadily to sixty-five thousand dollars, with additional retirement benefits paid in Enron stock. When Houston Natural and Internorth had merged, all of Prestwood’s investments were automatically converted to Enron stock. He continued to set aside money in the company’s retirement fund, buying even more stock. Internally, the company relentlessly promoted employee stock ownership. Newsletters touted Enron’s growth as “simply stunning,” and Lay, at company events, urged employees to buy more stock. To Prestwood, it didn’t seem like a problem that his future was tied directly to Enron’s. Enron had committed to him, and he was showing his gratitude. “To me, this is the American way, loyalty to your employer,” he says. Prestwood was loyal to the bitter end. When he retired in 2000, he had accumulated 13,500 shares of Enron stock, worth $1.3 million at their peak. Then, at age sixty-eight, Prestwood suddenly lost his entire Enron nest egg. He now survives on a previous employer’s pension of $521 a month and a Social Security check of $1,294. “There aint no such thing as a dream anymore,” he says. He lives on a three-acre farm north of Houston willed to him as a baby in 1938 after his mother died. “I hadn’t planned much for the retirement. Wanted to go fishing, hunting. I was gonna travel a little.
”
”
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
“
Do you think that Win really doesn’t know how he—” “I have no idea. And I’ve never dared to broach the subject, because I don’t want to put ideas into her head.” “I hope she doesn’t know,” Beatrix ventured. “It would be dreadfully sad if she did.” Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree—do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
I've got the kids in my room," she explained, while Jubal strove to keep up with her, "so that Honey Bun can watch them."
Jubal was mildly startled to see, a moment later, what Patricia meant by that. The boa was arranged on one of twin double beds in squared-off loops that formed a nest - a twin nest, as one bight of the snake had been pulled across to bisect the square, making two crib-sized pockets, each padded with a baby blanket and each containing a baby.
The ophidian nursemaid raised her head inquiringly as they came in. Patty stroked it and said, "It's all right, dear. Father Jubal wants to see them. Pet her a little, and let her grok you, so that she will know you next time."
First Jubal coochey-cooed at his favorite girl friend when she gurgled at him and kicked, then petted the snake. He decided that it was the handsomest specimen of Bojdae he had ever seen, as well as the biggest - longer, he estimated, than any other boa constrictor in captivity. Its cross bars were sharply marked and the brighter colors of the tail quite showy. He envied Patty her blue-ribbon pet and regretted that he would not have more time in which to get friendly with it.
The snake rubbed her head against his hand like a cat. Patty picked up Abby and said, "Just as I thought. Honey Bun, why didn't you tell me?"- then explained, as she started to change diapers, "She tells me at once if one of them gets tangled up, or needs help, or anything, since she can't do much for them herself - no hands - except nudge them back if they try to crawl out and might fall. But she just can't seem to grok that a wet baby ought to be changed - Honey Bun doesn't see anything wrong about that. And neither does Abby."
"I know. We call her 'Old Faithful.' Who's the other cutie pie?"
"Huh? That's Fatima Michele, I thought you knew."
"Are they here? I thought they were in Beirut!"
"Why, I believe they did come from some one of those foreign parts. I don't know just where. Maybe Maryam told me but it wouldn't mean anything to me; I've never been anywhere. Not that it matters; I grok all places are alike - just people. There, do you want to hold Abigail Zenobia while I check Fatima?"
Jubal did so and assured her that she was the most beautiful girl in the world, then shortly thereafter assured Fatima of the same thing. He was completely sincere each time and the girls believed him - Jubal had said the same thing on countless occasions starting in the Harding administration, had always meant it and had always been believed. It was a Higher Truth, not bound by mundane logic.
Regretfully he left them, after again petting Honey Bun and telling her the same thing, and just as sincerely.
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
Do you know about the cuckoo bird, Jonathan Morgenstern?” Jace wondered if perhaps being the Inquisitor—it couldn’t be a pleasant job—had left Imogen Herondale a little unhinged. “The what?” “The cuckoo bird,” she said. “You see, cuckoos are parasites. They lay their eggs in other birds’ nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places.” “Enormous?” said Jace. “Did you just call me fat?” “It was an analogy.” “I am not fat.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
You are like a baby bird that has fallen out of the nest, too weak and fragile to fly back. You need to learn how to feed yourself soul vitamins so that you can regain your energy and the will to live fully.
”
”
Laurie Nadel (The Five Gifts: Discovering Hope, Healing and Strength When Disaster Strikes)
“
If a baby stork is not happy with the way it is being reared, it sometimes abandons its parents and wanders into another nearby nest to be fed by a new family! Mosquitos prefer to bite children rather than adults
”
”
Jack Goldstein (101 Amazing Facts)
“
Oscar!
You found it!
Wow! A flying mitten!
Oh, it’s only a little bird.
I wonder if he stole my mitten to make a snuggly nest.
No, he’s too small to carry off a mitten.
But an eagle could do it!
Maybe an eagle took my mitten to keep his baby’s head warm.
”
”
Steven Kellogg (The Missing Mitten Mystery)
“
I’m not leaving this cabin again until you’ve laid your egg.”
Kellan snuggled up to Vic. “Our egg, remember?”
“Mmm. Our baby.” Vic buried his nose in Kellan’s hair. “This is all so surreal, but I couldn’t be more thrilled.”
They held each other in silence, the only sound being the rustle of the branches in the light wind and the crackle of the well-seasoned wood in the fireplace. Part of what Vic had said sunk in.
“Hey, Vic?”
“Yeah?”
“You can’t stay here round the clock with it being so busy at the inn and everything. It’s Christmas week. I’ve heard you say plenty of times that it gets crazy between now and New Year’s Day.”
Vic tightened his hold. “I don’t care.”
Kellan rolled his eyes. “But it’s not fair to everyone else. It’s bad enough that I’m not there helping as it is.” He glanced up at Vic. “And what about food?” They took most of their meals at the restaurant since it was so convenient.
Vic stuck out his lower lip. “I’ll make Dora deliver them to the cabin.”
Kellan sighed. “Vic, you’re not being reasonable.”
He huffed. “Reasonable? Who cares about reasonable? My mate is about to lay an egg at any minute!”
Kellan let out a laugh, then grabbed his abdomen. It didn’t hurt, but it sure as hell felt weird. Too much pressure.
Vic gasped, grabbing Kellan’s upper arms then holding him back, his gaze roaming Kellan’s body. “Is it time? Should you go lie down in the nest?”
This is going to be fun
”
”
M.M. Wilde (A Swan for Christmas (Vale Valley Season One, #4))
“
Vic gazed up at Kellan. His mate’s breathing was slow, but steady, and somewhere deep inside Vic believed that Kellan was doing exactly what he was supposed to be doing. The gods would watch over his beautiful swan and keep their egg safe.
Soon, Vic’s eyes grew heavy, but he fought against the sleep trying to take him. No, not yet. Just a little longer. He didn’t want Kellan to go through the egg-laying all by himself, not when Vic could be there and offer encouragement, to share in the moment and reassure him if he became scared.
The wool blanket was doing its job and Vic had warmed up nicely. His eyelids fluttered, so he tried to keep his focus on Kellan, tried to keep from drifting off.
Kellan. My precious mate, my love…
The song of a cardinal invaded Vic’s dream and he tried to ignore it in favor of the imaginary outing he was enjoying with Kellan on the lake during some future summer. We can bring the baby. I bet it will be a water baby, same as its daddy. The slow trill of the winter bird cut through Vic’s peaceful world and his eyes flew open, his brain registering it was morning right as his eyes adjusted to the light.
He yelped, his arms flailing for a second before he tumbled off the bed and landed with a thump onto the braided rug. Vic lay there for a moment, his heart pounding, trying to work out whether he was still in a dream or truly awake. He sucked in a deep breath, then pushed up from the floor. He peered over the edge of the bed, his eyes widening at the scene before him.
A majestic swan, pure white and breathtakingly beautiful, was perched on the blanket nest, its beak tucked under one wing. Vic smiled, relief flooding him as he realized what had happened.
Kellan.
His mate had shifted. Whatever had been wrong was right again
”
”
M.M. Wilde (A Swan for Christmas (Vale Valley Season One, #4))
“
Soil
In your
eyes you bring
your father's suitcases,
immigrant among immigrants
in a friable land where words, often,
run the other way around. You
never learned how to read
his disorientation:
what for you
is the order
of a house
for him is the disorder
of a hotel room.
His hands can build
a chair, cut a door, raise a
wall up, if he looks in a cellar he finds
the nests of scorpions and the ancient dust of when
he grows up a baby. Your saints, on the other hand, do not
know what to stare at. There's a portion of land
hidden at the bottom of your pockets,
to remember what has been
before, what is possible,
what exists without
the need to
confer
a na
m
e
”
”
Tiziano Fratus (Postolar rasjeda)
“
You don’t want him to be miserable. It’s just . . . you were planning not to go away to college because he might need you, right? And then he’s the one who goes off to school, and he doesn’t even seem to miss you. But I bet he does miss you. It’s just that he’s like Ivy—neither of them is very good at saying what other people need to hear.”
“But it’s more than just what he says. I honestly think I miss him more than he misses me.”
“That’s because you took care of him. And he’s still basically being taken care of, but you don’t have anyone to take care of. So you lost more than he did.” I nudge his hand with mine. “I’m willing to be taken care of, by the way, if you need someone to fill that void. I could use a little more nurturing in my life.”
“I’ll try,” he says. “But I’m not all that great at being warm and fuzzy.”
“I hadn’t noticed.”
“I think maybe you’re being sarcastic,” he says, exactly the way Ethan would say it, and I laugh.
“You need to be proud he’s doing so well,” I say. “It’s all because of you.”
“So basically you’re saying I should let my baby bird leave the nest?”
“Exactly. Now eat your sub so you can regurgitate it for him when we get back.
”
”
Claire LaZebnik (Things I Should Have Known)
“
We’ve had tufted titmice land on our hammock and pull our hair as we snooze on spring days, so eager are they to line their nests with the finest.
”
”
Julie Zickefoose (Baby Birds: An Artist Looks into the Nest)
“
The sun glared down upon the thick cobblestone walls, leaving stark, vivid shadows contrasting with the blinding bright reflections. The spiked shadows of the portcullis loomed like the twisted teeth of the long lost dragons. [...]
Tantalising smells wafted from the marketplace where colourful stalls selling everything imaginable sat in a confused muddle like a group of baby birds within their nest, the walls of the castle.
[...]
Enticing scents wafted between the stalls as bread and other pastries were made, adding their strength to the already vivid smells of the castle. Rising above the bustle below like four eagles rising on an updraft, four towers stood stark against the sunlit sky giving an overwhelming sense of power, control, and beauty.
”
”
Benedict Fetsch (Defend Us in Battle)
“
What is the sum of not recognizing the tremendous need for self reflection of all entities in our times. History repeats itself, easily predicted by the primitive parts of psychology. There's only one excuse for inaction, fear, or the lack of foresight.
Furthermore, if democracy is the way - a thousand astronomers may be more effective in dealing with issues regarding the stars - and so on. Though perhaps there may be universal issues directly related to the human experience. There's also significant cause for concern with regards to larger variations or differences in lifestyle, preferences/ideologies, merits, psychology and various corruptions which may arise. Favouring the political directions who are able to produce, raise or educate the most babies and then gets to decide the fate of all the rest. There is difficulty in adressing issues when there is a great need for balance between short-term and long-term good. Whatever system of governance, with ways of bringing those carrying the merits, discipline and good hearts to surface like buoyancy, necessary to secure a good future for all.
The paradox of calling for the good to rise up - is how those truly good may often fail to recognize their part of the intended audience, being too humble in accepting their own worth. And, to recognize those primitive tendencies of an elevated ego.
Let's be thankful, for nature inspire many solutions.
”
”
Monaristw
“
What is the sum of not recognizing the tremendous need for self reflection of all entities of our time. History repeats itself, easily predicted by the primitive parts of psychology. There's only one excuse for inaction, fear, or the lack of foresight.
Furthermore, if democracy is the way - a thousand astronomers may be more effective in dealing with issues regarding the stars - and so on. Though perhaps there may be universal issues directly related to the human experience. There's also significant cause for concern with regards to larger variations or differences in lifestyle, preferences/ideologies, merits, psychology and various corruptions which may arise. Favouring the political directions who are able to produce, raise or educate the most babies and then gets to decide the fate of all the rest. There is difficulty in adressing issues when there is a great need for balance between short-term and long-term good. Whatever system of governance, with ways of bringing those carrying the merits, discipline and good hearts to surface like buoyancy, necessary to secure a good future for all.
The paradox of calling for the good to rise up - is how those truly good may often fail to recognize their part of the intended audience, being too humble in accepting their own worth.
Let's be thankful, for nature lead us to solution. In this case, the birds.
”
”
Monaristw
“
The folk-like crafted goods of Sergei Maliutin, the principal artist at Talashkino, were pure invention. Maliutin was the creator of the first matrioshka, or Russian nesting doll, in 1891. At that time he was working at the Moscow zemstvo’s craft workshops at Sergiev Posad which specialized in making Russian toys. Contrary to the popular belief today, the matrioshka has no roots in Russian folk culture at all. It was dreamed up in response to a commission from the Mamontovs to make a Russian version of the Japanese nesting doll. Maliutin created a red-cheeked peasant girl in the shape of a barrel with a chicken underneath her arm. Each smaller doll portrayed a different aspect of peasant life; and at the core was a baby tightly swaddled in the Russian style. The design became immensely popular and by the end of the 1890s several million dolls were being manufactured every year. The myth was then established that the matrioshka was an ancient Russian toy.
”
”
Orlando Figes (Natasha's Dance: A Cultural History of Russia)
“
I will kill anyone who looks at you wrong. Stay by our sides, but show no fear, baby. This might be the Vipers’ den, but out there? It’s a fucking hornet’s nest.
”
”
K.A. Knight (Den of Vipers)
“
Some words were just like baby birds fallen from the nest. With others, I felt as though I'd come across a clue: I knew it was important, but I wasn't sure why.
”
”
Pip Williams (The Dictionary of Lost Words)
“
Slipping past a patch of reeds, I slow to look for the purple gallinule, Porphyrula martinica. My father called it a pond chicken. No dead bird skin can capture the way this creature walks weightlessly over lily pads and floating reeds. That's why I've come out today, after all---to get the gizz of one purple pond chicken. I skim close to every clump of bulrush, wild rice, and pickerelweed. For a moment, the only sound is my paddle and the water. Then here come the moorhens, cousins to the gallinule, swimming around me. Their beaks are white, and their feathers are black, where the gallinule's are blue, violet, and rainbow-shine green. They start up with their high, collective cackle. "Listen to 'em laughing at us," my dad would say.
"Get out there," Estelle said, "before you lose touch." What exactly was that supposed to mean?
I spy a limpkin among the reeds, poking its tweezer-like beak in the mud for apple snails. Crying birds, they call them, because of the baleful sound they make trying to get a mate into their nest. It almost sounds like a baby's wail. I do a quick sketch of the limpkin's long legs and slender, curving bill, the variegation of its brown and white feathers.
”
”
Virginia Hartman (The Marsh Queen)
“
That evening, doodling in her book of True Things in the henhouse, Donkey drew a snake who had eaten another snake just barely smaller than itself and so was entirely full, from tip to tail. Then she decided that this snake-eating snake would actually be inside another snake, a rattlesnake, so she drew a third snake around it. And she knew that a king snake, immune to venom, would eat a rattlesnake, so she put a fourth snake around the others. She considered then that the snake doodle moved back in time. Before the biggest snake could eat the second-biggest snake, all the inside eating had to have happened already. What she had drawn could not logically be older snakes eating younger snakes but precisely the opposite. The younger snake grew up big enough to devour the older snake, who'd already devoured its elder, and so on back in time. The nested dolls Rose Thorn had given her were perhaps not mothers with babies inside them, but babies grown large enough to eat their mothers. All her life she was afraid of Herself eating her, but maybe there was--- also or instead--- an opposite problem.
”
”
Bonnie Jo Campbell (The Waters)
“
I don't remember a lot about my mom. But I remember her doing these cross-stitches - they're little thread embroidery pieces.
Anyway, one time I picked up one of her pieces and it looked awful–all messy, with all these knots and uneven strings hanging everywhere. I could barely make out what the picture was supposed to be.
But then, my mom came over and took the piece of fabric out of my hands and turned it over–and right there was this masterpiece. I breathed out and smiled. She liked birds. I remember the picture–it was a nest full of babies, the mama bird just returning. I paused, thinking. Sometimes I think of those little pieces of fabric when life feels really messy and difficult to understand. I try to close my eyes and believe that even though I can't see the other side right then, and that the side I'm looking at is ugly and muddled, that there's a masterpiece that's being woven out of all the knots and loose strings. I try to believe that something beautiful can result from something ugly, and that there will come a time when I'll get to see what that is. You helped me see my own picture, Archer. Let me help you see yours.
”
”
Mia Sheridan (Archer's Voice)
“
As though frustrated by so much rustic simplicity, though, one of the chefs had provided a charming hors d’oeuvre—a nest, cunningly built from strips of pastry, ornamented with real sprigs of flowering apple, on the edge of which perched two nightingales, skinned and roasted, stuffed with apple and cinnamon, then redressed in their feathers. And in the nest was the entire family of baby birds, tiny stubs of outstretched wings brown and crispy, tender bare skins glazed with honey, blackened mouths agape to show the merest hint of the almond-paste stuffing within.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
he sighed and looked over his shoulder again at the box his newest treasure was nested in. He ignored the nervous fluttering in his stomach that reminded him how hard it would be to feed one more hungry mouth, and instead gave thanks to the gods that he had found the baby girl before it was too late.
”
”
Kay Bratt (The Scavenger's Daughters (Tales of the Scavenger's Daughters #1))
“
A tree ‘fires’ its leaves every autumn, and a mother bird ‘fires’ its babies from the nest in spring, right? Be alert to the need to call an end to a relationship within your business, and if it’s your turn to fire, do it swiftly.
”
”
Andrea J. Lee (We Need To Talk: Your Guide to Challenging Business Conversations (Wealthy Thought Leader Library))
“
The diet of mountain goats lacks an important ingredient - salt. With this in mind, goats seek out areas where it is present to lick, such as a piece of ground or particularly salty rock. However once they discovered that human urine is quite salty, they started hanging out around areas in which people were camping, waiting for a man to unbutton his flies, and would then run up to him and start drinking his pee. If a baby stork is not happy with the way it is being reared, it sometimes abandons its parents and wanders into another nearby nest to be fed by a new family! Mosquitos prefer to bite children rather than adults - and prefer blondes to brunettes! No-one knows why.
”
”
Jack Goldstein (101 Amazing Facts)