Axe Handle Quotes

The forest was shrinking but the trees kept voting for the axe, for the axe was clever and convinced the trees that because his handle was made of wood he was one of them.

This, milord, is my family's axe. We have owned it for almost nine hundred years, see. Of course, sometimes it needed a new blade. And sometimes it has required a new handle, new designs on the metalwork, a little refreshing of the ornamentation . . . but is this not the nine hundred-year-old axe of my family? And because it has changed gently over time, it is still a pretty good axe, y'know. Pretty good.

When the axe entered the forest, the trees said to each other: do not worry, the handle in that axe is one of us”.

When the axe entered the forest, the trees said to each other: do not worry, the handle in that axe is one of us.”’ Shurpanakha

Henry gripped the axe handle and wiggled it free. The monster dropped to the ground and roared. Gathering his last vestiges of strength, Henry swung the axe at the sound. The monster grabbed Henry's arm that held the weapon and twisted. A loud crack of bone accompanied Henry's pain-filled scream. The axe slipped to the floor. Henry faced the monster and stared into its evil, soulless eyes. The fiend's jaws opened. Its tongue slid across sharp teeth. Though he dreaded

A tree fears an axe even though its handle is made from it.

In the wake of the Patriot Act, during the second administration of George W., you made a series of small, handheld weapons. The rule was that each weapon had to be assembled from household items within minutes. You’d been gay-bashed before, two black eyes while waiting in line for a burrito (you ran after him, of course). Now you thought, if the government comes for its citizens, we should be prepared, even if our weapons are pathetic. Your art-weapons included a steak knife affixed to a bottle of ranch dressing and mounted on an axe handle, a dirty sock sprouting nails, a wooden stump with a clump of urethane resin stuck to one end with dull bolts protruding from it, and more.

This will become, in time, the axe of someone's grandfather,' said the King. 'And no doubt over the years it will need a new handle or a new blade and over the centuries the shape will change in line with fashion, but it will always be, in every detail and respect, the axe I give you today. And because it'll change with the times it'll always be sharp

An ancient poet once remarked, “When the axe entered the forest, the trees said to each other: do not worry, the handle in that axe is one of us”.

When the axe came into the forest, the trees said the handle is one of us.

Fitz slid his mask into position and pulled his bandana up to cover it. He breathed in, and picked up a distinct sour smell of sweat. It took his mind a moment to grasp that it was from the bandana's previous owner. A piece of Riley was going back out there after all. And so was a piece of Meg. Glancing down, Fitz admired the axe hanging from his belt. He’d sawed the handle down so it would fit over his armor, but that didn’t change the fact it had been Meg’s. She’d held onto it all the way from New York to the GW. When Garcia had given it to him, Fitz had thought he might display it as a memento of her. Then he decided that a better way to honor her memory would be to split some Variant heads with it. He wasn’t much of a religious man, but he did believe the deceased lived on in the hearts and minds of those they left behind. Today, Riley and Meg would join them in battle.

Erra’s gaze swept the crowd, taking in the archers, the Biohazard, the vans, the equipment, the audience up in the ruins nearby . . . She raised her arms to the sides. The cape slipped off her. Glossy red fabric hugged her body. It clung to her like a second skin of pure scarlet. My aunt apparently had developed a fetish for spandex. Who knew? Gale thrust his hand through his cloak. His fist gripped a large axe. The orange light of the flames shimmered along the ten-inch blade attached to a four-foot handle. The axe probably pushed six pounds in weight. A normal swordsman would be slower than molasses, but with her strength, it wouldn’t matter. She could swing it all day and then arm-wrestle a bear. Gale turned on his heel, walked five steps to Erra, and knelt before her, offering the axe on the raised palms of his hands. “We should clap or something,” Curran said. “She’s trying so hard.

The axe is the healthiest implement that man ever handled, and is especially so for habitual writers and other sedentary workers, whose shoulders it throws back, expanding their chests, and opening their lungs. If every youth and man, from fifteen to fifty years old, could wield an axe two hours per day, dyspepsia would vanish from the earth, and rheumatism become decidedly scarce. I am a poor chopper, yet the axe is my doctor and delight. Its used gives the mind just enough occupation to prevents its falling into revery or absorbing trains of thought, while every muscle in the body receives sufficient, yet not exhausting, exercise.

Questions for U2: ‘What record would you like to make – i.e. how would you like this to be read? How would you like to get there? Does it bother you if the result is ‘undemocratic’? How much cheating is allowed? How much me?’ Lincoln’s axe: ‘This is Lincoln’s original axe. The head has been replaced three times and the handle twice.

There is a sign above the door in the shape of a door key, on it the words KEYS CUT. There’ll be a high smell of creosote, oil, paraffin, lawn treatment stuff. There’ll be brushheads with handles, brushheads without handles, handles by themselves, for sale. What else? Rakes, spades, forks, a garden roller, a wall of stepladders, a tin bath full of bags of compost. Calor gas bottles, saucepans, frying pans, mopheads, charcoal, folding stools made of wood, a plastic bucket of plungers, stacked packs of sandpaper, sacks of sand in a wheelbarrow, metal doormats, axes, hammers, a camping stove or two, hessian carpet mats, stuff for curtains, stuff for curtain rails, stuff for screwing curtain rails to walls and pelmets, pliers, screwdrivers, bulbs, lamps, pails, pegs, laundry baskets. Saws, of all sizes. EVERYTHING FOR THE HOME.

A man came into a forest and asked the Trees to provide him a handle for his axe. The Trees consented to his request and gave him a young ash-tree. No sooner had the man fitted a new handle to his axe from it, than he began to use it and quickly felled with his strokes the noblest giants of the forest. An old oak, lamenting when too late the destruction of his companions, said to a neighboring cedar, “The first step has lost us all. If we had not given up the rights of the ash, we might yet have retained our own privileges and have stood for ages.

I have a horror that I will fall,” he told her conversationally, using the axe handle to lever a twisted trunk aside. “And one of these stubs that I’ve left will catch me in the thigh, right where the big artery is, and I will bleed out before I can finish cursing. And even then I will probably apologize for having cursed. My last words will be I’m sorry. Toadling croaked a laugh. It was funny and it hurt, because she was nearly certain that her last words would also be I’m sorry, or perhaps just stammering as she tried to get an apology out. “Ah, you are a toad again.” He swung the axe, then grunted as the blade bound into the dead wood and he had to wiggle it loose. “It’s for the best, I suppose. Toads probably don’t trip and fall and impale themselves on broken branches. I am feeling guilty enough for having bothered you. If you tripped on a branch, I would likely expire from guilt. The Brother Librarian said that I was almost guilt-ridden enough to join a monastery, but our faith does not have an equivalent. And if I expired from guilt, my mother would be very upset, and I would have to feel guilty about that, too. I’m babbling now, aren’t I?” “Somewhat,” said Toadling, turning back into a human in a little space in the thorns. “I thought so. I do that when I don’t know what to say. I talk to fill spaces. I’m a wretched liar. Although a good liar would probably say that, wouldn’t they?

The instruments of murder are as manifold as the unlimited human imagination. Apart from the obvious—shotguns, rifles, pistols, knives, hatchets and axes—I have seen meat cleavers, machetes, ice picks, bayonets, hammers, wrenches, screwdrivers, crowbars, pry bars, two-by-fours, tree limbs, jack handles (which are not “tire irons;” nobody carries tire irons anymore), building blocks, crutches, artificial legs, brass bedposts, pipes, bricks, belts, neckties, pantyhose, ropes, bootlaces, towels and chains—all these things and more, used by human beings to dispatch their fellow human beings into eternity. I have never seen a butler use a candelabrum. I have never seen anyone use a candelabrum! Such recherché elegance is apparently confined to England. I did see a pair of sneakers used to kill a woman, and they left distinctive tread marks where the murderer stepped on her throat and crushed the life from her. I have not seen an icicle used to stab someone, though it is said to be the perfect weapon, because it melts afterward. But I do know of a case in which a man was bludgeoned to death with a frozen ham. Murderers generally do not enjoy heavy lifting—though of course they end up doing quite a bit of it after the fact, when it is necessary to dispose of the body—so the weapons they use tend to be light and maneuverable. You would be surprised how frequently glass bottles are used to beat people to death. Unlike the “candy-glass” props used in the movies, real glass bottles stand up very well to blows. Long-necked beer bottles, along with the heavy old Coca-Cola and Pepsi bottles, make formidable weapons, powerful enough to leave a dent in a wooden two-by-four without breaking. I recall one case in which a woman was beaten to death with a Pepsi bottle, and the distinctive spiral fluting of the bottle was still visible on the broken margins of her skull. The proverbial “lead pipe” is a thing of the past, as a murder weapon. Lead is no longer used to make pipes.

Years ago, he shaved off his beard, without telling her, just appeared at the breakfast table one morning with half his face missing, or so it seemed to her in the first, shocked moment of seeing him. If she had met him in the street she would not have recognised him, except for his eyes. How strange he looked, grotesque, almost, with those indecently naked cheeks and the chin flat and square like the blunt edge of a stone axe. It was as if the top part of his head had been taken off and carved and trimmed and jammed down into the scooped-out jaws of a stranger. She almost wept, but he went on eating his toast as if nothing had happened. He had bought a cut-throat razor with an ivory handle, an antique thing from the last century; he showed it to her in its black velvet box lined with scarlet satin. She could not look at it without a shiver. He liked to show off his skill with it, and would leave the bathroom door open so she could admire the deft way he wielded the dangerous, gleaming thing, holding it at an elegant angle between fingertips and thumb, his little finger fastidiously crooked, and sweeping the blade raspingly through the snow-like foam. Harsh light above the bath and the steely shine of the mirror and one dark, humorously cocked eye glancing at her sideways from the glass. Where is it now, she wonders, that razor? In a week or two he got tired of using it and let his beard grow back.

As they formed into ranks, each man dropping silently into his place, Sir Nigel ran a questioning eye over them, and a smile of pleasure played over his face. Tall and sinewy, and brown, clear-eyed, hard-featured, with the stern and prompt bearing of experienced soldiers, it would be hard indeed for a leader to seek for a choicer following. Here and there in the ranks were old soldiers of the French wars, grizzled and lean, with fierce, puckered features and shaggy, bristling brows. The most, however, were young and dandy archers, with fresh English faces, their beards combed out, their hair curling from under their close steel hufkens, with gold or jewelled earrings gleaming in their ears, while their gold-spangled baldrics, their silken belts, and the chains which many of them wore round their thick brown necks, all spoke of the brave times which they had had as free companions. Each had a yew or hazel stave slung over his shoulder, plain and serviceable with the older men, but gaudily painted and carved at either end with the others. Steel caps, mail brigandines, white surcoats with the red lion of St. George, and sword or battle-axe swinging from their belts, completed this equipment, while in some cases the murderous maule or five-foot mallet was hung across the bowstave, being fastened to their leathern shoulder-belt by a hook in the centre of the handle. Sir Nigel's heart beat high as he looked upon their free bearing and fearless faces.

Egil asked Thord to let him go with him to the game; he was then in his seventh winter. Thord let him do so, and Egil mounted behind him. But when they came to the play-meeting, then the men made up sides for the play. Many small boys had come there too, and they made up a game for themselves. For this also sides were chosen. Egil was matched to play against a boy named Grim, son of Hegg, of Hegg-stead. Grim was ten or eleven years old, and strong for his age. But when they played together Egil got the worst of it. And Grim made all he could of his advantage. Then Egil got angry and lifted up the bat and struck Grim, whereupon Grim seized him and threw him down with a heavy fall, and handled him rather roughly, and said he would thrash him if he did not behave. But when Egil got to his feet, he went out of the game, and the boys hooted at him. Egil went to Thord and told him what had been done. Thord said: 'I will go with you, and we will be avenged on them.' He gave into his hands a halberd that he had been carrying. Such weapons were then customary. They went where the boys' game was. Grim had now got the ball and was running away with it, and the other boys after him. Then Egil bounded upon Grim, and drove the axe into his head, so that it at once pierced his brain. (...) when Egil came home, Skallagrim said little about it; but Bera said Egil had in him the makings of a freebooter, and that 'twould be well, so soon as he were old enough, to give him a long-ship.

Hold Everything Dear for John Berger as the brick of the afternoon stores the rose heat of the journey as the rose buds a green room to breathe and blossoms like the wind as the thinning birches whisper their silver stories of the wind to the urgent in the trucks as the leaves of the hedge store the light that the moment thought it had lost as the nest of her wrist beats like the chest of a wren in the turning air as the chorus of the earth find their eyes in the sky and unwrap them to each other in the teeming dark hold everything dear the calligraphy of birds across the morning the million hands of the axe, the soft hand of the earth one step ahead of time the broken teeth of tribes and their long place steppe-scattered and together clay's small, surviving handle, the near ghost of a jug carrying itself towards us through the soil the pledge of offered arms, the single sheet that is our common walking the map of the palm held in a knot but given as a torch hold everything dear the paths they make towards us and how far we open towards them the justice of a grass that unravels palaces but shelters the songs of the searching the vessel that names the waves, the jug of this life, as it fills with the days as it sinks to become what it loves memory that grows into a shape the tree always knew as a seed the words the bread the child who reaches for the truths beyond the door the yearning to begin again together animals keen inside the parliament of the world the people in the room the people in the street the people hold everything dear 19th May 2005 Gareth Evans

Interactions with the world program our physiological and psychological development. Emotional contact is as important as physical contact. The two are quite analogous, as we recognize when we speak of the emotional experience of feeling touched. Our sensory organs and brains provide the interface through which relationships shape our evolution from infancy to adulthood. Social-emotional interactions decisively influence the development of the human brain. From the moment of birth, they regulate the tone, activity and development of the psychoneuroimmunoendocrine (PNI) super-system. Our characteristic modes of handling psychic and physical stress are set in our earliest years. Neuroscientists at Harvard University studied the cortisol levels of orphans who were raised in the dreadfully neglected child-care institutions established in Romania during the Ceausescu regime. In these facilities the caregiver/child ratio was one to twenty. Except for the rudiments of care, the children were seldom physically picked up or touched. They displayed the self-hugging motions and depressed demeanour typical of abandoned young, human or primate. On saliva tests, their cortisol levels were abnormal, indicating that their hypothalamic-pituitary-adrenal axes were already impaired. As we have seen, disruptions of the HPA axis have been noted in autoimmune disease, cancer and other conditions. It is intuitively easy to understand why abuse, trauma or extreme neglect in childhood would have negative consequences. But why do many people develop stress-related illness without having been abused or traumatized? These persons suffer not because something negative was inflicted on them but because something positive was withheld.

The sorcerer’s creatures harried her, dragging at her skirts and tangling in her hair, as Lilith gripped the axe handle firmly and walked down the cobblestone path to the kitchen.

I’m sure it is nothing your party can’t handle. I mean, look at you all. You got a gladiator, two rangers, a witch, a ninja, an axe throwing blacksmith and a wooden dog.

THE woodcutter's axe begged for it's handle from the tree. The tree gave it.

The weapon was a showpiece with a blade that was only five inches long and a handle made of carved bone. The carving was a depiction of a one-sided battle in which men with knives and arrows and axes slaughtered unarmed men who appeared to be praying instead of fighting. Bosch assumed this was the massacre of the Shaolin monks that Chu had told him was the origin of the triads. The shape of the knife was very much like the shape of the tattoo on the inside of Chang's arm.

It was difficult for me to write, and not just because my hands were rough and my fingers so permanently bent around the handle of a pick and axe that unbending them was unbelievably difficult. I managed to wrap a thick rag around pen and pencil to give them the thickness of a pick or shovel handle.

cut a branch from a tree and carved the wood into a tool—an axe handle, a tentpole, whatever your will designed—you placed no moral judgment on the act, nor should you have. To do so would have been perverse. The tree had no power to stop you, and so it became a tool in your hand. What you did with a tree branch, we did with you and countless others before you. Why me? is not something the universe ever answers.

Interesting evidence of the essential link between Yahweh and copper metallurgy is provided by the story of the first 'encounter' between Moses and Yahweh on Mt Horeb, near the 'burning bush' (Exod. 3), where it is related that Moses is involved in the mission to deliver the sons of Israel from Egyptian tyranny. It is also stressed that Moses had to perform a 'prodigy' in order to demonstrate that he acts in the name of Yahweh (Exod. 4.5). This prodigy is depicted as the reversible transformation of a matteh into a nahash (Exod. 4.2-5). The term matteh is generally understood as designating a wood-made staff, but this meaning is probably secondary. From Isa. 10.15 and Ezek. 19.13-14 it appears that a matteh was formerly a copper scepter hung up on a wooden staff.&sup32; The term nahash is generally translated as 'serpent'. However, the closeness existing in Hebrew between nahash ('serpent') and nehoshet ('copper') suggests that nahash may also designate copper.&sup33; Accordingly, the prodigy performed 'in the name of Yahweh' becomes the transformation of a copper artifact (matteh, the scepter) into melted copper (nahash, the serpent). It is interesting to notice that such a 'prodigy' (occuring not so far from the camp of Jethro the Kenite) happens after Moses threw his matteh on a hot source, the 'burning bush', which may be a poetic evocation of live charcoal. If the reversible matteh-nahash conversion is considered in the book of Exodus as a specific sign of Yahweh, this implies that this deity was intimately associated with copper melting, at least in the period prior to the Israelite Alliance. (pp. 395-396) from 'Yahweh, the Canaanite God of Metallurgy?', JSOT 33.4 (2009): 387-404 [32]: The term matteh is explicitly used to designate the wooden staff in Exod. 17.16-23. But the initial meaning is revealed in Isa. 10.15, when it is asked, 'Shall the axe vaunt itself over the one who wields it, or the saw magnify itself against the one who handles it? As if a rod should raise the one who lifts it up, or as of a staff should lift the one who is not wood!' It a matteh cannot be hung up without a wooden staff, it is clear that it is not the wooden staff itself but something that is fitted with it. Furthermore, in his lamentation about the destruction of Israel, Ezekiel mentions the fact that the staff supporting the matteh will burn and will provoke a qeyna (Ezek. 19.13-14), a term designating the smelting of copper (and by extension its melting). This strongly suggests that the matteh is a copper-scepter. In some cases, traces of wood have been found in the inner space of the scepter, confirming that such items were probably borne upon wooden staffs. [33]: The term nahash is also used to designate copper in languages closely related to Hebrew (Ugaritic, Aramaic, Arabic). In the book of Chronicles, the term nahash is used once to designate copper: Ir Nahash was a town founded by a descendant of Celoub (Caleb), a clan of metalworkers (1 Chron 4.11-12), so that it designates the town where copper was smelted or worked.

Interesting evidence of the essential link between Yahweh and copper metallurgy is provided by the story of the first 'encounter' between Moses and Yahweh on Mt Horeb, near the 'burning bush' (Exod. 3), where it is related that Moses is involved in the mission to deliver the sons of Israel from Egyptian tyranny. It is also stressed that Moses had to perform a 'prodigy' in order to demonstrate that he acts in the name of Yahweh (Exod. 4.5). This prodigy is depicted as the reversible transformation of a matteh into a nahash (Exod. 4.2-5). The term matteh is generally understood as designating a wood-made staff, but this meaning is probably secondary. From Isa. 10.15 and Ezek. 19.13-14 it appears that a matteh was formerly a copper scepter hung up on a wooden staff.&sup32 The term nahash is generally translated as 'serpent'. However, the closeness existing in Hebrew between nahash ('serpent') and nehoshet ('copper') suggests that nahash may also designate copper.&sup33 Accordingly, the prodigy performed 'in the name of Yahweh' becomes the transformation of a copper artifact (matteh, the scepter) into melted copper (nahash, the serpent). It is interesting to notice that such a 'prodigy' (occuring not so far from the camp of Jethro the Kenite) happens after Moses threw his matteh on a hot source, the 'burning bush', which may be a poetic evocation of live charcoal. If the reversible matteh-nahash conversion is considered in the book of Exodus as a specific sign of Yahweh, this implies that this deity was intimately associated with copper melting, at least in the period prior to the Israelite Alliance. (pp. 395-396) from 'Yahweh, the Canaanite God of Metallurgy?', JSOT 33.4 (2009): 387-404 [32]: The term matteh is explicitly used to designate the wooden staff in Exod. 17.16-23. But the initial meaning is revealed in Isa. 10.15, when it is asked, 'Shall the axe vaunt itself over the one who wields it, or the saw magnify itself against the one who handles it? As if a rod should raise the one who lifts it up, or as of a staff should lift the one who is not wood!' It a matteh cannot be hung up without a wooden staff, it is clear that it is not the wooden staff itself but something that is fitted with it. Furthermore, in his lamentation about the destruction of Israel, Ezekiel mentions the fact that the staff supporting the matteh will burn and will provoke a qeyna (Ezek. 19.13-14), a term designating the smelting of copper (and by extension its melting). This strongly suggests that the matteh is a copper-scepter. In some cases, traces of wood have been found in the inner space of the scepter, confirming that such items were probably borne upon wooden staffs. [33]: The term nahash is also used to designate copper in languages closely related to Hebrew (Ugaritic, Aramaic, Arabic). In the book of Chronicles, the term nahash is used once to designate copper: Ir Nahash was a town founded by a descendant of Celoub (Caleb), a clan of metalworkers (1 Chron 4.11-12), so that it designates the town where copper was smelted or worked.

It was like that old riddle about replacing the handle of an axe, and later the head—when you were done, was it a new axe or the old one?

It doesn’t do to rely on those in charge completely. That’s one thing the Yanks always got right. You’ve done a bit of history in school, haven’t you? Well, now. Imagine if the National Guard had surrendered their arms, and the Germans had invaded after all. We’d have been fighting with broom handles and axes like hairy medievals while they ran over us with tanks. Your

You are carrying Luis Philippe's child," he stated without preamble. The name did not sound strange on this man's tongue, but it took Lily a moment to respond to it. She merely nodded her head in reply. She had a feeling she would need to save her voice for what would follow. "I had hoped my grandson would find a wife among his own people." Antonio took a bedroom chair but continued to hold himself stiffly upright. Lily lifted an inquiring brow. His own people? Had the man forgotten that Cade was equally Indian? Antonio scowled at her response. "Among my people. It would be easier to show that he is a de Suela if he had married appropriately." This man had come here with an axe to grind, and nothing she could say would stop him. Why waste her voice in trying? She reached for the shawl on her bedside stand and wrapped it around her. Her silence forced de Suela to realize he left her no room for comment. "He tells me you are a wealthy lady in your own right. I should not complain. I apologize. I am an old man and have come to realize that many of my dreams will never come true. For many years I have wished for a child to carry on my name, but I thought it was not to be. Now that I have found my grandson, I wish him to be everything that I would have made of him. I forget that he is already a man of his own." "Very much so," Lily whispered, finally hearing something with which she could agree. Antonio nodded. "I think you are a good woman. We will make the family see that you are one of us, as they must come to see that Luis is mine. It is good that he takes my name. The child you carry will be a de Suela. Luis has done the right thing by bringing you here. I am not so old that there is not time to see my destiny passed on to my grandson and his child." Lily felt a flicker of alarm, but the old man was already rising, and the shakiness of his hand on the stick prevented her from protesting aloud.

Boxwood, a man of indeterminate age with a scraggly mass of brown hair and a paper-thin mustache, had been hired on part-time, and it was he who oversaw the boys in their outdoor chores. Marvin was handed an axe and followed a few of the other boys to an adjacent area where several tree stumps had been strategically placed, along with a bounty of uncut wood. Marvin got to work. He hacked at a portion of a downed tree, and once he had a manageable piece, he heaved it into his arms and dropped it onto one of the stumps. He hoisted the heavy axe over his shoulder and, with as much force as he could muster, brought it down upon the chunky piece of trunk. The wood split in two, a few shards spraying outward and falling to the ground. Marvin repositioned one half of the newly cut trunk, heaved the axe over his shoulder, and brought it down forcefully on the wood. It split again. By the time Mr. Boxwood announced that the boys were through for the evening, Marvin was sweating profusely, and his arms ached. He returned the axe to the storage shed and walked toward the main entrance of the orphanage along with the other boys who had been required to split wood. The grounds were otherwise unoccupied, the other children having already headed to their dormitories to retire for the evening. Marvin was walking toward the stairwell when he passed a bathroom and spotted movement through the open door. When he instinctively turned his head to look within, he saw Eva on all fours, scrubbing the floor with a small-handled brush, a metal bucket of sudsy water at her side. Marvin searched the hallway and, not spotting any authority figures, whispered, “Eva. Hey, Eva.” When she looked up at the sound of his voice, Marvin noticed her eyes were tinged with red. “What are you doing?” “What does it look like I’m doing?” She seemed about to cry, but her jaw was clenched in anger. “Why do you have to do it?” Eva sat back on her heels, rested the brush on her lap, and ran her free hand up into her hair, where she angrily grasped the large bow. “This damn thing!” she exclaimed, and Marvin’s eyes widened at the curse. “I didn’t want to wear it. It’s babyish. My parents never made me wear something like this. Not at my age, anyway. Maybe when I was a baby and I didn’t know any better or didn’t care, but not now. And Sister What’s Her Name said I had to wear one because it made me look presentable—that was her word: presentable. Because apparently, I don’t look presentable without a big ol’ stupid, ugly, white baby bow in my hair. I got so mad, I yanked it out and threw it on the ground, but then she looked at me. Just looked at me. She didn’t say anything, just stared. And then my heart got all jumpy because nobody had ever looked at me that way before.” Eva wiped a tear from under her eye. “She picked it up, so slow I didn’t know if she had trouble with her legs or something, right? She picked it up, and then she held it in her hand and looked down at it, and then… then… Marvin, she slapped me so hard on the cheek, I couldn’t believe it. I just couldn’t believe it. Nobody’s ever slapped me before!” Another tear dribbled from Eva’s eye, and Marvin was compelled forward. His knees hit the cold, hard floor, and he reached

house settle into the dark, and where my grandfather and I had seen the amazing and for all purposes apocryphal orrery, with its ivory planets and moons and brass sun, and I had turned the wooden-handled crank and made the entire arrangement of spheres spin on their axes and around one another and the sun in perfect symphony. I decided to break into Mrs. Hale’s house and find the orrery. Nothing in the world seemed more important suddenly than turning the crank and feeling the perfectly machined resistance it offered and the perfect ratio of force applied and degrees that the crank turned to the various periods of the celestial bodies, from the almost imperceptible orbits of the outer planets to the smallest little moons, which spun as quickly and neatly as tops.

That forum would hardly be the last time Hillary—or, for that matter, half the primary field—outperformed me, for it soon seemed as if we were gathered for a debate once every two or three weeks. I had never been particularly good in these formats myself: My long windups and preference for complicated answers worked against me, particularly onstage with seven savvy pros and a single timed minute to answer a question. During our first debate in April, the moderator called time at least twice before I was done speaking. Asked about how I’d handle multiple terrorist attacks, I discussed the need to coordinate federal help but neglected to mention the obvious imperative to go after the perpetrators. For the next several minutes, Hillary and the others took turns pointing out my oversight. Their tones were somber, but the gleam in their eyes said, Take that, rookie. Afterward, Axe was gentle in his postgame critique. “Your problem,” he said, “is you keep trying to answer the question.” “Isn’t that the point?” I said. “No, Barack,” Axe said, “that is not the point. The point is to get your message across. What are your values? What are your priorities? That’s what people care about. Look, half the time the moderator is just using the question to try to trip you up. Your job is to avoid the trap they’ve set. Take whatever question they give you, give ’em a quick line to make it seem like you answered it…and then talk about what you want to talk about.” “That’s bullshit,” I said. “Exactly,” he said.

Should the fact that we cut down trees using axe handles made of wood be called irony or woody?

Just come back before it gets dark, okay?” “Yes, ma’am. I’ll handle this as fast as I can.” “Thank you, Doc.” Doc stood and smiled at Rhonda before leaving the kitchen and heading out to the barn to harness the mules. Before he did, though, he swung by the bunkhouse and picked up his Winchester ’73 and the Sharps along with a box of cartridges for each. He may not have expected that any visitors to arrive at the ranch, at least not anyone from the Double L, but it never hurt to be prepared. He walked back out to the barn, set the two carbines in the wagon’s footwell, then pulled an axe from the wall, checked its edge and found it acceptable, although it would need sharpening when he returned. He set it on the wagon’s bed then began harnessing the mules. After the mules were in harness, he stepped up, released the wagon’s hand brake and drove the team out of the barn and headed northeast to the stand of cottonwoods that he had seen near the creek. What made his job easier was that two of the trees were already down and were devoid of leaves meaning that they had been down for a while, and if they’d been down long enough, the wood would already be seasoned. _____ Rhonda finished cleaning up after lunch, still savoring the lingering taste of Doc’s choice in food. She entered her bedroom, took out her sewing

He was tall, at least six-two or six-three, dressed in a pair of faded jeans that molded to long, muscular legs, and a worn denim shirt that stretched over shoulders the width of an axe handle. He was lean, no extra flesh, yet his movements spoke of power and physical strength. Whoever he was, he needed a haircut.

Sometimes on my day Off I go and, sit in the Cellar and hit my head with an axe handle but, it is Not the Same.

God can’t heal your leg?” the boy challenged. “Ben!” The mother snapped out of her stupor. “Sure God can heal my leg--” started the Reverend. “Then why don’t He?” Silence. Only the sounds of the axe. Chock. Chock. Chock. Desire welled up in the Reverend. Fierce, caressing lust. The woodpile. The feel of his own axe handle. Worn from using it every single day. Using it everyday in front of his own house. Chopping. Chopping wood for his fire-- Suddenly a small pop. The mother had hit the child -- flat hand against right ear. The boy’s head rocked. The boy named Ben glanced at his glowering mother. Then he retreated. Crying. “Reverend, I am so sorry. He doesn’t know any better, and we’ve been meaning to get him to church, but we just -- ” “Ma’am,” said the Reverend. He touched his hat. The woman did not say another word. The Reverend’s leg brace squeaked as it touched Samson’s flank, almost as if it laughed and tattled on the preacher’s desire to move on. Which they did.

It was Gimli the dwarf who broke in suddenly. ‘The words of this wizard stand on their heads,’ he growled, gripping the handle of his axe. ‘In the language of Orthanc help means ruin, and saving means slaying, that is plain. But we do not come here to beg.