Awake Late At Night Quotes

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On the night of our secret wedding when he held me in his mouth like a promise until his tongue grew tired and fell asleep, I lay awake to keep the memory alive. In the morning I begged him back to bed. Running late, he kissed my ankles and left. I stayed like a secret in his bed for days until his mother found me. I showed her my gold ring, I stood in front of her naked, waved my hands in her face. She sank to the floor and cried. At his funeral, no one knew my name. I sat behind his aunts, they sucked on dates soaked in oil. The last thing he tasted was me.
Warsan Shire
Close your eyes, Maxon." "What?" "Close your eyes. Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—" "Stop it!" "Sorry." "Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?" "Maxon, I..." "Tell me the truth." "Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate." "A boy? How old?" "Nine." "Have you ever been like that? Starving?...How bad?" "Maxon, it will only upset you more." "Probably, but I'm only starting to realize how much I don't know about my own country. Please." "We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon." "Good God. When you said that you were only here for the food, you weren't kidding, were you?" "Really, Maxon, we've been doing pretty well lately. I—" "I'll see you at dinner.
Kiera Cass (The Selection (The Selection, #1))
It’s the beating of my heart. The way I lie awake, playing with shadows slowly climbing up my wall. The gentle moonlight slipping through my window and the sound of a lonely car somewhere far away, where I long to be too, I think. It’s the way I thought my restless wandering was over, that I’d found whatever I thought I had found, or wanted, or needed, and I started to collect my belongings. Build a home. Safe behind the comfort of these four walls and a closed door. Because as much as I tried or pretended or imagined myself as a part of all the people out there, I was still the one locking the door every night. Turning off the phone and blowing out the candles so no one knew I was home. ’cause I was never really well around the expectations of my personality and I wanted to keep to myself. and because I haven’t been very impressed lately. By people, or places. Or the way someone said he loved me and then slowly changed his mind.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
But, sometimes, especially late at night, when only the wind is awake with my thoughts, I feel an urgent need. I think of lacing up my tennis shoes and stepping out the door, already in a half run. I think of running and running forever, until I become part of the night sky. -The Art of Leaving
Shilo Niziolek (Broad River Review)
Why does one feel so different at night? Why is it so exciting to be awake when everybody else is asleep? Late—it is very late! And yet every moment you feel more and more wakeful, as though you were slowly, almost with every breath, waking up into a new, wonderful, far more thrilling and exciting world than the daylight one. And what is this queer sensation that you’re a conspirator? Lightly, stealthily you move about your room. You take something off the dressing-table and put it down again without a sound. And everything, even the bedpost, knows you, responds, shares your secret… You're not very fond of your room by day. You never think about it. You're in and out, the door opens and slams, the cupboard creaks. You sit down on the side of your bed, change your shoes and dash out again. A dive down to the glass, two pins in your hair, powder your nose and off again. But now–it's suddenly dear to you. It's a darling little funny room. It's yours. Oh, what a joy it is to own things! Mine–my own!
Katherine Mansfield (At the Bay)
And then, just at that moment, when I'm no longer sure if I'm dreaming or awake or walking some valley in between where everything you wish for comes true, I feel the flutter of his lips on mine, but it's too late, I'm slipping, I'm gone, he's gone, and the moment curls away and back on itself like a flower folding up for the night.
Lauren Oliver (Before I Fall)
Rosalie lay awake late at night, alone in her unwomaned bed,
Poppy Z. Brite (Antediluvian Tales)
You may be safe, but I am free.' Take advantage of the freedom that comes with your youth. Inhale life, exhale fire, and embrace the late, sleepless nights, because that's when the magic happens- when everyone else is asleep and you're awake thinking about the world as it is, and the world as it would be. Make the most of those moments," I said forcefully. "And in the coming years people will tell you that you're too young to change the world. I'm here to tell you, that's fucking bullshit.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
There are quiet places also in the mind,” he said, meditatively. “But we build bandstand and factories on them. Deliberately—to put a stop to the quietness. We don’t like the quietness. All the thoughts, all the preoccupation in my head—round and round continually.” He made a circular motion with his hands. “And the jazz bands, the music hall songs, the boys shouting the news. What’s it all for? To put an end to the quiet, to break it up and disperse it, to pretend at any cost it isn’t there. Ah, but it is, it is there, in spite of everything, at the back of everything. Lying awake at night, sometimes—not restlessly, but serenely, waiting for sleep—the quiet re-establishes itself, piece by piece; all the broken bits, all the fragments of it we’ve been so busily dispersing all day long. It re-establishes itself, an inward quiet, like this outward quiet of grass and trees. It fills one, it grows –a crystal quiet, a growing expanding crystal. It grows, it becomes more perfect; it is beautiful and terrifying, yes, terrifying, as well as beautiful. For one’s alone in the crystal and there’s no support from outside, there’s nothing external and important, nothing external and trivial to pull oneself up by or to stand up, superiorly, contemptuously, so that one can look down. There’s nothing to laugh at or feel enthusiastic about. But the quiet grows and grows. Beautifully and unbearably. And at last you are conscious of something approaching; it is almost a faint sound of footsteps. Something inexpressibly lovely and wonderful advances through the crystal, nearer, nearer. And oh, inexpressibly terrifying. For if it were to touch you, if it were to seize and engulf you, you’d die; all the regular habitual, daily part of you would die. There would be and end of bandstands and whizzing factories, and one would have to begin living arduously in the quiet, arduously n some strange unheard-of manner. Nearer, nearer come the steps; but one can’t face the advancing thing. One daren’t. It’s too terrifying; it’s too painful to die. Quickly, before it is too late, start the factory wheels, bang the drum, blow up the saxophone. Think of the women you’d like to sleep with, the schemes for making money, the gossip about your friends, the last outrage of the politicians. Anything for a diversion. Break the silence, smash the crystal to pieces. There, it lies in bits; it is easily broken, hard to build up and easy to break. And the steps? Ah, those have taken themselves off, double quick. Double quick, they were gone at the flawing of the crystal. And by this time the lovely and terrifying thing is three infinities away, at least. And you lie tranquilly on your bed, thinking of what you’d do if you had ten thousand pounds and of all the fornications you’ll never commit.
Aldous Huxley
Late in the night I pay the unrest I own to the life that has never lived and cannot live now. What the world could be is my good dream and my agony when, dreaming it, I lie awake and turn and look into the dark. I think of a luxury in the sturdiness and grace of necessary things, not in frivolity. That would heal the earth, and heal men. But the end, too, is part of the pattern, the last labor of the heart: to learn to lie still, one with the earth again, and let the world go.
Wendell Berry
After years of sleeping together, I still love to stay up late after you've passed into sleep so I can hear you say things you would never repeat when awake. It's like loving two people, each distinct and beautiful, as night from day as you from me, all of us together forming a continuous grace.
Sherman Alexie
Why does one feel so different at night? Why is it so exciting to be awake when everybody else is asleep? Late—it is very late! And yet every moment you feel more and more wakeful, as though you were slowly, almost with every breath, waking up into a new, wonderful, far more thrilling and exciting world than the daylight one.
Katherine Mansfield (The Garden Party and Other Stories)
Though Farmer Troutham had just hurt him, he was a boy who could not himself bear to hurt anything. He had never brought home a nest of young birds without lying awake in misery half the night after, and often reinstating them and the nest in their original place the next morning. He could scarcely bear to see trees cut down or lopped, from a fancy that it hurt them; and late pruning, when the sap was up and the tree bled profusely, had been a positive grief to him in his infancy. This weakness of character, as it may be called, suggested that he was the sort of man who was born to ache a good deal before the fall of the curtain upon his unnecessary life should signify that all was well with him again. He carefully picked his way on tiptoe among the earthworms, without killing a single one.
Thomas Hardy
His father asked Ethan in a raspy voice, “You spend time with your son?” “Much as I can,” he’d answered, but his father had caught the lie in his eyes. “It’ll be your loss, Ethan. Day’ll come, when he’s grown and it’s too late, that you’d give a kingdom to go back and spend a single hour with your son as a boy. To hold him. Read a book to him. Throw a ball with a person in whose eyes you can do no wrong. He doesn’t see your failings yet. He looks at you with pure love and it won’t last, so you revel in it while it’s here.” Ethan thinks often of that conversation, mostly when he’s lying awake in bed at night and everyone else is asleep, and his life screaming past at the speed of light—the weight of bills and the future and his prior failings and all these moments he’s missing—all the lost joy—perched like a boulder on his chest.
Blake Crouch (Pines (Wayward Pines, #1))
As we have seen, prayer, celebration of the religious offices, alms, consoling the afflicted, the cultivation of a little piece of ground, fraternity, frugality, hospitality, self-sacrifice, confidence, study, and work, filled up each day of his life. Filled up is exactly the phrase; and in fact, the Bishop's day was full to the brim with good thoughts, good words, and good actions. Yet it was not complete if cold or rainy weather prevented him from passing an hour or two in the evening, when the two women had retired, in his garden before going to sleep. It seemed as though it were a sort of rite with him, to prepare himself for sleep by meditating in the presence of the great spectacle of the starry firmament. Sometimes late at night, if the two women were awake, they would hear him slowly walking the paths. He was out there alone with himself, composed, tranquil, adoring, comparing the serenity of his heart with the serenity of the skies, moved in the darkness by the visible splendors of the constellations, and the invisible splendor of God, opening his soul to the thoughts that fall from the Unknown. In such moments, offering up his heart at the hour when the flowers of night emit their perfume, lit like a lamp in the center of the starry night, expanding his soul in ecstasy in the midst of creation’s universal radiance, perhaps he could not have told what was happening in his own mind; he felt something depart from him, and something descend upon him; mysterious exchanges of the depths of the soul with the depths of the universe. He contemplated the grandeur, and the presence of God; the eternity of the future, that strange mystery; the eternity of the past, a stranger mystery; all the infinities hidden deep in every direction; and, without trying to comprehend the incomprehensible, he saw it. He did not study God; he was dazzled by Him. He reflected upon the magnificent union of atoms, which give visible forms to Nature, revealing forces by recognizing them, creating individualities in unity, proportions in extension, the innumerable in the infinite, and through light producing beauty. These unions are forming and dissolving continually; from which come life and death. He would sit on a wooden bench leaning against a decrepit trellis and look at the stars through the irregular outlines of his fruit trees. This quarter of an acre of ground, so sparingly planted, so cluttered with shed and ruins, was dear to him and satisfied him. What more was needed by this old man, who divided the leisure hours of his life, where he had so little leisure, between gardening in the day time, and contemplation at night? Was this narrow enclosure, with the sky for a background not space enough for him to adore God in his most beautiful, most sublime works? Indeed, is that not everything? What more do you need? A little garden to walk in, and immensity to reflect on. At his feet something to cultivate and gather; above his head something to study and meditate on; a few flowers on earth and all the stars in the sky.
Victor Hugo (Les Misérables)
The essential object of fiction is not to explain. Explanation narrows. Explanation fixes. Explanation dissolves mystery. Explanation imposes artificial, arrogant order on human contradictions between fact and fact. The essential object of fiction is to embrace and widen and deepen all that is unknown and unknowable--who we are, why we are--and to offer us late-night company as we lie awake pondering our universal journey down the birth canal, and out into the light, and then toward the grave.
Tim O'Brien (Dad's Maybe Book)
Late in the night he looked over at Mildred. She was awake.
Ray Bradbury (Fahrenheit 451)
It had given him pleasure once to watch it changing and growing old. Of late he had felt no such pleasure. It had kept him awake at night.
Oscar Wilde (The Picture of Dorian Gray)
I’m a night owl by nature and an insomniac on occasion. You’ll often find me awake at this hour, alone in my thoughts. I also like to read late at night. The world doesn’t intrude like it does during the day.” I
Karen McQuestion (Edgewood (Edgewood #1))
Viktor looked at the older man’s nightshirt, robe, and nightcap. His lips quirked into a smile. “The hour is late, and the household sleeps. How is it that you are still awake?” “I knew you would be knocking on the door sooner or later.” Pickles looked down his long nose at him. “You have passed the previous six nights with Her Ladyship.” “You are observant, my good man.” “No, Your Highness, I am the one who locks the door at night.” Pickles reached into his robe’s pocket and produced a key. He passed it to the prince, saying, “After tonight, let yourself into the house.” Viktor grinned at the majordomo and lifted the key out of his hand. “Your trust honors me.” “You are unlikely to abscond with the silver,” Pickles drawled.
Patricia Grasso (Seducing the Prince (The Kazanovs, #3))
If he doesn’t get here soon, I’m going to fall asleep, Susan grumbled. He loved hearing her voice in his head even when she was cranky. The thought made him smile. I’ve been keeping you up too late. Not really, she replied. I’ve always been a night owl. I just haven’t been sleeping late the way I usually do. And had had one scare after another whilst awake. Did I mention I’m still sore from digging your handsome ass up? He laughed. It was totally worth it, of course, she went on.But if we find out you’re single, I might hit you up for a nice long massage. He cursed when his body immediately responded to the image of her naked and laid out before him, waiting for him to run his hands all over her body. Now who’s flirting? Ooh, she purred. That’s so cool. Even in your thoughts, your voice deepens and gets all growly when you’re turned on. Before he could respond, she made a sound of impatience.Damn it. Now I’m turned on. He laughed, delighted that she inspired him to do so even in such grim circumstances.
Dianne Duvall (Awaken the Darkness (Immortal Guardians #8))
Amazing. Chamberlain let his eyes close down to the slits, retreating within himself. He had learned that you could sleep on your feet on the long marches. You set your feet to going and after a while they went by themselves and you sort of turned your attention away and your feet went on walking painlessly, almost without feeling, and gradually you closed down your eyes so that all you could see were the heels of the man in front of you, one heel, other heel, one heel, other heel, and so you moved on dreamily in the heat and the dust, closing your eyes against the sweat, head down and gradually darkening, so you actually slept with the sight of the heels in front of you, one heel, other heel, and often when the man in front of you stopped you bumped into him. There were no heels today, but there was the horse he led by the reins. He did not know the name of this horse. He did not bother any more; the horses were all dead too soon. Yet you learn to love it. Isn’t that amazing? Long marches and no rest, up very early in the morning and asleep late in the rain, and there’s a marvelous excitement to it, a joy to wake in the morning and feel the army all around you and see the campfires in the morning and smell the coffee… … awake all night in front of Fredericksburg. We attacked in the afternoon, just at dusk, and the stone wall was aflame from one end to the other, too much smoke, couldn’t see, the attack failed, couldn’t withdraw, lay there all night in the dark, in the cold among the wounded and dying. Piled-up bodies in front of you to catch the bullets, using the dead for a shield; remember the sound? Of bullets in dead bodies? Like a shot into a rotten leg, a wet thick leg. All a man is: wet leg of blood. Remember the flap of a torn curtain in a blasted window, fragment-whispering in that awful breeze: never, forever, never, forever. You have a professor’s mind. But that is the way it sounded. Never. Forever. Love that too? Not love it. Not quite. And yet, I was never so alive.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
Oskar. The night before I lost everything was like any other night. Anna and I kept each other awake very late. We laughed. Young sisters in bed under the roof of their childhood home. Wind on the window. How could anything less deserve to be destroyed? I thought we would be awake all night. Awake for the rest of our lives. The spaces between our words grew. It became difficult to tell when we were talking and when we were silent. The hairs on our arms touched. It was late, and we were tired. We assumed there would be other nights. Anna’s breathing started to slow, but I still wanted to talk. She rolled onto her side. I said, I want to tell you something. She said, You can tell me tomorrow. I had never told her how much I loved her. She was my sister. We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father’s shed were sighing. The sheets were rising and falling around me with Anna’s breathing. I though about waking her. But it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you, Oskar. It’s always necessary. I love you, Grandma
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Abdullaah bin Mas'ood (RA) says: “A Qaari of the Quraan should distinguish himself from those people who are sleeping by remaining awake until late in the night, by weeping while others are laughing, by keeping quiet while others are gossiping, by humility from the arrogant and by remaining thoughtful from those who are enjoying.
Afzal Hoosen Elias (Quran Made Easy (Complete English Translation))
When Laurel was a child, in this room and in this bed where she lay now, she closed her eyes like this and the rhythmic, nighttime sound of the two beloved reading voices came rising in turn up the stairs every night to reach her. She could hardly fall asleep, she tried to keep awake, for pleasure. She cared for her own books, but she cared more for theirs, which meant their voices. In the lateness of the night, their two voices reading to each other where she could hear them, never letting a silence divide or interrupt them, combined into one unceasing voice and wrapped her around as she listened, as still as if she were asleep. She was sent to sleep under a velvety cloak of words, richly patterned and stitched with gold, straight out of a fairy tale, while they went reading on into her dreams.
Eudora Welty (The Optimist's Daughter)
Whatever any of us may have thought about Hatsumomo, she was like an empress in our okiya since she earned the income be which we all lived. And being an empress she would have been very displeased, upon returning late at night, to find her palace dark and all the servants asleep. That is to say, when she came home too drunk to unbutton her socks, someone had to unbutton them for her; and if she felt hungry, she certainly wasn't going to stroll into the kitchen and prepare something by herself--such as an umeboshi ochazuke, which was a favorite snack of hers, made with leftover rice and pickled sour plums, soaked in hot tea. Actually our okiya wasn't at all unusual in this respect. The job of waiting up to bow and welcome the geisha home almost always fell to the most junior of the "cocoons"--as the young geisha-in-training were often called. And from the moment I began taking lessons at the school, the most junior cocoon in our okiya was me. Long before midnight, Pumpkin and the two elderly maids were sound asleep on their futons only a meter or so away on the wood floor of the entrance hall; but I had to go on kneeling there, struggling to stay awake until sometimes as late as two o'clock in the morning. Granny's room was nearby and she slept with her light on and her door opened a crack. The bar of light that fell across my empty futon made me think of a day, not long before Satsu [Chiyo's sister] and I were taken away from our village, when I'd peered into the back room of our house to see my mother asleep there. My father had draped fishing nets across the paper screens to darken the room, but it looked so gloomy I decided to open one of the windows; and when I did, a strip of bright sunlight fell across my mother's futon and showed her hand so pale and bony. To see the yellow lights streaming from Granny's room onto my futon...I had to wonder if my mother was still alive. We ere so much alike, I felt sure I would have known if she'd died; but of course, I'd had no sign one way or the other.
Arthur Golden (Memoirs of a Geisha)
CYRANO: Thy name is in my heart as in a sheep-bell, And as I ever tremble, thinking of thee, Ever the bell shakes, ever thy name ringeth! All things of thine I mind, for I love all things; I know that last year on the twelfth of May-month, To walk abroad, one day you changed your hair-plaits! I am so used to take your hair for daylight That,--like as when the eye stares on the sun's disk, One sees long after a red blot on all things-- So, when I quit thy beams, my dazzled vision Sees upon all things a blonde stain imprinted. ROXANE (agitated): Why, this is love indeed!. . . CYRANO: Ay, true, the feeling Which fills me, terrible and jealous, truly Love,--which is ever sad amid its transports! Love,--and yet, strangely, not a selfish passion! I for your joy would gladly lay mine own down, --E'en though you never were to know it,--never! --If but at times I might--far off and lonely,-- Hear some gay echo of the joy I bought you! Each glance of thine awakes in me a virtue,-- A novel, unknown valor. Dost begin, sweet, To understand? So late, dost understand me? Feel'st thou my soul, here, through the darkness mounting? Too fair the night! Too fair, too fair the moment! That I should speak thus, and that you should hearken! Too fair! In moments when my hopes rose proudest, I never hoped such guerdon. Naught is left me But to die now! Have words of mine the power To make you tremble,--throned there in the branches? Ay, like a leaf among the leaves, you tremble! You tremble! For I feel,--an if you will it, Or will it not,--your hand's beloved trembling Thrill through the branches, down your sprays of jasmine! (He kisses passionately one of the hanging tendrils.) ROXANE: Ay! I am trembling, weeping!--I am thine! Thou hast conquered all of me! --Cyrano de Bergerac III. 7
Edmond Rostand (Cyrano de Bergerac: nouveau programme (Classiques & Cie Collège (38)) (French Edition))
Even if it's very late at night. Someone's always awake in the world. But of all those things you could think up for people to be doing, I think going hungry would have to be your safest bet. Going hungry, pushing each other around, leaving bombs, breaking promises, leaving nothing. It happens far away all the time. But sometimes near. We're almost two kinds of people. Some of us see it on the evening news or read about it in the morning paper. And some of us get hurt. But, you know we all get hurt. Because even if you live in a very nice house like I do, sooner or later the lies and the fires have got to burn you.
Ann Druyan
We have nothing to destroy," said Rud. "All these things are done for already. They are falling in all over the world. They are dead. No need for destructive activities. But if we have nothing to destroy we have much to clear away. That's different. What is needed is a brand-new common-sense reorganisation of the world's affairs, and that's what we have to give them. I can't imagine how the government sleeps of nights. I should lie awake at night listening all the time for the trickle of plaster that comes before a smash. Ever since they began blundering in the Near East and Spain, they've never done a single wise thing. This American adventure spells disaster. Plainly. Australia has protested already. India now is plainly in collapse. Everyone who has been there lately with open eyes speaks of the vague miasma of hatred in the streets. We don't get half the news from India. Just because there exists no clear idea whatever of a new India, it doesn't mean that the old isn't disintegrating. Things that are tumbling down, tumble down. They don't wait to be shown the plans of the new building. The East crumbles. All over the world it becomes unpleasant to be a foreigner, but an Englishman now can't walk in a bazaar without a policeman behind him...
H.G. Wells (The Holy Terror)
The End” It is time for me to go, mother; I am going. When in the paling darkness of the lonely dawn you stretch out your arms for your baby in the bed, I shall say, “Baby is not there!”—mother, I am going. I shall become a delicate draught of air and caress you; and I shall be ripples in the water when you bathe, and kiss you and kiss you again. In the gusty night when the rain patters on the leaves you will hear my whisper in your bed, and my laughter will flash with the lightning through the open window into your room. If you lie awake, thinking of your baby till late into the night, I shall sing to you from the stars, “Sleep, mother, sleep.” On the straying moonbeams I shall steal over your bed, and lie upon your bosom while you sleep. I shall become a dream, and through the little opening of your eyelids I shall slip into the depths of your sleep; and when you wake up and look round startled, like a twinkling firefly I shall flit out into the darkness. When, on the great festival of puja, the neighbours’ children come and play about the house, I shall melt into the music of the flute and throb in your heart all day. Dear auntie will come with puja-presents and will ask, “Where is our baby, sister?” Mother, you will tell her softly, “He is in the pupils of my eyes, he is in my body and in my soul.
Rabindranath Tagore (Collected Poems and Plays of Rabindranath Tagore)
It seemed to be a necessary ritual that he should prepare himself for sleep by meditating under the solemnity of the night sky. Sometimes, if they were awake, they would hear him at a late hour pacing up and down the paths. Peaceful in his solitude, adoring, matching the tranquility of the heavens with the tranquility of his own heartbeat, ravished in the shadows by the visible and invisible splendours of God, he opened his spirit to the thoughts coming from the Unknown. At those moments, when he offered up his heart in the hour when the night flowers offer up their scent, himself illumined in the bestarred night and unfolding in ecstasy amid the universal radiance of creation, he could not perhaps have said what took place in his spirit, what went out from him and what entered in: a mysterious transaction between the infinity of the soul and the infinity of the universe.
Victor Hugo (Les Misérables)
A True Account Of Talking To The Sun On Fire Island" The Sun woke me this morning loud and clear, saying "Hey! I've been trying to wake you up for fifteen minutes. Don't be so rude, you are only the second poet I've ever chosen to speak to personally so why aren't you more attentive? If I could burn you through the window I would to wake you up. I can't hang around here all day." "Sorry, Sun, I stayed up late last night talking to Hal." "When I woke up Mayakovsky he was a lot more prompt" the Sun said petulantly. "Most people are up already waiting to see if I'm going to put in an appearance." I tried to apologize "I missed you yesterday." "That's better" he said. "I didn't know you'd come out." "You may be wondering why I've come so close?" "Yes" I said beginning to feel hot wondering if maybe he wasn't burning me anyway. "Frankly I wanted to tell you I like your poetry. I see a lot on my rounds and you're okay. You may not be the greatest thing on earth, but you're different. Now, I've heard some say you're crazy, they being excessively calm themselves to my mind, and other crazy poets think that you're a boring reactionary. Not me. Just keep on like I do and pay no attention. You'll find that people always will complain about the atmosphere, either too hot or too cold too bright or too dark, days too short or too long. If you don't appear at all one day they think you're lazy or dead. Just keep right on, I like it. And don't worry about your lineage poetic or natural. The Sun shines on the jungle, you know, on the tundra the sea, the ghetto. Wherever you were I knew it and saw you moving. I was waiting for you to get to work. And now that you are making your own days, so to speak, even if no one reads you but me you won't be depressed. Not everyone can look up, even at me. It hurts their eyes." "Oh Sun, I'm so grateful to you!" "Thanks and remember I'm watching. It's easier for me to speak to you out here. I don't have to slide down between buildings to get your ear. I know you love Manhattan, but you ought to look up more often. And always embrace things, people earth sky stars, as I do, freely and with the appropriate sense of space. That is your inclination, known in the heavens and you should follow it to hell, if necessary, which I doubt. Maybe we'll speak again in Africa, of which I too am specially fond. Go back to sleep now Frank, and I may leave a tiny poem in that brain of yours as my farewell." "Sun, don't go!" I was awake at last. "No, go I must, they're calling me." "Who are they?" Rising he said "Some day you'll know. They're calling to you too." Darkly he rose, and then I slept.
Frank O'Hara
The Major's laughter boomed out again. "And I never kept a diary in my life!" he cried. "Why there's enough cream in this situation to make a dishful of meringues. You and I, you know, the students of Tilling! The serious-minded students who do a hard day's work when all the pretty ladies have gone to bed. Often and often has old--I mean has that fine woman, Miss Mapp, told me that I work too hard at night! Recommended me to get earlier to bed, and do my work between six and eight in the morning! Six and eight in the morning! That's a queer time of day to recommend an old campaigner to be awake at! Often she's talked to you, too, I bet my hat, about sitting up late and exhausting the nervous faculties." Major Flint choked and laughed and inhaled tobacco smoke till he got purple in the face. "And you sitting up one side of the street," he gasped, "pretending to be interested in Roman roads, and me on the other pulling a long face over my diaries, and neither of us with a Roman road or a diary to our names. Let's have an end to such unsociable arrangements, old friend; you lining your Roman roads and the bottle to lay the dust over to me one night, and I'll bring my diaries and my peg over to you the next. Never drink alone--one of my maxims in life--if you can find someone to drink with you. And there were you within a few yards of me all the time sitting by your old solitary self, and there was I sitting by my old solitary self, and we each thought the other a serious-minded old buffer, busy on his life-work. I'm blessed if I ever heard of two such pompous old frauds as you and I, Captain! What a sight of hypocrisy there is in the world, to be sure! No offence--mind: I'm as bad as you, and you're as bad as me, and we're both as bad as each other. But no more solitary confinement of an evening for Benjamin Flint, as long as you're agreeable.
E.F. Benson (Miss Mapp (Lucia, #2))
Dick Clark was pleased with the group’s success, but he was also happy to be rid of them. They had kept many of the other acts awake by practicing late at night on the bus, and Diane Ross had too many fights with other artists. Once, Ross had a spat with Brenda Holloway, who she thought had taken her can of hair spray. Another fight was with the Crystals’ Delores Brooks, whom Diane accused of stealing a pair of her shoes. Their shouting got them both temporarily kicked off the bus. Another time, she jumped on the back of Mary Wilson, pulling her hair and punching her. Other women complained that Ross hogged the single mirror in the small dressing rooms they all used. “Diane always had a temper,” said Mary Wilson, “and while some people might have seen her actions as the result of conniving, her behavior was actually more like that of a spoiled brat. Once she made up her mind about something, there was no reasoning with her…. Diane would fight with anyone, and often she would take a minor issue and keep on it until you reacted.
Gerald Posner (Motown: Music, Money, Sex, and Power)
Two hours later there was no call, and still no answer when I tried his cell phone. Around midnight, the clock and I had a conversation, I told the clock I wanted to wait another fifteen minutes before my new life began, the life in which Karl had been killed in a plane crash. I requested fifteen minutes more in this world—which I was quickly coming to see as the past—before figuring out who to call, who to wake up. You’ll remember this feeling when the phone rings, I told myself. You’ll remember how scared you were when he calls to tell you he’s fine. And it was true. As many times as I’ve been in exactly this situation, I never forget it, and it never fails to shock me, the flood of adrenaline that does not serve for fight or flight but drowns me. At twelve-thirty I shifted my perspective again, from wondering what it would be like if he were dead to the knowledge that he was dead, and I decided I could wait another fifteen minutes. He would be dead forever, so what difference did it make if I have myself a little more time? I still had no idea what I was supposed to do. After I had extended the final cutoff two more times, he walked in the door. That’s how these stories always end, of course, except for the one time they don’t. I saw the headlights against the garage door and went outside in the rain to meet him with my love and my rage and my sick relief. I wanted to kill him because he had not been killed. I wanted to step into his open jacket and stay there for the rest of my life. How had he not called? “I did call. I called you from Kentucky.” “But you never told me you’d left Kentucky.” “It took a long time to get the transponder fixed.” “Then why didn’t you call to say you’d landed?” “It was too late.” In the house, he went to the refrigerator and poured himself a glass of orange juice. He was dead tired but not dead. “I didn’t want to wake you up.” He might as well have said, I thought you were sleeping because I have no idea who you are, or who any normal people. I stayed awake for what was left of the night to watch him, just to make sure he was really there.
Ann Patchett (These Precious Days: Essays)
Added to all this is the universal dread of reality. We "pale-faces" have it, all of us, although we are seldom, and most of us never, conscious of it. It is the spiritual weakness of the "Late" man of the higher civilizations, who lives in his cities cut off from the peasant and the soil and thereby from the natural experiencing of destiny, time, and death. He has become too wide awake, too accustomed to ponder perpetually over yesterday and tomorrow, and cannot bear that which he sees and is forced to see: the relentless course of things, senseless chance, and real history striding pitilessly through the centuries into which the individual with his tiny scrap of private life is irrevocably born at the appointed place. That is what he longs to forget, refute, or contest. He takes flight from history into solitude, into imaginary far-away systems, into some faith or another, or into suicide. Like a grotesque ostrich he buries his head in hopes, ideals, and cowardly optimism: it is so, but it ought not to be, therefore it is otherwise. We sing in the woods at night because we are afraid.
Oswald Spengler (The Hour of Decision: Germany and World-Historical Evolution)
Added to all this is the universal dread of reality. We "pale-faces" have it, all of us, although we are seldom, and most of us never, conscious of it. It is the spiritual weakness of the "Late" man of the higher civilizations, who lives in his cities cut off from the peasant and the soil and thereby from the natural experiencing of destiny, time, and death. He has become too wide awake, too accustomed to ponder perpetually over yesterday and tomorrow, and cannot bear that which he sees and is forced to see: the relentless course of things, senseless chance, and real history striding pitilessly through the centuries into which the individual with his tiny scrap of private life is irrevocably born at the appointed place. That is what he longs to forget, refute, or contest. He takes flight from history into solitude, into imaginary far-away systems, into some faith or another, or into suicide. Like a grotesque ostrich he buries his head in hopes, ideals, and cowardly optimism: it is so, but it ought not to be, therefore it is otherwise. We sing in the woods at night because we are afraid.
Oswald Spengler (The Hour of Decision: Germany and World-Historical Evolution)
one stubborn glitch they couldn’t figure out: the program did a wonderful job spewing out data on the trajectory of artillery shells, but it just didn’t know when to stop. Even after the shell would have hit the ground, the program kept calculating its trajectory, “like a hypothetical shell burrowing through the ground at the same rate it had traveled through the air,” as Jennings described it. “Unless we solved that problem, we knew the demonstration would be a dud, and the ENIAC’s inventors and engineers would be embarrassed.”69 Jennings and Snyder worked late into the evening before the press briefing trying to fix it, but they couldn’t. They finally gave up at midnight, when Snyder needed to catch the last train to her suburban apartment. But after she went to bed, Snyder figured it out: “I woke up in the middle of the night thinking what that error was. . . . I came in, made a special trip on the early train that morning to look at a certain wire.” The problem was that there was a setting at the end of a “do loop” that was one digit off. She flipped the requisite switch and the glitch was fixed. “Betty could do more logical reasoning while she was asleep than most people can do awake,” Jennings later marveled. “While she slept, her subconscious untangled the knot that her conscious mind had been unable to.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
After John drops me off at home, I run across the street to pick up Kitty from Ms. Rothschild’s. And she invites me in for a cup of tea. Kitty is asleep on the couch with the TV on low in the background. We settle on the other couch with our cups of Lady Grey, and she asks me how the party went. Maybe it’s because I’m still on a high from the night, or maybe it’s the bobby pins so tight on my head that I feel woozy, or it could be the way her eyes light up with genuine interest as I begin to talk, but I tell her everything. The dance with John, how everyone cheered, Peter and Genevieve, even the kiss. She starts fanning herself when I tell about the kiss. “When that boy drove up in that uniform--ooh, girl.” She whistles. “It made me feel like a dirty old lady, because I knew him when he was little. But dear God he is handsome!” I giggle as I pull the bobby pinks from the top of my head. She leans forward and helps me along. My cinnamon bun unravels, and my scalp tingles with relief. Is this what it’s like to have a mother? Late-night boy talk over tea? Ms. Rothschild’s voice gets low and confidential. “Here’s the thing. My one piece of advice to you. You have to let yourself be fully present in every moment. Just be awake for it, do you know what I mean? Go all in and wring every last drop out of the experience.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
It’s not even that I trust him not to leave. I know this won’t last. I’d rather be me than him. The words are coming so easily. The pages are coming easily. At the end of my dream, Eve put the apple back on the branch.     The tree went back into the ground.     It became a sapling, which became a seed. God brought together the land and the water, the sky and the water, the water and the water, evening and morning, something and nothing. He said, Let there be light. And there was darkness. Oskar. The night before I lost everything was like any other night. Anna and I kept each other awake very late.     We laughed.     Young sisters in a bed under the roof of their childhood home.     Wind on the window. How could anything less deserve to be destroyed? I thought we would be awake all night.     Awake for the rest of our lives. The spaces between our words grew. It became difficult to tell when we were talking and when we were silent. The hairs of our arms touched. It was late, and we were tired. We assumed there would be other nights. Anna’s breathing started to slow, but I still wanted to talk. She rolled onto her side. I said, I want to tell you something. She said, You can tell me tomorrow. I had never told her how much I loved her. She was my sister. We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father’s shed were sighing. The sheets were rising and falling around me with Anna’s breathing. I thought about waking her. But it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you, Oskar. It’s always necessary. I love you,
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
What breaks in me? Some sinew cracks! 'tis whole again; oars! oars! Burst in upon him! I grow blind; hands! stretch out before me that I may yet grope my way. Is't night? Oars, oars! Slope downwards to thy depths, O sea, that ere it be for ever too late, Ahab may slide this last, last time upon his mark; I see: the ship! the ship! Dash on, my men! - Oh, all ye sweet powers of air, now hug me close! Let not Starbuck die, if die he must, in a woman's fainting fit. Up helm, I say ye fools. Is this the end of all my bursting prayers? all my lifelong fidelities? Oh, Ahab, Ahab, lo, thy work. Steady! helmsman, steady. Nay, nay! Up helm again! He turns to meet us! Oh, his unappeasable brow drives on towards one, whose duty tells him he cannot depart. My God, stand by me now! - Stand not by me, but stand under me, whoever you are that will now help Stubb; for Stubb, too, sticks here. I grin at thee, thou grinning whale! Who ever helped Stubb, or kept Stubb awake, but Stubb's own unwinking eye? And now poor Stubb goes to bed upon a mattrass that is all too soft; would it were stuffed with brushwood! I grin at thee, thou grinning whale! Look ye, sun, moon, and stars! I call ye assassins of as good a fellow as ever spouted up his ghost. For all that, I would yet ring glasses with ye, would ye but hand the cup! Oh, oh! oh, oh! thou grinning whale, but there'll be plenty of gulping soon! Why fly ye not, O Ahab! For me, off shoes and jacket to it; let Stubb die in his drawers! A most mouldy and over salted death, though; cherries! cherries! cherries! Oh, Flask, for one red cherry ere we die! - Cherries? I only wish that we were where they grow. Oh, Stubb, I hope my poor mother's drawn my part-pay ere this; if not, few coppers will now come to her, for the voyage is up.
Herman Melville (Moby-Dick or, The Whale)
to stay! It was another answer to prayer, and I graciously accepted her offer. When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. ”Go and sleep, Mother, you will catch cold here.” ”I can sleep enough later,” she says. I sit up. ”I don’t go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps.” She is silent. Then she asks gently: ”Are you very much afraid?” ”No Mother.” ”I would like to tell you to be on your guard against the women out in France. They are no good.” Ah! Mother, Mother! You still think I am a child–why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted too, indeed I am little more than a child; in the wardrobe still hang short, boy’s trousers–it is such a little time ago, why is it over? ”Where we are there aren’t any women, Mother,” I say as calmly as I can. ”And be very careful at the front, Paul.” Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! ”Yes Mother, I will.” ”I will pray for you every day, Paul.” Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, mother! ”Perhaps you can get a job that is not so dangerous.” ”Yes, Mother, perhaps I can get into the cookhouse, that can easily be done.” ”You do it then, and if the others say anything–” ”That won’t worry me, mother–” She sighs. Her face is a white gleam in the darkness. ”Now you must go to sleep, Mother.” She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. ”And you must get well again, Mother, before I come back.” ”Yes, yes, my child.” ”You ought not to send your things to me, Mother. We have plenty to eat out there. You can make much better use of them here.” How destitute she lies there in her bed, she that loves me more than all the world. As I am about to leave, she says hastily: ”I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack.” Ah! Mother! I know what these under-pants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying; we have so much to say, and we shall never say it. ”Good-night, Mother.” ”Good-night, my child.” The room is dark. I hear my mother’s breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack, which lies there already made up because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;–I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I ought never to have come on leave.
Erich Maria Remarque (All Quiet on the Western Front)
Stick to a sleep schedule. Go to bed and wake up at the same time each day. As creatures of habit, people have a hard time adjusting to changes in sleep patterns. Sleeping later on weekends won’t fully make up for a lack of sleep during the week and will make it harder to wake up early on Monday morning. Set an alarm for bedtime. Often we set an alarm for when it’s time to wake up but fail to do so for when it’s time to go to sleep. If there is only one piece of advice you remember and take from these twelve tips, this should be it. Exercise is great, but not too late in the day. Try to exercise at least thirty minutes on most days but not later than two to three hours before your bedtime. Avoid caffeine and nicotine. Coffee, colas, certain teas, and chocolate contain the stimulant caffeine, and its effects can take as long as eight hours to wear off fully. Therefore, a cup of coffee in the late afternoon can make it hard for you to fall asleep at night. Nicotine is also a stimulant, often causing smokers to sleep only very lightly. In addition, smokers often wake up too early in the morning because of nicotine withdrawal. Avoid alcoholic drinks before bed. Having a nightcap or alcoholic beverage before sleep may help you relax, but heavy use robs you of REM sleep, keeping you in the lighter stages of sleep. Heavy alcohol ingestion also may contribute to impairment in breathing at night. You also tend to wake up in the middle of the night when the effects of the alcohol have worn off. Avoid large meals and beverages late at night. A light snack is okay, but a large meal can cause indigestion, which interferes with sleep. Drinking too many fluids at night can cause frequent awakenings to urinate. If possible, avoid medicines that delay or disrupt your sleep. Some commonly prescribed heart, blood pressure, or asthma medications, as well as some over-the-counter and herbal remedies for coughs, colds, or allergies, can disrupt sleep patterns. If you have trouble sleeping, talk to your health care provider or pharmacist to see whether any drugs you’re taking might be contributing to your insomnia and ask whether they can be taken at other times during the day or early in the evening. Don’t take naps after 3 p.m. Naps can help make up for lost sleep, but late afternoon naps can make it harder to fall asleep at night. Relax before bed. Don’t overschedule your day so that no time is left for unwinding. A relaxing activity, such as reading or listening to music, should be part of your bedtime ritual. Take a hot bath before bed. The drop in body temperature after getting out of the bath may help you feel sleepy, and the bath can help you relax and slow down so you’re more ready to sleep. Dark bedroom, cool bedroom, gadget-free bedroom. Get rid of anything in your bedroom that might distract you from sleep, such as noises, bright lights, an uncomfortable bed, or warm temperatures. You sleep better if the temperature in the room is kept on the cool side. A TV, cell phone, or computer in the bedroom can be a distraction and deprive you of needed sleep. Having a comfortable mattress and pillow can help promote a good night’s sleep. Individuals who have insomnia often watch the clock. Turn the clock’s face out of view so you don’t worry about the time while trying to fall asleep. Have the right sunlight exposure. Daylight is key to regulating daily sleep patterns. Try to get outside in natural sunlight for at least thirty minutes each day. If possible, wake up with the sun or use very bright lights in the morning. Sleep experts recommend that, if you have problems falling asleep, you should get an hour of exposure to morning sunlight and turn down the lights before bedtime. Don’t lie in bed awake. If you find yourself still awake after staying in bed for more than twenty minutes or if you are starting to feel anxious or worried, get up and do some relaxing activity until you feel sleepy.
Matthew Walker (Why We Sleep The New Science of Sleep and Dreams / Why We Can't Sleep Women's New Midlife Crisis)
Miranda, honey, sit down. I wish you’d eat something.” Peering out the window, Aunt Teeta gave a shudder. “Y’all be sure and take umbrellas. There’s supposed to be a doozy of a storm coming in.” “How much of a doozy?” Etienne asked. “Medium doozy or big doozy?” Aunt Teeta flapped her dishtowel at him. “Monster doozy. Big bad winds, flash-flood rain, and maybe even tornadoes kind of doozy. Miranda, don’t you feel well?” “Just”--Miranda brushed it off--“kind of sick to my stomach, I guess.” “What, darlin’, something keep you awake last night?” Etienne stared at her. Gage stared at her. Aunt Teeta stared at her. Thank God for Gage, who finally seemed to sense her growing distress. Cramming the last bite of sausage into his mouth, he scraped back his chair from the table. “I’ll make sure she eats something later,” he promised Aunt Teeta. “Come on, we better go. We’re gonna be late.” Miranda threw him a grateful look as the three of them trooped out the door. Still, once they reached Etienne’s truck, she couldn’t resist. “You really are cute and precious,” she said, touching a fingertip to one of his dimples. Gage’s face went redder. He grabbed her hand and boosted her into the front seat. “See if I come to your rescue anymore.” “And I have to agree with Roo and Ashley. You’re especially cute when you’re embarrassed.” “Yeah?” Gage’s lips moved against her ear. “Don’t tempt me. I bet you’re especially cute when you’re embarrassed, too.” Miranda stared at him in surprise. Gage gave her an innocent smile, then climbed in beside her. Etienne seemed completely unaware of their little exchange.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
When kids stay up late, their stress hormones like cortisol kick in, which makes it harder to fall asleep,” wrote Dr. Laura Markham of Aha! Parenting. “The problem is that cortisol stays in the system and makes them edgy the next day; it also contributes to depression, anxiety, and weight gain. The famous moodiness of teenagers is partly attributable to late bedtimes, which have become standard practice in our culture. Just because your toddler gains the ability to keep himself awake doesn’t mean you’d let him stay up half the night. Just because your tween and teen gain the ability to keep themselves up doesn’t mean it isn’t bad for them.
Tricia Goyer (Calming Angry Kids: Help and Hope for Parents in the Whirlwind)
Sleeping late at night is neither a disease nor a habit, but it's simply an indirect message for someone who is still awaking.
Raj Koochitani
You have to find a mantra and live it fully. The one I’d adopt right now if I were you is something I found on the inside of a friend’s journal last year: ‘You may be safe, but I am free.’ Take advantage of the freedom that comes with your youth. Inhale life, exhale fire, and embrace the late, sleepless nights, because that’s when the magic happens—when everyone else is asleep and you’re awake thinking about the world as it is, and the world as it could be. Make the most of those moments,” I said forcefully. “And in the coming years people will tell you that you’re too young to change the world. I’m here to tell you, that’s fucking bullshit.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Unlike morning larks, night owls are frequently incapable of falling asleep early at night, no matter how hard they try. It is only in the early-morning hours that owls can drift off. Having not fallen asleep until late, owls of course strongly dislike waking up early. They are unable to function well at this time, one cause of which is that, despite being “awake,” their brain remains in a more sleep-like state throughout the early morning.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
Sleep's Dark And Silent Gate" Sometimes I lie awake at night and wonder Where my life will lead me Waiting to pass under Sleep's dark and silent gate I found my love too late Running around day after day Looking for the time to play While my old friends slipped away Never should have had to try so hard To make a love work out, I guess I don't know what love has got to do with happiness But the times when we were happy Were the times we never tried Sitting down by the highway Looking down the road Waiting for a ride I don't know where I've been Wishing I could fly away Don't know where I'm going Wishing I could hide Oh God this is some shape I'm in When the only thing that makes me cry Is the kindness in my baby's eye Sometimes I lie awake at night and wonder Where the years have gone They have all passed under Sleep's dark and silent gate Jackson Browne, The Pretender (1976)
Jackson Browne (Jackson Browne -- The Pretender: Piano/Vocal/Chords (Jackson Browne Classic Songbook Collection))
Thinking about Thailand tends to make me angry, and until I started writing this book, I tried not to do it. I preferred it to stay tucked away in the back of my mind. But I do think about Thailand sometimes. Usually late at night, when I've been awake long enough to see the curtain patterns through the darkness and the shapes of the books on my shelves. At those times I make an effort to remember sitting in the glade with the shadow of the clock-hand branch lying across the ferns, smoking my cigarette. I choose this moment because it was the last time I could pinpoint that I was me being myself. Being normal, with nothing much going through my head apart from how pretty the island was, and how quiet. It isn't that from then on every second in Thailand was bad. Good things happened. Loads of good things. And mundane things, too: washing my face in the morning, swimming, fixing some food, whatever. But in retrospect, all those instances are colored by what was going on around them. Sometimes it feels to me that I walked into the glade and lit the cigarette, and someone else came along and finished it. Finished it, stubbed it out, flicked it into the bushes, then went to find Etienne and Françoise. It's a cop-out, because it's another thing that distances me from what happened, but that's how it feels. This other person did things I wouldn't do. It wasn't just our morals that were at odds, there were little character differences, too. The cigarette butt - the other guy flicked it into the bushes. I'd have done something else. Buried it maybe. I hate littering, let alone littering in a protected Marine park. It's hard to explain. I don't believe in possession or the supernatural. I know that in real terms it was me who flicked the cigarette butt. Fuck it. I've been relying on an idea that these things would become clear to me as I wrote them down, but it isn't turning out that way.
Alex Garland (The Beach)
Without good sleep we’re not able to operate at our best, and yet, when it comes right down to it, we typically do a lot more to stay awake than we do to get the sleep we need.
Thatcher Wine (The Twelve Monotasks: Do One Thing at a Time to Do Everything Better)
It’s a perspective on story that may also shed light on why you and I and everyone else spend a couple of hours each day concocting tales that we rarely remember and more rarely share. By day I mean night, and the tales are those we produce during REM sleep. Well over a century since Freud’s The Interpretation of Dreams, there is still no consensus on why we dream. I read Freud’s book for a junior-year high school class called Hygiene (yes, that’s really what it was called), a somewhat bizarre requirement taught by the school’s gym teachers and sports coaches that focused on first aid and common standards of cleanliness. Lacking material to fill an entire semester, the class was padded by mandatory student presentations on topics deemed loosely relevant. I chose sleep and dreams and probably took it all too seriously, reading Freud and spending after-school hours combing through research literature. The wow moment for me, and for the class too, was the work of Michel Jouvet, who in the late 1950s explored the dream world of cats.32 By impairing part of the cat brain (the locus coeruleus, if you like that sort of thing), Jouvet removed a neural block that ordinarily prevents dream thoughts from stimulating bodily action, resulting in sleeping cats who crouched and arched and hissed and pawed, presumably reacting to imaginary predators and prey. If you didn’t know the animals were asleep, you might think they were practicing a feline kata. More recently, studies on rats using more refined neurological probes have shown that their brain patterns when dreaming so closely match those recorded when awake and learning a new maze that researchers can track the progress of the dreaming rat mind as it retraces its earlier steps.33 When cats and rats dream it surely seems they’re rehearsing behaviors relevant to survival. Our common ancestor with cats and rodents lived some seventy or eighty million years ago, so extrapolating a speculative conclusion across species separated by tens of thousands of millennia comes with ample warning labels. But one can imagine that our language-infused minds may produce dreams for a similar purpose: to provide cognitive and emotional workouts that enhance knowledge and exercise intuition—nocturnal sessions on the flight simulator of story. Perhaps that is why in a typical life span we each spend a solid seven years with eyes closed, body mostly paralyzed, consuming our self-authored tales.34 Intrinsically, though, storytelling is not a solitary medium. Storytelling is our most powerful means for inhabiting other minds. And as a deeply social species, the ability to momentarily move into the mind of another may have been essential to our survival and our dominance. This offers a related design rationale for coding story into the human behavioral repertoire—for identifying, that is, the adaptive utility of our storytelling instinct.
Brian Greene (Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe)
after Charles Michaels’s unexpected visit, my hope of a happily-ever-after with Trace was fading fast. It made the issues we’d had before look like a speed bump. He was never home except for very late at night and even that was rare. On most nights, I couldn’t sleep, lying awake in bed worrying over him.
L.A. Fiore (Beautifully Damaged (Beautifully Damaged, #1))
I know you were lying to me the whole night. That's OK because I lied to you too. I said I didn’t remember what I felt like before my accident, before I became the narcoleptic me. I remember what it felt like. I was awake, always awake. I didn’t miss anything. I could read books for more than a few pages at a time. I didn’t smoke. I watched movies from start to finish in real goddamn theaters, wouldn’t even leave my seat to go to the bathroom. I stayed up late on purpose. Woke up and went to sleep when I wanted. Sleep was my pet, something I control, schedule, took for walks. Sit up, roll over, lie down, stay down, give me your fucking paw. Not now, only me, and everything else is on the periphery. Just slightly out of reach or out of touch or out of time. I don’t have a real career or a real life. Ellen supports me and I sleepwalk through the rest.
Paul Tremblay (The Little Sleep (Mark Genevich, #1))
It’s hard to sleep that night. Our sofa’s got more lumps than bean soup, and every time I turn over, I pull out the blanket from the bottom. I get up about two in the morning and stand at the window. Moon’s almost full, and the snow sparkles like diamonds. I’m not lookin’ for moonlight or snowlight, though—only Shiloh. We keep the shed door open on nights like this so he can go in there and sleep if he comes back late. But I know my dog; he’d make at least one detour up on the porch first to see if somebody was awake to let him in. Not a fresh paw print anywhere. I’m thinking of the hunters we heard up in our woods. Deer season’s over now, but there’s possum and coon to hunt; rabbit and groundhog, too. What if a hunter took it in his head to steal Shiloh? You ride along and see notices posted on trees about a dog missing, and most of the time
Phyllis Reynolds Naylor (Saving Shiloh (Shiloh Series Book 3))
He had stayed awake talking with his children late into the night, telling them that all things, good and bad, must come to an end. No one could buy extra time, not even a day, nor a minute. Leaving was always painful but, at the same time, a reminder of new beginnings.
Sethu (A Guest for Arundhathi and other stories)
Last year, the morning of the day he died in a nursing home, wasted from age and pneumonia, his father asked Ethan in a raspy voice, “You spend time with your son?” “Much as I can,” he’d answered, but his father had caught the lie in his eyes. “It’ll be your loss, Ethan. Day’ll come, when he’s grown and it’s too late, that you’d give a kingdom to go back and spend a single hour with your son as a boy. To hold him. Read a book to him. Throw a ball with a person in whose eyes you can do no wrong. He doesn’t see your failings yet. He looks at you with pure love and it won’t last, so you revel in it while it’s here.” Ethan thinks often of that conversation, mostly when he’s lying awake in bed at night and everyone else is asleep, and his life screaming past at the speed of light—the weight of bills and the future and his prior failings and all these moments he’s missing—all the lost joy—perched like a boulder on his chest.
Blake Crouch (Pines (Wayward Pines, #1))
It’ll be your loss, Ethan. Day’ll come, when he’s grown and it’s too late, that you’d give a kingdom to go back and spend a single hour with your son as a boy. To hold him. Read a book to him. Throw a ball with a person in whose eyes you can do no wrong. He doesn’t see your failings yet. He looks at you with pure love and it won’t last, so you revel in it while it’s here.” Ethan thinks often of that conversation, mostly when he’s lying awake in bed at night and everyone else is asleep, and his life screaming past at the speed of light—the weight of bills and the future and his prior failings and all these moments he’s missing—all the lost joy—perched like a boulder on his chest.
Blake Crouch (Pines (Wayward Pines, #1))
Do you ever think about makin’ love to me?” He slides off a sock before I even answer his question. “Yes,” she answers. “Do you think about making love with me?” I lie awake most nights, fantasizing about sleeping next to her…loving her. “Right now, muñeca, makin’ love to you is the only thing on my mind.” I check my watch. I’ve got to go soon. Drug dealers don’t give a shit about your personal life. I can’t be late, but I want Brittany so damn bad. “Your coat’s next. You sure you want to keep goin’?” I slip off my other sock. The only things preventing me from being naked are my jeans and briefs. “Yes, I want to keep going.” She smiles wide, her beautiful pink lips glistening in the light. “Turn off the lights before I…take my coat off.” I turn off the shop lights, watching as she stands on the blanket and unbuttons her coat with trembling fingers. I’m in a trance, especially when she looks at me with those clear eyes shining with desire. As she opens her coat slowly, my eyes are fixed on the present inside. She walks toward me, then trips on a discarded shoe. I catch her, then place her on the soft blanket and settle atop her. “Thanks for breaking my fall,” she says breathlessly. I brush a strand of hair from her face, then move beside her. When she wraps her arms around my neck, all I want to do is protect this girl for the rest of my life. I ease her jacket open and lean away. A pink lace bra stares back at me. Nothing else. “Como un ángel,” I whisper. “Is our game over?” she asks nervously. “It’s definitely over, querida. ’Cause what we’re gonna do next is no game.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I have a recurring dream where I’m downtown, wandering around the mess just north of the harbor in the middle of the night. I have a car, which I do not in real life, but I can’t remember where I parked it, and the streets keep changing names and directions until I don’t recognize anything. I usually wind up getting chased around by somebody. This time, it’s a bear in a tutu who keeps yelling at me to stay away from his girlfriend. He corners me in a blind alley. I’m standing on top of a Dumpster, scrabbling at the brick wall of the building behind it, waiting for his bear teeth to sink into my ass, when I snap awake. The late afternoon sun is slanting through the window, and I’m soaked with sweat.
Edward Ashton (Three Days in April)
This had been happening more and more often: the two of us come upon each other by accident in the early hours of the morning and take solace in each others' company, weathering out the peril of being awake at this time of night, when thoughts that are neatly ordered or justly murdered during the day come loose from their moorings and out of their graves, to tie themselves to each other in new and dangerous ways.
Dexter Palmer (The Dream of Perpetual Motion)
Jeeter?" Grace whispered into her walkie-talkie. "Are you awake?" She waited. A few weeks ago, she and Jeeter had started chatting on their walkie-talkies late at night when she couldn't sleep. He always answered her call no matter how late it was. "I'm here," his voice echoed back. "Trouble sleeping again?" "Yeah." "Another bad dream?" "Uh-huh," she sniffed, unexpected tears flooding her eyes. My dad was calling for me, but I couldn't find him." She couldn't believe she'd said it. She'd never told anyone what she saw in her dreams. But Jeeter understood. He'd told her before that he had bad dreams too, since his mom had died.
Jo Ann Yhard (Fossil Hunter of Sydney Mines)
Day’ll come, when he’s grown and it’s too late, that you’d give a kingdom to go back and spend a single hour with your son as a boy. To hold him. Read a book to him. Throw a ball with a person in whose eyes you can do no wrong. He doesn’t see your failings yet. He looks at you with pure love and it won’t last, so you revel in it while it’s here.” Ethan thinks often of that conversation, mostly when he’s lying awake in bed at night and everyone else is asleep, and his life screaming past at the speed of light—the weight of bills and the future and his prior failings and all these moments he’s missing—all the lost joy—perched like a boulder on his chest.
Blake Crouch (Pines (Wayward Pines, #1))
Why does one feel so different at night? Why is it so exciting to be awake when everybody else is asleep? Late – it is very late! And yet every moment you feel more and more wakeful, as though you were slowly almost with every breath, waking up into a new, wonderful, far more thrilling and exciting world than the daylight one. And what is this queer sensation that you’re a conspirator? Lightly, stealthily you move about your room. You take something off the dressing-table and put it down again without a sound. And everything, even the bed-post, knows you, responds, shares your secret… You’re not very fond of your room by day. You never think about it. You’re in and out, the door opens and slams, the cupboard creaks. You sit down on the side of your bed, change your shoes and dash out again. A dive down to the glass, two pins in your hair, powder your nose and off again. But now – it’s suddenly dear to you. It’s a darling little funny room. It’s yours. Oh what a joy it is to own things! Mine – my own!
Katherine Mansfield (The Garden Party and Other Stories)
The rule on which I am here insisting should be most carefully observed towards evening. For as darkness makes us timid and apt to see terrifying shapes everywhere, there is something similar in the effect of indistinct thought; and uncertainty always brings with it a sense of danger. Hence, towards evening, when our powers of thought and judgment are relaxed, — at the hour, as it were, of subjective darkness, — the intellect becomes tired, easily confused, and unable to get at the bottom of things; and if, in that state, we meditate on matters of personal interest to ourselves, they soon assume a dangerous and terrifying aspect. This is mostly the case at night, when we are in bed; for then the mind is fully relaxed, and the power of judgment quite unequal to its duties; but imagination is still awake. Night gives a black look to everything, whatever it may be. This is why our thoughts, just before we go to sleep, or as we lie awake through the hours of the night, are usually such confusions and perversions of facts as dreams themselves; and when our thoughts at that time are concentrated upon our own concerns, they are generally as black and monstrous as possible. In the morning all such nightmares vanish like dreams: as the Spanish proverb has it, noche tinta, bianco el dia — the night is colored, the day is white. But even towards nightfall, as soon as the candles are lit, the mind, like the eye, no longer sees things so clearly as by day: it is a time unsuited to serious meditation, especially on unpleasant subjects. The morning is the proper time for that — as indeed for all efforts without exception, whether mental or bodily. For the morning is the youth of the day, when everything is bright, fresh, and easy of attainment; we feel strong then, and all our faculties are completely at our disposal. Do not shorten the morning by getting up late, or waste it in unworthy occupations or in talk; look upon it as the quintessence of life, as to a certain extent sacred. Evening is like old age: we are languid, talkative, silly. Each day is a little life: every waking and rising a little birth, every fresh morning a little youth, every going to rest and sleep a little death. But condition of health, sleep, nourishment, temperature, weather, surroundings, and much else that is purely external, have, in general, an important influence upon our mood and therefore upon our thoughts. Hence both our view of any matter and our capacity for any work are very much subject to time and place. So it is best to profit by a good mood — for how seldom it comes!
Arthur Schopenhauer (Counsels and Maxims (The Essays of Arthur Schopenhauer))
Asleep at the wheel nearly dead I think and feeling nothing on my skin but the dark eyes of the antelopes all around me in the Wyoming night watching me pass—a small animal growling down the highway with both eyes aglow. To keep awake I force my head out the window as into a guillotine the black sleet-filled air slipping under each eyelid like a child’s thin silver spoon. Looking back into the car through the ice and tears I do not recognize that body sleeping there. I no longer know that leg pressed hard to the gas, the blue coat or scarf or the hand reaching out to the wheel. Folks, you know I am doing my best— pushing hard toward you through this winter sky but reduced to this— just this head out a window streaming through space like a bearded rock, a hunk of pocked iron with melting eyes. A trail of fiery mist is growing out of the back of my head and stretches now for miles across the night. The odds, I know, are a thousand to one I'll burn up before touching earth but if somehow I do make it home smashing across the farmyard and lighting up the sky I will throw a red glow across the barn's silver roof and crash into the rough wood of your back door smaller than a grain of sand making its one childlike knock. The porch light will hesitate then snap on, as it always does when a car comes up the lane late at night. The two sleepy old faces will come to the door in their long soft robes— will stand there bewildered rubbing their eyes looking around and wondering who it was at their door no sooner come than gone a cinder in the eye.
Anthony Sobin
Late one night, I read a medical journal reporting a successful head transplant in China. "Ahah", I thought. "I can put my brain into a newer body instead of this old one beaten down by age and disease." A short rethinking disabused me of the idea but I wondered what it would be like to awake in another's body. Chimera Conflict is the result and is now available on Amazon and other sites,
Robert W. Morgan (Chimera Conflict: A Boston Brain in a Uyghur Body)
Yet we need our elected representatives to remain connected to our everyday rhythms - of waking in the pale dawn to gently prod our children awake, the morning commute, the early evening conflict of a trip to the gym versus a wine or two, a late-night work email check, or the start of the late shift on a second job. Until technology intervenes to 'cure' our need for sleep, this is our life in the twenty-first century.
Fleur Anderson (On Sleep)
After time spent awake across the day, despite the chance to consciously deliberate on the problem as much as they desired, a rather paltry 20 percent of participants were able to extract the embedded shortcut. Things were very different for those participants who had obtained a full night of sleep—one dressed with late-morning, REM-rich slumber. Almost 60 percent returned and had the “ah-ha!” moment of spotting the hidden cheat—which is a threefold difference in creative solution insight afforded by sleep! Little wonder, then, that you have never been told to “stay awake on a problem.” Instead, you are instructed to “sleep on it.” Interestingly, this phrase, or something close to it, exists in most languages (from the French dormir sur un problem, to the Swahili kulala juu ya tatizo), indicating that the problem-solving benefit of dream sleep is universal, common across the globe.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
The juror selection was a slow, tedious process. It bored Richard, and he soon began falling asleep. He’d stay up late at night reading and would be tired for court. Judge Tynan didn’t like his sleeping and warned him to stay awake. Richard took to wearing large black Porsche-type sunglasses, also bought by Doreen, so he could close his eyes behind them.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
It was that fear, finally, that left her awake and tearless at her window late at night. She wasn’t falling behind, slipping into some sort of widow’s stupor; she was moving ahead, beyond reach. Her own daughter had suddenly made her realize it by quietly usurping her right to have a child. It was Emma’s turn to have children, but what was it her turn to do? It had taken her daughter’s pregnancy to make her realize how nearly impregnable she herself had become—impregnable in a variety of ways. Let her get a little stronger, a little older, a little more set in her ways, with a few more barricades of habit and routine, and no one would ever break in. Her ways would be her house and her garden and Rosie and one or two old friends, and Emma and the children she would have. Her delights would be conversation and concerts, the trees and the sky, her meals and her house, and perhaps a trip or two now and then to the places she liked best in the world. Such things were all very well, yet the thought that such things were going to be her life for as far ahead as she could see made her sad and restless—almost as restless as Vernon, except that her fidgets were mostly internal and seldom caused her to do anything more compulsive than twisting her rings. As she sat at the window, looking out, her sense of the wrongness of it was deep as bone. It was not just wrong to go on so, it was killing. Her energies, it seemed to her, had always flowed from a capacity for expectation, a kind of hopefulness that had persisted year after year, in defiance of all difficulties. It was hopefulness, the expectation that something nice was bound to happen to her, that got her going in the morning and brought her contentedly to bed at night. For almost fifty years some secret spring inside her had kept feeding hopefulness into her bloodstream, and she had gone through her days expectantly, always eager for surprises and always finding them. Now the stream seemed dry—probably there would be no more real surprises. Men had taken to fleeing before her, and soon her own daughter would have a child. She had always lived close to people; now, thanks to her own strength or her own particularity and the various quirks of fate, she was living at an intermediate distance from everybody, in her heart. It was wrong; she didn’t want it to go on. She was forgetting too much—soon she would be unable to remember what she was missing. Even sex, she knew, would eventually relocate itself and become an appetite of the spirit. Perhaps it had already happened, but if it hadn’t it soon would.
McMurtry, Larry
When I reach the house, I find Felicity in the surgery with Monty who is—miraculously—awake. It’s a drowsy consciousness, but still, eyes open, sitting up, sort of—propped up—with his injured leg elevated, while Felicity is curled at the other end of the cot, her bare feet against the headboard, picking at the split ends of her plait. They look like children, wedged into one bed, whispering late into the night in the glow of a sputtering candle. Monty tilts his face away from her, and I think maybe he isn’t paying attention, then I realize he’s turned his deaf ear away to be certain he hears her. I watch them for a moment, wondering if they ever passed their nights like this back in Cheshire and feeling suddenly like a dog that has been tied up outside the shop.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
I blocked your number,” I say. I got tired of lying awake late into the night with my thumb hovering over his contact number, practically aching from wishing he’d call, tell me the whole thing had been a mistake. I needed to take the possibility away, to free myself from waiting for it.
Emily Henry (Happy Place)
What happened was that all the battleships had been following with precision the directions the officer on deck had given. Each was sailing in a straight line, then, on his command they made a sharp starboard turn. Somehow the Oklahoma fell out of sync with the rest of us, causing the accident. I was asleep in my hammock at the time, roughly between ten and eleven at night, and the collision jolted me awake. It scraped off the port-side blisters—honeycombed metal buffers that had been installed on the outer hull to absorb a hit from a torpedo—and tore a hole in the hull big enough to drive a hay truck through. The major consequence of the mishaps was that we had to spend time in drydock to get patched up, delaying our trip to Bremerton. And so instead of sailing for the West Coast in late November 1941 as scheduled, we would be remaining at Pearl Harbor through December. There’s no moping in the Navy, but the collision certainly put a dent in morale when we got the news, since we were all looking forward to being stateside for Christmas.
Donald Stratton (All the Gallant Men: An American Sailor's Firsthand Account of Pearl Harbor)
There are quiet places also in the mind,' he said, meditatively. 'But we build bandstands and factories on them. Deliberately - to put a stop to the quietness. We don't like the quietness. All the thoughts, all the preoccupations in my head - round and round, continually.' He made a circular motion with his hand. 'And the jazz bands, the music hall songs, the boys shouting the news. What's it for, what's it all for? To put an end to the quiet, to break it up and disperse it, to pretend at any cost is isn't there. Ah, but is is, it is there, in spite of everything, at the back of everything. Lying awake at night, sometimes - not restlessly, but serenely, waiting for sleep - the quiet reestablishes itself, piece by piece; all the broken bits, all the fragments of it we've been so busily dispersing all day long. It re-establishes itself, an inward quiet, like this outward quiet of grass and trees. It fills one, it grows - a crystal quiet, a growing expanding crystal. It grows, it becomes more perfect; it is beautiful and terrifying, yes, terrifying, as well as beautiful. For one's alone in the crystal and there 's no support from outside, there's nothing external and important, nothing external and trivial to pull oneself up by or stand on, superiorly, contemptuously, so that one can look down. There's nothing to laugh at or feel enthusiastic about. But the quiet grows and grows. Beautifully and unbearably. And at last you are conscious of something approaching; it is almost a faint sound of footsteps. Something inexpressibly lovely and wonderful advances through the crystal, nearer, nearer. And, oh, inexpressibly terrifying. For if it were to touch you, if it were to seize and engulf you, you'd die; all the regular, habitual, daily part of you would die. There would be an end of bandstands and whizzing factories, and one would have to begin living arduously in the quiet, arduously in some strange unheard-of manner. Nearer, nearer come the steps; but one can't face the advancing thing. One daren't. It's too terrifying, it's too painful to die. Quickly, before it is too late, start the factory wheels, bang the drum, blow the saxophone. Think of the women you'dl like to sleep with, the schemes for making money, the gossip about your friends, the last outrage of the politicians. Anything for a diversion. Break the silence, smash the crystal to pieces. There, it lies in bits; it is easily broken, hard to build up and easy to break. And the steps? Ah, those have taken themselves off, double quick. Double quick, they were gone at the first flawing of the crystal. And by this time the lovely and terrifying thing is three infinities away, at least. And you lie tranquilly on your bed, thinking of what you'd do if you had ten thousand pounds and of all the fornications you'll never commit.' He thought of Rosie's pink underwear.
Aldous Huxley (Antic Hay)
Late one night not long after the trolling began, I read a tweet that said: 'Your life is over.' My husband Don and I quickly realised that location services were turned on for my Twitter feed and you could just about pinpoint our house on GoogleMaps. That night we both lay awake in bed wondering if our children were in danger.
Ginger Gorman
After having had participants perform hundreds of these problems, they were to return twelve hours later and once again work through hundreds more of these mind-numbing problems. However, at the end of this second test session, the researchers asked whether the subjects had cottoned on to the hidden rule. Some of the participants spent that twelve-hour time delay awake across the day, while for others, that time window included a full eight-hour night of sleep. After time spent awake across the day, despite the chance to consciously deliberate on the problem as much as they desired, a rather paltry 20 percent of participants were able to extract the embedded shortcut. Things were very different for those participants who had obtained a full night of sleep—one dressed with late-morning, REM-rich slumber. Almost 60 percent returned and had the “ah-ha!” moment of spotting the hidden cheat—which is a threefold difference in creative solution insight afforded by sleep! Little wonder, then, that you have never been told to “stay awake on a problem.” Instead, you are instructed to “sleep on it.” Interestingly, this phrase, or something close to it, exists in most languages (from the French dormir sur un problem, to the Swahili kulala juu ya tatizo), indicating that the problem-solving benefit of dream sleep is universal, common across the globe.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
Mystical Sled Ride Knik to Willow, the race is on, across the Tundra, miles from home, Girl in Red flies through the snow, shimmering dreams of ice-rainbows. Sinuous bodies seem to fly like a wolf-pack going by! How they thunder as they run steaming fur, in icy sun. Knik to Willow, the race is on, across the Tundra, miles from home, Girl in Red, how swift she speeds, climbing mountains for the lead! Snowy lakes, and frozen streams, over land of Inuit dreams, slippery trails on icy ground, pelting paws thunder their sound! Knik to Willow, the race is on, across the Tundra, miles from home, sunburst, golden, brief respite in winter woods, as day meets night. Hear the music floating by, Girl in Red soars to the sky! Bodies, legs and lightest paws, across the line to great applause! Knik to Willow, now darkness falls, see the mushers fight for all! Persistence, courage, strength and care, mushers see it through, and dare! Running fast, but running late, the world it watches, still awake. The brightest lantern is their guide, stars gaze down – no longer hide. Knik to Willow, the race was on, and now the sled dogs all are home; meat is plenty for them all, winners, losers, victors all. When Northern Lights dance in the snow, Girl in Red, just hear them go! Howls pierce the air, like darts - so fast they run, their beating hearts.
Suzy Davies (The Girl in The Red Cape)
It was late evening when K. arrived. The village lay deep in snow. There was nothing to be seen of Castle Mount, for mist and darkness surrounded it, and not the faintest glimmer of light showed where the great castle lay. K. stood on the wooden bridge leading from the road to the village for a long time, looking up at what seemed to be a void. Then he went in search of somewhere to stay the night. People were still awake at the inn. The landlord had no room available, but although greatly surprised and confused by the arrival of a guest so late at night, he was willing to let K. sleep on a straw mattress in the saloon bar. K. agreed to that. Several of the local rustics were still sitting over their beer, but he didn’t feel like talking to anyone. He fetched the straw mattress down from the attic himself, and lay down near the stove. It was warm, the locals were silent, his weary eyes gave them a cursory inspection, and then he fell asleep.
Franz Kafka (The Castle (Penguin Modern Classics))
This exceedingly simple outer life reflected a far more severe inner life. It was well known that Kyrillos slept little. But just how little is for the most part unknown. Each day he would awake at three in the morning for psalmody and Liturgy that would finish some five hours later. The entire day, until late, would be spent in meetings and visits, only to be interrupted by "his work" of Vespers at six in the evening. Most nights he would retire to his patriarchal cell just before midnight. This would allow for three to four hours of sleep at most. Yet even this is called into question. An examination of his letters (unpublished and thus unknown until now) reveals that if a time of writing as specific, then it was consistently between the hours of one to two in the morning. Even the few hours of sleep, it appears, would be regularly sacrificed.
Daniel Fanous (A Silent Patriarch)
Sitting there at the Star Lanes Lounge, scribbling, you found the cottage coming back to you at odd moments, along with the lighthouse. Always that riptide compulsion dragging you down into the water, that need to know overriding the fear. The sound of the midnight waves at high tide, how from the window of your room in your mother’s bungalow back then you could see the surf under the moonlight as a series of metallic-blue lines, dark water squeezed between them. Sometimes those lines had been broken by her figure as she walked the beach late at night, kept awake by thoughts she never shared, her face turned away from you. As if searching even then for the answer you seek now.
Jeff VanderMeer (Acceptance (Southern Reach, #3))
My sister’s voice pierced the lovely morning hush of the bedchamber with all the delicacy of a gong. I reached out one finger to poke my husband’s naked shoulder. “Brisbane. Portia is here.” He heaved a sigh into the eiderdown. “You’re dreaming. Portia wouldn’t dare.” “Wouldn’t I?” she asked. “And, Julia, this is the first time I’ve seen your husband entirely unclothed. May I offer my congratulations?” With a violent oath, Brisbane flung himself under the bedclothes. “Modest as a virgin, I see,” Portia remarked. “Julia, I’m still counting. Silently. I’ve reached seven. Are you awake yet?” I flapped a hand at her but didn’t raise my head. “Eight.” Brisbane’s voice was muffled but distinct. “If you don’t leave this room, Portia, I will toss you out the nearest window. If memory serves, it’s forty feet down, and I won’t be gentle.” Portia clucked her tongue. “How high will you count?” “I won’t,” he told her flatly. He sat up, bedclothes pooling about his waist, grim determination etched on his face. Portia backed up swiftly. “Very well. But do hurry, both of you. You’re terribly late for the Revels rehearsal and two of our sisters have resorted to fisticuffs. Oddly, not the two you would think.” I sat bolt upright, and Portia winced. “For God’s sake, Julia, have a little shame and put your breasts away.
Deanna Raybourn (Twelfth Night (Lady Julia Grey, #5.6))