Race Track Quotes

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When I was little and running on the race track at school, I always stopped and waited for all the other kids so we could run together even though I knew (and everybody else knew) that I could run much faster than all of them! I pretended to read slowly so I could "wait" for everyone else who couldn't read as fast as I could! When my friends were short I pretended that I was short too and if my friend was sad I pretended to be unhappy. I could go on and on about all the ways I have limited myself, my whole life, by "waiting" for people. And the only thing that I've ever received in return is people thinking that they are faster than me, people thinking that they can make me feel bad about myself just because I let them and people thinking that I have to do whatever they say I should do. My mother used to teach me "Cinderella is a perfect example to be" but I have learned that Cinderella can go fuck herself, I'm not waiting for anybody, anymore! I'm going to run as fast as I can, fly as high as I can, I am going to soar and if you want you can come with me! But I'm not waiting for you anymore.
C. JoyBell C.
In racing, they say that your car goes where your eyes go. The driver who cannot tear his eyes away from the wall as he spins out of control will meet that wall; the driver who looks down the track as he feels his tires break free will regain control of his vehicle.
Garth Stein (The Art of Racing in the Rain)
My sense of humor will always stand in the way of my seeing myself, my family, my race or my nation as the whole intent of the universe.
Zora Neale Hurston (Dust Tracks on a Road)
Rain amplifies your mistakes, and water on the track can make your car handle unpredictably. When something unpredictable happens you have to react to it; if you’re reacting at speed, you’re reacting too late. And so you should be afraid.
Garth Stein (The Art of Racing in the Rain)
.."consider this. It took the earth's population thousand of years-from the early dawn of man all the way to the early 1800s-to reach one billion people. Then astoundingly, it took only about a hundred years to double the population to two billion in the 1920s. After that, it took a mere fifty years for the population to double again to four billion in the 1970s. As you can imagine, we're well on track to reach eight billion very soon. Just today, the human race added another quarter-billion people to planet Earth. A quarter million. And this happens ever day-rain or shine. Currently every year er 're adding the equivalent of the entire country of Germany.
Dan Brown (Inferno (Robert Langdon, #4))
It's amazing how good governments are, given their track records in almost every other field, at hushing up things like alien encounters. One reason may be that the aliens themselves are too embarrassed to talk about it. It's not known why most of the space-going races of the universe want to undertake rummaging in Earthling underwear as a prelude to formal contact. But representatives of several hundred races have taken to hanging out, unsuspected by one another, in rural corners of the planet and, as a result of this, keep on abducting other would-be abductees. Some have been in fact abducted while waiting to carry out an abduction on a couple of aliens trying to abduct the aliens who were, as a result of misunderstood instructions, trying to form cattle into circles and mutilate crops. The planet Earth is now banned to all alien races until they can compare notes and find out how many, if any, real humans they have actually got. It is gloomily suspected that there is only one - who is big, hairy, and has very large feet. The truth may be out there, but the lies are inside your head.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
I tilted my head and tossed my hair back, baring my neck. I saw her hesitate, but the sight of my neck and what it offered proved too powerful. A hungry expression crossed her face, and her lips parted slightly, exposing the fangs she normally kept hidden while living among humans. Those fangs contrasted oddly with the rest of her features. With her pretty face and pale blond hair, she looked more like an angel than a vampire. As her teeth neared my bare skin, I felt my heart race with a mix of fear and anticipation. I always hated feeling the latter, but it was nothing I could help, a weakness I couldn't shake. Her fangs bit into me, hard, and I cried out at the brief flare of pain. Then it faded, replaced by a wonderful, golden joy that spread through my body. It was better than any of the times I'd been drunk or high. Better than sex—or so I imagined, since I'd never done it. It was a blanket of pure, refined pleasure, wrapping me up and promising everything would be right in the world. On and on it went. The chemicals in her saliva triggered an endorphin rush, and I lost track of the world, lost track of who I was.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
He glances over his shoulder, no doubt hearing my insanely loud shoes stop in their tracks. Then he looks again. It’s a double take for the record books. “I’m out stalking,” I call. It doesn’t come out the way I’d intended. It’s not lighthearted or funny. It comes out like a warning. I’m one scary bitch right now. I hold my hands up to show I’m not armed. My heart is racing. “Me too,” he replies. Another cab cruises past like a shark. “Where are you actually going?” My voice rings down the empty street. “I just told you. I’m going out stalking.” “What, on foot?” I come closer by another six paces. “You were going to walk?” “I was going to run down the middle of the street like the Terminator.” The laugh blasts out of me like bah.I’m breaking one of my rules by grinning at him, but I can’t seem to stop. “You’re on foot, after all. Stilts.” He gestures at my sky-high shoes. “It gives me a few extra inches of height to look through your garbage.” “Find anything of interest?” He strolls closer and stops until we have maybe ten paces between us. I can almost pick up the scent of his skin. “Pretty much what I was expecting. Vegetable scraps, coffee grounds, adult diapers.
Sally Thorne (The Hating Game)
No one in a productive society wants you to know there ways of looking at the world other than their ways, and among the effects drugs may have is that of switching a mind from the normal track. Reading the works of certain writers has a corresponding effect. When receptive individuals explore the writings of someone such as Lovecraft, they are majestically solaced to find articulations of existence countering those to which the heads around them have become habituated.
Thomas Ligotti (The Conspiracy Against the Human Race)
Bosco stares into the distance, like I am no longer worthy of his attention. He had always seemed so well behaved on the race track--like a real gentleman. I must confess, I thought he was better than this.
Michael Ben Zehabe (Persianality)
If you were mine" Oh my what would I do to be his? He's the only man who has ever set the blood racing through my body. Yet he's so antagonizing too; he's difficult, complicated, and confusing. One minute he rebuffs me, the next he sends me fourteen thousand dollar books, then tracks me like a stalker. And for all that, I have spent the night in his hotel suite, and I feel safe. Protected. He cares enough to come and rescue me from some mistakenly perceived danger. He's not a dark knight at all but a white knight in shining, dazzling armor... a classic romantic hero.
E.L. James
Sex that’s limited to perfunctory foreplay and then a race down the express track to orgasm is an insult to the human capacity for pleasure.
Dossie Easton (The Ethical Slut: A Practical Guide to Polyamory, Open Relationships, and Other Freedoms in Sex and Love)
Behind these two booths was an enormous roller coaster, a phrase which here mean 'a series of small carts where people can sit and race up and down steep and frightening hills of tracks, for no discernible reason
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he i A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he is still racing. He is still alive
Garth Stein (The Art of Racing in the Rain)
I’ll wait. I’ll wait forever. I’ll die waiting, holding your hand and watching you sleep. If that’s all I get, fine, I’m gonna hold the hell out of your hand.
P. Jameson (Racing the Beast (Dirt Track Dogs, #2))
You must really want to win with all of your heart! Plan your race; do not ever get side tracked. Focus on your goal - “the finishing line”!
Lucas Remmerswaal (13 Habits.com The tale of Tortoise Buffett and Trader Hare: Inspired by Warren Buffett)
The best runner leaves no tracks. —Tao Te Ching
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
I know this much about racing in the rain. I know it is about balance. It is about anticipation and patience. I know all of the driving skills that are necessary for one to be successful in the rain. But racing in the rain is also about the mind! It is about owning one's own body. About believing that one's car is merely an extension of one's body. About believing that the track is an extension of the car, and the rain is an extension of the track, and the sky is an extension of the rain. It is about believing that you are not you; you are everything. And everything is you.
Garth Stein (The Art of Racing in the Rain)
Saving is a great habit but without investing and tracking, it just sleeps
Manoj Arora (From the Rat Race to Financial Freedom)
Before running a big race, you always want to walk the track.
Phil Knight (Shoe Dog)
The Mahdi rolls along the path to the race track as red, broad and shining as a John Deere tractor....
Jaimy Gordon (Lord of Misrule (National Book Award))
Food for thought.... It took the earths population thousands of years (from early dawn of mankind to early 1800) to reach 1 billion people. Then astoundingly, it took only 100 years to double it to 2 billion in 1920. After that, it merely took 50 years for the population to double again to 4 billion in 1970's. Today, we are on track to reach 8 billion. Just today, the human race added a quarter million people (250,000) to the human race. And this happens every day- rain or shine.
Dan Brown
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he is still racing. He is still alive. The
Garth Stein (The Art of Racing in the Rain)
I had been inadequate all along, I simply hadn't thought about it. The one thing I was good at was winning scholarships and prizes, and that era was coming to an end. I felt like a racehorse in a world without race-tracks...
Sylvia Plath (The Bell Jar)
Adam is fading out. It is on account of Darwin and that crowd. I can see that he is not going to last much longer. There's a plenty of signs. He is getting belittled to a germ—a little bit of a speck that you can't see without a microscope powerful enough to raise a gnat to the size of a church. ('The Refuge of the Derelicts' collected in Mark Twain and John Sutton Tuckey, The Devil's Race-Track: Mark Twain's Great Dark Writings (1980), 340-41. - 1980)
Mark Twain
In business, what's required for short term profit and what's required for long term resilience are very often at a juxtaposition. I used to run track and field and any track runner will tell you that winning a 100 meter race requires a completely different skill set than winning a marathon. And the same skills that may win you the 100 meter race may infact cause you to lose a marathon. And the skills that may win you a marathon may cause you to lose a 100 meter race. It's not really about balance. But it's about management asking the question what race is this business in at this moment and what skills are required to win this exact race right now. And then it's about asking that question over and over and over again all of the time with every business that the company is engaged in.
Hendrith Vanlon Smith Jr.
The weather was clear, the track fast War Admiral broke first and finished last.
Laura Hillenbrand (Seabiscuit: An American Legend)
Five boys, playing in the woods one winter day, decided to see who could make the straightest set of tracks in the snow. They were very careful to put one foot directly in front of the other, but when they had crossed the clearing, one track was curved, one was crooked, and two were almost zigzag. Only one boy had a straight track. When they asked him how he did it, he replied that he had not looked at his feet; he had picked out a tree across the clearing and had walked straight toward it. If we are to leave a straight track in our daily walk, we must not have our minds centered on ourselves. We must fix our gaze upon the Lord Jesus Christ. We are to “run with patience the race that is set before us, looking unto Jesus…
Donald Grey Barnhouse
My mind feels like a race car on the track, getting faster and faster every time I pause to think or blink or try to focus on anything. Nothing can keep up to it, not the other cars, not my body, not anyone else in the bar. It’s a rush, pure exhilaration, and I’m having the time of my life. But instead of driving, I’m in the passenger seat, along for the ride, watching myself race around the track from my barstool.
Shannon Mullen (See What Flowers)
(Honor)“You had told me that if you didn’t return within a few minutes of ten o’clock, I was to drive away and get as far from Tambour as possible. So, for all you knew, that’s what I had done. After nearly dying in that explosion, with a burn on your shoulder, and your hair singed, you could have run in any given direction in order to get away, but you didn’t. When you found me on the railroad tracks, you were racing back to the garage. To me.” He didn’t say anything, but his jaw tensed. She smiled and moved closer to him, aligning her body along his. “You don’t have to give me flowers, Coburn. You don’t even have to hold me.” She laid her head on his chest just below his chin. Her hand curved around his neck. “Let me hold you.
Sandra Brown (Lethal (Lee Coburn #1))
For those keeping track, the only rights we have are these: to seek the survival of our individual bodies, to create more bodies like our own, and to know that everyone's body will perish through a process of corruption or mortal trauma. (This is presuming that one has been brought to term and has survived to a certain age, neither being a natural birthright. Rigorously considered, our only natural birthright is to die.)
Thomas Ligotti (The Conspiracy Against the Human Race)
You have stood at this junction before You will stand at this junction again And if you pause you can ask yourself Which way to turn You can turn away from your own sadness And run the race named revenge You will run that tired track again and again Or you can admit your own pain And walk the path that ends In this direction lies freedom, my friend I can show you where hope and wholeness make their homes But you can’t push past your anguish on your way there To find the path to peace You will have to meet your pain And speak its name
Desmond Tutu (The Book of Forgiving: The Fourfold Path for Healing Ourselves and Our World)
One of the many reasons why gardens are increasingly precious to us in this day and age is that they help us to escape from the tyranny of speed. Our skies are streaked with jets, our roads have turned to race-tracks, and in the cities the crowds rush to and fro as though the devil were at their heels. But as soon as we open the garden gate, Time seems almost to stand still, slowing down to the gentle ticking of the Clock of the Universe.
Beverley Nichols (Forty Favourite Flowers)
I have to keep going, as there are always people on my track. I have to publish my present work as rapidly as possible in order to keep in the race. The best sprinters in this road of investigation are Becquerel and the Curies...
Ernest Rutherford
Russkie, promise me a simple thing?" Out of the blue when they had finished, after a mouthful from the mug. Dan seemed relaxed, leaning on his side. Resting back, savoring the taste, Vadim turned his head to look at Dan. Oh, that body. The effect it had on him, all the time, even when Dan wasn't there. Twelve months. "Promise what?" Sometimes, that kind of thing was about letters. Tell my girl I love her. Tell my mother I didn't suffer. Almost painful. Letters. Words that would hurt worse than the killing bullet. "Simple." Dan nodded, "if I'm unlucky, and if you find my body, will you bury it? Some rocks would do, I can't stand the thought of carrion's. As if that mattered, eh? I'd be fucking dead." Dan shrugged, tossed a grin towards the other, made light of an entirely far too heavy situation. He took the bottle once more, washing down the taste of death and decay, chasing away unbidden images. Vadim felt a shudder race over his skin. The thought of death chilled him to the bone, like a premonition. For a moment he saw himself stagger through enemy territory, looking for something that had been Dan. Minefields, snipers, fucking Hind hellfire. He might be able to track him. He might be able to guess where he had gone, where he had fallen. He had found the occasional pilot. But he had had help. Finding a dead man in a country full of dead people was more of a challenge. "I'll send you home," he murmured. Stay alive, he thought. Stay alive like you are now. I don't want to carry your rotting body to fucking Kabul and hand myself in to whatever bastard is your superior or handler there, but it must be Kabul. I can't hand myself over. But I will. Fuck you. He felt his face twitch, and turned away, breathing. "No, I have no home anymore." Dan's hand stopped Vadim from turning over fully. Fingers digging into the muscular thigh. "Not my brother's family. Nowhere to send the body to. Forget it." Grip tightening while he moved closer. Ignored the heat, the damned fan and its monotonous creaking, pressed his body behind the other. "You're as close to a fucking home as I get.
Marquesate (Special Forces - Soldiers (Special Forces, #1))
And the numerous delays due to vandalism on the tracks or leaves on the line or sun on the line or a body under a train How very inconsiderate, not to her To choose to throw yourself in front of a mechanical iron beast weighing thousands of tons and racing at a top speed of one hundred and forty miles per hour? To choose such a brutal and dramatic finale Carole knows what drives people to such despair, knows what it’s like to appear normal but to feel herself swaying Just one leap away From The amassed crowds on the platforms who carry enough hope in their hearts to stay alive Swaying Just one leap away from Eternal Peace
Bernardine Evaristo (Girl, Woman, Other)
Of all the bewildering things about a new country, the absence of human landmarks is one of the most depressing and disheartening. The houses on the Divide were small and were usually tucked away in low places; you did not see them until you came directly upon them. Most of them were built of the sod itself, and were only the unescapable ground in another form. The roads were but faint tracks in the grass, and the fields were scarcely noticeable. The record of the plow was insignificant, like the feeble scratches on stone left by prehistoric races, so indeterminate that they may, after all, be only the markings of glaciers, and not a record of human strivings.
Willa Cather (O Pioneers!)
Your body is like a tiny train coach. Eyes are its windows. All the people are coaches of the same train which is moving on curved tracks of Time. Curves are so complicated that the same train appears like many trains racing with each other. That is the illusion of Space and Time.
Shunya
I hate the fact that it obsesses me so much. Who're we gonna end up with? It's a race, and everyone else is on the tracks and I'm at the wrong venue, with the wrong shoes on." "That's rubbish. He's out there, I promise." "How do you know?" " I don't," said Elle firmly. " I just like to kid myself that he is. And if he's not, well, there's more to life than just hanging around ruining your life waiting for him. Much more.
Harriet Evans (Happily Ever After)
Imagine that you're an extremely modern car, equipped with a greater number of options and functions than most cars. You're faster and higher performance. You're very lucky. But it's not easy. Because no one knows exactly the number of options you have or what they enable you to do. Only you can know. And speed can be dangerous. Like when you're eight, you don't know how to drive. There are many things you have to learn: how to drive when it's wet, when it's snowy, to look out for other cars and respect them, to rest when you've been driving for too long. That's what it means to be a grown up.' I'm thirteen and I can see that I'm not managing to grow up in the right way: I can't understand the road signs, I'm not in control of my vehicle, I keep taking the wrong turnings and most of the time I feel like I'm stuck on the dodgems rather than on a race track.
Delphine de Vigan (No and Me)
People reflexively assume that competition is always a good thing, that it always brings out the best in people, but that’s only true of people who can forget the competition. The art of competing, I’d learned from track, was the art of forgetting, and I now reminded myself of that fact. You must forget your limits. You must forget your doubts, your pain, your past. You must forget that internal voice screaming, begging, “Not one more step!” And when it’s not possible to forget it, you must negotiate with it. I thought over all the races in which my mind wanted one thing, and my body wanted another, those laps in which I’d had to tell my body, “Yes, you raise some excellent points, but let’s keep going anyway . . .
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
There could be something wrong with me because I see Negroes neither better nor worse than any other race. Race pride is a luxury I cannot afford. There are too many implications bend the term. Now, suppose a Negro does something really magnificent, and I glory, not in the benefit to mankind, but the fact that the doer was a Negro. Must I not also go hang my head in shame when a member of my race does something execrable? If I glory, then the obligation is laid upon me to blush also. I do glory when a Negro does something fine, I gloat because he or she has done a fine thing, but not because he was a Negro. That is incidental and accidental. It is the human achievement which I honor. I execrate a foul act of a Negro but again not on the grounds that the doer was a Negro, but because it was foul. A member of my race just happened to be the fouler of humanity. In other words, I know that I cannot accept responsibility for thirteen million people. Every tub must sit on its own bottom regardless. So 'Race Pride' in me had to go. And anyway, why should I be proud to be Negro? Why should anyone be proud to be white? Or yellow? Or red? After all, the word 'race' is a loose classification of physical characteristics. I tells nothing about the insides of people. Pointing a achievements tells nothing either. Races have never done anything. What seems race achievement is the work of individuals. The white race did not go into a laboratory and invent incandescent light. That was Edison. The Jews did not work out Relativity. That was Einstein. The Negros did not find out the inner secrets of peanuts and sweet potatoes, nor the secret of the development of the egg. That wad Carver and Just. If you are under the impression that every white man is Edison, just look around a bit. If you have the idea that every Negro is a Carver, you had better take off plenty of time to do your searching.
Zora Neale Hurston (Dust Tracks on a Road)
The most fantastic parking-lot attendant in the world, he can back a car forty miles an hour into a tight squeeze and stop at the wall, jump out, race among fenders, leap into another car, circle it fifty miles an hour in a narrow space, back swiftly into tight spot, hump, snap the car with the emergency so that you see it bounce as he flies out; then clear to the ticket shack, sprinting like a track star, hand a ticket, leap into a newly arrived car before the owner’s half out, leap literally under him as he steps out, start the car with the door flapping, and roar off to the next available spot, arc, pop in, brake, out, run; working like that without pause eight hours a night, evening rush hours and after-theater rush hours, in greasy wino pants with a frayed fur-lined jacket and beat shoes that flap.
Jack Kerouac (On the Road)
Making these choices [to attend school instead of skipping], as it turned out, wasn't about willpower. I always admired people who “willed” themselves to do something, because I have never felt I was one of them. If sheer will were enough by itself, it would have been enough a long time ago, back on University Avenue, I figured. It wasn't, not for me anyway. Instead, I needed something to motivate me. I needed a few things that I could think about in my moments of weakness that would cause me to throw off the blanket and walk through the front door. More than will, I needed something to inspire me. One thing that helped was a picture I kept in mind, this image that I used over and over whenever I was faced with these daily choices. I pictured a runner running on a racetrack. The image was set in the summertime and the racetrack was a reddish orange, divided in white racing stripes to flag the runners’ columns. Only, the runner in my mental image did not run alongside others; she ran solo, with no one watching her. And she did not run a free and clear track, she ran one that required her to jump numerous hurdles, which made her break into a heavy sweat under the sun. I used this image every time I thought of things that frustrated me: the heavy books, my crazy sleep schedule, the question of where I would sleep and what I would eat. To overcome these issues I pictured my runner bolting down the track, jumping hurdles toward the finish line. Hunger, hurdle. Finding sleep, hurdle, schoolwork, hurdle. If I closed my eyes I could see the runner’s back, the movement of her sinewy muscles, glistening with sweat, bounding over the hurdles, one by one. On mornings when I did not want to get out of bed, I saw another hurdle to leap over. This way, obstacles became a natural part of the course, an indication that I was right where I needed to be, running the track, which was entirely different from letting obstacles make me believe I was off it. On a racing track, why wouldn't there be hurdles? With this picture in mind—using the hurdles to leap forward toward my diploma—I shrugged the blanket off, went through the door, and got myself to school.
Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
The siren soared again, closer at hand, and then, with no anticipatory roar and clamour, a dark and sinuous body curved into view against the shadows far down the high-banked track, and with no sound but the rush of the cleft wind and the clock like tick of the rails, moved towards the bridge - it was an electric train. Above the engine two vivid blurs of blue light formed incessantly a radiant crackling bar between them, which, like a spluttering flame in a lamp beside a corpse, lit for an instant the successive rows of trees and caused Gloria to draw back instinctively to the far side of the road. The light was tepid - the temperature of warm blood... The clicking blended suddenly with itself in a rush of even sound, and then, elongating in sombre elasticity, the thing roared blindly by her and thundered onto the bridge, racing the lurid shaft of fire it cast into the solemn river alongside. Then it contracted swiftly, sucking in its sound until it left only a reverberant echo, which died upon the farther bank.
F. Scott Fitzgerald (The Beautiful and Damned)
For a life of the kind you and I have never known and will never know— quiet, peace, the surety of love.” “There is nothing sure about love. Do you think love will protect you when the Fjerdans come to capture the Stormwitch?” She didn’t. But maybe she wanted to believe there was more to life than fear and being feared. She yanked down the shade and tapped the roof. The coach travelled on, up the cramped cart track in slow switchbacks. At last, they rattled to a stop. “Stay here,” she said, hooking his shackles to the seat. She descended from the coach, closing the door behind her. Mal and Alina stood on the sanatorium’s stairs, but when Alina saw Zoya, she smiled and raced down the steps with arms open. Zoya blinked away an embarrassing prickle of tears. She hadn’t known how Alina might greet her, given the circumstances. She let herself be hugged. As always, Ravka’s Saint smelled of paint and pine. “Is he in there?” Alina asked. “He is.” “You bring me the worst gifts.” The tabby had returned from its sojourn and was twining through Misha’s legs. It padded over to Zoya. “Hello, Oncat,” she murmured, hefting the cat into her arms and feeling the comforting rumble of its purr.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Make sure that you don’t get so absorbed and exhausted in taking care of all your day-by-day obligations that you lose track of the time and doze off, oblivious to God. The night is about over, dawn is about to break. Be up and awake to what God is doing! God is putting the finishing touches on the salvation work he began when we first believed. We can’t afford to waste a minute, must not squander these precious daylight hours in frivolity and indulgence, in sleeping around and dissipation, in bickering and grabbing everything in sight. Get out of bed and get dressed! Don’t loiter and linger, waiting until the very last minute. Dress yourselves in Christ, and be up and about! ROMANS 13:11 – 14 MSG
Christine Caine (Unstoppable: Running the Race You Were Born To Win)
Think of it, half the race is over, and I still stand here at the starting line—me, the first one out of his swaddling clothes and into his track suit! a hundred and fifty-eight points of I.Q., and still arguing with the authorities about the rules and regulations! disputing the course to be run! calling into question the legitimacy of the track commission!
Philip Roth (Portnoy’s Complaint)
You could literally halt epidemics in their tracks with this one remedy,” he said. He flashed two fingers up in a peace sign, then slowly rotated them downward till they were scissoring through space. The Running Man. “So simple,” he said. “Just move your legs. Because if you don’t think you were born to run, you’re not only denying history. You’re denying who you are.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
If a blind, three-legged racehorse named “Next Stop: Glue Factory” were racing down at the Fort Erie track, you can bet Lex Galbraith would’ve bet his life savings on the nose of that nag.
Craig Davidson (The Saturday Night Ghost Club)
Jerome Falsoner, aged forty-five, was a bachelor who lived alone in a flat on Cathedral Street, on an income more than sufficient for his comfort. He was a tall man, but of a delicate physique, the result, it may have been, of excessive indulgence on a constitution none too strong in the beginning. He was well-known, at least by sight, to all night-living Baltimoreans, and to those who frequented race-track, gambling-house, and the furtive cockpits that now and then materialize for a few brief hours in the forty miles of country that lie between Baltimore and Washington.
Dashiell Hammett
Every few weeks I get a letter from Léopoldville, which holds me on track. My heart races when I see the long blue envelope in a sister's hand, delivered to me under her sleeve as if a man himself were inside. And, oh, he is! Still sweet and bitter and wise and, best of all, still alive. I squeal, I can't help it, and run outside to the courtyard to taste him in private like a cat with a stolen pullet. I lean my face against the cool wall and kiss its old stones in praise of captivity, because it's only my being here and his being in prison that saves us both for another chance at each other.
Barbara Kingsolver (The Poisonwood Bible)
It was early morning and already hot. There was a strong odor of earth and grass drying in the sun. We climbed among tall shrubs, on indistinct paths that led toward the tracks. When we reached an electrical pylon we took off our smocks and put them in the schoolbags, which we hid in the bushes. Then we raced through the scrubland, which we knew well, and flew excitedly down the slope that led to the tunnel. The entrance on the right was very dark: we had never been inside that obscurity. We held each other by the hand and entered. It was a long passage, and the luminous circle of the exit seemed far away. Once we got accustomed to the shadowy light, we saw lines of silvery water that slid along the walls, large puddles. Apprehensively, dazed by the echo of our steps, we kept going. Then Lila let out a shout and laughed at the violent explosion of sound. Immediately I shouted and laughed in turn. From that moment all we did was shout, together and separately: laughter and cries, cries and laughter, for the pleasure of hearing them amplified. The tension diminished, the journey began.
Elena Ferrante (My Brilliant Friend (The Neapolitan Novels, #1))
Before leaving the cockpit, I take one last look at the Telescope screen. I don’t know why—I guess I just like to keep track of what extraterrestrial ships in my vicinity are up to. The Blip-A spins in space. It rotates end-over-end, probably at the exact same rate as the Hail Mary. I guess they saw me spin up the centrifuge and figured it was another communication thing. Humanity’s first miscommunication with an intelligent alien race. Glad I could be a part of it.
Andy Weir (Project Hail Mary)
Men could do anything, and everything they did, no matter how violent or mistaken, was viewed with humor and understanding. The sheriff would lock them up for shooting out each other’s windows, or racing their pickups down the railroad tracks, or punching out the bartender over at the Rhythm Ranch, and my aunts would shrug and make sure the children were all right at home. What men did was just what men did. Some days I would grind my teeth, wishing I had been born a boy.
Dorothy Allison (Bastard Out of Carolina)
When you don't have, or feel that you don't have, an extra moment to read philosophy, history, or science, when great literature, plays, and novels are as foreign to you as hieroglyphics, do you have any cahnce of seeing your work, career, or life in a new light? You might be doing well in the race, but it's the same race essentially down the same track with the same opponents that may prove to be less than sufficient in enabling you to get those kinds of things done that you want to have completed.
Jeff Davidson (The Complete Idiot's Guide to Getting Things Done)
If a woman wanted to live in peace and quiet and keep her house neat, without somebody tracking it up, and wanted to make preserves and potpourri of rose leaves, and sit by her window and sew a fine seam, why shouldn’t she? There were always enough who wanted to get married and carry on the race….If a woman liked to play with words and set them in patterns and make pictures with them, and was taking care of herself and bothering nobody, and enjoyed her life without a lot of bawling children around, why shouldn’t she?
Kate Bolick (Spinster: Making a Life of One's Own)
About a third of the way through the course, one of the runners fell. The crowd gasped. But, amazingly, with utter spontaneity, the rest of the runners stopped in their tracks. They stopped and looked back at the one who had fallen. One by one they turned around and slowly made their way back to help the fallen runner. They pulled him to his feet and the race continued with everyone running arm in arm to the finish line. They all finished the race together. All of those runners could see themselves in the one who fell.
Sean Covey (The 6 Most Important Decisions You'll Ever Make: A Guide for Teens)
Being a Negro means showing your best face to the white man every day. You know his wants, his needs, and watch him prosper. But he don't know your wants. He don't know your needs or feelings or what's inside you, for you ain't equal to him in no measure. You just a n****r to him. A thing: like a dog or a shovel or a horse. Your needs and wants got no track, whether you is a girl or a boy, a woman or a man, or shy, or fat, or don't eat biscuits, or can't suffer the change of weather easily. What difference do it make? None to him, for you is living on the bottom rail.
James McBride (The Good Lord Bird)
If tough breaks have not soured me, neither have my glory-moments caused me to build any altars to myself where I can burn incense before God’s best job of work. My sense of humor will always stand in the way of my seeing myself, my family, my race or my nation as the whole intent of the universe. When I see what we really are like, I know that God is too great an artist for we folks on my side of the creek to be all of His best works. Some of His finest touches are among us, without doubt, but some more of His masterpieces are among those folks who live over the creek.
Zora Neale Hurston (Dust Tracks on a Road)
I have been in the speculative game ever since I was fourteen. It is all I have ever done. I think I know what I am talking about. And the conclusion that I have reached after nearly thirty years of constant trading, both on a shoestring and with millions of dollars back of me, is this: A man may beat a stock or a group at a certain time, but no man living can beat the stock market! A man may make money out of individual deals in cotton or grain, but no man can beat the cotton market or the grain market. It's like the track. A man may beat a horse race, but he cannot beat horse racing.
Jesse Livermore
But we must not do this often, in case the mind acquires a bad habit; yet at times it must be stimulated to rejoice without restraint and austere soberness must be banished for a while. For whether we agree with the Greek poet that ‘Sometimes it is sweet to be mad,’ or with Plato that ‘A man sound in mind knocks in vain at the doors of poetry,’ or with Aristotle that ‘No great intellect has been without a touch of madness,’ only a mind that is deeply stirred can utter something noble and beyond the power of others. When it has scorned everyday and commonplace thoughts and risen aloft on the wings of divine inspiration, only then does it sound a note nobler than mortal voice could utter. As long as it remains in its senses it cannot reach any lofty and difficult height: it must desert the usual track and race away, champing the bit and hurrying its driver in its course to a height it would have feared to scale by itself.
Seneca (On The Shortness Of Life)
She didn’t dream, but when she awoke, she couldn’t believe her eyes. Small white flowers lay at the foot of her cot, and many infant-sized footprints led in and out of the tent. Before someone could enter and notice, Celaena swept a foot over the tracks, destroying any trace, and stuffed the flowers into a nearby satchel. Though no one mentioned another word about faeries, as they traveled onward, Celaena continually scanned the soldiers’ faces for any indication that they’d seen something strange. She spent a good portion of the following day with sweaty palms and a racing heartbeat, and kept one eye fixed on the passing woods.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Humans like to consider everything as linear, when in reality everything is cyclic. They are obsessed with straight lines. Straight roads, straight houses, straight pieces of steel, glass, and timber. Straight cut diamonds. Let’s get straight to the point. Be straight with me. I am straight, not gay. And this is how they see their lives. A linear journey, along the road of life. That is where expressions such as Highway to Hell come from. But what about other expressions, such as the life cycle, the cycle of nature, and the weather cycle? Because of this obsession with straight lines, they view history and historical events, as existing way back along an imaginary path, one they are sure they are far away from. Like watching a fading wake from a ship. So when they look at the religious wars, for example, the Christians versus the Muslims, the rise and fall of Empires, democracies and dictatorships, they seem blind when comparing present day situations with those of the past. The majority of humans see evolution as a race along a straight race track, a race they are winning by a long margin, yet they are afraid to ever slow down, in case other life catches them. If they did slow down long enough, they may observe that the track is actually cyclic.
Robert Black
From the race’s conception, the press viewed it with skepticism. Sportswriters argued that the rich event was a farce arranged to pad Seabiscuit’s bankroll. Del Mar, conscious of the potential conflict of interest for the Howards and Smiths, barred public wagering on the race. But the press’s distrust and the absence of gambling did nothing to cool the enthusiasm of racing fans. On the sweltering race day, special trains and buses poured in from San Diego and Los Angeles, filling the track with well over twenty thousand people, many more than the track’s official capacity. Lin plastered a twenty-foot LIGAROTI sign on the wall behind the “I’m for Ligaroti” section, and scores of Crosby’s movie friends, including Clark Gable and Carole Lombard, Spencer Tracy and Ray Milland, took up their cerise and white pennants and filed in. “Is there anyone left in Hollywood?” wondered a spectator. Dave Butler led a chorus of Ligaroti cheers, and the crowd grew boisterous. Crosby perched on the roof with Oscar Otis, who would call the race for a national radio broadcast. In the jockeys’ room, Woolf suited up to man the helm on Seabiscuit while Richardson slipped on Ligaroti’s polka dots. Just before the race, Woolf and Richardson made a deal. No matter who won, they would “save,” or split, the purse between them.
Laura Hillenbrand (Seabiscuit: An American Legend)
Consider this. It took the earth’s population thousands of years—from the early dawn of man all the way to the early 1800s—to reach one billion people. Then, astoundingly, it took only about a hundred years to double the population to two billion in the 1920s. After that, it took a mere fifty years for the population to double again to four billion in the 1970s. As you can imagine, we’re well on track to reach eight billion very soon. Just today, the human race added another quarter-million people to planet Earth. A quarter million. And this happens every day—rain or shine. Currently, every year, we’re adding the equivalent of the entire country of Germany.
Dan Brown (Inferno (Robert Langdon, #4))
I love you. How many times have you been asked, "How are you" today? It's a dreadful question. It's an absurd question. Knowing you and seeing what has happened in your life makes me stop in my tracks and catch myself before I ask anyone that question again. How the hell can you answer that question in the aisle of a supermarket? Come back to the house, you say. Bring your toothbrush and call your boss. You will need a week to hear the complete answer. And you will never be the same if you listen. It's the question that the entire human race reduces itself to each and every day, in each and every encounter, and without the intention of ever truly hearing the answer.
Christine Silverstein
When, in a generation or so, a radioactive cigar-smoking child, picnicking on Saturn, asks you what the Beatles affair was all about – ‘Did you actually know them?’ – don’t try to explain all about the long hair and screams. Just play the child a few tracks from this album and he’ll probably understand what it is all about. The kids of AD 2000 will draw from the music much the same sense of well being and warmth as we do today. For the magic of the Beatles, is I suspect, timeless and ageless. It has broken all frontiers and barriers. It has cut through differences of race, age and class. It is adored by the world. Derek Taylor, sleeve notes for the Beatles For Sale album, 1964
The Beatles (The Beatles Lyrics: The Unseen Story Behind Their Music)
If Daddy could see me now. I spent the morning with Rebecca at the Indianapolis Speedway, at an auto museum filled with Nascars and racing paraphernalia. Do you remember when we used to watch all five hundred laps with him, every year? I never understood what it was that made auto racing such a biggie for him—it's not like he ever tried the sport himself. He told me once when I was older that it was the absolute speed of it all. I liked to watch for crashes, like you. I liked the way there'd be a huge explosion on the track and billows of ebony smoke, and the other cars would just keep a straight course and head right for the spin, into this sort of black box, and they'd come out okay. I
Jodi Picoult (Songs of the Humpback Whale)
Returning from a hunting trip, Orde-Lees, traveling on skis across the rotting surface of the ice, had just about reached camp when an evil, knoblike head burst out of the water just in front of him. He turned and fled, pushing as hard as he could with his ski poles and shouting for Wild to bring his rifle. The animal—a sea leopard—sprang out of the water and came after him, bounding across the ice with the peculiar rocking-horse gait of a seal on land. The beast looked like a small dinosaur, with a long, serpentine neck. After a half-dozen leaps, the sea leopard had almost caught up with Orde-Lees when it unaccountably wheeled and plunged again into the water. By then, Orde-Lees had nearly reached the opposite side of the floe; he was about to cross to safe ice when the sea leopard’s head exploded out of the water directly ahead of him. The animal had tracked his shadow across the ice. It made a savage lunge for Orde-Lees with its mouth open, revealing an enormous array of sawlike teeth. Orde-Lees’ shouts for help rose to screams and he turned and raced away from his attacker. The animal leaped out of the water again in pursuit just as Wild arrived with his rifle. The sea leopard spotted Wild, and turned to attack him. Wild dropped to one knee and fired again and again at the onrushing beast. It was less than 30 feet away when it finally dropped. Two dog teams were required to bring the carcass into camp. It measured 12 feet long, and they estimated its weight at about 1,100 pounds. It was a predatory species of seal, and resembled a leopard only in its spotted coat—and its disposition. When it was butchered, balls of hair 2 and 3 inches in diameter were found in its stomach—the remains of crabeater seals it had eaten. The sea leopard’s jawbone, which measured nearly 9 inches across, was given to Orde-Lees as a souvenir of his encounter. In his diary that night, Worsley observed: “A man on foot in soft, deep snow and unarmed would not have a chance against such an animal as they almost bound along with a rearing, undulating motion at least five miles an hour. They attack without provocation, looking on man as a penguin or seal.
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
I can't help but question how my spirited daughter could fix her choice, once again, on a tepid Larson male. Is your blood really so thin that it calls for such milk-warm companionship?" Phoebe stopped in her tracks, while outrage raced through her like wildfire. "Henry was not tepid!" "No," her father allowed, stopping to face her. "Henry did have one passion, and that was you. It's why I eventually consented to the marriage, despite knowing the burden you would have to shoulder. Edward Larson, however, has yet to evince any such depth of feeling." "Well, he wouldn't in front of you," she said hotly. "He's private. And it was never a burden to take care of Henry." "Darling child," he said softly, "the burden is what you're facing now.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
the reason the average person is at the track is that they are driven screwy by the turn of the bolt, the foreman’s insane face, the landlord’s hand, the lover’s dead sex; taxation, cancer, the blues; clothes that fall apart on a 3rd wearing, water that tastes like piss, doctors that run assembly-line and indecent offices, hospitals without heart, politicians with skulls filled with pus … we can go on and on but would only be accused of being bitter and demented, but the world makes madmen (and women) of us all, and even the saints are demented, nothing is saved. so shit. well. according to my figures I’ve only had 2500 pieces of ass but I’ve watched 12,500 horse races, and if I have any advice to anybody it’s this: take up watercolor painting.
Charles Bukowski (Notes of a Dirty Old Man)
Famine is good to the corn-merchant, evil to the poor, and indifferent to those whose fortunes can at all times command a superfluity. Ambition is evil to the restless bosom it inhabits, to the innumerable victims who are dragged by its ruthless thirst for infamy, to expire in every variety of anguish, to the inhabitants of the country it depopulates, and to the human race whose improvement it retards; it is indifferent with regard to the system of the Universe, and is good only to the vultures and the jackals that track the conqueror’s career, and to the worms who feast in security on the desolation of his progress. It is manifest that we cannot reason with respect to the universal system from that which only exists in relation to our own perceptions.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
Telegraph Road A long time ago came a man on a track Walking thirty miles with a pack on his back And he put down his load where he thought it was the best Made a home in the wilderness He built a cabin and a winter store And he ploughed up the ground by the cold lake shore And the other travellers came riding down the track And they never went further, no, they never went back Then came the churches, then came the schools Then came the lawyers, then came the rules Then came the trains and the trucks with their loads And the dirty old track was the telegraph road Then came the mines - then came the ore Then there was the hard times, then there was a war Telegraph sang a song about the world outside Telegraph road got so deep and so wide Like a rolling river ... And my radio says tonight it's gonna freeze People driving home from the factories There's six lanes of traffic Three lanes moving slow ... I used to like to go to work but they shut it down I got a right to go to work but there's no work here to be found Yes and they say we're gonna have to pay what's owed We're gonna have to reap from some seed that's been sowed And the birds up on the wires and the telegraph poles They can always fly away from this rain and this cold You can hear them singing out their telegraph code All the way down the telegraph road You know I'd sooner forget but I remember those nights When life was just a bet on a race between the lights You had your head on my shoulder, you had your hand in my hair Now you act a little colder like you don't seem to care But believe in me baby and I'll take you away From out of this darkness and into the day From these rivers of headlights, these rivers of rain From the anger that lives on the streets with these names 'Cos I've run every red light on memory lane I've seen desperation explode into flames And I don't want to see it again ... From all of these signs saying sorry but we're closed All the way down the telegraph road
Mark Knopfler (Dire Straits - 1982-91)
Seven and a half million years our race has waited for this Great and Hopefully Enlightening Day!” cried the cheerleader. “The Day of the Answer!” Hurrahs burst from the ecstatic crowd. “Never again,” cried the man, “never again will we wake up in the morning and think Who am I? What is my purpose in life? Does it really, cosmically speaking, matter if I don’t get up and go to work? For today we will finally learn once and for all the plain and simple answer to all these nagging little problems of Life, the Universe and Everything!” As the crowd erupted once again, Arthur found himself gliding through the air and down toward one of the large stately windows on the first floor of the building behind the dais from which the speaker was addressing the crowd. He experienced a moment’s panic as he sailed straight toward the window, which passed when a second or so later he found he had gone right through the solid glass without apparently touching it. No one in the room remarked on his peculiar arrival, which is hardly surprising as he wasn’t there. He began to realize that the whole experience was merely a recorded projection which knocked six-track seventy-millimeter into a cocked hat.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
There are many well-known arguments for why the Holocaust perpetrated by the Nazis was different. It was higher tech. Death came faster. It was industrial in its scale. All true. But it’s also true that every holocaust is different. Every genocide has its own particular characteristics, and every hated group is hated in its own special way. By sheer numbers of dead, the genocide of Indigenous peoples in the Americas surpasses all others. In terms of modern technologies, the transatlantic trade in kidnapped and enslaved Africans, and the plantations the trade served in the antebellum South and the Caribbean, were highly modern for their times. So cutting-edge, scholars have shown, that the systems developed to transport, insure, depreciate, track, control, and extract maximum wealth from this coerced labor shaped many aspects of modern accounting and human resources management. And as Rinaldo Walcott, a scholar of race and gender, writes in his manifesto On Property, “The ideas forged in the plantation economy continue to shape our social relations.” Among those social relations are modern policing, mass surveillance, and mass incarceration. On what else does the claim to exceptionalism rest?
Naomi Klein (Doppelganger: a Trip into the Mirror World)
The problem of race is deep and wide and requires seismic change. But if we look to government to solve it, we might as well feel hopeless. If we look corporate America to solve it, we’ll be waiting a long, long time. And if we agree with Ta-Nehisi Coates, who tentatively suggests that “the only work that will matter, will be the work done by us," then we will truly despair, for we know how well that has worked. If we follow that track, we'll quickly add in disbelief, as he did, “Or perhaps not." As I've said, the problem of race is not “out there." It's “in here,” in the human heart. And though there is no task in heaven or on earth more difficult than changing the human heart,I believe in the one who can do it. It requires a supernatural solution. Yes, I believe in God. You see, I know how God can change a person’s heart.
Benjamin Watson
(Post Katrina) . . . He was reminded of the first time he'd run on a track with spikes. "You just fly on the track." The poor kids he saw in New Orleans were trying to run the same race in life that he was. But he was wearing spikes and they weren't. "There's a real idealism that you have to indulge to think that people in New Orleans were now going to pull themselves up by their bootstraps. There were no bootstraps.
Michael Lewis (The Fifth Risk)
The tunnel pulled at her. How many hands had it required to make this place? And the tunnels beyond, wherever and how far they led? She thought of the picking, how it raced down the furrows at harvest, the African bodies working as one, as fast as their strength permitted. The vast fields burst with hundreds of thousands of white bolls, strung like stars in the sky on the clearest of clear nights. When the slaves finished, they had stripped the fields of their color. It was a magnificent operation, from seed to bale, but not one of them could be prideful of their labor. It had been stolen from them. Bled from them. The tunnel, the tracks, the desperate souls who found salvation in the coordination of its stations and timetables - this was a marvel to be proud of. She wondered if those who had built this thing had received their proper reward.
Colson Whitehead (The Underground Railroad)
The rise of the western crews may have shocked eastern fans, but it delighted newspaper editors across the country in the 1930s. The story fit in with a larger sports narrative that had fueled newspaper and newsreel sales since the rivalry between two boxers—a poor, part-Cherokee Coloradoan named Jack Dempsey and an easterner and ex-Marine named Gene Tunney—had riveted the nation’s attention in the 1920s. The East versus West rivalry carried over to football with the annual East-West Shrine Game and added interest every January to the Rose Bowl—then the nearest thing to a national collegiate football championship. And it was about to have additional life breathed into it when an oddly put together but spirited, rough-and-tumble racehorse named Seabiscuit would appear on the western horizon to challenge and defeat the racing establishment’s darling, the king of the eastern tracks, War Admiral.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Tracy smiled. “Do you remember the story?” “Kimi? It was my story.” “What do you remember?” “A tragedy of Shakespearean proportions.” “How well did you know her?” “Everyone knew Kimi. She was a track star. In the fall she ran cross-country, and in the spring she ran the high hurdles and the one hundred—back then it was still called the hundred-yard dash. She finished second in the state her junior year and was the odds-on favorite to win both races senior year.
Robert Dugoni (In the Clearing (Tracy Crosswhite, #3))
I thought back on my running career at Oregon. I’d competed with, and against, men far better, faster, more physically gifted. Many were future Olympians. And yet I’d trained myself to forget this unhappy fact. People reflexively assume that competition is always a good thing, that it always brings out the best in people, but that’s only true of people who can forget the competition. The art of competing, I’d learned from track, was the art of forgetting, and I now reminded myself of that fact. You must forget your limits. You must forget your doubts, your pain, your past. You must forget that internal voice screaming, begging, “Not one more step!” And when it’s not possible to forget it, you must negotiate with it. I thought over all the races in which my mind wanted one thing, and my body wanted another, those laps in which I’d had to tell my body, “Yes, you raise some excellent points, but let’s keep going anyway . . .
Phil Knight (Shoe Dog)
In interviews with riders that I've read and in conversations that I've had with them, the same thing always comes up: the best part was the suffering. In Amsterdam I once trained with a Canadian rider who was living in Holland. A notorious creampuff: in the sterile art of track racing he was Canadian champion in at least six disciplines, but when it came to toughing it out on the road he didn't have the character. The sky turned black, the water in the ditch rippled, a heavy storm broke loose. The Canadian sat up straight, raised his arms to heaven and shouted: 'Rain! Soak me! Ooh, rain, soak me, make me wet!' How can that be: suffering is suffering, isn't it? In 1910, Milan—San Remo was won by a rider who spent half an hour in a mountain hut, hiding from a snowstorm. Man, did he suffer! In 1919, Brussels—Amiens was won by a rider who rode the last forty kilometers with a flat front tire. Talk about suffering! He arrived at 11.30 at night, with a ninety-minute lead on the only other two riders who finished the race. The day had been like night, trees had whipped back and forth, farmers were blown back into their barns, there were hailstones, bomb craters from the war, crossroads where the gendarmes had run away, and riders had to climb onto one another's shoulders to wipe clean the muddied road signs. Oh, to have been a rider then. Because after the finish all the suffering turns into memories of pleasure, and the greater the suffering, the greater the pleasure. That is Nature's payback to riders for the homage they pay her by suffering. Velvet pillows, safari parks, sunglasses: people have become woolly mice. They still have bodies that can walk for five days and four nights through a desert of snow, without food, but they accept praise for having taken a one-hour bicycle ride. 'Good for you.' Instead of expressing their gratitude for the rain by getting wet, people walk around with umbrellas. Nature is an old lay with few suitors these days, and those who wish to make use of her charms she rewards passionately. That's why there are riders. Suffering you need; literature is baloney.
Tim Krabbé (The Rider)
Happy those early days! when I Shined in my angel-infancy, Before I understood this place Appointed for my second race1, Or taught my soul to fancy ought But a white, celestial thought; When yet I had not walked above A mile or two from my first love, And looking back—at that short space— Could see a glimpse of His bright face; When on some gilded cloud, or flower, My gazing soul would dwell an hour, And in those weaker glories spy Some shadows of eternity; Before I taught my tongue to wound My conscience with a sinful sound, Or had the black art to dispense A several2 sin to every sense, But felt through all this fleshy dress Bright shoots of everlastingness. Oh how I long to travel back, And tread again that ancient track! That I might once more reach that plain, Where first I left my glorious train3; From whence the enlightened spirit sees That shady city of palm trees4. But ah! my soul with too much stay5 Is drunk, and staggers in the way. Some men a forward motion love, But I by backward steps would move And when this dust falls to the urn, In that state I came, return.
Henry Vaughan
Imagine you're in a rowing boat on a lake. It's summer, early morning. That time when the sun hasn't quite broken free of the landscape and long, projected shadows tigerstripe the light. The rays are warm on your skin as you drift through them, but in the shadows the air is still cold, greyness holding onto undersides and edges wherever it can. A low clinging breeze comes and goes, racing ripples across the water and gently rocking you and your boat as you float in yin-yang slices of morning. Birds are singing. It's a sharp, clear sound, clean without the humming backing track of a day well underway. There's the occasional sound of wind in leaves and the occasional slap-splash of a larger wavelet breaking on the side of your boat, but nothing else. You reach over the side and feel the shock of the water, the steady bob of the lake's movement playing up and down your knuckles in a rhythm of cold. You pull your arm back; you enjoy the after-ache in your fingers. Holding out your hand, you close your eyes and feel the tiny physics of gravity and resistance as the liquid finds routes across your skin, builds itself into droplets of the required weight, then falls, each drop ending with an audible tap. Now, right on that tap - stop. Stop imagining. Here's the real game. Here's what's obvious and wonderful and terrible all at the same time: the lake in my head, the lake I was imagining, has just become the lake in your head. It doesn't matter if you never know me, or never know anything about me. I could be dead, I could have been dead a hundred years before you were even born and still - think about this carefully, think past the obvious sense of it to the huge and amazing miracle hiding inside - the lake in my head has become the lake in your head.
Steven Hall (The Raw Shark Texts)
We have come to this strange cultural moment where food is both tool and weapon. I am grateful for it. My enter life I knew, and many others knew, that our daily bread was itself a kind of scripture of our origins, a taste track of our lives. It is a lie that food is just fuel. It has always had layers of meaning, and humans for the most part despise meaningless food. In America, and especially the American South, 'race' endures alongside the sociopolitics of food; it is not a stretch to say that that race is both on and at the Southern table. But if it is on the table alone we have learned nothing; we continue to reduce each other to stereotypical essences. It is not enough to be white at the table. It is not enough to be black at the table. It is not enough to be 'just human' at the table. Complexity must come with us - in fact it will invite itself to the feast whether we like it or not. We can choose to acknowledge the presence of history, economics, class, cultural forces, and the idea of race in shaping our experience, or we can languish in circuitous arguments over what it all means and get nowhere. I present my journey to you as a means out of the whirlwind, an attempt to tell as much truth as time will allow.
Michael W. Twitty (The Cooking Gene: A Journey Through African American Culinary History in the Old South)
In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.
Frank O'Hara (In Memory Of My Feelings)
He would forever be known as Jesse Owens, not by his given name. He would go on to win four gold medals at the 1936 Olympics in Berlin, becoming the first American in the history of track and field to do so in a single Olympics and disproving the Aryan notions of his Nazi hosts. It made headlines throughout the United States that Adolf Hitler, who had watched the races, had refused to shake hands with Owens, as he had with white medalists. But Owens found that in Nazi Germany, he had been able to stay in the same quarters and eat with his white teammates, something he could not do in his home country. Upon his return, there was a ticker-tape parade in New York. Afterward, he was forced to ride the freight elevator to his own reception at the Waldorf-Astoria. “I wasn’t invited to shake hands with Hitler,” he wrote in his autobiography. “But I wasn’t invited to the White House to shake hands with the President either. I came back to my native country, and I could not ride in the front of the bus. I had to go to the back door. I couldn’t live where I wanted. Now, what’s the difference?” It would take the arrival of millions of more migrants and many more decades of perseverance on their part and on the part of protesters for human rights before they would truly become accepted.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
Reflecting back on the journey to the “Great Outdoors” places me in a different tonal mood, filled up with hope and passion, not resentful, suppressed relics of anger unresolved Did you listen to the winds? What did you hear? Did you listen to the trees? What knowledge did they bring you? Did you listen to the birds? What songs did they sing to you? Did you listen to the Universe(s)? What messages did they bring you? Did you listen to the ancestors? What hope did they send you? Did you really listen? Close your eyes and open up your full heart and listen again Not for me Do it 4 UrSelf Do it 4 tha Future Look beyond UrSelf Open up UrSelf Love ThySelf Quiet the chatter of your mind, close the racing tracks and be still and quiet so that U can hear what they’re trying to say to U. Be appreciative for what U have been bestowed and blessed to be stewards of, please do not take this to mean: Destroy, dominate, and control. Let it mean be cognizant of the complexity, respect true biodiversity, respect and honor all Life, allow for balance, and recognize evolutionary adaptability in all of Creation. The winds are blowing good tidings and blessings in this here direction as this one poem comes to a close while striving for the rootedness of an ancient Sequoia so high up in the sky and deeply rooted in our common Mother. Listen to my woes of loneliness and see that will Life all around, NO one is truly lonely or alone.
Irucka Ajani Embry (Balancing the Rift: ReCONNECTualizing the Pasenture)
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps. Breathless,she came to a sudden halt in front of him. At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool." "You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way." "There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war." "You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together." She gave a deep sigh. "You mean it?" "I do." "Oh,Wyatt.I was so afraid I'd driven you away forever." He continued studying her. "Does this mean you're suffering another change of heart?" "My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle." A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man." He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure. Her tears started again,but this time they were tears of joy. Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man. Loved. Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now. After a moment he caught her hand. "Where are we going?" "Your place.It's closer than the ranch, and we've wasted too much time already." "i can't leave the ambulance..." "All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?" At her little laugh he added, "I'm desperate for some time alone with you." Alone. She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her. She was laughing through her tears as she turned the key in the ignition. The key that had saved his life. "Wyatt McCord,I can't think of anything I'd rather be than alone with you.
R.C. Ryan (Montana Destiny)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent.
Virgil (The Eclogues)
Lady Thornton!” the prosecutor rapped out, and he began firing questions at her so rapidly that she could scarcely keep track of them. “Tell us the truth, Lady Thornton. Did that man”-his finger pointed accusingly to where Ian was sitting, out of Elizabeth’s vision-“fid you and bribe you to come back here and tell us this absurd tale? Or did he find you and threaten your life if you didn’t come here today? Isn’t it true that you have no idea where your brother is? Isn’t it true that by your own admission a few moments ago you fled in terror for your life from this cruel man? Isn’t it true that you are afraid of further cruelty from him-“ “No!” Elizabeth cried. Her gaze raced over the male faces around and above her, and she could see not one that looked anything but either dubious or contemptuous of the truths she had told. “No further questions!” “Wait!” In that infinitesimal moment of time Elizabeth realized that if she couldn’t convince them she was telling the truth, she might be able to convince them she was too stupid to make up such a lie. “Yes, my lord,” her voice rang out. “I cannot deny it-about his cruelty, I mean.” Sutherland swung around, his eyes lighting up, and renewed excitement throbbed in the great chamber. “You admit this is a cruel man?” “Yes, I do,” Elizabeth emphatically declared. “My dear, poor woman, could you tell us-all of us-some examples of his cruelty?” “Yes, and when I do, I know you will all understand how truly cruel my husband can be and why I ran off with Robert-my brother, that is.” Madly, she tried to think of half-truths that would not constitute perjury, and she remembered Ian’s words the night he came looking for her at Havenhurst. “Yes, go on.” Everyone in the galleries leaned forward in unison, and Elizabeth had the feeling the whole building was tipping toward her. “When was the last time your husband was cruel?” “Well, just before I left he threatened to cut off my allowance-I had overspent it, and I hated to admit it.” “You were afraid he would beat you for it?” “No, I was afraid he wouldn’t give me more until next quarter!” Someone in the gallery laughed, then the sound was instantly choked. Sutherland started to frown darkly, but Elizabeth plunged ahead. “My husband and I were discussing that very thing-my allowance, I mean-two nights before I ran away with Bobby.” “And did he become abusive during that discussion? Is that the night your maid testified that you were weeping?” “Yes, I believe it was!” “Why were you weeping, Lady Thornton?” The galleries tipped further toward her. “I was in a terrible taking,” Elizabeth said, stating a fact. “I wanted to go away with Bobby. In order to do it, I had to sell my lovely emeralds, which Lord Thornton gave me.” Seized with inspiration, she leaned confiding inches toward the Lord Chancellor upon the woolsack. “I knew he would buy me more, you know.” Startled laughter rang out from the galleries, and it was the encouragement Elizabeth desperately needed. Lord Sutherland, however, wasn’t laughing. He sensed that she was trying to dupe him, but with all the arrogance typical of most of his sex, he could not believe she was smart enough to actually attempt, let alone accomplish it. “I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?” “Goodness, I don’t know what you are supposed to believe. I only know I did it.” “Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?” Elizabeth gave him a vacuous look. “I liked my emeralds.
Judith McNaught (Almost Heaven (Sequels, #3))
Everything in Nature ran according to its own nature; the running of grass was in its growing, the running of rivers their flowing, granite bubbled up, cooled, compressed and crumbled, birds lived, flew, sang and died, everything did what it needed to do, each simultaneously running its own race, each by living according to its own nature together, never leaving any other part of the universe behind. The world’s Holy things raced constantly together, not to win anything over the next, but to keep the entire surging diverse motion of the living world from grinding to a halt, which is why there is no end to that race; no finish line. That would be oblivion to all. For the Indigenous Souls of all people who can still remember how to be real cultures, life is a race to be elegantly run, not a race to be competitively won. It cannot be won; it is the gift of the world’s diverse beautiful motion that must be maintained. Because human life has been give the gift of our elegant motion, whether we limp, roll, crawl, stroll, or fly, it is an obligation to engender that elegance of motion in our daily lives in service of maintaining life by moving and living as beautifully as we can. All else has, to me, the familiar taste of that domineering warlike harshness that daily tries to cover its tracks in order to camouflage the deep ruts of some old, sick, grinding, ungainly need to flee away from the elegance of our original Indigenous human souls. Our attempt to avariciously conquer or win a place where there are no problems, whether it be Heaven or a “New Democracy,” never mind if it is spiritually ugly and immorally “won” and taken from someone who is already there, has made a citifying world of people who, unconscious of it, have become our own ogreish problem to ourselves, our future, and the world. This is a problem that we cannot continue to attempt to competitively outrun by more and more effectively designed technological approaches to speed away from the past, for the specter of our own earth-wasting reality runs grinning competitively right alongside us. By developing even more effective and entertaining methods of escape that only burn up the earth, the air, animals, plants, and the deeper substance of what it should mean to be human, by competing to get ahead, we have created a brakeless competition that has outrun our innate beauty and marked out a very definite and imminent “finish” line. Living in and on a sphere, we cannot really outrun ourselves anyway. Therefore, I say, the entire devastating and hideous state of the world and its constant wounding and wrecking of the wild, beautiful, natural, viable and small, only to keep alive an untenable cultural proceedance is truly a spiritual sickness, one that will not be cured by the efficient use of the same thinking that maintains the sickness. Nor can this overly expensive, highly funded illness be symptomatically kept at bay any longer by yet more political, environmental, or social programs. We must as individuals and communities take the time necessary to learn how to indigenously remember what a sane, original existence for a viable people might look like. Though there are marvellous things and amazing people doing them, both seen and unseen, these do not resemble in any way the general trend of what is going on now. To begin remembering our Indigenous belonging on the Earth back to life we must metabolize as individuals the grief of recognition of our lost directions, digest it into a valuable spiritual compost that allows us to learn to stay put without outrunning our strange past, and get small, unarmed, brave, and beautiful. By trying to feed the Holy in Nature the fruit of beauty from the tree of memory of our Indigenous Souls, grown in the composted failures of our past need to conquer, watered by the tears of cultural grief, we might become ancestors worth descending from and possibly grow a place of hope for a time beyond our own.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.
Virgil (The Eclogues)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)
For years before the Olympic swimmer Michael Phelps won the gold at the 2008 Beijing Olympics, he followed the same routine at every race. He arrived two hours early.1 He stretched and loosened up, according to a precise pattern: eight hundred mixer, fifty freestyle, six hundred kicking with kickboard, four hundred pulling a buoy, and more. After the warm-up he would dry off, put in his earphones, and sit—never lie down—on the massage table. From that moment, he and his coach, Bob Bowman, wouldn’t speak a word to each other until after the race was over. At forty-five minutes before the race he would put on his race suit. At thirty minutes he would get into the warm-up pool and do six hundred to eight hundred meters. With ten minutes to go he would walk to the ready room. He would find a seat alone, never next to anyone. He liked to keep the seats on both sides of him clear for his things: goggles on one side and his towel on the other. When his race was called he would walk to the blocks. There he would do what he always did: two stretches, first a straight-leg stretch and then with a bent knee. Left leg first every time. Then the right earbud would come out. When his name was called, he would take out the left earbud. He would step onto the block—always from the left side. He would dry the block—every time. Then he would stand and flap his arms in such a way that his hands hit his back. Phelps explains: “It’s just a routine. My routine. It’s the routine I’ve gone through my whole life. I’m not going to change it.” And that is that. His coach, Bob Bowman, designed this physical routine with Phelps. But that’s not all. He also gave Phelps a routine for what to think about as he went to sleep and first thing when he awoke. He called it “Watching the Videotape.”2 There was no actual tape, of course. The “tape” was a visualization of the perfect race. In exquisite detail and slow motion Phelps would visualize every moment from his starting position on top of the blocks, through each stroke, until he emerged from the pool, victorious, with water dripping off his face. Phelps didn’t do this mental routine occasionally. He did it every day before he went to bed and every day when he woke up—for years. When Bob wanted to challenge him in practices he would shout, “Put in the videotape!” and Phelps would push beyond his limits. Eventually the mental routine was so deeply ingrained that Bob barely had to whisper the phrase, “Get the videotape ready,” before a race. Phelps was always ready to “hit play.” When asked about the routine, Bowman said: “If you were to ask Michael what’s going on in his head before competition, he would say he’s not really thinking about anything. He’s just following the program. But that’s not right. It’s more like his habits have taken over. When the race arrives, he’s more than halfway through his plan and he’s been victorious at every step. All the stretches went like he planned. The warm-up laps were just like he visualized. His headphones are playing exactly what he expected. The actual race is just another step in a pattern that started earlier that day and has been nothing but victories. Winning is a natural extension.”3 As we all know, Phelps won the record eight gold medals at the 2008 Beijing Olympics. When visiting Beijing, years after Phelps’s breathtaking accomplishment, I couldn’t help but think about how Phelps and the other Olympians make all these feats of amazing athleticism seem so effortless. Of course Olympic athletes arguably practice longer and train harder than any other athletes in the world—but when they get in that pool, or on that track, or onto that rink, they make it look positively easy. It’s more than just a natural extension of their training. It’s a testament to the genius of the right routine.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
The end is a mystery, therefore think and act well now! Be robust, be focused and run the race with tenacity! When you fall, arise, learn the lessons and use them well! Learn everyday for life is an arena for learning! No one can ever be perfect! When you are speeding, be careful, for excessive speed can sometimes be dangerous, though it can get you to your journey’s end faster, and it can also make you avoid certain attacks! Sometimes the best things come delayed; when there are delays, be patient and wait, for not all things that delay are dead; time will speak with time! When it is going smoothly, watch out never to let comfort lead you astray, for because of comfort, so many people are not who they were truly meant to be, and they are in wrong tracks to an end of no glory! When darkness comes, remember life is about day and night! When day comes, note that darkness puts people to sleep; use the day well then whilst you have it! No day stays forever and no night is ever permanent! Never rejoice because someone falls during the day for you do not know what will happen to you in the night! Serendipity exists, but try your very best to do all you can to ensure that you never faint nor fall, for life is a battle! Stand for what is a must and do what is truly needed to be done! Be vigilant enough never to slumber nor be trapped in another track! Guard your tongue, for no one can hear it until you say it! Mind your actions, for it is the oil that keeps your lamps brighter for a good journey! Mind your mind for it is an engine for life, and a good remote control that controls the entire body to a good or a bad end! Guard your heart, for it is the house of your being! Remember, however in all things that human strength, efforts, wisdom and understanding is always limited! Ask God therefore for that little insight and understanding to get to your journey’s end successfully with a successful story so as to win that awesome praises from His angels! You are here for a purpose! We shall all meet the end, but how we shall meet it is truly a mystery! As you take the journey, mind the end!
Ernest Agyemang Yeboah