Avatar Movie Quotes

And each year, more gunters called it quits, concluding that Halliday had indeed made the egg impossible to find. And another year went by. And another. Then, on the evening of February 11, 2045, an avatar’s name appeared at the top of the Scoreboard, for the whole world to see. After five long years, the Copper Key had finally been found, by an eighteen-year-old kid living in a trailer park on the outskirts of Oklahoma City. That kid was me. Dozens of books, cartoons, movies, and miniseries have attempted to tell the story of everything that happened next, but every single one of them got it wrong. So I want to set the record straight, once and for all.

However, James and Aamir did not discuss their astounding box office grosses or formulas for success.Instead, they exchanged notes on the process of film-making; how ideas, even seemingly crazy ones that require developing a unique camera, as James did for Avatar, become a reality; how stories and not special effects are the heartbeat of movies.

The rise of video games, movies like Avatar, and online social worlds like Second Life have brought the notion of virtual reality to dinner-table conversations.

On Broadway, actors have their days off so that at night they can come to the theater and do onstage what we are afraid to do, what we are not emotionally equipped to do, or what we aren't allowed to do in our everyday lives. Actors are our avatars. They are our stand-ins. When a performer stands onstage and bares her soul, she bares her soul for all of us. When a man stands on a stage and lets his heart break, he lets it break for all of us. There is an invitation to participate, but we are also free to observe and learn. We elect them to do us this service--our theater stars and our movie stars.

Wow. she is pretty,' Laila said. Her voice stuttered across the last word. The original thought had been, Wow she is hot, and the sentence had transformed on the way out. Laila couldn't talk about anybody like that. Not even her celebrity crushes, not even avatar of perfection Samuel Marquez. A barrier of shame as impermeable as plexiglas walled her off from everything sexual, every thought, every action, even something as small as the difference in connotation between 'pretty' and 'hot.' Hannah had teased her about this once and had stopped when Laila didn't come close to smiling. Her inexperience didn't feel charming or virtuous, like she was some good-girl persona from a movie. It felt furious and heated, humiliating and childish, as if physicality were a language she was supposed to have learned, and here she was in senior year, surrounded by a horde of native speakers, unable to translate the most basic concepts.

Similarly, when you see a character jumping from a 100 story building and landing without hurting a bone, then believe that this is an example of special effects.   Special effects are provided by a few companies that use specialized software to add these effects. Many of these companies are located in India, in Bangalore and Mumbai. Movies like Avatar, Jurassic Park, and many others were sent to India for providing special effects.   Similarly, in Thor, when the main character rotates his hammer and generates a tornado, be rest assured that this is only an example of special effects. In reality, nothing like this happens.   And if you are able to do it, you are a superhuman, like Superman. You have got super-powers to do whatever you want and you can generate such a tornado by rotating your hand, even without a hammer.   So, my sincere advice to you is not to even attempt this. You will end up with a torn muscle, or a fractured hand, or maybe you may even suffer a heart malfunction and eventual death.   Let me not get into the science behind how this happens, but if you are educated enough, you will heed my advice and not attempt this anytime in your life.

It was also a lot easier for online teachers to hold their students’ attention, because here in the OASIS, the classrooms were like holodecks. Teachers could take their students on a virtual field trip every day, without ever leaving the school grounds. During our World History lesson that morning, Mr. Avenovich loaded up a stand-alone simulation so that our class could witness the discovery of King Tut’s tomb by archaeologists in Egypt in AD 1922. (The day before, we’d visited the same spot in 1334 BC and had seen Tutankhamun’s empire in all its glory.) In my next class, Biology, we traveled through a human heart and watched it pumping from the inside, just like in that old movie Fantastic Voyage. In Art class we toured the Louvre while all of our avatars wore silly berets. In my Astronomy class we visited each of Jupiter’s moons. We stood on the volcanic surface of Io while our teacher explained how the moon had originally formed. As our teacher spoke to us, Jupiter loomed behind her, filling half the sky, its Great Red Spot churning slowly just over her left shoulder. Then she snapped her fingers and we were standing on Europa, discussing the possibility of extraterrestrial life beneath the moon’s icy crust.

The first time he saw her, he formed an impression that did not change for many years: She was a dour, bookish, geeky type who dressed like she was interviewing for a job as an accountant at a funeral parlor. At the same time, she had a flamethrower tongue that she would turn on people at the oddest times, usually in some grandiose, earth-scorching retaliation for a slight or breach of etiquette that none of the other freshmen had even perceived. It wasn't until a number of years later, when they both wound up working at Black Sun Systems, Inc., that he put the other half of the equation together. At the time, both of them were working on avatars. He was working on bodies, she was working on faces. She was the face department, because nobody thought that faces were all that important -- they were just flesh-toned busts on top of the avatars. She was just in the process of proving them all desperately wrong. But at this phase, the all-male society of bit-heads that made up the power structure of Black Sun Systems said that the face problem was trivial and superficial. It was, of course, nothing more than sexism, the especially virulent type espoused by male techies who sincerely believe that they are too smart to be sexists. That first impression, back at the age of seventeen, was nothing more than that -- the gut reaction of a post-adolescent Army brat who had been on his own for about three weeks. His mind was good, but he only understood one or two things in the whole world --samurai movies and the Macintosh -- and he understood them far, far too well. It was a worldview with no room for someone like Juanita.

Captivating movies are like dreams. They offer a break from our ordinary lives, a release from the stranglehold of mundane concerns, and a passport to fascinating worlds that exist only in imagination.

Avatar is a movie of hopeful awakening Jake Sully emerging from cryosleep (suspended orbit around a new world, to the movie's very last frail he makes a final wakening as a Na'vi, fully committed to the new world.

That summer, the one you’ll never forget, every movie house beamed the same set of thematic and narrative images—the same Avatar, same Harry Potter, same Fast and the Furious, flickering pictures stitched in our minds that replaced our own memories, archetypal stories that became our shared history, that taught us what to expect from life, that defined our values. What was that but a religion? Also,

Weren’t movies his generation’s faith anyway—its true religion? Wasn’t the theater our temple, the one place we enter separately but emerge from two hours later together, with the same experience, same guided emotions, same moral? A million schools taught ten million curricula, a million churches featured ten thousand sects with a billion sermons—but the same movie showed in every mall in the country. And we all saw it! That summer, the one you’ll never forget, every movie house beamed the same set of thematic and narrative images—the same Avatar, same Harry Potter, same Fast and the Furious, flickering pictures stitched in our minds that replaced our own memories, archetypal stories that became our shared history, that taught us what to expect from life, that defined our values. What was that but a religion?

JON FAVREAU: There’s only two types of movies that are going to be making money, I think, in this era of piracy. One is a big tentpole event film, where you have to go to the theater, like an Avatar, and the other is a semi-low-budget-ish comedy that can break $100 million.

How could she not know Tron? Insert whiny emoji here. Tron is one of the greatest movies of all time right behind Star Wars, Star Trek, any Marvel Comics movie—most importantly Guardians of the Galaxy, ET—because aliens, hello—Avatar, and Titanic. Can we take a moment of silence for Jack? That rotten, horse-faced Rose could have inched to the side to make room for him. You can’t tell me there wasn’t enough room on that door for a scrawny Leonardo DiCaprio to hang on. And even better, they could have spooned, created body heat, and saved each other. But nooo, horse-faced whore was too damn selfish.

The movie Avatar came to mind, When the people disconnected, and their blue bodies became limp. I pictured them carrying me like they did Sigourney Weaver’s character. Okay, so Linaria had a point with me and movies. I could admit that.

Tron is one of the greatest movies of all time right behind Star Wars, Star Trek, any Marvel Comics movie—most importantly Guardians of the Galaxy, ET—because aliens, hello—Avatar, and Titanic.

HELPING KIDS MANAGE EMOTIONAL FLASHBACKS This list is for social workers, teachers, relatives, neighbors and friends to help children from traumatizing families. It is adapted from the steps at the beginning of this chapter. Depending on the age of the child, some steps will be more appropriate than others. Even if you are not in a position to help other kids, please read this list at least once for the benefit of your own inner child. Help the child develop an awareness of flashbacks [inside “owies”]: “When have you felt like this before? Is this how it feels when someone is being mean to you?” Demonstrate that “Feeling in danger does not always mean you are in danger.” Teach that some places are safer than others. Use a soft, easy tone of voice: “Maybe you can relax a little with me.” “You’re safe here with me.” “No one can hurt you here.” Model that there are adults interested in his care and protection. Aim to become the child’s first safe relationship. Connect the child with other safe nurturing adults, groups, or clubs. Speak soothingly and reassuringly to the child. Balance “Love & Limits:” 5 positives for each negative. Set limits kindly. Guide the child’s mind back into her body to reduce hyper-vigilance and hyperarousal. a. Teach systemic relaxation of all major muscle groups b. Teach deep, slow diaphragmatic breathing c. Encourage slowing down to reduce fear-increasing rushing d. Teach calming centering practices like drawing, Aikido, Tai Chi, yoga, stretching e. Identify and encourage retreat to safe places Teach “use-your-words.” In some families it’s dangerous to talk. Verbal ventilation releases pain and fear, and restores coping skills. Facilitate grieving the death of feeling safe. Abuse and neglect beget sadness and anger. Crying releases fear. Venting anger in a way that doesn’t hurt the person or others creates a sense of safety. Shrink the Inner Critic. Make the brain more user-friendly. Heighten awareness of negative self-talk and fear-based fantasizing. Teach thought-stopping and thought substitution: Help the child build a memorized list of his qualities, assets, successes, resources. Help the child identify her 4F type & its positive side. Use metaphors, songs, cartoons or movie characters. Fight: Power Rangers; Flight: Roadrunner, Bob the Builder; Freeze: Avatar; Fawn: Grover. Educate about the right/need to have boundaries, to say no, to protest unfairness, to seek the protection of responsible adults. Identify and avoid dangerous people, places and activities. [Superman avoids Kryptonite. Shaq and Derek Jeter don’t do drugs.] Deconstruct eternity thinking. Create vivid pictures of attainable futures that are safer, friendlier, and more prosperous. Cite examples of comparable success stories.