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We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.

We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.

He looks through the windscreen at nothing. They are returning to Cuba. The announcement came after the droids withdrew. An auto-animated voice. It did not proclaim their furlough a success or failure. Ibn al Mohammed does not know if the others will accept implantation. He believes they will not, as he will not. Temptation is legion, yet what does it mean? He is not of Satan’s world. What would implantation bring except ceaseless surveillance within a greater isolation? That, and the loss of his soul. Sun-struck and empty, so immense it frightens, the desert is awesome in its indifference. Even as he stares at it, Ibn al Mohammed wonders why he does so. The life that clings to it is sparse, invisible, death-threatened. Perhaps they will cast him out just here, he and all others who do not cooperate. No matter: he has lived in such a place. Sonora is not the same as Arabia, or North Africa, or The Levant, yet its climate and scant life pose challenges that to him are not unfamiliar. Ibn al Mohammed believes he would survive, given a tent, a knife, a vessel in which to keep water, a piece of flint. Perhaps they will grant these necessities. A knife, they might yet withhold. As if, wandering in so complete a desolation, he might meet someone he would want to hurt. As he watches, images cohere. Human figures made small by distance, yet he knows them. His mother, in a dark, loose-fitting, simple abaya. How does he recognize her, in the anonymous dress? Ibn al Mohammed has not seen his mother in a dozen years. He knows her postures, movements she was wont to make. He sees his sisters, also wearing abayas and khimars. What are they doing? Bending from the waist, they scrounge in the sand. Asna, the eldest, gentle Halima, Nasirah, who cared for him when he was young. They are gathering scraps and remants, camel chips for a fire. Where is their house? Why are they alone? It seems they have remained unmarried—yet what is he seeing? Is it a moment remembered, a vision of the past? Or are these ghosts, apparitions summoned by prophetic sight? Perhaps it is a mirage only. His sisters seem no older than when he left. Is it possible? His mother only appears to have aged. She is shrunken, her back crooked. Anah Kifah, who is patient and struggles. He wonders how they do not see the ship, this great craft that flies across the sky. The ship is in the sky, their eyes are on the ground. That is why they do not see it. Or his windscreen view is magnified, and Halima and Nasirah and Asna and Anah Kifah are much farther away than they seem, and the ship is a vanishing dot on an unremarked horizon. If he called, they would not hear. Also, there is the glass. Still, he wishes to call to them. What is best to say? “Mother … Mother.” Anah Kifah does not lift her head. His words strike the windscreen and fall at his feet, are carried away by wind, melt into air. “Nasirah? It is Ibn. Do you hear me? Halima? Halima, I can see you. I see all my sisters. I see my mother. Asna? How has it been with you? Do you hear me? It is Ibn. I am here—far away, yet here, and I shall come back. They cannot lock me always in a cage, God willing. In a month, in a year, I shall be free. Keep faith. Always know God is with you. God is great. God protects me. God gives me strength to endure their tortures. One day, God will speed my return.” The women do not lift their heads. They prod the sand, seemingly indifferent to what they find. Straining toward them, Ibn al Mohammed cries out, “Mother! Nasirah! I am alive! I am alive!” [pp. 160-162]

The lion's share of individuals who are thinking about a story covering or paint for their carport, for the most part, envision an exhausting ship dark shading. On the off chance that you need to have a carport that looks better since you need to offer it quicker or you truly get a kick out of the chance to claim decent things, at that point this dim shading can't do anything for you. The uncovered cement is as of now dim so why considerably try touching it up? All things considered, if this is your state of mind, at that point you are in awesome good fortune. Presently, you can have an epoxy floor paint in a greater number of hues than you at any point thought conceivable. In actuality, you can have any shading you wish in the event that you are sufficiently quiet to look at all potential outcomes. Presently, what are the things you ought to recollect when you pick? There are three boss approaches to coordinate hues that individuals need to make as they paint their floor. To start with, they will get a shading that would match be able to or compliment the house paint. This can truly enhance the controlling claim each time the carport entryway is opened. Many individuals will go for a shading that matches their vehicle. This is extremely unsurprising for individuals who possess a show auto or only an auto that they are exceptionally pleased with. A complimentary shading can really make your "road pole" seem like it just fell off the showroom floor. At last, in settling on the shade of your epoxy carport floor covering, many individuals pick a shading that would cover be able to up stains and earth. Cases of these hues are earth tones or shading that they might be inclined toward. Regardless, it's your own inclination for your carport since you claim it. On the off chance that you have any arrangements to chip away at your autos or whatever else inside the carport at that point consider my recommendation. Lift a shading that will appear any nuts or fasteners you drop regardless of how little. More often than not, this is a light shading. As you end up plainly more seasoned and your visual perception has debased, you will be grateful to me for this wisdom. Any shade of your decision would make be able to this venture an extraordinary movement this mid-year. When you prepare to do this venture make sure you invest the required measure of the energy of the prep work for the floor. Like all paint extends, the fallen angel is in the arrangement with regards to landing a position that looks extraordinary as well as keeps going quite a while. Invest the energy in the prep and you will be content with the outcomes.

The first public execution, an auto-da-fé, took place in Seville on February 6, 1481, only months after the Inquisition was begun. Six people were burned at stake. The priest Alonso de Hajeda trumphantly preached the sermon that day, but within days he was dead of the plague himself. In other times, the disappearances of the most vocal advocate of the Inquisition might have put an end to the enterprise. But Hajeda had unleashed something very big and very ugly.

there wouldn’t be any buying it on FamousRainforest and having it auto-shipped to her location.

Key West has become an imitation of its former self, its eccentricities commoditized for sale to tourists. That “character” you see with a parrot on his shoulder is about as authentic as vinyl siding, employed to provide local color. Gargantuan cruise ships dock two or three times a week, disgorging passengers by the thousands to troll the cheesy T-shirt shops on the main drag, Duval Street. And with all sorts of diversions to keep visitors occupied, like parasailing and jet skiing, tourist season is year-round, clogging the streets with autos, bikes, motor scooters, and pedestrians. I

When the auto arrives it’s hard to believe there’s a functional vehicle underneath all the mud and moss and sprays of gravel, which stick to the sides like barnacles on a ship.

In the most capital-intensive industry, automobiles, peak economy of scale was achieved at a level of production equivalent to 3-6% of market share.84 And even this level of output is required only because annual model changes (which arguably wouldn't pay for themselves without state capitalist subsidies) require an auto plant to wear out the dies for a run of production in a single year. Otherwise, peak economy of scale would be reached in a plant with an output of only 60,000 per year.85   In any case, these figures relate only to productive economy of scale. Increased distribution costs begin to offset increased economies of production, according to Borsodi's law, long before peak productive economy of scale is reached. According to an F.M. Scherer study cited by Adams and Brock, a plant producing at one-third the maximum efficiency level of output would experience only a 5% increase in unit costs.86 This is more than offset by reduced shipping costs for a smaller market.   The point of this digression is that the size of existing firms reflects the role of the state in subsidizing increased size by underwriting the inefficiencies of corporate gigantism--as Rothbard pointed out, the ways "our corporate state uses the coercive taxing power either to accumulate corporate capital or to lower corporate costs."87 A genuine free market economy would be vastly less centralized, with production primarily for local markets.

Moments later, Sona Kilroy, heading for the open doorway, stepped over the sergeant’s body. With an old auto-rifle in his left hand and his favorite sword in the other, and the sharp melodic din of bolts and bullets ringing in his ears, ‘the Hammer’ grinned an evil grin to himself, well pleased. He wished he could’ve seen the look on the face of Indomitable’s captain when he realized the tables had just been turned on him! The thought amused him. It was bloody hilarious. He cackled, reveling in this complete reversal of fortune. Then he stalked onward with conviction, a grim smile on his lips – intent on taking the ship for himself. * * *

domesticated cows deliver more greenhouse gases to the atmosphere than do all the world’s vehicles—autos, trucks, trains, aircraft, ships—combined. Deforestation

it owned companies that were pioneers in the practice of shipping work from the United States to overseas call centers and factories making computer components.” The Obama campaign couldn’t move fast enough to create a new ad. “What a president believes matters,” it declared. “Mitt Romney’s companies were pioneers in outsourcing U.S. jobs to low-wage countries. He supports tax breaks for companies that ship jobs overseas. President Obama believes in insourcing. He fought to save the U.S. auto industry and favors tax cuts for companies that bring jobs home. Outsourcing versus Insourcing. It matters.