Australia Post Quotes

We've searched our database for all the quotes and captions related to Australia Post. Here they are! All 25 of them:

I feel Australian. He feels Czechoslovakian. I am completely home here. I give them [Australia] my children, we do good, we work all our lives, we give Australia a lot. Libuse Slehofer
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
I came to Australia as a damaged grown up adult, and it took me years to heal, so my perspective of the national Australian pride is not full. It [assimilation] penetrates, it’s accepted, it’s tolerated, and I think the third generation it is absorbed. I don’t know about the second generation, - Holocaust survivor, Kitia Altman
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
When you’re talking about the culture, maybe there is something that just permeates sort of thing, you know you pass it on or take it in, without ever being aware of it. - Ivan Pavelić, Croatia
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
When we came and rented the North Perth home, my father had a little ice chest, and on top of the ice chest was a radio. And we were sitting at our lunch time on Sunday eating dinner after church, and my Mum says, ‘Look where we’ve ended up. We’ve got a table cloth on our table, we’ve got food on our plate, and we’re listening to music.’ That was a big thing for my mother. - Mrs Helen Doropoulos, Greece
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
I like it! I liked it when man to man no matter whether he is boss or he is ordinary worker, but in meantime they go to the pub, they drink beer together and call by first name. I like that. After few years, I think that Queensland is the best place in Australia … I am Queenslander! – Alex Sucharsky, Ukranian
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
Of course it’s taken many years to be able to express what’s been inside me. But nowadays I say to people I was born and brought up in a Latvian house in the country of Australia. So I consider that this house has always been a small part of Latvia, there’s always been Latvian traditions, Latvian foods, Latvian language and I’ve always considered that even though I lived in a large city, I lived in a Latvian ghetto. I mentioned the word ‘ghetto’ … which a lot of people consider negatively, but I consider it in a positive sense. I consider myself quite a competent schizophrenic—I am able to be very Latvian and very dinky-di strong. I don’t have any trouble switching hats. - Viktor Brenners, 2nd Generation DP
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
They worked hard all their lives, what they basically did was, they built a little Ukraine, a little society for themselves here in Brisbane. They did this in all the cities … not a ghetto, it wasn’t inward looking to that extent, but it was inward looking in the sense that it was a place to go—somewhere where you could identify; where you could be understood; go about remembering and preserving your roots. - Walter Sucharsky, 2nd Generation Australian
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
One thing that I find very weird here in Australia is Latvians in Australia celebrate Latvian traditions by a calendar, not by the seasons as they do in Latvia. It’s a bit strange for me, everyone said a few weeks ago, ‘Merry Christmas,’ in Latvian, or maybe Winterfest, and here I was sweating like a pig saying, ‘Merry Winterfest!’ – Viktor Brenners, 2nd Generation DP
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
​Identify conditions, not culprits. ‘We have a ground rule that the purpose of a post-mortem is to find out what happened and how to make it better, not to find a person to blame', Dickerson told Business Insider Australia. ‘As a result, what we've seen is a company that's learning and moving faster.' Therefore, the goal is to find out how the mistake happened,
Amantha Imber (The Innovation Formula: The 14 Science-Based Keys for Creating a Culture Where Innovation Thrives)
And, despite the number of bigots in our grandfathers’ day deriding Australians as the children of criminals, remarkably few Australians pointed out the obvious contrary fact that, whatever other conclusions one might draw from our weird national origins, the post-colonial history of Australia utterly exploded the theory of genetic criminal inheritance. Here was a community of people, handpicked over decades for their “criminal propensities” and for no other reason, whose offspring turned out to form one of the most law-abiding societies in the world. At a time when neo-conservative social idealogues are trying to revive the old bogey of hereditary disposition to crime, this may still be worth pondering.
Robert Hughes (The Fatal Shore: The Epic of Australia's Founding)
As the scandal spread and gained momentum, Cardinal Law found himself on the cover of Newsweek, and the Church in crisis became grist for the echo chamber of talk radio and all-news cable stations. The image of TV reporters doing live shots from outside klieg-lit churches and rectories became a staple of the eleven o’clock news. Confidentiality deals, designed to contain the Church’s scandal and maintain privacy for embarrassed victims, began to evaporate as those who had been attacked learned that the priests who had assaulted them had been put in positions where they could attack others too. There were stories about clergy sex abuse in virtually every state in the Union. The scandal reached Ireland, Mexico, Austria, France, Chile, Australia, and Poland, the homeland of the Pope. A poll done for the Washington Post, ABC News, and Beliefnet.com showed that a growing majority of Catholics were critical of the way their Church was handling the crisis. Seven in ten called it a major problem that demanded immediate attention. Hidden for so long, the financial price of the Church’s negligence was astonishing. At least two dioceses said they had been pushed to the brink of bankruptcy after being abandoned by their insurance companies. In the past twenty years, according to some estimates, the cost to pay legal settlements to those victimized by the clergy was as much as $1.3 billion. Now the meter was running faster. Hundreds of people with fresh charges of abuse began to contact lawyers. By April 2002, Cardinal Law was under siege and in seclusion in his mansion in Boston, where he was heckled by protesters, satirized by cartoonists, lampooned by late-night comics, and marginalized by a wide majority of his congregation that simply wanted him out. In mid-April, Law secretly flew to Rome, where he discussed resigning with the Pope.
The Investigative Globe (Betrayal: The Crisis In the Catholic Church: The Findings of the Investigation That Inspired the Major Motion Picture Spotlight)
Critical and feminist theorists show that most leadership research, including studies of transformational leadership, continue to present prescriptions - heroic or post-heroic - as if they were gender neutral. The critics argue that, although there is a search for a different kind of leader- a 'post-heroic hero' who displays characteristics different from the traditional model - even this leader continues 'to enjoy the same godlike reverence for individualism associated with traditional models'.
Amanda Sinclair (Leadership for the Disillusioned: Moving Beyond Myths and Heroes to Leading That Liberates)
Casolaro’s proposed chapter titles for The Octopus provide a glimpse into the trajectory of his research: Chapter 1: 1980—The Most Dangerous Year. Casolaro’s notes include sub-divisions entitled “Death of Paul Morasca, Death of Fred Alvarez,” “Resupply of Contras,” “Casey,” “Vesco,” “John Nichols,” and “Transition—Mideast.” Chapter 2: Backing up: The Post War Years. 1944-1950. When they met. Kim Philby. Chapter 3: Tag Team Compartments. 1959: Patrice Lumumba, Fidel Castro, Europe, Albania, Golden Triangle, China, Formosa. He also brackets “Moriarty, [Marshall] Riconosciuto, Fat Tony.” Chapter 4: 1966: Making Friends With the Terrorist Underground. Dealers, Drugs & Money [additional unreadable line]. Chapter 5: What Went Wrong With Nixon and the Windfall/Surprise. Chapter 6: 1975: Australia With PM Houghton. Chapter 7: The Asian Underground. Chapter 8: Oil [unreadable] Controlling Countries. Chapter 9: The Big Crime—ICN, Yakuza & Terrorists, Triads. Chapter 10: 1980. Chapter 11: The role of Mossad. Chapter 12: KGB Underground. Chapter 13: Wackenhut. Chapter 14: Mideast—Beirut. Chapter 15: Iran Shah, Helms. Chapter 16: Iran & Iraq.
Kenn Thomas (The Octopus: Secret Government and the Death of Danny Casolaro)
I wrote you a note,” she began, and if he thought he’d felt tension before, he wasn’t too sure he wasn’t about to lose his breakfast after that little announcement. “I didn’t know if your phone worked here, and even if it does, I don’t have the number. Same goes for e-mail. I could have left a message at the inn, but then I might as well have posted it on the bulletin board outside the town hall for the whole world to read.” She lifted a shoulder. “So I thought I’d take a page from your book--a very charming one, I might add,” she said, glancing up at him from the corner of her eye. “But the doors to your car were locked, and I didn’t put it under your windshield wiper for the same reason I didn’t leave a message with Grace.” She let out a little breath. “But I did write you a note. I just wanted to go on record. Because I know what I did with Sadie, and you’re probably thinking--” “I’m thinking that unless you’re about to tell me to bugger off back to Australia and never darken your door again, I’m about to be all those things I promised not to be and kiss you senseless right here on the dock, in front of God, the seagulls, and anyone else who happens to be watching, and damn the consequences.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
About us - Last Check, Australia's most reliable service for pre purchase and post purchase car inspection. Lowest Prices Guaranteed_Call 02 8626 3732.
lastcheck.com.au
Beyond the deprivations, degradations, and tortures these prisoners endured, each man often recounts how he got to the camps Weller visited. These conflicts, and all they implied, would have been instantly recognizable to the 1945 public. Many of the Dutch and the British, the Australians and Canadians, were taken in the defeats of Singapore (130,000), Java (32,000), and Hong Kong (14,000). Many of the Americans got captured on Guam or Wake; or in the Philippines (75,000), to then endure the Bataan death march, on which one in four died. Some built the Siam-Burma railroad, which claimed yet another 15,000 lives, same ratio. Nearly everywhere, in a hurry, the Japanese won and the Allies lost. The United States saw its navy smashed at Pearl Harbor and its Pacific air forces wiped out in Manila, just before MacArthur got himself safely out to Australia. This litany of early military disasters added up to astonishing numbers. In a mere six months the Japanese, at a cost of only 15,000 of their own men (deaths and casualties), took 320,000 Allied soldiers out of the war, either as deaths, casualties, or prisoners; over half these were Asiatic. White prisoners, about 140,000 total over the course of the conflict, became slave labor across the growing Japanese empire. (Asiatic prisoners were often turned loose, as good propaganda among the subjugated peoples.) Japan had not signed the 1929 Geneva Conventions regarding treatment of prisoners of war, and a Japanese soldier would sooner be killed than captured: thus every enemy soldier who surrendered was a coward, a cur, a thing. Any notion of “inhumane treatment” toward a surrendered Chinese, much less a white man, was incomprehensible. White men were the foe, so their role was to work, then die. Whether their deaths proved painful did not matter to the Japanese. Unlike the Nazi POW camps, there were few escape attempts, for it was obvious to any Allied POW in Asia that a white face was an immediate giveaway even had he succeeded, and the Japanese made it clear that they would execute ten men for every man who escaped. Statistically it was seven times healthier to be a POW under the Nazis than under the Japanese. By war’s end, one out of every three white prisoners had died as their captives—“starved to death, worked to death, beaten to death, dead of loathsome epidemic diseases that the Japanese would not treat,” as Daws puts it. Another year of war and there would have been no POWs still alive. (A Japan War Ministry directive of August 1944 iterated that “the aim is to annihilate them all, and not to leave any traces.”)
George Weller (First Into Nagasaki: The Censored Eyewitness Dispatches on Post-Atomic Japan and Its Prisoners of War)
A turbulent emptiness seized the people as they moved into a post-Christian, post-Enlightenment era. No one any longer knew the direction of the river of life. No one had anything to say.
Manning Clark (Manning Clark's History of Australia)
Too many insecure people make themselves or their kids sound like highly intelligent people when the reality is that they are over exaggerating their own intelligence levels in their desperate need to make themselves look intelligent in the eyes of others. Very few people are secure in being honest about their real intelligent level. This is the society we live in.
Neil 2011 Australia NewLine Post
I am halfway through Hillary Clinton's latest called "Living History"...pretty lighthearted on the scale...unlike David Hick's autobiography...I had to skip a couple of hundred pages in the middle of that one because it was too distressing for me to read. Undoubtedly yours will be the same...I will read the beginning, skip all the awful bit in the middle and read your happy ever after bit at the end.
Paige Garland (Prison post: Letters of support for Peter Greste)
All the best! You are a local legend in a Brisbane and Australia...you probably don't realise just how much...you will get released from that hell hole...you will come home...and discover your 'celebrity status'...which you will probably find nearly as hard to cope with...a different version of hell...anonymity to global fame...what a remarkable journey your life is. Keep safe...head down...this will pass.
Paige Garland (Prison post: Letters of support for Peter Greste)
In the north,” I said, “the majority of the people have outdoor toilets. The ones that have an indoor privy are well to do and have a full bib and tucker. I am afraid Britain is not like Germany, or even the rest of Western Europe where pretty well everyone has an indoor WC. Your Hitler was a mean bugger,” I said, “but he was good for modern sanitation.
Harry Leslie Smith (The Empress of Australia: A Post-War Memoir)
They were not constructed for a life of contemplation or quiet reflection. Discomfort was incorporated into the design. It made sure the occupants were never able to relax or get a moment alone. It keeps them keen for work was the landlords’ mantra when they erected these match stick hovels across England’s hills and dales.
Harry Leslie Smith (The Empress of Australia: A Post-War Memoir)
Black Beacon Books is an independent publisher founded by author and anthologist, Cameron Trost. It began in Australia in 2013 and is now based in Brittany. We publish thrilling fiction in the genres of mystery, suspense, post-apocalyptic, horror, and ghost stories. We like our tales quirky, atmospheric, and thought-provoking.
Black Beacon Books
Dear …, I’m writing as a Canadian woman and a member of one of the so-called “visible” or “ethnic” minorities to protest the exclusionary—racist and sexist—practices of Canadian publishers. Why racist? Because they discriminate against white writers. Why sexist? Because they discriminate against male writers. I feel quite perturbed about Penguin Canada’s submission policy which solicits exclusively unagented LGBTQIA2S+ and BIPOC writers (as well as those from "traditionally underrepresented” communities). This is publishing madness that has gone too far in the name of diversity. If publishing exclusively white male writers (and that has never been the case) is a clearcut wrong, two wrongs do not make a right. Oddly enough, only Penguin Canada has this bizarre exclusionary policy. Penguin Australia and Penguin New Zealand, in contrast, welcome submissions from writers of all backgrounds. Penguin UK Merky Books New Writers’ Prize aims to discover new UK voices and writers regardless of race, creed, or colour. Could this be the reason why Canada lags so far behind UK and arguably even Australia/NZ in reputation in the literary and publishing worlds? You may say, oh, look at the history, white male writers have traditionally dominated the publishing field. But why should white male writers TODAY be discriminated against in order to address the inequities of the past? That's the crux of the problem created by Penguin Canada’s woke madness. So, let’s look at the books published recently. Are white males still dominating the field? The truth of the matter is, they don’t, with a whopping 73% of editors being female (Editor Demographics in the United States, 2023). The quality of books isn’t decided by a writer’s colour or gender. It’s decided by the story and writers’ skills in presenting that story. As an avid lifelong reader of books in 3 languages (one of them English), I love books. At times I can’t even remember a writer’s name, far less their skin colour or sexual orientation, but I DO remember the story. Yet today’s exclusionary publishing policies at Penguin Canada imply that only people of colour have the chops to write about people of colour (ditto for any social subgroup you choose). This not only suffocates the world of fiction writing but, as a logical corollary, limits writing about 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages SOLELY to 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages. For the record, I—and thousands of others, judging by mountains of internet posts—am interested in how men write about women, how white writers write about other races, how old men write about youth—and of course vice versa. I’m interested in how writers see the world regardless of their sexual orientation. Paying the piper to play only a single +ALPHABETSOUP tune, we get to hear only that single tune, reducing the depth of human experience to only what passes through that one artificially imposed filter. One last example: Simon & Schuster (US) has books like us first novel contest to discover new local writers regardless of who they are. Only in Canada’s Orwellian publishing world some writers are more equal than others. Shame on my country. Let the books speak for themselves!!
Anonymous
Dear …, I’m writing as a Canadian woman and a member of one of the so-called “visible” or “ethnic” minorities to protest the exclusionary—racist and sexist—practices of Canadian publishers. Why racist? Because they discriminate against white writers. Why sexist? Because they discriminate against male writers. I feel quite perturbed about Penguin Canada’s submission policy which solicits exclusively unagented LGBTQIA2S+ and BIPOC writers (as well as those from "traditionally underrepresented” communities). This is publishing madness that has gone too far in the name of diversity. If publishing exclusively white male writers (and that has never been the case) is a clearcut wrong, two wrongs do not make a right. Oddly enough, only Penguin Canada has this bizarre exclusionary policy. Penguin Australia and Penguin New Zealand, in contrast, welcome submissions from writers of all backgrounds. Penguin UK Merky Books New Writers’ Prize aims to discover new UK voices and writers regardless of race, creed, or colour. Could this be the reason why Canada lags so far behind UK and arguably even Australia/NZ in reputation in the literary and publishing worlds? You may say, oh, look at the history, white male writers have traditionally dominated the publishing field. But why should white male writers TODAY be discriminated against in order to address the inequities of the past? That's the crux of the problem created by Penguin Canada’s woke madness. So, let’s look at the books published recently. Are white males still dominating the field? The truth of the matter is, they don’t, with a whopping 73% of editors being female (Editor Demographics in the United States, 2023). The quality of books isn’t decided by a writer’s colour or gender. It’s decided by the story and writers’ skills in presenting that story. As an avid lifelong reader of books in 3 languages (one of them English), I love books. At times I can’t even remember a writer’s name, far less their skin colour or sexual orientation, but I DO remember the story. Yet today’s exclusionary publishing policies at Penguin Canada imply that only people of colour have the chops to write about people of colour (ditto for any social subgroup you choose). This not only suffocates the world of fiction writing but, as a logical corollary, limits writing about 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages SOLELY to 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages. For the record, I—and thousands of others, judging by mountains of internet posts—am interested in how men write about women, how white writers write about other races, how old men write about youth—and of course vice versa. I’m interested in how writers see the world regardless of their sexual orientation. Paying the piper to play only a single +ALPHABETSOUP tune, we get to hear only that single tune, reducing the depth of human experience to only what passes through that one artificially imposed filter. One last example: Simon & Schuster (US) has books like us first novel contest to discover new local writers regardless of who they are. Only in Canada’s Orwellian publishing world some writers are more equal than others. Shame on my country. Let the books speak for themselves!!
JK ROWLING