Games At Twilight Quotes

We've searched our database for all the quotes and captions related to Games At Twilight. Here they are! All 47 of them:

They wouldn't let me play; only Alice would play games with me anymore.
Stephenie Meyer
[Baseball] breaks your heart. It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall all alone. You count on it, rely on it to buffer the passage of time, to keep the memory of sunshine and high skies alive, and then just when the days are all twilight, when you need it most, it stops.
A. Bartlett Giamatti (Take Time for Paradise: Americans and Their Games)
Always. In the twilight of the morphling, Peeta whispers the word and I go searching for him. It's a gauzy, violet-tinted world, with no hard edges, and many places to hide. I push through cloud banks, follow faint tracks, catch the scent of cinnamon, of dill. Once I feel his hand on my cheek and try to trap it, but it dissolves like mist through my fingers. When I finally begin to surface into the sterile hospital room in 13, I remember. I was under the influence of sleep syrup. My heel had been injured after I'd climbed out on a branch over the electric fence and dropped back into 12. Peeta had put me to bed and I had asked him to stay with me as I was drifting off. He had whispered something I couldn't quite catch. But some part of my brain had trapped his single word of reply and let it swim up through my dreams to taunt me now. "Always.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
It breaks your heart. It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall alone. You count on it, rely on it to buffer the passage of time, to keep the memory of sunshine and high skies alive, and then just when the days are all twilight, when you need it most, it stops. Today, October 2, a Sunday of rain and broken branches and leaf-clogged drains and slick streets, it stopped and summer was gone.
A. Bartlett Giamatti
They never looked at anyone else, only at each other, with an expression that halted me. It was tender, loving, yes, but in an inhuman way, so intense. Divine, I felt. Or insane.
Anita Desai
I reach for Prim in the twilight, clamp my hand on her leg and pull myself over to her. Her voice remains steady as she croons to Buttercup. "It's all right, baby, it's all right. We'll be OK down there." My mother wraps her arms around us. I allow myself to feel young for a moment and rest my head on her shoulder.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
When I was a young man, I had liberty, but I did not see it. I had time, but I did not know it. And I had love, but I did not feel it. Many decades would pass before I understood the meaning of all three. And now, the twilight of my life, this understanding has passed into contentment. Love, liberty, and time: once so disposable, are the fuels that drive me forward. And love, most especially, mio caro. For you, our children, our brothers and sisters. And for the vast and wonderful world that gave us life, and keeps us guessing. Endless affection, mia Sofia. Forever yours, Ezio Auditore.
Ezio Auditore da Firenze
The bougainvillea hung about it, purple and magenta, in livid balloons.
Anita Desai (Games at Twilight)
I raise an eyebrow, working to achieve the right tone of intellectual superiority. “If you've never read the Twilight books or the Hunger Games series you wouldn't understand. Not. One. Bit. They are complex stories. Big words. Probably beyond you.
Anne Eliot (Almost)
You could only to your best, and hope for a strong tail wind to waft you faster to your destination. Until then, you played the game, kept your tongue civil, and spoke favorably of your enemies when either they or their spies might overhear.
Michael Reaves (Jedi Twilight (Star Wars: Coruscant Nights, #1))
What do you mean 'has to be?' and what are you smiling at?" I stopped contributing to this ridiculous dance. I grabbed the teapot and began to fill it with water in the sink. Suddenly I felt the slight weight go this body against my back and the corner of his mouth brushed adjacent my ear. "How human you are," he whispered.
Jes Dory (Isle (Isle #1))
What do you mean 'has to be?' and what are you smiling at?" I stopped contributing to this ridiculous dance. I grabbed the teapot and began to fill it with water in the sink. Suddenly I felt the slight weight of his body against my back and the corner of his mouth brushed against my ear. "How human you are," he whispered.
Jes Dory (Isle (Isle #1))
Oh my," she said as though to herself. "The rumors are true, you have been kept in the dark.
Jes Dory (Isle (Isle #1))
Love The Wild Swan I hate my verses, every line, every word. Oh pale and brittle pencils ever to try One grass-blade's curve, or the throat of one bird That clings to twig, ruffled against white sky. Oh cracked and twilight mirrors ever to catch One color, one glinting Hash, of the splendor of things. Unlucky hunter, Oh bullets of wax, The lion beauty, the wild-swan wings, the storm of the wings." --This wild swan of a world is no hunter's game. Better bullets than yours would miss the white breast Better mirrors than yours would crack in the flame. Does it matter whether you hate your . . . self? At least Love your eyes that can see, your mind that can Hear the music, the thunder of the wings. Love the wild swan.
Robinson Jeffers
Before I forget, Andrew said I could invite you to the Halloween party at Eden's Twilight. It's on the twenty-seventh." Matt dropped his sandwich back to his plate with a splat. "Bullshit." "Andrew doesn't socialize with us," Dan said. "He's making an exception," Neil said. [...] "How the hell did you talk Andrew into this?" Dan asked, staring at Neil. "I asked," Neil said. "And he agreed just like that?" Matt asked, skeptical.
Nora Sakavic (The Raven King (All for the Game, #2))
My face flushed scarlet. I was a stranger in my own skin. I had ever felt this kind of anger in my life. Fort and confusion grew. Its sensation was an overwhelming concoction of hate. The only things I knew - the only things keeping me remotely calm- was the following litany. My name is Eleanora Ada Stone. I was moved from home to home for seventeen years. I am now living on this god-forsaken island in Maine. I was being kept from a world of secrets. I have abilities. I am not human. I do not know what I am.
Jes Dory (Isle (Isle #1))
So…you're not going to tell me what they mean? C'mon. What's the Hob? Why Forks?” When I stand, I switch to my blatantly rude, you're-an-idiot tone. This is the one that always pisses off my mom. To be sure he's not missing my insult this time, I also cross my arms and speak very slowly like I'm speaking to a toddler. “The Hob is from The Hunger Games books. It's the underground market where the characters trade food and information. Forks would be the town in Twilight. The setting. In boy-speak, Forks equals the planet Tatooine for Star Wars. You know—Anakin Skywalker's childhood home? Or are you not familiar with any global blockbusters? I suppose I could use Sesame Street or Pokémon for a reference—if it would help you understand better?” Bam. That should seal it. I couldn't have sounded more like a total bitch. He nods. “No, I've got it. My bedroom was Tatooine for all of third and fourth grade. Boy-speak…that's funny.” He laughs again, and it sounds warm and—and—not at all offended!
Anne Eliot (Almost)
I watched four volleyball games running simultaneously. Remembering how many injuries I had sustained—and inflicted—playing volleyball, I felt faintly nauseated.
Stephenie Meyer (Twilight (Twilight, #1))
It’s his favorite game, and we’ve just made it his most exciting game ever.
Stephenie Meyer (Twilight (Twilight, #1))
He made a disgusted face. “That is, hands down, the most disappointing story I’ve ever heard in my entire life. I take back everything I said about your game. Obviously, it’s just some pity thing.
Stephenie Meyer (Life and Death: Twilight Reimagined)
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
The broken pillar of the wing jags from the clotted shoulder, The wing trails like a banner in defeat, No more to use the sky forever but live with famine And pain a few days: cat nor coyote Will shorten the week of waiting for death, there is game without talons. He stands under the oak-bush and waits The lame feet of salvation; at night he remembers freedom And flies in a dream, the dawns ruin it. He is strong and pain is worse to the strong, incapacity is worse. The curs of the day come and torment him At distance, no one but death the redeemer will humble that head, The intrepid readiness, the terrible eyes. The wild God of the world is sometimes merciful to those That ask mercy, not often to the arrogant. You do not know him, you communal people, or you have forgotten him; Intemperate and savage, the hawk remembers him; Beautiful and wild, the hawks, and men that are dying, remember him. II I'd sooner, except the penalties, kill a man than a hawk; but the great redtail Had nothing left but unable misery From the bone too shattered for mending, the wing that trailed under his talons when he moved. We had fed him six weeks, I gave him freedom, He wandered over the foreland hill and returned in the evening, asking for death, Not like a beggar, still eyed with the old Implacable arrogance. I gave him the lead gift in the twilight. What fell was relaxed, Owl-downy, soft feminine feathers; but what Soared: the fierce rush: the night-herons by the flooded river cried fear at its rising Before it was quite unsheathed from reality
Robinson Jeffers
Julian could spin a web of shadows around you, with touches like the brush of moth's wings and kisses soft as twilight. He could turn your own senses against you until the kisses left you dizzy and breathless and the moth's-wing touches put you on slow burn. And by the time you realized what was underneath the softness, you were shivering and melting and lost.
L.J. Smith (The Kill (The Forbidden Game, #3))
I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about. They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three. There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters. They'll stop you at the river, he says. The second corporal looks past his comrades. Are you talking to me? At the river. Be told. They'll jail you to a man. Who will? The United States Army. General Worth. They hell they will. Pray that they will. He looks at his comrades. He leans toward the Mennonite. What does that mean, old man? Do ye cross that river with yon filibuster armed ye'll not cross it back. Don't aim to cross it back. We goin to Sonora. What's it to you, old man? The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs. But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be? How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call. There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Hey, hey, just a little scare.” Said Nico, backing away from a very guarded Katty. “Gotta get used to those if your going to be a Vampire. Just wanted to see if you were on your game. As far as I can tell, you are.” Katty immediately retreated, putting her dagger back inside of her purse. Now instead of stabbing Nico in his chest, she slapped him hard across his arm. “Jerk! Don't ever do that again! You nearly gave me a heart attack!” After her heart stopped fluttering for a moment, Katty drew her attention towards Nico and what he was wearing. Nico was lookin' pretty hot tonight. Jumping out and scaring her, now took second place. For what she saw before her was nothing less than a dark, Gothic dream. Mmm...oh yes..Yum..Yum..Yum!
Keira D. Skye (Bite!)
BLUE pencils, blue noses, blue movies, laws, blue legs and stockings, the language of birds, bees, and flowers as sung by longshoremen, that lead-like look the skin has when affected by cold, contusion, sickness, fear; the rotten rum or gin they call blue ruin and the blue devils of its delirium; Russian cats and oysters, a withheld or imprisoned breath, the blue they say that diamonds have, deep holes in the ocean and the blazers which English athletes earn that gentlemen may wear; afflictions of the spirit—dumps, mopes, Mondays—all that’s dismal—low-down gloomy music, Nova Scotians, cyanosis, hair rinse, bluing, bleach; the rare blue dahlia like that blue moon shrewd things happen only once in, or the call for trumps in whist (but who remembers whist or what the death of unplayed games is like?), and correspondingly the flag, Blue Peter, which is our signal for getting under way; a swift pitch, Confederate money, the shaded slopes of clouds and mountains, and so the constantly increasing absentness of Heaven (ins Blaue hinein, the Germans say), consequently the color of everything that’s empty: blue bottles, bank accounts, and compliments, for instance, or, when the sky’s turned turtle, the blue-green bleat of ocean (both the same), and, when in Hell, its neatly landscaped rows of concrete huts and gas-blue flames; social registers, examination booklets, blue bloods, balls, and bonnets, beards, coats, collars, chips, and cheese . . . the pedantic, indecent and censorious . . . watered twilight, sour sea: through a scrambling of accidents, blue has become their color, just as it’s stood for fidelity.
William H. Gass (On Being Blue: A Philosophical Inquiry (New York Review Books (Paperback)))
For many decades quantum theory was regarded primarily as a mathematical description of phenomenal accuracy and reliability, capable of explaining the shapes and behaviours of molecules, the workings of electronic transistors, the colours of nature and the laws of optics, and a whole lot else. It would be routinely described as ‘the theory of the atomic world’: an account of what the world is like at the tiniest scales we can access with microscopes. Talking about the interpretation of quantum mechanics was, on the other hand, a parlour game suitable only for grandees in the twilight of their career, or idle discussion over a beer. Or worse: only a few decades ago, professing a serious interest in the topic could be tantamount to career suicide for a young physicist. Only a handful of scientists and philosophers, idiosyncratically if not plain crankily, insisted on caring about the answer. Many researchers would shrug or roll their eyes when the ‘meaning’ of quantum mechanics came up; some still do. ‘Ah, nobody understands it anyway!
Philip Ball (Beyond Weird)
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Alice Walker
I probably won’t be seeing you again, will I? I mean, I know the others might come back, but you…” He trails off, but picks up the thought again a moment later. “Just seems like you’ll be happy to leave it behind, that’s all.” “Yeah, you’re probably right.” I look at my shoes. “You sure you won’t come?” “Can’t. Shauna can’t wheel around where you guys are going, and it’s not like I’m gonna leave her, you know?” He touches his jaw, lightly, testing the skin. “Make sure Uri doesn’t drink too much, okay?” “Yeah,” I say. “No, I mean it,” he says, and his voice dips down the way it always does when he’s being serious, for once. “Promise you’ll look out for him?” It’s always been clear to me, since I met them, that Zeke and Uriah were closer than most brothers. They lost their father when they were young, and I suspect Zeke began to walk the line between parent and sibling after that. I can’t imagine what it feels like for Zeke to watch him leave the city now, especially as broken by grief as Uriah is by Marlene’s death. “I promise,” I say. I know I should leave, but I have to stay in this moment for a little while, feeling its significance. Zeke was one of the first friends I made in Dauntless, after I survived initiation. Then he worked in the control room with me, watching the cameras and writing stupid programs that spelled out words on the screen or played guessing games with numbers. He never asked me for my real name, or why a first-ranked initiate ended up in security and instruction instead of leadership. He demanded nothing from me. “Let’s just hug already,” he says. Keeping one hand firm on Caleb’s arm, I wrap my free arm around Zeke, and he does the same. When we break apart, I pull Caleb down the alley, and can’t resist calling back, “I’ll miss you.” “You too, sweetie!” He grins, and his teeth are white in the twilight. They are the last thing I see of him before I have to turn and set out at a trot for the train.
Veronica Roth (Allegiant (Divergent, #3))
it died away, Stu said: “This wasn’t on the agenda, but I wonder if we could start by singing the National Anthem. I guess you folks remember the words and the tune.” There was that ruffling, shuffling sound of people getting to their feet. Another pause as everyone waited for someone else to start. Then a girl’s sweet voice rose in the air, solo for only the first three syllables: “Oh, say can—” It was Frannie’s voice, but for a moment it seemed to Larry to be underlaid by another voice, his own, and the place was not Boulder but upstate Vermont and the day was July 4, the Republic was two hundred and fourteen years old, and Rita lay dead in the tent behind him, her mouth filled with green puke and a bottle of pills in her stiffening hand. A chill of gooseflesh passed over him and suddenly he felt that they were being watched, watched by something that could, in the words of that old song by The Who, see for miles and miles and miles. Something awful and dark and alien. For just a moment he felt an urge to run from this place, just run and never stop. This was no game they were playing here. This was serious business; killing business. Maybe worse. Then other voices joined in. “—can you see, by the dawn’s early light,” and Lucy was singing, holding his hand, crying again, and others were crying, most of them were crying, crying for what was lost and bitter, the runaway American dream, chrome-wheeled, fuel-injected, and stepping out over the line, and suddenly his memory was not of Rita, dead in the tent, but of he and his mother at Yankee Stadium—it was September 29, the Yankees were only a game and a half behind the Red Sox, and all things were still possible. There were fifty-five thousand people in the Stadium, all standing, the players in the field with their caps over their hearts, Guidry on the mound, Rickey Henderson was standing in deep left field (“—by the twilight’s last gleaming—”), and the light-standards were on in the purple gloaming, moths and night-fliers banging softly against them, and New York was around them, teeming, city of night and light. Larry joined the singing too, and when it was done and the applause rolled out once more, he was crying a bit himself. Rita was gone. Alice Underwood was gone. New York was gone. America was gone. Even if they could defeat Randall Flagg, whatever they might make would never be the same as that world of dark streets and bright dreams.
Stephen King (The Stand)
Costermongers crowded the thoroughfare, hawking their wares with impatient cries. They sold everything imaginable: ropes of onions and braces of dead game, teapots, flowers, matches, and caged larks and nightingales. This last presented frequent problems to the Hathaways, as Beatrix was determined to rescue every living creature she saw. Many a bird had been reluctantly purchased by their brother-in-law, Mr. Rohan, and set free at their country estate. Rohan swore that by now he had purchased half the avian population in Hampshire.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
It is designed to break your heart. The game begins in the spring when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and as soon as the chill rains come, it stops and leaves you to face the fall all alone. You count on it, rely on it, buffer the passage of time. To keep the memory of sunshine and high skies alive, and then, just when the days are all twilight, when you need it most, it stops.
Tom Brokaw (The Time of Our Lives: A conversation about America)
face. Then she was gone. I patted Rusty on the shoulder. She is not going away. Good, said Rusty. Twilight snorted her approval and bunted Tumpoo with her head, pushing him toward home. It was time to head back. The evening sky was turning red again and this sunset promised to be as dazzling as the last. Twilight and Tumpoo started playing a chasing game in front of us, as Rusty walked serenely along. “What goofs,” I said and Loonie looked up at me, a big doggy grin on her face. She loved coming with us so much – and I loved her to come. My smile slipped from my face. Now that the excitement of the rodeo was over and Kestrel was staying, I needed to take care of some important stuff. First, Loonie’s days of running beside us were ending. I needed to face it. She was not only half blind, but going deaf.
Angela Dorsey (Summer of Wild Hearts (Whinnies on the Wind, #3))
Twilight deepened. The cloudless sky turned a deep purple, the color of an old bruise, then faded to black.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
Skylight, oh why must night silence your daze? Through twilight a glow from the heavens remains. If I were the angels I’d sing out your name, and promise these eyes shut till you’re mine again. As night comes, I fear you must fallaway, fallaway. Into your dream’s embrace, fallaway, fallaway. Sunrise will find night’s end; shadows aren’t permanent. Night only makes sunlight fallaway, fallaway. So sleep through the stillness the night has devised, and by your choice, without force, just close your eyes. The dark cannot win if its game you refuse, and suddenly night is the darkness you choose.
Nicoline Evans (Evo: The Elements)
The “Christian,” what for two millenniums has been called a Christian, is merely a psychological self-misunderstanding. Looked at more closely, it was merely the instincts which dominated in the Christian in spite of all his “belief”—and what kind of instincts!—“Belief” has been at all times (for example with Luther) only a cloak, a pretence, a curtain behind which the instincts played their game—a shrewd blindness with regard to the dominance of certain instincts . . . “Belief
Friedrich Nietzsche (Twilight of the Idols and The Anti-Christ (Translated by Thomas Common with Introductions by Willard Huntington Wright))
When the sun sets, you can forget about the sun because that scene is over, that play is over! Now a new time has begun, a new game has begun! Look at what the new game brings, what the new conditions are; don’t focus on the past, the sun is in the past! Now is the time to understand and experience the time of twilight and darkness and what they will bring to you!
Mehmet Murat ildan
The Zelda games in order are Legend of Zelda, Zelda 2: The Adventure of Link, A Link To The Past, Link’s Awakening, Ocarina of Time, Majora’s Mask, Oracle of Seasons, Oracle of Ages, Wind Waker, Four Swords, The Minish Cap, Twilight Princess. She pours another glass and then drinks it all as Michael and Nicole watch in silence. ZOE Phantom Hourglass, Spirit Tracks, Skyward Sword, Link Between Worlds, TriForce Heroes, and of course Breath of The Wild which innovated and revitalized the series. FUCK! SHIT! FUCK!
Max Landis (POLYBIUS: A Horror Play)
You've seen the prince? Like the real prince of the Otherworld?'' ''Yep. Saw him three times.'' (...) ''Once he was in this meadow. Kind of like the meadow in that movie with the sparkly vampires and crazy hair''. (...) The second time was when i was near their palace. It kind of looked like something on the show you watch where everyone dies.'' ''Game of Thrones? I suggested. ''King's Landing?'' He jumped as he nodded. ''And the third time was...well, he was doing something you never do.'' (...) ''What was that?'' (...) ''He was having sex.
Jennifer L. Armentrout (Wicked (A Wicked Trilogy #1))
I met his gaze with my own empty one. I was tired of games. Just because I could play them, and play them fairly well, didn’t mean I enjoyed them.
Laurell K. Hamilton (A Caress of Twilight (Meredith Gentry, #2))
You’d better muse over your lessons and sums,” said Marilla, concealing her delight at this development of the situation. “If you’re going back to school I hope we’ll hear no more of breaking slates over people’s heads and such carryings on. Behave yourself and do just what your teacher tells you.” “I’ll try to be a model pupil,” agreed Anne dolefully. “There won’t be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn’t a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I’m going round by the road. I couldn’t bear to go by the Birch Path all alone. I should weep bitter tears if I did.” Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue—a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied carefully on a piece of pale pink paper scalloped on the edges the following effusion: When twilight drops her curtain down And pins it with a star Remember that you have a friend Though she may wander far.
L.M. Montgomery (Anne of Green Gables)
She was half afraid he was playing some kind of game with her, with all of them, except . . . it had to be real. The emotion on his face, the sincerity in his eyes, all of it was undeniable. But how could someone’s character alter so greatly? Perhaps, she mused, it wasn’t so much that Harry was being altered as he was being revealed . . . layer by layer, the defenses coming off. Perhaps Harry was becoming—or would become in time—the man he had always been meant to be. Because he had finally found someone who mattered.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Did you ever think that life is maybe a game? There is no difference between life and a game, you know. - Robert Anton Wilson When you play a game of thrones, you win or you die. - George R.R. Martin LEEEEROY JENKINS! - Leroy Jenkins
C.J. Carella (Twilight Templar (The Eternal Journey #1))
Large game hunting isn’t a sport,” Leo said. “It’s only a sport when both sides are equally armed.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
This is a game to me. If I were to stop it I would die.
Liz Brown (Twilight Man: Love and Ruin in the Shadows of Hollywood and the Clark Empire)
Twilight is the best and only stupid people like the hunger games
Maria Twilight