Audition Quotes

We've searched our database for all the quotes and captions related to Audition. Here they are! All 100 of them:

I don't let anyone touch me," I finally said. Why not?" Why not? Because I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn't come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them then changed their minds. Forests of boys, their ragged shrubs full of eyes following you, grabbing your breasts, waving their money, eyes already knocking you down, taking what they felt was theirs. (...) It was a play and I knew how it ended, I didn't want to audition for any of the roles. It was no game, no casual thrill. It was three-bullet Russian roulette.
Janet Fitch (White Oleander)
I like threesomes with two women, not because I'm a cynical sexual predator. Oh no! But because I'm a romantic. I'm looking for "The One." And I'll find her more quickly if I audition two at a time.
Russell Brand
Many phenomena - wars, plagues, sudden audits - have been advanced as evidence for the hidden hand of Satan in the affairs of Man, but whenever students of demonology get together the M25 London orbital motorway is generally agreed to be among the top contenders for exhibit A.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Valek leaned back in his chair and said to me, “I don’t think I would have made it past the audition,Yelena. I probably would have set my hair on fire by this point.” “What’s a singed head for the sake of art?” I teased. He laughed.
Maria V. Snyder (Poison Study (Study, #1))
I would like to say thank you on behalf of the group and ourselves and I hope we’ve passed the audition.
John Lennon
Confidence is the prize given to the mediocre
Robert Hughes
He auditioned with Lily, and he and Lily had incredible chemistry that sort of blazed off the scene. I’m just sitting here watching this on my computer, and you know, he was not the only person they’ve ever sent me to look at. I’ve gotten lots of headshots and this and that, and I’m watching the audition and I literally started crying because that was my Jace and Clary on the screen. And it’s an incredible feeling to see that even as an audition. This is amazing. He was snarky funny where he needed to be snarky funny, and he was badass where he needed to be badass. And he and Lily were incredible together
Cassandra Clare
I've been stabbed before. Barely a week ago, in fact. AND I've been audited, AND I come from a broken home. In short - no offense, shorty - you don't scare me.
MaryJanice Davidson (Undead and Unwed (Undead, #1))
See, some people politely encourage their tone-deaf friends to sing. Some people even convince them to go on live television and audition for national competitions. But me? I am not that friend.
Sarah Ockler (Bittersweet)
My life has been one big audition.
Elizabeth Eulberg (Take a Bow)
Most Americans have no real understanding of the operation of the international money lenders. The accounts of the Federal Reserve System have never been audited. It operates outside the control of Congress and manipulates the credit of the United States
Barry M. Goldwater
I feel his arm Lightly Over me. He takes one of my outstretched hands. Draws it beneath my stomach. "One more time..." This is not sex, Not friendship. Something Strange Special In the stillness of his breath, The waterlike way he moves. He is making a dance. We are making a dance.
Stasia Ward Kehoe (Audition)
I've been in auditions without screens, and I can assure you that I was prejudiced. I began to listen with my eyes, and there is no way that your eyes don't affect your judgement. The only true way to listen is with your ears and your heart. (p.251)
Malcolm Gladwell (Blink: The Power of Thinking Without Thinking)
The wild things of this earth are not ours to do with as we please. They have been given to us in trust, and we must account for them to the generation which will come after us and audit our accounts.
William T. Hornaday
Quentin had an obsolete sailing ship that had been raised from the dead. He had psychotically effective swordsman and an enigmatic witch-queen. It wasn't the Fellowship of the Ring, but then again he wasn't trying to save the world from Sauron, he was trying to perform a tax audit on a bunch of hick islanders…
Lev Grossman (The Magician King (The Magicians, #2))
People were infected with the concept that happiness was something outside themselves, and a new and powerful form of loneliness was born.
Ryū Murakami (Audition)
I didn’t think it was possible for so many words to come out of somebody’s mouth that quickly,” he said. “And I auditioned for Gilmore Girls.
Elissa Sussman (Funny You Should Ask)
When I look at my friend's marriages, with their routine day-to-dayness, they actually seem far more romantic than any dating relationship might be. Dating seems romantic, but for the most part it's an extended audition. Marriage seems boring, but for the most part it's a state of comfort and acceptance. Dating is about grand romantic gestures that mean little over the long-term. Marriage is about small acts of kindness that bond you over a lifetime. It's quietly romantic. He makes her tea. She goes to the doctor appointment with him. They listen to each other's daily trivia. They put up with each other's quirks. They're there for each other.
Lori Gottlieb (Marry Him: The Case for Settling for Mr. Good Enough)
I am pretty sure the myth of me Is better than the reality.
Stasia Ward Kehoe (Audition)
It was the face of a human being who’d been constructed exclusively of wounds. Not time or history or ambition, nothing but wounds. The face of a person who could probably kill someone without feeling anything whatsoever.
Ryū Murakami (Audition)
A person without self-confidence is incapable of being independent, and people who are dependent on their partners always create unhappiness. Always.
Ryū Murakami (Audition)
Oh my gosh, don’t you both look pretty!” We looked like rejects from the auditions for The Sound of Music. “I will have to buy them – they are meant to be yours!” Karla waved her credit card around like a wand. “What a shame they didn’t have one in green for me. But then, it is a young girl’s style. I would’ve looked foolish.
Joss Stirling (Stealing Phoenix (Benedicts, #2))
One sure way to increase a businesses profits is to implement a process improvement program. When a business audits it's internal processes and extracts waste from those processes, the result is inevitably more time or money being leftover.
Hendrith Vanlon Smith Jr.
It fills all Space, and what It fills, It is. What It thinks, that It utters; and what It utters, that It hears; and It itself is Thinker, Utterer, Hearer, Thought, Word, Audition; it is the One, and yet the All in All. Ah, the happiness, ah, the happiness of Being!
Edwin A. Abbott (Flatland: A Romance of Many Dimensions)
No forgiveness for lies.
Ryū Murakami (Audition)
Some people look like they sound better than they actually sound, because they look confident and have good posture," once musician, a veteran of many auditions, says. "Other people look awful when they play but sound great. Other people have that belabored look when they play, but you can't hear it in the sound. There is always this dissonance between what you see and hear" (p.251).
Malcolm Gladwell (Blink: The Power of Thinking Without Thinking)
Well?" Nat says after a few seconds. "I'm surprised you're here again, Harriet. I thought you'd be busy auditioning for A Midsummer Night's Dream." I blink a few times in surprise. "No. I'm not." "You should be. I heard they're looking for an ass." Oh. Now why can't I think of quips like that when I need them?
Holly Smale (Geek Girl (Geek Girl, #1))
Something is definitely up. That or my family is auditioning for a remake of The Shining.
Victoria Scott (Fire & Flood (Fire & Flood, #1))
Wish my life were inside a book So I could turn to the ending, See if it is a love story Or a gothic disaster.
Stasia Ward Kehoe (Audition)
Americans like to make money; Canadians like to audit it. I know no other country where accountants have a higher social and moral status.
Northrop Frye
Your whole life, she says, you're searching for disaster—you're auditioning disasters—so you'll be well rehearsed when the ultimate disaster finally arrives.
Chuck Palahniuk (Haunted)
Are you auditioning for Romeo?” He shakes his head. “No way. I’d have to have my balls removed to play that pussy.” “Hey, that’s no way to talk about one of the greatest romantic heroes of all time.” “He’s not a hero, Taylor, he’s a limp, fickle dick who confuses lust with love and kills himself over a chick he’s just met.
Leisa Rayven (Bad Romeo (Starcrossed, #1))
Anyone who thinks this world is without magic, hasn't been to a library.
Amy Fellner Dominy (Audition & Subtraction)
After hanging up the phone Aoyama sank back back on the sofa feeling like a balloon in a warm blue sky.
Ryū Murakami (Audition)
So, what’s it gonna be, boys? We’ve got a new bartender to audition.” Cheers go up all around me. Olivia’s got a fan base already. She’s gonna make me a killing.
M. Leighton (Down to You (The Bad Boys, #1))
Let us roam then, you and I, When the evening is splayed out across the sky [...] Paths that follow like a nagging accusation Of a minor violation To lead you to the ultimate reproof ... Oh, do not say, 'Bad kitty!' Let us go and prowl the city. In the rooms the cats run to and fro Auditioning for a Broadway show." (From The Love Song of J. Morris Housecat)
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
I started to think of friends I could lean on for some help, but, as always happened when I attempted this kind of social audit, I realised that far too many of them were abroad, dead, married to people who disapproved of me, or weren't really my friends, now that I came to think of it.
Hugh Laurie (The Gun Seller)
George Harrison: The day after the Blue Angel audition, John showed up to rehearsal with a long list of name suggestions, and I remember each and every one of them: the Deads-men, the Deadmen, the Undeads-men, the Undeadmen, the Rots, the Rotters, the Dirts, the Dirty Ones, the Grayboys, the Eaten Brains, the Eating Brains, the Mersey Beaters, the Mersey Beaten, the Bloodless, the Graves, the Headstones, and the Liverpools of Blood. Paul ripped off John's right arm and used it to slap John across the face, then he said, "Those're horrible, mate, just horrible, y'know.
Alan Goldsher
Audition? What did you have in mind?” He laughs. “Nothing too creative. I don’t want to push my luck with the sexual harassment thing. Yet.
M. Leighton (Down to You (The Bad Boys, #1))
Three years later, Mr. Turley has received no reply to his letter. Nor can anybody account for the missing money: saints, it seems, are immune to audit.
Christopher Hitchens (The Missionary Position: Mother Teresa in Theory and Practice)
I hope you change your mind and realize that you love me and that we should be together for the rest of our lives, but . . . I’m not going to audition for the part.
Taylor Jenkins Reid (One True Loves)
If I had to do it all over again, would I still audition for Friends? You bet your ass I would. Would I drink again? You bet your ass I would. If I didn’t have alcohol to soothe my nerves and help me have fun, I would have leaped off a tall building sometime in my twenties.
Matthew Perry (Friends, Lovers and the Big Terrible Thing)
Tell yourself that the world is outside, that it's not to be hidden from you, that you are going to thrust yourself forward and be relaxed in the world. You have chosen a field where you're going to be hurt to the blood. But to retreat from the pain is death
Stella Adler (The Art of Acting)
Her voice was trained, supple as leather, precise as a knife thrower's blade. Singing or talking, it had the same graceful quality, and an accent I thought at first was English, but then realized was the old-fashioned American of a thirties movie, a person who could get away with saying 'grand.' Too classic, they told her when she went out on auditions. It didn't mean old. It meant too beautiful for the times, when anything that lasted longer than six months was considered passe. I loved to listen to her sing, or tell me stories about her childhood in suburban Connecticut, it sounded like heaven.
Janet Fitch (White Oleander)
If you're asking where I found the skill, courage, and general fabulousness to perform emergency surgery in the middle of all this chaos, well. If you think that after auditioning all those guys to find the perfect boyfriend I was going to let a little thing like a tracheotomy get in the way of true love, you've clearly underestimated how tired I am of this search.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
That’s what violence was: emotion leaking out from consciousness into the physical world, linking up with the muscles of the arms and shoulders and diaphragm and, inevitably, the face. Stifle emotion during an act of violence and the face becomes a blank, unreadable mask.
Ryū Murakami (Audition)
To distort our faces with joy, or wail and weep with sorrow, or collapse in agony, or wallow in sentimentality – wasn’t an inviolable human trait but something we can lose simply by leading dull and dreary lives. ‘A rich emotional life,’ she’d written, ‘is a privilege reserved only for the daring few’.
Ryū Murakami (Audition)
There were a few other moves of his father's he could do without as well - the sucker punches, the ruffling of the hair, the way of pronouncing the word son, in a slightly deeper voice. This hearty way of talking was getting worse, as if his father were auditioning for the role of Dad, but without much hope.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Only time can heal wounds as deep as that—a lot of time—and all you can really do is place yourself in its hands and try to consider the passing of each day a victory.
Ryū Murakami (Audition)
She has carefully audited her life and found she has no requirement for a husband.
Helen Smith (Alison Wonderland)
All year I've felt like I had to be on my best behavior, like I was auditioning for new friendships, new identities, a new life.
Emily Henry (People We Meet on Vacation)
The idealized market was supposed to deliver ‘friction free’ exchanges, in which the desires of consumers would be met directly, without the need for intervention or mediation by regulatory agencies. Yet the drive to assess the performance of workers and to measure forms of labor which, by their nature, are resistant to quantification, has inevitably required additional layers of management and bureaucracy. What we have is not a direct comparison of workers’ performance or output, but a comparison between the audited representation of that performance and output. Inevitably, a short-circuiting occurs, and work becomes geared towards the generation and massaging of representations rather than to the official goals of the work itself. Indeed, an anthropological study of local government in Britain argues that ‘More effort goes into ensuring that a local authority’s services are represented correctly than goes into actually improving those services’. This reversal of priorities is one of the hallmarks of a system which can be characterized without hyperbole as ‘market Stalinism’. What late capitalism repeats from Stalinism is just this valuing of symbols of achievement over actual achievement. […] It would be a mistake to regard this market Stalinism as some deviation from the ‘true spirit’ of capitalism. On the contrary, it would be better to say that an essential dimension of Stalinism was inhibited by its association with a social project like socialism and can only emerge in a late capitalist culture in which images acquire an autonomous force. The way value is generated on the stock exchange depends of course less on what a company ‘really does’, and more on perceptions of, and beliefs about, its (future) performance. In capitalism, that is to say, all that is solid melts into PR, and late capitalism is defined at least as much by this ubiquitous tendency towards PR-production as it is by the imposition of market mechanisms.
Mark Fisher (Capitalist Realism: Is There No Alternative?)
Advertising departments, as you know, are crawling with people whose frontal lobes are so underdeveloped that if you flatter them a bit they'll swear shit is platinum.
Ryū Murakami (Audition)
Conflict is drama.
Michael Shurtleff (Audition: Everything an Actor Needs to Know to Get the Part)
No I am not okay. I've just been pulled out of play tryouts where I had to be the first to audition and everyone's trying out for the same parts, I just had a very bizarre conversation with the school secretary, Megan may be throwing up her cucumber sandwiches, I've broken five of the seven deadly sins in as many hours, a demon may be inside a girl in my world religions class, Grant Brawner called me by name, my license photo looks like a dead fish, I have to drive my friends all over town in two hours when I've never even driven without Dad before, none of my birthday wishes have come true yet, and now you're here with muffins like I'm in second grade? So, no, I am not ok.
Wendy Mass (Leap Day)
Oh God, Tessie... That is my daughter... And the next person who tries to get between my and my daughter is going to rue their existence on this earth... Every secret you've been keeping will find its way out. Every decision you make will be questioned. You will be audited, investigated, and transferred to the most hellish nightmare of a desk job I can find. Now, get out of my way. - Ivy
Jennifer Lynn Barnes (The Long Game (The Fixer, #2))
Oh, yeah, I’m a smoker now. Well, I’m not, but when Ruby said she was, I just went with it. It was something for us to bond over. Plus, I knew most of the people at the auditions smoked, so it seemed like the thing to do. Also, my mother would have hated it. All good reasons to take it up.
Leisa Rayven (Bad Romeo (Starcrossed, #1))
I’m very interested in the emotional honesty of things, which at times looks kind of ugly and at times looks scary and not polished, and so there were many times when I would audition for something and I would come from, for me, a very honest place, but it’s completely not what they’re looking for for that type of material. But I was always very steadfast in what I was interested in, and I felt like, I’m gonna tell the truth as best as I know it. And you eventually start to understand that the projects find you that meet up with that. It takes as long as it takes, and for me it took like 20 years, but I’m really glad. You know, the jobs always ultimately end up going to the person who’s supposed to tell that story, and those weren’t my stories to tell.
Brie Larson
It's a piece of cake, being a lawyer or a doctor or a computer systems analyst or an accountant. Libraries are full of books telling you how to do it. The only textbooks for private eyes are on fiction shelves, and I don't remember ever reading one that told me how to interrogate an eight-year old without feeling like I was auditioning for the Gestapo.
Val McDermid (Crack Down (Kate Brannigan, #3))
The young people nowadays – men and women, amateurs and pros – generally fall into one of two categories: either they don’t know what it is that’s most important to them, or they know but don’t have the power to go after it. But this girl’s different. She knows what’s most important to her and she knows how to get it, but she doesn’t let on what it is. I’m pretty sure it’s not money, or success, or a normal happy life, or a strong man, or some weird religion, but that’s about all I can tell you. She’s like smoke: you think you’re seeing her clearly enough, but when you reach for her there’s nothing there. That’s a sort of strength, I suppose. But it makes her hard to figure out.
Ryū Murakami (Audition)
People were infected with the concept that happiness was something outside themselves, and a new and powerful form of loneliness was born. Mix loneliness with stress and enervation, and all sorts of madness can occur. Anxiety increases, and in order to obliterate the anxiety, people turn to extreme sex, violence, and even murder.
Ryū Murakami (Audition)
Man’s greatest excuse to delay the inevitable.” “Can you not fucking talk like your auditioning for the role of Confucius?” “If you make a mistake and do not correct it, this is called a mistake.” Of course he goes and actually quotes Confucius. Fuck me.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
Just doing the audition was going to be an experience, and I am a true collector of life experiences. I live for life experiences. I put them in my pocket like shiny rocks, and take them out every now and then to appreciate and reflect on them. I once read an article that the Eastern Indian culture considers those with AD(H)D to be old, wise souls that are coming to the end of their reincarnations, so they must pack as many life experiences and lessons into their few remaining lifetimes as possible. Makes sense to me--that's why we always have so much shit going on!
Stacey Turis (Here's to Not Catching Our Hair on Fire: An Absent-Minded Tale of Life with Giftedness and Attention Deficit - Oh Look! A Chicken!)
...I learned a valuable lesson that stays with me to this day and plays on a loop in my head any time I have a big audition. It goes a little something like this: "Bitch, stop wasting time fearing the worst! Living through the worst is never as hard as fearing it. Fight the fear and go do what you gotta do. That's what you came here for.
Retta (So Close to Being the Sh*t, Y’all Don’t Even Know)
because I got distracted Googling for information on the nanny murder (a good journalist always checks her facts, particularly when the primary source is Sophie, a girl who spouts gossip like she’s auditioning to become the next Perez Hilton). It turns out however that Sophie was correct on all points about the murder, which isn’t that comforting.
Sarah Alderson (The Sound)
Nice person, bad person -- that's not the level this girl is at. I can see you're crazy about her and probably won't be able to hear this, Ao-chan, but I think you'd be better off staying away from someone like her. I can't read her exactly, but I can tell you she's either a saint or a monster. Maybe both extremes at once, but not somewhere in between.
Ryū Murakami (Audition)
Am I lonelier now Than when my sad imagination Had him disappear? Heart torn, Loosing tiny droplets Of sorrow No tape can measure No needle can mend.
Stasia Ward Kehoe (Audition)
Sales and theater have much in common. Both take guts. Salespeople pick up the phone and call strangers; actors walk onto the stage in front of them. Both invite rejection—for salespeople, slammed doors, ignored calls, and a pile of nos; for actors, a failed audition, an unresponsive audience, a scathing review. And both have evolved along comparable trajectories.
Daniel H. Pink (To Sell Is Human: The Surprising Truth About Moving Others)
Le Requiem de Mozart. Un souffle de l'au-delà y plane. Comment croire, après une pareille audition, que l'univers n'ait aucun sens? Il faut qu'il en ait un. Que tant de sublime se résolve dans le néant, le coeur, aussi bien que l'entendement, refuse de l'admettre. Quelque chose doit exister quelque part, un brin de réalité doit être contenu dans ce monde. Ivresse du possible qui rachète la vie. Craignons le retombement et le retour du savoir amer...
Emil M. Cioran (Notebooks)
She had seen early in life that there was none in this world to audit one's soul. A man could deform himself into the most miserable of creatures, and no holy hand would descend from the clouds and cry Halt. And if there was no auditor, then one must audit one's own soul, tenaciously and without mercy.
Rachel Kadish (The Weight of Ink)
This is from "Marabou Stork Nightmares". Bernard's Poem: Did you see her on the telly the other day good family entertainment the tabloids say But when you're backstage at your new faeces audition you hear the same old shite of your own selfish volition She was never a singer a comic or a dancer I cant say I was sad when I found out she had cancer Great Britain's earthy northern comedy queen takes the rand, understand from the racist Boer regime So now her cells are fucked and thats just tough titty I remember her act that I caught back in Sun City She went on and on about 'them from the trees with different skull shapes from the likes of you and me' Her Neo-Nazi spell it left me fucking numb the Boers lapped it up with zeal so did the British ex-pat scum But what goes round comes round they say so welcome to another dose of chemotherapy And for my part it's time to be upfront so fuck off and die you carcinogenic cunt.
Irvine Welsh (Marabou Stork Nightmares)
Most of all, there is this truth: No matter how great your teachers may be, and no matter how esteemed your academy’s reputation, eventually you will have to do the work by yourself. Eventually, the teachers won’t be there anymore. The walls of the school will fall away, and you’ll be on your own. The hours that you will then put into practice, study, auditions, and creation will be entirely up to you.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
I needed no convincing of the fatal possibilities of government overreach, of the way the fatalities told the story of who the nation considered expendable, but, even after the low points of the previous decade, I believed in government, or at least believed in it more than the alternative. That my country might always expect me to audition for my life I accepted as fact, but I trusted the public charter of national government more than I trusted average white citizens acting unchecked.
Danielle Evans (The Office of Historical Corrections)
It is strange to hear my words Read back to me. I don't think I wrote them To have them ever leave the page. I think I only write What happens across my brain When my feet are too weary To dance anymore.
Stasia Ward Kehoe (Audition)
Yeah. He wants to be a…what do you call those guys?” “A sommelier?” “Right. Said he wanted to see your collection.” “At fifteen he’s already decided what he wants to be?” “Lots of guys have.” “Is that wise? To limit your options at such a young age?
Ryū Murakami (Audition)
We are all persons courtesy of someone else, and since we need others to perceive us in order to experience ourselves, it is very hard to like yourself when those nearest you seem to doubt your worth. And when those around you don't see you as you want to see yourself, it is only too easy to lose the way and start auditioning instead for them.
Merle Shain (When Lovers Are Friends)
Ille mi par esse deo videtur ille, si fas est, superare divos, qui sedens adversus identitem te spectat et audit dulce ridentem, misero quod omnis eripit sensus mihi: nam simul te, Lesbia, aspexi, nihil est super mi lingua sed torpet, tenuis sub artus flamma demanat, sonitu suopte tintinant aures gemina, teguntur lumina nocte. otium, Catulle, tibi molestum est; otio exsultas nimiumque gestis; otium et reges prius et beatas perdidit urbes.
Catullus
The European Parliament responded by focusing on corporate governance. If corporations wanted to be legal citizens they could damned well shoulder the responsibilities of good citizenship as well as the benefits. Social as well as financial audits were the order of the day. Directives outlining standards for corporate citizenship were drafted and a lucrative niche for a new generation of management consultants emerged - those who could look at an organization and sound a warning if its structure rewarded pathological behaviour.
Charles Stross (Rule 34 (Halting State, #2))
Do I dare ask him for what I want, As if I knew it, Could find it on some page In some chapter In some book?
Stasia Ward Kehoe (Audition)
Crede în intuiție și Universul te va călăuzi.
Ryū Murakami (Audition)
Developing and implementing IT governance design effectiveness and efficiency can be a multidirectional, interactive, iterative, and adaptive process.
Robert E. Davis (IT Auditing: IT Governance (IT Auditing, #4))
In Japan, even when you're alone, you're never really that lonely. But the loneliness you feel living among people with differently coloured skin and eyes, whose language you don't even speak very well - that sort of loneliness is something you feel down to the marrow of your bones.
Ryū Murakami (Audition)
It takes such a long time to realize that it’s worth it. I wonder why we’re engineered that way. We’re sleep-deprived to the point of madness those first couple of years and then one day you wake up and you see the little person you’ve created and she says a sentence to you and you realize that everything in your life has been an audition for the creation of that specific person. That you’re sending freestanding beings off into the world and it’s entirely on your shoulders.
Claire Lombardo (The Most Fun We Ever Had)
You have to watch your step with women these days, Pops. She could be involved with Yakuza or something. Even some of the girls in my class -- you should hear the stuff they talk about. Fifteen years old, and there's nothing they don't know. We're not in the age of Peace and Love anymore.
Ryū Murakami (Audition)
My mind, a Venn diagram. You, the overlap and the intersect; a pulsating glimmer—omnipresent, a lighthouse with its glowing breath. You are the stone that skirts the river, that skips along its crystal plane; a surface skimmed by concentric shimmer, and trembles with the touch of rain. You are worlds that spin in orbit, a star who rose and fell; infinity summoned for audit— a penny toss in the wishing well.
Lang Leav (The Universe of Us (Volume 4) (Lang Leav))
I take pride in playing immigrant characters. I've come across people who had a negative opinion about playing Asian characters that have an accent. I've even met Asian actors who won't audition for a role that has an Asian accent. They believe these accented characters reinforce the stereotype of an Asian being the constant foreigner. Frankly, I can't relate. I was an immigrant. And no matter how Americanized I become, no matter how much Jay-Z I listen to, I'll always be an immigrant. Just because I don't speak English with an accent anymore doesn't mean that I'm better than the people who do. My job as an actor is not to judge anyone and to portray a character with humanity. There are real people with real Asian accents in the real world. I used to be one of them. And I'm damn proud of it.
Jimmy O. Yang (How to American: An Immigrant's Guide to Disappointing Your Parents)
But sometimes things happen that no one hopes for. Events that cause everything you've worked towards, the life you've carefully constructed piece by piece, to come tumbling down all around you. No one is to blame, but you're left with a wound you can't heal on your own and can't believe you'll ever learn to accept, so you struggle to escape the pain. Only time can heal wounds as deep as that - a lot of time - and all you can really do is place yourself in its hands and try to consider the passing of each day a victory. You tough it out moment by moment, hour by hour, and after some weeks or months you begin to see signs of recovery. Slowly the wound heals into a scar.
Ryū Murakami (Audition)
Focus,” Mary muttered, chastising herself and her wandering mind. From her stereo came the soothing sounds of monks, vocalizing an ancient hymn meant to bring one closer to enlightenment. Credit where it was due, they were pretty good. Mary couldn’t remember ever hearing a bad singing monk, though. Was it just a byproduct of monkhood that one gained a great singing voice? Or maybe they had auditions before one got in. “Great, great, you want enlightenment, but I’ll need to hear you belt out some show tunes before we let you in.” Were there scouts out there scouring the vocal talents of a new generation and recruiting them to top-notch monasteries?
Drew Hayes (Super Powereds: Year 3)
She told me that real strength is the capacity for kindness to others, and that I should do whatever I could to find that kind of strength. She said she couldn’t tell me how to go about doing that, because she never found it herself, but that people who where strong enough to be kind to others could always get by in this world.
Ryū Murakami (Audition)
In many ways the effect of the crash on embezzlement was more significant than on suicide. To the economist embezzlement is the most interesting of crimes. Alone among the various forms of larceny it has a time parameter. Weeks, months, or years may elapse between the commission of the crime and its discovery. (This is a period, incidentally, when the embezzler has his gain and the man who has been embezzled, oddly enough, feels no loss. There is a net increase in psychic wealth.) At any given time there exists an inventory of undiscovered embezzlement in — or more precisely not in — the country’s businesses and banks. This inventory — it should perhaps be called the bezzle — amounts at any moment to many millions of dollars. It also varies in size with the business cycle. In good times people are relaxed, trusting, and money is plentiful. But even though money is plentiful, there are always many people who need more. Under these circumstances the rate of embezzlement grows, the rate of discovery falls off, and the bezzle increases rapidly. In depression all this is reversed. Money is watched with a narrow, suspicious eye. The man who handles it is assumed to be dishonest until he proves himself otherwise. Audits are penetrating and meticulous. Commercial morality is enormously improved. The bezzle shrinks. … Just as the boom accelerated the rate of growth, so the crash enormously advanced the rate of discovery. Within a few days, something close to a universal trust turned into something akin to universal suspicion. Audits were ordered. Strained or preoccupied behavior was noticed. Most important, the collapse in stock values made irredeemable the position of the employee who had embezzled to play the market. He now confessed.
John Kenneth Galbraith (The Great Crash 1929)
He places one of his long fingers over my lips, silencing me. I can smell my own musky arousal on his digit and I have the strongest urge to take it in my mouth and suck it as I did earlier during my audition. He says nothing but drills into me with those dazzling eyes. I have the strangest feeling that he is looking into my soul. “Let us see where the wave takes us. I know I am going to enjoy the ride and I can guarantee our mutual satisfaction. Maybe we’ll be washed to shore, I just don’t know yet, but you can be certain of one thing…” I gaze up at him from his chest, breathing in the scent of his masculinity as I do. “What’s that, sir?” I ask, my voice betraying the curiosity I feel. He looks down at me for a long, hard moment before he answers. “I won’t let you drown.
Felicity Brandon (Submission at The Tower: The Depths of Desire)
And I would guess there’s a lot more similarity in how we suffer than the way we experience joy. Rejection stays with you, but I don’t think people register it when they’re happy. They don’t say, “I need to remember what this feels like.” It just goes by, and it’s perfect and awesome, and you feel grateful that you get to experience even a fleeting moment of pure, unbridled, unsarcastic bliss. But when we experience pain or trauma, we’re acutely aware that something is wrong. You want answers. “What is this? How do I get rid of this? Why is this happening to me? I don’t want this.” That’s why so much art, and music, in particular, becomes a great commiserating balm for pain. Joy doesn’t need to be audited. We’re just grateful to have had it at all. But pain, goddammit, we demand to know Who’s responsible for this?
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
Bekka treated her role has Frankenstein's bride more like an audition to be Brett's bride. Every part of her body had been colored bright kelly green - even parts that her mother had stressed were 'not to be seen by anyone except God and the inside of a toilet bowl.' Instead of wearing a wig, Bekka had teased and then shellacked her own hair into a windblown cone and she'd used female-mustache bleach to create white streaks. Her seams, made of real suture thread, had been attached to her neck and wrists with clear double-sided costume tape because drawing them on with kohl would not have been 'honoring the character.' Her Costume Castle dress had been exchanged for something 'more authentic' from the Bridal Barn. If Brett didn't see his future in her heavily black-shadowed eyes tonight, he never would. Or so she believed.
Lisi Harrison (Monster High (Monster High, #1))
I had found a woman whom I had not known, and who from day to day had grown stranger to me, yet closer. Now she seemed to be slipping away from me again, into a realm where all names are forgotten, where there is only darkness and perhaps certain unknown laws of darkness. She rejected that dark realm; she came back, but she no longer belonged to me as I had tried to believe. Perhaps she had never belonged to me; who, after all, belongs to whom, and what is it to belong to someone, to belong to one another? Isn't it a forlorn illusion, a convention? Time and again she turned back, as she called it, for an hour, for the duration of a glance, for a night. And always I felt like a bookkeeper who is not allowed to audit. I could only accept without question whatever this unaccountable, unhappy, damned, and beloved creature chose to be and to tell me. ... Loneliness demands a companion and does not ask who it is. If you don't know that, you may have been alone, but you were never lonely.
Erich Maria Remarque (The Night in Lisbon)
What you see is what I am. I've not had my boobs done or my arse lifted, no nips, no tucks. No ribs removed, nothing. Those little strumpets we see on the silver screen today are mostly bathroom sealant. They buy breasts over the counter. What would you like, honey, small, medium or large? They give us stick insects and tell us it's beauty. If someone of their size went for an audition jn my day she'd have been shown a square meal and told to come back when she was a stone heavier. What's wring with curves? Anyone over a ten these days is regarded not as an average-sized woman but a marketing opportunity. Cream for this, pills for that, superfluous hair, collagen injection, quick weight-loss diets. Where's it going to end? We're pressured to expend so much money and effort ti be the 'perfect' shape when that shape is physically attainable by only one woman in a million. It's the cold face of capitalism, boys and girls, preying in misguided expectations. Besides, I always found perfection an overrated commodity
Jasper Fforde
I see that you have come to the last stage of human life; you are close upon your hundreth year, or even beyond: come now, hold an audit of your life. Reckon how much of your time has been taken up by a money-lender, how much by a mistress, a patron, a client, quarreling with your wife, punishing your slaves, dashing about the city on your social obligations. Consider also the diseases which we have brought on ourselves, and the time too which has been unused. You will find that you have fewer years than you reckon. Call to mind when you ever had a fixed purpose; how few days have passed as you had planned; when you were ever at your own disposal; when your face wore its natural expression; when your mind was undisturbed; what work you have achieved in such a long life; how many have plundered your life when you were unaware of your losses; how much you have lost through groundless sorrow, foolish joy, greedy desire, the seductions of society; how little of your own was left to you. You will realize that you are dying prematurely.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
Staying level with Tess was going to require fast thinking, which was mighty difficult considering all the blood he needed for said thought processes was now hurtling south. “What would this job involve?” “Only one task. Make. Me. Believe.” “That I’m your fiancé?” Cue her smile, sly and sexy. First time she’d let him in on that action, too. “That you want me more than your next breath.” If she moved forward a couple of inches, his boner would make her believe.
Kate Meader (Even the Score (Tall, Dark, and Texan, #1))
When did pursuing your ambitions cross the line from brave into foolhardy? How did you know when to stop? In earlier, more rigid, less encouraging (and ultimately, more helpful) decades, things would be much clearer: you would stop when you turned forty, or when you got married, or when you had kids, or after five years, or ten years, or fifteen. And then you would go get a real job, and acting and your dreams for a career in it would recede into the evening, a melting into history as quiet as a briquette of ice sliding into a warm bath. But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault. Would Willem work for year upon year at Ortolan, catching the same trains to auditions, reading again and again and again, one year maybe caterpillaring an inch or two forward, his progress so minute that it hardly counted as progress at all? Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be? According
Hanya Yanagihara (A Little Life)
People always talk about the health benefits of Japanese food,’ he said, ‘but I’m fascinated by other aspects of the Japanese dining experience. Like the whole system of serving food at a counter like this, with the customers all facing the same direction, instead of each other. It’s strange when you think about it. At a sushi bar, for example, everyone’s facing the itamae-san, and you discuss the things you’re eating – what type of squid this is, and where they’re caught, and how this is the season for them but they’ll only be at their best for another couple of weeks, and so on. Discussing the food with the chef even as you eat it – that’s a peculiar system.’ ‘I suppose it is, isn’t it? I don’t go to sushi restaurants very often – they’re so expensive – and I could probably count the number of times I’ve sat at the counter, but I know what you mean. There’s something about that atmosphere.’ ‘At its worst, it’s almost an atmosphere of collusion.’ ‘Collusion?’ ‘Everyone at the counter becomes a member of the group. In some sushi bars, all the customers are regulars and they all know each other. As an outsider, you need courage to walk into a place like that and take a seat. It’s a tight-knit little community, and harmony is of the utmost importance. Nobody’s confronting anyone else individually. The conversation all proceeds through the chef, who’s like a moderator or a master of ceremonies. You couldn’t spend some quiet time with a lover, for example, in a place like that, because you’d be isolating yourselves from the others and spoiling the atmosphere for everyone.
Ryū Murakami (Audition)
Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.
Philip Appleman