Auburn Color Quotes

And because I was six, I remember believing color was a kind of happiness—so I took the brightest shades in the crayon box and filled my sad cow with purple, orange, red, auburn, magenta, pewter, fuchsia, glittered grey, lime green.

That won’t be enough for me, Auburn. I can already tell. And whoever’s favorite color is blue won’t stand a chance in this tent, because I’m about to make sure that the only thing she ever thinks about when she sees a tent again is Oh My God.

Burr had the dark and severe coloring of his Edwards ancestry, with black hair receding from the forehead and dark brown, almost black, eyes that suggested a cross between an eagle and a raven. Hamilton had a light peaches and cream complexion with violet-blue eyes and auburn-red hair, all of which came together to suggest an animated beam of light to Burr’s somewhat stationary shadow.

Ow! That…” A little ball of fur chewed on my slippers, not caring that my feet were still inside. I’d never seen another creature like it. It had the auburn- colored body of a lion cub, but it also had nubby horns, wings, and a dragon’s tail. Its little black talons scratched at my leg; then it stared at me with accusa-tory ice- water blue eyes. “No pixing way! Prince Kato?

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

auburn in color, and a little too much

Her hair, the brightest shade of red he had ever seen, seemed to feed on the firelight, glowing with incandescent heat. The slender wings of her brows and the heavy fringe of her lashes were a darker shade of auburn, while her skin was that of a true redhead, fair and a bit freckled on the nose and cheeks. Sebastian was amused by the festive scattering of little gold flecks, sprinkled as if by the whim of a friendly fairy. She had unfashionably full lips that were colored a natural rose, and large, round blue eyes... pretty but emotionless eyes, like those of a wax doll.

Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.

Color--that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light

Miss Marshall was wearing a ghastly green gown, one that had no doubt been lent to her by a friend. It fit rather poorly, gaping at the bosom and stretching at the hips. The color dimmed the fire of her hair—which, without her normal pins, refused to stay in place. Little strands made an auburn halo around her head. He’d never seen anything quite so lovely.

Because standing in front of him was his stylishly dressed partner, a messenger bag over one shoulder, a coat tossed over the other, and silver-rimmed aviators nestled in waves of auburn hair. More times than he could count, Jamie had imagined Aidan with his natural hair color, and damn if the reality didn’t surpass each and every one of his fantasies. Mouth

And, leaning over sideways to look, Comrade Snarky says, “My eyes are green, not brown, and my hair is naturally this color auburn.” She watches as he writes green, then says, “And I have a little red rose tattooed on my butt cheek.” Her eyes settle on the silver tape recorder peeking out of his shirt pocket, the little-mesh microphone of it, and she says, “Don't write dyed hair. Women either lift or tint the color of their hair.

I told her that it was a bad idea," Edythe mumbled under her breath. "Must be nice to know everything." Edythe sent Tyr a silencing sideways glance. "I'm practical." "And openly opinionated," Tyr added matter-of-factly. "And usually right," Edythe added, turning to face him squarely. She wished he wasn't so good-looking. Deep dimples, dark hazel eyes, and reddish-brown shoulder-length hair, the color she wished hers were instead of its intense auburn hue, all in a superior male body. Men that handsome weren't to be trusted.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

It doesn’t ever change. Does the sun not set in your dreams?” Eena grinned at his profile, remembering the first time Ian had noticed the same peculiarity. “No. It never sets.” She watched his brow wrinkle as he wondered at the view. “What good is a stagnant sunset?” Eena looked at the auburn lights. The question made her think for a moment. “Well, it’s always exactly what I want it to be, right between day and night.” “But I thought the beauty of a sunset was watching it change, marveling at the shift in colors as they intensify and then eventually fade.” “All that leaves you with is darkness,” she muttered. He turned to look at her. “You’re afraid of the dark?” She shook her head. “I’m afraid of what happens in the dark.” A look of concern questioned her meaning. “Nightmares,” she explained. “And solitude. And loneliness. The dark is where monsters come to life and people feel the need to leave you. Life is never secure in the dark. You never see things clearly in the dark.

So, I did some illustrations." Turning the laptop around again, I explain each drawing as I click through them. I've drawn a couple of the most recent dishes and also ones from the most popular episodes of Lily's, Katherine's, and Nia's series---baba ghanoush and samosas from World on a Plate, Easy Peasy Split Pea Soup and Julia Child's Play Boeuf Bourguignon from Fuss-Free Foodie, and a baked Alaska and cannoli cheesecake from Piece of Cake. I've also done some minimalist illustrations of each of the Friends, highlighting their respective settings and personal style with mostly solid colors and basic shapes. Since Rajesh's show takes him to a lot of different restaurants around the country, I've drawn him with wavy black hair and brown skin, standing under a generic restaurant sign and wearing a graphic T-shirt and the green backpack he always carries on his travels. Seb and Aiden are side by side in the FoF studio, in their white and red aprons, respectively, and looking like the little culinary angel and devil on your shoulder. And I've depicted Katherine standing in one of the prep kitchens with her hands on her hips and her wild auburn hair piled in a bun atop her head. She's surrounded by plates of miscellaneous food and the yellow notepad she jots her recipes down on, using the most basic steps and terms, and then displays on camera at the end of each episode.

Auburn. Strawberry red.” Great, you sound like the Bubba Gump of hair coloring.

Elisandra’s lips moved in a silent prayer of gratitude. Color actually washed across her face. That was bad; that was actually terrible; but there had been a hero, nonetheless, some mercy shown, and that made the story more bearable.

She looks young - too young really to be here - with a round face framed with short auburn hair and luminous opal-green irises. Their shade is the exact color of the fields outside our village, rich and vibrant after the monsoon rains, and I return her smile, fighting the stab of homesickness that shoots through me.

Eventually you have to decide what to do with this desire. Do you tamp it down in yourself, or do you chase after it? Should you quit your job to pursue your dream, or hang on to that steady paycheck? Stay in an okay relationship or find a better match? Do you plunge into a Technicolor riot of what might be, harsh and delirious and confusing? Or do you accept the humble beauty of ordinary life, where nothing ever changes, and everything is simple? Which will it be—Kansas or Oz? Life as it is or life as it could be? Soon enough, life will offer you an answer. But for the moment, you are like Dorothy, sitting up in her bed, trying to decide which pair of slippers she wants to wear today. Black or ruby? Black or ruby? Until she decides, she’ll be caught in a maddening state of tension, trying to live in two worlds at once—padding around the farmhouse as it spins inside the twister, with rubies shining in her bloodstream, her auburn hair slowly turning gray. Spare a thought for poor Dorothy, the orphan girl of Kansas, who dreams in color but lives in black and white.

Indeed, there was such a wealth of it, and it was so easy to comprehend, that I felt a great light joy. The knowledge was like the love and like the beauty; indeed, I realized with a great triumphant happiness that they were all – the knowledge, the love, and the beauty – they were all one. ‘Oh, yes, how could one not see it. It’s so simple!’ I thought. If I had had a body with eyes, I would have wept, but it would have been a sweet weeping. As it was, my soul was victorious over all small and enervating things. I stood still, and the knowledge, the facts, as it were, the hundreds upon hundreds of small details which were like transparent droplets of magical fluid passing through me and into me, filling me and vanishing to make way for more of this great shower of truth – all this seemed suddenly to fade. There beyond stood the glass city, and beyond it a blue sky, blue as a sky at midday, only one which was now filled with every known star. I started out for the city. Indeed, I started with such impetuosity and such conviction that it took three people to hold me back. I stopped. I was quite amazed. But I knew these men. These were priests, old priests of my homeland, who had died long before I had even come to my calling, all of which was quite clear to me, and I knew their names and how they had died. They were in fact the saints of my city, and of the great house of catacombs where I had lived. ‘Why do you hold me?’ I asked. ‘Where’s my Father? He’s here now, is he not?’ No sooner had I asked this than I saw my Father. He looked exactly as he had always looked. He was a big, shaggy man, dressed in leather for hunting, with a full grizzled beard and thick long auburn hair the same color as my own. His cheeks were rosy from the cold wind, and his lower lip, visible between his thick mustache and his gray-streaked beard, was moist and pink as I remembered. His eyes were the same bright china blue. He waved at me. He gave his usual, casual, hearty wave, and he smiled. He looked just like he was going off into the grasslands, in spite of everyone’s advice, and everyone’s caution to hunt, with no fear at all of the Mongols or the Tatars swooping down on him. After all, he had his great bow with him, the bow only he could string, as if he were a mythical hero of the great grassy fields, and he had his own sharpened arrows, and his big broadsword with which he could hack off a man’s head with one blow. ‘Father, why are they holding me?’ I

This kid 'was' smart. A bit of an attitude, but sharp. Enjoying Grace's company, Carter returned the smile and, for the first time, in the light, Grace got a really good look at her. She had auburn hair, close in color and in form to Grace's, actually, but it was long overdue for a decent cut. She was thin, bony, moving in the lithesome knobby-kneed way of a girl at the inelegant doorstep of puberty, but that and the ill-fitting tomboyish clothes she wore could do little to diminish the hints of the beautiful young woman she would soon become. You could see it in her when she smiled. Someone had passed on striking features to her, but there was something else that Grace saw, in the girl's big anime eyes, something mature beyond her years that seemed familiar to Grace, and immediately brought to mind the vegetable garden of her youth, where she used to sit and think and spend time alone just like this.

When he stood before her naked, he couldn't believe this beautiful woman, with the pale skin, flaming auburn hair, and eyes the color of spring hay, lay waiting for him. Phoebe's cheeks flushed a pretty pink. "You look like you're hungry and ready to eat the proffered offering." "I am, and I will.

Somehow everything inside him registered those words with Kane. His soul mate. The person who shared space inside his soul. He couldn't help the small grin he gave or how he scooted closer to reach out and run his fingers through Kane's silky dark hair. As the candles flickered, Avery slowly lifted the short pieces and realized auburn might be the true color of Kane's hair. He loved auburn hair. God, he was so physically attracted to this man. Avery started to move forward again as though drawn by a magnetic force. Slow down, mister. You'll scare him off before you even get a chance.

I know what she sees. My mother smiles into the camera, her auburn hair a fiery halo around her pale face in the winter sun. My stepfather and stepbrother stand at her shoulder, both tall blondes. And then there’s me. My hair cut close to tame the dark curls that can never decide which way to grow. My skin is the color of aged dark honey, and my eyes are gray as slate. I couldn’t look less like a part of the family if I tried. “One of these things is not like the others.” I grin over the rim of my glass, sipping my ginger ale. “I guess I’m gumbo, too.

hair—very thick, with a slight wave to it, and all the colors of red and gold mixed; copper and cinnamon, auburn and amber, red and roan and rufous, all mingled together.

He and Volnay are two shades of the same color, her deep auburn a complement to his brighter, brasher cinnamon. He has light hazel eyes, squished-up floppy ears, and a large square head atop a body that is built like a little tank. He looks a lot like a miniature orange mastiff. His paws are enormous. Not to mention some other obvious parts of his anatomy. This isn't going to be some elegant little thirty-pound girl. This is a serious BOY dog. And he's going to be HUGE. But he does have the advantage of being a puppy, and all puppies are adorable so that you don't kill them. He's curled up in Benji's arms, licking his ear, and I can't help it, he is pretty goddamned cute. I'm in real trouble.

He forced himself to sound careless, no matter that her proximity stirred his senses so powerfully. The sun flooding through the window lit rich colors in her opulent hair. Flax. Gold. Auburn.

Then the nameless man raised her hand from his chest and kissed her knuckles before touching his cheek to her palm. He hadn’t shaved recently, and stubble abraded her palm, its color as red as the auburn locks on his shoulders. Giving in to impulse, she rose up to her toes and brushed their lips together. Anastasia had intended sweet, but what she received was searing passion in return. The young man’s strong arms enfolded her and, in the next second, drew her flush to the masculine length of his torso. Her knees turned to jelly.

My eyes are brown and my hair is brown." "Your eyes are the color of warm chocolate," he said, tilting his head to study her. "Your hair isn't brown, but auburn with gold and red threads in it like the finest tapestry.

He starts down the trail again, running even faster than before, almost rejuvenated. That or he really doesn’t want to talk to me. I don’t follow him, because it’s hard to escape when someone’s riding your tail and you have to look back constantly when you should keep your eyes forward. But the boy with the buzzed hair asks really good questions. I may have met my match. I ask Mom if I can go out tonight. It’s Friday. We’re standing in the kitchen making dinner. Tom is still at the bank. Mom fills up my “Esther” water bottle and sets it down next to me. “With who?” I keep my head down as I chop onions for the spaghetti sauce. They sting my eyes. “Color. The girl who cleans our house,” I say. “You said we need to make friends.” “Color,” Mom says. “Interesting name.” She doesn’t answer my question right away, but takes some of the chopped onions and adds them to the cooking meat. I keep dicing as tears begin to form in my eyes and fall down my cheeks. “You know, I wanted to name you Violet, but your dad didn’t like names that were colors, like Ruby and Hazel.” Mom tucks loose auburn hair behind her ear. Hannah does the same motion with her hair, too. “Amber . . . Jade . . . Goldie?” I say. “How about Olive?” “Raven?” “Scarlet.” I gag. “I still love the name Violet, though,” Mom says. “It’s nice for a girl.” “I like it, too.” I keep chopping. Mom keeps cooking. I add more onions to the pot. She turns to me then, with tears running down her face, just like mine. We stare at each other. It’s the wettest thing to happen in the desert since we arrived. I ask Mom in my head, Why did you let this happen? It’s the most selfish thing I’ve ever asked because I made this happen. I wrote the equation and asked Mom and Tom to answer it. And they did. “From the onions,” Mom says, with a sniffle that knows it’s a lie. I hand her a napkin. She points at the “Esther” water bottle as she pats her face dry. “Drink that.” I follow her orders.

In the gray winter light from the windows, Kathleen's auburn hair was a lively shock of color. She was a little slip of a thing with distinctive feline beauty, her brown eyes tip-tilted and her cheekbones prominent.

Often when the desire for the happy-go-lucky, jovial good-fellowship of the Negroes came upon him strongly, he would go down to Auburn Avenue and stroll around the vicinity, looking at the dark folk and listening to their conversation and banter. But no one down there wanted him around. He was a white man and thus suspect. Only the black women who ran the “Call Houses” on the hill wanted his company. There was nothing left for him except the hard, materialistic, grasping, ill-bred society of the whites. Sometimes a slight feeling of regret that he had left his people forever would cross his mind, but it fled before the painful memories of past experiences in this, his home town. The unreasoning and illogical color prejudice of most of the people with whom he was forced to associate, infuriated him. He often laughed cynically when some coarse, ignorant white man voiced his opinion concerning the inferior mentality and morality of the Negroes.

Chikusho, I thought. This was the famous Imogen Kato, right here! She saw me and glanced down at the magazine I'd been looking at while waiting for my meeting with Chloe, open to the photo spread- of her. God, how embarrassing. I closed the magazine abruptly. It was definitely the same girl, although now her hair was platinum blond with dark roots instead of a mixture of auburn with honey and green apple-colored streaks. Beneath her plaid uniform skirt, she wore deep purple-and-blue-and-silver leggings that had prints of galloping gray unicorns, and over her blouse was a worn-out, oversize, cream-colored cardigan sweater with the belt tied to the side instead of center. Apparently, the uniform dress code was not that strict at this school.

There hadn’t been a god for many years. Not the nightgownclad patriarch of Sunday school coloring books; not the sensitive young man with the inevitable auburn ringlets Anna had stared through in the stained-glass windows at Mass; not the many-armed and many-faceted deities of the Bhagavad Gita that she’d worshipped alongside hashish and Dustin Hoffman in her college days. Even the short but gratifying parade of earth goddesses that had taken her to their ample bosoms in her early thirties had gone, though she remembered them with more kindness than the rest. God was dead. Let Him rest in peace. Now, finally, the earth was hers with no taint of Heaven.

I did not notice the bright red light spilling into the keyhole, nor did I expect the vivacity of the Scythe Card’s ruby-red color until it was already in the room. Prince Renelm Rowan stepped into the cellar, mud still clumped onto his boots from the hunt. When his eyes found me, they were brilliant green. “Who the hell is this?” “Elspeth Spindle,” Jespyr said. “Erik’s daughter,” Ravyn said, sharing a pointed look with his cousin. The Prince surveyed me. He looked like a fox to me, with his wild auburn hair and bright, intelligent eyes. “I’m Renelm,” he said, narrowing them. “But Elm will do.