Attracted To Darkness Quotes

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The villains were always ugly in books and movies. Necessarily so, it seemed. Because if they were attractive—if their looks matched their charm and their cunning—they wouldn't only be dangerous. They would be irresistible.
Nenia Campbell (Horrorscape (Horrorscape, #2))
Over the years, I have come to realize that the greatest trap in our life is not success, popularity, or power, but self-rejection. Success, popularity, and power can indeed present a great temptation, but their seductive quality often comes from the way they are part of the much larger temptation to self-rejection. When we have come to believe in the voices that call us worthless and unlovable, then success, popularity, and power are easily perceived as attractive solutions. The real trap, however, is self-rejection. As soon as someone accuses me or criticizes me, as soon as I am rejected, left alone, or abandoned, I find myself thinking, "Well, that proves once again that I am a nobody." ... [My dark side says,] I am no good... I deserve to be pushed aside, forgotten, rejected, and abandoned. Self-rejection is the greatest enemy of the spiritual life because it contradicts the sacred voice that calls us the "Beloved." Being the Beloved constitutes the core truth of our existence.
Henri J.M. Nouwen
At this point, you may be wondering how I felt seeing my son with Nico di Angelo. I’ll admit I did not understand Will’s attraction to a child of Hades, but if the dark foreboding type was what made Will happy… Oh perhaps some of you are wondering how I felt seeing him with a boyfriend rather than a girlfriend. If that’s the case, please. We gods are not hung up about such things.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Occupied in observing Mr. Bingley’s attentions to her sister, Elizabeth was far from suspecting that she was herself becoming an object of some interest in the eyes of his friend. Mr. Darcy had at first scarcely allowed her to be pretty: he had looked at her without admiration at the ball; and when they next met, he looked at her only to criticise. But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness. Of this she was perfectly unaware: to her he was only the man who made himself agreeable nowhere, and who had not thought her handsome enough to dance with.
Jane Austen (Pride and Prejudice)
Got you. You're mine now. For the rest of the day, week, month, year, life. Have you guessed who I am? Sometimes I think you have. Sometimes when you're standing in a crowd I feel those sultry, dark eyes of yours stop on me. Are you too afraid to come up to me and let me know how you feel? I want to moan and writhe with you and I want to go up to you and kiss your mouth and pull you to me and say "I love you I love you I love you" while stripping. I want you so bad it stings. I want to kill the ugly girls that you're always with. Do you really like those boring, naive, coy, calculating girls or is it just for sex? The seeds of love have taken hold, and if we won't burn together, I'll burn alone.
Bret Easton Ellis (The Rules of Attraction)
Thomas smiled at my eye roll, puffing his chest up and standing with one foot proudly resting on a chair as if posing for a portrait. “I don’t blame you, I am rather attractive. The tall, dark hero of your dreams, swooping in to save you with my vast intellect. You should accept my hand at once.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
Attractive, blonde, skinny, a little slutty, and… well, I kind of talked to her about you. She’s already keen. You should be able to slide straight into second base.’ Mags laughed again. Nathan didn’t. It had been a while. And then some. He glanced over to the wardrobe. Maybe the dark blue shirt.
Barry Kirwan (When the children come (Children of the Eye, #1))
There are lots of women who are attracted to tyrannical men. Like moths to a flame. And there are some women who do not need a hero or even a stormy lover but a friend. Just remember that when you grow up. Steer clear of the tryant lovers, and try to locate the ones who are looking for a man as a friend, not because they are feeling empty themselves but because they enjoy making you full too. And remember that friendship between a woman and a man is something much more precious and rare than love: love is actually something quite gross and even clumsy compared to friendship. Friendship includes a measure of sensitivity, attentiveness, generosity, and a finely tuned sense of moderation.
Amos Oz (A Tale of Love and Darkness)
The ultimate sexist put-down: the prick which lies down on the job. The ultimate weapon in the war between the sexes: the limp prick. The banner of the enemy's encampment: the prick at half-mast. The symbol of the apocalypse: the atomic warhead prick which self-destructs. That was the basic inequity which could never be righted: not that the male had a wonderful added attraction called a penis, but that the female had a wonderful all-weather cunt. Neither storm nor sleet nor dark of night could faze it. It was always there, always ready. Quite terrifying, when you think about it. No wonder men hated women. No wonder they invented the myth of female inadequacy.
Erica Jong (Fear of Flying)
No one's making any decisions today," Mom translated. "It's late, and we're all tired and a little overwhelmed. Besides, Lucius, Jessica is not ready to contemplate marriage. She hasn't even kissed a boy yet, for goodness' sake." Lucius smirked at me, raising one eyebrow. "Really? No suitors? How shocking. I would have thought your pitchfork skills would be attractive to certain bachelors here in farm country.
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
On second thought she hoped she never met a woman that attractive.. If she did, she would be morally obligated to run her over with her car.." Bride
Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
Every book should begin with attractive endpapers. Preferably in a dark colour: dark red or dark blue, depending on the binding. When you open the book it's like going to the theatre. First you see the curtain. Then it's pulled aside and the show begins.
Cornelia Funke (Inkheart (Inkworld, #1))
Such lonely, lost things you find on your way. It would be easier, if you were the only one lost. But lost children always find each other, in the dark, in the cold. It is as though they are magnetized and can only attract their like. How I would like to lead you to brave, stalwart friends who would protect you and play games with dice and teach you delightful songs that have no sad endings. If you would only leave cages locked and turn away from unloved Wyverns, you could stay Heartless.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
I worry that, especially as the Millennium edges nearer, pseudoscience and superstition will seem year by year more tempting, the siren song of unreason more sonorous and attractive. Where have we heard it before? Whenever our ethnic or national prejudices are aroused, in times of scarcity, during challenges to national self-esteem or nerve, when we agonize about our diminished cosmic place and purpose, or when fanaticism is bubbling up around us - then, habits of thought familiar from ages past reach for the controls. The candle flame gutters. Its little pool of light trembles. Darkness gathers. The demons begin to stir.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
Let us say in passing, to be blind and to be loved, is in fact--on this earth where nothing is complete--one of the most strangely exquisite forms of happiness. To have continually at your side a woman, a girl, a sister, a charming being, who is there because you need her, and because she cannot do without you, to know you are indispensable to someone necessary to you, to be able at all times to measure her affection by the degree of the presence that she gives you, and to say to yourself: She dedicates all her time to me, because I possess her whole love; to see the thought if not the face; to be sure of the fidelity of one being in a total eclipse of the world; to imagine the rustling of her dress as the rustling of wings; to hear her moving to and fro, going out, coming in, talking, singing, to think that you are the cause of those steps, those words, that song; to show your personal attraction at every moment; to feel even more powerful as your infirmity increases; to become in darkness, and by reason of darkness, the star around which this angel gravitates; few joys can equal that. The supreme happiness of life is the conviction that we are loved; loved for ourselves--say rather, loved in spite of ourselves; the conviction the blind have. In their calamity, to be served is to be caressed. Are they deprived of anything? No. Light is not lost where love enters. And what a love! A love wholly founded in purity. There is no blindness where there is certainty.
Victor Hugo (Les Misérables)
Dark matter is love. It's the attracting force.
Nicola Yoon (The Sun Is Also a Star)
May I remind you, I am half Demon and I know full well how attracted I am to your dark side, just as the Angel in me is addicted to the shy and good girl that stands before me now.
Stephanie Hudson (The Two Kings (Afterlife Saga #2))
The newcomer stood well over six feet, as tall as any Warden. His hair was dark, the color of obsidian, and it reflected blue in the dim light. Lazy locks slipped over his forehead and curled just below his ears. Brows arched over golden eyes and his cheekbones were broad and high. He was attractive. Very attractive. Mind-bendingly beautiful, actually, but the sardonic twist to his full lips chilled his beauty. The black T-shirt stretched across his chest and flat stomach. A huge tattoo of a snake curled around his forearm, the tail disappearing under his sleeve and the diamond-shaped head rested on the top of his hand. He looked my age. Total crush material—if it wasn’t for the fact that he had no soul.
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
Her heart sank. That's why he found her attractive- because he'd been so long without. He'd probably find a perfumed rock appealing at this point.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
It might have a slight hallucinatory effect, though." "That explains why I can see seven of you," Magnus said to Alec. "My ultimate fantasy." Dru covered Tavvy's ears, though Tavvy was playing with a Slinky Alec had given him and appeared deaf to the world. Magnus pointed. "That one of you over there is extremely attractive, Alexander." "That's a vase," said Helen. Magnus squinted at it. "I'd be willing to buy it from you.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
I do not understand how she can fill me with such hope and fear simultaneously. I pull her hand to my chest and lean in to her, until we share breath. My lips brush across hers. It is barely a kiss, but she is somehow closer to me, her body a pool of warmth against mine. I want so desperately to turn it into more, to see where this blossoming attraction will lead.
Brigid Kemmerer (A Curse So Dark and Lonely (Cursebreakers, #1))
Should we leave now?” “I need to finish my tea first,” Jem said. “Anyway, I don’t see what you’re so fired up about. You said the place hadn’t been used as a brothel in ages?” “I want to be back before dark,” Will said. He was leaning nearly across Tessa’s lap, and she could smell that faint boy-smell of leather and metal that seemed to cling to his hair and skin. “I have an assignation in Soho this evening with a certain attractive someone.” “Goodness,” Tessa said to the back of his head. “If you keep seeing Six-Fingered Nigel like this, he’ll expect you to declare your intentions.” Jem choked on his tea.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
As she chattered and laughed and cast quick glances into the house and the yard, her eyes fell on a stranger, standing alone in the hall, staring at her in a cool impertinent way that brought her up sharply with a mingled feeling of feminine pleasure that she had attracted a man and an embarrassed sensation that her dress was too low in the bosom. He looked quite old, at least thirty-five. He was a tall man and powerfully built. Scarlett thought she had never seen such a man with such wide shoulders, so heavy with muscles, almost too heavy for gentility. When her eye caught his, he smiled, showing animal-white teeth below a close-clipped black mustache. He was dark of face, swarthy as a pirate, and his eyes were as bold and black as any pirate's appraising a galleon to be scuttled or a maiden to be ravished. There was a cool recklessness in his face and a cynical humor in his mouth as he smiled at her, and Scarlett caught her breath. She felt that she should be insulted by such a look as was annoyed with herself because she did not feel insulted. She did not know who he could be, but there was undeniably a look of good blood in his dark face. It showed in the thin hawk nose over the full red lips, and high forehead and the wide-set eyes.
Margaret Mitchell (Gone with the Wind)
I’m attracted to the extreme light and the extreme dark. I’m interested in the human condition and what makes people tick. I’m interested in the things people try to hide.
Johnny Depp
But lost children always find each other, in the dark, in the cold. It is as though they are magnetized, and can only attract their like.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
The Specters feast as vampires feast on blood, but the Specters’ food is attention. A conscious and informed interest in the world. The immaturity of children is less attractive to them.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
There is a moment, in all my studying of movies and scripts, that I’d realized something elemental about human beings and why I’d been attracted to that imaginary world. Each piece of work was attempting to describe the human condition, in all its good, bad and ugly glory. At first, it’d been an extension of my own life, strangely mirrored in this world of ‘fiction’. Each story wanted, no— needed—to reveal a human fragility, a human bondage which tied people to the things they did and to be the person they held in their heads. Those stories were something true and sometimes horrific but people were people and the parts didn’t just tell the whole story.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Because you're unique . You shine like a beacon, attracting the attention of all dark things." It chuckled. "Why do you think I'm chatting with you?
Jonathan Stroud (The Hollow Boy (Lockwood & Co., #3))
She resolved not to beat herself up because she was attracted to a deadly, vampiric maniac that she yearned to kill.
Kresley Cole (Lothaire (Immortals After Dark, #11))
Beati bellicosi. Blessed are the warriors.” “Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.” Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?” Magnus’s cat eyes widened. “Alexander!” “Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.” Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?” Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.” “I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.” “You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?” Alec gave him a very unpleasant look. “What’s true?” “Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.” Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.” “Hey, now,” said Jordan mildly. Magnus put his head in his hands. “Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?” “Mermaids,” said Magnus into his fingers. “They always smell like seaweed.” “It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
When I see your light pieces with my dark pieces, I begin to understand why they say opposites attract.
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.” Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?” “Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.” “Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?” “One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.” He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.” “I already feel that way,” I said quietly. Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.” I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
This girl has the spark of life. This is my primary filter for new friends (girl- and otherwise) and the highest compliment I can pay. I've tried many times to figure out exactly what ignites it -- what cocktail of characteristics come together in the cold, dark cosmos to form a star. I know it's mostly in the face -- not just the eyes, but the brow, the cheeks, the mouth, and the micromuscles that connect them all. Kat's micromuscles are very attractive.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
poetry is a magnet to attract all the broken hearts
Mehran Hashemi (Light Needs Darkness to Shine)
No you can't take a pistol and plug a girl you don't even know simply because she attracts you.
Vladimir Nabokov (Laughter in the Dark)
Talk about insanity. Being attracted to deVries was like a month saying, "Hey, let's go check out that awesome bonfire".
Cherise Sinclair (My Liege of Dark Haven (Mountain Masters & Dark Haven, #3))
I was so distracted when walking out of the restroom that I hadn't noticed Rose standing nearby with Dimitri Belikov. They stood arm in arm, smiling at my surprise. I hadn't seen Dimitri tonight, and his black and white guardian attire told me why. He was on duty here and had undoubtedly been one of the shadows darting among the trees of the greenhouse, keeping a watch on everyone. He must be on break now because there was no way he'd be standing so casually here, even with Rose, otherwise. And really, "casual" for Dimitri meant he could still leap into battle at any moment. They were a striking couple. His dark-haired, dark-eyed looks matched hers, and they were both dazzlingly attractive. It was no wonder Adrian had fallen for her, and I felt surprised at how uncomfortable that memory made me. Like Sonya and Mikhail, there was a bond of love between Rose and Dimitri and Rose that was almost palpable.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Those of us with greater inner light attract the most darkness.
Leia Stone (Fallen Academy: Year One (Fallen Academy, #1))
She was one of those languid women, made of dark honey, smooth and sweet, and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes — and all the while remain as still as the centre of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract themselves the yearnings and the souls of both men and women.
Patrick Süskind
He's having a vision," I said. "That's what happens." (Maya) "Attractive, I know," Corey said between gritted teeth. "And now I get new witnesses to my humiliation. Wonderful." "We're used to it," Chloe said. "Derek used to do that when he Changed. Only worse." "Thank you for sharing," Derek muttered. She grinned. "You're welcome.
Kelley Armstrong (The Rising (Darkness Rising, #3))
She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey, smooth and sweet and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes-and all the while remain as still as the center of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract to themselves the yearnings and the souls of both men and women.
Patrick Süskind (Perfume: The Story of a Murderer)
Guy was saying, “What the hell is it about you that attracts murder and mayhem?" "Something in my body language?" He groaned. “That was bad—even for you.
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
Ahhh, you two are special friends." Nick "How do you mean?" Kyrian "He thinks we're a couple" Ash "No No No Definitely not. Not that Acheron is not an attractive man, not that I've ever really noticed whether or not he's attractive, but male is not my type." Kyrian
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
I didn’t want the person standing there, beside the bed, to have the same face I’d found so attractive at the airport. But you were there all right: the blue eyes, blondish hair, and tiny scar. Only you didn’t look beautiful this time. Just evil.
Lucy Christopher (Stolen (Stolen, #1))
God is not attracted to mountaintops or church steeples. God is drawn to suffering, and the dark places it surfaces, which is why sharing pain freely feels very much like love, and may be the same thing. (207)
Keith Ablow (Denial (Frank Clevenger, #1))
The Simi has needs. Lots of needs. I need akri’s plastic card, for one thing. It very nice. People give me lots of stuff when I hand it to them. Ooo, I really like the new plastic card he gave me with my own name on it. It blue and all sparkly and it says Simi Parthenopaeus. Doesn’t that have a nice ring to it? I have to say it again. Simi Parthenopaeus. I like that a lot. It even has my picture in the corner and I am a very attractive demon if I do say so myself. Akri says it, too. ‘Simi, you are beautiful.’ I like it when he tells me that. (Simi)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
So it will go,” Merriman said. “He will have a sweet picture of the Dark to attract him, as men so often do, and beside it he will set all the demands of the Light, which are heavy and always will be.
Susan Cooper (The Dark Is Rising (The Dark Is Rising, #2))
You know, you're hot and you've got that badass manly man thing going and I'm crazily attracted to you, but honestly, I suspect you're going to be a little too bossy for my tastes. Thanks for the offer on the whole love-me-die-for-me thing, but I'll pass.
Stephanie Rowe (Darkness Awakened (Order of the Blade #1))
The front door shuts and I glance up to find Sawyer walking towards me. He’s attractive, I’ll give him that. If you go for tall, incredibly fit men with chiseled jaws and thick dark hair. Which no girl does, ever. It must suck to be him.
Jana Aston (Right (Wrong #2))
What?" he asked. "I don't know. Just thinking about flowers. And impressing people. I mean, how strange is it that we bring plant sex organs to people we're attracted to? What's up with that? It's a weird sign of affection." His dark eyes lit up, like he'd just discovered something surprising and delightful. "Is it any weirder than giving chocolate, which is supposed to be an aphrodisiac? Or what about wine? A 'romantic' drink that really just succeeds in lowering the other person's inhibitions." "Hmmm, It's like people are trying to be both subtle and blatant at the same time. Like, they won't actually go up and say, 'Hey, I like you, lets get together.' Instead, they're like, 'Here, have some plant genitalia and aphrodisiacs.
Richelle Mead (Storm Born (Dark Swan, #1))
You’re a very strong personality, Harper. You would only be attracted to someone who’s either stronger or equally strong.” It pissed her off that he’d read her so easily. “And you think you’re stronger, don’t you?” “What I think is that when I’m deep inside you, neither of us will care.
Suzanne Wright (Burn (Dark in You, #1))
And in the kisses, what deep sweetness! There are women's mouths that seem to ignite with love the breath that opens them. Whether they are reddened by blood richer than purple, or frozen by the pallor of agony, whether they are illuminated by the goodness of consent or darkened by the shadow of disdain, they always carry within them an enigma that disturbs men of intellect, and attracts them and captivates them. A constant discord between the expression of the lips and that of the eyes generates the mystery; it seems as if a duplicitous soul reveals itself there with a different beauty, happy and sad, cold and passionate, cruel and merciful, humble and proud, laughing and mocking; and the abiguity arouses discomfort in the spirit that takes pleasure in dark things.
Gabriele d'Annunzio (The Child Of Pleasure)
What happened in his village that Artemis doesn’t want Zarek to know about? (Astrid) I don’t know. She’s all paranoid all the time anyway. Afraid akri is going to leave and not come back, which I keep telling him to do. But does he listen? No. ‘She’s not your concern, Simi. You don’t understand, Simi.’ I understand, all right. I understand the bitch-goddess needs the Simi to barbecue her until she learns to be nice to people. I think she’d be rather attractive on fire. I could make her look like that old sea hag or something. (Simi)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
When Ben turned, his dark eyes danced with yellow light. Already handsome, flaring took his attractiveness to a whole new level. Ben’s coppery skin practically glowed in the evening light. I turned quickly, surprised by the color rising to my cheeks.
Kathy Reichs (Code (Virals, #3))
Curran smiled. It was a happy, genuine smile and it catapulted him from attractive into irresistible territory. He didn’t smile very often in public. That intimate smile was usually reserved for private moments when we were alone. I pulled the band off my still-damp braid and slid my fingers through it, unraveling the hair. Curran’s gaze snagged on my hands. He focused on my fingers like a cat on a piece of foil pulled by a string. I shook my head and my hair fell over my shoulders in a long dark wave. There we go. Now we were both private in public.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
It was September, and there was a crackly feeling to the air. I was saying something that was making her laugh, and I couldn't stop looking at her. It was a little bit chilly, and her cheeks were pink, and her dark hair was flowing around her face. All I wanted for the rest of my life was to keep making her laugh like that. Sometimes our arms brushed against each other as we walked, and it was like I could feel the touch for minutes after it happened.
Carolyn Parkhurst (Lost and Found)
Have mercy on me, my Soul. You have shown me Beauty, But then concealed her. You and Beauty live in the light; Ignorance and I are bound together in the dark. Will e'er the light invade darkness? Your delight comes with the Ending, And you revel now in anticipation; But this body suffers with the life While in life. This, my Soul, is perplexing. You are hastening toward Eternity, But this body goes slowly toward perishment. You do not wait for him, And he cannot go quickly. This, my Soul, is sadness. You ascend high, though heaven's attraction, But this body falls by earth's gravity. You do not console him, And he does not appreciate you. This, my Soul, is misery. You are rich in wisdom, But this body is poor in understanding. You do not compromise, And he does not obey. This, my Soul, is extreme suffering. In the silence of the night you visit The Beloved And enjoy the sweetness of His presence. This body ever remains, The bitter victim of hope and separation. This, my Soul, is agonizing torture. Have mercy on me, my Soul!
Kahlil Gibran (The Treasured Writings of Kahlil Gibran)
Tessa: "A little girl robbed you?" Will: "Actually, she wasn't a little girl at all, as it turns out, but a midget in a dress with a penchant for violence, who goes by the name Six-Fingered Nigel." Jem:"Easy mistake to make." (later) Will: "I want to be back before dark. I have an assignation in Soho this evening with a certain attractive someone" Tessa: “Goodness, If you keep seeing Six-Fingered Nigel like this, he'll expect you to declare your intentions.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Every book should begin with attractive endpapers,' he had once told Meggie. 'Preferably in a dark color: dark red or dark blue depending on the binding. When you open the book it's like going to the theater. First you see the curtain. Then it's pulled aside and the show begins.
Cornelia Funke (Inkheart (Inkworld, #1))
I don't believe outstandingly beautiful and charismatic women create obsession in what would otherwise be normal men, but rather they attract the weirdos and the stalkers; flames in the darkness that these disturbing people inhabit, unwittingly drawing them closer until they extinguish the very flame they were drawn to.
Rosamund Lupton (Sister)
A trail made of pine needles and thistles leads you into the green darkness. The canopy casts shadows on old oaks and dogwoods, and you think you can smell the sour breath of a witch behind you. The wind sighs like a sleeping girl, carrying her bittersweet dreams along the paths to attract any man willing to look for thorn-covered castles. A wolf darts between fallen, rotted wood; maybe he’s the one who can tell you where your heart is, how you’re still breathing.
Kimberly Karalius (Pocket Forest)
You’re making me think of something else now, but it’s related. I love watching little kids play. No matter where you look in the world, you’ll observe that kids are programmed to play. They learn through play. I think if we’re lucky we never forget how to play. And, I tell you, Gwinlyn, that’s one of the things I find most attractive about you. You like to play, and you like to play with me. Unfortunately, too many women I’ve met prefer to be grown up all the time. They take themselves too seriously.
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
There is no excuse good enough to ever be out of alignment with love. You’re going to get hurt, and you will feel pain. Yet your purpose is to keep loving, anyway. Keep moving forward with an open heart. Love is a Divine gift given to humanity. Wasting it is no longer an option. Love is what brings light to a dark place. Love is what transforms a dying world into a thriving planet.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961
Sylvia Plath (The Collected Poems)
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Hermes visited him in the Underworld a few days before the spring equinox festival, cajoling Hades to come to it. Hades wandered across the fields with him, Kerberos limping along at his side. “No one wants the god of death at their fertility festival.” “Sure they do. I’ve heard plenty of girls sighing over your tasty darkness.” “Tasty darkness. Really.
Molly Ringle (Persephone's Orchard (The Chrysomelia Stories, #1))
And sadly, fairytale kingdoms work poorly. It’s not just that they’re fairytales and thus not terribly real; we’ve seen stranger and more mythical attempts at leadership in our time. The problem is that Fairytales attract Good Faeries, and thus Bad Faeries; Evil Queens; Huntsmen, and, of course, The Grand Vizier. And all of those tend to lead to ruination.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Adrian was a vampire. Adam was the Dark Heir of the Fae. Larissa was dead. Alden was facing danger to help us. I was homeless, jobless, and attracted to the one thing that would surely kill me in the end. The reality set in that I had even lost my dog, and now my life was just one tragedy away from becoming a sad country song.
Amelia Hutchins (Taunting Destiny (The Fae Chronicles, #2))
[On the subject of Heath Ledger's Joker] This character who attracts psychotic henchmen may have lingering symptoms from his own past psychosis. He keeps making involuntary, repetitive movements—flicking his tongue, smacking his mouth—which suggest tardive dyskinesia, a condition that arises as a consequence of long-term or high-dosage use of antipsychotic (neuroleptic) medication.
Travis Langley (Batman and Psychology: A Dark and Stormy Knight)
The Roman genius, and perhaps the Roman flaw was an obsession with order. One sees it in their architecture, their literature, their laws—this fierce denial of darkness, unreason, chaos. Easy to see why the Romans, usually so tolerant of foreign religions, persecuted the Christians mercilessly—how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it. In fact, I think the reason they took such drastic steps was because they were not only frightened but also terribly attracted to it. Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans? The Greeks were different. They had a passion for order and symmetry, much like the Romans, but they knew how foolish it was to deny the unseen world, the old gods. Emotion, darkness, barbarism.
Donna Tartt (The Secret History)
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear so suddenly last night? It’s not like you to simply vanish without saying—” “I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.” Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask. “Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea. “Doing what?” Daisy asked blankly. Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Hence the strong attraction which magic and science alike have exercised on the human mind; hence the powerful stimulus that both have given to the pursuit of knowledge. They lure the weary enquirer, the footsore seeker, on through the wilderness of disappointment in the present by their endless promises of the future: they take him up to the top of an exceeding high mountain and show him, beyond the dark clouds and rolling mists at his feet, a vision of the celestial city, far off, it may be, but radiant with unearthly splendour, bathed in the light of dreams.
James George Frazer (The Golden Bough: A Study in Magic and Religion, Volume 1)
I don't want blood to rule my life like it does some. Once you take it, it's like a drug." He stared out the window to the masked revelers in the courtyard. "Warm, rich, never enough." I nodded, fidgeting with my mask. "Kind of like chocolate." I tried to hold in my grin. Casey always said I had a weird sense of humour that came at the oddest times. He blinked before bursting into laughter. He had the nicest laugh and the most incredible smile I'd ever seen. It lit his grey eyes and sliced attractive little dimples into his cheeks. "Yeah. I guess it is like chocolate.
Kelly Keaton (Darkness Becomes Her (Gods & Monsters, #1))
She was remembering His gaze, those deep pools of blue, crystalline in nature, peering deep into her soul. She remembered the first night she had looked into that darkness – no, into that light in his eyes – they were level and straight, kind and compassionate, without any ado, Her hands in His, offerings of comfort and concern for Her station, the concern she felt for those close to Her, each to their own heaven or hell, and the law of attraction began to build.
Frank L. DeSilva (Tales of Love and LIght Here, Now, and All Ways)
Feeling guilt dims our light. Instead of dimming our light to make others feel more comfortable, we could just continue to shine and foster the rise of the vibrations of those around us. Being Happy and Feeling Good does not mean you have no compassion for the misery of those around you. It simply means you won’t dim your light to make them feel comfortable – instead, you’re going to help light the way. At first, your light may be a bit too bright for others and it may hurt their eyes, yet it’s far better to shine rather than to hide your light. When you hide your light for too long, it extinguishes and you slip right back into darkness…unable to find your way until someone ‘shiny’ comes along to light your way and help you to find the light you still possess within, your Soul’s Magnificence.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
The universe will bring people whatever they want…Let the magic happen. It’s always there. Abundance and love are always there. Believe in the highest good. There is a higher essence to everything. The realm you’re in has a heaviness that mutes energy. You can penetrate through it, no matter how dark and heavy. Sometimes it has nothing to do with karma. Just don’t forget to keep it open. Don’t get too bogged down…Prosperity can happen at any time. I want to give you everything that you need.-Kuan Yin
Hope Bradford (Beneficial Law of Attraction: the Manifestation Teachings (Kuan Yin Law of Attraction Techniques based on "Oracle of Compassion: the Living Word of Kuan Yin))
There’s a guy there too, sitting in an armchair across from me with a glass coffee table between us. He’s maybe three or four years older than me, and he looks like he has just stepped off a GQ cover, with his thick wavy dark hair, square jaw, flawless smooth skin, and elegantly tailored suit that does a lot for his tall athletic frame. Aside from Grayson, he’s probably one of the most handsome guys I’ve met in person. - Celestra Caine about Jack Simple, FADE by Kailin Gow
Kailin Gow (Fade (Fade, #1))
In the fantasy I spun for myself that night before falling asleep, those deep dark secrets were revealed. That simple touch became a violent embrace, worthy of any bodice-ripper. There were a certain number of gleeful perversions committed on Ivan's battered leather sofa. And at some point in the fantasy, Ivan was a vampire, because I was sort of weird that way. He was a real, Gothic-style, Bram Stoker sort of vampire who bit people as a metaphor for having dubious-consent, alpha-male sex with them, I should point out. None of your modern, sensitive vampires for me. I appreciated the classics.
Delphine Dryden (The Theory of Attraction (Science of Temptation, #1))
For me the real evil of masturbation would be that it takes an appetite which, in lawful use, leads the individual out of himself to complete (and correct) his own personality in that of another (and finally in children and even grandchildren) and turns it back: sends the man back into the prison of himself, there to keep a harem of imaginary brides. And this harem, once admitted, works against his ever getting out and really uniting with a real woman. For the harem is always accessible, always subservient, calls for no sacrifices or adjustments, and can be endowed with erotic and psychological attractions which no real woman can rival. Among those shadowy brides he is always adored, always the perfect lover: no demand is made on his unselfishness, no mortification ever imposed on his vanity. In the end, they become merely the medium through which he increasingly adores himself . . . . And it is not only the faculty of love which is thus sterilized, forced back on itself, but also the faculty of imagination. The true exercise of imagination, in my view, is (a) To help us to understand other people (b) To respond to, and, some of us, to produce, art. But it has also a bad use: to provide for us, in shadowy form, a substitute for virtues, successes, distinctions etc. which ought to be sought outside in the real world—e.g. picturing all I’d do if I were rich instead of earning and saving. Masturbation involves this abuse of imagination in erotic matters (which I think bad in itself) and thereby encourages a similar abuse of it in all spheres. After all, almost the main work of life is to come out of our selves, out of the little, dark prison we are all born in. Masturbation is to be avoided as all things are to be avoided which retard this process. The danger is that of coming to love the prison.
C.S. Lewis
He studied me with his predator's gaze, assessing me from head to toe. I studied him back. He didn't just occupy space; he saturated it. The room had been full of books before, now it was full of him. About thirty, six foot two or three, he had dark hair, golden skin, and dark eyes. His features were strong, chiseled. I couldn't pinpoint his nationality any more than I could his accent; some kind of European crossed with Old World Mediterranean or maybe an ancestor with dark Gypsy blood. He wore an elegant, dark gray Italian suit, a crisp white shirt, and a muted patterned tie. He wasn't handsome. That was too calm a word. He was intensely masculine. He was sexual. He attracted. There was an omnipresent carnality about him, in his dark eyes, in his full mouth, in the way he stood. He was the kind of man I wouldn't flirt with in a million years.
Karen Marie Moning (Darkfever (Fever, #1))
Then she looked away, dismissing him as if she’d found him to be substandard. All right, then. She didn’t find him attractive. Good. In fact, he kept his head shaved to a glossy shine for just that reason. He was a man willing to do anything to discourage feminine attention. Because yeah, females could be vanity hounds and most preferred their dates to have hair. Black, blond, red, it didn’t matter, as long as the locks were thick and lustrous. And here was a news flash for little Miss Giggles: when he allowed his to grow, it was dark brown, nearly jet, with hints of gold and worthy of a fucking lion.
Gena Showalter (Dark Taste of Rapture (Alien Huntress, #6))
She likened it to a childhood crush, such strong almost obsessive feelings, but more, it had depth. She felt attracted to everything about him, the way he talked, the way he dressed, the words he used, his apparent innocence. Yet he was filled with a deep knowledge of wise insights. He always said the right things, even whe she didn’t want to hear them. The darkness lifted and she could suddenly see beyond. When he breezed into the room, he brought clarity and brightness with him. He was walking hope and she could tell that things for her be… not fantastic or wonderful or happily ever after, but that they could be okay. And that was enough.
Cecelia Ahern
In the first place I spent most of my time at home, reading. I tried to stifle all that was continually seething within me by means of external impressions. And the only external means I had was reading. Reading, of course, was a great help--exciting me, giving me pleasure and pain. But at times it bored me fearfully. One longed for movement in spite of everything, and I plunged all at once into dark, underground, loathsome vice of the pettiest kind. My wretched passions were acute, smarting, from my continual, sickly irritability I had hysterical impulses, with tears and convulsions. I had no resource except reading, that is, there was nothing in my surroundings which I could respect and which attracted me. I was overwhelmed with depression, too; I had an hysterical craving for incongruity and for contrast, and so I took to vice. I have not said all this to justify myself .... But, no! I am lying. I did want to justify myself. I make that little observation for my own benefit, gentlemen. I don't want to lie. I vowed to myself I would not.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
That's our cue to depart." "They know something " I pointed out. "I know something too. I know we're going to attract a lot of unwanted attention if they keep screaming. And then we have to make up some ridiculous explanation about how we heard screaming through the vents in our rooms and we followed the sound back to the basement and we found these girls lying on the ground and pretending to be tied up by invisible rope because they're practicing for the regional mime championships." I blinked at her. "Is that explanation more or less believable than we woke up because two girls who are actually evil magicians tripped a magical alarm wired to a door in the basement we aren't supposed to know about " Scout paused for a minute then nodded. "Point made.
Chloe Neill (Hexbound (The Dark Elite, #2))
An attraction to self-discovery and self-expression can be uplifting and assist us combat epic boredom. The toll of writing truthfully as possible can cause the writer to spiral emotionally out of control. Writing’s tempest temperament can prove a fatal attraction and many notable writers succumbed to the dark knight’s powerful sword. Too many writers and a cast of dead poets found themselves dangerously adrift on the flowing river of black ink interlocked in a life and death struggle with the creative streams of impulsion colliding with the rocky pods of madness. All artists must fight off the impulse to surrender to the aftershock of madness. The mad vein of stabbing pain that we might think belongs exclusively to ourselves is in actuality the capstone of the blood sport known as communal anxiety.
Kilroy J. Oldster (Dead Toad Scrolls)
NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
Anton Chekhov (The Seagull)
Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
So, you guyes are like us in other, uh, departments?” Deamon sat up, arching a brow. “Come again?” I felt my cheeks flush. “You know, like sex? I mean, you guys are all glowy and stuff. I don’t see how certain stuff would work.” Deamon’s lips curled into a half smile, and that was the only warning he gave. Moving unbelievably fast, I was on my back and he was above me in a flash. “Are you asking if I’m attracted to human girls?” he asked. Dark, wet waves of hair fell forward. Tiny droplets of water fell off the ends, splashing against my cheek. “Or are you asking if I’m attracted to you?” Using his hands, he lowered himself slowly. There wasn’t an inch of space between our bodies. Air fled my lungs at the contact of his body against mine. He was male and ripped in all the places I was soft. Being this close to him was startling, causing an array of sensations to zing through me. I shivered. Not from the cold, but from how warm and wonderful he felt. I could feel every breath he took, and when he shifted his hips, my eyes went wide and I gasped. Oh yeah, certain stuff was definitely working. Daemon rolled off me, onto his back beside me. “Next question?” he asked, voice deep and thick. I didn’t move. I stared wide-eyed at the blue-skies. “You could’ve just told me, you know?” I looked at him. “You didn’t have to show me.” “And what fund would there be in telling you?” He turned his head toward me. “Next question, Kitten?” “Why do you call me that?” “You remind me of a little fuzzy kitten, all claws and no bite.
Jennifer L. Armentrout (Obsidian (Lux, #1))
Human tool-makers always make tools that will help us get what we want, and what we want hasn't changed for thousands of years because as far as we can tell the human template hasn't changed either. We still want the purse that will always be filled with gold, and the Fountain of Youth. We want the table that will cover itself with delicious food whenever we say the word, and that will be cleaned up afterwards by invisible servants. We want the Seven-League Boots so we can travel very quickly, and the Hat of Darkness so we can snoop on other people without being seen. We want the weapon that will never miss, and the castle that will keep us safe. We want excitement and adventure; we want routine and security. We want to have a large number of sexually attractive partners, and we also want those we love to love us in return, and be utterly faithful to us. We want cute, smart children who will treat us with the respect we deserve. We want to be surrounded by music, and by ravishing scents and attractive visual objects. We don't want to be too hot or too cold. We want to dance. We want to speak with the animals. We want to be envied. We want to be immortal. We want to be gods. But in addition, we want wisdom and justice. We want hope. We want to be good.
Margaret Atwood (In Other Worlds: SF and the Human Imagination)
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
Poor old Jean Valjean, of course, loved Cosette only as a father; but, as we noted earlier, into this fatherly love his lonely single status in life had introduced every other kind of love; he loved Cosette as his daughter, and he loved her as his mother, and he loved her as his sister; and, as he had never had either a lover or a wife, as nature is a creditor that does not accept nonpayment, that particular feeling, too, the most indestructible of all, had thrown itself in with the rest, vague, ignorant, heavenly, angelic, divine; less a feeling than an instinct, less an instinct than an attraction, imperceptible and invisible but real; and love, truly called, lay in his enormous tenderness for Cosette the way a vein of gold lies in the mountain, dark and virginal. We should bear in mind that state of the heart that we have already mentioned. Marriage between them was out of the question, even that of souls; and yet it is certain that their destinies had joined together as one. Except for Cosette, that is, except for a child, Jean Valjean had never, in all his long life, known anything about love. Serial passions and love affairs had not laid those successive shades of green over him, fresh green on top of dark green, that you notice on foliage that has come through winter and on men that have passed their fifties. In short, and we have insisted on this more than once, this whole inner fusion, this whole set, the result of which was lofty virtue, had wound up making Jean Valjean a father for Cosette. A strange father, forged out of the grandfather, son, brother, and husband that were all in Jean Valjean; a father in whom there was even a mother; a father who loved Cosette and worshipped her, and for whom that child was light, was home, was his homeland, was paradise.
Victor Hugo (Les Misérables)
To call the belief in substantial human equality a superstition is to insult superstition. It might be unwarranted to believe in leprechauns, but at least the person who holds to such a belief isn’t watching them not exist, for every waking hour of the day. Human inequality, in contrast, and in all of its abundant multiplicity, is constantly on display, as people exhibit their variations in gender, ethnicity, physical attractiveness, size and shape, strength, health, agility, charm, humor, wit, industriousness, and sociability, among countless other features, traits, abilities, and aspects of their personality, some immediately and conspicuously, some only slowly, over time. To absorb even the slightest fraction of all this and to conclude, in the only way possible, that it is either nothing at all, or a ‘social construct’ and index of oppression, is sheer Gnostic delirium: a commitment beyond all evidence to the existence of a true and good world veiled by appearances. People are not equal, they do not develop equally, their goals and achievements are not equal, and nothing can make them equal. Substantial equality has no relation to reality, except as its systematic negation. Violence on a genocidal scale is required to even approximate to a practical egalitarian program, and if anything less ambitious is attempted, people get around it (some more competently than others).
Nick Land (The Dark Enlightenment)
Here I am, a bundle of past recollections and future dreams, knotted up in a reasonably attractive bundle of flesh. I remember what this flesh has gone through; I dream of what it may go through. I record here the actions of optical nerves, of taste buds, of sensory perception. And, I think: I am but one more drop in the great sea of matter, defined, with the ability to realize my existence. Of the millions, I, too, was potentially everything at birth. I, too, was stunted, narrowed, warped, by my environment, my outcroppings of heredity. I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living - a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Individuals blind to the sexual opposite within them, be they men or women, never realise that the partner they choose is chosen because he or she bears some resemblance to the anima or animus. The anger and hurt felt at the 'true discovery' of the partner's failings is really anger and hurt directed at oneself; and this would become apparent, were one to see the dark figure within one's own unconscious impelling one into a particular relationship. Like always attracts like; rather than railing at the partner, one should take a long, close look at one's own psychic makeup. But it is easier to complain bitterly --- to analysts, marriage counsellors, and also astrologers --- that yet another relationship has collapsed and yet another partner has proved to be a bad choice. It is also fashionable to blame this on the failures of the parent of the opposite sex; but the past continues to live within a person not only because in some way it is part of his own substance, but also because he permits it to do so. When a disastrous relationship occurs once, we may fool ourselves into believing it is chance; when it occurs twice, it has become a pattern, and a pattern is an unmistakable indication that the anima or animus is at work in the unconscious, propelling the helpless ego into relationships or situations which are baffling, painful, and frighteningly repetitive. Again, it is much wiser to look within oneself for the source of the pattern, rather than at the inherent failure of the opposite sex. For these destructive patterns are the psyche's way of making itself known, although great effort is often required to fulfil its demand for transformation. And great sacrifices also are required - of such precious commodities as one's pride, one's self-image, one's self-righteousness.
Liz Greene (Relating: An Astrological Guide to Living With Others on a Small Planet)
So I got to witness firsthand how those metal links got broken. The muscles in his upper arms pumped to the size of grapefruits, and the fabric of the T-shirt tightened around them almost to tearing… Then the metal gave way with a musical twang, and the chain snaked noisily from the grate, falling to the rain-softened earth with a clunk. “By all means,” John said, brushing his hands together in a self-satisfied way, “let’s call Mr. Smith.” I ducked my head, hiding my blushing cheeks by pretending to be busy putting my cell phone back in my bag. Encouraging his occasional lapses into less than civilized behavior seemed like a bad idea, so I didn’t let on how extremely attractive I’d found what he’d just done. “You know,” I remarked coolly, “I’m already your girlfriend. You don’t have to show off your superhuman strength for me.” John looked as if he didn’t for one minute believe my disinterest. He opened the grate for me with a gentlemanly bow. “Let’s go find your cousin,” he said. “I’d like to be home in time for supper. Where’s the coffin?” “It’s at my mom’s house,” I said. “What?” That deflated his self-satisfaction like a pin through a balloon. He stood stock-still outside the door to his crypt, the word HAYDEN carved in bold capital letters above his head. “What’s it doing there?” “Seth Rector and his girlfriend and their friends asked me if they could build it in my mom’s garage,” I said. “They said it was the last place anyone would look.” John shook his head slowly. “Rector,” he said, grinding out the word. “I should have known.” I threw him a wide-eyed glance. “You know Seth Rector?” “Not Seth,” he said, darkly.
Meg Cabot (Underworld (Abandon, #2))
So,Batman,eh?" Effing St. Clair. I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it. St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..." "Yes,great,I get it.Ha ha. Stupid me." "What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!" "Wait." I frown. "What?" "What what?" "You're singing it wrong." "No,I'm not." He pauses. "How do you sing it?" I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-" St. Clair snorts. "Laid an egg? Robin didn't lay an egg-" "'Batmobile lost a wheel,and the Joker got away.'" He stares at me for a moment,and then says with perfect conviction. "No." "Yes.I mean,seriously,what's up with the motorway thing?" "M1 motorway. Connects London to Leeds." I smirk. "Batman is American. He doesn't take the M1 motorway." "When he's on holiday he does." "Who says Batman has time to vacation?" "Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today." "Thanks." "You." He prods my leg with a finger. "Slept in." I focus on the guy's laptop again. "Yeah.You mentioned that." He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done." I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting. I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Your grandparents are English?" "Grandfather is,but Grandmere is French. And my other grandparents are American,of course." "Wow.You really are a mutt." St. Clair smiles. "I'm told I take after my English grandfather the most, but it's only because of the accent." "I don't know.I think of you as more English than anything else.And you don't just sound like it,you look like it,too." "I do?" He surprised. I smile. "Yeah,it's that...pasty complexion. I mean it in the best possible way," I add,at his alarmed expression. "Honestly." "Huh." St. Clair looks at me sideways. "Anyway.Last summer I couldn't bear to face my father, so it was the first time I spent the whole holiday with me mum." "And how was it? I bet the girls don't tease you about your accent anymore." He laughs. "No,they don't.But I can't help my height.I'll always be short." "And I'll always be a freak,just like my dad. Everyone tells me I take after him.He's sort of...neat,like me." He seems genuinely surprised. "What's wrong with being neat? I wish I were more organized.And,Anna,I've never met your father,but I guarantee you that you're nothing like him." "How would you know?" "Well,for one thing,he looks like a Ken doll.And you're beautiful." I trip and fall down on the sidewalk. "Are you all right?" His eyes fill with worry. I look away as he takes my hand and helps me up. "I'm fine.Fine!" I say, brushing the grit from my palms. Oh my God, I AM a freak. "You've seen the way men look at you,right?" he continues. "If they're looking, it's because I keep making a fool of myself." I hold up my scraped hands. "That guy over there is checking you out right now." "Wha-?" I turn to find a young man with long dark hair staring. "Why is he looking at me?" "I expect he likes what he sees." I flush,and he keeps talking. "In Paris, it's common to acknowledge someone attractive.The French don't avert their gaze like other cultures do. Haven't you noticed?" St. Clair thinks I'm attractive. He called me beautiful. "Um,no," I say. "I hadn't noticed." "Well.Open your eyes." But I stare at the bare tree branches, at the children with balloons, at the Japanese tour group. Anywhere but at him. We've stopped in front of Notre-Dame again.I point at the familiar star and clear my throat. "Wanna make another wish?" "You go first." He's watching me, puzzled, like he's trying to figure something out. He bites his thumbnail. This time I can't help it.All day long, I've thought about it.Him.Our secret. I wish St. Clair would spend the night again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
Now that we know that Spring Roll is a girl, we should probably think about setting up her room. Gabriel kept his eyes on the road as he drove the Volvo one Saturday morning in May. We should also talk about names. That sounds good. Maybe you should think about what you want and we can go shopping. Julia turned to look at him. Now? I said I'd take you to lunch, and we can do that. But afterward, we need to start thinking about Spring Roll's room. We want it to be attractive, but functional. Something comfortable for you and for her, but not juvenile. She's a baby, Gabriel. Her stuff is going to be juvenile. You know what I mean. I want it to be elegant and not look like a preschool. Good grief. Julia fought a grin as she began imagining what the Professor would design. (Argyle patterns, dark wood, and chocolate brown leather immediately came to mind.) He cleared his throat. I might have done some searching on the Internet. Oh, really? From where? Restoration Hardware? Of course not. He bristled. Their things wouldn't be appropriate for a baby's room. So where then? He gazed at her triumphantly. Pottery Barn Kids. Julia groaned. We've become yuppies. Gabriel stared at her in mock horror. Why do you say that? We're driving a Volvo and talking about shopping at Pottery Barn. First of all, Volvos have an excellent safety rating and they're more attractive than a minivan. Secondly, Pottery Barn's furniture happens to be both functional and aesthetically pleasing. I'd like to take you to one their stores so you can see for yourself. As long as we get Thai food first. Now it was Gabriel's turn to roll his eyes. Fine. But we're ordering takeout and taking it to the park for a picnic. And I'm having Indian food, instead. If I see another plate of pad Thai, I'm going to lose it. Julia burst into peals of laughter.
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)