Barrel Of A Gun Quotes

Four flips the gun in this hand, presses the barrel to Peter's forehead, and clicks a bullet into place. Peter freezes with his lips parted, the yawn dead in his mouth. "Wake. Up," Four snaps. "You are holding a loaded gun, you idiot. Act like it.

Hope in this world bleeds out of the barrel of a gun.

Barrel of the gun, rounds one two three She says I have to pick: choose you, or choose me Metal to the temple, the explosion is deafening Lick the blood that covers me She’s the last one standing “Roulette” Collateral Damage, Track 11

It’s just like the one Scarlet had.” He flipped the gun in his palms, running his thumbs along the barrel. “She shot me in the arm once.” This confession was said with as much tenderness as if Scarlet had given him a bouquet of wildflowers rather than a bullet wound. Cress and the others traded sorrowful looks.

We were all supposed to make it,” said Wylan softly. Maybe that was naive, the protest of a rich merchant’s son who’d only had a taste of Barrel life. But Jesper realized he’d been thinking the same thing. After all their mad escapes and close calls, he’d started to believe the six of them were somehow charmed, that his guns, Kaz’s brains, Nina’s wit, Inej’s talent, Wylan’s ingenuity, and Matthias’ strength had made them somehow untouchable. They might suffer. They might take their knocks, but Wylan was right, in the end they were all supposed to stay standing. “No mourners,” said Jesper, surprised by the ache of tears in his throat. “No funerals,” they all replied softly.

Black is the color that is no color at all. Black is the color of a child's still, empty bedroom. The heaviest hour of night-the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky. It is a road. A forgotten night sky broken up by faded stars. It is the barrel of a new gun, leveled at your heart. The color of Chubs's hair, Liam's bruises, Zu's eyes. Black is a promise of tomorrow, bled dry from lies and hate. Betrayal. I see it in the face of a broken compass, feel it in the numbing grip of grief. I run, but it is my shadow. Chasing, devouring, polluting. It is the button that should never have been pushed, the door that shouldn't have opened, the dried blood that couldn't be washed away. It is the charred remains of buildings. The car hidden in the forest, waiting. It is the smoke. It is the fire. The spark. Black is the color of memory. It is our color. The only one they'll use to tell our story.

With a gun barrel between your teeth, you speak only in vowels.

Captain! To your left there’s a Lunar guard and on your right is a doctor who’s running tests on Lunars and I’m being held by one of Levana’s wolf hybrids and please be careful!” Thorne took a step back into the hallway a gun from his waistband. He spent a moment swiveling the barrel of the gun in each direction, but nobody moved to attack him. With some surprise, Cress realized that the operative’s grip had weakened. “Er…” Thorne furrowed his brow, aiming the gun somewhere near the window. “Could you describe all those threats again because I feel like I missed something.

You don't spread democracy with a barrel of a gun.

Political power grows out of the barrel of the gun...

All political power comes from the barrel of either guns, pussy, or opium pipes, and people seem to like it that way.

I hear them say go home, I hear them say fucking immigrants, fucking refugees. Are they really this arrogant? Do they not know that stability is like a lover with a sweet mouth upon your body one second; the next you are a tremor lying on the floor covered in rubble and old currency waiting for its return. All I can say is, I was once like you, the apathy, the pity, the ungrateful placement and now my home is the mouth of a shark, now my home is the barrel of a gun. I’ll see you on the other side.

Late one evening towards the end of March, a teenager picked up a double-barrelled shotgun, walked into the forest, put the gun to someone else's forehead and pulled the trigger. This is the story of how we got there.

Semi-automatics have only two purposes. One is so owners can take them to the shooting range once in awhile, yell yeehaw, and get all horny at the rapid fire and the burning vapor spurting from the end of the barrel. Their other use – their only other use – is to kill people

Political power grows out of the barrel of a gun.

So now, when three Landers, members of a street gang, approach me in the back alley behind the Library, knives drawn, the silver barrel of a gun pointed at my heart, I know I am ready.

I never understood why you would ever feel the need to shoot the fish in the barrel. I mean, they're in a barrel, you've already caught them. The hard work's done, they can't escape. So if you want them dead, just drain the water out. Why bring guns into it?

He ran a hand over his face and shook his head. "Lass, I have never lied to you. I adore you and there have never been any other women from the future here. And these"- he flung a tampon in the air- "cleaning swabs, I cannot fathom why they upset you so greatly, but I assure you I have never let the maids use them." Lisa's brow furrowed. No man could be so stupid. "Cleaning Swabs?" He snatched up a gun and jerked the barrel in her direction, and an unwrapped tampon shot out. It was coated with black from the slow corrosion of the steel. She eyed it for a moment, bent, and plucked it from the floor. "You clean your guns with these?" He lowered the gun. "Is that not the purpose for which they were designed? I vow I could not conceive of another." Didn't you read the box?" There were too many words I didn't understand!

The Japanese fought to win - it was a savage, brutal, inhumane, exhausting and dirty business. Our commanders knew that if we were to win and survive, we must be trained realistically for it whether we liked it or not. In the post-war years, the U.S. Marine Corps came in for a great deal of undeserved criticism in my opinion, from well-meaning persons who did not comprehend the magnitude of stress and horror that combat can be. The technology that developed the rifle barrel, the machine gun and high explosive shells has turned war into prolonged, subhuman slaughter. Men must be trained realistically if they are to survive it without breaking, mentally and physically.

At the front window was something that looked like a machine gun with a cluster of barrels. “Rocket launcher?” he wondered aloud. “Nope, nope! Potatoes. Ella doesn't like potatoes.” “Ella! Where are the others?” “Roof. Ogre-watching. Ella doesn't like ogres. Potatoes.” Potatoes? Frank didn't understand until he swiveled the machine gun around. Its eight barrels were loaded with spuds. At the base of the gun, a basket was filled with more edible ammunition… “They have cannonballs,” Frank said, “and we have a potato gun.” “Starch,” Ella said thoughtfully. “Starch is bad for ogres.

My instinct was always have your gun in your hand. Especially when you are telling somebody to do something. But, in fact, the police academy discourages this. They feel your gun should rarely, if ever, be brought out of its holster. Most certainly not when children are involved, which is exactly when I saw myself using my gun most often. A truant teenager loitering outside a movie theater is going to be far more motivated to return to school when he has the barrel of a .45 pressed against his cheek.

I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider’s eyes went wide. “This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I’ll cut you in half.” It wasn’t strictly true but it sounded good. “You see what it says on the barrel?” On the barrel, pretty white letters spelled out PARTY STARTER.

Once guns were made, who would unmake them? Barrels rested on shoulders and bristled like pincushions above the crowd. There were things, like spoken ideas, that were almost impossible to take back. And he reckoned his people were about to make many more of them.

There is something noble as well as terrible about suicide. The downfall of many men is not dangerous, for they fall like children, too near the ground to do themselves harm. But when a great man breaks, he has soared up to the heavens, espied some inaccessible paradise, and then fallen from a great height. The forces that make him seek peace from the barrel of a gun cannot be placated. How many young talents confined to an attic room wither and perish for lack of a friend, a consoling wife, alone in the midst of a million fellow humans, while throngs of people weary of gold are bored with their possessions.

we are holding hands in the barrel of a gun. they pull the trigger, but when she is kissing me only cherry blossoms come out.

Give me the gun." Michael put a hand out, his voice soft. Tension rode on the sunlight as she listened to Hunter's breathing shake. "It's okay," said Michael. "You don't want to do this." Inch by inch, Hunter lowered the gun into Michael's palm, finally letting go. Michael didn't move. "You alright?" Hunter nodded. "Good." Michael wrapped his hand around the hilt. Then he lifted it, cocked the hammer, and put the barrel against Hunter's forehead. "Now where the f*** are my brothers?

That’s what I thought. When I looked that human in the face. I figured he was either a genius or crazy.” Artemis’s cool eyes glared at them from the screen. “So which is it?” asked Foaly. “A genius or crazy?” Root grabbed his tri-barreled blaster from the gun rack. “What’s the difference?

The day I stood shoulder to shoulder with hundreds of thousands of my fellow civilians, staring down the barrels of the soldiers' guns, the day the bodies of those first two slaughtered were placed in a handcart and pushed at the head of the column, I was startled to discover an absence in side myself: the absence of fear. I remember feeling that it was all right to die; I felt the blood of a hundred thousand hearts surging together into one enormous artery, fresh and clean...the sublime enormity of a single heart, pulsing blood through that vessel and into my own. I dared to feel a part of it.

Too bad you didn't just take Max up on his offer, Four. Well, too bad for you, anyway," says Eric quietly as he clicks the bullet into its chamber. My lungs burn; I haven't breathed in almost a minute. I see Tobias's hand twitch in the corner of my eye, but my hand is already on my gun. I press the barrel to Eric's forehead. His eyes widen, and his face goes slack, and for a second he looks like another sleeping Dauntless soldier. My index finger hovers over the trigger. "Get your gun away from his head," I say. "You won't shoot me," Eric replies. "Interesting theory. " I say.

I want to go home, but home is the mouth of a shark. Home is the barrel of a gun. No one would leave home unless home chased you to the shore. No one would leave home until home is a voice in your ear saying--leave, run, now. I don't know what I've become.

I had some peculiar ideas about love. I’ll tell you what I thought on the subject back then: it’s about as much use as a barrel with no bottom. When I fed the pigs and two of them got to scrapping over an old soft onion, I thought: that’s love. Love is eating. Love is a snarling pig snout and long tusks. Love is a dress like the sun. Love is the color of blood. Love is what grown folk do to each other because the law frowns on killing. I said I loved her back. I put my hand on the door and I said I loved her back and when I said it I thought of kissing her and also of shooting her through the eye.

There is nothing quite like the cold taste of gun oil on a stainless steel barrel to bring your life into focus.

She had a voice so husky it could have pulled a dogsled, and the gun she was holding gave me a bad case of barrel envy.

Alexander looked into the barrel of one of the guns. He blinked. O God, please look after Tania all alone in the world.

Mina’s mouth dropped open, and he bent his head as if to kiss her. She jammed her gun barrel under his chin. He grinned.

The kid pulled a Buck knife out of his pants pocket. "How about giving me your purse, bitch?" Sally hiked up his skirt, reached into his briefs and pulled out a Glock. "How about using that knife to slice off your balls?" Lula whipped a gun out of her red satin purse and Grandma hauled out her .45 long-barrel. "Day my make, punk," Grandma said. "Hey, I don't want any trouble," the kid said. "We were just having some fun." "I want to shoot him," Sally said. "Nobody'll tell, right?" "No fair," Lula said. "I want to shoot him." "Okay," Grandma said. "On the count of three, we'll all shoot him.

Jackson bit back the retort he had about how high and mighty ideals were fine … until you were staring down the barrel of a gun with nothing to defend yourself but sanctimony and self-righteousness.

Victory was for those willing to fight and die. Intellectuals could theorize until they sucked their thumbs right off their hands, but in the real world, power still flowed from the barrel of a gun.

I stared down the slim barrel of a gun, looked into eyes rabid with fear and hatred, and saw my reflection. Pulled the trigger to make it go away. I heard the echoes of my gunshots, smelled the cordite, and in the smoke, I still saw my reflection and knew I always would.

In the silent aftermath, I said, "We'll give them a second chance." With my right hand, I reached to the other pocket. I had known as soon as I lifted the false bottom in the gun case and looked underneath what it meant. I had tried without ceasing to find some alternative to Attolia's ruthless advice and I had failed. Gen's gift told me that I had not failed for lack of trying. I'd lifted out the matching gun and read its archaic inscription. Realisa onum. Not 'the queen made me,' but 'I can make the king.' Looking at Akretenesh's startled face down the long barrel of the handgun, I smiled, until I felt the scar tissue tighten. That one expression, I'd never showed him. My face gave away my humiliation, my rage, my surprise, and my embarrassment, but I had never let him see what I looked like when I smiled: my uncle. His diplomatic mask dissolved, and he backed away. In Attolia, I had been in front of a mirror at last, and I had understood what made Oerus back in Hanaktos ask me if my expression was a happy one or not. The smile rumpled the scar tissue under my skin, and it dragged my face askew, giving me the leer of a man who'd never had a moment of self-doubt, who'd never regretted a life lost. I'd worried that I wouldn't have the nerve to carry this off, but in the moment, it was easy. Seeing Akretenesh recoil, I laughed out loud.

The folks who end up living the life they expected are more often than not end up taking sleeping pills or taking the barrel of a gun and pulling the trigger.

Her beauty was a weapon. A loaded gun, with the barrel pointed at her own head.

My father says--used to say-- that there is power in self-sacrifice. I turn the gun in my hands and press it into Tobias's palm. He pushes the barrel into my forehead. My tears have stopped and the air feels cold as it touches my cheeks. I reach out and rest my hand on his chest so I can feel his heartbeat. At least his heartbeat is still him. THe bullet clicks into the chamber. Maybe it will be easy to let him shoot me as it was in the fear landscape, as it is in my dreams. Maybe it will be a bang, and the lights will lift, and I will find myself in another world. I stand still and wait. Can I be forgiven for all I've done to get here? I don't know. I don't know. Please. THE SHOT DOESN'T come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palm, and my own heart lifts. He is divergent. He can fight this stimulation. Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor. He grabs my shoulders--- too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in a crueler way. "Tris," he says, and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him...

I paused for a moment, debating whether to turn and look what was happening. My senses told me Obo’s presence was still at my side, and turning my face into the barrel of a gun seemed like an ill-advised way to cap off this day of monumentally stupid decisions.

The riot had taken on a beauty of its own now. Arcs of gasoline fire under the crescent moon. Crimson tracer in mystical parabolas. Phosphorescence from the barrels of plastic bullet guns. A distant yelling like that of men below decks in a torpedoed prison ship. The scarlet whoosh of Molotovs intersecting with exacting surfaces. Helicopters everywhere: their spotlights finding one another like lovers in the Afterlife. And all this through a lens of oleaginous Belfast rain.

I was surrounded on all sides by the indifferent torpidity of summer, somewhere there were dogs barking lazily, while the machine-gun barrel of the sun was strafing the earth in a continuous, never-ending burst of fire.

Some of the men and older boys were trained in firing the cannon, but since there wasn’t any gun powder to spare for actually firing any more of the things, they made do with pushing wooden cartridges into the barrel and shouting, “Bang!” They got quite good at that, and were proud at the speed with which “Bang!” could be shouted. Daphne said she hoped the enemy would be trained to say “Aargh!

The fox who end up living the life they expected are more often than not end up taking sleeping pills or taking the barrel of a gun and pulling the trigger.

A condom prevents life. A gun takes life. Would a condom over the barrel of a gun prevent one life from taking another?

The folks who end up living the lives they expected are more often than not the ones who end up takin sleepin pills or stickin the barrel of a gun in their mouths qnd pullin the trigger.

The folks who end up living the lives like they expected are more often than not the ones who end up takin sleepin pills or stickin the barrel of a gun in their mouths and pullin the trigger.

HOME no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here

It isn't only political power that grows out of the barrel of a gun. So does a whole definition of reality. A set. And the action that has to happen on that particular set and on none other." "Don't be so bloody patronizing," I objected.... "That's just Marx: the ideology of the ruling class becomes the ideology of the whole society." "Not the ideology. The Reality." He lowered his handkerchief. "This was a public park until they changed the definition. Now, the guns have changed the Reality. It isn't a public park. There's more than one kind of magic." "Just like the Enclosure Acts," I said hollowly. "One day the land belonged to the people. The next day it belonged to the landlords." "And like the Narcotics Acts," he added. "A hundred thousand harmless junkies became criminals overnight, by Act of Congress, in nineteen twenty-seven. Ten years later, in thirty-seven, all the pot-heads in the country became criminals overnight, by Act of Congress. And they really were criminals, when the papers were signed. The guns prove it. Walk away from those guns, waving a joint, and refuse to halt when they tell you. Their Imagination will become your Reality in a second.

Why do we still cling to the intellectually retarded notion that liberty can be obtained, maintained, or lost at the end of a gun barrel? When you're working 3 minimum wage jobs to make the minimum payment on a pair of socks you bought 12 years ago because your credit card company slapped you with an interest rate that would make a loan shark holler WTF! ... well, no one needs to hold a gun to your head. Your ass has already been sold down the river.

Markov died while trying to fit a small, slippery shotgun shell into a narrow gun barrel, in the dark, at thirty below zero—with a tiger bearing down on him from ten yards away.

With a gun barrel pressed between you're teeth, you speak only in vowels.

We stare at each other, the Iron Demon and the Iron Widow, our arms cuffed, a crown of gun barrels around our heads, trapped among soldiers and fog and battle sounds.

You want to know, companions of my youth, How much has changed the wild but shy young poet Forever writing last poem after last poem; You hear he’s dark as earth, barefoot, A turban round his head, a bolo at his side, His ballpen blown up to a long-barreled gun: Deeper still the struggling change inside.

When you're mortal, life is nothing more than a drawn-out game of Russian Roulette. Every moment is the spin of a gun cylinder, every decision pointing the barrel at your head. Over and over, again and again, you pull the trigger, hoping it won't be your last turn in the game.

Criminal: You can suck my dick, motherfucker! Detective Bridges: You suck mine! [shoves barrel of pistol in the Criminal's mouth] An' you get used to it, cause you get to Rykers you're gonna find a lot of dick on the goddamn menu! Now grunt twice for yes! You through bitchin'?

Fearless and selfless to a fault and that’s the problem with honourable men: they’ll do the bad thing, all right, but they’ll suffer for it afterwards. Not on the surface, but deep inside. A niggle that can turn into a nag and eventually leads to a noose or the barrel of a gun.

Centaurs!” Annabeth yelled. The Party Pony army exploded into our midst in a riot of colors: tie-dyed shirts, rainbow Afro wigs, oversize sunglasses, and war-painted faces. Some had slogans scrawled across their flanks like HORSEZ PWN or KRONOS SUX. Hundreds of them filled the entire block. My brain couldn’t process everything I saw, but I knew if I were the enemy, I’d be running. “Percy!” Chiron shouted across the sea of wild centaurs. He was dressed in armor from the waist up, his bow in his hand, and he was grinning in satisfaction. “Sorry we’re late!” “DUDE!” Another centaur yelled. “Talk later. WASTE MONSTERS NOW!” He locked and loaded a double-barrel paint gun and blasted an enemy hellhound bright pink. The paint must’ve been mixed with Celestial bronze dust or something, because as soon as it splattered the hellhound, the monster yelped and dissolved into a pink-and-black puddle. “PARTY PONIES!” a centaur yelled. “SOUTH FLORIDA CHAPTER!” Somewhere across the battlefield, a twangy voice yelled back, “HEART OF TEXAS CHAPTER!” “HAWAII OWNS YOUR FACES!” a third one shouted. It was the most beautiful thing I’d ever seen. The entire Titan army turned and fled, pushed back by a flood of paintballs, arrows, swords, and NERF baseball bats. The centaurs trampled everything in their path. “Stop running, you fools!” Kronos yelled. “Stand and ACKK!” That last part was because a panicked Hyperborean giant stumbled backward and sat on top of him.

Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.

A bullet has no conscience to consult as it flies from the barrel of a gun. It doesn't feel the wind or the sun or the rain as it speeds toward its target. It penetrates the innocent and the guilty with equal intent and creates victims with the same enthusiasm with which it saves them from the bullets of others.

Watching the lecture hall fill for a while longer, Rummings picked up the gun, rested the barrel on the parapet and waited expectantly. A senior mining executive walked up to a rostrum and began to talk to the waiting audience. Rummings took careful aim and squeezed the trigger. A large hole appeared in the curtain glazing surrounding the building and the executive staggered sideways. After pumping a few more bullets into the dying man’s body, Rummings abandoned the rifle, ran back to the exit door, paused long enough to strip off the coveralls and then raced down the stairs. Once in the corridor, he deliberately slowed himself down, calmly called a lift and went down to the ground floor again.

She thought she should take a moment to pray. But, as she was holding a loaded rifle, conventional prayer did not seem entirely suitable. Sister Peg hoped that God would help her, but it was her belief that He much preferred for people to attend to themselves. Life was a test; it was up to you to pass it or not. She raised the gun to her clavicle and angled one eye down the length of the barrel.

The watchers below could see the chocolate swishing around the boy in the pipe, and they could see it building up behind him in a solid mass, pushing against the blockage. The pressure was terrific. Something had to give. Something did give, and that something was Augustus. WHOOF! Up he shot again like a bullet in the barrel of a gun.

A finger is a gun-- a wallet is a gun, skin a shiny pistol, a demon, a barrel already ready-- hands up don't shoot--

Guns aren't just history's props and agents: they're history itself, spinning alternate futures in their chamber, hurling the present from their barrel, casting aside the empty shells of past

I am a lawyer, and for me it is very sad to say that there is now law here. There are weapons rather than law. What did Mao say? Power comes out of the barrel of a gun. It's very true. The situation is decadent. A lot of Serbs think this is leading us nowhere but they feel powerless. How many disagree? I don't know. Perhaps thirty percent disagree, but most of them are frightened and quiet. Perhaps sixty percent agree or are confused enough to go along. They are led by the ten percent who have the guns and who have control of the television towers. That's all they need.' p. 107

Men got two guns, you know. One for now," he tapped the barrel of his gun against her nose. "And one for later." When his free hand went to his zipper, she twisted underneath him, bringing her knee into his groin and pulling her knife from her boot. "Mother taught me to carry a knife for always." She left him holding his intestines in disbelief as she disappeared down the hill, his gun tucked securely in her waistband.

On days when the tragedy which had robbed him of his life was too much for him, he took out this letter, which he had not dated and which explained his desire to die. Then he laid the gun on the table, bent down to it and pressed his forehead against it, rolling his temples over it, calming the fever of his cheeks against the cold steel. For a long time he stayed like that, letting his fingers caress the trigger, lifting the safety catch, until the world fell silent around him and his whole being, already half-asleep, united with the sensation of the cold, salty metal from which death could emerge. Realizing then that it would be enough for him to date his letter and pull the trigger, discovering the absurd feasibility of death, he knew his imagination was vivid enough to show him the full horror of what life’s negation meant for him, and he drowned in his somnolence all his craving to live, to go on burning in dignity and silence. Then, waking completely, his mouth full of already bitter saliva, he would lick the gun barrel, sticking his tongue into it and sucking out an impossible happiness.

I hear them say, go home; I hear them say, fucking immigrants, fucking refugees. Are they really this arrogant? Do they not know that stability is like a lover with a sweet mouth on your body one second and the next you are a tremor lying on the floor covered in rubble and old currency waiting for its return. All I can say is, I was once like you, the apathy, the pity, the ungrateful placement; and now my home is the mouth of a shark, now my home is the barrel of a gun. I’ll see you on the other side.

Hodges eats this diet of full-color shit every weekday afternoon, sitting in the La-Z-Boy with his father’s gun—the one Dad carried as a beat cop—on the table beside him. He always picks it up a few times and looks into the barrel. Inspecting that round darkness.

It’s a prissy, overdecorated P238 SIG Sauer, red and black, with gold-inlaid flowers scrolling down the barrel. Morris drops the clip and sees it’s full. There’s even one in the pipe. He puts the clip back in and lays the gun on the desk—something else to take along.

Semi-automatics have only two purposes. One is so owners can take them to the shooting range once in awhile, yell yeehaw, and get all horny at the rapid fire and the burning vapor spurting from the end of the barrel. Their other use — their only other use — is to kill people. In

Get your hand off of her before I bury a bullet in your head" Warner's eyes close very slowly. He steps away very slowly. His lips twitch into a dangerous smile. "Kent" Adam's hands are steady, the barrel of his gun pressed into the back of Warner's skull. "You're going to clear our exit out of here." Warner actually laughs He opens his eyes and whips a gun out of his inside pocket only to point it directly at my forhead. "I will kill her right now." "You're not that stupid" Adam says. "If she moves even a millimeter, I will shoot her, and then rip you to pieces." Adam shifts quickly, slamming the butt of his gun into Warner's head. Warner's gun misfires and Adam catches his arm and twists his wrist until his grip on the weapon wavers. I grab the gun from Warner's limp hand and slam the butt into his face. I point it at Warner's eyes. "Don't underestimate me." Warner coughs through a laugh, steadies himself, and tries to smile as he wipes the blood from his nose. "I never underestimate you," he says to me. "I never have.

Blood bound: “Here´s the plan-find him,kill him.” “That is not a plan. It´s not even a complete sentence.” “You got something better?” “How about this?” He pulled back the right side of his jacket and showed me his gun. It was bigger than mine. And it was fitted with a long, barrel-shaped silencer in what had to be a custom-made holster. “Nice,” I admitted, and his grin was back. But I couldn´t help but wondering why the hell he even owned a silencer. “I had a feeling you´d appreciate the reminder that I come well equipped.” “I´d appreciate it more if I thought you knew how to use that,” I said without thinking.

Paul Buchheit: I'm suddenly reminded that, for a while, I asked people if they were playing Russian Roulette with a gun with a billion barrels (or some huge number, so in other words, some low probability that they would actually be killed), how much would they have to be paid to play one round? A lot of people were almost offended by the question and they'd say, "I wouldn't do it at any price." But, of course, we do that everyday. They drive to work in cars to earn money and they are taking risks all the time, but they don't like to acknowledge that they are taking risks. They want to pretend that everything is risk-free.

Kenji goes suddenly still. At the creak of the door Kenji’s eyebrows shoot up; a soft click and his eyes widen; a muted rustle of movement and suddenly the barrel of a gun is pressed against the back of his head. Kenji stares at me, his lips making no sound as he mouths the word psychopath over and over again. The psychopath in question winks at me from where he’s standing, smiling like he couldn’t possibly be holding a gun to the head of our mutual friend. I manage to suppress a laugh. “Go on,” Warner says, still smiling. “Please tell me exactly how she’s failed you as a leader.” “Hey—“ Kenji’s arms fly up in mock surrender. “I never said she failed at anything, okay? And you are clearly over-react—“ Warner knocks Kenji on the side of the head with the weapon. “Idiot.” Kenji spins around. Yanks the gun out of Warner’s hand. “What the hell is wrong with you, man? I thought we were cool.” “We were,” Warner says icily. “Until you touched my hair.” “You asked me to give you a haircut—“ “I said nothing of the sort! I asked you to trim the edges!” “And that’s what I did.” “This,” Warner says, spinning around so I might inspect the damage, “is not trimming the edges, you incompetent moron—“ I gasp. The back of Warner’s head is a jagged mess of uneven hair; entire chunks have been buzzed off. Kenji cringes as he looks over his handiwork. Clears his throat. “Well,” he says, shoving his hand in his pockets. “I mean—whatever, man, beauty is subjective—“ Warner aims another gun at him. “Hey!” Kenji shouts. “I am not here for this abusive relationship, okay?” He points to Warner. “I did not sign up for this shit!” Warner glares at him and Kenji retreats, backing out of the room before Warner has another chance to react; and then, just as I let out a sign of relief, Kenji pops his head back into the doorway and says “I think the cut looks cute, actually” and Warner slams the door in his face.

Unanswered vox hails requested medical aid and supply, but the line of Astartes at the top of the north ridge was grimly silent as the exhausted warriors of the Raven Guard and Salamanders came to within a hundred metres of their allies. A lone flare shot skyward from inside the black fortress where Horus had made his lair, exploding in a hellish red glow that lit the battlefield below like a madman’s vision of the end of the world. And the fire of betrayal roared from the barrels of a thousand guns.

I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.

He was completely detached from every thing except the story he was writing and he was living in it as he built it. The difficult parts he had dreaded he now faced one after another and as he did the people, the country, the days and the nights, and the weather were all there as he wrote. He went on working and he felt as tired as if he had spent the night crossing the broken volcanic desert and the sun had caught him and the others with the dry gray lakes still ahead. He could feel the weight of the heavy double-barreled rifle carried over his shoulder, his hand on the muzzle, and he tasted the pebble in his mouth. Across the shimmer of the dry lakes he could see the distant blue of the escarpment. Ahead of him there was no one, and behind was the long line of porters who knew that they had reached this point three hours too late. It was not him, of course, who had stood there that morning, nor had he even worn the patched corduroy jacket faded almost white now, the armpits rotted through by sweat, that he took off then and handed to his Kamba servant and brother who shared with him the guilt and knowledge of the delay, watching him smell the sour, vinegary smell and shake his head in disgust and then grin as he swung the jacket over his black shoulder holding it by the sleeves as they started off across the dry-baked gray, the gun muzzles in their right hands, the barrels balanced on their shoulders, the heavy stocks pointing back toward the line of porters. It was not him, but as he wrote it was and when someone read it, finally, it would be whoever read it and what they found when they should reach the escarpment, if they reached it, and he would make them reach its base by noon of that day; then whoever read it would find what there was there and have it always.

I have often thought about this, and I have come to the conclusion that everything that I am is owed to you. You were like a gun that fired me a long way off, but the aim was yours. If you are proud of me it is because your aim was true.” The General smiled. “I could have trusted you to come up with a metaphor that I would have understood. Did you know that a shell when it comes out of the barrel wobbles badly for the first part of its trajectory? And then it settles to a perfect arc? Perhaps your behavior when you were younger was your way of wobbling.

Wolf made a strangled sound, pulling everyone’s attention toward him as he lifted a handgun from the crate. “It’s just like the one Scarlet had.” He flipped the gun in his palms, running his thumbs along the barrel. “She shot me in the arm once.” This confession was said with as much tenderness as if Scarlet had given him a bouquet of wildflowers rather than a bullet wound.

What does failure do to us? We fall into a vicious downward spiral. Failure is a lot like a shot from a double barrel gun but with a difference. The first shot is like the news which explodes in one’s face. But it is the second, after a short time lag, which causes the most damage. It comprises of pain, humiliation, shame, frustration and anger. The first shot pales in comparison. It is life after the blast that causes the most hurt.

THE URGENCY ADDICTION Some of us get so used to the adrenaline rush of handling crises that we become dependent on it for a sense of excitement and energy. How does urgency feel? Stressful? Pressured? Tense? Exhausting? Sure. But let’s be honest. It’s also sometimes exhilarating. We feel useful. We feel successful. We feel validated. And we get good at it. Whenever there’s trouble, we ride into town, pull out our six shooter, do the varmint in, blow the smoke off the gun barrel, and ride into the sunset like a hero. It brings instant results and instant gratification. We get a temporary high from solving urgent and important crises. Then when the importance isn’t there, the urgency fix is so powerful we are drawn to do anything urgent, just to stay in motion. People expect us to be busy, overworked. It’s become a status symbol in our society—if we’re busy, we’re important; if we’re not busy, we’re almost embarrassed to admit it. Busyness is where we get our security. It’s validating, popular, and pleasing. It’s also a good excuse for not dealing with the first things in our lives. “I’d love to spend quality time with you, but I have to work. There’s this deadline. It’s urgent. Of course you understand.” “I just don’t have time to exercise. I know it’s important, but there are so many pressing things right now. Maybe when things slow down a little.

All to the north the rain had dragged black tendrils down from the thunderclouds like tracings of lampblack fallen in a beaker and in the night they could hear the drum of rain miles away on the prairie. They ascended through a rocky pass and lightning shaped out the distant shivering mountains and lightning rang the stones about and tufts of blue fire clung to the horses like incandescent elementals that would not be driven off. Soft smelterlights advanced upon the metal of the harness, lights ran blue and liquid on the barrels of the guns. Mad jack-hares started and checked in the blue glare and high among those clanging crags jokin roehawks crouched in their feathers or cracked a yellow eye at the thunder underfoot.

The gun was lying next to the sprinkler, under a bush, about seventy-five feet - or halfway - up the steep hill. Steven had watched "Dragnet" on TV; he knew how guns should be handled. Picking it up very carefully by the top of the barrel, so as not to eradicate prints, Steven took the gun back to his house and showed it to his father, Bernard Weiss. The senior Weiss took one look and called LAPD. Officer Micheal Watson, on patrol in the area, responded to the radio call. More than a year later Steven would be asked to describe the incident from the witness stand: Q. "Did you show him [Watson] the gun?" A. "Yes." Q. "Did he touch the gun?" A. "Yes." Q. "How did he touch it?" A. "With both hands, all over the gun." So much for "Dragnet.

From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.

For the first time that day, he thought about the men who abandoned him. His rage grew as he stared at the doe. Abandonment seemed too benign to describe their treachery. Abandonment was a passive act—running away or leaving something behind. If his keepers had done no more than abandon him, he would at this moment be sighting down the barrel of his gun, about to shoot the deer. He would be using his knife to butcher the animal, and sparking his flint against steel to start a fire and cook it. He looked down at himself, wet from head to toe, wounded, reeking from the skunk, the bitter taste of roots still in his mouth. What

As we crowd together toward a ladder, Becky leans over and whispers, “You handled that very well.” “I did?” “Once you started giving orders, he never once looked to any of the men for confirmation.” She squeezes my arm. Jefferson comes up on the other side. “Don’t let it go to your head.” “Huh?” He nods at my right hand. “You’re the only one holding a gun, which kinda demands attention. And you tend to jab with it emphatically whenever you’re making a point.” “I do not jab.” “You jab.” He points again. My arm is tensed and I’m thrusting the barrel of the gun at his feet while I talk. “Huh. I never noticed that before.

The cold fact is that every murder I've worked was about the killer. The victim… was just the person who happened to wander into the sights when the gun was loaded and cocked. The control freak was always going to kill his wife the first time she refused to follow orders; your daughter happened to be the one who married him. The mugger was hanging around the alleyway with a knife, and your husband happened to be the next person who walked by… if we can figure out the exact point where someone walked into those crosshairs, we can go to work with our dark, stained geometries and draw a line straight back to the barrel of the gun.

In pathology class they would have called it a starburst entry wound. The muzzle had been hard against him, and naturally the first thing out was the bullet, which punched a neat nine-millimeter hole through his flesh, which didn’t stay neat for long, because the next thing out was a blast of exploding gas, which had nowhere to go but straight down the bullet hole, deep inside Joey’s body itself, which was not as hard as the steel of a gun barrel, so the gas swelled instantly to a hot bubble the size of a basketball, which burst the skin at the entry point, so that when it settled back down after the gas was gone, it looked like a five-pointed star.

Mist and the smoke of guns lie breast-high over the fields. The moon is shining. Along the road troops file. Their helmets gleam softly in the moonlight. The heads and the rifles stand out above the white mist, nodding heads, rocking barrels. Farther on the mist ends. Here the heads become figures; coats, trousers, and boots appear out of the mist as from a milky pool. They become a column. The column marches on, straight ahead, the figures resolve themselves into a block, individuals are no longer recognizable, the dark wedge presses onward, fantastically topped by the heads and the weapons floating on the milky pool. A column—not men at all. Guns and munition wagons are moving along a cross-road. The backs of the horses shine in the moonlight, their movements are beautiful, they toss their heads, and their eyes gleam. The guns and the wagons float past the dim background of the moonlit landscape, the riders in their steel helmets resemble knights of a forgotten time; it is strangely beautiful and arresting.

Otis, at last, removed his eyes from Jane. "All very well, my friend, but I must side with Miss Clarke here. The soldiers in this town have been treated abominably." The table went still. Otis went on. "Admit it, Freeman. Mud throwing and name-calling are one thing, but the courts - any flimsy charge against a soldier upheld, outrageous fines put down - criminal! The law must not be conscripted to serve one particular cause. To lost the law is to lose the fight." "With respect, sir," Nate said, "I say when a people are under an illegal occupation they must fight with what they've got to hand." Aunt Gill said, "And what have we got to hand but a few stories in the paper?" Jane looked at her aunt in surprise. Another we. "We have the people, Aunt," Nate answered her. "Thirty thousand from all the outlying towns, ready to march at a minute's notice, and all it takes to call them is a flaming barrel of pitch on the beacon hill.

God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.

A Dauntless soldier with an arm in a sling approaches us, gun held ready, barrel fixed on Tobias. “Identify yourselves,” she says. She is young, but not young enough to know Tobias. The others gather behind her. Some of them eye us with suspicion, the rest with curiosity, but far stranger than both is the light I see in some of their eyes. Recognition. They might know Tobias, but how could they possibly recognize me? “Four,” he says. He nods toward me. “And this is Tris. Both Dauntless.” The Dauntless soldier’s eyes widen, but she does not lower her gun. “Some help here?” she asks. Some of the Dauntless step forward, but they do it cautiously, like we’re dangerous. “Is there a problem?” Tobias says. “Are you armed?” “Of course I’m armed. I’m Dauntless, aren’t I?” “Stand with your hands behind your head.” She says it wildly, like she expects us to refuse. I glance at Tobias. Why is everyone acting like we’re about to attack them? “We walked through the front door,” I say slowly. “You think we would have done that if we were here to hurt you?” Tobias doesn’t look back at me. He just touches his fingertips to the back of his head. After a moment, I do the same. Dauntless soldiers crowd around us. One of them pats down Tobias’s legs while the other takes the gun tucked under his waistband. Another one, a round-faced boy with pink cheeks, looks at me apologetically. “I have a knife in my back pocket,” I say. “Put your hands on me, and I will make you regret it.” He mumbles some kind of apology. His fingers pinch the knife handle, careful not to touch me. “What’s going on?” asks Tobias. The first soldier exchanges looks with some of the others. “I’m sorry,” she says. “But we were instructed to arrest you upon your arrival.

Kaz had never been able to dodge the horror of that night in the Ketterdam harbor, the memory of his brother’s corpse clutched tight in his arms as he told himself to kick a little harder, to take one more breath, stay afloat, stay alive. He’d found his way to shore, devoted himself to the vengeance he and his brother were owed. But the nightmare refused to fade. Kaz had been sure it would get easier. He would stop having to think twice before he shook a hand or was forced into close quarters. Instead, things got so bad he could barely brush up against someone on the street without finding himself once more in the harbor. He was on the Reaper’s Barge and death was all around him. He was kicking through the water, clinging to the slippery bloat of Jordie’s flesh, too frightened of drowning to let go. The situation had gotten dangerous. When Gorka once got too drunk to stand at the Blue Paradise, Kaz and Teapot had to carry him home. Six blocks they hauled him, Gorka’s weight shifting back and forth, slumping against Kaz in a sickening press of skin and stink, then flopping onto Teapot, freeing Kaz briefly—though he could still feel the rub of the man’s hairy arm against the back of his neck. Later, Teapot had found Kaz huddled in a lavatory, shaking and covered in sweat. He’d pleaded food poisoning, teeth chattering as he jammed his foot against the door to keep Teapot out. He could not be touched again or he would lose his mind completely. The next day he’d bought his first pair of gloves—cheap black things that bled dye whenever they got wet. Weakness was lethal in the Barrel. People could smell it on you like blood, and if Kaz was going to bring Pekka Rollins to his knees, he couldn’t afford any more nights trembling on a bathroom floor. Kaz never answered questions about the gloves, never responded to taunts. He just wore them, day in and day out, peeling them off only when he was alone. He told himself it was a temporary measure. But that didn’t stop him from remastering every bit of sleight of hand wearing them, learning to shuffle and work a deck even more deftly than he could barehanded. The gloves held back the waters, kept him from drowning when memories of that night threatened to drag him under. When he pulled them on, it felt like he was arming himself, and they were better than a knife or a gun. 

He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.