Athens View Quotes

Aristotle says in the Poetics,” said Henry, “that objects such as corpses, painful to view in themselves, can become delightful to contemplate in a work of art.” “And I believe Aristotle is correct. After all, what are the scenes in poetry graven on our memories, the ones that we love the most? Precisely these. The murder of Agamemnon and the wrath of Achilles. Dido on the funeral pyre. The daggers of the traitors and Caesar’s blood—remember how Suetonius describes his body being borne away on the litter, with one arm hanging down?” “Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.” “Well said,” said Julian. “Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.” I looked at Camilla, her face bright in the sun, and thought of that line from the Iliad I love so much, about Pallas Athene and the terrible eyes shining. “And if beauty is terror,” said Julian, “then what is desire? We think we have many desires, but in fact we have only one. What is it?” “To live,” said Camilla. “To live forever,” said Bunny, chin cupped in palm. The teakettle began to whistle.

There were nights for instance, especially in August, where the view of the full moon from the top of the Acropolis hill or from a high terrace could steal your breath away. The moon would slide over the clouds like a seducing princess dressed in her finest silvery silk. And the sky would be full of stars that trembled feebly, like servants that bowed before her. During those nights under the light of the August full moon, the city of Athens would become an enchanted kingdom that slept lazily under the sweet light of its ethereal mistress.

When people from similar backgrounds get together, are isolated from dissenting views, and are trying to please a strong leader, the result is consensus around the preferred position, even if it is clearly wrongheaded.

What we traditionally call ‘selfish tendencies’ is only a narrow interpretation of what self-serving behaviour entails, wherein human characteristics are perceived through the flawed paradigm of identity instead of through a scientific view on what we are: a momentary expression of an ever-changing unity with no centre.

Darwin, writing in Victorian England, shared Glaucon’s view (from aristocratic Athens) that people are obsessed with their reputations.

Imagine you are a member of a tour visiting Greece. The group goes to the Parthenon. It is a bore. Few people even bother to look — it looked better in the brochure. So people take half a look, mostly take pictures, remark on serious erosion by acid rain. You are puzzled. Why should one of the glories and fonts of Western civilization, viewed under pleasant conditions — good weather, good hotel room, good food, good guide — be a bore? Now imagine under what set of circumstances a viewing of the Parthenon would not be a bore. For example, you are a NATO colonel defending Greece against a Soviet assault. You are in a bunker in downtown Athens, binoculars propped up on sandbags. It is dawn. A medium-range missile attack is under way. Half a million Greeks are dead. Two missiles bracket the Parthenon. The next will surely be a hit. Between columns of smoke, a ray of golden light catches the portico. Are you bored? Can you see the Parthenon? Explain.

In early Greek society, particularly in Athens, democracy meant the equivalent of a permanent town meeting—all decisions of consequence were made in public assembly. As many professional service firms have rediscovered, this view of democracy tends to result in much wasting of time, slowness of response, and extreme conservatism in action.

In many ways politics follows culture. As ancient Greek musician Damon of Athens said, ‘Show me the lyric of a nation and it matters not who writes its laws.’ Movies, television, books, magazines, the Internet, and music are incredibly significant in shaping world views and lifestyles of today's America. And Christians are expressing a growing awareness and response to these avenues of influence. Where is God calling you to serve him – media, arts and entertainment, politics, education, church, business, science?

The gentleman was asking what you thought of democracy, sir,’ said Vidal, smiling. ‘Alas I cannot tell you, sir,’ said Stephen, returning the smile. ‘For although it would not be proper to call this barque or vessel a King’s ship except in the largest sense, we nevertheless adhere strictly to the naval tradition which forbids the discussion of religion, women, or politics in our mess. It has been objected that this rule makes for insipidity, which may be so; yet on the other hand it has its uses, since in this case for example it prevents any member from wounding any other gentleman present by saying that he did not think the policy that put Socrates to death and that left Athens prostrate was the highest expression of human wisdom, or by quoting Aristotle’s definition of democracy as mob-rule, the depraved version of a commonwealth.’ ‘Can you suggest a better system?’ asked Dutourd. ‘Sir,’ said Stephen, ‘my words were those of some hypothetical person: where my own views are concerned, tradition seals my mouth. As I have told you, we do not discuss politics at this table.

Epicurus founded a school of philosophy which placed great emphasis on the importance of pleasure. "Pleasure is the beginning and the goal of a happy life," he asserted, confirming what many had long thought, but philosophers had rarely accepted. Vulgar opinion at once imagined that the pleasure Epicurus had in mind involved a lot of money, sex, drink and debauchery (associations that survive in our use of the word 'Epicurean'). But true Epicureanism was more subtle. Epicurus led a very simple life, because after rational analysis, he had come to some striking conclusions about what actually made life pleasurable - and fortunately for those lacking a large income, it seemed that the essential ingredients of pleasure, however elusive, were not very expensive. The first ingredient was friendship. 'Of all the things that wisdom provides to help one live one's entire life in happiness, the greatest by far is the possession of friendship,' he wrote. So he bought a house near Athens where he lived in the company of congenial souls. The desire for riches should perhaps not always be understood as a simple hunger for a luxurious life, a more important motive might be the wish to be appreciated and treated nicely. We may seek a fortune for no greater reason than to secure the respect and attention of people who would otherwise look straight through us. Epicurus, discerning our underlying need, recognised that a handful of true friends could deliver the love and respect that even a fortune may not. Epicurus and his friends located a second secret of happiness: freedom. In order not to have to work for people they didn't like and answer to potentially humiliating whims, they removed themselves from employment in the commercial world of Athens ('We must free ourselves from the prison of everyday affairs and politics'), and began what could best have been described as a commune, accepting a simpler way of life in exchange for independence. They would have less money, but would never again have to follow the commands of odious superiors. The third ingredient of happiness was, in Epicurus's view, to lead an examined life. Epicurus was concerned that he and his friends learn to analyse their anxieties about money, illness, death and the supernatural. There are few better remedies for anxiety than thought. In writing a problem down or airing it in conversation we let its essential aspects emerge. And by knowing its character, we remove, if not the problem itself, then its secondary, aggravating characteristics: confusion, displacement, surprise. Wealth is of course unlikely ever to make anyone miserable. But the crux of Epicurus's argument is that if we have money without friends, freedom and an analysed life, we will never be truly happy. And if we have them, but are missing the fortune, we will never be unhappy.

That there are shops abroad, even in Athens, never occurred to them, for they regarded travel as a species of warfare, only to be undertaken by those who have been fully armed at the Haymarket Stores.

Greek and the Hebrew—and whichever side you embrace more strongly determines to a large extent how you see life. From the Greeks—specifically from the glory days of ancient Athens—we have inherited our ideas about secular humanism and the sanctity of the individual. The Greeks gave us all our notions about democracy and equality and personal liberty and scientific reason and intellectual freedom and open-mindedness and what we might call today “multiculturalism.” The Greek take on life, therefore, is urban, sophisticated, and exploratory, always leaving plenty of room for doubt and debate. On the other hand, there is the Hebrew way of seeing the world. When I say “Hebrew” here, I’m not specifically referring to the tenets of Judaism. (In fact, most of the contemporary American Jews I know are very Greek in their thinking, while it’s the American fundamentalist Christians these days who are profoundly Hebrew.) “Hebrew,” in the sense that philosophers use it here, is shorthand for an ancient world-view that is all about tribalism, faith, obedience, and respect. The Hebrew credo is clannish, patriarchal, authoritarian, moralistic, ritualistic, and instinctively suspicious of outsiders. Hebrew thinkers see the world as a clear play between good and evil, with God always firmly on “our” side. Human actions are either right or wrong. There is no gray area. The collective is more important than the individual, morality is more important than happiness, and vows are inviolable.

It did not do to think, nor, for the matter of that to feel. She gave up trying to understand herself, and joined the vast armies of the benighted, who follow neither the heart nor the brain, and march to their destiny by catch-words. The armies are full of pleasant and pious folk. But they have yielded to the only enemy that matters—the enemy within. They have sinned against passion and truth, and vain will be their strife after virtue. As the years pass, they are censured. Their pleasantry and their piety show cracks, their wit becomes cynicism, their unselfishness hypocrisy; they feel and produce discomfort wherever they go. They have sinned against Eros and against Pallas Athene, and not by any heavenly intervention, but by the ordinary course of nature, those allied deities will be avenged.

He was constantly probing other people’s views. Why do you think that? How do you know? What evidence do you have? But what about this or that? This open-minded search for truth, for wisdom, was what made Socrates the most brilliant and challenging man in Athens—so much so that they later killed him for it.

Alexandros points to the bronze sculpture of Socrates. "His society didn't collapse because of an outside aggressor. It collapsed from within, from the complete breakdown of communication between citizens, and the breakdown of loving sentiment for one another. They ganged up and got rid of Socrates because he was an uncomfortable reminder of the glory days of ancient Athens, when /demokratia/--'people power'--reigned and citizens worked toward a greater good. He epitomized the fact that you're meant to stay open to all views, to all human experiences, because that's how you deepen your love for people and of wisdom. That amazing man sacrificed his life in the name of classic Athenian values of excellence and honor and compassion, so one day they might live on. And they did, here in America, for more than two centuries. I'm worried my beloved America is becoming as loveless as ancient Athens in its days of decline.

Tyranny," said Solon, "is a fair field, but it has no outlet." A subtle, as well as a noble saying; it implies that he who has once made himself the master of the state has no option as to the means by which he must continue his power. Possessed of that fearful authority, his first object is to rule, and it becomes a secondary object to rule well.

Most art these days is either trivial or false. There has always been bad art, but only when a culture's general world view and aesthetic theory have gone awry is bad art what most artists strive for, mistaking bad for good. In Plato's Athens or Shakespeare's London, who would have clapped for the merdistes? For the most part our artists do not struggle-as artists have traditionally struggled-toward a vision of how things out to be or what has gone wrong; they do not provide us with the flicker of lightning that shows us where we are. Either they pointlessly waste our time, saying and doing nothing, or they celebrate ugliness and futility, scoffing at good. Every new novelist, composer,and painter-or so we're told-is more 'distrubing' than the last. The good of humanity is left in the hands of politicians.

But even if his sympathies are not with Arachne in this moment, he can still imagine that from her perspective these gods are nothing but rapists. She has been described to us as excessively arrogant about her own skills, even if her confidence is well-founded. And she has been shown to be short-tempered with an interfering old woman. But these aren’t the characteristics of a fantasist or a fool. She isn’t out of her mind, like poor Ajax. We can’t simply dismiss her opinions as those coming from a disordered mind. Whether Ovid shares her views is unimportant. What matters is that he is perfectly aware of her feelings about the pain inflicted by these gods in their cruelty, and his version of Arachne is given the space to express it. Look at the great gifts the gods have given you, Athene’s tapestry proclaims. Arachne’s response is very detailed in its execution, but very simple in its message: the price is too high.

There are also generational knowledges in play, accessed and skilled within a history of televisual experiments in educational entertainment. For US academics schooled in the fifties, sixties, and seventies some old TV shows haunt this vignette as well. Two are Walter Cronkite’s You Are There (CBS, 1953–57) and Steve Allen’s Meeting of Minds (PBS, 1977–81). During the mid-century decades either or both could be found on the TV screen and in US secondary school classrooms. Even now the thoughtfully presentist You are There reenactments can be viewed on DVDs from Netflix; you can be personally addressed and included as Cronkite interviews Socrates about his choice to poison himself with hemlock rather than submit to exile after ostracism in ancient Athens. Cronkite’s interviews, scripted by blacklisted Hollywood writers, were specifically charged with messages against McCarthy-style witch hunts that were “felt” rather than spoken out.

My view is that, using Woodhouse’s own words, the male-to-female transsexual is a “fantastic woman, ” the incarnation of a male fantasy of feeling like a woman trapped in a man’s body, the fantasy rendered flesh by a further male medical fantasy of surgically fashioning a male body into a female one. These fantasies are based in the male imagination, not in any female reality. It is this female reality that the surgically-constructed woman does not possess, not because women innately carry some essence of femininity but because these men have not had to live in a female body with all the history that entails. It is that history that is basic to female reality, and yes, history is based to a certain extent on female biology.

But if you are agreed to carry out this plan, there is one further counsel which I would urge upon you. Send to Dodona and to Delphi, I would beg you, and consult the will of Heaven whether such a provision and such a policy on our part be truly to the interest of Athens both for the present and for the time to come. If the consent of Heaven be thus obtained, we ought then, I say, to put a further question: whose special favour among the gods shall we seek to secure with a view to the happier execution of these measures? And in accordance with that answer, let us offer a sacrifice of happy omen to the deities so named, and commence the work; since if these transactions be so carried out with the will of God, have we not the right to prognosticate some further advance in the path of political progress for this whole state?

1595, Richard Field, fellow-alumnus of the King Edward grammar school in Stratford-upon-Avon, printed The lives of the noble Grecians and Romanes, compared together by that grave learned philosopher and historiographer, Plutarke of Chaeronea: translated out of Greeke into French by James Amiot, abbot of Bellozane, Bishop of Auxerre, one of the Kings privie counsell, and great Amner of France, and out of French into English, by Thomas North. This was the book that got Shakespeare thinking seriously about politics: monarchy versus republicanism versus empire; the choices we make and their tragic consequences; the conflict between public duty and private desire. He absorbed classical thought, but was not enslaved to it. Shakespeare was a thinker who always made it new, adapted his source materials, and put his own spin on them. In the case of Plutarch, he feminized the very masculine Roman world. Brutus and Caesar are seen through the prism of their wives, Portia and Calpurnia; Coriolanus through his mother, Volumnia; Mark Antony through his lover, Cleopatra. Roman women were traditionally silent, confined to the domestic sphere. Cleopatra is the very antithesis of such a woman, while Volumnia is given the full force of that supreme Ciceronian skill, a persuasive rhetorical voice.40 Timon of Athens is alone and unhappy precisely because his obsession with money has cut him off from the love of, and for, women (the only females in Timon’s strange play are two prostitutes). Paradoxically, the very masculinity of Plutarch’s version of ancient history stimulated Shakespeare into demonstrating that women are more than the equal of men. Where most thinkers among his contemporaries took the traditional view of female inferiority, he again and again wrote comedies in which the girls are smarter than the boys—Beatrice in Much Ado about Nothing, Rosalind in As You Like It, Portia in The Merchant of Venice—and tragedies in which women exercise forceful authority for good or ill (Tamora, Cleopatra, Volumnia, and Cymbeline’s Queen in his imagined antiquity, but also Queen Margaret in his rendition of the Wars of the Roses).41

Marriages in the bourgeois sense of the word, and I mean in the most respectable sense of the word 'marriage', haven't the least to do with love no kind of institution can be made from love - and just as little with money; but rather with the social permission given to two people to satisfy their sexual desires with each other, of course under certain conditions, but such conditions as have the interests of society in view. It's clear that the prerequisites for such a contract must include some degree of liking between the parties concerned and very much goodwill - the will to be patient, conciliatory, to care for one another - but the word love should not be misused to describe it! For two lovers in the whole and strong sense of the word, sexual satisfaction is not the essential thing and really just a symbol: for one party, as has been said, a symbol of unconditional submission, for the other a symbol of assent to this, a sign of taking possession.- Marriage in the aristocratic sense, the old nobility's sense of the word, is about breeding a race (is there still a nobility today?) Quaeritur, in other words about maintaining a fixed, particular type of ruling men: man and woman were sacrificed to this viewpoint. Obviously, the primary requirement here was not love, on the contrary! - and not even that measure of mutual goodwill on which the good bourgeois marriage is based. The decisive thing was first the interest of the dynasty, and above that the class. Faced with the coldness, severity and calculating clarity of this noble concept of marriage, which has ruled in every healthy aristocracy, in ancient Athens as in eighteenth-century Europe, we would shiver a little, we warm-blooded animals with our ticklish hearts, we 'moderns'! And this is precisely why love as passion, in the grand understanding of the word, was invented for the aristocratic world and within it―where coercion and privation were greatest...

Only twice in literary history has there been a great period of tragedy, in the Athens of Pericles and in Elizabethan England. What these two periods had in common, two thousand years and more apart in time, that they expressed themselves in the same fashion, may give us some hint of the nature of tragedy, for far from being periods of darkness and defeat, each was a time when life was seen exalted, a time of thrilling and unfathomable possibilities. They held their heads high, those men who conquered at Marathon and Salamis, and those who fought Spain and saw the Great Armada sink. The world was a place of wonder; mankind was beauteous; life was lived on the crest of the wave. More than all, the poignant joy of heroism had stirred men’s hearts. Not stuff for tragedy, would you say? But on the crest of the wave one must feel either tragically or joyously; one cannot feel tamely. The temper of mind that sees tragedy in life has not for its opposite the temper that sees joy. The opposite pole to the tragic view of life is the sordid view. When humanity is seen as devoid of dignity and significance, trivial, mean, and sunk in dreary hopelessness, then the spirit of tragedy departs. “Sometime let gorgeous tragedy in sceptred pall come sweeping by.” At the opposite pole stands Gorki with The Lower Depths. Other poets may, the tragedian must, seek for the significance of life. An error strangely common is that this significance for tragic purposes depends, in some sort, upon outward circumstance, on pomp and feast and revelry, With mask, and antique pageantry— Nothing of all that touches tragedy. The surface of life is comedy’s concern; tragedy is indifferent to it. We do not, to be sure, go to Main Street or to Zenith for tragedy, but the reason has nothing to do with their dull familiarity. There is no reason inherent in the house itself why Babbitt’s home in Zenith should not be the scene of a tragedy quite as well as the Castle of Elsinore. The only reason it is not is Babbitt himself. “That singular swing toward elevation” which Schopenhauer discerned in tragedy, does not take any of its impetus from outside things. The

It doesn’t even look like we’re in Athens. This strip is completely different to the rest of the city. I guess we can’t forget where we are when we look over there,” she said as she pointed to the Parthenon, which was in full view, towering over the city.

These views of the world support diverging conceptions of human salvation. For those who follow Plato, humans are exiles from eternity; freedom consists in ascending from the realm of shadows and leaving behind the illusion of being a separate, time-bound individual. In biblical accounts, salvation is not an escape from contingency but a miraculous event in the contingent world. It was some such event that Jesus expected when he announced the kingdom of God. Those who were saved would not be assimilated into an eternal spirit but would be brought back from the grave as corporeal human beings. These Jewish and Greek views of the world are not just divergent but irreconcilably opposed. Yet from its beginnings Christianity has been an attempt to join Athens with Jerusalem. Augustine’s Christian Platonism was only the first of many such attempts. Without knowing what they are doing, secular thinkers have continued this vain effort.

This is electric, right?” Lydia sounded annoyed. She’d always been angry around new things. “Athens is an hour away.” “Really? I’ve never noticed that the eleventy billion times I’ve driven this very same car to Mom’s house and back.” At least she had before the ankle monitor limited her movements. “Can we just go?” Lydia still looked annoyed. “Where does the key go?” “Tap the brake to turn it on.” Lydia tapped the brake. “Is it on? I can’t even hear it.” “Are you three hundred years old?” Claire demanded. “Jesus Christ, it’s still a car. Even Grandma Ginny could figure it out.” “That was really mean.” She put the gear in reverse. The video screen switched to the rear camera view. Lydia huffed in disgust as she inched back the car and turned it around.

The first twenty-eight years of my life I lived in the smallish town of Madison, Wisconsin, but in my work I traveled across the U.S. weekly, since my team members were scattered across the country. The regional differences in the U.S. are strong. New York City feels entirely different than Athens, Georgia. So when I began working with foreigners who spoke of what it was like to work with “Americans,” I saw that as a sign of ignorance. I would respond, “There is no American culture. The regions are different and within the regions every individual is different.” But then I moved to New Delhi, India. I began leading an Indian team and overseeing their collaboration with my former team in the U.S. I was very excited, thinking this would be an opportunity to learn about the Indian culture. After 16 months in New Delhi working with Indians and seeing this collaboration from the Indian viewpoint, I can report that I have learned a tremendous amount . . . about my own culture. As I view the American way of thinking and working and acting from this outside perspective, for the first time I see a clear, visible American culture. The culture of my country has a strong character that was totally invisible to me when I was in it and part of it.

Of course, the Bible speaks of many things—for instance, the creation of the world—that for the biblical authors themselves belong to the remote past. But there is undoubtedly much history in the Bible—accounts of events written by contemporaries or near-contemporaries. One is thus led to say that the Bible contains both “myth” and “history.” Yet this distinction is alien to the Bible; it is a special form of the Greek distinction between mythos and logos. From the point of view of the Bible, the “myths” are as true as the “histories”: what Israel “in fact” did or suffered cannot be understood except in the light of the “facts” of Creation and Election. What is now called “historical” are those deeds and speeches that are equally accessible to the believer and to the unbeliever. But from the point of view of the Bible, the unbeliever is the fool who has said in his heart “there is no God”.

thought you had liberal views on what women should be allowed to do. It’s not as if I were suggesting joining one of your hideous hunts. I imagine that there aren’t wild animals behind every rock in Turkey waiting to charge at helpless humans.” “I wouldn’t object in principle to your going to Troy, but I will admit that I don’t view you as an adventurous type.” His eyes searched my own. “Beast! You don’t know me at all.” “Would you have the wardrobe?” He was laughing, and I realized he was teasing me. “Isn’t Ephesus in Turkey? Perhaps I could visit there on the same trip. I’ll send you a note from the Temple of Artemis, where I assure you I will not appear in evening clothes.” “I didn’t realize you had an interest in antiquity.” “Philip inspired me.” We had reached the rue de Rivoli and were nearly at the Meurice. “Let’s keep walking; I would like to see the river at night.” We turned away from the hotel and walked until we reached the Pont-Neuf. The air had grown chilly, and I had not worn even a light wrap; Colin stood near me to shield me from the wind blowing over the bridge. “Can you imagine how many people have crossed this bridge?” I asked. “It must be three hundred years old. Do you think that Marie Antoinette ever stood here and looked across the Seine at the city?” “Hardly. I think she would have had a greater appreciation for the views at Versailles.” “We consider this bridge old, but if it were in Athens, would anyone even comment on it? I shouldn’t be impressed with anything less than two thousand years old if I were in Greece.” “Then you would miss some particularly fine Roman ruins, my dear. Why don’t you plan a nice, civilized trip to Athens on your way to Santorini when you go?” “I shall have to see how it fits with my plan to visit Troy.” Colin shook his head and took my arm. I let him guide me back to the hotel, but not before contemplating at some length the pleasure I derived from his standing so close to me.   COLIN CALLED ON ME the next afternoon, and I confess I was delighted to see him. I planned to dine in my rooms that evening and invited him to join me. He readily accepted. “What time shall I return?” he asked. “I’ll only need to dress.” “Don’t be silly,” I replied. “We shan’t dress. I ordered a light supper and asked to have it early. It’s only the two of us, and

Kekrops testified that he had witnessed Athena plant the olive tree first, and so the twelve gods whom Zeus appointed as arbiters judged Athena the winner. Infuriated at the outcome, Poseidon let loose a torrent, submerging Attica beneath the rising flood. Poseidon’s retributive flooding of the Thriasion Plain, the great flatland between Athens and Eleusis, is not simply yet another inundation. We must view it alongside the age-old flood myths of the Sumerian, Akkadian, and Hebrew traditions.

St. Nectarios died in an Athens hospital in 1920. The nun and nurse who were attending him removed his woolen undershirt and carelessly tossed it onto the bed of a paralytic. The paralyzed man immediately stood up and began praising God. The next day, at the first public viewing of his body, the crowd was amazed to see that his face was exuding a sweet-smelling myrrh. Six months later his coffin was opened while work was being done to the grave. St. Nectarios’ unembalmed body had remained uncorrupt and continued to exude myrrh. Like the bones of the prophet Elisha that brought a dead man to life (2 Kings 13:21), the body of St. Nectarios became a source of healing and spiritual power. God’s power and majesty are manifest in His Saints even in death.

Green will typically look at history, for example, and whenever it finds a society in which there is a widespread lack of green values, it assumes that these green values would normally and naturally be present were it not for the fact that they have been maliciously oppressed by the dominator hierarchies found in that society. All individuals would possess worldcentric green values of pluralism, radical egalitarianism, and total equality, except for the oppressive controlling powers that crushed those values wherever they appeared. […] The existence of strong and widespread oppressive forces cannot be doubted. The problem comes in the claim to know what their source and cause is. For green postmodernism, the cause of the lack of worldcentric green values in any culture is due to an aggressive and intensively active repressive and oppressive force (usually the male sex; or a particular race— white in most parts of the world, coupled with a rampant colonialism— and/or due to a particular creed—usually religious fundamentalism of one sort or another; or various prejudices—against gays, against women, against whatever minority that is oppressed). In short, lack of green values (egalitarian, group freedom, gender equality, human care and sensitivity) is due to a presence of oppression. […] The major problem with that view taken by itself is that it completely overlooks the central role of growth, development, and evolution. We’ve already seen that human moral identity grows and develops from egocentric (red) to ethnocentric (amber) to worldcentric (orange then green) to integral (turquoise; and this is true individually as well as collectively/historically). Thus, the main reason that slavery was present, say, 2000 years ago, is not because there was an oppressive force preventing worldcentric freedom, but that a worldcentric notion of freedom had not even emerged yet anywhere on the planet. It wasn’t present and then oppressed, as green imagines, it simply had not yet emerged in the first place—there was nothing to oppress. This is why, as only one example, all of the world’s great religions, who otherwise teach love and compassion and treating all beings kindly, nonetheless—precisely because they were created during the great ethnocentric Mythic Age of traditional civilization —had no extensive and widespread conception of the fundamental worldcentric freedom of human beings—or the belief that all humans, regardless of race, sex, color, or creed, were born equal—and thus not one of them strenuously objected to the fact that a very large portion of their own population were slaves. Athens and Greek society, vaunted home of democracy, had 1 out of 3 of their people who were slaves—and no major complaint on a culture-wide scale. Nor was there a widespread culturally effective complaint from Christianity or Buddhism or Hinduism et al. It wasn’t until the emergence of the worldcentric Age of Reason that “we hold these truths to be self-evident, that all men are created equal” actually came into existence—emerged evolutionarily—and thus started to be believed by the average and typical member of that culture.

Many shy away from this practice believing that meditating on the dark side of life will breed a dark pessimism. For after all, isn’t it better to remain on the sunnier side of life? While it is common in our day to assume this, not all cultures have adhered to this view. In fact, two of the golden ages of history – Ancient Athens and Elizabethan England – were times infused with a “tragic sense of life”. As the 20th century classicist Edith Hamilton noted, they had a lucid awareness that human life is “bound up with evil and that injustice [is] of the nature of things.” (Edith Hamilton, The Greek Way) Yet despite their proclivity to meditate on the evils of existence, these ages were also permeated with great productivity and a lust for life. It appears that in becoming aware and more accepting of the darker possibilities of life, we not only cultivate resilience, but also become more fully alive.

For example, both the 2004 Athens Olympic Games and 2008 Beijing Olympics Games used Israeli companies to secure the events because Israel had positioned itself as the one of the best and more reliable providers of crowd management techniques, command and control rooms, and urban security. Alongside protecting nuclear plants, airport security, and law enforcement, among many other areas where surveillance and tight security were viewed as essential, Israeli expertise or equipment were routinely the answers to almost any security question.

As a Christian believer I must therefore place myself, for the sake of argument, upon the position of the non-Christian and show him that on his view of man and the cosmos he and the whole culture is based upon, and will sink into, quicksand. If the unbeliever then points to the fact that non-Christian scientists and philosophers have discovered many actual 'states of affairs,' I heartily agree with this but I must tell him that they have done so with barrowed capital. They have done so adventitiously. The actual state of affairs about the entire cosmos is what the Bible says it is.

In Aramaic “Mar” means “Lord.” “Maran” means “Our Lord.” Maranatha can be translated as either, “Our Lord, Come” (Marana tha) or “Our Lord has come” (Maran atha). Those who argue that Jesus spoke only Hebrew admit that Maranatha is indeed Aramaic but then state that when Paul uses it he “is writing to his non-Israelite, non-Hebrew-speaking audience.”  But Corinth is between Athens and Sparta! This was a Greek and not an Aramaic-speaking region. Paul uses the “Maranatha” prayer because it is a prayer of the Aramaic speaking mother-church in Jerusalem. The Maranatha prayer has greater significance than just a prophetic significance. Ben Witherington III notes the importance of the Maranatha prayer in his book The Brother of Jesus, “In concluding his letter, Paul, in 1 Corinthians 16:22 offers up a prayer in Aramaic, “Maranatha”, which means “Come, Lord.” In other words, Jesus is already called Lord by Aramaic speaking Jewish-Christians, and he is prayed to. Now, early Jews did not pray to people who were merely revered dead rabbis, teachers, or even prophets. They might well pray for a rabbi to be raised on the last day, but they would not pray to him and implore him to come. Yet, that is what Paul is doing here, and he is probably echoing a prayer he heard offered in the Jerusalem church, where such prayers were spoken in Aramaic. The dramatic importance of such a prayer should not be underestimated. Jews were forbidden to pray to someone other than God. This prayer strongly suggests that Jesus was included within the earliest Aramaic Jewish Christians understanding of God. In other words, Jesus was already viewed very early on as divine by his earliest followers, and this included James [the Just]. The notion that seeing Jesus as a divine figure was added only late in the first century and was done so only by Gentiles  is simply not true.

The essayist and investor Paul Graham, a peer and rival of Peter Thiel’s, has charted the trajectory of a start-up, with all its ups and downs. After the initial bump of media attention, the rush of excitement from the unexpected success, Graham says that the founders enter a phase where the novelty begins to wear off, and they quickly descend from their early euphoria into what he calls the “trough of sorrow.” A start-up launches with its investments, gets a few press hits, and then smacks right into reality. Many companies never make it out of this ditch. “The problem with the Silicon Valley,” as Jim Barksdale, the former CEO and president of Netscape, once put it, “is that we tend to confuse a clear view with a short distance.” Here, too, like the founders of a start-up, the conspirators have smacked into reality. The reality of the legal system. The defensive bulwark of the First Amendment. The reality of the odds. They have discovered the difference between a good plan and how far they’ll need to travel to fulfill it. They have trouble even serving Denton with papers. Harder has to request a 120-day extension just to wrap his head around Gawker’s financial and corporate structure. This is going to be harder than they thought. It always is. To say that in 2013 all the rush and excitement present on those courthouse steps several months earlier had dissipated would be a preposterous understatement. If a conspiracy, by its inherent desperation and disadvantaged position, is that long struggle in a dark hallway, here is the point where one considers simply sitting down and sobbing in despair, not even sure what direction to go. Is this even possible? Are we wrong? Machiavelli wrote that fortune—misfortune in fact—aims herself where “dikes and dams have not been made to contain her.” Clausewitz said that battle plans were great but ultimately subject to “friction”—delays, confusion, mistakes, and complications. What is friction? Friction is when you’re Pericles and you lay out a brilliant plan to defend Athens against Sparta and then your city is hit by the plague.

Perhaps the most powerful cause of the breakdown of the closed society was the development of sea-communications and commerce. Close contact with other tribes is liable to undermine the feeling of necessity with which tribal institutions are viewed; and trade, commercial initiative, appears to be one of the few forms in which individual initiative and independence can assert itself, even in a society in which tribalism still prevails. These two, seafaring and commerce, became the main characteristics of Athenian imperialism, as it developed in the fifth century B.C. And indeed they were recognized as the most dangerous developments by the oligarchs, the members of the privileged, or of the formerly privileged, classes of Athens.