Athens Love Quotes

The water far below was black in the shadow of the ship. A plank creaked. She froze. No noisy jump. It would have to be a dive. Head down into darkness. She’d never dived at night.

We’re not here to argue with you about the wisdom of our alliance that has kept the Persians at bay for forty years. An argument requires a measure of equality between those in the dispute and Samos is not the equal of Athens.

Running out the anchor line, the pirates babbled to one another, and in the tangle of their barbaric language, Aspasia listened for one word—Athens. It lit up the darkness in her mind, like the single glint her eyes fixed on above the distant gray-green hills.

Aspasia had herself fallen into very good fortune. So good that at the age of twenty years, she’d probably used up the whole life’s portion of good luck that Tyche had allotted her. To make good fortune last—for herself and the child in her womb—would be up to her.

Men of Athens, I honor and love you; but I shall obey God rather than you, and while I have life and strength I shall never cease from the practice and teaching of philosophy... Understand that I shall never alter my ways, not even if I have to die many times.

This is where he struck the earth, Annabeth said, where he made a saltwater spring appear when he had the contest with my mom to sponsor Athens. So this is where the rivalry started, Percy said. Yeah Percy pulled Annabeth close and kissed her. The rivalry ends here, Percy said. I love you Wise Girl.

Through the forest have I gone. But Athenian found I none, On whose eyes I might approve This flower's force in stirring love. Night and silence.--Who is here? Weeds of Athens he doth wear: This is he, my master said, Despised the Athenian maid; And here the maiden, sleeping sound, On the dank and dirty ground. Pretty soul! she durst not lie Near this lack-love, this kill-courtesy. Churl, upon thy eyes I throw All the power this charm doth owe. When thou wakest, let love forbid Sleep his seat on thy eyelid: So awake when I am gone; For I must now to Oberon.

[I] thought of that line from The Iliad I love so much, about Pallas Athene and the terrible eyes shining.

Men of Athens, I honor and I love you, but I will obey the god rather than you and as long as I draw breath and am able, I shall not cease to practice philosophy, to exhort you and in my usual way to point out to any one of you whom I happen to meet.

Aristotle says in the Poetics,” said Henry, “that objects such as corpses, painful to view in themselves, can become delightful to contemplate in a work of art.” “And I believe Aristotle is correct. After all, what are the scenes in poetry graven on our memories, the ones that we love the most? Precisely these. The murder of Agamemnon and the wrath of Achilles. Dido on the funeral pyre. The daggers of the traitors and Caesar’s blood—remember how Suetonius describes his body being borne away on the litter, with one arm hanging down?” “Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.” “Well said,” said Julian. “Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.” I looked at Camilla, her face bright in the sun, and thought of that line from the Iliad I love so much, about Pallas Athene and the terrible eyes shining. “And if beauty is terror,” said Julian, “then what is desire? We think we have many desires, but in fact we have only one. What is it?” “To live,” said Camilla. “To live forever,” said Bunny, chin cupped in palm. The teakettle began to whistle.

My heart is ever at your service

This is where he struck the earth, Annabeth said, where he made a saltwater sprong appear when he had the contest with my mom to sponsor Athens. So this is where the rivalry started, Percy said. Yeah Percy pulled Annabeth close and kissed her. The rivalry ends here, Percy said. I love youm Wise Girl.

Dreaming is the love potion that gives meaning to the world, our world. And nothing should ever break that.

Poets represent love as sculptors design beauty, as musicians create melody; that is to say, endowed with an exquisite nervous organization, they gather up with discerning ardor the purest elements of life, the most beautiful lines of matter, and the most harmonious voices of nature. There lived, it is said, at Athens a great number of beautiful girls; Praxiteles drew them all one after another; then from these diverse types of beauty, each one of which had its defects, he formed a single faultless beauty and created Venus. The man who first created a musical instrument, and who gave to harmony its rules and its laws, had for a long time listened to the murmuring of reeds and the singing of birds. Thus the poets, who understand life, after knowing much of love, more or less transitory, after feeling that sublime exaltation which real passion can for the moment inspire, eliminating from human nature all that degrades it, created the mysterious names which through the ages fly from lip to lip: Daphnis and Chloe, Hero and Leander, Pyramus and Thisbe. To try to find in real life such love as this, eternal and absolute, is but to seek on public squares a woman such as Venus, or to expect nightingales to sing the symphonies of Beethoven.

I understand in retrospect that this was my first introduction to a conflict that dominates all our lives: the endless, irreconcilable conflict between the values of Athens and Jerusalem. On the one hand, very approximately, is the world not of hedonism but of tolerance of the recognition that sex and love have their ironic and perverse dimensions. On the other is the stone-faced demand for continence, sacrifice, and conformity, and the devising of ever-crueler punishments for deviance, all invoked as if this very fanaticism did not give its whole game away.

Men of Athens, I honor and love you; but I shall obey God rather than you, and while I have life and strength I shall never cease from the practice and teaching of philosophy,

But Zeus loved her. He was proud of his clever, argumentative daughter, and often took her side in disputes with the other gods. And since Athene would always rather be right than happy, and would rather win than be right, this worked out well for everyone.

Persephone is just a name for a spirit of beauty at a certain time in history. I'm sure we could argue a biblical place for her if it matters. Your wife has the name of that pagan goddess, but the fact remains that she's your mortal bride in the Year of Our Lord 1888- and she's Catholic, so pray for her, damn it, I don't care how confusing it is. And pray for us, to anyone. If the dead are about to flood Athens, divine goodwill couldn't hurt. Your prayers can be in Hindu, if you like. Now go home.

A fool of thee: depart. APEMANTUS I love thee better now than e'er I did. TIMON I hate thee worse.

I looked at Camilla, her face bright in the sun, and thought of that line from the Iliad I love so much, about Pallas Athene and the terrible eyes shining.

She liked to be near him now that she had thought of a way to prove to him that life had taught her to understand and love him.

I do wish thou were a dog, that I might love thee something.

She thought love a perfect pain. Come then. Break me, bend me. Hurt me flawless.

Epicurus founded a school of philosophy which placed great emphasis on the importance of pleasure. "Pleasure is the beginning and the goal of a happy life," he asserted, confirming what many had long thought, but philosophers had rarely accepted. Vulgar opinion at once imagined that the pleasure Epicurus had in mind involved a lot of money, sex, drink and debauchery (associations that survive in our use of the word 'Epicurean'). But true Epicureanism was more subtle. Epicurus led a very simple life, because after rational analysis, he had come to some striking conclusions about what actually made life pleasurable - and fortunately for those lacking a large income, it seemed that the essential ingredients of pleasure, however elusive, were not very expensive. The first ingredient was friendship. 'Of all the things that wisdom provides to help one live one's entire life in happiness, the greatest by far is the possession of friendship,' he wrote. So he bought a house near Athens where he lived in the company of congenial souls. The desire for riches should perhaps not always be understood as a simple hunger for a luxurious life, a more important motive might be the wish to be appreciated and treated nicely. We may seek a fortune for no greater reason than to secure the respect and attention of people who would otherwise look straight through us. Epicurus, discerning our underlying need, recognised that a handful of true friends could deliver the love and respect that even a fortune may not. Epicurus and his friends located a second secret of happiness: freedom. In order not to have to work for people they didn't like and answer to potentially humiliating whims, they removed themselves from employment in the commercial world of Athens ('We must free ourselves from the prison of everyday affairs and politics'), and began what could best have been described as a commune, accepting a simpler way of life in exchange for independence. They would have less money, but would never again have to follow the commands of odious superiors. The third ingredient of happiness was, in Epicurus's view, to lead an examined life. Epicurus was concerned that he and his friends learn to analyse their anxieties about money, illness, death and the supernatural. There are few better remedies for anxiety than thought. In writing a problem down or airing it in conversation we let its essential aspects emerge. And by knowing its character, we remove, if not the problem itself, then its secondary, aggravating characteristics: confusion, displacement, surprise. Wealth is of course unlikely ever to make anyone miserable. But the crux of Epicurus's argument is that if we have money without friends, freedom and an analysed life, we will never be truly happy. And if we have them, but are missing the fortune, we will never be unhappy.

the woman you love is not in Tokyo or Paris or New York or Athens. The woman you love is a girl who dresses as a boy and she lives in a village in a jungle, the name of which you are not allowed to know, not

To THE TEACHER WHOSE INTEGRITY AND PEDAGOGICAL SPIRIT HAVE CREATED A SCHOOL WHEREIN THE IDEAL MAY PROVE ITSELF THE PRACTICAL AND THOSE ENTHUSIASTIC PUPILS WHO LOVE THE LOYALTY AND BRAVERY OF ODYSSEUS THIS BOOK IS DEDICATED

Look in it,' he said, smiling slightly, as you do when you have given someone a present which you know will please him and he is unwrapping it before your eyes. I opened it. In the folder I found four 8×10 glossy photos, obviously professionally done; they looked like the kind of stills that the publicity departments of movie studios put out. The photos showed a Greek vase, on it a painting of a male figure who we recognized as Hermes. Twined around the vase the double helix confronted us, done in red glaze against a black background. The DNA molecule. There could be no mistake. 'Twenty-three or -four hundred years ago,' Fat said. 'Not the picture but the krater, the pottery.' 'A pot,' I said. 'I saw it in a museum in Athens. It's authentic. Thats not a matter of my own opinion; I'm not qualified to judge such matters; it's authenticity has been established by the museum authorities. I talked with one of them. He hadn't realized what the design shows; he was very interested when I discussed it with him. This form of vase, the krater, was the shape later used as the baptismal font. That was one of the Greek words that came into my head in March 1974, the word “krater”. I heard it connected with another Greek word: “poros”. The words “poros krater” essentially mean “limestone font”. ' There could be no doubt; the design, predating Christianity, was Crick and Watson's double helix model at which they had arrived after so many wrong guesses, so much trial-and-error work. Here it was, faithfully reproduced. 'Well?' I said. 'The so-called intertwined snakes of the caduceus. Originally the caduceus, which is still the symbol of medicine was the staff of- not Hermes-but-' Fat paused, his eyes bright. 'Of Asklepios. It has a very specific meaning, besides that of wisdom, which the snakes allude to; it shows that the bearer is a sacred person and not to be molested...which is why Hermes the messenger of the gods, carried it.' None of us said anything for a time. Kevin started to utter something sarcastic, something in his dry, witty way, but he did not; he only sat without speaking. Examining the 8×10 glossies, Ginger said, 'How lovely!' 'The greatest physician in all human history,' Fat said to her. 'Asklepios, the founder of Greek medicine. The Roman Emperor Julian-known to us as Julian the Apostate because he renounced Christianity-conside​red Asklepios as God or a god; Julian worshipped him. If that worship had continued, the entire history of the Western world would have basically changed

Some cynical Frenchman has said that there are two parties to a love-transaction: the one who loves and the other who condescends to be so treated. Perhaps the love is occasionally on the man's side; perhaps on the lady's. Perhaps some infatuated swain has ere this mistaken insensibility for modesty, dulness for maiden reserve, mere vacuity for sweet bashfulness, and a goose, in a word, for a swan. Perhaps some beloved female subscriber has arrayed an ass in the splendour and glory of her imagination; admired his dulness as manly simplicity; worshipped his selfishness as manly superiority; treated his stupidity as majestic gravity, and used him as the brilliant fairy Titania did a certain weaver at Athens. I think I have seen such comedies of errors going on in the world. Chapter 13

Alexandros points to the bronze sculpture of Socrates. "His society didn't collapse because of an outside aggressor. It collapsed from within, from the complete breakdown of communication between citizens, and the breakdown of loving sentiment for one another. They ganged up and got rid of Socrates because he was an uncomfortable reminder of the glory days of ancient Athens, when /demokratia/--'people power'--reigned and citizens worked toward a greater good. He epitomized the fact that you're meant to stay open to all views, to all human experiences, because that's how you deepen your love for people and of wisdom. That amazing man sacrificed his life in the name of classic Athenian values of excellence and honor and compassion, so one day they might live on. And they did, here in America, for more than two centuries. I'm worried my beloved America is becoming as loveless as ancient Athens in its days of decline.

With new friendships had come visits to the philosophers and teachers of rhetoric; and, presently, the chance to learn from experts the art of war. He had longed for home and had returned with gladness; but by then he had been received into the mystery of Hellas, forever her initiate. Athens was her altar, almost her self. All he asked of Athens was to restore her glories; her present leaders seemed to him like the Phokians at Delphi, unworthy men who had seized a holy shrine. Deep in his mind moved a knowledge that for Athenians freedom and glory went together; but he was like a man in love, who thinks the strongest trait of the loved one’s nature will be easily changed, as soon as they are married.

Come, sermon me no further. No villainous bounty yet hath pass'd my heart; Unwisely, not ignobly, have I given. Why dost thou weep? Canst thou the conscience lack To think I shall lack friends? Secure thy heart; If I would broach the vessels of my love, And try the argument of hearts, by borrowing, Men and men's fortunes could I frankly use As I can bid thee speak.

Commend me to them, And tell them that, to ease them of their griefs, Their fears of hostile strokes, their aches, losses, Their pangs of love, with other incident throes That nature's fragile vessel doth sustain In life's uncertain voyage, I will some kindness do them: I'll teach them to prevent wild Alcibiades' wrath. First Senator I like this well; he will return again. TIMON I have a tree, which grows here in my close, That mine own use invites me to cut down, And shortly must I fell it: tell my friends, Tell Athens, in the sequence of degree From high to low throughout, that whoso please To stop affliction, let him take his haste, Come hither, ere my tree hath felt the axe, And hang himself. I pray you, do my greeting.

Athens may stand in our minds as the political ideal, but Rome is the ultimate pragmatist. The Romans had their ideal political system – the Republic – but they lost it in messy civil war. A system that worked well for hundreds of years, the Roman Republic was much loved and lamented by many surviving writers. Nobly born men competed to hold office and follow an electoral hierarchy: the cursus honorum.

I looked at Camilla, her face bright in the sun, and thought of that line from the Iliad that I love so much, about Pallas Athene and the terrible eyes shining. "And if beauty is terror," said Julian, "then what is desire? We think we have many desires but in fact we only have one. What is it?" "To live" said Camilla "To live forever" said Bunny, chin cupped in palm The teakettle began to whistle.

Must we forsake the love of excellence, then, till every citizen feels it alike? I did not fight, Anytos, to be crowned where I have not run; but for a City where I can know who my equals really are, and my betters, to do them honour; where a man’s daily life is his own business; and where no one will force a lie on me because it is expedient, or some other man’s will.” The words seemed, as I spoke, to be my own thoughts that I owed to no one, only to some memory in my soul; but when I looked beyond the Stadium, to where they were kindling the lights on the High City in the falling dark, I saw the lamps of Samos shine through a doorway, and the wine-cup standing on the table of scoured wood. Then the pain of loss leaped out on me, like a knife in the night when one has been on one’s guard all day. The world grew hollow, a place of shadows; yet none would hold out the cup of Lethe to let me drink.

The telephone never stops ringing in the night of far-off countries. Someone woken from sleep picks up the receiver and hears a hesitant voice at the other end telling them of the death of a loved one or a relative or a friend or comrade in the homeland or in some other country—in Rome, Athens, Tunis, Cyprus, London, Paris, the United States, and on every bit of land we have been carried to, until death becomes like lettuce in the market, plentiful and cheap.

In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32

O thou sweet king-killer, and dear divorce 'Twixt natural son and sire! thou bright defiler Of Hymen's purest bed! thou valiant Mars! Thou ever young, fresh, loved and delicate wooer, Whose blush doth thaw the consecrated snow That lies on Dian's lap! thou visible god, That solder'st close impossibilities, And makest them kiss! that speak'st with every tongue, To every purpose! O thou touch of hearts! Think, thy slave man rebels, and by thy virtue Set them into confounding odds, that beasts May have the world in empire!

And so, Athene, the prayer I offer is this: thank you for bringing my husband home, if that is what you have done. If the man who sleeps upstairs in the bed he once carved from an old olive tree is an impostor, I suppose I will find out soon enough. He knows the old stories of our marriage, of that I am certain. And Telemachus is devoted to him, which is fortunate. So perhaps it does not matter if he is the man who left, or a changed man, or even another man altogether. He fits in the space that Odysseus left." - Your devoted Penelope

How happy some o’er other some can be! Through Athens I am thought as fair as she. But what of that? Demetrius thinks not so; He will not know what all but he do know. And as he errs, doting on Hermia’s eyes, So I, admiring of his qualities. Things base and vile, holding no quantity, Love can transpose to form and dignity. Love looks not with the eyes, but with the mind; And therefore is wing’d Cupid painted blind. Nor hath love’s mind of any judgment taste. Wings, and no eyes, figure unheedy haste. And therefore is love said to be a child, Because in choice he is so oft beguil’d. As waggish boys in game themselves forswear, So the boy Love is perjur’d everywhere. For, ere Demetrius look’d on Hermia’s eyne, He hail’d down oaths that he was only mine; And when this hail some heat from Hermia felt, So he dissolv’d, and showers of oaths did melt. I will go tell him of fair Hermia’s flight. Then to the wood will he tomorrow night Pursue her; and for this intelligence If I have thanks, it is a dear expense. But herein mean I to enrich my pain, To have his sight thither and back again

From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis-holder and queenly Hera of Argos who walks on golden sandals and the daughter of Zeus the aegis-holder bright-eyed Athene, and Phoebus Apollo, and Artemis who delights in arrows, and Poseidon the earth-holder who shakes the earth, and reverend Themis and quick-glancing Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos and great Helius and bright Selene, Earth too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me—the Muses of Olympus, daughters of Zeus who holds the aegis: 'Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things'.

(Pericles:) Any one can discourse to you for ever about the advantages of a brave defence, which you know already. But instead of listening to him I would have you day by day fix your eyes upon the greatness of Athens, until you become filled with the love of her; and when you are impressed by the spectacle of her glory, reflect that this empire has been acquired by men who knew their duty and had the courage to do it, who in the hour of conflict had the fear of dishonour always present to them, and who, if ever they failed in an enterprise, would not allow their virtues to be lost to their country, but freely gave their lives to her as the fairest offering which they could present at her feast. (Book 2 Chapter 43.1)

Love affairs in a modern sense occurred in classical times only outside of official society. The shepherds whose happiness and woe in love is sung by Theocritos and Moschus, such as Daphnis and Chloë of Longos, all these were slaves who had no share in the state and in the daily sphere of the free citizen. Outside of slave circles we find love affairs only as products of disintegration of the sinking old world. Their objects are women who also are standing outside of official society, hetaerae that are either foreigners or liberated slaves: in Athens since the beginning of its decline, in Rome at the time of the emperors. If love affairs really occurred between free male and female citizens, it was only in the form of adultery.

Love, he said, is not a god, for a god cannot want anything; but one of those great spirits who are messengers between gods and men. He does not visit fools, who are content with their low condition, but those who aware of their own need and desire, by embracing the beautiful and good, to beget goodness and beauty; for creation is man’s immortality and brings him nearest to the gods. All creatures, he said, cherish the children of their flesh; yet the noblest progeny of love are wisdom and glorious deeds, for mortal children die, but these live forever; and these are begotten not of the body but the soul. Mortal passion sinks us in mortal pleasure, so that the wings of the soul grow weak; and such lovers may rise to the good indeed, but not to the very best. But the winged soul rises from love to love, from the beautiful that is born and dies, to beauty is only a moving shadow flung upon a wall.

The Greeks were the first people in the world to play, and they played on a great scale. All over Greece there were games, all sorts of games; athletic contests of every description: races—horse-, boat-, foot-, torch-races; contests in music, where one side out-sung the other; in dancing—on greased skins sometimes to display a nice skill of foot and balance of body; games where men leaped in and out of flying chariots; games so many one grows weary with the list of them. They are embodied in the statues familiar to all, the disc thrower, the charioteer, the wrestling boys, the dancing flute players. The great games—there were four that came at stated seasons—were so important, when one was held, a truce of God was proclaimed so that all Greece might come in safety without fear. There “glorious-limbed youth”—the phrase is Pindar’s, the athlete’s poet—strove for an honor so coveted as hardly anything else in Greece. An Olympic victor—triumphing generals would give place to him. His crown of wild olives was set beside the prize of the tragedian. Splendor attended him, processions, sacrifices, banquets, songs the greatest poets were glad to write. Thucydides, the brief, the severe, the historian of that bitter time, the fall of Athens, pauses, when one of his personages has conquered in the games, to give the fact full place of honor. If we had no other knowledge of what the Greeks were like, if nothing were left of Greek art and literature, the fact that they were in love with play and played magnificently would be proof enough of how they lived and how they looked at life. Wretched people, toiling people, do not play. Nothing like the Greek games is conceivable in Egypt or Mesopotamia. The life of the Egyptian lies spread out in the mural paintings down to the minutest detail. If fun and sport had played any real part they would be there in some form for us to see. But the Egyptian did not play. “Solon, Solon, you Greeks are all children,” said the Egyptian priest to the great Athenian.

Up and down the coast of Asia Minor St. Paul was mobbed and imprisoned and beaten. In Athens “they brought him unto the Areopagus, saying, ‘May we know what this new teaching is?’” Aristotle, the model scientist, the man of cool head and detached observation, unbiased, impersonal, does not display any dispassionate aloofness in his consideration of reason. He so loves it and delights in it that when it is the theme of discourse he cannot be held within the sober bounds of the scientific spirit. His words must be quoted, they are so characteristically Greek: Since then reason is divine in comparison with man’s whole nature, the life according to reason must be divine in comparison with (usual) human life. Nor ought we to pay regard to those who exhort us that as men we ought to think human things and keep our eyes upon mortality: nay, as far as may be, we should endeavor to rise to that which is immortal, and live in conformity with that which is best, in us. Now, what is characteristic of any nature is that which is best for it and gives most joy. Such to man is the life according to reason, since it is this that makes him man. Love

GIVE ME THE SONGS OF A NATION” Sing for joy to God our strength; shout aloud to the God of Jacob! Begin the music, strike the timbrel, play the melodious harp and lyre. Psalm 81:1–2 Let these two quotations wash over you:           “I am the art in your arthouses, the ideas in your institutions, the laws in your land, the message in your movies, the thoughts of your teachers, the values your kids value. I affect you. Do you affect me?”—Culture And also this one, from the fifth-century BC Greek musician Damon of Athens:           Give me the songs of a nation, and it matters not who writes its laws. I wish more of us—especially our politicians—realized that ideas have consequences in the real world. When we embrace certain ideals in our movies and songs (sex without restraint, for example, which happened during the “free love” 1970s), it affects our culture in ways that rules and regulations can’t undo. SWEET FREEDOM IN Action Today, don’t let movies, songs, and the arts be dominated by liberals. Instead, arm your Christian children and grandkids with a solid worldview and encourage them to enter these areas boldly and with excellence.

Never, not in the brightest days of the Renaissance, has learning appeared in such a radiant light as it did to the gay young men of imperial Athens. Listen to one of them talking to Socrates, just waked up in the early dawn by a persistent hammering at his door: “What’s here?” he cries out, still half asleep. “O Socrates,” and the voice is that of a lad he knows well, “Good news, good news!” “It ought to be at this unearthly hour. Well, out with it.” The young fellow is in the house now. “O Socrates, Protagoras has come. I heard it yesterday evening. And I was going to you at once but it was so late—” “What’s it all about—Protagoras? Has he stolen something of yours?” The boy bursts out laughing. “Yes, yes, that’s just it. He’s robbing me of wisdom. He has it—wisdom, and he can give it to me. Oh, come and go with me to him. Start now.” That eager, delightful boy in love with learning can be duplicated in nearly every dialogue of Plato. Socrates has but to enter a gymnasium; exercise, games, are forgotten. A crowd of ardent young men surround him. Tell us this. Teach us that, they clamor. What is Friendship? What is Justice? We will not let you off, Socrates. The truth—we want the truth. “What delight,” they say to each other, “to hear wise men talk!” “Egypt and Phœnicia love money,” Plato remarks in a discussion on how nations differ. “The special characteristic of our part of the world is the love of knowledge.

Are you a god, then?" Sokrates asked. "What is a god?" Ikaros threw back instantly. They both sat up and leaned forward eagerly. Sokrates looked like, well, a philosopher. Ikaros was, frankly, gorgeous, more gorgeous than even Jathery pretending to be Hermes, because he was more mature. But there was no question he was a philosopher too, with that avidity in his face, twin to Sokrates's own. "None of my old definitions will work, unless we allow that you and Porphyry and Athene are some other kind of being, and that there are unchanging unseeking perfect gods that are different," Sokrates said. "The One," Ikaros said. "And I used the word angels in the New Concordance, for those other kinds of being. But perfection is a dynamic attribute." "How can it be? The nature of perfection--" "Perfect things can become more perfect, endlessly.""Excellence, yes, but perfection implies completeness." Porphyry and I looked past them and smiled at each other. There was something satisfying to the soul in the way they so immediately became utterly absorbed in the argument. Sokrates caught the smile as Ikaros becan to explain the nature of dynamic perfection, which was exactly the kind of abstraction Ikarians and Psycheans love. "Wait," he said. "We're arguing with each other when we have an expert here." "I'm not an expert," Porphyry said, throwing up his hands. "But you admit you are a god?" "Yes..." Porphyry admitted, tentatively. "Then you must know what a god is," Sokrates said, with a brisk nod. "Please enlighten us.

Marriages in the bourgeois sense of the word, and I mean in the most respectable sense of the word 'marriage', haven't the least to do with love no kind of institution can be made from love - and just as little with money; but rather with the social permission given to two people to satisfy their sexual desires with each other, of course under certain conditions, but such conditions as have the interests of society in view. It's clear that the prerequisites for such a contract must include some degree of liking between the parties concerned and very much goodwill - the will to be patient, conciliatory, to care for one another - but the word love should not be misused to describe it! For two lovers in the whole and strong sense of the word, sexual satisfaction is not the essential thing and really just a symbol: for one party, as has been said, a symbol of unconditional submission, for the other a symbol of assent to this, a sign of taking possession.- Marriage in the aristocratic sense, the old nobility's sense of the word, is about breeding a race (is there still a nobility today?) Quaeritur, in other words about maintaining a fixed, particular type of ruling men: man and woman were sacrificed to this viewpoint. Obviously, the primary requirement here was not love, on the contrary! - and not even that measure of mutual goodwill on which the good bourgeois marriage is based. The decisive thing was first the interest of the dynasty, and above that the class. Faced with the coldness, severity and calculating clarity of this noble concept of marriage, which has ruled in every healthy aristocracy, in ancient Athens as in eighteenth-century Europe, we would shiver a little, we warm-blooded animals with our ticklish hearts, we 'moderns'! And this is precisely why love as passion, in the grand understanding of the word, was invented for the aristocratic world and within it―where coercion and privation were greatest...

city builders and rebuilders (Jerusalem) and city-loving exiles (Babylon). In New Testament times, the people of God become city missionaries (indeed, New Testament writings contain few glimpses of nonurban Christianity). Finally, when God’s future arrives in the form of a city, his people can finally be fully at home. The fallen nature of the city — the warping of its potential due to the power of sin — is finally overcome and resolved; the cultural mandate is complete; the capacities of city life are freed in the end to serve God. All of God’s people serve him in his holy city. QUESTIONS FOR DISCUSSION AND REFLECTION 1. Keller writes, “The church should continue to relate to the human cities of our time, not as the people of God did under Abraham, Moses, or David, but as they did during the time of the exile.” In what ways is the situation of the Christian church different from that of the exiles in Babylon? In what ways is it similar? How does this affect the mission of the church today? 2. From Acts 17 through the end of the book of Acts, Paul has strategically traveled to the intellectual (Athens), commercial (Corinth), religious (Ephesus), and political (Rome) centers of the Roman world. What are the centers of power and influence in your own local context? How is your church seeking to strategically reach these different centers of cultural influence? 3. Keller writes, “Then, as now, the cities were filled with the poor, and urban Christians’ commitment to the poor was visible and striking.” Do you believe this is still true of the Christian church? If so, give an example. If not, how can this legacy be recaptured? 4. Keller writes, “Gardening (the original human vocation) is a paradigm for cultural development. A gardener neither leaves the ground as is, nor does he destroy it. Instead, he rearranges it to produce food and plants for human life. He cultivates it. (The words culture and cultivate come from the same root.) Every vocation is in some way a response to, and an extension of, the primal,

Save thee, Timon. Tim. Now, thieves? All [Banditti]. Soldiers, not thieves. Tim. Both too, and women's sons. All [Banditti]. We are not thieves, but men that much do want. Tim. Your greatest want is, you want much of meat. Why should you want? Behold, the earth hath roots; Within this mile break forth a hundred springs; The oaks bear mast, the briers scarlet hips; The bounteous housewife, nature, on each bush Lays her full mess before you. Want! why want? 1. Ban. We cannot live on grass, on berries, water, As beasts and birds and fishes. Tim. Nor on the beasts themselves, the birds, and fishes; You must eat men. Yet thanks I must you con That you are thieves profess'd, that you work not In holier shapes: for there is boundless theft In limited professions. Rascal thieves, Here's gold. Go, suck the subtle blood o' the grape, Till the high fever seethe your blood to froth, And so 'scape hanging: trust not the physician; His antidotes are poison, and he slays Moe than you rob: take wealth and lives together; Do villany, do, since you protest to do't, Like workmen. I'll example you with thievery. The sun's a thief, and with his great attraction Robs the vast sea: the moon's an arrant thief, And her pale fire she snatches from the sun: The sea's a thief, whose liquid surge resolves The moon into salt tears: the earth's a thief, That feeds and breeds by a composture stolen From general excrement: each thing's a thief: The laws, your curb and whip, in their rough power Have uncheque'd theft. Love not yourselves: away, Rob one another. There's more gold. Cut throats: All that you meet are thieves: to Athens go, Break open shops; nothing can you steal, But thieves do lose it: steal no less for this I give you; and gold confound you howsoe'er! Amen. 3. Ban. Has almost charmed me from my profession, by persuading me to it. 1. Ban. 'Tis in the malice of mankind that he thus advises us; not to have us thrive in our mystery. 2 Ban. I'll believe him as an enemy, and give over my trade. 1 Ban. Let us first see peace in Athens: there is no time so miserable but a man may be true. Exeunt Thieves [the Banditti]

1595, Richard Field, fellow-alumnus of the King Edward grammar school in Stratford-upon-Avon, printed The lives of the noble Grecians and Romanes, compared together by that grave learned philosopher and historiographer, Plutarke of Chaeronea: translated out of Greeke into French by James Amiot, abbot of Bellozane, Bishop of Auxerre, one of the Kings privie counsell, and great Amner of France, and out of French into English, by Thomas North. This was the book that got Shakespeare thinking seriously about politics: monarchy versus republicanism versus empire; the choices we make and their tragic consequences; the conflict between public duty and private desire. He absorbed classical thought, but was not enslaved to it. Shakespeare was a thinker who always made it new, adapted his source materials, and put his own spin on them. In the case of Plutarch, he feminized the very masculine Roman world. Brutus and Caesar are seen through the prism of their wives, Portia and Calpurnia; Coriolanus through his mother, Volumnia; Mark Antony through his lover, Cleopatra. Roman women were traditionally silent, confined to the domestic sphere. Cleopatra is the very antithesis of such a woman, while Volumnia is given the full force of that supreme Ciceronian skill, a persuasive rhetorical voice.40 Timon of Athens is alone and unhappy precisely because his obsession with money has cut him off from the love of, and for, women (the only females in Timon’s strange play are two prostitutes). Paradoxically, the very masculinity of Plutarch’s version of ancient history stimulated Shakespeare into demonstrating that women are more than the equal of men. Where most thinkers among his contemporaries took the traditional view of female inferiority, he again and again wrote comedies in which the girls are smarter than the boys—Beatrice in Much Ado about Nothing, Rosalind in As You Like It, Portia in The Merchant of Venice—and tragedies in which women exercise forceful authority for good or ill (Tamora, Cleopatra, Volumnia, and Cymbeline’s Queen in his imagined antiquity, but also Queen Margaret in his rendition of the Wars of the Roses).41

And we beseech you, brethren, to know them which labour among you, and are over you in the Lord, and admonish you; 13 And to esteem them very highly in love for their work's sake. And be at peace among yourselves. 14 Now we exhort you, brethren, warn them that are unruly, comfort the feebleminded, support the weak, be patient toward all men. 15 See that none render evil for evil unto any man; but ever follow that which is good, both among yourselves, and to all men. 16 Rejoice evermore. 17 Pray without ceasing. 18 In every thing give thanks: for this is the will of God in Christ Jesus concerning you. 19 Quench not the Spirit. 20 Despise not prophesyings. 21 Prove all things; hold fast that which is good. 22 Abstain from all appearance of evil. 23 And the very God of peace sanctify you wholly; and I pray God your whole spirit and soul and body be preserved blameless unto the coming of our Lord Jesus Christ. 24 Faithful is he that calleth you, who also will do it. 25 Brethren, pray for us. 26 Greet all the brethren with an holy kiss. 27 I charge you by the Lord that this epistle be read unto all the holy brethren. 28 The grace of our Lord Jesus Christ be with you. Amen. ¶     The first epistle unto the Thessalonians was written from Athens. Holy Bible 2 Thessalonians 1 2 3 THE SECOND EPISTLE OF PAUL THE APOSTLE TO THE THESSALONIANS. CHAPTER 1 PAUL, and Silvanus, and Timotheus, unto the church of the Thessalonians in God our Father and the Lord Jesus Christ: 2 Grace unto you, and peace, from God our Father and the Lord Jesus Christ. 3 We are bound to thank God always for you, brethren, as it is meet, because that your faith groweth exceedingly, and the charity of every one of you all toward each other aboundeth; 4 So that we ourselves glory in you in the churches of God for your patience and faith in all your persecutions and tribulations that ye endure: 5 Which is a manifest token of the righteous judgment of God, that ye may be counted worthy of the kingdom of God, for which ye also suffer: 6 Seeing it is a righteous thing with God to recompense tribulation to them that trouble you; 7 And to you who are troubled rest with us, when the Lord Jesus shall be revealed from heaven with his mighty angels, 8 In flaming fire taking vengeance on them that know not God, and that obey not the gospel of our Lord Jesus Christ: 9 Who shall be punished with everlasting destruction from the presence of the Lord, and from the glory of his power; 10 When he shall come to be glorified in his saints, and to be admired in all them that believe (because our testimony among you was believed) in that day.

The woman glares at him and, after taking a breath, forges on. "One other issue I'd like to raise is how you have authors here separated by sex." "Yes, that's right. The person who was in charge before us cataloged these and for whatever reason divided them into male and female. We were thinking of recataloging all of them, but haven't been able to as of yet." "We're not criticizing you for this," she says. Oshima tilts his head slightly. "The problem, though, is that in all categories male authors are listed before female authors," she says. "To our way of thinking this violates the principle of sexual equality and is totally unfair." Oshima picks up her business card again, runs his eyes over it, then lays it back down on the counter. "Ms. Soga," he begins, "when they called the role in school your name would have come before Ms. Tanaka, and after Ms. Sekine. Did you file a complaint about that? Did you object, asking them to reverse the order? Does G get angry because it follows F in the alphabet? Does page 68 in a book start a revolution just because it follows 67?" "That's not the point," she says angrily. "You're intentionally trying to confuse the issue." Hearing this, the shorter woman, who'd been standing in front of a stack taking notes, races over. "Intentionally trying to confuse the issue," Oshima repeats, like he's underlining the woman's words. "Are you denying it?" "That's a red herring," Oshima replies. The woman named Soga stands there, mouth slightly ajar, not saying a word. "In English there's this expression red herring. Something that's very interesting but leads you astray from the main topic. I'm afraid I haven't looked into why they use that kind of expression, though." "Herrings or mackerel or whatever, you're dodging the issue." "Actually what I'm doing is shifting the analogy," Oshima says. "One of the most effective methods of argument, according to Aristotle. The citizens of ancient Athens enjoyed using this kind of intellectual trick very much. It's a shame, though, that at the time women weren't included in the definition of 'citizen.'" "Are you making fun of us?" Oshima shakes his head. "Look, what I'm trying to get across is this: I'm sure there are many more effective ways of making sure that Japanese women's rights are guaranteed than sniffing around a small library in a little town and complaining about the restrooms and the card catalog. We're doing our level best to see that this modest library of ours helps the community. We've assembled an outstanding collection for people who love books. And we do our utmost to put a human face on all our dealings with the public. You might not be aware of it, but this library's collection of poetry-related material from the 1910s to the mid-Showa period is nationally recognized. Of course there are things we could do better, and limits to what we can accomplish. But rest assured we're doing our very best. I think it'd be a whole lot better if you focus on what we do well than what we're unable to do. Isn't that what you call fair?

The Parthenon was 228 feet long by 101 broad, and 64 feet high; the porticoes at each end had a double row of eight columns; the sculptures in the pediments were in full relief, representing in the eastern the Birth of Athene, and in the western the Struggle between that goddess and Poseidon, whilst those on the metopes, some of which are supposed to be from the hand of Alcamenes, the contemporary and rival of Phidias, rendered scenes from battles between the Gods and Giants, the Greeks and the Amazons, and the Centaurs and Lapithæ. Of somewhat later date than the Parthenon and resembling it in general style, though it is very considerably smaller, is the Theseum or Temple of Theseus on the plain on the north-west of the Acropolis, and at Bassæ in Arcadia is a Doric building, dedicated to Apollo Epicurius and designed by Ictinus, that has the peculiarity of facing north and south instead of, as was usual, east and west. Scarcely less beautiful than the Parthenon itself is the grand triple portico known as the Propylæa that gives access to it on the western side. It was designed about 430 by Mnesicles, and in it the Doric and Ionic styles are admirably combined, whilst in the Erectheum, sacred to the memory of Erechtheus, a hero of Attica, the Ionic order is seen at its best, so delicate is the carving of the capitals of its columns. It has moreover the rare and distinctive feature of what is known as a caryatid porch, that is to say, one in which the entablature is upheld by caryatides or statues representing female figures. Other good examples of the Ionic style are the small Temple of Niké Apteros, or the Wingless Victory, situated not far from the Propylæa and the Parthenon of Athens, the more important Temple of Apollo at Branchidæ near Miletus, originally of most imposing dimensions, and that of Artemis at Ephesus, of which however only a few fragments remain in situ. Of the sacred buildings of Greece in which the Corinthian order was employed there exist, with the exception of the Temple of Jupiter at Athens already referred to, but a few scattered remains, such as the columns from Epidaurus now in the Athens Museum, that formed part of a circlet of Corinthian pillars within a Doric colonnade. In the Temple of Athena Alea at Tegea, designed by Scopas in 394, however, the transition from the Ionic to the Corinthian style is very clearly illustrated, and in the circular Monument of Lysicrates, erected in 334 B.C. to commemorate the triumph of that hero's troop in the choric dances in honour of Dionysos, and the Tower of the Winds, both at Athens, the Corinthian style is seen at its best. In addition to the temples described above, some remains of tombs, notably that of the huge Mausoleum at Halicarnassus in memory of King Mausolus, who died in 353 B.C., and several theatres, including that of Dionysos at Athens, with a well-preserved one of larger size at Epidaurus, bear witness to the general prevalence of Doric features in funereal monuments and secular buildings, but of the palaces and humbler dwelling-houses in the three Greek styles, of which there must have been many fine examples, no trace remains. There is however no doubt that the Corinthian style was very constantly employed after the power of the great republics had been broken, and the Oriental taste for lavish decoration replaced the love for austere simplicity of the virile people of Greece and its dependencies. CHAPTER III

the Rumanian officer somehow always succeeded in giving the impression that he had made too much love the night before and was very, very tired.

It is not that one has to have exhaustive knowledge of love to live, but it would be much better if one had it.

Know yourself, said the god. Yet this I did not know. Or, perhaps, I had known it for ever. I thought of my ugly scarred leg, and all my imperfection. What he was telling me seemed hardly possible. I shook my head. ‘But surely Menexenos has— Is there no one in Athens, then?’ ‘That is what everyone thinks – that there must be someone somewhere. But there is not.’ He shrugged. ‘It is not that he does not wish it otherwise. I think he believes that what he seeks is not to be found. He is in love with honour, Marcus; and a thing beyond honour, which he sees, but I cannot explain. When I ask him, he tells me it is the light behind the sun, whatever that is. But whatever it is, I know he had rather have no one than choose a base lover.

In 132 Hadrian, now in his late fifties, decided to leave Greece, the country he had placed at the centre of his empire, and turn for home. He had accomplished all that he had ever planned on the greatest stage set the world had ever seen. The council of the Panhellion had been inaugurated with games and religious ceremonies. Athens, basking in the generosity of an emperor who loved her, had never looked more splendid. Alabaster, gilding, bronzes and hundreds of marble columns and statues decorated the restored city, and festivals had been arranged in perpetuity. Great games – more to the Roman taste, of a kind rare in Greece – had been held, where 1,000 exotic animals from all over the empire were slaughtered. The celebrations went on for weeks on end. The cult of Antinous had been established in all the major centres of Greece and Asia minor. The dream of a Roman empire united by Hellenic nostalgia had reached its zenith.

Epictetus is never weary of showing how we should deal with what are considered misfortunes, which he does often by means of homely dialogues. Like the Christians, he holds that we should love our enemies. In general, in common with other Stoics, he despises pleasure, but there is a kind of happiness that is not to be despised. 'Athens is beautiful. Yes, but happiness is far more beautiful—freedom from passion and disturbance, the sense that your affairs depend on no one' (p. 428). Every man is an actor in a play, in which God has assigned the parts; it is our duty to perform our part worthily, whatever it may be.

who you want to meet and we’ll bring him to you.’ ‘Abraham is a hostage,’ Satyrus said. ‘You can’t bring him out of Athens, and I need to see him.’ His captains looked at him with something like suspicion. ‘I’m going to Athens,’ he insisted. ‘Without your fleet?’ Sandokes asked. ‘Haven’t you got this backward, lord? If you must go, why not lead with a show of force?’ ‘Can you go three days armed and ready to fight?’ Satyrus asked. ‘In the midst of the Athenian fleet? No. Trust me on this, friends. And obey – I pay your wages. Go to Aegina and wait.’ Sandokes was dissatisfied and he wasn’t interested in hiding it. ‘Lord, we do obey. We’re good captains and good fighters, and most of us have been with you a few years. Long enough to earn the right to tell you when you are just plain wrong.’ He took a breath. ‘Lord, you’re wrong. Take us into Athens – ten ships full of fighting men, and no man will dare raise a finger to you. Or better yet, stay here, or you go to Aegina and we’ll sail into Athens.’ Satyrus shrugged, angered. ‘You all feel this way?’ he asked. Sarpax shook his head. ‘No,’ he said. ‘Aekes and Sandokes have a point, but I’ll obey you. I don’t know exactly what your relationship with Demetrios is, and you do.’ He looked at the other captains. ‘We don’t know.’ Sandokes shook his head. ‘I’ll obey, lord – surely I’m allowed to disagree?’ Satyrus bit his lip. After a flash of anger passed, he chose his words carefully. ‘I appreciate that you are all trying to help. I hope that you’ll trust that I’ve thought this through as carefully as I can, and I have a more complete appreciation of the forces at work than any of you can have.’ Sandokes didn’t back down. ‘I hope that you appreciate that we have only your best interests at heart, lord. And that we don’t want to look elsewhere for employment while your corpse cools.’ He shrugged. ‘Our oarsmen are hardening up, we have good helmsmen and good clean ships. I wager we can take any twenty ships in these waters. No one – no one with any sense – will mess with you while we’re in the harbour.’ Satyrus managed a smile. ‘If you are right, I’ll happily allow you to tell me that you told me so,’ he said. Sandokes turned away. Aekes caught his shoulder. ‘There’s no changing my mind on this,’ Satyrus said. Sandokes shrugged. ‘We’ll sail for Aegina when you tell us,’ Aekes said. Satyrus had never felt such a premonition of disaster in all his life. He was ignoring the advice of a god, and all of his best fighting captains, and sailing into Athens, unprotected. But his sense – the same sense that helped him block a thrust in a fight – told him that the last thing he wanted was to provoke Demetrios. He explained as much to Anaxagoras as the oarsmen ran the ships into the water. Anaxagoras just shook his head. ‘I feel like a fool,’ Satyrus said. ‘But I won’t change my mind.’ Anaxagoras sighed. ‘When we’re off Piraeus, I’ll go off in Miranda or one of the other grain ships. I want you to stay with the fleet,’ Satyrus said. ‘Just in case.’ Anaxagoras picked up the leather bag with his armour and the heavy wool bag with his sea clothes and his lyre. ‘Very well,’ he said crisply. ‘You think I’m a fool,’ Satyrus said. ‘I think you are risking your life and your kingdom to see Miriam, and you know perfectly well you don’t have to. She loves you. She’ll wait. So yes, I think you are being a fool.’ Satyrus narrowed his eyes. ‘You asked,’ Anaxagoras said sweetly, and walked away.         3           Attika appeared first out of the sea haze; a haze so fine and so thin that a landsman would not even have noticed how restricted was his visibility.

When it’s the stupidest, most difficult thing that could happen”—Suzanne looked up, mist glistening in her eyes—“and you still want to do it. Then you know it’s really love.

As much as I love what I do and consider it worthwhile, I cannot escape the suspicion that what we do as mental health professionals is not as good as the healing that in other cultures has been rooted in the native soil of the returning soldier's community. Our culture has been notably deficient in providing for reception of the Furies of war into community. For better or for worse, the health care system has been given this role -- along with the prisons, where a disproportionate number of men incarcerated since the Vietnam War have been veterans. We must create our own new models of healing which emphasize communalization of the trauma. Combat veterans and American citizenry should meet together face to face in daylight, and listen, and watch, and weep, just as citizen-soldiers of ancient Athens did in the theater at the foot of the Acropolis. We need a modern equivalent of Athenian tragedy. Tragedy brings us to cherish our mortality, to savor and embrace it. Tragedy inclines us to prefer attachment to fragile mortals whom we love, like Odysseus return from war to his aging wife, Penelope, and to refuse promised immortality.

The pages of history go silent. But the stones of Athens provide a small coda to the story of the seven philosophers. It is clear, from the archaeological evidence, that the grand villa on the slopes of the Acropolis was confiscated not long after the philosophers left. It is also clear that it was given to a new Christian owner. Whoever this Christian was, they had little time for the ancient art that filled the house. The beautiful pool was turned into a baptistery. The statues above it were evidently considered intolerable: the finely wrought images of Zeus, Apollo and Pan were hacked away. Mutilated stumps are now all that remain of the faces of the gods; ugly and incongruous above the still-delicate bodies. The statues were tossed into the well. The mosaic on the floor of the dining room fared little better. Its great central panel, which had contained another pagan scene, was roughly removed. A crude cross pattern, of vastly inferior workmanship, was laid in its place. The lovely statue of Athena, the goddess of wisdom, suffered as badly as the statue of Athena in Palmyra had. Not only was she beheaded she was then, a final humiliation, placed face down in the corner of a courtyard to be used as a step. Over the coming years, her back would be worn away as the goddess of wisdom was ground down by generations of Christian feet. The ‘triumph’ of Christianity was complete.

I need hope. I need peace. And I need a Savior. He asks for sacrifices sometimes: obedience, humility. But He offers His love regardless.

God led me to a new family. Though I am scarred, I am still alive. Though I am in pain, I can still work and support myself. And I know what it feels like to love. I know the power of loyalty and the value of friendship. I would rather have felt those things, even if it hurts, than have them pass me by.

Love was powerful, across distance and across time. And when love was returned, when it was cradled in one’s arms, it became exquisite.

never the same. The people of Athens didn’t love him anymore. They were tired of his carousing and his acting like a jerk. His estranged wife, Phaedra, had fallen in love with Theseus’s own son, Hippolytus,

The Athens I love is not the one which is wronging me now, but that one in which I used to have secure enjoyment of my rights as a citizen. That country that I am attacking does not seem to be mine any longer; it is rather that I am trying to recover a country that has ceased to be mine. And the man who really loves his country is not the one who refuses to attack it when he has been unjustly driven from it, but the man whose desire for it is so strong that he will shrink from nothing in his efforts to get back there again.

The conflict of perspectives and competing wills that is the true reality is obscured and flattened out by the social imposition of a common standpoint, in language, thought, morality, and politics, which presents itself as simply or cosmically true by concealing its true sources. The inquiry into the geneology of these ruling ideas is therefore a vital part of their unmasking. The proposed geneology of Christian morality, as the expression not of universal love but of the slave revolt of the base against the noble, motivated by fear, hatred, and envy, is Nietzsche’s most famous thesis, expounded in Beyond Good and Evil and On the Geneology of Morals. . . . He regarded modern morality, which speaks with the voice of the community or even of humanity as a whole, as particularly dangerous, because it requires suppression of the cruelty and recklessness that distinguishes the strong individual. The height of self-realization cannot be reached by someone who is too concerned with the reactions of others, or his effects on them. There is a fundamental conflict between the pursuit of individual creativity and perfection and the claims of the general welfare. For this reason, Nietzsche was not a democrat. Already at the time of writing The Birth of Tragedy, he defended slavery as a condition of the possibility of great cultural achievement by the few, as in ancient Athens. And he defended its modern counterpart, the economic oppression of the masses, for the same reason. He opposed shortening the workday from twelve hours to eleven when it was proposed in Basel, he approved of child labor, and he opposed the educational groups for workers. When in 1871 he heard the false rumor that the Paris communards had pillaged the Louvre, he called it ‘the worst day of my life.’ Equality meant nothing to him; he believed it would inevitably push everything down to the lowest common denominator, that of the ‘democratic herd animal.’ Life, he insisted, is tragic; it is necessary to choose between justice and aesthetic perfection. And in his latest writings he expressed fantasies of annihilation, with ‘degenerates’ being got rid of to make room for the highest type of man.

The foundation of Machiavellian philosophy and its deepest insight is a sense of proportion. It corresponds to the Grotian apprehension of the moral complexity of politics… This is the special picture of political life one gets from reading Machiavelli himself and ‘irony’ is a category of philosophical Machiavellians. The word is not, I think, found in Machiavelli, but political irony is in fact what he very lovingly studied. Irony is a Machiavellian category while tragedy is a Grotian category. ‘Tragedy’ implies a standpoint outside the political drama, in which we experience, for example, admiration for Othello's nobility, pity for his weakness, and terror at Iago's wickedness… Now, it is difficult to adopt a tragic standpoint about politics, because ‘politics’ implies a situation in which we are still involved, where we can still act and affect the outcome, and anyway where we do not know the outcome because the drama is unfinished. To become fully tragic, politics have to be dead politics, that is, history: the tragedy of Athens, and of the League of Nations… Irony is, so to speak, the factual skeleton of tragedy, stripped of its moral and transcendental clothing. In literature it is the warping of a statement by its context; a character means one thing by a statement but we know the context and outcome that he does not, and see it has a different meaning. As Banquo rides away to be murdered, as Macbeth has arranged, Macbeth says to him genially: ‘Fail not our feast’—‘My lord, I will not.’ This is Sophoclean irony and there are other kinds, more complex. Irony can be seen in politics when statesmen pursue ends that recoil upon them, and turn into their opposites. Hugh R. Wilson, in Diplomat between Wars, says that the policy of the USA was of ‘overwhelming importance’ to the League of Nations in the Manchurian crisis, which makes ironic America's fear of, commitment and involvement: however little she wanted to be committed she was certainly involved, and by refusing to commit herself at that time she made her involvement in the struggle with Japan all the more certain. It is equally ironical that Britain and France went to war in 1939 to restore the balance of power in Europe by destroying Nazi Germany, embraced the Soviet alliance for that purpose, and ended with Europe as badly unbalanced by Stalin's power as it had been by Hitler's.

In this way the emancipated people of Athens became a tyrant; and their government, the pioneer of European freedom, stands condemned with a terrible unanimity by all the wisest of the ancients.[16] In a recent, magisterial work on justice, Yale professor Nicholas Wolterstorff has argued the same proposition on philosophical grounds.[17] Our whole Western concept of justice, founded on the idea of human rights, is built on religious foundations and cannot survive without them. If we become a secular society, there is no long-term future for either rights or justice. This is his conclusion: Our Judaic and Christian heritage neither denies nor overlooks the flaws of humankind; some strands in the heritage appear even to revel in them. But in the face of all the empirical evidence, it nonetheless declares that all of us have great and equal worth; the worth of being made in the image of God and of being loved redemptively by God. It adds that God holds us accountable for how we treat each other – and for how we treat God. It is this framework of conviction that gave rise to our moral subculture of rights. If this framework erodes, I think we must expect that our moral subculture of rights will also eventually erode and that we will slide back into our tribalisms.[18

I was just thinking about Byron,’ said Jude. ‘He went to Greece, you know, Athens, during his gap years. A young man doing the grand tour; loved ancient Greece and all it stood for; put it all down in a poetic travelogue, Childe Harold’s Pilgrimage … yeah. There’s a bit about Albania in it too.’ Jude covered his mouth and coughed lightly. ‘“Morn dawns and with it stern Albania’s hills … birds, beasts of prey, and wilder men appear … and gathering storms around, convulse the closing year.

We dare not be original; our American Pine must be cut to the trim pattern of the English Yew, though the Pine bleed at every clip. This poet tunes his lyre at the harp of Goethe, Milton, Pope, or Tennyson. His songs might better be sung on the Rhine than the Kennebec. They are not American in form or feeling; they have not the breath of our air; the smell of our ground is not in them. Hence our poet seems cold and poor. He loves the old mythology; talks about Pluto—the Greek devil,—— the Fates and Furies—witches of old time in Greece,—-but would blush to use our mythology, or breathe the name in verse of our Devil, or our own Witches, lest he should be thought to believe what he wrote. The mother and sisters, who with many a pinch and pain sent the hopeful boyto college, must turn over the Classical Dictionary before they can find out what the youth would be at in his rhymes. Our Poet is not deep enough to see that Aphrodite came from the ordinary waters, that Homer only hitched into rhythm and furnished the accomplishment of verse to street talk, nursery tales, and old men’s gossip, in the Ionian towns; he thinks what is common is unclean. So he sings of Corinth and Athens, which he never saw, but has not a word to say of Boston, and Fall River, and Baltimore, and New York, which are just as meet for song. He raves of Thermopylae and Marathon, with never a word for Lexington and Bunkerhill, for Cowpens, and Lundy’s Lane, and Bemis’s Heights. He loves to tell of the Ilyssus, of “ smooth sliding Mincius, crowned with vocal reeds,” yet sings not of the Petapsco, the Susquehannah, the Aroostook, and the Willimantick. He prates of the narcissus, and the daisy, never of American dandelions andbue-eyed grass; he dwells on the lark and the nightingale, but has not a thought for the brown thrasher and the bobolink, who every morning in June rain down such showers of melody on his affected head. What a lesson Burns teaches us addressing his “rough bur thistle,” his daisy, “wee crimson tippit thing,” and finding marvellous poetry in the mouse whose nest his plough turned over! Nay, how beautifully has even our sweet Poet sung of our own Green river, our waterfowl,of the blue and fringed gentian, the glory of autumnal days.

I moved to Triple Falls a teenager, wanting nothing more than to challenge myself, to give in to my wild side, and create some stories to tell. By the time I stood in my new apartment in Athens that night, I was a woman who’d been unearthed by deception, lies, lust, and love, whose essence was shrouded by life-changing secrets, full of stories I could never share and never, ever tell.

As goddess of life, Inanna was also goddess of life, fertility and sexuality. That is, she had charge over whether or not those qualities existed in a given society… Therefore, neither love nor procreation can take place where Inanna is not worshipped.

Solon and Pisistratus were very fond of one another. We are told they entered into a love affair when Pisistratus was a good-looking lad in his teens. Despite a wide gap of thirty years between them, this is not implausible. Solon was highly sexed, if we may judge from his poetry, where he writes of the delights of falling in love “with a boy in the lovely flower of youth,/Desiring his thighs and sweet mouth.” However, it would be wrong to believe that either man was necessarily, in our modern sense, gay. This is because from the eighth century onwards the Greek upper classes established and maintained a system of pederasty as a form of higher education. A fully grown adult male, usually in his twenties, would look out for a boy in his mid-teens and become his protector and guide. His task was to see him through from adolescence into adulthood and to act as a kind of moral tutor. Sex was not compulsory, but it was under certain strictly defined conditions allowed. The older man was the active lover/partner or erastes and the teenager was the loved one, or eromenos. Buggery was absolutely out of bounds and brought shame on any boy who allowed it to be done to him. It could have the most serious consequences, as the fate of Periander showed. This famous tyrant of Corinth in the seventh century unwisely teased his eromenos in the presence of other people with the question: “Aren’t you pregnant yet?” The boy was so upset by the insult that he killed Periander. A popular and acceptable technique for achieving orgasm was intercrural sex: both participants stood up and the erastes inserted his erect penis between the thighs of the eromenos and rubbed it to and fro. The youth was not meant to enjoy his lover’s attentions or show signs of arousal; rather, he was making a disinterested gift of himself to someone he admired. The great Athenian writer of tragic dramas, Aeschylus, wrote a play about the love between the two Greek heroes, Achilles and Patroclus. It was called The Myrmidons, after the warriors whom Achilles commanded during the Trojan War. Achilles is presented as the erastes, and reproaches his lover, in rather roundabout terms, for declining an intercrural proposition.

Almost everything in Washington is big and gray and ugly. I'm talking about buildings here, but a good number of the residents would also fall into the same category. The architects decided to make everything look Roman and Greek, which might be all right if you were in Rome or Athens, but all it ended up doing in DC was making the main part of the city look like a bunch of poorly-decorated wedding cakes. They built the kinds of buildings which could be loved by the old and feared by the young, daring anyone idealistic to try and change a thing. Every day I saw the same congregation of tourists gawk and dawdle in front of those buildings as if they expected them to move, or change colors, or do

To be German is simply the way we live; it is a love of government and orderliness, for one thing, and confidence in ourselves and in each other.

Green will typically look at history, for example, and whenever it finds a society in which there is a widespread lack of green values, it assumes that these green values would normally and naturally be present were it not for the fact that they have been maliciously oppressed by the dominator hierarchies found in that society. All individuals would possess worldcentric green values of pluralism, radical egalitarianism, and total equality, except for the oppressive controlling powers that crushed those values wherever they appeared. […] The existence of strong and widespread oppressive forces cannot be doubted. The problem comes in the claim to know what their source and cause is. For green postmodernism, the cause of the lack of worldcentric green values in any culture is due to an aggressive and intensively active repressive and oppressive force (usually the male sex; or a particular race— white in most parts of the world, coupled with a rampant colonialism— and/or due to a particular creed—usually religious fundamentalism of one sort or another; or various prejudices—against gays, against women, against whatever minority that is oppressed). In short, lack of green values (egalitarian, group freedom, gender equality, human care and sensitivity) is due to a presence of oppression. […] The major problem with that view taken by itself is that it completely overlooks the central role of growth, development, and evolution. We’ve already seen that human moral identity grows and develops from egocentric (red) to ethnocentric (amber) to worldcentric (orange then green) to integral (turquoise; and this is true individually as well as collectively/historically). Thus, the main reason that slavery was present, say, 2000 years ago, is not because there was an oppressive force preventing worldcentric freedom, but that a worldcentric notion of freedom had not even emerged yet anywhere on the planet. It wasn’t present and then oppressed, as green imagines, it simply had not yet emerged in the first place—there was nothing to oppress. This is why, as only one example, all of the world’s great religions, who otherwise teach love and compassion and treating all beings kindly, nonetheless—precisely because they were created during the great ethnocentric Mythic Age of traditional civilization —had no extensive and widespread conception of the fundamental worldcentric freedom of human beings—or the belief that all humans, regardless of race, sex, color, or creed, were born equal—and thus not one of them strenuously objected to the fact that a very large portion of their own population were slaves. Athens and Greek society, vaunted home of democracy, had 1 out of 3 of their people who were slaves—and no major complaint on a culture-wide scale. Nor was there a widespread culturally effective complaint from Christianity or Buddhism or Hinduism et al. It wasn’t until the emergence of the worldcentric Age of Reason that “we hold these truths to be self-evident, that all men are created equal” actually came into existence—emerged evolutionarily—and thus started to be believed by the average and typical member of that culture.

Liberty, next to religion, has been the motive of good deeds and the common pretext of crime, from the sowing of the seed at Athens, two thousand four hundred and sixty years ago, until the ripened harvest was gathered by men of our race. It is the delicate fruit of a mature civilisation; and scarcely a century has passed since nations, that knew the meaning of the term, resolved to be free. In every age its progress has been beset by its natural enemies, by ignorance and superstitution, by lust of conquest and by love of ease, by the strong man’s craving for power, and the poor man’s craving for food. During long intervals it has been utterly arrested, when nations were being rescued from barbarism and from the grasp of strangers, and when the perpetual struggle for existence, depriving men of all interest and understanding in politics, has made them eager to sell their birthright for a pottage, and ignorant of the treasure they resigned. At all times sincere friends of freedom have been rare, and its triumphs have been due to minorities, that have prevailed by associating themselves with auxiliaries whose objects often differed from their own; and this association, which is always dangerous, has been sometimes disastrous, by giving to opponents just grounds of opposition, and by kindling dispute over the spoils in the hour of success. No obstacle has been so constant, or so difficult to overcome, as uncertainty and confusion touching the nature of true liberty. If hostile interests have wrought much injury, false ideas have wrought still more; and its advance is recorded in the increase of knowledge, as much as in the improvement of laws. The history of institutions is often a history of deception and illusions; for their virtue depends on the ideas that produce and on the spirit that preserves them, and the form may remain unaltered when the substance has passed away.