Athena Short Quotes

Anybody have any money?” Frank checked his pockets. “Three denarii from Camp Jupiter. Five dollars Canadian.” Hedge patted his gym shorts and pulled out what he found. “Three quarters, two dimes, a rubber band and—score! A piece of celery.” He started munching on the celery, eyeing the change and the rubber band like they might be next.

She gripped her new bronze dagger, realizing it was too small and too short to provide much offensive power. But that's why Annabeth liked daggers: they kept her focused. A child of Athena should never rely on a blade if she could use her wits instead. Intelligence won wars, not brute force.

People always describe jealousy as this sharp, green, venomous thing. Unfounded, vinegary, mean-spirited. But I’ve found that jealousy, to writers, feels more like fear. Jealousy is the spike in my heart rate when I glimpse news of Athena’s success on Twitter—another book contract, awards nominations, special editions, foreign rights deals. Jealousy is constantly comparing myself to her and coming up short; is panicking that I’m not writing well enough or fast enough, that I am not, and never will be, enough. Jealousy means that even just learning that Athena’s signing a six- figure option deal with Netflix means that I’ll be derailed for days, unable to focus on my own work, mired by shame and self-disgust every time I see one of her books in a bookstore display.

Athena never personally experienced suffering. She just got rich from it. She wrote an award-winning short story based on what she saw at that exhibit, titled “Whispers along the Yalu.” And she wasn’t even Korean.

PROLOGUE FRIDAY, APRIL 23 OXFORD, ENGLAND ATHENA RAN BLINDLY down the dark country lane, her breath coming in short, harsh gasps. Her school jacket with the St. Polycarp’s logo sewn on the pocket was no protection against the sudden drenching spring rain. The knapsack strapped to her body impeded her flight. It did not occur to her to discard it. As the bewildering shock began to wear off, she desperately told herself she was

People always describe jealousy as this sharp, green, venomous thing. Unfounded, vinegary, mean-spirited. But I’ve found that jealousy, to writers, feels more like fear. Jealousy is the spike in my heart rate when I glimpse news of Athena’s success on Twitter—another book contract, awards nominations, special editions, foreign rights deals. Jealousy is constantly comparing myself to her and coming up short; is panicking that I’m not writing well enough or fast enough, that I am not, and never will be, enough.

In her relationships with humans, Artemis is primarily concerned with females, especially the physical aspects of their life cycle, including menstruation, childbirth, and death, however contradictory the association of these with a virgin may appear. (She is also cited as the reason for the termination of female life: when swift death came to a woman, she was said to have been short by Artemis.) The Artemis of classical Greece probably evolved from the concept of a primitive mother goddess, and both she and her sister Athena were considered virgins because they had never submitted to a monogamous marriage. Rather, as befits mother goddesses, they had enjoyed many consorts. Their failure to marry, however, was misinterpreted as virginity by succeeding generations of men who connected loss of virginity only with conventional marriage. Either way, as mother goddess or virgin, Artemis retains control over herself; her lack of permanent connection to a male figure in a monogamous relationship is the keystone of her independence.

People always describe jealousy as this sharp, green, venomous thing. Unfounded, vinegary, mean-spirited. But I've found that jeal-ousy, to writers, feels more like fear. Jealousy is the spike in my heart rate when I glimpse news of Athena's success on Twitter-another book contract, awards nominations, special editions, foreign rights deals. Jealousy is constantly comparing myself to her and coming up short; is panicking that I'm not writing well enough or fast enough, that I am not, and never will be, enough. Jealousy means that even just learning that Athena's signing a six-figure option deal with Net-fix means that I'll be derailed for days, unable to focus on my own work, mired by shame and self-disgust every time I see one of her books in a bookstore display.

Who is going to fight them off, Randy?” “I’m afraid you’re going to say we are.” “Sometimes it might be other Ares-worshippers, as when Iran and Iraq went to war and no one cared who won. But if Ares-worshippers aren’t going to end up running the whole world, someone needs to do violence to them. This isn’t very nice, but it’s a fact: civilization requires an Aegis. And the only way to fight the bastards off in the end is through intelligence. Cunning. Metis.” “Tactical cunning, like Odysseus and the Trojan Horse, or—” “Both that, and technological cunning. From time to time there is a battle that is out-and-out won by a new technology—like longbows at Crecy. For most of history those battles happen only every few centuries—you have the chariot, the compound bow, gunpowder, ironclad ships, and so on. But something happens around, say, the time that the Monitor, which the Northerners believe to be the only ironclad warship on earth, just happens to run into the Merrimack, of which the Southerners believe exactly the same thing, and they pound the hell out of each other for hours and hours. That’s as good a point as any to identify as the moment when a spectacular rise in military technology takes off—it’s the elbow in the exponential curve. Now it takes the world’s essentially conservative military establishments a few decades to really comprehend what has happened, but by the time we’re in the thick of the Second World War, it’s accepted by everyone who doesn’t have his head completely up his ass that the war’s going to be won by whichever side has the best technology. So on the German side alone we’ve got rockets, jet aircraft, nerve gas, wire-guided missiles. And on the Allied side we’ve got three vast efforts that put basically every top-level hacker, nerd, and geek to work: the codebreaking thing, which as you know gave rise to the digital computer; the Manhattan Project, which gave us nuclear weapons; and the Radiation Lab, which gave us the modern electronics industry. Do you know why we won the Second World War, Randy?” “I think you just told me.” “Because we built better stuff than the Germans?” “Isn’t that what you said?” “But why did we build better stuff, Randy?” “I guess I’m not competent to answer, Enoch, I haven’t studied that period well enough.” “Well the short answer is that we won because the Germans worshipped Ares and we worshipped Athena.” “And am I supposed to gather that you, or

Josephson had died just north of Abd al-Kuri Island, an uninhabited, mountainous desert with, on its eastern side, perhaps the world’s wildest and finest beach. To mollify Holworthy, in a moment of weakness not long after they had departed Lemonnier, Rensselaer had considered leaving a few SEALs there on the way south, to observe traffic, as on occasion irregular forces were ordered to do. But he had decided then that rather than mollify Holworthy, he would keep him down. The rendezvous point with the Puller wasn’t far, and, arriving first, Athena waited. The Puller was out of sight but in radio contact. Eventually they saw her to the west, and she came even with Athena at dusk, although in that latitude, as Josephson had learned, dusk is so short it hardly exists. With the lights of the Puller blazing despite wartime conditions, her vast superstructure, hollow and beamed like a box-girder bridge, was cast in flares and shadows. A brow was extended from a door in the side and fixed to Athena’s main deck. As a gentle swell moved the two ships up and down at different rates, the hinged brow tilted slightly one way and then another. The Iranian prisoners were escorted over the brow and to the brig in the Puller, which would take them very close to their own country, but then to the United States. They were bitter and depressed. The huge ship into the darkness of which they were swallowed seemed like an alien craft from another civilization, which, for them, it was. A gray metal coffin was carried to Athena by a detail from the Puller. This was a sad thing to see, sadder than struggle, sadder than blood. It disappeared below. Josephson’s body was placed inside it and the flag draped over it. Six of Athena’s crew in dress uniform carried it slowly to the brow and set it on deck. After a long silence, Rensselaer spoke a few words. “Our shipmates Speight and Josephson are no longer with us—Speight committed to the deep, lost except to God. And Josephson, who will go home. Neither of these men is unique in death. They are still very much like us, and we are like them: it’s only a matter of time—however long, however short. If upon gazing at this coffin you feel a gulf between you, the living, and him, one of the dead, remember that our fates are the same, and he isn’t as far from us as we may imagine. “At times like this I question our profession. I question the enterprise of war. And then I go on, as we shall, and as we must. In this spirit we bid goodbye to Ensign Josephson, to whom you might have been brothers, and I and the chiefs, perhaps, fathers. May God bless and keep him.” Then the captain read the 23rd Psalm, a salute was fired, and Josephson’s coffin was lifted to the shoulders of its bearers and slowly carried into the depths of the Puller. When he died, he was very young.

Medusa is familiar to many as a symbol of women’s rage. Many feminists see their own rage reflected in the image of Medusa, ‘female fury personified.’ With her fearsome countenance framed with snakes, able to paralyse with a glance, it is true that Medusa is terrible, terrifying—but she is also terrified. Her face, frozen in an openmouthed scream, eyes wide, teeth bared, is the primal, primate mask of fear. This gut-wrenching image is an eloquent expression of women’s rage, but also, I suggest, of women’s trauma. In this short essay, I suggest that Medusa, Athena and Metis—goddesses of wisdom, healing, and protection—can offer valuable support to those on the journey of healing from trauma, but first we must look beyond patriarchal stereotypes which denigrate these powerful goddesses. Ultimately we are invited to hold our fear, rage and trauma in a place of love and compassion, for ourselves and others, so that we can be protected, instead of paralyzed.

BOOKS BY RICK RIORDAN PERCY JACKSON AND THE OLYMPIANS The Lightning Thief The Sea of Monsters The Titan’s Curse The Battle of the Labyrinth The Last Olympian The Demigod Files Percy Jackson’s Greek Gods, illustrated by John Rocco The Lightning Thief: The Graphic Novel The Sea of Monsters: The Graphic Novel The Titan’s Curse: The Graphic Novel THE KANE CHRONICLES The Red Pyramid The Throne of Fire The Serpent’s Shadow The Kane Chronicles Survival Guide The Kane Chronicles Survival Guide (Interactive Version) The Red Pyramid: The Graphic Novel The Throne of Fire: The Graphic Novel (coming October 2015!) THE HEROES OF OLYMPUS The Lost Hero The Son of Neptune The Mark of Athena The House of Hades The Blood of Olympus The Demigod Diaries The Lost Hero: The Graphic Novel The Son of Neptune: The Graphic Novel SHORT STORIES BY RICK RIORDAN The Son of Sobek A Carter Kane/Percy Jackson Short Story The Staff of Serapis An Annabeth Chase/Sadie Kane Adventure The Crown of Ptolemy With Percy Jackson, Annabeth Chase, Carter Kane, & Sadie Kane

It is not dignified for a queen to climb jagged rocks up to a smuggler’s cave. Athena would tut; Aphrodite would exclaim, “Her poor nails!” and feign a swoon. Perhaps only Artemis, goddess of the hunt, would give a single short, sharp nod of approval.

Kiernan hoists one of the bags and slips the strap over my shoulder. I grab the other one, and soon I’m loaded like a pack mule, lugging two bulky military duffels in addition to my backpack. Trey leans down to give me a goodbye kiss, but his lips are quivering with barely suppressed laughter. “What?” “You should see yourself. The toga, the sandals, and now this. You look like a short Greek Rambo.” “Athena, Goddess of Modern War,” Kiernan cracks as they get into the car. And now they’re both laughing. I pull up the stable point and blink out, now completely certain that the two of them riding in the same car was a very bad idea.