Ate Is Always Proud Of You Quotes

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Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Once there was a boy. When the boy was 6 years old, his father gave him a falcon to train. Falcons are raptors - killing birds, his father told him, the Shadowhunters of the sky. The falcon didn't like the boy, and he didn't like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with his beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn't know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to train. But the boy tried, because his father had told him to make the falcon obedient, and he wanted to please his father. He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was ment to be easier to tame. He leard the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was ment to keep the bird blind, but he couldn't bring himself to do it - instead he tryed to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. He fed it from his hand, and at first it would not eat. Later it ate so savagely that the beak cut his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if it had to consume his blood to make that happen. He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like light. When it learned to circle and land on his wrist, he nearly shouted with delight. Sometimes the bird would hop to his sholder and but its beak in his hair. He knew his falcon loved him, and when he was certain that it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. Instead his father took the bird, now tame and trusting, in his hands, and broke its neck. 'I told you to make him obedient,' his father said, and dropped the falcon's lifeless body to the ground. "Instead, you taught it to love you. Falcons are not ment to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.' Later, when his father left him, the boy cried over his pet, until his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he'd learned: That to love is to destroy, and to be loved is to be the one destroyed.
Jace City of Bones
I told her one of the few stories that she'd told me of myself as a child. We'd gone to a park by a lake. I was no older than two. Me, my father, and my mother. There was an enormous tree with branches so long and droopy that my father moved the picnic table from underneath it. He was always afraid of me getting crushed. My mother believed that kids had stronger bones than grownups. "There's more calcium in her forearm than in an entire dairy farm," she liked to say. That day, my mother had made roasted tomato and goat cheese sandwiches with salmon she'd smoked herself, and I ate, she said, double my weight of it. She was complimenting me when she said that. I always wondered if eating so much was my best way of complimenting her. The story went that all through lunch I kept pointing at a gaping hole in the tree, reaching for it, waving at it. My parents thought it was just that: a hole, one that had been filled with fall leaves, stiff and brown, by some kind of ferrety animal. But I wasn't satisfied with that explanation. I wouldn't give up. "What?" my father kept asking me. "What do you see?" I ate my sandwiches, drank my sparkling hibiscus drink, and refused to take my eyes off the hole. "It was as if you were flirting with it," my mother said, "the way you smiled and all." Finally, I squealed, "Butter fire!" Some honey upside-down cake went flying from my mouth. "Butter fire?" they asked me. "Butter fire?" "Butter fire!" I yelled, pointing, reaching, waving. They couldn't understand. There was nothing interesting about the leaves in the tree. They wondered if I'd seen a squirrel. "Chipmunk?" they asked. "Owl?" I shook my head fiercely. No. No. No. "Butter fire!" I screamed so loudly that I sent hundreds of the tightly packed monarchs that my parents had mistaken for leaves exploding in the air in an eruption of lava-colored flames. They went soaring wildly, first in a vibrating clump and then as tiny careening postage stamps, floating through the sky. They were proud of me that day, my parents. My father for my recognition of an animal so delicate and precious, and my mother because I'd used a food word, regardless of what I'd actually meant.
Jessica Soffer (Tomorrow There Will Be Apricots)
The tiny tortoiseshell kit blinked up at him. “Sootkit and Rainkit were asleep in the nursery,” she began in a faint voice. “But I wasn’t sleepy. My mother wasn’t watching, so I went to play in the ravine. I wanted to catch a mouse. And then I saw Darkstripe.” Her voice shook and she hesitated. “Go on,” Firestar encouraged her. “He was coming up the ravine by himself. I knew he should have had Brackenfur with him, and I . . . I wondered where he was going. I followed him—I remembered the time he took Bramblepaw and Tawnypaw out of the camp, and I thought I might have an adventure like that, too.” Firestar felt a pang of sadness as he remembered how Sorrelkit was always so bright and curious, getting into trouble because of her misguided courage. This limp scrap of fur didn’t look at all adventurous now, and Firestar could only hope that with Cinderpelt’s care she would soon be her lively self again. “I followed him a long way,” Sorrelkit went on, sounding rather proud of herself. “I’d never been so far from the camp. I hid from Darkstripe too—he didn’t know I was there. And then he met another cat—a cat I’d never seen before.” “What other cat? What did it look like? What scent did it have?” Firestar questioned her urgently. Sorrelkit looked bewildered. “I didn’t recognize the scent,” she mewed. Her nose wrinkled. “But it was yucky. He was a big white cat—bigger than you, Firestar. And he had black paws.” Firestar stared at her as he realized whom she had seen. “Blackfoot!” he exclaimed. “Tigerstar’s deputy. That was ShadowClan scent you smelled, Sorrelkit.” “And what’s Darkstripe doing, meeting the ShadowClan deputy on our territory?” Sandstorm growled. “That’s what I’d like to know.” “So what happened then?” Firestar prompted the kit. “I got scared,” Sorrelkit admitted, looking down at her paws. “I ran back to camp, but I think Darkstripe must have heard me, because he caught up with me in the ravine. I thought he would be angry because I spied on him, but he told me how clever I was. He gave me some red berries for a special treat. They looked tasty, but when I ate them I started to feel really ill. . . . And I don’t remember anything else, except waking up here.” She sank her head on her paws again as she finished, as if telling the long story had exhausted her. Cinderpelt nosed her gently, checking her breathing. “Those were deathberries,” she mewed. “You must never, ever touch them again.” “I won’t, Cinderpelt, I promise,
Erin Hunter (The Darkest Hour)
Sootkit and Rainkit were asleep in the nursery,” she began in a faint voice. “But I wasn’t sleepy. My mother wasn’t watching, so I went to play in the ravine. I wanted to catch a mouse. And then I saw Darkstripe.” Her voice shook and she hesitated. “Go on,” Firestar encouraged her. “He was coming up the ravine by himself. I knew he should have had Brackenfur with him, and I . . . I wondered where he was going. I followed him—I remembered the time he took Bramblepaw and Tawnypaw out of the camp, and I thought I might have an adventure like that, too.” Firestar felt a pang of sadness as he remembered how Sorrelkit was always so bright and curious, getting into trouble because of her misguided courage. This limp scrap of fur didn’t look at all adventurous now, and Firestar could only hope that with Cinderpelt’s care she would soon be her lively self again. “I followed him a long way,” Sorrelkit went on, sounding rather proud of herself. “I’d never been so far from the camp. I hid from Darkstripe too—he didn’t know I was there. And then he met another cat—a cat I’d never seen before.” “What other cat? What did it look like? What scent did it have?” Firestar questioned her urgently. Sorrelkit looked bewildered. “I didn’t recognize the scent,” she mewed. Her nose wrinkled. “But it was yucky. He was a big white cat—bigger than you, Firestar. And he had black paws.” Firestar stared at her as he realized whom she had seen. “Blackfoot!” he exclaimed. “Tigerstar’s deputy. That was ShadowClan scent you smelled, Sorrelkit.” “And what’s Darkstripe doing, meeting the ShadowClan deputy on our territory?” Sandstorm growled. “That’s what I’d like to know.” “So what happened then?” Firestar prompted the kit. “I got scared,” Sorrelkit admitted, looking down at her paws. “I ran back to camp, but I think Darkstripe must have heard me, because he caught up with me in the ravine. I thought he would be angry because I spied on him, but he told me how clever I was. He gave me some red berries for a special treat. They looked tasty, but when I ate them I started to feel really ill. . . . And I don’t remember anything else, except waking up here.” She sank her head on her paws again as she finished, as if telling the long story had exhausted her. Cinderpelt nosed her gently, checking her breathing. “Those were deathberries,” she mewed. “You must never, ever touch them again.” “I won’t, Cinderpelt, I promise,
Erin Hunter (The Darkest Hour)
She was too proud to eat her share of what little food we had. She told me she had. She swore she did. But every time I complained about being so hungry it hurt, she always offered me a nut or a partially rotted turnip, claiming she had just found two and already ate hers.” Rose sniffled and wiped her eyes again. “After she was gone, I left my pride in that little hut and begged my way to Medford. I’d do anything. Once you’ve spent an afternoon chasing a fly around your house for dinner, once you’ve eaten spiders whole and drooled over worms found while burying your mother with your bare hands, there’s nothing beneath you. All I wanted was to live-I’d forgotten everything else. A clod of dirt doesn’t have dreams. A bit of broken stone doesn’t understand hope. Each morning, all I wanted was to see the next dawn.
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
When Ellen announced that supper was ready Douglas Starr told Emily to go out to it. “I don’t want anything tonight. I’ll just lie here and rest. And when you come in again we’ll have a real talk, Elfkin.” He smiled up at her his old, beautiful smile, with the love behind it, that Emily always found so sweet. She ate her supper quite happily—though it wasn’t a good supper. The bread was soggy and her egg was underdone, but for a wonder she was allowed to have both Saucy Sal and Mike sitting, one on each side of her, and Ellen only grunted when Emily fed them wee bits of bread and butter. Mike had such a cute way of sitting up on his haunches and catching the bits in his paws, and Saucy Sal had her trick of touching Emily’s ankle with an almost human touch when her turn was too long in coming. Emily loved them both, but Mike was her favourite. He was a handsome, dark-grey cat with huge owl-like eyes, and he was so soft and fat and fluffy. Sal was always thin; no amount of feeding put any flesh on her bones. Emily liked her, but never cared to cuddle or stroke her because of her thinness. Yet there was a sort of weird beauty about her that appealed to Emily. She was grey-and-white—very white and very sleek, with a long, pointed face, very long ears and very green eyes. She was a redoubtable fighter, and strange cats were vanquished in one round. The fearless little spitfire would even attack dogs and rout them utterly. Emily loved her pussies. She had brought them up herself, as she proudly said. They had been given to her when they were kittens by her Sunday School teacher. “A living present is so nice,” she told Ellen, “because it keeps on getting nicer all the time.
L.M. Montgomery (Emily of New Moon: Emily 1 (Emily Novels))
When the boy was six years old, his father gave him a falcon to train. Falcons are raptors—killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father had told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it—instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. He fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like light. When it learned to circle and come to his wrist, he nearly shouted with delight. Sometimes the bird would hop to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))