Envelope Cover Quotes

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I don't want the words to be naked the way they are in faxes or in the computer. I want them to be covered by an envelope that you have to rip open in order to get at. I want there to be a waiting time -a pause between the writing and the reading. I want us to be careful about what we say to each other. I want the miles between us to be real and long. This will be our law -that we write our dailiness and our suffering very, very carefully.
Siri Hustvedt (What I Loved)
He [Uncle Vernon] held up the envelope in which Mrs. Weasley’s letter had come, and Harry had to fight down a laugh. Every bit of it was covered in stamps except for a square inch on the front, into which Mrs. Weasley had squeezed the Dursleys’ address in minute writing. “She did put enough stamps on, then,” said Harry, trying to sound as though Mrs. Weasley’s was a mistake anyone could make.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Love doesn't give you very many choices. When you love someone, you just want to be with them. If they break your heart, you will still love them. Because hearts are easy to break, and though love is tender and sometimes fragile, love isn't. Love sort of envelops you. It covers you like a giant shadow, then pulls you in like a blanket. You are so warm. The feeling surrounds you, and no matter how you feel, it is always there. You can't escape it. But you wouldn't want to. You are so, so safe. You can't remember the last time you were this happy. Were you ever? This happy? Every second you are apart feels like hours. Sometimes, right before you fall asleep, you miss them so much it hurts. You ache for them. Their warmth. Their touch. Their smell. You need them. When you can't sleep you wish and wish and wish that they would wake up and talk to you. When you dream of them, you wake up smiling. When pain stabs into you, you reach out for them. You cry to them, begging them to hold you and make it all go away, make everything go away. Love addicts you to its feeling. You never, ever want to lose that feeling. Sometimes the fear of losing love drives people to do crazy things. Like buy a plane ticket. Make a phone call. Run out of a class. Cry. Write. Laugh. Because when you love someone, you really love them. You give them your whole heart. You trust them. You never want to be away from them. Sometimes, you don't even need their words. You just need them there. Love is such an amazing thing, and too many people take it for granted. If you're in love, don't let it go. Don't you dare let it go.
Alysha Speer
I read an article once that said that when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language. That is, on many levels, astounding to me. I mean, that's like having a freaking superpower. When I, and most other people with a Y chromosome, have a conversation, we're having a conversation. Singular. We're paying attention to what is being said, considering that, and replying to it. All these other conversations that have apparently been booing on for the last several thousand years? I didn't even know that they existed until I read that stupid article, and I'm pretty sure I'm not the only one. ... So, ladies, if you ever have some conversation with your boyfriend or husband or brother or male friend, and you are telling him something perfectly obvious, and he comes away from it utterly clueless? I know it's tempting to thing to yourself, 'The man can't possibly be that stupid!' But yes. Yes, he can. Our innate strengths just aren't the same. We are the mighty hunters, who are good at focusing on one thing at a time. For crying out loud, we have to turn down the radio in the car if we suspect we're lost and need to figure out how to get where we're going. That's how impaired we are. I'm telling you, we have only the one conversation. Maybe some kind of relationship veteran like Michael Carpenter can do two, but that's pushing the envelope. Five simultaneous conversations? Five? Shah. That just isn't going to happen. At least, not for me.
Jim Butcher (Cold Days (The Dresden Files, #14))
And what an example of the power of dress young Oliver Twist was! Wrapped in the blanket which had hitherto formed his only covering, he might have been the child of a nobleman or a beggar;—it would have been hard for the haughtiest stranger to have fixed his station in society. But now he was enveloped in the old calico robes, that had grown yellow in the same service; he was badged and ticketed, and fell into his place at once—a parish child—the orphan of a workhouse—the humble, half-starved drudge—to be cuffed and buffeted through the world, despised by all, and pitied by none.
Charles Dickens (Oliver Twist)
Eccolo!” he exclaimed. At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end. “Courage!” cried her companion, now standing some six feet above. “Courage and love.” She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her…
E.M. Forster (A Room with a View)
I’d love to be a tabletop in Paris, where food is art and life combined in one, where people gather and talk for hours. I want lovers to meet over me. I’d want to be covered in drops of candle wax and breadcrumbs and rings from the bottom of wineglasses. I would never be lonely, and I would always serve a good purpose.
Maureen Johnson (The Last Little Blue Envelope (Little Blue Envelope, #2))
The outside of the building was covered with faded poster advertising what was sold, and by the eerie light of the half-moon, the Baudelaires could see that fresh limes, plastic knives, canned meat, white envelopes, mango-flavored candy, red wine, leather wallets, fashion magazines, goldfish bowls, sleeping bags, roasted figs, cardboard boxes, controversial vitamins, and many other things were available inside the store. Nowhere on the building, however, was there a poster advertising help, which is really what the Baudelaires needed.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
The tears of those who never cry, the calm, the levelheaded ones, are terrible to see. She seemed to be split or torn by the force of the tears, which she squeezed her eyes shut against, which she forced back with her fist against her lips. Smokey, afraid and awed, came immediately to her as he might to rescue his child from a fire, without thought and without knowing quite what he would do. When he tried to take her hand, speak softly to her, she only trembled more violently, the red cross branded on her face grew uglier; so he enveloped her, smothered the flames, Disregarding her resistance, as well as he could he covered her, having a vague idea that he could by tenderness invade her and then rout her grief, whatever it was, by main strength. He wasn't sure he wasn't himself the cause of it, wasn't sure if she would cling to him for comfort or break him in rage, but he had no choice anyway, savior or sacrifice, it didn't matter so long as she could cease suffering.
John Crowley (Little, Big)
The envelope was covered with mud and unstamped. It bore the words "To be handed to M. le Vicomte Raoul de Chagny," with the address in pencil. It must have been flung out in the hope that a passer-by would pick up the note and deliver it, which was what happened.
Gaston Leroux (The Phantom of the Opera)
On coins, on stamps, on the covers of books, on banners, on posters, and on the wrapping of a cigarette packet - everywhere. Always the eyes watching you and the voice enveloping you. Asleep or awake, working or eating, indoors or out of doors, in the bath or in bed - no escape. Nothing was your own except the few cubic centimeters inside your skull.
George Orwell (1984)
The differences which exist between every one of our real impressions -- differences which explain why a uniform depiction of life cannot bear much resemblance to the reality -- derive probably from the following cause: the slightest word that we have said, the most insignificant action that we have performed at anyone epoch of our life was surrounded by, and colored by the reflection of things which logically had no connection with it and which later have been separated from it by our intellect which could make nothing of it for its own rational purposes, things, however, in the midst of which -- here the pink reflection of the evening upon the flower-covered wall of a country restaurant, a feeling of hunger, the desire for women, the pleasure of luxury; here the blue volutes of the morning sea and, enveloped in them, phrases of music half emerging like the shoulders of water-nymphs -- the simplest act or gesture remains immured as within a thousand vessels, each one of them filled with things of a color, a scent, a temperature that are absolutely different one from another, vessels, moreover, which being disposed over the whole range of our years, during which we have never ceased to change if only in our dreams and our thoughts, are situated at the most various moral altitudes and give us the sensation of extraordinarily diverse atmospheres.
Marcel Proust
She'd put the envelope Tibby had left for her unopened in her underwear drawer. At first it was so she would see it there, and then she tried to cover it so she wouldn't see it there, but it turned out her underwear was too flimsy to cover anything.
Ann Brashares (Sisterhood Everlasting (Sisterhood, #5))
Aramis, in a black gown, his head enveloped in a sort of round flat cap, not much unlike a CALOTTE, was seated before an oblong table, covered with rolls of paper and enormous
Alexandre Dumas (The Three Musketeers(Annotated Edition))
I was conscious only of a sort of enveloping sensation of icy fear that plucked the nerves out of their fleshly covering, twisted them this way and that, and replaced them quivering.
Algernon Blackwood (The Willows)
Logical reasoning may be a most convenient means of mental communication for covering short distances, but the curvature of the earth, alas, is reflected even in logic: an ideally rational progression of thought will finally bring you back to the point of departure where you return aware of the simplicity of genius, with a delightful sensation that you have embraced truth, while actually you have merely embraced your own self... anything you might term a deduction already exposes the flaw: logical development inexorably becomes an envelopment.
Vladimir Nabokov (The Stories of Vladimir Nabokov)
I lingered a bit longer. The tug of kinship held me there, bound me to the place and to a man I had never known, but without whom I would never have been. I conjured up his image one more time, and then laid back to rest. The late summer darkness drifted down from the sky like a warm mist, enveloping me and the graves before me,uniting us in its soft embrace. The world spun eastward beneath me, and the darkness deepened and spread over Hinckley, over Minnesota, over the American countryside, covering all of us in the same black shroud, tenants in common, tenants of time.
Daniel James Brown (Under a Flaming Sky: The Great Hinckley Firestorm of 1894)
Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.
David Nicholls (One Day)
It was, of course, the memory of Sophie and Nathan's long-ago plunge that set loose this flood [of tears], but it was also a letting go of rage and sorrow for the many others who during these past months had battered at my mind and now demanded my mourning: Sophie and Nathan, yes, but also Jan and Eva -- Eva with her one-eyed mis -- and Eddie Farrell, and Bobby Weed, and my young black savior Artiste, and Maria Hunt, and Nat Turner, and Wanda Muck-Horch von Kretschmann, who were but a few of the beaten and butchered and betrayed and martyred children of the earth. I did not weep for the six million Jews or the two million Poles or the one million Serbs or the five million Russians -- I was unprepared to weep for all humanity -- but I did weep for these others who in one way or another had become dear to me, and my sobs made an unashamed racket across the abandoned beach; then I had no more tears to shed, I lowered myself to the sand...and slept...When I awoke it was nearly morning...I heard children chattering nearby. I stirred...Blessing my resurrection, I realized that the children had covered me with sand, protectively, and that I lay as safe as a mummy beneath this fine, enveloping overcoat.
William Styron (Sophie’s Choice)
You move into the darkness, wrapping it around you like a heavy cloak. You dive into it naked like a midnight swim, slip beneath its covers and invite it to envelope you, as a dream. You lose yourself in the richness of its mysteries. You start to become the darkness. It starts to become you.
Thomas Lloyd Qualls (Painted Oxen)
No, he would never know his father, who would continue to sleep over there, his face for ever lost in the ashes. There was a mystery about that man, a mystery he had wanted to penetrate. But after all there was only the mystery of poverty that creates beings without names and without a past, that sends them into the vast throng of the nameless dead who made the world while they themselves were destroyed for ever. For it was just that that his father had in common with the men of the Labrador. The Mahon people of the Sahel, the Alsatians on the high plateaus, with this immense island between sand and sea, which the enormous silence was now beginning to envelop: the silence of anonymity; it enveloped blood and courage and work and instinct, it was at once cruel and compassionate. And he who had wanted to escape from the country without name, from the crowd and from a family without a name, but in whom something had gone on craving darkness and anonymity - he too was a member of the tribe, marching blindly into the night near the old doctor who was panting at his right, listening to the gusts of music coming from the square, seeing once more the hard inscrutable faces of the Arabs around the bandstands, Veillard's laughter and his stubborn face - also seeing with a sweetness and a sorrow that wrung his heart the deathly look on his mother's face at the time of the bombing - wandering though the night of the years in the land of oblivion where each one is the first man, where he had to bring himself up, without a father, having never known those moments when a father would call his son, after waiting for him to reach the age of listening, to tell him the family's secret, or a sorrow of long ago, or the experience of his life, those moments when even the ridiculous and hateful Polonius all of a sudden becomes great when he is speaking to Laertes; and he was sixteen, then he was twenty, and no one had spoken to him, and he had to learn by himself, to grow alone, in fortitude, in strength, find his own morality and truth, at last to be born as a man and then to be born in a harder childbirth, which consists of being born in relation to others, to women, like all the men born in this country who, one by one, try to learn without roots and without faith, and today all of them are threatened with eternal anonymity and the loss of the only consecrated traces of their passage on this earth, the illegible slabs in the cemetery that the night has now covered over; they had to learn how to live in relation to others, to the immense host of the conquerors, now dispossessed, who had preceded them on this land and in whom they now had to recognise the brotherhood of race and destiny.
Albert Camus (The First Man)
The lenses of telescopes and cameras can no more cover the breadth and scale of the visual array than language can cover the breadth and simultaneity of internal experience. Lenses enlarge the sight, omit its context, and make of it a pretty and sensible picture, like something on a Christmas card. I assure you, if you send any shepherds a Christmas card on which is printed a three-by-three photograph of the angel of the Lord, the glory of the Lord, and a multitude of the heavenly host, they will not be sore afraid. More fearsome things can come in envelopes. More moving photographs than those of the sun’s corona can appear in magazines. But I pray you will never see anything more awful in the sky.
Annie Dillard (Teaching a Stone to Talk: Expeditions and Encounters)
I released a breath I didn’t remember holding. Turned to Ben. Found him looking at me, face inches from mine on Sewee’s deck. Panic flared, white hot, paralyzing me as I lay beside him. Our gazes met. I saw fear in his dark brown eyes. Indecision. Doubt. Ben went rigid, his chest rising and falling like a bellows. Then something changed. His face relaxed, a small smile playing on his lips. Before I could blink, his mouth covered mine. We shared a breath. A tingle ran my spine. Then I pulled back, breathing hard, unsure what either my mind or body were doing. Ben’s unsure look returned. Then vanished. He pulled me near again, his lips melting into mine. Strong, calloused fingers stroked the side of my face. His smell enveloped me. Earthy. Masculine. Ben. Fire rolled through my body. So this is what it’s like. I broke away again, gasping slightly for breath. Reality crashed home. I sat up and scooted a few feet away, rubbing my face with both hands. What was I doing? “Ben, I—” His hand rose to cut me off. He leaned against the bench, face suddenly serious. “I’m not going to pretend anymore. One way or another, I’m going to say how I feel.” Ben snorted softly. “Make my case.” We sat still in the darkness, Sewee rocking gently, the scene dream-like and surreal. “You don’t have to make a case.” I stared at my shoes, had no idea where I wanted this conversation to go. “It’s just, things are—” “YO!” Our heads whipped in the voice’s direction. Ben scrambled to a crouch, scanning the silent bulk of Tern Point, as if just now recalling we were adrift at sea. The voice called down again, suddenly familiar. “What, are you guys paddling around the island? I don’t have a boat license, but that seems dumb.” “Shut up, Hi!” Ben shouted, with more heat than was necessary. Scowling, he slid behind the controls and fired the engine. I scurried to the bow, as far from the captain’s chair as I could manage and stay dry. You’ve done it now, Tory Brennan. Better hope there’s a life preserver somewhere. A glance back. Ben was watching me, looking for all the world like he had more to say. I quickly turned away. Nope. Nope nope nope. I needed some time to think about this one. Perhaps a decade? “Where are we?” I asked, changing the subject. Ben must’ve sensed that my “personal” shop was closed for business.
Kathy Reichs (Terminal (Virals, #5))
Most of what we got was crockery: from exotic crystal bowls to ceramic anomalies. Then, a cross-section of rugs- from a beautiful Kashmiri original to a memorable one with printed dragons and utterly incomprehensible hieroglyphics. Dibyendu (typically) gave us a scrabble set and Runai Maashi: that rocking chair. Yuppie work friends, trying to be unique and aesthetically offbeat, went for wind-chimes but there were really far too many of them by the end. We also got a fantastic number of white and off-white kurtas, jamdani sarees with complementary blouses, no less than nine suitcases, suit pieces, imported condoms, bed-sheets, bed-covers, coffee makers, coffee tables, coffee-table books, poetry books, used gifts (paintings of sunsets and other disasters), three nights and four days in Darjeeling, along with several variations of Durga, Ganesh and all the usual suspects in ivory, china, terracotta, papier-mâché, and what have you. Someone gave us a calendar that looking back, I think, was laudably sardonic. Others gave us money, in various denominations: from eleven to five hundred and one. And in one envelope, came a letter for her that she read in tears in the bathroom.’ ('Left from Dhakeshwari')
Kunal Sen
It seemed as if nothing were to break that tie — as if the years were merely to compact and cement it; and as if those years were to be all the years of their natural lives. Eighteen-forty-two turned into eighteen-forty-three; eighteen-forty-three into eighteen- forty-four; eighteen-forty-four into eighteen-forty-five. Flush was no longer a puppy; he was a dog of four or five; he was a dog in the full prime of life — and still Miss Barrett lay on her sofa in Wimpole Street and still Flush lay on the sofa at her feet. Miss Barrett’s life was the life of “a bird in its cage.” She sometimes kept the house for weeks at a time, and when she left it, it was only for an hour or two, to drive to a shop in a carriage, or to be wheeled to Regent’s Park in a bath-chair. The Barretts never left London. Mr. Barrett, the seven brothers, the two sisters, the butler, Wilson and the maids, Catiline, Folly, Miss Barrett and Flush all went on living at 50 Wimpole Street, eating in the dining-room, sleeping in the bedrooms, smoking in the study, cooking in the kitchen, carrying hot-water cans and emptying the slops from January to December. The chair-covers became slightly soiled; the carpets slightly worn; coal dust, mud, soot, fog, vapours of cigar smoke and wine and meat accumulated in crevices, in cracks, in fabrics, on the tops of picture-frames, in the scrolls of carvings. And the ivy that hung over Miss Barrett’s bedroom window flourished; its green curtain became thicker and thicker, and in summer the nasturtiums and the scarlet runners rioted together in the window-box. But one night early in January 1845 the postman knocked. Letters fell into the box as usual. Wilson went downstairs to fetch the letters as usual. Everything was as usual — every night the postman knocked, every night Wilson fetched the letters, every night there was a letter for Miss Barrett. But tonight the letter was not the same letter; it was a different letter. Flush saw that, even before the envelope was broken. He knew it from the way that Miss Barrett took it; turned it; looked at the vigorous, jagged writing of her name.
Virginia Woolf (Flush)
A pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said.
Harper Lee (Go Set a Watchman)
At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end. “Courage!” cried her companion, now standing some six feet above. “Courage and love.” She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her.
E.M. Forster (A Room with a View)
He took a twenty-five cent piece out of his pocket. There, too, in tiny clear lettering, the same slogans were inscribed, and on the other face of the coin the head of Big Brother. Even from the coin the eyes pursued you. On coins, on stamps, on the covers of books, on banners, on posters, and on the wrappings of a cigarette packet—everywhere. Always the eyes watching you and the voice enveloping you. Asleep or awake, working or eating, indoors or out of doors, in the bath or in bed—no escape. Nothing was your own except the few cubic centimetres inside your skull.
Anonymous
He undid the lock and pulled open the cover to reveal a large stack of envelopes, each one labeled with a different name: Franklin Hobart, Brian Yancey, Everett Singer, Larry Steczynski…it was this last one he grabbed and pulled open, emptying its contents into his wallet and pockets. “Larry Steczynski?” I asked incredulously. Sage smiled. “You don’t think it suits me?” “Oh, I think you suits you perfectly. How many aliases do you have?” “I’m a bit of a collector.” I placed a hand on his wrist, stopping him as he transferred something into his wallet. “Does Larry Steczynski carry a black AmEx?” “He might.” “My mom doesn’t even carry a black AmEx.” “Apparently your mom doesn’t move in the same circles as Larry Steczynski.” “Sage,” Ben called from across the room. He had knelt down to gaze closely at a sculpted figurine that sat on an end table, and his voice broke with awe. “This...this is a real Michelangelo, isn’t it?” “Yeah, yeah it is.” “But it’s a Michelangelo!” “Yep.” “And that painting,” Ben said, nodding to a piece on the wall featuring a sketch of what looked like a somewhat cherubic version of Sage himself. “That’s a real Rubens?” “It is.” “It looks like you.” “Strong genetics in the family line,” Sage explained.
Hilary Duff (Elixir (Elixir, #1))
It was raining outside. It wasn’t heavy, but it left droplets on the windows, making it look like the window was covered in glitter which gleamed and shone in the candlelight. There was something outlandish about the place. It wasn’t only the grand rooms and the exquisite décor and not even the sheer size of the building; there was more to it. It was a feeling. She felt enveloped in it day and night. It wasn’t unpleasant or choking, but it wasn’t cosy and welcoming either. It was just there, like a straitjacket. She hoped that there could have been a bit more glitter and glamour to her days. She wasn’t exactly a sparkly kind of girl, but she missed… something.
Pamela Harju (A World Other Than Her Own)
The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume. "Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper. "Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London." Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek. "There's something else," Marcus said. Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?" "With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses. Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it. "Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?" "Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?" Marcus gave her a speaking look, as if only an imbecile would suppose otherwise. Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes. No miles of level desert, no jagged mountain heights, no sea of endless blue Neither words nor tears, nor silent fears will keep me from coming back to you. There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought. "It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes. "Let me see it." Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
You're wrong. Jacob knows we're just friends," Jess says. Mark snorts. "You fucking get paid to be his friend!" I stand up abruptly. "Is that true?" I guess I have never thought about it. My mother arranged for me to meet with Jess. I assumed Jess wanted to do it because she (a) is writing that paper and (b) likes my company, but now I can picture my mother ripping another check out of the checkbook and complaining like always that we don't have enough to cover our expenses. I can picture Jess opening the envelope in her dorm room and tucking that check into the back pocket of her jeans. I can picture her taking Mark out for pizza, using cash that came from my mother's bank account. Gluten-rich mushroom pizza.
Jodi Picoult (House Rules)
Celina surveyed her inventory. Candied lemon and orange slices dipped in chocolate, roasted coffee beans enrobed in dark chocolate, and coconut confections enveloped in milk chocolate. Petite Coeurs with a crème fraîche and raspberry liqueur filling, rum-spiked caramels covered in milk chocolate, bittersweet espresso truffles studded with crushed Sicilian pistachios. For her seaside fantasy collection, the antique cast iron molds had yielded whimsical chocolate shells and seahorses. Within clam shells formed from chocolate were nestled pearls of white chocolate. Among the delicacies were her trademark stars: creamy milk chocolate, dark chocolate filled with peppermint-flavored crème fraîche, and white chocolate iced with candied lemon peel.
Jan Moran (The Chocolatier)
The first time I met Dr. Tuttle, she wore a foam neck brace because of a “taxi accident” and was holding an obese tabby, whom she introduced as “my eldest.” She pointed out the tiny yellow envelopes in the waiting room. “When you come in, write your name on an envelope and fold your check inside. Payments go in here,” she said, knocking on the wooden box on the desk in her office. It was the kind of box they have in churches for accepting donations for candles. The fainting couch in her office was covered in cat fur and piled on one end with little antique dolls with chipped porcelain faces. On her desk were half-eaten granola bars and stacked Tupperware containers of grapes and cut-up melon, a mammoth old computer, more National Geographic magazines.
Ottessa Moshfegh (My Year of Rest and Relaxation)
He covered her mouth with his ---and she felt as if she had suddenly been enveloped in a cascade of sparks. The tingling warmth from his touch did not compare to the sensations that whirled through her as his lips moved over hers. It was as if every part of her body had at once become brilliantly alive. His beard was a startling, silky roughness against her skin. His other hand came to rest at her waist, drawing her in tight, and her body seemed to meld to his hard, lean lines, as if it were the most natural thing in the world. Her thoughts scattered. A sound escaped her, soft and deep, unlike any sound she had ever made in her life. Then his tongue touched her lower lip and she gave a startled little squeak. Her suddenly lifted his mouth from hers, his eyes midnight blue, his voice husky. "You have never even been kissed before, leannan. You are as innocent as the day you first set foot in the convent.
Shelly Thacker (His Stolen Bride (Stolen Brides, #1))
Mother charged about five hundred dollars for a delivery, and this was another way midwifing changed her: suddenly she had money. Dad didn’t believe that women should work, but I suppose he thought it was all right for Mother to be paid for midwifing, because it undermined the Government. Also, we needed the money. Dad worked harder than any man I knew, but scrapping and building barns and hay sheds didn’t bring in much, and it helped that Mother could buy groceries with the envelopes of small bills she kept in her purse. Sometimes, if we’d spent the whole day flying about the valley, delivering herbs and doing prenatal exams, Mother would use that money to take me and Audrey out to eat. Grandma-over-in-town had given me a journal, pink with a caramel-colored teddy bear on the cover, and in it I recorded the first time Mother took us to a restaurant, which I described as “real fancy with menus and everything.” According to the entry, my meal came to $3.30.
Tara Westover (Educated)
Apple Core   Outside the morning is cold. He sits at his desk, his fingers motionless on the keyboard. A blanket covers his shoulders and a coffee mug half full of soy milk and Folgers loiters to his right. The surrounding room is strewn with papers, some failed attempts, some nothing at all. Unsealed envelopes and empty packs of cigarettes, unfinished books and drained beer bottles, a dictionary and a worn notebook mixed in with laundry, plastic bags, and cardboard boxes. He sits and stares at his   computer screen, no more than a title punched out along the top of the page. Thoughts swirl around him and the clock face blinks overhead. His speakers lie silent, his printer still. A burned out candle sits next to unopened whiskey. Notes taped to every surface are lorded over by an Easter card signed with familiar names. They speak to the urgency of the world around him. His breakfast is left unfinished, except for the apple, whose core he has wrapped in a napkin and tossed on top of his overflowing wastebasket.
T. O'Hara (Metaphors)
Both men and women of the race were extremely handsome; the former tall and strong, with fine features, curly hair, and a clear bronze complexion. They wore long tunics and turbans, and carried lances, bucklers, or round shields, and large swords slung across their shoulders, the latter, also very tall and well formed, were dressed in becoming bodices with full skirts, a loose mantle enveloping the whole form in graceful drapery. They wore jewels in their ears, and necklaces, bracelets, bangles, and anklets, made of gold, ivory, or shells.   Thousands of oxen paced quietly along with these men, women, old men, and children. They had neither harness nor halter, only bells or red tassels on their heads, and double packs thrown across their backs, which contained wheat and other grains.   A whole tribe journeyed in this manner, under the directions of an elected chief, called the “naik,” whose power is despotic while it lasts. He controls the movements of the caravan, fixes the hours for the start and the halt, and arranges the dispositions of the camp.   I was struck by the magnificent appearance of a large bull, who with superb and imperial step led the van. He was covered with a bright coloured cloth, ornamented with bells and shell embroidery, and I asked Banks if he knew what was the special office of this splendid animal.   “Kâlagani will of course be able to tell us,” answered he. “Where is the fellow?”   He was called, but did not make his appearance, and search being made, it was found he had left Steam House.   “No doubt he has gone to renew acquaintance with some old comrade,” said Colonel Munro. “He will return before we resume our journey.”   This seemed very natural. There was nothing in the temporary absence of the man to occasion uneasiness, but somehow it haunted me uncomfortably.   “Well,” said Banks, “to the best of my belief this bull represents, or is an emblem of, their deity. Where he goes they follow; where he stops, there they encamp; but of course we are to suppose he is in reality under the secret control of the ‘naik.’ Anyhow, he is to these wanderers an embodiment of their religion.”   The cortege seemed interminable, and for two hours there was no sign of an approaching end.
Jules Verne (The Steam House)
It is strange and fine—Nature's lavish generosities to her creatures. At least to all of them except man. For those that fly she has provided a home that is nobly spacious—a home which is forty miles deep and envelops the whole globe, and has not an obstruction in it. For those that swim she has provided a more than imperial domain—a domain which is miles deep and covers four-fifths of the globe. But as for man, she has cut him off with the mere odds and ends of the creation. She has given him the thin skin, the meagre skin which is stretched over the remaining one-fifth—the naked bones stick up through it in most places. On the one-half of this domain he can raise snow, ice, sand, rocks, and nothing else. So the valuable part of his inheritance really consists of but a single fifth of the family estate; and out of it he has to grub hard to get enough to keep him alive and provide kings and soldiers and powder to extend the blessings of civilization with. Yet man, in his simplicity and complacency and inability to cipher, thinks Nature regards him as the important member of the family—in fact, her favorite. Surely, it must occur to even his dull head, sometimes, that she has a curious way of showing it.
Mark Twain (Following the Equator)
Suddenly there was movement behind him and Dan's hand appeared on his shoulder. "Raven, what's the matter? What are you staring at?" Dan covered Raven's hands with his own. Raven's fingers seemed to have frozen and Dan tried to uncurl them and pull them off the rail. "Hey, buddy, it's OK. I've got you. You're perfectly safe. We're just going to kneel and go back down the steps. All you have to do is let go and kneel down. I've got you, I've got you." Suddenly there was nothing holding him. A strangled sob escaped him. "I've got you, I've got you. Look, I'm right here, you can't possible fall. I'm right behind you." Dan put an arm round his waist and gripped him tight and told him what to do with his hands and feet, and they began co climb down together. It took for ever. Raven's fingers were so cold he could hardly feel them. Moving each foot down a rung seemed to take all the strength he had. "Don't let go," he said, his teeth chattering loudly in his mouth. "Don't let go, don't let go, don't let go." "I'm not going to let go, Raven" Dan said. "I promise Matey, I'll never let you fall." They finally reached the ground. Raven was so wobbly he could hardly stand. He felt Dan envelop him in a tight, strong hug. "You're all right, mate," Dan whispered. "You're all right." Raven clung to him. He never wanted Dan to let go.
Tabitha Suzuma (From Where I Stand)
and the two of you started dating… he proposed on New Year’s Eve and you married in April of the following year.’ I nod, twisting the wedding ring on my finger. ‘And, just to confirm, you had no suspicion that he was anyone other than Dominic Stephen Gill?’ I think back to the little anomalies. The tiny signs that I was only too happy to ignore. ‘No, not at all,’ I say. ‘I’d be more than happy to take a lie detector test to that effect.’ For Christ sake, why did you say that? I ask myself. What do you think this is, an episode of Law and Order? DS Sutherland’s sorrowful expression returns, as he closes the cover of the file. ‘That won’t be necessary, Ms Palmer.’ April arrives, with its cloud of blossom and canopy of acid-bright greenery. I sign the documents selling my interest in Comida Catering Ltd and bank a substantial sum of money. I attend my first antenatal ultrasound appointment as Alice Palmer, having first removed the rings from my left hand and shoved them into the back of a drawer. And I receive a Metropolitan Police compliment slip, with three handwritten words Please See Attached. The attached is a formal document, a ‘Recorded Crime Outcome’, confirming that there would be sufficient evidence to charge the individual using the alias Ben MacAlister with the murder of Dominic Stephen Gill, if said individual were still alive. A check of the envelope reveals nothing more. I take out my phone and
Alison James (The Man She Married)
more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures
Harper Lee (Go Set a Watchman)
The knowledge of death came to me that night, from the dying that engulfs the world. I saw how we live toward death, how the swaying golden wheat sinks together under the scythe of the reaper, like a smooth wave on the sea-beach. He who abides in common life becomes aware of death with fear. Thus the fear of death drives him towards singleness. He does not live there, but he becomes aware of life and is happy, since in singleness he is one who becomes, and has overcome death. He overcomes death through overcoming common life. He does not live his individual being, since he is not what he is, but what he becomes. One who becomes grows aware of life, whereas one who simply exists never will, since he is in the midst of life. He needs the heights and singleness to become aware of life. But in life he becomes aware of death. And it is good that you become aware of collective death, since then you know why your singleness and your heights are good. Your heights are like the moon that luminously wanders alone and through the night looks eternally clear. Sometimes it covers itself and then your are totally in the darkness of the earth, but time and again it fills itself out with light. The death of the earth is foreign to it. Motionless and clear, it sees the life of the earth from afar, without enveloping haze and streaming oceans. Its unchanging form has been solid from eternity. It is the solitary clear light of the night, the individual being, and the near fragment of eternity. From there you look out, cold, motionless, and radiating. With otherworldly silvery light and green twilights, you pour out into the distant horror. You see it but your gaze is clear and cold. Your hands are red from living blood, but the moonlight of your gaze is motionless. It is the life blood of your brother, yes, it is your own blood, but your gaze remains luminous and embraces the entire horror and the earth’s round. Your gaze rests on silvery seas, on snowy peaks, on blue valleys, and you do not hear the groaning and howling of the human animal. The moon is dead. Your soul went to the moon, to the preserver of souls. Thus the soul moved toward death. I went into the inner death and saw that outer dying is better than inner death. And I decided to die outside and to live within. For that reason I turned away and sought the place of the inner life.
C.G. Jung (The Red Book: Liber Novus)
A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed? “You have a present.” “What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.” Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.” After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud. “‘To Mom and Zach. Have fun tonight. Bre.’” Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.” “My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.” “Would you like me to? It’s addressed to both of us.” “I’m even more afraid for you to open it.” “Go ahead. It can’t be that bad.” “You don’t know my daughter.” Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped. “Oh, my God. I can’t believe she did this!” She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.” “I am going to kill her, after I beat her.” Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.” Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.” She huffed out a breath. “Can we close the box now?” “Not yet. I like it when you blush.” Zach grinned when Jade scowled at him. “This is completely spoiling the mood.” “I won’t have any problem getting hard again.” “Zach!” Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.” Jade covered her eyes with one hand. “I don’t believe this,” she muttered. “Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.” “Okay, that’s enough.” Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.” “I don’t care what they are.” “You might care about one of them.” Zach held up a large box of condoms. “Oh.” He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.” “One hundred?” “All different types, sizes, and colors.” Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?” “Cherry-flavored lubricant. It looks like she thought of everything.” “You must think my daughter is crazy.” “I think your daughter loves you very much and wants you to be happy.” “That’s true. But we won’t use all this…stuff.” “Who says we won’t?
Lynn LaFleur (Rent-A-Stud (Coopers' Companions, #1))
bright blue flash of lightning enveloped Nathaniel’s field of view, just as the pod struck the ground with a deafening crunch, slamming his body forward and ripping away the protective restraints that previously held him in place. Covered in blood, Nathaniel fell from the now-open door of the pod, cradling the back of his head with both hands.
Jonathan Marker (SPYDER SYLK)
I took a shower, threw my covers back, and slipped into bed wearing nothing but Jamie’s T-shirt. I clutched the note to my chest as I pressed the button to listen to my nightly message. I went sailing today with Chelsea, he said. I thought about your hair whipping across your face, your pink cheeks, and the huge smile you had on your face as we sailed across the bay. I just wanted you to know that I was thinking about you. I can’t get you out of my mind. I’m always thinking about you. Me too. I pressed END and reached down beside the bed to where I had set the note. When I read it again, this time I cried. Katy, my angel, I had to go to Portland. My father had a heart attack and they don’t know if he’s going to make it through the night. Please don’t leave. If I can’t get back by tomorrow, I’ll send a car and get you a flight up here. Please, please don’t leave. I have something really important to tell you besides the fact that I am completely in love with you. —J In the morning, the note was crumpled up on my chest. I got up and spread it out on the counter. I underlined the last line and then wrote WHY? underneath it. I stuffed it into an envelope and mailed to it the R. J. Lawson Winery. I laughed to myself as I wrote Attn: The Owner. I spent Sunday in my apartment, not moping. I did a yoga video, edited some of Beth’s latest article, and then devoted the afternoon and evening to a marathon of MythBusters, during which I learned that Jack’s death in Titanic was totally unnecessary. Had that selfish bitch, Rose, given up her life jacket to tie under that wooden door, it would have been buoyant enough to hold them both. Damn her. I slid into bed at seven and listened to Jamie’s latest voice mail over and over.
Renee Carlino (Nowhere but Here)
It wasn’t until she was about to press Play, just as she was climbing under her covers, that she noticed it, the envelope tucked beneath the edge of her pillow. She frowned as she reached for it, her fingers lingering for only a moment before pulling it free. The plain white envelope was blank, but she suspected who it was from. She tore the top apart and unfolded the paper inside, her heart fluttering when she recognized the handwriting. I miss you like crazy. Jay Violet grinned. It was just a note—a single line, really—but even his notes made her pulse race. Ridiculous, she thought as she ran her fingertips over his words, committing them to memory.
Kimberly Derting (The Last Echo (The Body Finder, #3))
escape from a First Order spacecraft, and they had done that. Not that it would matter if he was found here, wandering alive among the dunes. Of one thing he was certain: His former colleagues would not understand, no matter how hard he tried to explain. No one fled the First Order and lived. The sand sucked at his feet as he stumbled toward the rising smoke. “Poe! Say something if you can hear me! Poe!” He did not expect a response, but he hoped for one. Flame had joined smoke in enveloping the wreck of the TIE fighter. Built more robustly than the typical ship of its class, the Special Forces craft had survived the crash landing, although hardly intact. Debris from the impact was scattered over a wide area. Careful not to cut himself on twisted shards of metal and still-hot composite, he pushed through the heat and haze until he reached the cockpit. It lay crushed and open to the desert air. Trying to shield his eyes against the smoke, Finn moved in closer. Something—there was something sticking out of the wreckage. An arm. Ignoring the heat and the licking flames, Finn reached in until he could get a grip on it. First one hand, then both, then pull—and it came free in his hands. No arm, no body: just Poe’s jacket. Frustrated, he threw it aside and tried to enter the ruined cockpit. Increasing smoke and heat made it impossible for him to even see, much less work his way inside. “Poe!” He felt his legs start to go out from under him. But they hadn’t buckled; the ground had. Looking down, he saw sand beginning to slide beneath him. His feet were already half covered. He was sinking. In front of him, the ruins of the ship began to slide into the hollow in which it had come to rest. Sand was crawling up the wings and reaching for the open cockpit. If he didn’t get away from the quicksand, it was clear he was going to join the TIE fighter in premature internment. He began backpedaling frantically, yelling at the disappearing vessel. “POE!” Going. Down, down into the sand, to a depth that could not be
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
Flower in love The flower to the butterfly, Where do you always come from? Why do you always fly? And where do your wings get these colourful patterns from? She flew away without any reply, For she had a known flower to kiss, And his yesterday’s queries to reply, And then offer him a passionate kiss, There, poised on the flower that she knew, She spread her wings over its petals, It was a feeling that the flower knew, As the butterfly’s colours kissed its petals, Under the cover of her wings, They romanced in the light of love, And what a wonder it became to see a flower kissed by open butterfly wings, The symbol of two conflict free beings in total love, Beauty pressed over beauty, and covered in love, As the sunlight enveloped them in the shimmer of the pure light, The flower fell in love and the butterfly experienced love, And then it flew in the direction of the light, And I watched her flapping her wings hurriedly, As she shed her dust of colourful beauty over the flower in love, She became a part of this pure light almost hurriedly, And now it is the permanent delight for the light kissed flower, who too finally experienced love!
Javid Ahmad Tak (They Loved in 2075!)
Leila wished she were at home too, enveloped in the warmth of bed covers with her cat curled at her feet, purring in drowsy contentment. Her cat was stone deaf and black – except for a patch of snow on one paw. She had named him Mr Chaplin, after Charlie Chaplin, for, just like the heroes of early cinema, he lived in a silent world of his own. Tequila Leila would have given anything to be in her apartment now. Instead she was here, somewhere on the outskirts of Istanbul, across from a dark, damp football field, inside a metal rubbish bin with rusty handles and flaking paint. It was a wheelie bin; at least four feet high and half as wide. Leila herself was five foot seven – plus the eight inches of her purple slingback stilettos, still on her feet. There was so much she wanted to know. In her mind she kept replaying the last moments of her life, asking herself where things had gone wrong – a futile exercise since time could not be unravelled as though it were a ball of yarn. Her skin was already turning greyish-white, even though her cells were still abuzz with activity.
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
I opened the notebook, pausing at Catherine’s handwritten name on the inside cover. This was undoubtedly hers, but when I laid the schedules she’d given me inside, they did not match up. This needed to end now. I refused to go another day without getting to the bottom of this. I looked up at Daniel. “I need your desk. Take your laptop to the break room until I’m finished.” He nodded vigorously and practically sprinted from my office. He’d need to toughen up if he wanted a permanent job at this level. I hadn’t even been mean to the kid this morning. Jesus. I sat down at Catherine’s desk and opened a drawer. Everything was orderly, which I expected from her. At the back, there was an unopened box of tampons. I’d started to bypass, but something scratched at the back of my mind. Catherine had been pregnant when she’d started working for me. She hadn’t needed tampons…so why were they in her drawer? I grabbed the box and shook it next to my ear. Closed and sealed, nothing suspicious aside from its existence. I tossed them on the desk, frustrated by my fruitless search. Then, an envelope that had been tucked beneath the tampons caught my eye. There was nothing remarkable about it, and it definitely wasn’t a notebook, but instinct urged me to check what was inside.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
Elements of a Proposal Cover letter Author biography Book synopsis Character sketches Chapter-by-chapter outline Three sample chapters Self-addressed stamped envelope Reply card (optional)
Tracey E. Dils (You Can Write Children's Books)
First impression: The Tijuana dump is beautiful. Second impression: It is like a military operation. It is at the top of a small mountain. A convoy of trucks comes to the top of the mountain and dumps the refuse of a developing city. [...] Other equipment moves mountains of dirt to cover the wastes. At intervals, standpipes are inserted into the filled spaces to allow the biogas of the rotting materials below to escape. The wind blows across these vents, creating an eerie music. When the biogas envelops you, you sense that sinking feeling of doom.
Raymond Coppinger
To peruse Larry Flynt's flagship is to encounter laughable facets of necrophilia, dildo-strapped nuns, ambulatory turds, walking anuses, the perceived discrepancy in penis size between black and white males, vaginas large enough to envelop an entire man, physical intimacies with anthropomorphic pets, lesbian love rituals, the ills and quirks of male homosexuality, the corrosive effect of vaginal discharge upon automobile upholstery, the danger that freshly licked African-american lips will accidentally adhere to some glasslike surface, bar sluts, gang-bangs, wastebasket fetuses, flatulence anal and vaginal, the handicapped, Ku Klux Klansmen, lynching, anal sex, prison romance, naked females whose faces are covered by paper bags, sex crimes of the rich and famous, sex in full-body traction, retards as playthings, practical jokes committed by Saint Peter, suicide, consanguinity, animal husbandry in the connubial sense, erectile dysfunction, voyeurs, panty-sniffewrs, menstruation, STDs and philosopher houseflies delivering piquant sophistries while nibbling on corn-studded nuggets of shit.
Allan MacDonell (Prisoner of X: 20 Years in the Hole at Hustler Magazine)
Her whole body shook as big, fat drops slid down her cheeks. Mortified, she covered her face as though she could hide her wailing. Strong arms enveloped her and Mitch pulled her close. She gave one thought to protest, and then sank into the warm, solid strength of his chest. He was big and broad, so different from what she was used to. The thought made her cry harder. She should push him away, but instead she curled closer. Needing him. She was the most wicked kind of woman. There’d be no escaping hell now. All those years of penance washed away by one night of rash behavior. Mitch kissed her temple, rubbing his hands over her bare skin. That he let her cry, and didn’t start lecturing her on emotional outbursts, made her want to crawl into him and never let go. He swayed them both, murmuring nonsense and tracing slow, soothing circles over her back. “Come on now, Princess. Tell me what’s wrong so I can help you.” She hiccupped into his shirt while she clung to him as though he were her life vest on a sinking ship. A great gush of air was followed by a hiccup. She blurted her very pressing and very embarrassing need. “I-I h-have to go to the b-b-bathroom.” The gentle sway stopped. A rumble in his chest was followed by a cough. He was trying not to laugh. The jerk. She sobbed harder: great heaping wails straight from the pit of her stomach. Now that she was on a roll, she keened pitifully, “A-and m-m-y f-feet hurt.” “It’s okay.” His tone was most definitely amused. “Why didn’t you go?” Now came the worst confession. “M-my dress i-is too b-big.” “Well, take it off.” Did he think she was an idiot? “I c-can’t get it off.” With a fresh batch of hysterics, her shoulders trembled as she buried her face in his T-shirt, now wet with tears. No one at the store had mentioned she’d need a crew of people to go to the bathroom, and now a stranger had to undress her. She hiccupped. They really should mention these kinds of details at the time of purchase. He ran his fingers down a million tiny buttons from the blades of her shoulders to the curve of her ass. “It’s okay. We can take care of this.” “B-but,” she cried. The thought almost unbearable. She was being tested. How was she supposed to be good when she had to disrobe in front of the most gorgeous man alive? “You’ll s-see me almost n-naked.” When he said nothing, fresh tears welled in her eyes. He probably thought she was propositioning him. Surely women threw themselves at him all the time. He rubbed her bare arms. “I’m thirty-four, Princess. I’ve seen a naked woman before.” “But you haven’t seen me.” No one had seen her—well, except Steve, but he hardly even counted. “I’m twenty-eight, and only one guy has seen me. And he isn’t like you. Why can’t you be someone else?” “Like who?” He trailed a path over her bare skin, creating a rush of tingles up and down her spine. She burrowed closer, some of her hysterics finally calming as his soothing but intoxicating presence worked its charm. “You’re not Mister Rogers, you know.” “You can trust me, Maddie. I won’t attack.” Ha!
Jennifer Dawson (Take a Chance on Me (Something New, #1))
We can appreciate the thematic organization of this chapter best if we step back from the various issues related to particular terms and look at the structure of the chapter as a whole. The first verse (Gen. 1:1) functions as a general introductory statement. The second verse (v. 2) sets forth a problem that the rest of the chapter is going to solve. The problem is one with which ancient Near Eastern people would have been familiar: The world is engulfed in a primordial chaos. More specifically, the earth is enveloped in “darkness,” covered by “the deep,” and in a state that is “formless” and “void” (tohu wabohu). The author’s goal was to show how Yahweh solved each of these problems and thus succeeded in bringing order out of chaos. The creation week is divided into two groups of three days (days 1–3 and 4–6) with the seventh day acting as a capstone. Within each three-day grouping, four creative acts of God are identified by the phrase “Let there be . . .” Most significantly, the creative acts in the second group mirror the creative acts in the first group. That is, day four mirrors day one; day five mirrors day two; and day six mirrors day three. The first set of three days addresses the problems of the darkness, the deep, and the formlessness of the earth as spelled out in v. 2. God addresses these problems by creating spaces within which things may exist. The second set of three days addresses the voidness problem of v. 2. God solves this problem by creating things to fill the spaces he created in the first three days. More specifically, on day one God created light (which addressed the darkness problem) and separated it from the darkness (vv. 3–5). On day two God created the heavens (which addressed the watery abyss problem) and used it to separate the waters above from the waters below (vv. 6–8). On day three God created dry land and vegetation (addressing the formless earth problem) and separated the earth from the waters below (vv. 9–13). Thus, by the end of day three the first three problems had been addressed: darkness, water, formlessness. The second set of three days addresses the final problem of voidness— the lack of things to fill the spaces God has created. This is how the second set mirrors the first set of days. Day four fills the space created on day one. Day five fills the space created on day two. And day six fills the space created on day three. More
Gregory A. Boyd (Across the Spectrum: Understanding Issues in Evangelical Theology)
I don’t know much about kissing or about courting, Alex, but I do know that Blackmoor has always adored you. Always.” “Then why is he ignoring me? Why hasn’t he mentioned it? Why hasn’t he tried to kiss me again?” She gasped, covering her mouth. “What if I was terrible at it?” “You weren’t,” Vivi said. “Certainly not,” Ella agreed. “Oh, how do you know?” Alex said, now enveloped in self-doubt. “Maybe I did it all wrong!” “This might be a good time to discuss the kiss in question,” Ella offered. “What was it like?” “I thought it was wonderful! I wanted to do it again, immediately! But what if it was awful and I just didn’t know it?!” “That simply cannot be the case!” Vivi shook her head in earnest. “Indeed,” Eliza broke her silence, “if it made you want to do it again, and soon, ’twas a good kiss.” “For me…but what about for him?” “He had to have enjoyed it, Alex,” Ella said. Alex’s frantic frustration bubbled over. “Then why isn’t he interested in me? Why doesn’t he want to do it again? Maybe he does want Penelope!” Her voice became small. “Why doesn’t he want me?” “Alex,” Ella asked curiously, “are you saying…Do you want him?” Alex thought carefully about Ella’s question. Did she want Gavin? “Well…the kiss was quite lovely.” “Of course, it was,” Vivi said, “but…what about the man himself? Could you love him?” Love? Gavin? She looked at the other three girls, each staring back at her as though she were about to reveal some history-altering secret. It was too much to think about, really. “I…I don’t know. I’ve always thought of him as a brother. But recently…everything has changed. He kissed me and I wanted him to and it…everything feels different. But I don’t know what to think. Maybe nothing is different to him. Maybe it didn’t mean anything to him.” Vivi walked over to Alex, then took her shoulders in hand and spoke with firm conviction, “I may not know much about this kissing business, Alex, but I do know that Gavin would never do anything to hurt you. Including kissing you if he didn’t mean it at least a little.” Alex
Sarah MacLean (The Season)
such as unfolding a map or unsealing an envelope. I love this meaning because it focuses on something tangible, revealing something that is hidden or covered up. Maps have to be unfolded
Keion Henderson (The Shift: Courageously Moving from Season to Season)
If the fear of death were merely the fear of dying, it would be better dealt with by medicine than by argument. There is, or there might be, an art of dying well, of dying painlessly, willingly, and in season,—as in those noble partings which Attic gravestones depict,—especially if we were allowed, as Lucretius would allow us, to choose our own time. But the radical fear of death, I venture to think, is something quite different. It is the love of life. Epicurus, who feared life, seems to have missed here the primordial and colossal force he was fighting against. Had he perceived that force, he would have been obliged to meet it in a more radical way, by an enveloping movement, as it were, and an attack from the rear. The love of life is not something rational, or founded on experience of life. It is something antecedent and spontaneous. It is that Venus Genetrix which covers the earth with its flora and fauna. It teaches every animal to seek its food and its mate, and to protect its offspring; as also to resist or fly from all injury to the body, and most of all from threatened death. It is the original impulse by which good is discriminated from evil, and hope from fear. Nothing could be more futile, therefore, than to marshal arguments against that fear of death which is merely another name for the energy of life, or the tendency to self-preservation. Arguments involve premises, and these premises, in the given case, express some particular form of the love of life; whence it is impossible to conclude that death is in no degree evil and not at all to be feared. For what is most dreaded is not the agony of dying, nor yet the strange impossibility that when we do not exist we should suffer for not existing. What is dreaded is the defeat of a present will directed upon life and its various undertakings. Such a present will cannot be argued away, but it may be weakened by contradictions arising within it, by the irony of experience, or by ascetic discipline. To introduce ascetic discipline, to bring out the irony of experience, to expose the self-contradictions of the will, would be the true means of mitigating the love of life; and if the love of life were extinguished, the fear of death, like smoke rising from that fire, would have vanished also.
George Santayana (Three Philosophical Poets: Lucretius, Dante And Goethe)
BECOMING AWARE OF THE AURA Tell someone else to stand in front of a plain white or softly colored wall about 30 cm away. Stand at least 2–3 meters (6–10ft) apart, and aim at the wall above your head or shoulders. (Don't look at the person; otherwise, it won't work.) You can see a line about 1–2 cm (½ in) long around the body that looks lighter than the rest. A thin line that looks like it's been traced with a pencil will clearly define it. This is an aura shield, a person's energy field. Try to soften your focus a little if you have trouble detecting the aura. Perhaps a little close your pupils. Or try the room's lighter or darker corner. An alternative method is to stretch and look at the fingertips on a white or softly colored backdrop. A slightly blurred but lighter line can be observed, this time around them about 2–3 mm (a fraction of an inch). Fascinating though it is, it's not necessary to study Reiki to see the aura. When we put our hands in a Reiki treatment around a person, we will still be mindful of the aura. Yet starting it's a fun way. We appear to see the final component of the aura in the test, which is one of seven. The further a substance away from the body is, the waves are stronger and weaker. The outermost layer stretches from the front and back of the body to 1–2 meters (approximately 6ft) and from the edges to about half a meter (1½ft). (Imagine how many people are on a crowded underground train in your aura!) But the atmosphere is also evolving–and increasing with personal development. The rule seems to follow: small ego= large aura. The physical body and the aura The auric particles envelop the physical body in dense rings, but they also interpenetrate one another, with the best being the innermost (hence the simplest to see) and the outermost. This ensures the seventh layer's vibrational frequency covers the whole body–and passes through it completely. And finally, what happens in the aura can manifest in the physical body. To sum up, we definitely have more than what greets us in the mirror. We are a rather large energy ball that vibrates at different levels and holds a lot of information and potential.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
IN MY NEXT LIFE LET ME BE A TOMATO lusting and unafraid. In this bipedal incarnation I have always been scared of my own ripening, mother standing outside the fitting room door. I only become bright after Bloody Mary’s, only whole in New Jersey summers where beefsteaks, like baubles, sag in the yard, where we pass down heirlooms in thin paper envelopes and I tend barefoot to a garden that snakes with desire, unashamed to coil and spread. Cherry Falls, Brandywine, Sweet Aperitif, I kneel with a spool, staking and tying, checking each morning after last night’s thunderstorm only to find more sprawl, the tomatoes have no fear of wind and water, they gain power from the lightning, while I, in this version of life, retreat in bed to wither. In this life, rabbits are afraid of my clumsy gait. In the next, let them come willingly to nibble my lowest limbs, my outstretched arm always offering something sweet. I want to return from reincarnation’s spin covered in dirt and buds. I want to be unabashed, audacious, to gobble space, to blush deeper each day in the sun, knowing I’ll end up in an eager mouth. An overly ripe tomato will begin sprouting, so excited it is for more life, so intent to be part of this world, trellising wildly. For every time in this life I have thought of dying, let me yield that much fruit in my next, skeleton drooping under the weight of my own vivacity as I spread to take more of this air, this fencepost, this forgiving light.
Natasha Rao (Latitude)
It didn’t seem right, it didn’t seem right at all, and part of me wondered—as I looked at the empty kitchen and the empty living room and the locked glass doors leading outside—if my agreement with Felix didn’t cover guests, if it only covered myself. “Paula?” I repeated, my voice a bit louder. On the kitchen counter was the note I had written on the back of a subscription envelope from Smithsonian: “Paula—Off to run some errands. Will be back.
Brendan DuBois (Dead Sand (Lewis Cole Book 1))
have spoken to you before about the ocean of consciousness. About its sublime immensity, about how terrifying it is to behold. It is the eyes, laden with an entire world trapped in a moment of perspective, which express the terrifying consciousness of the other. To suffer the infernal gaze of the other is to witness another consciousness recognizing you. Not the frozen eyes of the dead or the sheathed daggers of the dreaming, but the waking, attentive other. It is to have this terrific alien consciousness confront you and elude you with its mysteries; with its secret history, which it will not reveal to you; with its endlessness, which you shall never capture. Conversely, when you gaze into the mirror and look yourself in the eyes, you see nothing but a blank appearance. You feel nothing but the pacific and neutral zero of totality. You do not feel the same apprehension, the same sense of mystery or unpredictability. Everything behind those familiar eyes is already clarified. Your reflected gaze is, in fact, mute, because it signifies nothing except the very act constituting it. Yet the closest you will come to seeing the other— not merely her corpse, but her and her existence —is by looking her in the eyes. When you return her gaze, you are struck by the possibility of her history, of her present being like an immortal’s never-finished painting covered in centuries of layers. What would otherwise be just an animated object in the world, no different to the wind or an earthquake, instead presents itself, like you as you know yourself, as an embodied soul. An immaterial subject, somehow present in the flesh. And what is love except the ceaseless attempt at capturing this subjectivity of the other without simultaneously compromising her autonomy? This autonomy, which she requires in order to return your love and therefore complete it. It envelops the patience of long marriage; the unity of welded lives, tastes, preferences, and ambitions. I looked at Sophia; I looked in her eyes. I looked at her and I loved her; I looked at her and I loved; I tried to look at her and I tried to love her.
K.K. Edin (The Measurements of Decay)
The time period covered in NITRO - 1995 to 2001 - represents a number of themes that transcend its subject matter; notably, the rise of early Internet culture, the still-active notion of 'mainstream', the limits of creative expression, ‘edgy’ entertainment that pushed the envelope, television and its cultural power (including, as a corollary, the decline of the televised communal experience), and the relative tranquility of America’s cultural, economic and political affairs. ...it was in this context that the explosion in wrestling’s popularity occurred.
Guy Evans (NITRO: Expanded Edition - The Incredible Rise and Inevitable Collapse of Ted Turner's WCW)
Daily" These shriveled seeds we plant, corn kernel, dried bean, poke into loosened soil, cover over with measured fingertips These T-shirts we fold into perfect white squares These tortillas we slice and fry to crisp strips This rich egg scrambled in a gray clay bowl This bed whose covers I straighten smoothing edges till blue quilt fits brown blanket and nothing hangs out This envelope I address so the name balances like a cloud in the center of sky This page I type and retype This table I dust till the scarred wood shines This bundle of clothes I wash and hang and wash again like flags we share, a country so close no one needs to name it The days are nouns: touch them The hands are churches that worship the world
Naomi Shihab Nye
He ranted at me while I put out the next course: a dish of boiled pigeons enveloped in a blancmange, the best I had ever made, with pulverized chicken, rose water, almonds, sugar, capon broth, ginger, verjuice and cinnamon. I had them placed in a deep dish, poured on the blancmange and scattered the snow-white surface with a thick covering of poppy seeds until the silver dish seemed to hold nothing but tiny black grains. Over this I arranged stars cut out of fine silver foil. There was a breast of veal, stuffed with cheese, eggs, saffron, herbs and raisins, upon which I scattered the darkest rose petals I could find at the flower market. There was a soup of black cabbage; boiled calves' feet with a sauce of figs and black pepper; and boiled ducks with more sliced black truffle.
Philip Kazan (Appetite)
Maybe Sloan would agree to a deal. I’d talk to someone about some of my issues if she would agree to go to grief counseling. It wasn’t me giving in to Josh like she wanted, but Sloan knew how much I hated therapists, and she’d always wanted me to see someone. I was debating how to pitch this to her when I glanced into the living room and saw it—a single purple carnation on my coffee table. I looked around the kitchen like I might suddenly find someone in my house. But Stuntman was calm, plopped under my chair. I went in to investigate and saw that the flower sat on top of a binder with the words “just say okay” written on the outside in Josh’s writing. He’d been here? My heart began to pound. I looked again around the living room like I might see him, but it was just the binder. I sat on the sofa, my hands on my knees, staring at the binder for what felt like ages before I drew the courage to pull the book into my lap. I tucked my hair behind my ear and licked my lips, took a breath, and opened it up. The front page read “SoCal Fertility Specialists.” My breath stilled in my lungs. What? He’d had a consultation with Dr. Mason Montgomery from SoCal Fertility. A certified subspecialist in reproductive endocrinology and infertility with the American Board of Obstetrics and Gynecology. He’d talked to them about in vitro and surrogacy, and he’d had fertility testing done. I put a shaky hand to my mouth, and tears began to blur my eyes. I pored over his test results. Josh was a breeding machine. Strong swimmers and an impressive sperm count. He’d circled this and put a winking smiley face next to it and I snorted. He’d outlined the clinic’s high success rates—higher than the national average—and he had gotten signed personal testimonials from previous patients, women like me who used a surrogate. Letter after letter of encouragement, addressed to me. The next page was a complete breakdown on the cost of in vitro and information on Josh’s health insurance and what it covered. His insurance was good. It covered the first round of IVF at 100 percent. He even had a small business plan. He proposed selling doghouses that he would build. The extra income would raise enough money for the second round of in vitro in about three months. The next section was filled with printouts from the Department of International Adoptions. Notes scrawled in Josh’s handwriting said Brazil just opened up. He broke down the process, timeline, and costs right down to travel expenses and court fees. I flipped past a sleeve full of brochures to a page on getting licensed for foster care. He’d already gone through the background check, and he enclosed a form for me, along with a series of available dates for foster care orientation classes and in-home inspections. Was this what he’d been doing? This must have taken him weeks. My chin quivered. Somehow, seeing it all down on paper, knowing we’d be in it together, it didn’t feel so hopeless. It felt like something that we could do. Something that might actually work. Something possible. The last page had an envelope taped to it. I pried it open with trembling hands, my throat getting tight. I know what the journey will look like, Kristen. I’m ready to take this on. I love you and I can’t wait to tell you the best part…Just say okay. I dropped the letter and put my face into my hands and sobbed like I’d never sobbed in my life. He’d done all this for me. Josh looked infertility dead in the eye, and his choice was still me. He never gave up. All this time, no matter how hard I rejected him or how difficult I made it, he never walked away from me. He just changed strategies. And I knew if this one didn’t work he’d try another. And another. And another. He’d never stop trying until I gave in. And Sloan—she knew. She knew this was here, waiting for me. That’s why she’d made me leave. They’d conspired to do this.
Abby Jimenez
An ear-piercing shriek assaulted them as they returned to the main road and the heavy fog enveloped their surroundings. The torch extinguished, engulfing him in darkness. Something brushed against his shoulder and he flailed in every direction. Nothing. More red lightning flashed in the sky and lit the fog. Dozens of small silhouettes ran past. A loud crack of thunder reverberated through his bones. He covered his ears to drown out the noise, but the attempt was futile. The shrieking was inside his head.
Bryan Caimi (The Unification of Paikmeriz (A Reign of Darkness, #1))
Rules, no matter how enveloping, will never deliver an exceptional customer experience. Colleen Barrett, who in her forty-seven-year career at Southwest served as head of marketing, customer service, people, and operations, describes the airline’s approach to rules: “The rules are guidelines. I can’t sit in Dallas, Texas, and write a rule for every single scenario you’re going to run into. You’re out there. You’re dealing with the public. You can tell in any given situation when a rule should be bent or broken. You can tell because it’s simply the right thing to do in the situation you are facing.” 17 Backing up this freedom is a concerted effort to ensure every team member has the information needed to think and act like an owner. At Southwest, training programs cover industry economics, financial ratios, profitability drivers, and more. By investing in the judgment of its people, Southwest creates a business that is smarter, more innovative, and more profitable.
Gary Hamel (Humanocracy: Creating Organizations as Amazing as the People Inside Them)
One of the attendants was a curious woman who was the surgeon’s assistant. She climbed up onto the rock beside Eshonai, though her clothing—which enveloped her from neck to ankles and covered up her left hand for some reason—wasn’t particularly good for exploring. It was nice to see that there were some things that the listeners had figured out that the humans hadn’t.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
Nature sometimes mingles her effects and her spectacles with our actions with sombre and intelligent appropriateness, as though she desired to make us reflect. For the last half-hour a large cloud had covered the heavens. At the moment when Jean Valjean paused in front of the bed, this cloud parted, as though on purpose, and a ray of light, traversing the long window, suddenly illuminated the Bishop’s pale face. He was sleeping peacefully. He lay in his bed almost completely dressed, on account of the cold of the Basses-Alps, in a garment of brown wool, which covered his arms to the wrists. His head was thrown back on the pillow, in the careless attitude of repose; his hand, adorned with the pastoral ring, and whence had fallen so many good deeds and so many holy actions, was hanging over the edge of the bed. His whole face was illumined with a vague expression of satisfaction, of hope, and of felicity. It was more than a Free eBooks at Planet eBook.com 179 smile, and almost a radiance. He bore upon his brow the indescribable reflection of a light which was invisible. The soul of the just contemplates in sleep a mysterious heaven. A reflection of that heaven rested on the Bishop. It was, at the same time, a luminous transparency, for that heaven was within him. That heaven was his conscience. At the moment when the ray of moonlight superposed itself, so to speak, upon that inward radiance, the sleeping Bishop seemed as in a glory. It remained, however, gentle and veiled in an ineffable half-light. That moon in the sky, that slumbering nature, that garden without a quiver, that house which was so calm, the hour, the moment, the silence, added some solemn and unspeakable quality to the venerable repose of this man, and enveloped in a sort of serene and majestic aureole that white hair, those closed eyes, that face in which all was hope and all was confidence, that head of an old man, and that slumber of an infant. There was something almost divine in this man, who was thus august, without being himself aware of it. Jean Valjean was in the shadow, and stood motionless, with his iron candlestick in his hand, frightened by this luminous old man. Never had he beheld anything like this. This confidence terrified him. The moral world has no grander spectacle than this: a troubled and uneasy conscience, which has arrived on the brink of an evil action, contemplating the slumber of the just.
Victor Hugo
Höglund acted as a courier for his contacts,” Håkan emphasized. “He translated coded messages in the form of numbers. The codes disappeared in a few days (invisible ink?). He went to different places, like airports, to deliver envelopes with information for his contacts. Many of his activities sound like ordinary espionage. I believe the UFO story was a cover for probably Soviet espionage. His order to start a peace movement also indicates this.” What of the car given to Höglund in Sweden? In checking
Timothy Good (Earth: An Alien Enterprise)
We are already bound together in the way of my people. Will you speak vows in the way of yours?” Her blue eyes widened with shock, eyes a man could drown in. Eyes a man could spend eternity staring into. A small, very male smile tugged at his mouth. He had succeeded in shocking her. “Mikhail, are you asking me to marry you?” “I am not really certain I know how it is done. Should I be on my knee?” He was grinning openly at her. “You’re proposing to me with a carload of assassins approaching?” “Potential assassins.” He gave her a small, heart-wrenching smile. “Say yes. You know you cannot possibly resist me. Say yes.” “After you made me drink that disgusting apple juice? You set your wolves on me, Mikhail. I know there’s a long list of sins I should be reciting.” Her eyes were sparkling with mischief. He pulled her into his arms, against the heavy muscles of his chest, fitting her neatly into the cradle of his hips. “I can see this is going to take some heavy persuasion.” His lips moved over her face like a brand, fastened on her mouth, and rocked the very earth. “No one should be able to kiss like you do,” Raven whispered. He kissed her again, tantalizingly sweet, his tongue sliding over hers sensuously, pure magic, pure promise. “Say yes, Raven. Feel how much I need you.” Mikhail dragged her closer so the hard evidence of his desire was clearly imprinted against her flat stomach. Taking her hand in his, he brought it down to cover the aching bulge and rubbed her palm slowly back and forth across him, tormenting both of them. He opened his mind so she could feel the sharpness of his hunger, the edge to his passion, the flood of warmth and love enveloping her, them. Say yes, Raven; he whispered it in her head, needing her to want him back, to accept him, good or bad. “You take such unfair advantage.” Her reply held a trace of amusement, was warm honey spilling over with love.
Christine Feehan (Dark Prince (Dark, #1))
Say yes, Raven. Feel how much I need you.” Mikhail dragged her closer so the hard evidence of his desire was clearly imprinted against her flat stomach. Taking her hand in his, he brought it down to cover the aching bulge and rubbed her palm slowly back and forth across him, tormenting both of them. He opened his mind so she could feel the sharpness of his hunger, the edge to his passion, the flood of warmth and love enveloping her, them. Say yes, Raven; he whispered it in her head, needing her to want him back, to accept him, good or bad. “You take such unfair advantage.” Her reply held a trace of amusement, was warm honey spilling over with love.
Christine Feehan (Dark Prince (Dark, #1))
Shelves were jam-packed with orange and brown packaged treats: chocolate-covered Cheerios, chocolate-covered cornflakes, chocolate-covered raisins and pretzels and espresso beans. Chocolate malt balls, chocolate almonds, and giant 2.2-pound "Big Daddy" chocolate blocks. There was caramel corn, peanut brittle, mudslide cookie mixes, and tins of chocolate shavings so you could try replicating Jacques's über-rich hot chocolate at home- anything the choco-obsessed could dream was crammed in the small space. An L-shaped counter had all manner of fresh, handcrafted temptations: a spread of individual bonbons with cheeky names like Wicked Fun (chocolate ganache with ancho and chipotle chilies), Love Bug (key lime ganache enveloped in white chocolate), and Ménage à Trois (a mystery blend of three ingredients). Platters of double chocolate chip cookies and fudge brownies. And there were his buttery croissants and pain au chocolat, which duked it out in popularity with the French bakery across the street, Almondine.
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
A smell of old incense permeated the fabrics of the covers and cushions of an immense divan such as might have been used by court-musicians. One fancied that dust rose from it, gently enveloping us in a dry benevolent mist in which hung minute particles of the leaves and petals of garlands of flowers: jasmine, roses, frangipani and marigold, and all the names of Allah. One observer: a mouse. Are you afraid? I asked. No,
Paul Scott (A Division of the Spoils (The Raj Quartet, #4))
I envelop her. Even when Daria is growling like an injured animal in my ear. Even when the sea glass necklace, her see glass necklace, burns a hole in my back pocket, right next to her pompom string, demanding to go back to its rightful owner. Even when a scream rips from her throat, and I need to cover it with my palm. I hold her.
L.J. Shen (Pretty Reckless (All Saints High, #1))
The Occult Science of the Ancient Magi was concealed under the shadows of the Ancient Mysteries it was imperfectly revealed or rather disfigured by the Gnostics: it is guessed at under the obscurities that cover the pretended crimes of the Templars; and it is found enveloped in enigmas that seem impenetrable, in the Rights of the Highest Masonry.
Albert Pike (Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry)
4 cups (940 ml) homemade Chicken Stock (see page 198) or ready-to-eat chicken broth with 1 envelope (1 tablespoon, or 7 g) plain gelatin added ½ cup (80 g) yellow onion, chopped ½ cup (65 g) carrot, chopped 1 tablespoon (4 g) minced fresh parsley ½ teaspoon minced fresh thyme 1 bay leaf ½ teaspoon black pepper 4 ounces (115 g) uncooked GF macaroni or small pasta shells 2 cups (about ¾ pound, or 340 g) cubed cooked turkey 1 cup (180 g) chopped tomatoes In a large sauce pot over medium heat, combine broth, onion, carrot, parsley, thyme, bay leaf, and pepper. Bring to a boil. Stir in macaroni, cover, and reduce heat. Simmer for about 6 minutes. Stir in turkey and tomatoes. Cook until heated through and macaroni is tender. Discard bay leaf before serving.
Pamela Compart (The Kid-Friendly ADHD & Autism Cookbook, Updated and Revised)