“
Love with your mouth shut, help without breaking your ass or publicizing it: keep cool, but care.
”
”
Thomas Pynchon (V.)
“
We have a large public that is very ignorant about public affairs and very susceptible to simplistic slogans by candidates who appear out of nowhere, have no track record, but mouth appealing slogans
”
”
Zbigniew Brzeziński
“
I had to lull Mom and Hank into believing I was in the right frame of mind to be taken into public. If I exited my bedroom foaming at the mouth and dressed in black LOVE SUCKS tee, my plan would never get off the ground.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
My mouth is often wounded by my sharp words, so sometimes when I’m out in public, I’ll wear a large Band Aid over my lips.
”
”
Jarod Kintz (This Book Has No Title)
“
Annabeth recognized something else in her face, too - in the hard set of her mouth and the deliberate way she raised her chin like she was ready to accept any challenge. Reyna was forcing a look of courage, while holding back a mixture of hopefulness and worry and fear that she couldn't show in public.
Annabeth knew that expression. She saw it every time she looked in a mirror.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
We live in a world in which people are censured, demoted, imprisoned, beheaded, simply because they have opened their mouths, flapped their lips, and vibrated some air. Yes, those vibrations can make us feel sad or stupid or alienated. Tough shit. That's the price of admission to the marketplace of ideas. Hateful, blasphemous, prejudiced, vulgar, rude, or ignorant remarks are the music of a free society, and the relentless patter of idiots is how we know we're in one. When all the words in our public conversation are fair, good, and true, it's time to make a run for the fence.
”
”
Daniel Todd Gilbert
“
Arrogant men with knowledge make more noise from their mouth than making a sense from their mind.
”
”
Amit Kalantri (Wealth of Words)
“
Paul loves me with unconditional warmth, his affection public and obvious, his arms pulling me into him, his mouth littering my body with frequent kisses.
”
”
Alessandra Torre (Sex Love Repeat)
“
Every woman has known the torment of getting up to speak. Her heart racing, at times entirely lost for words, ground and language slipping away - that's how daring a feat, how great a transgression it is for a woman to speak - even just open her mouth - in public. A double distress, for even if she transgresses, her words fall almost always upon the deaf male ear, which hears in language only that which speaks in the masculine.
”
”
Hélène Cixous (The Laugh of the Medusa)
“
So?" she said, giving me a slow, wicked smile when we accelerated forward. " You told Will you found a woman who likes to have sex in public?"
"Not in my cab!" the cabbie yelled so loud we both jumped and then broke into laughter. He pumped the brakes, jolting us. "Not in my cab!"
"Don't worry, mate," I told him. I turned to her and murmured, "She doesn't let me fuck her in cars. Or on Tuesdays."
"She doesn't," she whispered, though she did let me kiss her again.
"Shame," I said into her mouth. "I'm good in cars. And especially good on Tuesdays.
”
”
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
“
brushes his mouth against the corner of mine, and Jesus, Mary, and Joseph, it takes every ounce of the not-inconsiderable restraint I’ve spent years exercising around Percy not to rip all my clothes off right then, passersby be damned. But I am nothing if not a gentleman, and a gentleman does not take his trousers off in a public place, particularly if the great love of his life is asking him to refrain.
”
”
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
“
The most detestable wickedness, the most horrid cruelties, and the greatest miseries, that have afflicted the human race have had their origin in this thing called revelation, or revealed religion. It has been the most dishonourable belief against the character of the divinity, the most destructive to morality, and the peace and happiness of man, that ever was propagated since man began to exist. It is better, far better, that we admitted, if it were possible, a thousand devils to roam at large, and to preach publicly the doctrine of devils, if there were any such, than that we permitted one such impostor and monster as Moses, Joshua, Samuel, and the Bible prophets, to come with the pretended word of God in his mouth, and have credit among us.
Whence arose all the horrid assassinations of whole nations of men, women, and infants, with which the Bible is filled; and the bloody persecutions, and tortures unto death and religious wars, that since that time have laid Europe in blood and ashes; whence arose they, but from this impious thing called revealed religion, and this monstrous belief that God has spoken to man? The lies of the Bible have been the cause of the one, and the lies of the Testament of the other.
”
”
Thomas Paine (The Age of Reason)
“
Wouldn’t he know without being asked?” said Polly. “I’ve no doubt he would,” said the Horse (still with his mouth full). “But I’ve a sort of idea he likes to be asked.
”
”
C.S. Lewis (The Magician's Nephew (Chronicles of Narnia, #1) (Publication Order, #6))
“
Ants shape each other’s behavior by exchanging chemicals. We do it by standing in front of each other, peering into each other’s eyes, waving our hands and emitting strange sounds from our mouths. Human-to-human
”
”
Chris J. Anderson (TED Talks: The Official TED Guide to Public Speaking)
“
the only way clear of the cool/crazy flipflop was obviously slow, frustrating and hard work. Love with your mouth shut, help without breaking your ass or publicizing it: keep cool, but care. He might have known, if he'd used any common sense. It didn't come as a revelation, only something he'd as soon not've admitted.
”
”
Thomas Pynchon (V.)
“
The flowers that I left in the ground,
that I did not gather for you,
today I bring them all back,
to let them grow forever,
not in poems or marble,
but where they fell and rotted.
And the ships in their great stalls,
huge and transitory as heroes,
ships I could not captain,
today I bring them back
to let them sail forever,
not in model or ballad,
but where they were wrecked and scuttled.
And the child on whose shoulders I stand,
whose longing I purged
with public, kingly discipline,
today I bring him back
to languish forever,
not in confession or biography,
but where he flourished,
growing sly and hairy.
It is not malice that draws me away,
draws me to renunciation, betrayal:
it is weariness, I go for weariness of thee,
Gold, ivory, flesh, love, God, blood, moon-
I have become the expert of the catalogue.
My body once so familiar with glory,
My body has become a museum:
this part remembered because of someone's mouth,
this because of a hand,
this of wetness, this of heat.
Who owns anything he has not made?
With your beauty I am as uninvolved
as with horses' manes and waterfalls.
This is my last catalogue.
I breathe the breathless
I love you, I love you -
and let you move forever.
”
”
Leonard Cohen (Selected Poems, 1956-1968)
“
It was only when God paired him up with his extroverted brother Aaron that Moses agreed to take on the assignment. Moses would be the speechwriter, the behind-the-scenes guy, the Cyrano de Bergerac; Aaron would be the public face of the operation. “It will be as if he were your mouth,” said God, “and as if you were God to him.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Sheriff Petersen just went right on getting re-elected, a living testimonial to the fact that you can hold an important public office forever in our country with no qualifications for it but a clean nose, a photogenic face and a close mouth. If on top of that you look good on a horse, you are unbeatable.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
Build your house on granite. By granite I mean your nature that you are torturing to death, the love in your child's body, your wife's dream of love, your own dream of life when you were sixteen. Exchange your illusions for a bit of truth. Throw out your politicians and diplomats! Take your destiny into your own hands and build your life on rock. Forget about your neighbor and look inside yourself! Your neighbor, too, will be grateful. Tell you're fellow workers all over the world that you're no longer willing to work for death but only for life. Instead of flocking to executions and shouting hurrah, hurrah, make a law for the protection of human life and its blessings. Such a law will be part of the granite foundation your house rests on. Protect your small children's love against the assaults of lascivious, frustrated men and women. Stop the mouth of the malignant old maid; expose her publicly or send her to a reform school instead of young people who are longing for love. Don;t try to outdo your exploiter in exploitation if you have a chance to become a boss. Throw away your swallowtails and top hat, and stop applying for a license to embrace your woman. Join forces with your kind in all countries; they are like you, for better or worse. Let your child grow up as nature (or 'God') intended. Don't try to improve on nature. Learn to understand it and protect it. Go to the library instead of the prize fight, go to foreign countries rather than to Coney Island. And first and foremost, think straight, trust the quiet inner voice inside you that tells you what to do. You hold your life in your hands, don't entrust it to anyone else, least of all to your chosen leaders. BE YOURSELF! Any number of great men have told you that.
”
”
Wilhelm Reich (Listen, Little Man!)
“
In contrast to the notion that any publicity is good publicity, negative reviews hurt sales for some books. But for books by new or relatively unknown authors, negative reviews increased sales by 45%.... Even a bad review or negative word of mouth can increase sales if it informs or reminds people that the product or idea exists.
”
”
Jonah Berger (Contagious: Why Things Catch On)
“
You’re implying that I’m not presentable in public unless I have a full face of makeup on.”
“No. I absolutely did not imply that.”
“I suppose I should take three hours to curl my hair, too, right?” I make my voice tremble. I am the victim of horrendous misdeeds. “Because I’m not pretty enough the way I am? I suppose you’re embarrassed to bring me around your family unless I conform to society’s impossible beauty standards for females?”
His eyes narrow. “You’re right. Your hair’s an embarrassment in its natural state and your face is so anti–female beauty that if you go out like that, I’d insist on you walking backward and ten feet away from me. I want you to go upstairs right now and paint yourself unrecognizable.” He arches his eyebrows. “Did I do that right? Are those the words you’d like to put in my mouth?”
My chin drops. He lowers his gaze to a newspaper and flicks the page. He did it for dramatic effect. I know he didn’t get a chance to finish reading the article he was on.
“Actually, I’d like to put an apple in your mouth and roast you on a spit,” I say.
“Go ahead and wear pajamas to dinner, Naomi. You think that would bother me? You can go out dressed as Santa Claus and I wouldn’t care.”
Now I genuinely am insulted. “Why wouldn’t you care?”
He raises his eyes to mine. “Because I think you’re beautiful no matter what.”
Ugh. That’s really low, even for him.
”
”
Sarah Hogle (You Deserve Each Other)
“
Was it wisdom? Was it knowledge? Was it, once more, the deceptiveness of beauty, so that all one’s perceptions, half-way to truth, were tangled in a golden mesh? Or did she lock up within her some secret which certainly Lily Briscoe believed people must have for the world to go on at all? Every one could not be as helter skelter, hand to mouth as she was. But if they knew, could they tell one what they knew? Sitting on the floor with her arms round Mrs. Ramsay’s knees, close as she could get, smiling to think that Mrs. Ramsay would never know the reason of that pressure, she imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything, but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored? Could the body achieve, or the mind, subtly mingling in the intricate passages of the brain? or the heart? Could loving, as people called it, make her and Mrs. Ramsay one? for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs. Ramsay’s knee.
”
”
Virginia Woolf (To the Lighthouse)
“
Sorry, Daddy.” He snickers mid-bite, a few crumbs flying out of his mouth. He picks up his napkin. “You’re not allowed to call me that in public.” Mischief dances in his green eyes. “Save it for later.
”
”
Elle Kennedy (The Risk (Briar U, #2))
“
A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
”
”
Maya Angelou
“
he commences to laugh. Nobody can tell exactly why he laughs; there’s nothing funny going on. But it’s not the way that Public Relation laughs, it’s free and loud and it comes out of his wide grinning mouth and spreads in rings bigger and bigger till it’s lapping against the walls all over the ward. Not like that fat Public Relation laugh. This sounds real. I realize all of a sudden it’s the first laugh I’ve heard in years. He stands looking at us, rocking back in his boots, and he laughs and laughs. He laces his fingers
”
”
Ken Kesey (One Flew Over the Cuckoo's Nest)
“
Every woman has known the torment of getting up to speak. Her heart racing, at times entirely lost for words, ground and language slipping away – that’s how daring a feat, how great a transgression it is for a woman to speak – even just open her mouth – in public.
”
”
Hélène Cixous (The Laugh of the Medusa)
“
Maddy shook her head, as if the movement could somehow shake the reality away. She simply couldn’t believe it. That by saving her he had
actually, knowingly put himself in line for a consequence this severe. So much was kept hidden about the Angels, about how they handled their
internal affairs—brutally, it turned out. All the while they put on a smooth, clean exterior for the public and the media.
“What can I do?” she said finally.
Jacks looked at her through the deluge.
“Come with me.”
There he stood in the pouring rain, the image of shirtless soaked perfection. He stood before her offering her a choice just like he had the
night they went flying. She was at another crossroads. She knew she could just leave. Knew she probably should. But they were going to take his
wings, and it was all her fault. Her fault for going to the party, her fault for trying to follow through with her plan, her fault for leaving and insisting on
walking home. Could she really leave him now? Before she had even decided, her mouth opened.
“Yes,” she said. Just like when he had invited her to the party. It simply came out, as though her true desires could no longer be repressed.
Jacks smiled a dripping, radiant smile. A flash of lightning lit the roof, followed closely by a bark of thunder.
”
”
Scott Speer (Immortal City (Immortal City, #1))
“
he commences to laugh. Nobody can tell exactly why he laughs; there’s nothing funny going on. But it’s not the way that Public Relation laughs, it’s free and loud and it comes out of his wide grinning mouth and spreads in rings bigger and bigger till it’s lapping against the walls all over the ward. Not like that fat Public Relation laugh. This sounds real. I realize all of a sudden it’s the first laugh I’ve heard in years.
”
”
Ken Kesey (One Flew Over the Cuckoo's Nest)
“
When sins become civil rights, there is a temptation for Christians to keep our mouths shut and turn what is supposed to be a public faith into a private faith, but we are commanded to not be ashamed of the gospel.
”
”
Mark Driscoll (A Call to Resurgence: Will Christianity Have a Funeral or a Future?)
“
She tries to maintain a nondescript exterior; she learns the sideways glance instead of looking at people directly. She speaks in practised, precise sentences so that she is not misunderstood. She chooses her words carefully, and if someone addresses her in Punjabi, she answers in Urdu, because an exchange in her mother tongue might be considered a promise of intimacy. She uses English for medical terms only, because she feels if she uses a word of English in her conversation she might be considered a bit forward. When she walks she walks with slightly hurried steps, as if she has an important but innocent appointment to keep. She avoids eye contact, she looks slightly over people’s heads as if looking out for somebody who might come into view at any moment. She doesn’t want anyone to think that she is alone and nobody is coming for her. She sidesteps even when she sees a boy half her age walking towards her, she walks around little puddles when she can easily leap over them; she thinks any act that involves stretching her legs might send the wrong signal. After all, this is not the kind of thing where you can leave your actions to subjective interpretations. She never eats in public. Putting something in your mouth is surely an invitation for someone to shove something horrible down your throat. If you show your hunger, you are obviously asking for something.
”
”
Mohammed Hanif (Our Lady of Alice Bhatti)
“
Here one comes upon an all-important English trait: the respect for constituitionalism and legality, the belief in 'the law' as something above the state and above the individual, something which is cruel and stupid, of course, but at any rate incorruptible.
It is not that anyone imagines the law to be just. Everyone knows that there is one law for the rich and another for the poor. But no one accepts the implications of this, everyone takes for granted that the law, such as it is, will be respected, and feels a sense of outrage when it is not. Remarks like 'They can't run me in; I haven't done anything wrong', or 'They can't do that; it's against the law', are part of the atmosphere of England. The professed enemies of society have this feeling as strongly as anyone else. One sees it in prison-books like Wilfred Macartney's Walls Have Mouths or Jim Phelan's Jail Journey, in the solemn idiocies that take places at the trials of conscientious objectors, in letters to the papers from eminent Marxist professors, pointing out that this or that is a 'miscarriage of British justice'. Everyone believes in his heart that the law can be, ought to be, and, on the whole, will be impartially administered. The totalitarian idea that there is no such thing as law, there is only power, has never taken root. Even the intelligentsia have only accepted it in theory.
An illusion can become a half-truth, a mask can alter the expression of a face. The familiar arguments to the effect that democracy is 'just the same as' or 'just as bad as' totalitarianism never take account of this fact. All such arguments boil down to saying that half a loaf is the same as no bread. In England such concepts as justice, liberty and objective truth are still believed in. They may be illusions, but they are powerful illusions. The belief in them influences conduct,national life is different because of them. In proof of which, look about you. Where are the rubber truncheons, where is the caster oil?
The sword is still in the scabbard, and while it stays corruption cannot go beyond a certain point. The English electoral system, for instance, is an all but open fraud. In a dozen obvious ways it is gerrymandered in the interest of the moneyed class. But until some deep change has occurred in the public mind, it cannot become completely corrupt. You do not arrive at the polling booth to find men with revolvers telling you which way to vote, nor are the votes miscounted, nor is there any direct bribery. Even hypocrisy is powerful safeguard. The hanging judge, that evil old man in scarlet robe and horse-hair wig,whom nothing short of dynamite will ever teach what century he is living in, but who will at any rate interpret the law according to the books and will in no circumstances take a money bribe,is one of the symbolic figures of England. He is a symbol of the strange mixture of reality and illusion, democracy and privilege, humbug and decency, the subtle network of compromises, by which the nation keeps itself in its familiar shape.
”
”
George Orwell (Why I Write)
“
So, where are you from?" Agent Carson asked Reyes. "Originally?"
I whirled around to face him again, this time pinning him with a warning glare. Carson was an FBI agent, but I was all about stealth. Surely she wouldn't pick up on my silent threat.
He studied my mouth, not the least bit worried about my warning glare, then said at last, "Here and there."
I relaxed against the seatback. He didn't say hell. Thank God he didn't say hell. It was always hard to explain to friends how, exactly, one's fiance was born and raised in the eternal flames of damnation. How his father was, in fact, public enemy number one. And how he escaped from hell and was born on earth as a human to be with his true love. As romantic as it all sounded, it was difficult to articulate without garnering a visit from men with butterfly nets.
”
”
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
“
He just took her mouth again, spun her again--twice and toward the bed. She considered putting up a fight, for form's sake, but just wriggled back enough to scowl at him. "I'm working."
"Not yet, and you're mostly naked. Such a fine look on you, one of my favorites."
"Then why is that closet full of clothes?"
"Because being an understanding sort, I appreciate your insistence on being fully dressed in public.
”
”
J.D. Robb (Thankless in Death (In Death, #37))
“
It is not that the Englishman can't feel-it is that he is afraid to feel. He has been taught at his public school that feeling is bad form. He must not express great joy or sorrow, or even open his mouth too wide when he talks-his pipe might fall out if he did.
”
”
E.M. Forster
“
I had a moment to visualize Larry out in the dark all alone, unarmed except for his cross. The thought made my skin cold. I opened my mouth to yell at him and closed it. Never dress anyone down in public unless it's an object lesson. I said, "Any tracks?" I gave myself a dozen brownie points for yelling.
"Do I look like Tonto? Beside the ground is just grass and it's been so dry lately. I don't think there'd be any tracks.
”
”
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
“
I’m sure Aslan would have, if you’d asked him,” said Fledge. “Wouldn’t he know without being asked?” said Polly. “I’ve no doubt he would,” said the Horse (still with his mouth full). “But I’ve a sort of idea he likes to be asked.
”
”
C.S. Lewis (The Magician's Nephew (Chronicles of Narnia, #1) (Publication Order, #6))
“
I figured out once that if you decide to have fun when you give a public talk, then you relax. It is psychologically impossible to have fear and fun at the same time. When I am relaxed, ideas flow freely into my mind during my talk, then leave through my mouth with the smoothness of eloquence. Moreover, the audience doesn’t get bored when it is fun.
”
”
Ajahn Brahm (Who Ordered This Truckload of Dung?: Inspiring Stories for Welcoming Life's Difficulties)
“
If I could ban some of you from ever opening your mouth in public, I would, but this is out of my hands. Attempt to behave yourselves without sacrificing your confident image. Think you can do that?" "You're no fun, Coach," Nicky said. "I will be a lot less fun if you make us look like fools," Wymack said. "But I'm not as worried about you as I am about our resident punching bag and his smart mouth. Anyone have ideas on how to make Neil look a bit less like a battered wife?
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
It is well established among us that you may hold up your head in polite society with a public lie in your mouth or other people’s money in your pocket or innocent blood on your hands, but not with dishwater on your hands or mud on your shoes.
”
”
Wendell Berry (The Hidden Wound)
“
Kostchei looked at her,his eyes liquid ice, and Irene found herself stuttering to a halt and closing her mouth. He had more presence in that glare than some Fae lords she'd faced down. It wasn't psychic powers, as some people would have described them. It was simply alpha teacher, channelled with a side order of extra ice and public humiliation, and it worked far too well.
”
”
Genevieve Cogman (The Burning Page (The Invisible Library, #3))
“
Hey,Nik."
I turned around to see Cole, dressed head to toe in black. Black suit, black shirt,black tie hanging loose around his neck.
He looked me up and down. His gaze paused briefly on my legs, and his mouth opened slightly. I folded my arms.
"Um...you...look beautiful," he said.
"You look black," I replied.
"Thank you.That's the look I was going for." He held a hand out. "C'mon. Let's dance."
I didn't move. "What were you going to show me?"
"Dance with me first."
I shook my head.
"Look,Nik, I know you don't like public scrutiny lately. If you stand off to the side,all mopey and such, without a date,you'll stick out like a nun at a strip club." He leaned in. "Trust me, I've seen one. A nun at a strip club, that is.Everyone was staring at her.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
It had come from the mouth of a boy who never in his entire life had said three words in public without stumbling in the most horrible ways imaginable. With Mother home I liked the idea that we’d been saved as a family by the miracle of that ordinary grace.
”
”
William Kent Krueger (Ordinary Grace)
“
Blue is the color of the mind in borrow of the body; it is the color consciousness becomes when caressed; it is the dark inside of sentences, sentences which follow their own turnings inward out of sight like the whorls of a shell, and which we follow warily, as Alice after that rabbit, nervous and white, till suddenly — there! climbing down clauses and passing through ‘and’ as it opens — there — there — we’re here!... in time for tea and tantrums; such are the sentences we should like to love — the ones which love us and themselves as well — incestuous sentences — sentences which make an imaginary speaker speak the imagination loudly to the reading eye; that have a kind of orality transmogrified: not the tongue touching the genital tip, but the idea of the tongue, the thought of the tongue, word-wet to part-wet, public mouth to private, seed to speech, and speech... ah! after exclamations, groans, with order gone, disorder on the way, we subside through sentences like these, the risk of senselessness like this, to float like leaves on the restful surface of that world of words to come, and there, in peace, patiently to dream of the sensuous, and mindful Sublime.
”
”
William H. Gass (On Being Blue)
“
Delaney had the personal hygiene standards of a mentally-challenged baboon. Every time Mulholland looked at him he had a finger somewhere new – in his ear, eye, nostril, mouth. It was like he’d just been issued with a human head for the first time and he was trying to figure out how it worked.
”
”
Caimh McDonnell (Angels in the Moonlight (Dublin Trilogy publication order, #3; Dublin Trilogy chronological order, #1))
“
How’s my face?”
George picked up the mirror. “Ready?”
“Hit me.”
She raised the mirror. A big bruise blossomed in all of its blue glory on the left corner of my jaw. My mouth was puffy and swollen, and a long cut snaked its way from my hairline down to my right ear. The swelling and the bruise came courtesy of being hit with a shapeshifter’s tail. The cut, I had no idea.
“I’m a sexy fiend, aren’t I?”
She winced. “It’s not that bad.”
“It’s good that Curran is gone. He might not be able to contain himself. If he decides to ravish me in public when he comes back, I expect all of you to look the other way.
”
”
Ilona Andrews (Magic Rises (Kate Daniels, #6))
“
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
”
”
Joyce Cary (The Horse's Mouth)
“
I have to keep my mouth shut about Nam though. All of these guys want to believe they were fighting an honorable war, and that their conduct deserves respect. They want the public to treat them like they’re heroes—like the WWII vets were.” “Instead, smart ass, pampered kids call them names and throw dog shit at them.
”
”
Bud Rudesill (Hurricane Ginger)
“
a frantic stream of words flows from us because we are in a constant process of adjusting our public image. we fear so deeply what we think, other people see in us that we talk in order to straighten out their understanding..... one of the fruits of silence (or keeping your mouth shut) is the freedom to let God be our justifier. we don't need to straighten out others. when we can allow God to justify and set things right, that brings us to believe that God can care for us-reputation and all
”
”
Hayley DiMarco (Mean Girls All Grown Up: Surviving Catty and Conniving Women)
“
You cannot say— A body translates its you— you there, hey you even as it loses the location of its mouth. When you lay your body in the body entered as if skin and bone were public places, when you lay your body in the body entered as if you’re the ground you walk on, you know no memory should live in these memories becoming the body of you.
”
”
Claudia Rankine (Citizen: An American Lyric)
“
A Man and a Lion were discussing the relative strength of men and lions in general. The Man contended that he and his fellows were stronger than lions by reason of their greater intelligence. "Come now with me," he cried, "and I will soon prove that I am right." So he took him into the public gardens and showed him a statue of Hercules overcoming the Lion and tearing his mouth in two. "That is all very well," said the Lion, "but proves nothing, for it was a man who made the statue." We can easily represent things as we wish them to be.
”
”
Aesop (Aesop's Fables)
“
Aristotle tells us that the high-pitched voice of the female is one evidence of her evil disposition, for creatures who are brave or just (like lions, bulls, roosters and the human male) have large deep voices…. High vocal pitch goes together with talkativeness to characterize a person who is deviant from or deficient in the masculine ideal of self-control. Women, catamites, eunuchs and androgynes fall into this category. Their sounds are bad to hear and make men uncomfortable…. Putting a door on the female mouth has been an important project of patriarchal culture from antiquity to the present day. Its chief tactic is an ideological association of female sound with monstrosity, disorder and death…. Woman is that creature who puts the inside on the outside. By projections and leakages of all kinds—somatic, vocal, emotional, sexual—females expose or expend what should be kept in…. [As Plutarch comments,] “…she should as modestly guard against exposing her voice to outsiders as she would guard against stripping off her clothes. For in her voice as she is blabbering away can be read her emotions, her character and her physical condition.”… Every sound we make is a bit of autobiography. It has a totally private interior yet its trajectory is public. A piece of inside projected to the outside. The censorship of such projections is a task of patriarchal culture that (as we have seen) divides humanity into two species: those who can censor themselves and those who cannot…. It is an axiom of ancient Greek and Roman medical theory and anatomical discussion that a woman has two mouths. The orifice through which vocal activity takes place and the orifice through which sexual activity takes place are both denoted by the wordstoma in Greek (os in Latin) with the addition of adverbs ano and kato to differentiate upper mouth from lower mouth. Both the vocal and the genital mouth are connected to the body by the neck (auchen in Greek, cervix in Latin). Both mouths provide access to a hollow cavity which is guarded by lips that are best kept closed.
”
”
Anne Carson (Glass, Irony and God)
“
You will never have to worry about safety. Being a Dardano will buy you all the security you’ll ever need.”
Bree shook her head and threw her hands up. “Being a Dardano will put the bulls eye on my back, you asshole,”
“Really, darling, once you become Mrs. Dardano, we’re going to have to work on cleaning up that saucy mouth of yours. At least in public,” Alessandro purred, tapping her nose.
Bree saw red. But she smiled at him. She took the plate from him and set it down on the vanity table. Then she took the vitamin shake, pulled out the waistband of his pants and poured it down inside.
”
”
E. Jamie (The Vendetta (Blood Vows, #1))
“
in private, a person says all sorts of things, slurs friends, uses coarse language, acts silly, tells dirty jokes, repeats himself, makes a companion laugh by shocking him with outrageous talk, floats heretical ideas he'd never admit in public, and so forth. Of course, we all act like Prochazka, in private we bad-mouth our friends and use coarse language; that we act different in private than in public is everyone's most conspicuous experience, it is the very ground of the life of the individual; curiously, this obvious fact remains unconscious, unacknowledged, forever obscured by lyrical dreams of the transparent glass house, it is rarely understood to be the value one must defend beyond all others. Thus only gradually did people realize (though their rage was all the greater) that the real scandal was not Prochazka's daring talk but the rape of his life; they realized (as if by electric shock) that private and public are two essentially different worlds and that respect for that difference is the indispensable condition, the sine qua non, for a man to live free; that the curtain separating these two worlds is not to be tampered with, and that curtain-rippers are criminals.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
The New York power failure was not the first time the Hell's Angels have confounded the forces of decency and got off scot-free. They are incredibly devious. Law enforcement officials have compared their guile to that of the snipe, a wily beast that many have seen but few have ever trapped. This is because the snipe has the ability to transform himself, when facing capture, into something entirely different. The only other animals capable of this are the werewolf and the Hell's Angel, which have many traits in common. The physical resemblance is obvious, but far more important is the transmogrification factor, the strange ability to alter their own physical structure, and hence "disappear." The Hell's Angels are very close-mouthed about this, but it is a well-known fact among public officials. ... About halfway through our talk I got a strong whiff of the transmogrification factor, but I was hardly prepared for the mayor's special fillip on it. There were plenty of Hell's Angels at the riot, "but they escaped, " he explained, "behind a wall of fire." While he elaborated on this I checked my calendar to make sure I hadn't lost track of the days. If it was Sunday, perhaps he had just come back from church in a high, biblical state of mind. At any moment I expected to hear that the Angels had driven their motorcycles straight into the sea, which had rolled back to let them pass. But no, it wasn't like that. The mayor was not loath to give details of the escape; he wanted law enforcement agencies everywhere to be warned of the Angels' methods. Knowledge is power, he opined.
”
”
Hunter S. Thompson (Hell's Angels)
“
Even a little kid knows certain basic things if he’s not soft in the attic. You said please, you said thank you, you didn’t flap your weenie around in public or chew with your mouth open, and you didn’t talk to dead folks when they were standing next to living folks who were just starting to miss them. I only want to say, in my own defense, that when I saw her I didn’t know she was dead. Later on I got better at telling the difference, but back then I was just learning. It was her nightgown I could see through, not her. Dead people look just like living people, except they’re always wearing the clothes they died in.
”
”
Stephen King (Later)
“
lady in red but if you’ve been seen in public wit him danced one dance kissed him good-bye lightly lady in purple wit closed mouth lady in blue pressin charges will be as hard as keepin yr legs closed while five fools try to run a train on you lady in red these men friends of ours who smile nice stay employed and take us out to dinner lady in purple lock the door behind you lady in blue wit fist in face to fuck lady in red who make elaborate mediterranean dinners & let the art ensemble carry all ethical burdens while they invite a coupla friends over to have you are sufferin from latent rapist bravado & we are left wit the scars lady
”
”
Ntozake Shange (for colored girls who have considered suicide/when the rainbow is enuf)
“
But it would be a mistake to assume that the liberal class was simply seduced by the Utopian promises of globalism. It was also seduced by careerism. Those who mouthed the right words, who did not challenge the structures being cemented into place by the corporate state, who assured the working class that the suffering was temporary and would be rectified in the new world order, were rewarded. They were given public platforms on television and in the political arena. They were held up to the wider society as experts, sages, and specialists. They became the class of wise men and women who were permitted to explain in public forums what was happening to us at home and abroad. The New York Times columnist Thomas Friedman, a cheer leader for the Iraq war and globalization, became the poster child for the new class of corporate mandarins. And although Friedman was disastrously wrong about the outcome of the occupation, as he was about the effects of globalization, he continues, with a handful of other apologists, to dominate the airwaves.
”
”
Chris Hedges (The Death of the Liberal Class)
“
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
”
”
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
“
You do not want to marry me, my lord. I would be the worst wife imaginable. I'm forgetful and stubborn, and I can never sit still for more than five minutes. I'm always doing things I shouldn't. I eavesdrop on other people, I shout and run in public, and I'm a clumsy dancer. And I've lowered my character with a great deal of unwholesome reading material." Pausing to draw breath, she noticed that Lord St. Vincent didn't appear properly impressed by her list of faults. "Also, my legs are skinny. Like a stork's."
At the indecent mention of body parts, Lord Chaworth gasped audibly, while Lord Westcliff developed a sudden keen interest in the nearby cabbage roses.
Lord St. Vincent's mouth worked against a brief tremor, as if he were amused despite himself. "I appreciate your candor," he said after a moment.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
But try as Phoebe might to blend with her peers, it felt like bluffing, mouthing the words to a song she'd never been taught, always a beat late. At best, she fooled them. But the chance to distinguish herself, impress them in the smallest way, was lost. At her vast public high school Phoebe had felt reduced to a pidgin version of herself, as during "conversations" in French class - Where is the cat? Have you seen the cat? Look! Pierre gives the cat a bath - such was her level of fluency while discussing bongs or bands or how fucked-up someone was at a party.
”
”
Jennifer Egan (The Invisible Circus)
“
How’s the coffee?”
“She hasn’t had any yet,” Cletus answered for me, then added, “but she wants you to ask her on a date tonight, no place public. Somewhere private, for discussing things.”
Jethro’s eyes widened, and he glared at his brother’s reflection in the rearview mirror, snapping, “Cletus.”
“Don’t clutch your pearls at me, big brother. Look at her, for hootenanny’s sake. She’s got the hots for your ugly face, Lord help her. And I know you’ve been thinking about her, judging by how long you took in the bathroom this morning.”
I clamped a hand over my mouth just as shocked laughter burst from my lips.
“Dammit, Cletus,” Jethro growled, turning the ignition and shooting his brother an incendiary look. “You are the worst. Just, don’t speak. Ever. Don’t speak ever again.” Jethro’s gaze darted to me then away as he sighed, looking remorseful. “I’m so sorry.”
I placed my hand on Jethro’s thigh—FYI he had a really nice thigh—to ease his mind and because I wanted to touch him. “No, no. Please don’t apologize. He’s right and he’s wrong. I do have the hots for your face, but it isn’t at all ugly.”
At this Cletus snorted and grumbled, “Well, it ain’t pretty.”
Jethro pressed his lips together and I could see the hint of a smile there amidst his frustration. “Glad you have the hots for my face.”
“Just ask her out already,” Cletus demanded. “She ain’t doing anything tonight. You two will go out tonight.
”
”
Penny Reid (Grin and Beard It (Winston Brothers, #2))
“
Time, like a skilful tailor, had seamlessly stitched together the two fabrics that sheathed Peri’s life: what people thought of her and what she thought of herself. The impression she left on others and her self-perception had been sewn into a whole so consummate that she could no longer tell how much of each day was defined by what was wished upon her and how much of it was what she really wanted. She often felt the urge to grab a bucketful of soapy water and scrub the streets, the public squares, the government, the parliament, the bureaucracy, and, while she was at it, wash out a few mouths too. There was so much filth to clean up; so many broken pieces to fix; so many errors to correct. Every morning when she left her house she let out a quiet sigh, as if in one breath she could will away the detritus of the previous day. While Peri questioned the world without fail, and was not one to keep silent in the face of injustice, she had resolved some years ago to be content with what she had. It would therefore come as a surprise when, on a middling kind of day, at the age of thirty-five, established and respected, she found herself staring at the void in her soul.
”
”
Elif Shafak (Havva'nın Üç Kızı)
“
So these days, I’m on the lookout for grace, and I’m especially on the lookout for ways that I withhold grace from myself and from other people. At first, showing people grace makes you feel powerful, like scattering candy from a float in a parade—grace for you, grace for you. You become almost giddy, thinking of people in generous ways, allowing for their faults, absorbing minor irritations. You feel great, and then you start to feel just ever so slightly superior, because you’re so incredibly evolved and gracious. But then inevitably something happens, and it usually involves you confronting one of your worst selves, often in public, and you realize that you’re not throwing candy off a float to a nameless, dirty public, but rather that you are that nameless, dirty public, and that you are starving and on your knees, praying for a little piece of sweetness, just one mouthful of grace.
”
”
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
“
[The preacher] should open his mouth vigorously and confidently, to preach the truth that has been entrusted to him. He should not be silent or mumble but should testify without being frightened or bashful. He should speak out candidly without regarding or sparing anyone, let it strike whomever or whatever it will. It is a great hindrance to a preacher if he looks around and worries about what people like or do not like to hear, or what might make him unpopular or bring harm or danger upon him. As he stands high on a mountain in public place and looks around freely, so he should also speak freely and fear no one.[227]
”
”
Costi W. Hinn (Defining Deception: Freeing the Church from the Mystical-Miracle Movement)
“
Scott stared at her mouth, just stared like he was hypnotized, paralyzed, like that crimson O was the answer to all of life’s problems, or maybe just his prayers. I kicked his shin to break the spell, which worked; he blinked, then ate the bite himself as if he’d never even offered it to anyone at all. I looked frankly at Carmel; her expression was innocently amused.
There are women whose whole selves are engaged in being a public commodity, and Carmel was one of these. Every gesture she made, every syllable she uttered, the tinkle of her laughter, the way her dress’s fabric draped over her breasts, all of it was self-conscious and deliberate, designed to elicit admiration in women, desire in men. This isn’t to say I held any of that against her. Not a bit. I liked her, in fact. The way I saw it, she was a kind of living work of art, and funny and thoughtful besides. Was it her fault if she, as had happened to me, sometimes provoked the basest feelings in a man?
Scott and Fred made short work of that second bottle of brandy while Carmel’s and my glasses still held our initial pour. I’d found that drinking very much of any kind of alcohol still did bad things to my stomach. Carmel might have found that it did bad things to her self-preservation; I know that if I looked like her, I’d never let down my guard.
”
”
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
“
Political indoctrination was geared towards producing activists. The propaganda image of the ideal child was a precocious political orator mouthing agitprop. Communism could not be taught from books, educational thinkers maintained. It had to be instilled through the whole life of the school, which was in turn to be connected to the broader world of politics through extra-curricular activities, such as celebrating Soviet holidays, joining public marches, reading newspapers and organizing school debates and trials. The idea was to initiate the children into the practices, cults and rituals of the Soviet system so that they would grow up to become loyal and active Communists.
”
”
Orlando Figes (The Whisperers: Private Life in Stalin's Russia)
“
Public convenience or dignity means nothing; police prerogatives assume the status of divine law. Submissiveness is demanded. If a police officer kills a civilian, it is a regrettable circumstance: the officer was possibly over-zealous. If a civilian kills a police officer all hell breaks loose. The police foam at the mouth. All other business comes to a standstill until the perpetrator of this most dastardly act is found out. Inevitably, when apprehended, he is beaten or otherwise tortured for his intolerable presumption … The police complain that they cannot function efficiently, that criminals escape them. Better a hundred unchecked criminals than the despotism of one unbridled police force.
”
”
Jack Vance (Demon Princes (Demon Princes #1-5))
“
I don't give my secrets away for free." He slid one hand around her waist, pulling her close.
Zara melted against him, hands sliding up and over his shoulders. "Will you tell me for a kiss?"
"Possibly." He drew his finger down, following the edge of her top where it dipped low between her breasts. Her skin was soft, her perfume so lush and sensual it clouded his senses.
She leaned up, feathered kisses along his jaw. "Can it be now?"
He meant to give her a soft kiss, a gentle kiss, testing the waters to see if she truly wanted to come on this ride with him. But the moment their lips met, something snapped inside him. Four days of longing and fantasies. A lifetime of loneliness. A need so fierce, he twisted his hand in her hair and claimed her mouth in a fury of passion and desire.
Zara groaned and melted against him. He could feel the rapid beat of her heart, taste the sweetness of chocolate in her mouth. Never comfortable with public displays of affection, he didn't care if the entire world saw them so long as she kept kissing him and never stopped.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
Thinking back, ladies, looking back, gentlemen, thinking and looking back on my European tour, I feel a heavy sadness descend upon me. Of course, it is partly nostalgia, looking back at that younger me, bustling around Europe, having adventures and overcoming obstacles that, at the time, seemed so overwhelming, but now seem like just the building blocks of a harmless story. But here is the truth of nostalgia: we don’t feel it for who we were, but who we weren’t. We feel it for all the possibilities that were open to us, but that we didn’t take. Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the table top and solidifies into the shape it will always be. It becomes the past, a solid single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held.
It is impossible - no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind - it is impossible not to feel a little sad, looking at that bit of wax. That bit of the past. It is impossible not to think of all the wild forms that wax now will never take. The village, glimpsed from a train window, beautiful and impossible and impossibly beautiful on a mountaintop, and you wonder what it would be if you stepped off the train and walked up the trail to its quiet streets and lived there for the rest of your life. The beautiful face of that young man from Luftknarp, with his gaping mouth and ashy skin, last seen already half-turned away as you boarded the bus, already turning towards a future without you in it, where this thing between you that seemed so possible now already and forever never was. All variety of lost opportunity spied from the windows of public transportation, really. It can be overwhelming, this splattered, inert wax recording every turn not taken.
‘What’s the point?’ you ask. ’Why bother?’ you say. ’Oh, Cecil,’ you cry. ’Oh, Cecil.’ But then you remember - I remember! - that we are even now in another bit of molten wax. We are in a moment that is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the Now. Where we never can know what shape the next moment will take. Stay tuned next for, well, let’s just find out together, shall we?
”
”
Cecil Baldwin
“
Over the past decade, the anti-smoking movement has railed against the tobacco companies for making smoking cool and has spent untold millions of dollars of public money trying to convince teenagers that smoking isn't cool. But that's not the point. Smoking was never cool. Smokers are cool. Smoking epidemics begin in precisely the same way that the suicide epidemic in Micronesia began or word-of-mouth epidemics begin or the AIDS epidemic began, because of the extraordinary influence of Pam P. and Billy G. and Maggie and their equivalents-the smoking versions of R. and Tom Gau and Gaetan Dugas. In this epidemic, as in all others, a very small group-a select few-are responsible for driving the epidemic forward.
”
”
Malcolm Gladwell (The Tipping Point: How Little Things Can Make a Big Difference)
“
We should soundly reject language coming out of the mouths of any of our leaders that feeds a climate of fear and hatred or normalizes racist sentiments; leaders who demonize those who don't look like us, or suggest that other people, including immigrants, threaten our way of life, or refer to other people as subhuman or imply that America belongs to just one certain type of people. Such language isn't new — it's been at the root of most human tragedy throughout history, here in America and around the world. It has no place in our politics and our public life, and it's time for the overwhelming majority of Americans of goodwill, of every race and faith and political party, to say as much — clearly and unequivocally.
”
”
Barack Obama
“
Among us, for instance, in Western Europe, freedom is officially approved. But such freedom makes me think of the poor female cousin in certain middle-class families. She has become a widow; she has lost her natural protector. So she has been taken in, given a room on the top floor, and is welcome in the kitchen. She is occasionally paraded publicly on Sunday, to prove that one is virtuous and not a dirty dog. But for everything else, and especially on state occasions, she is requested to keep her mouth shut. And even if some policeman idly takes liberties with her in dark corners, one doesn't make a fuss about it, for she has seen such things before, especially with the master of the house, and, after all, it's not worth getting in bad with the legal authorities.
”
”
Albert Camus (Create Dangerously)
“
So he'd waited. Counted the minutes.
It had been worth it.
Seeing her claw her way onto the landing, panting, hair curling with the sweat sliding down her face- completely worth his generally shit day.
Nesta was still sprawled on the hall floor when she hissed, 'Whoever designed those stairs was a monster.'
'Would you believe that Rhys, Az, and I had to climb up and down them as punishment when we were boys?'
Her eyes shimmered with temper- good. Better than the vacant ice.
'Why?'
'Because we were young and stupid and testing boundaries with a High Lord who didn't understand practical jokes regarding public nudity.' He nodded toward the stairs. 'I got so dizzy on the hike down that I puked on Az. he then puked on Rhys, and Rhys puked all over himself. It was the height of summer, and by the time we made the trek back up, the heat was unbearable, we all reeked, and the scent of the vomit on the stairs had become horrific. We all puked again as we walked through it.'
He could have sworn the corners of her mouth were trying to twitch upward.
He didn't hold back his own grin at the memory. Even if they'd still had to hike back down and mop it all up.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
As Trump marches on to the rhythm of near-daily twitter rants, daily outrages, and weekly embarrassments, it remains unimaginable—even if it is observable. To think that a madman could be running the world’s most powerful country, to think that the commander in chief would use twitter to mouth off about whose nuclear button is bigger or to call himself a ‘very stable genius’ verges on the impossible. This can’t be happening. This is happening – The thought pattern of nightmares and real-life disasters has become the constant routine of tens of millions of people. Every Trump tweet, televised statement, and headline causes a form of this reaction. If the word ‘unthinkable’ had literal meaning, this would be it: thinking about it makes the mind misfire; it makes one want to stop thinking. It brings to mind the psychiatrist Judith Herman’s definition of a related word: ‘certain violations of the social compact are too terrible to utter aloud,’ she once wrote. ‘This is the meaning of the word unspeakable.’ The Trump era is unimaginable, unthinkable, unspeakable. It is waging a daily assault on the public’s sense of sanity, decency, and cohesion. It makes us feel crazy, and the restrained tone of the media compounds this feeling by failing to acknowledge it.
”
”
Masha Gessen (Surviving Autocracy)
“
I don't know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven't been able to stop thinking about what it would be like if you and I got together. And that kiss ... God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn't tilt then, it never will. I know it's crazy because we're so different. And if anything happens between us I don't want people at school to know. Not that you'll agree to have a secret relationship with me, but I at least have to find out if it's possible. I broke up with Colin, who I had a very public relationship with and I'm ready for something private. Private and real. I know I'm babbling like an idiot, but if you don't say something soon or give me a hint of what you're thinking then I'll--"
"Say it again," he says.
"That whole drawn-out speech?" I remember something about a solar system, but I'm too light-headed to recite the entire thing all over again.
He steps closer. "No. The part about you fallin' for me."
My eyes cling to his. "I think about you all the time, Alex. And I really, really want to kiss you again."
The sides of his mouth turn up.
Unable to face him, I look at the ground. "Don't make fun of me." I can take anything but that right about now.
"Don't turn away from me, mamacita. I'd never make fun of you.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Kate, you and I cannot be confined within the weak list of a country’s fashion. We are the makers of manners, Kate, and the liberty that follows our places stops the mouth of all find-faults. …’ That’s Henry Fifth for you. Meaning that there’s one way for people at large and another for those that have something special to do. Which those at large have to have in front of them. It braces them up that there’s a privilege they can’t enjoy, as long as they know it’s there. Besides, there’s law, and then there’s Nature. There’s opinion, and then there’s Nature. Somebody has to get outside of law and opinion and speak for Nature. It’s even a public duty, so customs won’t have us all by the windpipe.” Einhorn had a teaching turn similar to Grandma Lausch’s, both believing they could show what could be done with the world, where it gave or resisted, where you could be confident and run or where you could only feel your way and were forced to blunder.
”
”
Saul Bellow (The Adventures Of Augie March)
“
The two sat quietly on the park bench, and Dove liked it. If she sat perfectly still, neither could ruin the moment. He seemed to feel the change as well as they watched two squirrels bound about in front of them. The squirrels were adorable and brave, jumping close to Dove and Johnson—maybe because they were motionless. Dove wanted to comment on the Disneyesque scene in front of them but kept her words on the tip of her tongue, not wanting to spoil the quiet. The two squirrels sat side by side, each a mirror of the other, munching on acorns in their paws. With their fuzzy faces and sweet, black eyes, they reminded Dove of exactly why she loved the park. Next to her, Johnson sighed in contentment. The male squirrel dropped his nut and jumped quickly behind the female squirrel. Oh dear God! Don’t do it. You horny little bastard! The male squirrel refused to read Dove’s mind and started climbing on the female squirrel. Dove heard Johnson’s groan of disgust as the male began the motions of copulation. She shook her head. Fucking figures. The tender new feelings between Dove and this handsome man were now spoiled with the obscene visual of the hairy rodents humping. Johnson had to comment. “Wow. Squirrels usually engage in some style of MATING dance.” He looked around the park for other examples to prove his point. “Much like humans, they’re attracted to the smell of the GENITALS and fancy tail motions.” Dove tried to figure out where she belonged in this conversation that he apparently thought was acceptable small talk. The obscene, public intercourse ended with one final, furry pump. The female never even dropped her nut. “Well, I guess that was a dinner date.” Dove covered her mouth and shook her head. She prayed for a flock of hungry hawks to swoop in and eat the little Snow White porn stars so she and Mr. Gorgeouspants could just stop talking about nether regions for a minute. “This time of the year, NUTS are more important than anything else.
”
”
Debra Anastasia (Fire Down Below (Gynazule #1))
“
So sentences are copied, constructed, or created; they are uttered, mentioned, or used; each says, means, implies, reveals, connects; each titillates, invites, conceals, suggests; and each is eventually either consumed or conserved; nevertheless, the lines in Stevens or the sentences of Joyce and James, pressed by one another into being as though the words before and the words after were those reverent hands both Rilke and Rodin have celebrated, clay calling to clay like mating birds, concept responding to concept the way passionate flesh congests, every note a nipple on the breast, at once a triumphant pinnacle and perfect conclusion, like pelted water, I think I said, yet at the same time only another anonymous cell, and selfless in its service to the shaping skin as lost forgotten matter is in all walls; these lines, these sentences, are not quite uttered, not quite mentioned, peculiarly employed, strangely listed, oddly used, as though a shadow were the leaves, limbs, trunk of a new tree, and the shade itself were thrust like a dark torch into the grassy air in the same slow and forceful way as its own roots, entering the earth, roughen the darkness there till all its freshly shattered facets shine against themselves as teeth do in the clenched jaw; for Rabelais was wrong, blue is the color of the mind in borrow of the body; it is the color consciousness becomes when caressed; it is the dark inside of sentences, sentences which follow their own turnings inward out of sight like the whorls of a shell, and which we follow warily, as Alice after that rabbit, nervous and white, till suddenly—there! climbing down clauses and passing through ‘and’ as it opens—there—there—we’re here! . . . in time for tea and tantrums; such are the sentences we should like to love—the ones which love us and themselves as well—incestuous sentences—sentences which make an imaginary speaker speak the imagination loudly to the reading eye; that have a kind of orality transmogrified: not the tongue touching the genital tip, but the idea of the tongue, the thought of the tongue, word-wet to part-wet, public mouth to private, seed to speech, and speech . . . ah! after exclamations, groans, with order gone, disorder on the way, we subside through sentences like these, the risk of senselessness like this, to float like leaves on the restful surface of that world of words to come, and there, in peace, patiently to dream of the sensuous, imagined, and mindful Sublime.
”
”
William H. Gass (On Being Blue)
“
Grom, I need to ask you something."
Hesitant, Grom tears his gaze from the abyss and settles it on his brother, but his eyes still hold a distance. "Hmm?"
"Do you believe in the pull?"
The question visibly jolts Grom, replacing the detachment in his eyes with pain. "What kind of question is that?"
Galen shrugs, guilt stabbing him like a trident. "Some say you felt the pull for Nalia."
Grom massages his eyes with fingertips, but not before Galen sees the torment deepen. "I didn't realize you listened to gossip, little brother."
"If I listened to gossip, I wouldn't bother to ask."
"Do you believe in the pull, Galen?"
"I don't know."
Galen nods, sighing. "I don't know either. But if there is such a thing, I guess it would be safe to say I felt it toward Nalia." With a flit of his tail, he swims forward, turning away from his brother. "Sometimes I swear I can still sense her. It's faint, and it comes and goes. Some days it's so real, I think I'm losing my mind."
"What...what does it feel like?" Galen almost can't ask. He'd already determined to never have this conversation with Grom. But things have changed.
To his surprise, Grom chuckles. "Is there something I need to know, little brother? Has someone finally hooked you?"
Galen doesn't quite get his mouth closed before his brother turns around. Grom's laugh seems foreign in this dismal place. "Looks like she's got you hooked and reeled. Who is she?"
"None of your business." At least not yet.
Grom grins. "So that's where you've been. Chasing after a female."
"You could say that." In fact, his brother can say anything he wants. He's not telling Grom about Emma. Not while Paca is out there somewhere, just waiting to be mated with a Triton king.
"If you won't tell me, I'll just ask Rayna."
"If Rayna knew, there would have already been a public announcement."
"True," Grom says, smirking. "You're smarter than I give you credit for, tadpole. So smart, in fact, that I know I don't have to tell you to keep her away from here, whoever she is. Just until things settle down."
Galen nods. "You don't have to worry about that.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
No, you’ve got to be secret, don’t you?” I said. “That’s your neurosis and you’ve got to keep it. You can’t be publicly enthusiastic. You’ve got to keep your enthusiasm in the closet, don’t you?” “Look,” Ted wailed, “you don’t know what it’s like for me. You don’t know what it’s like to be me. Every time I opened my mouth to be enthusiastic about something my brothers would tease me for it.” “So I guess you’re still ten years old,” I remarked, “and your brothers are still around.” Ted was actually crying now with frustration at me. “That’s not all,” he said, weeping. “That’s how my parents punished me. Whenever I did something wrong they took what I loved away from me. ‘Let’s see, what is it that Ted’s most enthusiastic about? Oh, yes, the trip to his aunt’s next week. He’s really excited about that. So we’ll tell him that because he’s been bad he can’t go see his aunt. That’s it. Then there’s his bow and arrows. He really loves his bow and arrows. So we’ll take that away.’ Simple. Simple system. Everything I was enthusiastic about they
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.”
She kissed him back, holding him fiercely to her while shattered sobs racked her slender body and tears poured from her eyes. Tormented by her anguish, Ian dragged his mouth from hers, kissing her wet cheeks, running his hands over her shaking back and shoulders, trying to comfort her. “Please darling, don’t cry anymore,” he pleaded hoarsely. “Please don’t.” She held him tighter, weeping, her cheek pressed to his chest, her tears soaking his heavy woolen shirt and tearing at his heart.
“Don’t,” Ian whispered, his voice raw with his own unshed tears. “You’re tearing me apart.” An instant after he said those words, he realized that she’d stop crying to keep from hurting him, and he felt her shudder, trying valiantly to get control. He cupped the back of her head, crumpling the silk of her hair, holding her face pressed to his chest, imagining the nights he’d made her weep like this, despising himself with a virulence that was almost past bearing.
He’d driven her here, to hide from the vengeance of his divorce petition, and still she had been waiting for him. In all the endless weeks since she’d confronted him in his study and warned him she wouldn’t let him put her out of his life, Ian had never imagined that she would be hurting like this. She was twenty years old and she had loved him. In return, he had tried to divorce her, publicly scorned her, privately humiliated her, and then he had driven her here to weep in solitude and wait for him. Self-loathing and shame poured through him like hot acid, almost doubling him over. Humbly, he whispered, “Will you come upstairs with me?”
She nodded, her cheek rubbing his chest, and he swung her into his arms, cradling her tenderly against him, brushing his lips against her forehead. He carried her upstairs, intending to take her to bed and give her so much pleasure that-at least for tonight-she’d be able to forget the misery he’d caused her.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
We all have choices to make that affect our likelihood of contracting infectious disease: whether to holiday in exotic countries; whom to let our children play with; whether we travel on crowded public transport. When we are ill, other choices we make affect our likelihood of transmitting disease to others: whether we cancel the much-anticipated catch-up with our friends; whether we keep our children home from school; whether we cover our mouths when we cough. The crucial decision on whether we vaccinate ourselves and our dependents can only be taken ahead of time. It affects our chances not only of catching but also of transmitting diseases. Some of these decisions are inexpensive, making their adoption straightforward. It costs nothing to sneeze into a tissue or a handkerchief. Simply washing your hands frequently and carefully has been shown to reduce the effective reproduction numbers of respiratory illnesses such as flu by as much as three-quarters. For some diseases, this might be enough to take us below the threshold value of R0, so that an infectious disease cannot break out.
”
”
Kit Yates (The Math of Life and Death: 7 Mathematical Principles That Shape Our Lives)
“
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power.
"Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call."
"Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?"
"I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire.
The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals.
The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground.
Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads.
Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter.
Savannah. He said her name once, a soft brush in her mind.
I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat.
To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Damn it, Jacob, I’m freezing my butt off.”
“I came as fast as I could, considering I thought it would be wise to walk the last few yards.”
Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection.
“I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’”
“Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?”
“Well, I’m fifty percent sure.”
“Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.”
“As Legna tells it, that’s what you’re supposed to do.”
“Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck.
“Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.”
“This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.”
“Jacob!” she gasped, laughing.
“Some traditions are not necessarily publicized,” he teased.
“You people are outrageous.”
“Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?”
Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so.
“Have I ever said no to you?”
“No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled.
“How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair.
His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet.
“If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.”
“Okay,” she agreed, her tongue touching his pulse.
“Bella . . .”
“Jacob, I want to spend the entire night making love to you,” she murmured.
Jacob stopped in his tracks, taking a moment to catch his breath.
“Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?”
“You started it,” she reminded him, laughing softly.
“I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.”
“I’m sorry, you’re right.” She turned her face away from his neck.
Jacob resumed his ritual walk for all of thirty seconds before he stopped again.
“Bella . . .” he warned dangerously.
“I’m sorry! It just popped into my head!”
“What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace.
“Well, in about an hour, I hope it will be me.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
The firm’s fourth partner, Jeff Nussbaum, had carved out a niche writing jokes for public figures. It was he who taught me about the delicate balance all public-sector humorists hope to strike. Writing something funny for a politician, I learned, is like designing something stunning for Marlon Brando past his prime. The qualifier is everything. At first I didn’t understand this. In June, President Obama’s speechwriters asked Jeff to pitch jokes for an upcoming appearance at the Radio and Television Correspondents’ Dinner. I sent him a few ideas, including one about the president and First Lady’s recent trip to see a Broadway show: “My critics are upset it cost taxpayer dollars to fly me and Michelle to New York for date night. But let me be clear. That wasn’t spending. It was stimulus.” Unsurprisingly, my line about stimulating America’s first couple didn’t make it into the script. But others did. The morning after the speech, I watched on YouTube as President Obama turned to NBC reporter Chuck Todd. “Chuck embodies the best of both worlds: he has the rapid-fire style of a television correspondent, and the facial hair of a radio correspondent.” That was my joke! I grabbed the scroll bar and watched again. The line wasn’t genius. The applause was largely polite. Still, I was dumbfounded. A thought entered my brain, and then, just a few days later, exited the mouth of the president of the United States. This was magic. Still, even then, I had no illusions of becoming a presidential speechwriter. When friends asked if I hoped to work in the White House, I told them Obama had more than enough writers already. I meant it.
”
”
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
“
I drink to the health of the child prodigy who finally met the gentleman with the golden ass. Vive little Sébastien, he’ll grow up. And the Schubert song that you said you only played for me, you little viper, you played it for him, your fingers melting on the notes like butter. You’re selling yourself. You’re giving yourself to a fur-trader, a man who’s going to kill seals on their sacred ground, who’s going to set traps for wolves in the wildest, most beautiful depths of the forests, who burns their territory — a merchant whom Jesus himself chased out of the temple! You’re the one who is riff-raff, not the man who kisses me on the mouth at the public pool! That’s what happens when you think you’re delicate, different from the others: you get yourself recognized by a pig. You’ve been recognized, now go lick his feet and anything else you want.
”
”
Marie-Claire Blais (The Wolf)
“
Does it undermine my image as a warrior to be with you?'
'No. Does it undermine Feyre's when she's seen with Rhys?'
Her stomach tightened. Her heartbeat pulsed in her arms, her gut. 'It's different for them,' she made herself say as they reached the end of the bridge and turned to walk along the quay flanking the river.
Cassian asked carefully. 'Why?'
Nesta kept her focus on the glittering river, vibrant with the hues of sunset. 'Because they're mates.'
At his utter silence, she knew what he'd say. Halted again, bracing herself for it.
Cassian's face was a void. Completely empty as he said, 'And we're not?'
Nesta said nothing.
He huffed a laugh. 'Because they're mates and you don't want us to be.'
'That word means nothing to me, Cassian,' she said, voice thick as she tried to keep the people who strode past from overhearing. 'It means something to all of you, but for most of my life, husband and wife was as good as it got. Mate is just a word.'
'That's bullshit.'
When she only began walking along the river again, he asked. 'Why are you frightened?'
'I'm not frightened.'
'What spooked you? Just being seen publicly with me like this?'
Yes. Having him kiss her and realising that soon she'd have to return to the world humming around them, and leave the House, and she didn't know what she would do then. What it would mean for them. If she would plunge back into that dark place she'd occupied before.
Drag him down with her.
'Nesta. Talk to me.'
She met his stare, but wouldn't open her mouth.
Cassian's eyes blazed. 'Say it.' She refused. 'Say it, Nesta.'
'I don't know what you're talking about.'
'Ask me why I vanished for nearly a week after Solstice. Why I suddenly had to do an inspection right after a holiday.'
Nesta kept her mouth shut.
'It was because I woke up the next morning and all I wanted to do was fuck you for a week straight. And I knew what that meant, what had happened, even though you didn't, and I didn't want to scare you. You weren't ready for the truth- not yet.'
Her mouth went dry.
'Say it,' Cassian snarled. People gave them a wide berth. Some outright turned back toward the direction they'd come from.
'No.'
His face shuttered with rage even as his voice became calm. 'Say it.'
She couldn't. Not before he'd ordered her to, and certainly not now. She couldn't let him win like that.
'Say what I guessed from the moment we met,' he breathed. 'What I knew the first time I kissed you. What became unbreakable between us on Solstice night.'
She wouldn't.
'I am your mate, for fuck's sake!' Cassian shouted, loud enough for people across the river to hear. 'You are my mate! Why are you still fighting it?'
She let the truth, voiced at last, wash over her.
'You promised me forever on Solstice,' he said, voice breaking. 'Why is one word somehow throwing you off that?'
'Because with that one word, the last scrap of my humanity goes away!' She didn't care who saw them, who heard. 'With that one stupid word, I am no longer human in any way. I'm one of you!'
He blinked. 'I thought you wanted to be one of us.'
'I don't know what I want. I didn't have a choice.'
'Well, I didn't have a choice in being shackled to you, either.'
The declaration slammed into her. Shackled.
He sucked in a breath. 'That was an incredibly poor choice of words.'
'But the truth, right?'
'No, I was angry- it's not true.'
'Why? Your friends saw me for what I was. What I am. The mating bond made you stupidly blind to it. How many times did they warn you away from me, Cassian?' She barked a cold laugh.
Shackled.
Words beckoned, sharp as knives, begging for her to grab one and plunge it into his chest. Make him hurt as much as that one would hurt her. Make him bleed.
But if she did that, if she ripped into him... She couldn't. Wouldn't let herself do it.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
The Levellers . . . only change and pervert the natural order of things: they load the edifice of society by setting up in the air what the solidity of the structure requires to be on the ground. . . .
Far am I from denying in theory, full as far is my heart from withholding in practice (if I were of power to give or to withhold), the real rights of men. In denying their false claims of right, I do not mean to injure those which are real, and are such as their pretended rights would totally destroy. . . . In this partnership all men have equal rights; but not to equal things. . . .
Government is a contrivance of human wisdom to provide for human wants. Men have a right that these wants should be provided for by this wisdom. Among these wants is to be reckoned the want, out of civil society, of a sufficient restraint upon their passions. Society requires not only that the passions of individuals should be subjected, but that even in the mass and body, as well as in the individuals, the inclinations of men should frequently be thwarted, their will controlled, and their passions brought into subjection. This can only be done by a power out of themselves, and not, in the exercise of its function, subject to that will and to those passions which it is its office to bridle and subdue. In this sense the restraints on men, as well as their liberties, are to be reckoned among their rights. . . .
Society is, indeed, a contract. Subordinate contracts for objects of mere occasional interest may be dissolved at pleasure; but the state ought not to be considered as nothing better than a partnership agreement in a trade of pepper and coffee, calico or tobacco, or some other such low concern, to be taken up for a little temporary interest, and to be dissolved by the fancy of the parties. It is to looked on with other reverence; because it is not a partnership in things subservient only to the gross animal existence of a temporary and perishable nature. It is a partnership in all science, a partnership in all art, a partnership in every virtue and in all perfection. As the ends of such a partnership cannot be obtained in many generations, it becomes a partnership not only between those who are living, but between those who are living, those who are dead, and those who are to be born. . . .
You would not cure the evil by resolving that there should be no more monarchs, nor ministers of state, nor of the Gospel— no interpreters of law, no general officers, no public councils. You might change the names: the things in some shape must remain. A certain quantum of power must always exist in the community, in some hands, and under some appellation. Wise men will apply their remedies to vices, not to names— to the causes of evil, which are permanent, not to the occasional organs by which they act, and the transitory modes in which they appear. Otherwise you will be wise historically, a fool in practice. . . .
The effects of the incapacity shown by the popular leaders in all the great members of the commonwealth are to be covered with the 'all-atoning name' of Liberty. . . . But what is liberty without wisdom and without virtue? It is the greatest of all possible evils; for it is folly, vice, and madness, without tuition or restraint. Those who know what virtuous liberty is cannot bear to see it disgraced by incapable heads, on account of their having high-sounding words in their mouths. . . . To make a government requires no great prudence. Settle the seat of power, teach obedience, and the work is done. To give freedom is still more easy. It is not necessary to guide; it only requires to let go the rein. But to form a free government, that is to temper together these opposite elements of liberty and restraint in one consistent work, requires much thought, deep reflection, a sagacious, powerful, and combining mind.
”
”
Edmund Burke
“
told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your
”
”
Lisa Jackson (Lisa Jackson's Bentz & Montoya Bundle: Shiver, Absolute Fear, Lost Souls, Hot Blooded, Cold Blooded, Malice & Devious (A Bentz/Montoya Novel))
“
Here’s the thing, people: We have some serious problems. The lights are off. And it seems like that’s affecting the water flow in part of town. So, no baths or showers, okay? But the situation is that we think Caine is short of food, which means he’s not going to be able to hold out very long at the power plant.”
“How long?” someone yelled.
Sam shook his head. “I don’t know.”
“Why can’t you get him to leave?”
“Because I can’t, that’s why,” Sam snapped, letting some of his anger show. “Because I’m not Superman, all right? Look, he’s inside the plant. The walls are thick. He has guns, he has Jack, he has Drake, and he has his own powers. I can’t get him out of there without getting some of our people killed. Anybody want to volunteer for that?"
Silence.
“Yeah, I thought so. I can’t get you people to show up and pick melons, let alone throw down with Drake.”
“That’s your job,” Zil said.
“Oh, I see,” Sam said. The resentment he’d held in now came boiling to the surface. “It’s my job to pick the fruit, and collect the trash, and ration the food, and catch Hunter, and stop Caine, and settle every stupid little fight, and make sure kids get a visit from the Tooth Fairy. What’s your job, Zil? Oh, right: you spray hateful graffiti. Thanks for taking care of that, I don’t know how we’d ever manage without you.”
“Sam…,” Astrid said, just loud enough for him to hear. A warning.
Too late. He was going to say what needed saying.
“And the rest of you. How many of you have done a single, lousy thing in the last two weeks aside from sitting around playing Xbox or watching movies?
“Let me explain something to you people. I’m not your parents. I’m a fifteen-year-old kid. I’m a kid, just like all of you. I don’t happen to have any magic ability to make food suddenly appear. I can’t just snap my fingers and make all your problems go away. I’m just a kid.”
As soon as the words were out of his mouth, Sam knew he had crossed the line. He had said the fateful words so many had used as an excuse before him. How many hundreds of times had he heard, “I’m just a kid.”
But now he seemed unable to stop the words from tumbling out. “Look, I have an eighth-grade education. Just because I have powers doesn’t mean I’m Dumbledore or George Washington or Martin Luther King. Until all this happened I was just a B student. All I wanted to do was surf. I wanted to grow up to be Dru Adler or Kelly Slater, just, you know, a really good surfer.”
The crowd was dead quiet now. Of course they were quiet, some still-functioning part of his mind thought bitterly, it’s entertaining watching someone melt down in public.
“I’m doing the best I can,” Sam said.
“I lost people today…I…I screwed up. I should have figured out Caine might go after the power plant.”
Silence.
“I’m doing the best I can.”
No one said a word.
Sam refused to meet Astrid’s eyes. If he saw pity there, he would fall apart completely.
“I’m sorry,” he said.
“I’m sorry.
”
”
Michael Grant (Hunger (Gone, #2))
“
PEOPLE FABRICATE ANGER YOUTH: Yesterday afternoon, I was reading a book in a coffee shop when a waiter passed by and spilled coffee on my jacket. I’d just bought it and it’s my nicest piece of clothing. I couldn’t help it; I just blew my top. I yelled at him at the top of my lungs. I’m not normally the type of person who speaks loudly in public places. But yesterday, the shop was ringing with the sound of my shouting because I flew into a rage and forgot what I was doing. So, how about that? Is there any room for a goal to be involved here? No matter how you look at it, isn’t this behaviour that originates from a cause? PHILOSOPHER: So, you were stimulated by the emotion of anger, and ended up shouting. Though you are normally mild-mannered, you couldn’t resist being angry. It was an unavoidable occurrence, and you couldn’t do anything about it. Is that what you are saying? YOUTH: Yes, because it happened so suddenly. The words just came out of my mouth before I had time to think. PHILOSOPHER: Then just suppose you happened to have had a knife on you yesterday, and when you blew up you just got carried away and stabbed him. Would you still be able to justify that by saying, ‘It was an unavoidable occurrence, and I couldn’t do anything about it’? YOUTH: That … Come on, that’s an extreme argument! PHILOSOPHER: It is not an extreme argument. If we proceed with your reasoning, any offence committed in anger can be blamed on anger, and will no longer be the responsibility of the person because, essentially, you are saying that people cannot control their emotions. YOUTH: Well, how do you explain my anger then? PHILOSOPHER: That’s easy. You did not fly into a rage and then start shouting. It is solely that you got angry so that you could shout. In other words, in order to fulfil the goal of shouting, you created the emotion of anger. YOUTH: What do you mean? PHILOSOPHER: The goal of shouting came before anything else. That is to say, by shouting, you wanted to make the waiter submit to you and listen to what you had to say. As a means to do that, you fabricated the emotion of anger.
”
”
Ichiro Kishimi (The Courage to Be Disliked: How to Free Yourself, Change Your Life and Achieve Real Happiness)
“
Moses, for example, was not, according to some interpretations of his story, the brash, talkative type who would organize road trips and hold forth in a classroom at Harvard Business School. On the contrary, by today’s standards he was dreadfully timid. He spoke with a stutter and considered himself inarticulate. The book of Numbers describes him as “very meek, above all the men which were upon the face of the earth.” When God first appeared to him in the form of a burning bush, Moses was employed as a shepherd by his father-in-law; he wasn’t even ambitious enough to own his own sheep. And when God revealed to Moses his role as liberator of the Jews, did Moses leap at the opportunity? Send someone else to do it, he said. “Who am I, that I should go to Pharaoh?” he pleaded. “I have never been eloquent. I am slow of speech and tongue.” It was only when God paired him up with his extroverted brother Aaron that Moses agreed to take on the assignment. Moses would be the speechwriter, the behind-the-scenes guy, the Cyrano de Bergerac; Aaron would be the public face of the operation. “It will be as if he were your mouth,” said God, “and as if you were God to him.” Complemented by Aaron, Moses led the Jews from Egypt, provided for them in the desert for the next forty years, and brought the Ten Commandments down from Mount Sinai. And he did all this using strengths that are classically associated with introversion: climbing a mountain in search of wisdom and writing down carefully, on two stone tablets, everything he learned there. We tend to write Moses’ true personality out of the Exodus story. (Cecil B. DeMille’s classic, The Ten Commandments, portrays him as a swashbuckling figure who does all the talking, with no help from Aaron.) We don’t ask why God chose as his prophet a stutterer with a public speaking phobia. But we should. The book of Exodus is short on explication, but its stories suggest that introversion plays yin to the yang of extroversion; that the medium is not always the message; and that people followed Moses because his words were thoughtful, not because he spoke them well.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
We were working on the idea about dogs’ Internet searches, and first we debated whether the sketch should feature real dogs or Henrietta and Viv in dog costumes (because cast members were always, unfailingly, trying to get more air time, we quickly went with the latter). Then we discussed where it should take place (the computer cluster in a public library, but, even though all this mattered for was the establishing shot, we got stalled on whether that library should be New York’s famous Main Branch building on Fifth Avenue, with the lion statues in front, a generic suburban library in Kansas City, or a generic suburban library in Jacksonville, Florida, which was where Viv was from). Then we really got stalled on the breeds of dogs. Out of loyalty to my stepfather and Sugar, I wanted at least one to be a beagle. Viv said that it would work best if one was really big and one was really little, and Henrietta said she was fine with any big dog except a German Shepherd because she’d been bitten by her neighbor’s German Shepherd in third grade. After forty minutes we’d decided on a St. Bernard and a Chihuahua—I eventually conceded that Chihuahuas were funnier than beagles. We decided to go with the Florida location for the establishing shot because the lions in front of the New York Main Branch could preempt or diminish the appearance of the St. Bernard. Then we’d arrived at the fun part, which was the search terms. With her mouth full of beef kebab, Viv said, “Am I adopted?” With my mouth full of spanakopita, I said, “Am I a good girl?” With her mouth full of falafel, Henrietta said, “Am I five or thirty-five?” “Why is thunder scary?” I said. “Discreet crotch-sniffing techniques,” Henrietta said. “Cheap mani-pedis in my area,” Viv said. “Oh, and cheapest self-driving car.” “Best hamburgers near me,” I said. “What is halitosis,” Henrietta said. “Halitosis what to do,” I said. “Where do humans pee,” Viv said. “Taco Bell Chihuahua male or female,” I said. “Target bull terrier married,” Viv said. “Lassie plastic surgery,” Henrietta said. “Funny cat videos,” I said. “Corgis embarrassing themselves YouTube,” Viv said. “YouTube little dog scares away big dog,” I said. “Doghub two poodles and one corgi,” Henrietta said. “Waxing my tail,” I said. “Is my tail a normal size,” Viv said.
”
”
Curtis Sittenfeld (Romantic Comedy)
“
Every church became a theatre, where orators, instead of church teachers, harangued, caring not to instruct the people, but striving to attract admiration, to bring opponents to public scorn, and to preach only novelties and paradoxes, such as would tickle the ears of their congregation. This state of things necessarily stirred up an amount of controversy, envy, and hatred, which no lapse of time could appease; so that we can scarcely wonder that of the old religion nothing survives but its outward forms (even these, in the mouth of the multitude, seem rather adulation than adoration of the Deity), and that faith has become a mere compound of credulity and prejudices—aye, prejudices too, which degrade man from rational being to beast, which completely stifle the power of judgment between true and false, which seem, in fact, carefully fostered for the purpose of extinguishing the last spark of reason! Piety, great God! and religion are become a tissue of ridiculous mysteries; men, who flatly despise reason, who reject and turn away from understanding as naturally corrupt, these, I say, these of all men, are thought, O lie most horrible! to possess light from on High. Verily, if they had but one spark of light from on High, they would not insolently rave, but would learn to worship God more wisely, and would be as marked among their fellows for mercy as they now are for malice; if they were concerned for their opponents’ souls, instead of for their own reputations, they would no longer fiercely persecute, but rather be filled with pity and compassion. Furthermore, if any Divine light were in them, it would appear from their doctrine. I grant that they are never tired of professing their wonder at the profound mysteries of Holy Writ; still I cannot discover that they teach anything but speculations of Platonists and Aristotelians, to which (in order to save their credit for Christianity) they have made Holy Writ conform; not content to rave with the Greeks themselves, they want to make the prophets rave also; showing conclusively, that never even in sleep have they caught a glimpse of Scripture’s Divine nature. The very vehemence of their admiration for the mysteries plainly attests, that their belief in the Bible is a formal assent rather than a living faith: and the fact is made still more apparent by their laying down beforehand, as a foundation for the study and true interpretation of Scripture, the principle that it is in every passage true and divine.
”
”
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
“
I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.”
I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm.
Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit.
From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection.
I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean
Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt.
“Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol.
The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that.
I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches.
Not to be redundant, but . . . idiots.
None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.
”
”
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
“
I can’t help thinking,” she confided when he finished answering her questions about women in India who covered their faces and hair in public, “that it is grossly unfair that I was born a female and so must never know such adventures, or see but a few of those places. Even if I were to journey there, I’d only be allowed to go where everything was as civilized as-as London!”
“There does seem to be a case of extreme disparity between the privileges accorded the sexes,” Ian agreed.
“Still, we each have our duty to perform,” she informed him with sham solemnity. “And there’s said to be great satisfaction in that.”
“How do you view your-er-duty?” he countered, responding to her teasing tone with a lazy white smile.
“That’s easy. It is a female’s duty to be a wife who is an asset to her husband in every way. It is a male’s duty to do whatever he wishes, whenever he wishes, so long as he is prepared to defend his country should the occasion demand it in his lifetime-which it very likely won’t. Men,” she informed him, “gain honor by sacrificing themselves on the field of battle while we sacrifice ourselves on the altar of matrimony.”
He laughed aloud then, and Elizabeth smiled back at him, enjoying herself hugely. “Which, when one considers it, only proves that our sacrifice is by far the greater and more noble.”
“How is that?” he asked, still chuckling.
“It’s perfectly obvious-battles last mere days or weeks, months at the very most. While matrimony lasts a lifetime! Which brings to mind something else I’ve often wondered about,” she continued gaily, giving full rein to her innermost thoughts.
“And that is?” he prompted, grinning, watching her as if he never wanted to stop.
“Why do you suppose, after all that, they call us the weaker sex?” Their laughing gazes held, and then Elizabeth realized how outrageous he must be finding some of her remarks. “I don’t usually go off on such tangents,” she said ruefully. “You must think I’m dreadfully ill-bred.”
“I think,” he softly said, “that you are magnificent.”
The husky sincerity in his deep voice snatched her breath away. She opened her mouth, thinking frantically for some light reply that could restore the easy camaraderie of a minute before, but instead of speaking she could only draw a long, shaky breath.
“And,” he continued quietly, “I think you know it.”
This was not, not the sort of foolish, flirtatious repartee she was accustomed to from her London beaux, and it terrified her as much as the sensual look in those golden eyes. Pressing imperceptibly back against the arm of the sofa, she told herself she was only overacting to what was nothing more than empty flattery. “I think,” she managed with a light laugh that stuck in her throat, “that you must find whatever female you’re with ‘magnificent.’”
“Why would you say a thing like that?”
Elizabeth shrugged. “Last night at supper, for one thing.” When he frowned at her as if she were speaking in a foreign language, she prodded, “You remember Lady Charise Dumont, our hostess, the same lovely brunette on whose every word you were hanging at supper last night?”
His frown became a grin. “Jealous?”
Elizabeth lifted her elegant little chin and shook her head. “No more than you were of Lord Howard.”
She felt a small bit of satisfaction as his amusement vanished. “The fellow who couldn’t seem to talk to you without touching your arm?” he inquired in a silky-soft voice. “That Lord Howard? As a matter of fact, my love, I spent most of my meal trying to decide whether I wanted to shove his nose under his right ear or his left.”
Startled, musical laughter erupted from her before she could stop it. “You did nothing of the sort,” she chuckled. “Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.”
“Wouldn’t I?” he asked softly. “Those are two very different issues.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room.
Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him.
When their eyes met, she smiled a little. And then a lot.
His first impulse was to hide his own grin behind his Goose.
But then he stopped himself.
New world order. Come on, smile, motherfucker, he thought.
Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something.
“Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be.
He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her.
“Hi, V . . . How are—”
Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.”
And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . .
He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate.
But whatever.
This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer.
As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti.
“Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn.
Vishous cleared his throat. “I have an announcement to make.”
Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out.
Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.”
Dead. Quiet.
Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
Liberty is a word which, according as it is used, comprehends the most good and the most evil of any in the world. Justly understood it is sacred next to those which we appropiate in divine adoration; but in the mouths of some it means anything, which enervate a necessary government; excite a jealousy of the rulers who are our own choice, and keep society in confusion for want of a power sufficiently concentered to promote its good. It is not strange that the licentious should tell us a government of energy is inconsistent with liberty, for being inconsistent with their wishes and their vices, they would have us think it contrary to human happiness. . . . A government capable of controling the whole, and bringing its force to a point, is one of the prerequisites for national liberty. We combine in society, with an expectation to have our persons and properties defended against unreasonable exactions either at home or abroad. If the public are unable to protest against the unjust impositions of foreigners, in this case we do not enjoy our natural rights, and a weakness of government is the cause. If we mean to have our natural rights and properties protected, we must first create a power which is able to do it, and in our case there is no want of resources, but a civil constitution which may draw them out and point their force. . . .
Some men are mightily afraid of giving power lest it should be improved for oppression; this is doubtless possible, but where is the probability. The same objection may be made against the constitution of every state in the union, and against every possible mode of government; because a power of doing good always implies a power to do evil if the person or party be disposed.
The right of the legislature to ordain laws binding on the people, gives them a power to make bad laws.
The right of the judge to inflict punishment, gives him both power and opportunity to oppress the innocent; yet none but crazy men will from thence determine that it is best to have neither a legislature nor judges.
If a power to promote the best interest of the people, necessarily implies a power to do evil, we must never expect such a constitution in theory as will not be open in some respects to the objections of carping and jealous men. The new Constitution is perhaps more cautiously guarded than any other in the world, and at the same time creates a power which will be able to protect the subject; yet doubtless objections may be raised, and so they may against the constitution of each state in the union. . . .
If, my countrymen, you wait for a constitution which absolutely bars a power of doing evil, you must wait long, and when obtained it will have no power of doing good. I allow you are oppressed, but not from the quarter that jealous and wrongheaded men would insinuate. You are oppressed by the men, who to serve their own purposes would prefer the shadow of government to the reality.
”
”
Oliver Ellsworth
“
The other strikingly modern feature of the type of poet which Euripides now introduced into the history of literature is his apparently voluntary refusal to take any part whatever in public life. Euripides was not a soldier as Aeschylus was, nor a priestly dignitary as Sophocles was, but, on the other hand, he is the very first poet who is reported to have possessed a library, and he appears to be also the first poet to lead the life of a scholar in complete retirement from the world. If the bust of him, with its tousled hair, its tired eyes and the embittered lines round the mouth, is a true portrait, and if we are right in seeing in it a discrepancy between body and spirit, and the expression of a restless and dissatisfied life, then we may say that Euripides was the first unhappy poet, the first whose poetry brought him suffering. The notion of genius in the modern sense is not merely completely strange to the ancient world; its poets and artists have nothing of the genius about them. The rational and craftsmanlike elements in art are far more important for them than the irrational and intuitive. Plato’s doctrine of enthusiasm emphasized, indeed, that poets owed their work to divine inspiration and not to mere technical ability, but this idea by no means leads to the exaltation of the poet; it only increases the gulf between him and his work, and makes of him a mere instrument of the divine purpose. It is, however, of the essence of the modern notion of genius that there is no gulf between the artist and his work, or, if such a gulf is admitted, that the genius is far greater than any of his works and can never be adequately expressed in them. So genius connotes for us a tragic loneliness and inability to make itself fully understood. But the ancient world knows nothing of this or of the other tragic feature of the modern artist—his lack of recognition by his own contemporaries and his despairing appeals to a remote posterity. There is not a trace of all this—at least before Euripides. Euripides’ lack of success was mainly due to the fact that there was nothing in classical times that could be called an educated middle class. The old aristocracy took no pleasure in his plays, owing to their different outlook on life, and the new bourgeois public could not enjoy them either, owing to its lack of education. With his philosophical radicalism, Euripides is a unique pheno menon, even among the poets of his age, for these are in general as conservative in their outlook as were those of the classical age —in spite of a naturalism of style which was derived from the urban and commercial society they lived in, and which had reached a point at which it was really incompatible with political conservatism. As politicians and partisans these poets hold to their conservative doctrines, but as artists they are swept along in the progressive stream of their times. This inner contradiction in their work is a completely new phenomenon in the social history of art.
”
”
Arnold Hauser (The Social History of Art, Volume 1: From Prehistoric Times to the Middle Ages)
“
The front door is locked—what’s up with that?”
“Logan fixed the lock,” I tell her.
Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.”
She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl.
Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.”
“Hey, Tommy.”
Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.”
The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?”
One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal.
I grab my ten-thousand-pound messenger bag from the corner.
“I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow.
Tommy and Logan couldn’t have synced up better if they’d practiced:
“No fucking way.”
Marlow holds up her hands, palms out. “Did I say banger?”
“Huge banger,” Tommy corrects.
“No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.”
I toy with my necklace and say, “That actually sounds like a good idea.”
Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never.
“It’s a terrible idea.” Logan scowls.
He looks kinda scary when he scowls. But still hot. Possibly, hotter.
Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.”
Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.”
“No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.”
“We could board up the fucking doors and windows,” Logan suggests.
’Cause that’s not overkill or anything.
I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.”
Tommy’s eyes bulge. “Suck what?”
I laugh, shaking my head. Boys are stupid.
“You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.”
Neither of them seems particularly impressed.
“I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.”
I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall.
“It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?”
Everything.
Everything goes fucking wrong.
”
”
Emma Chase (Royally Endowed (Royally, #3))