β
My name is Celaena Sardothien. But it makes no difference if my name's Celaena or Lillian or Bitch, because I'd still beat you, no matter what you call me.
β
β
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
β
I found myself thinking about President William McKinley, the third American president to be assassinated. He lived for several days after he was shot, and towards the end, his wife started crying and screaming, "I want to go too! I want to go too!" And with his last measure of strength, McKinley turned to her and spoke his last words: "We are all going.
β
β
John Green (Looking for Alaska)
β
For some stories, it's easy. The moral of 'The Three Bears,' for instance, is "Never break into someone else's house.' The moral of 'Snow White' is 'Never eat apples.' The moral of World War I is 'Never assassinate Archduke Ferdinand.
β
β
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
β
There are different kinds of darkness,β Rhys said. I kept my eyes shut. βThere is the darkness that frightens, the darkness that soothes, the darkness that is restful.β I pictured each. βThere is the darkness of lovers, and the darkness of assassins. It becomes what the bearer wishes it to be, needs it to be. It is not wholly bad or good.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
What is more important, that Caesar is assassinated or that he is assassinated by his intimate friends? β¦ That,β Frederick said, 'is where the tragedy is.
β
β
M.L. Rio (If We Were Villains)
β
I name you Elentiya." She kissed the assassin's brow. "I give you this name to use with honour, to use when other names grow too heavy. I name you Elentiya, 'Spirit That Could Not Be Broken.
β
β
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
β
My name is Celaena Sardothien," she whispered, "and I will not be afraid.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
If you knew what was going to happen, if you knew everything that was going to happen nextβif you knew in advance the consequences of your own actionsβyou'd be doomed. You'd be ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.
β
β
Margaret Atwood (The Blind Assassin)
β
She would tuck Sam into her heart, a bright light for her to take out whenever things were darkest.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
When you cut pieces out of the truth to avoid looking like a fool you end up looking like a moron instead.
β
β
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
β
Where will we go?"
"I hear hell is particularly nice at this time of year.
β
β
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
β
If you can learn to endure pain, you can survive anything. Some people learn to embrace it- to love it. Some endure it through drowning it in sorrow, or by making themselves forget. Others turn it into anger.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
She was fire, she was darkness, she was dust and blood and shadow.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
Donβt do what you canβt undo, until youβve considered what you canβt do once youβve done it.
β
β
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
β
The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.
β
β
Margaret Atwood (The Blind Assassin)
β
There was no way in hell she was going to move to the southern continent without all of her books.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
If they wanted Adarlan's Assassin, they'd get her.
And Wyrd help them when she arrived.
β
β
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
β
The best way of keeping a secret is to pretend there isn't one.
β
β
Margaret Atwood (The Blind Assassin)
β
Life isn't easy, no matter where you are. You'll make choices you think are right, and then suffer for them.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
Why be the sheep when you can be the wolf?
β
β
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β
This girl wasnβt like wildfireβshe was wildfire. Deadly and uncontrollable. And slightly out of her wits.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
You sent him to the sky to die, assassin," Kaladin said, Stormlight puffing from his lips, "but the sky and the winds are mine. I claim them, as I now claim your life.
β
β
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
β
Women have curious ways of hurting someone else. They hurt themselves instead; or else they do it so the guy doesn't even know he's been hurt until much later. Then he finds out. Then his dick falls off.
β
β
Margaret Atwood (The Blind Assassin)
β
When you're young, you think everything you do is disposable. You move from now to now, crumpling time up in your hands, tossing it away. You're your own speeding car. You think you can get rid of things, and people tooβleave them behind. You don't yet know about the habit they have, of coming back.
Time in dreams is frozen. You can never get away from where you've been.
β
β
Margaret Atwood (The Blind Assassin)
β
She moaned into her pillow. "Go away. I feel like dying."
"No fair maiden should die alone," he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?"
She snatched her hand back. "How about the story of the idiotic prince who won't leave the assassin alone?"
"Oh! I love that story! It has such a happy ending, tooβwhy, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovelyβit's worth reading through all of their ceaseless banter!
β
β
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
β
One of us might be assassinated and then my heir will be king. Don't give up hope just because chances are slim."
"For the assassination or the heir, your majesty?
β
β
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
β
Demoralize the enemy from within by surprise, terror, sabotage, assassination. This is the war of the future.
β
β
Hermann Rauschning (Voice of Destruction, The)
β
Assassination is an art, milord. And I am the city's most accomplished artist.
β
β
Brent Weeks (The Way of Shadows (Night Angel, #1))
β
It takes at least three assassination attempts to scare me off. And even then, if there are baked goods involved, I might come back.
β
β
Victoria E. Schwab (The Archived (The Archived, #1))
β
The man who must brag for himself knows that no one else will
β
β
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
β
Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence. Time and distance blur the edges; then suddenly the beloved has arrived, and it's noon with its merciless light, and every spot and pore and wrinkle and bristle stands clear.
β
β
Margaret Atwood (The Blind Assassin)
β
Very little worth knowing is taught by fear.
β
β
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
β
Whenever you are ready, or if you never are, my heart is yours....
β
β
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β
My name is Sam Cortland... and I will not be afraid.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
The fight isn't over until you win.
β
β
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
β
When one consorts with assassins, one must expect to dance along the edge of a knife once or twice.
β
β
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β
There were a lot of gods. Gods always come in handy, they justify almost anything.
β
β
Margaret Atwood (The Blind Assassin)
β
Nothing takes the heart out of a man more than the expectation of failure.
β
β
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
β
You're late."
"Sorry. I was busy talking about my feelings and killing people.
β
β
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
β
I can wait," he said thickly, kissing her collarbone. "We have all the time in the world.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
Roland gave her a courtierβs smile. βAnd what sort of work do you do for my uncle?
β
Dorian shifted on his feet and Chaol went very still, but Celaena returned Rolandβs smile and said, βI bury the kingβs opponents where nobody will ever find them.
β
β
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
β
And from today onward, I want to never be separated from you. Wherever you go, I go. Even if that means going to hell itself, wherever you are, that's where I want to be. Forever.
β
β
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
β
This is how the girl who couldn't speak and the man who couldn't see fell in love.
β
β
Margaret Atwood (The Blind Assassin)
β
Not being able to think of a reply is not the same thing as accepting another's words.
β
β
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
β
Tapping a finger against the flesh of her elbow, she deadpanned, βJacin Clay, there is an assassin under my bed.
β
β
Marissa Meyer (Winter (The Lunar Chronicles, #4))
β
Words could be just as deadly as steel.
β
β
Sarah J. Maas (The Assassin and the Desert (Throne of Glass, #0.3))
β
I love you,β he repeated, shaking her again. βI have for years. But if I asked you to pick, youβd choose Arobynn, and I. Canβt. Take. It.β
βYouβre a damned idiot,β she breathed grabbing the front of his tunic. βYouβre a moron and an ass and a damned idiot." He looked like she had hit him. But she went on, and grasped both sides of his face. βBecause Iβd pick you.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
I comfort myself with the knowledge that if Duval ever feels smothered by me, it will be because I am holding a pillow over his face.
β
β
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β
The two men stared at each other. Assumptions were made, judgments rendered, dicks measured.
β
β
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
β
Everything has a price.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
Surely He does not give us hearts so we may spend our lives ignoring them.
β
β
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β
You're just jealous."
"Hardly. Been there, done you. Adequate, but unremarkable.
β
β
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
β
Thinking is not always...comforting. It is always good, but not always comforting.
β
β
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
β
Happiness is a garden walled with glass: there's no way in or out. In Paradise there are no stories, because there are no journeys. It's loss and regret and misery and yearning that drive the story forward, along its twisted road.
β
β
Margaret Atwood (The Blind Assassin)
β
I healed. Not completely. A scar is never the same as good flesh, but it stops the bleeding.
β
β
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
β
I'm going to call in old debts and promises. To raise an army of assassins and thieves and exiles and commoners.
β
β
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β
Should is a futile word. It's about what didn't happen. It belongs in a parallel universe. It belongs in another dimension of space.
β
β
Margaret Atwood (The Blind Assassin)
β
When we die," she said, "I don't think the gods will even know what to do with us.
β
β
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
β
Why does everyone keep asking me that?" Seriously, did I look like some sort of pyscho assassin? Maybe it was the pink sneakers. Or the heart earrings?
β
β
Kiersten White (Paranormalcy (Paranormalcy, #1))
β
I love you," he repeated, shaking her again. "I have for years. And he hurt you and made me watch because he's always know how I felt, too. But if I asked you to pick, you'd choose Arobynn, and I. Can't. Take. It.
β
β
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
β
Killers aren't always assassins. Sometimes, they don't even have blood on their hands.
β
β
Ruta Sepetys (Salt to the Sea)
β
There is no shame in scars, Ismae.
β
β
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β
You said you didnβt care what I thought. Or what I did. Or if I died, if Iβm not mistaken."
βI lied! And you know I lied, you stupid bastard!
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
One heart cannot serve two masters.
β
β
Robin LaFevers (Grave Mercy (His Fair Assassin, #1))
β
Whenever you are ready, or if you never are, my heart is yours, until Death do us part. Whatever that may mean when consorting with one of Deathβs handmaidens.
β
β
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β
Better a good journalist than a poor assassin.
β
β
Jean-Paul Sartre
β
When you spring to an idea, and decide it is truth, without evidence, you blind yourself to other possibilities.
β
β
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
β
Why does the mind do such things? Turn on us, rend us, dig the claws in. If you get hungry enough, they say, you start eating your own heart. Maybe it's much the same.
β
β
Margaret Atwood (The Blind Assassin)
β
Too late to apologize, I've already forgiven you.
β
β
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
β
The girl wore her scars the way some women wore their finest jewelry.
β
β
Sarah J. Maas (The Assassin and the Healer (Throne of Glass, #0.2))
β
I was never afraid of the consequences of being with you. Even if every assassin in the world hunts us β¦ Itβs worth it. You are worth it.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
While I thought that I was learning how to live, I have been learning how to die.
-Leonardo Da Vinci
β
β
Oliver Bowden (Renaissance (Assassin's Creed, #1))
β
The girl who'd taken on a Pirate Lord and his entire island, the girl who'd stolen Asterion horses and raced along the beach in the Red Desert, the girl who'd sat on her own rooftop, watching the sun rise over Avery, the girl who'd felt alive with possibility...that girl was gone.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
You want to know what price I asked for forgiving Arobynn, Celaena?" Sam stood so still the he might have been a statue. "My price was his oath that he'd never lay a hand on you again. I told him I'd forgive him in exchange for that.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
Luck hadn't smiled on me tonight. Capricious bitch.
β
β
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
β
Was that the beginning, that eveningβon the dock of Avilion, with the fireworks dazzling the sky? It's hard to know. Beginnings are sudden, but also insidious. They creep up on you sideways, they keep to the shadows, they lurk unrecognized. Then, later, they spring.
β
β
Margaret Atwood (The Blind Assassin)
β
Good intentions are only lies the weak tell themselves.
β
β
Robin LaFevers (Grave Mercy (His Fair Assassin, #1))
β
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winterβs day, and now she could be dead because she had tried to save the man she loved.
β
β
Grace Willows
β
What fabrications they are, mothers. Scarecrows, wax dolls for us to stick pins into, crude diagrams. We deny them an existence of their own, we make them up to suit ourselves -- our own hungers, our own wishes, our own deficiencies.
β
β
Margaret Atwood (The Blind Assassin)
β
She imagines him imagining her. This is her salvation.
In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How theyβd loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?
β
β
Margaret Atwood (The Blind Assassin)
β
Time is an unkind teacher, delivering lessons that we learn far too late for them to be useful. Years after I could have benefited from them, the insights come to me.
β
β
Robin Hobb (Fool's Assassin (The Fitz and The Fool Trilogy, #1))
β
Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that bitch.
β
β
Lili St. Crow
β
Stop thinking of what you intend to do. Stop thinking of what you have just done. Then, stop thinking that you have stopped thinking of those things. Then you will find the Now, the time that stretches eternal, and is really the only time there is.
β
β
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
β
He removed her hand from his cheek to kiss the tips of her fingers. βI get scared, too,β he murmured onto her skin. βYou want to hear something ridiculous? Whenever Iβm scared out of my wits, I tell myself: My name is Sam Cortland β¦ and I will not be afraid. Iβve been doing it for years.β
It was her turn to raise her brows. βAnd that actually works?β
He laughed onto her fingers. βSometimes it does, sometimes it doesnβt. But it usually makes me feel better to some degree. Or it just makes me laugh at myself a bit.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
I'm not ill like that,β she groaned. He sat on her bed, peeling back the blanket. A servant entered, frowning at the mess on the floor, and shouted for help.
βThen it what way?β
βI,uh...β Her face was so hot she thought it would melt onto the floor. Oh you idiot. βMy monthly cycles finally came back!β
His face suddenly matched hers and he stepped away, dragging his hand through his short hair. βI-if...Then I'll take my leave,β he stammered, and bowed. Celaena raised an eyebrow, and then, despite herself, smiled as he left the room as quick as his feet could go without running, tripping slightly in the doorway as he staggered into the rooms beyond.
β
β
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
β
How could I have been so ignorant? she thinks. So stupid, so unseeing, so given over to carelessness. But without such ignorance, such carelessness, how could we live? If you knew what was going to happen, if you knew everything that was going to happen nextβif you knew in advance the consequences of your own actionsβyou'd be doomed. You'd be as ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.
β
β
Margaret Atwood (The Blind Assassin)
β
What's your name?" he asked above the roar of the music.
She leaned close. "My name is Wind," she whispered. "And Rain. And Bone and Dust. My name is a snippet of a half-remembered song."
He chuckled a low, delightful sound. She was drunk and silly, and so full of the glory of being young and alive and in the capital of the world that she could hardly contain herself.
"I have no name," she purred. "I am whoever the keepers of my fate tell me to be."
He grasped her by her wrist, running a thumb along the sensitive sknin underneath. "Then let me call you Mine for a dance or two.
β
β
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
β
An Assassin, a real Assassin, had to look like one - black clothes, hood, boots, and all. If they could wear any clothes, any disguise, then what could anyone do but spend all day in a small room with a loaded crossbow pointed at the door?
β
β
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
β
I am sorry,' he whispers. 'I am sorry I treated you so ill. I thought only to protect Duval.'
'It was not I who was poisoning him,' I say.
'No, but you had stolen his heart and I was afraid you would rip it from his chest when you left.
β
β
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β
I'm impressed you got up here so quickly - and without a pack of court ladies hounding after you. Perhaps you should try your hand at being an assassin." He shook the hair out of his face.
"I'm not interested in court ladies," he said thickly, and kissed her.
β
β
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
β
What is it the I'll want from you? Not love: that would be too much to ask. Not forgiveness, which isn't yours to bestow. Only a listener, perhaps; only someone who will see me. Don't prettify me though, whatever else you do: I have no wish to be a decorated skull.
But I leave myself in your hands. What choice do I have? By the time you read this last page, that- if anywhere- is the only place I will be.
β
β
Margaret Atwood (The Blind Assassin)
β
I see men assassinated around me every day. I walk through rooms of the dead, streets of the dead, cities of the dead; men without eyes, men without voices; men with manufactured feelings and standard reactions; men with newspaper brains, television souls and high school ideas. Kennedy himself was 9/10ths the way around the clock or he wouldn't have accepted such an enervating and enfeebling job -- meaning President of the United States of America. How can I be concerned with the murder of one man when almost all men, plus females, are taken from cribs as babies and almost immediately thrown into the masher?
β
β
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
β
Home is where the heart is, I thought now, gathering myself together in Betty's Luncheonette. I had no heart any more, it had been broken; or not broken, it simply wasn't there any more. It had been scooped neatly out of me like the yolk from a hard-boiled egg, leaving the rest of me bloodless and congealed and hollow.
I'm heartless, I thought. Therefore I'm homeless.
β
β
Margaret Atwood (The Blind Assassin)
β
She would tuck Sam into her heart, a bright light for her to take out whenever things were darkest.
And then she would remember how it had felt to be loved, when the world held nothing but possibility. No matter what they did to her, they could never take that away.
She would not break.
And someday ... someday, even it took her until her last breath, she'd find out who had done this to her. To Sam.
β
β
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
β
I wonder which is preferable, to walk around all your life swollen up with your own secrets until you burst from the pressure of them, or to have them sucked out of you, every paragraph, every sentence, every word of them, so at the end you're depleted of all that was once as precious to you as hoarded gold, as close to you as your skin - everything that was of the deepest importance to you, everything that made you cringe and wish to conceal, everything that belonged to you alone - and must spend the rest of your days like an empty sack flapping in the wind, an empty sack branded with a bright fluorescent label so that everyone will know what sort of secrets used to be inside you?
β
β
Margaret Atwood (The Blind Assassin)
β
Please don't go."
He let out an uneven breath. "You'll be fine without me. You always have been."
Maybe once, but not now. "How can I convince you to stay?"
"You can't."
She threw down the torch. "Do you want me to beg, is that it?"
"No-never."
"Then tell me-"
"What more can I say?" he exploded, his whisper rough and harsh "Iβve already told you everythingβIβve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.β
βBut why? Why canβt you let it go?β
He grabbed her shoulders and shook her. βBecause I love you!β
Her mouth fell open.
βI love you,β he repeated, shaking her again. βI have for years. And he hurt you and made me watch because heβs always known how I felt, too. But if I asked you to pick, youβd choose Arobynn, and I. Canβt. Take. It.β
The only sounds were their breathing, an uneven beat against the rushing of the sewer river.
βYouβre a damned idiot,β she breathed, grabbing the front of his tunic. βYouβre a moron and an ass and a damned idiot.β He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you."
And then she kissed him.
β
β
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
β
You can't go."
"Give me a reason why I shouldn't."
"Because I'll miss you, damn it!" she hissed, splaying her arms. "Because what's the point in anything if you just disappear forever?"
"The point in what, Celaena?" How could he be so calm when she was so frantic?
"The point in Skull's Bay, and the point in getting me that music, and the point in... the point in telling Arobynn that you'd forgive him if he never hurt me again."
"You said you didn't care what I thought. Or what I did. Or if I died, if I'm not mistaken."
"I lied! And you know I lied you stupid bastard!
β
β
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
β
Never judge someone's character based on the words of another. Instead, study the motives behind the words of the person casting the bad judgment. An honest woman can sell tangerines all day and remain a good person until she dies, but there will always be naysayers who will try to convince you otherwise. Perhaps this woman did not give them something for free, or at a discount. Perhaps too, that she refused to stand with them when they were wrong β or just stood up for something she felt was right. And also, it could be that some bitter women are envious of her, or that she rejected the advances of some very proud men. Always trust your heart. If the Creator stood before a million men with the light of a million lamps, only a few would truly see him because truth is already alive in their hearts. Truth can only be seen by those with truth in them. He who does not have Truth in his heart, will always be blind to her.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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He shook his head pityingly. βThis, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.β
βNot all men are destined for greatness,β I reminded him.
βAre you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?β
βThis is philosophy, Fool. I have never had time to study such things.β
βNo, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?
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Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
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The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skirts, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims.
United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list -- yes, even the short skirts and the dancing -- are worth dying for?
The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them.
How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.
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Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)