Ashes And Snow Quotes

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And far away, across the snow-covered mountains, on a barren plain before the ruins of a once-great city, a flower began to bloom
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Someday we will be more than words in the dark.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Even the strongest blizzards start with a single snowflake.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
No matter what happens, no matter who turns on me, no matter what pompous swine thinks he has power over me, I am still me. I will always be me.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Fear is a seed that, once planted, never stops growing.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
That's why literature is so fascinating. It's always up for interpretation, and could be a hundred different things to a hundred different people. It's never the same thing twice.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
They make decisions; they mold your future. The trick is to find a way to still be you through it all.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
If I die," he whispered in the dark, "dinna follow me. The bairns will need ye. Stay for them. I can wait.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
And it was not darkness, but light—light, bright and pure as the sun on snow, that erupted from Asterin. Light, as Asterin made the Yielding. As the Thirteen, their broken bodies scattered around the tower in a near-circle, made the Yielding as well. Light. They all burned with it. Radiated it. Light that flowed from their souls, their fierce hearts as they gave themselves over to that power. Became incandescent with it.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
All I want, is for you to love me. Not because of what I can do or what I look like, or because I love you - just because I am.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Holding on to some part of your past even if it means also holding on to the pain of never again having it. That pain is less horrible than the pain of forgetting.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Sometimes placing our belief in something bigger than ourselves helps us get to a point where we can be enough on our own, magic or no magic.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
So,” I start as we pull to the left in the hall, “you’re the king of Cordell’s son. How’s that?” Theron chuckles. “Beneficial sometime, horrible others. You’re beautiful – how’s that?
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
The most powerful magic of all is choice.
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
I'm falling apart, one part after another. Falling down on the world like snow. Half of me is already on the ground, watching from below.
Ashly Lorenzana
The Worldly Hope men set their Hearts upon Turns Ashes--or it prospers; and anon, Like Snow upon the Desert's dusty Face Lighting a little Hour or two--is gone.
Omar Khayyám (The Rubaiyat of Omar Khayyam)
No one should be forced to be something they aren't.
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
This wife you have, Bird said at last, deeply contemplative, did you pay a great deal for her? She cost me almost everything I had, he said, with a wry tone that made the others laugh. But worth it.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Time is a lot of the things people say that God is. There's always preexisting, and having no end. There's the notion of being all powerful-because nothing can stand against time, can it? Not mountains, not armies. And time is, of course, all-healing. Give anything enough time, and everything is taken care of: all pain encompassed, all hardship erased, all loss subsumed. Ashes to ashes, dust to dust. Remember, man, that thou art dust; and unto dust thou shalt return. And if time is anything akin to God, I suppose that memory must be the devil.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
The dog would run a few steps toward the house, circle once or twice as though unable to decide what to do next, then run back into the wood, turn, and run again toward the house, all the while whining with agitation, tail low and wavering. "Jesus H. Roosevelt Christ," I said. "Bloody Timmy's in the well!
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
You may have me trapped in this.” I tug him off me. “But you aren’t the first man to underestimate me, so may I advise you to start treating me with a little more respect…
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
That’s how relationships work – when one person is blind, the other must see for them. When one person struggles, the other must remain strong.
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
I don’t need made-up strength. I’m strong enough on my own—me, Meira, no magic or conduit or anything.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
There is an oath upon her," he said to Arch, and I realized dimly that he was still speaking in Gaelic, though I understood him clearly. "She may not kill, save it is for mercy or her life. It is myself who kills for her.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Why d'ye talk to yourself?' 'It assures me of a good listener.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
When you're a teenager, being different- if it's not by choice - seems like the worst thing imaginable. But is it really?
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
I know there are things you aren’t telling me. Big things…Sir, I will find out. I only hope your reasoning is good enough for me to forgive you.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Congratulations, everyone," I announce as I open the door to Noam's study. "You've finally broken Meira, the crazy, orphaned soldier-girl. She's snapped, all thanks to the mention of floral arrangements.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
I’m Hannah’s daughter. I’m Winter’s conduit. I’m a warrior, a soldier, a lady, a queen, and most of all, as I plunge across the snowfield toward Jannuari’s silent ruin, I’m Meira.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
I wanted a life of my own, a life where I could feel myself being a part of Winter. And that, to me, came though fighting for it.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Highlanders make the truest friends-if only because they make the worst enemies.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Ye’re mine, Sassenach. And I would do anything I thought I must to make that clear.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
How quickly the mighty fall.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
If one day, a bhailach...ye should meet a verra large mouse named Michael-ye'll tell him your grandsire sends his regards.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
I canna look at ye asleep without wanting to wake ye, Sassenach.” His hand cupped my breast, gently now. “I suppose I find myself lonely without ye.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Don’t let fear take hold of you—fear is a seed that, once planted, never stops growing.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Feeling like you're enough has nothing to do with actually being enough --you choose whether or not you are.
Sara Raasch (Frost Like Night (Snow Like Ashes, #3))
But we are here, all of us. And we're here because I love you, more than the life that was mine. Because I believed you loved me the same way...will you tell me that's not true? No, he said after a moment, so softly I could barely hear him. His hand tightened harder on mine. No, I willna tell ye that. Not ever, Claire.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Ye’ve no idea how lovely ye look, stark naked, wi’ the sun behind you. All gold, like ye were dipped in it.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
You may be able to look beyond the reality of our situation and imagine some other outcome, but all I ever saw, all I ever see, is a reminder that our lives aren't our own.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
If stubborness were all that was needed to be a good queen, I'd rule the world.
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
I’m at the center of this, a weird possessive feud between the Winter king and the Cordellan prince.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
We've ghosts enough between us, Sassenach. If the evils of the past canna hinder us-neither then shall any fears of the future. We must just must put things behind us and get on. Aye?
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
One flake falls, twisting down through the empty sky. One frozen speck of snow. Then another, and another, and before I know it the roads will be covered in dozens of distinct flakes. All these little pieces combining to create one giant, volatile snowstorm, something beautiful and dangerous and epic
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
And there in front of her was Julian, his eyes and ears closed to anything but Livvy, her body cradled against his. She seemed a drift of fragile ash or snow, something impermanent that had blown into his arms accidentally: the petal of a faerie flower, the white feather of an angel's wing. The dream of a little girl, the memory of a sister reaching up her arms: Julian, Julian, carry me.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Manon didn’t move as Glennis lifted the crown and set it again on Manon’s head. Then the ancient witch knelt in the snow. “What was stolen has been restored; what was lost has come home again. I hail thee, Manon Crochan, Queen of Witches.” Manon stood fast against the tremor that threatened to buckle her legs. Stood fast as the other Crochans, Bronwen with them, dropped to a knee. Dorian, standing amongst them, smiled, brighter and freer than she’d ever seen. And then the Thirteen knelt, two fingers going to their brows as they bowed their heads, fierce pride lighting their faces. “Queen of Witches,” Crochan and Blackbeak declared as one voice. As one people.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Aren't you affected by Simon's magic?"... "Took you this long to ask me that?" She clucks her tongue. "You're not the brightest flame in the fire, are you?" "Don't make me hit you in a library.
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
That, I think, i a truer mark of belonging somewhere - being willing to do anything, everything, that needs to be done, regardless of what I want.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Feather to fire,fire to blood Blood to bone,bone to marrow Marrow to ashes,ashes to snow
Gregory Colbert
You are not what you've done. Who you are right now, this moment, is who you choose to be.
Sara Raasch (Frost Like Night (Snow Like Ashes, #3))
Shining brighter than the snow outside, Aelin lifted her chin and began her final walk home.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
When I die, nieces, I want to be cremated, my ashes taken up in a bush plane and sprinkled onto the people in town below. Let them think my body is snowflakes, sticking in their hair and on their shoulders like dandruff.
Joseph Boyden (Through Black Spruce (Bird Family Trilogy, #2))
I wanted to be a soldier. Someone who would earn standing in Winter. Someone Sir would look at with pride. Someone Mather would look at and —
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
He wanted to ask whether she were insane, but he had been married long enough to know the price of injudicious rhetorical questions.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
He had been hunting for her since the moment she was taken from him. His mate. He barely remembered his own name. And only recalled it because his three companions spoke it while they searched for her across violent and dark seas, through ancient and slumbering forests, over storm-swept mountains already buried in snow.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
If ye were no longer there—or somewhere—” he said very softly, “then the sun would no longer come up or go down.” He lifted my hand and kissed it, very gently. He laid it, closed around my ring, upon my chest, rose, and left.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
I need a book that says 'Here's how to defeat Spring and restore power to your king, and while you're at it, here's how to prove you matter when no one else thinks you do—” I stop. I'm staring at the bookshelves and not at Theron, and I don't think I'll ever be able to look at him again without shriveling up from embarrassment. I can still hear what I said hanging around me, my weak, weak admission, and I can't bring myself to breathe, let alone face him. Theron doesn't give me a choice. He crawls up onto his knees and moves into my line of sight, his forehead wrinkled and his eyes darting over mine like he's trying to figure me out the same way he figured out that passage. After a moment of silence, he grimaces. “You matter,” is all he says.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
There are a few things more peaceful than being out in the snow.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I do not understand men.” That made him chuckle, deep in his chest. “Yes, ye do, Sassenach. Ye only wish ye didn’t.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
No apologies. No matter what happens, I will never, not in a thousand tragic outcomes, ever regret loving you.
Sara Raasch (Frost Like Night (Snow Like Ashes, #3))
"Horrible things have happened to us, are still happening to us, will happen every day for the rest of our lives, probably. What defines us is not our ability to never let them break us--what defines us is not letting them own us. We are the Thaw, and we will not be defeated by memories or evil men."
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
He reached forward then took me in his arms, held me close for a moment, the breath of snow and ashes cold around us. Then he kissed me, released me, and I took a deep breath of cold air, harsh with the scent of burning.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
No matter our dire circumstances, no matter our shared upbringing, no matter the chill his smile sends over my body, he’s still him, and I’m still me, and yes, he needs to have a female heir someday, but with a proper lady, a duchess or a princess—not the girl who spars with him.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Soon he’ll know the blizzard started with me.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
All I want,” she said softly to the dark, “is for you to love me. Not because of what I can do or what I look like, or because I love you—just because I am.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
It is amazing what you can hide when no one knows what to look for.
Sara Raasch (Frost Like Night (Snow Like Ashes, #3))
Trees lose their leaves in blizzards like these.
Ashly Lorenzana
The world is changing. We cannot deal with the problem as we have in the past, or we will always end up where we started.
Sara Raasch (Frost Like Night (Snow Like Ashes, #3))
Horrible things have happened to us, are still happening to us, will happen every day for the rest of our lives, probably. What defines us is not our ability to never let them break us— what defines us is not letting them own us.
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
So tired of Noam and Herod and Sir and Angra and all these arrogant, puppet-master men who hold all the strings and refuse to give them up.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
He leaves. Just like that. No final good-bye, no last, lingering glance. Like we never loved each other at all.
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
Horrible things don’t happen in crowded places; they happen in the hollows of the world, where it’s just a victim and an attacker and no one to hear any screams. “Hang
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
In war, government and their armies were a threat, but it was so often the neighbors who damned or saved you
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
You’ll only regret the time it took you to make the decision.
Sara Raasch (Frost Like Night (Snow Like Ashes, #3))
You may have it,” he said. His voice was very low, but he met my eyes straight on. “All of it. Anything that was ever done to me. If ye wish it, if it helps ye, I will live it through again.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
He stares into the sky, his eyes absent and empty, an expression that branded its horrible meaning into my mind long, long ago. A candle without a spark, a sky without a sun, the look people get when they cease to be people, start being bodies.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Letter 74 I still have the first letter that you wrote to me. I carry it with me like a garden in my pocket. If you come to me at this moment your minutes will become hours your hours will become days and your days will become a lifetime. I am never sure if I am reading the letter or the letter is reading me.
Gregory Colbert (Ashes and Snow: A Novel in Letters)
In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them. In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is! In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects. In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.
Sei Shōnagon
Books in towering stacks lean against the fireplace and on small end tables, and crowd the bookshelves so tightly I fear the entire structure will burst in an explosion of paper and dust. They're the large books too, great archaic things that look so old, so fragile, that I worry I might disintegrate them just by breathing too hard.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Mile after mile, across the darkening world, the call went out, ceaseless and unending as the eternal flame that passed from hearth to hearth. “Fly, fly, fly!” they shouted. “To the queen! To war!” Far and wide, through snow and storm and peril, the Crochans flew.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
You aren't doing it for the sake of ideals, are you? Not for the sake of...liberty. Freedom, self determination, all that.' He shook his head. 'No,' he said softly. 'Why, then? I asked, more gently. 'For you,' he said without hesitation. '...For my family. For the future. And if that is not an ideal, I've never heard of one.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
I regarded him gently over my own bowl of stew. He was very large, solid, and beautifully formed. And if he was a bit battered by circumstance, that merely added to his charm. "You're a very hard person to kill, I think," I said. "That's a great comfort to me.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
This was nonsense, he thought. The need of her was a physical thing, like the thirsty of a sailor becalmed for weeks on the sea. He'd felt the need before, often, often, in their years apart. But why now? She was safe; he knew where she was - was it only the exhaustion of the past weeks and days, or perhaps the weakness of creeping age that made his bones ache, as though she had in fact been torn from his body, as God had made Eve from Adam's rib?
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
When people die they are sometimes put into coffins, which means that they don't mix with the earth for a very long time until the wood of the coffin rots. But Mother was cremated. This means that she was put into a coffin and burned and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the creamatorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up and I think that there are molecules of Mother up there, or in clouds over Africa or the Antarctic, or coming down as rain in the rain forests in Brazil, or snow somewhere.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
have been degraded and humiliated in so many ways, for so many years,” she said, voice shaking. Not from fear, but from the tidal wave that swept up everything inside her, burning alongside the wound in her leg. “But I have never felt as humiliated as I did when you threw me into the snow. When you called me a lying bitch in front of our friends and allies. Never.” She hated the angry tears that stung her eyes. “I was once forced to crawl before men. And gods above, I nearly crawled for you these months. And yet it takes me nearly dying for you to realize that you’ve been an ass? It takes me nearly dying for you to see me as human again?
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
A cold supper, were you thinking? I asked dubiously. I was not, he said firmly, I mean to light a roaring fire in the kitchen hearth, fry up a dozen eggs in butter, and eat them all, then lay ye down on the hearth rug and roger ye 'till you - is that all right? he inquired, noticing my look. 'Til I what? I asked fascinated by his description of the evening's program. 'Til ye burst into flame and take me with ye, I suppose, he said, and stooping, swooped me up into his arms and carried me across the darkened threshold.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Roger, listening intently, couldn't keep from asking a question at this point. Is it true Colonel Stark said 'Don't fire till you see the whites of their eyes?' Lee coughed discreetly. Well sir. I couldn't say for sure as no one said that, but I didn't hear it myself. Mind, I DID hear one colonel call out, 'Any whoreson fool wastes his powder afore the bastards are close enough to kill is gonna get his musket shoved up his arse butt-first!
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
There is no antidote, he writes, against the opium of time. The winter sun shows how soon the light fades from the ash, how soon night enfolds us. Hour upon hour is added to the sum. Time itself grows old. Pyramids, arches and obelisks are melting pillars of snow. Not even those who have found a place amidst the heavenly constellations have perpetuated their names: Nimrod is lost in Orion, and Osiris in the Dog Star. Indeed, old families last not three oaks.
W.G. Sebald (The Rings of Saturn)
Yes. Just now, I was actually trying to rank 'I love you, I like you, I worship you, I have to have my cock inside you,' in terms of relative sincerity. Did I day that? he said sounding slightly startled. Yes. Weren't you listening? No, he admitted. I meant every word of it though. His hand cupped one buttock, weighing it appreciatively. Still do come to that. What, even that last one? I laughed and rubbed my forehead gently against his chest, feeling his jaw rest snugly on top of my head. Oh, aye, he said gathering me firmly against him with a sigh. I will say the flesh requires a bit of supper and a wee rest before I think of doin' it again, but the spirit is always willing. God, ye have the sweetest fat wee bum. Only seeing it makes me want to give it yea again directly. It's lucky ye're wed to a decrepit auld man, Sessenach, or ye'd be on your knees with your arse in the air this minute.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Who will you be when faced with the end? The end of a kingdom, The end of good men, Will you run? Will you hide? Or will you hunt down evil with a venomous pride? Rise to the ashes, Rise to the winter sky, Rise to the calling, Make heard the battle cry. Let it scream from the mountains From the forest to the chapel, Because death is a hungry mouth And you are the apple. So who will you be when faced with the end? When the vultures are circling And the shadows descend Will you cower? Or will you fight? Is your heart made of glass? Or a pure Snow White?
Lily Blake (Snow White & the Huntsman)
I was crying and laughing, snuffing tears and blood, bumping at him with my bound hands, trying awkwardly to thrust them at him so that he could cut the rope. He quit grappling, and clutched me so hard against him that I yelped in pain as my face was pressed against his plaid. He was saying something else, urgently, but I couldn’t manage to translate it. Energy pulsed through him, hot and violent, like the current in a live wire, and I vaguely realized that he was still almost berserk; he had no English.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Liberty On my notebooks from school On my desk and the trees On the sand, on the snow I write your name On every page read On all the white sheets Stone blood paper or ash I write your name On the golden images On the soldier’s weapons On the crowns of kings I write your name On the jungle, the desert The nests and the bushes On the echo of childhood I write your name On the wonder of nights On the white bread of days On the seasons engaged I write your name On all my blue rags On the pond mildewed sun On the lake living moon I write your name On the fields, the horizon The wings of the birds On the windmill of shadows I write your name On the foam of the clouds On the sweat of the storm On dark insipid rain I write your name On the glittering forms On the bells of colour On physical truth I write your name On the wakened paths On the opened ways On the scattered places I write your name On the lamp that gives light On the lamp that is drowned On my house reunited I write your name On the bisected fruit Of my mirror and room On my bed’s empty shell I write your name On my dog greedy tender On his listening ears On his awkward paws I write your name On the sill of my door On familiar things On the fire’s sacred stream I write your name On all flesh that’s in tune On the brows of my friends On each hand that extends I write your name On the glass of surprises On lips that attend High over the silence I write your name On my ravaged refuges On my fallen lighthouses On the walls of my boredom I write your name On passionless absence On naked solitude On the marches of death I write your name On health that’s regained On danger that’s past On hope without memories I write your name By the power of the word I regain my life I was born to know you And to name you LIBERTY
Paul Éluard
And there she was. In deepening blues of descending night, amid the snow beginning till, Aelin Galathynius had appeared before the sealed southern gate. Had appeared before Erawan and Maeve. Her unbound hair billowed in the wind like a golden banner, a last ray of light with the dying of the day. Silence fell. Even the screaming stopped as all turned toward the gate. But Aelin did not balk. Did not run from the Valg queen and king who halted as if in delight at the lone figure who dared face them. Lysandra let out a strangled sob. "She-she has no magic left." The shifter's voice broke. "She has nothing left." Still Aelin lifted her sword. Flames ran down the blade. One flame against the darkness gathered. One flame to light the night. Aelin raised her shield, and flames encircled it, too. Burning bright, burning undaunted. A vision of old, reborn once more. The cry went down the castle battlements, through the city, along the walls. The queen had come home at last. The queen had come to hold the gate.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.” As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.” Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.” “I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.” “Again, thanks,” he gritted. He wants us! Stupid demon. William grinned. “Maybe we can make out later. I know you want me.” Tell him yes! Not another word out of you, or— “Paris? Warrior?” Zacharel said. “Are you listening to me?” “No.” Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.” “Oh, yeah. I definitely have attention deficient demon.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
Everything that was not so must go. All the beautiful literary lies and flights of fancy must be shot in mid-air! So they lined them up against a library wall one Sunday morning thirty years ago, in 2006; they lined them up, St. Nicholas and the Headless Horseman and Snow White and Rumpelstiltskin and Mother Goose--oh, what a wailing!--and shot them down, and burned the paper castles and the fairy frogs and old kings and the people who lived happily ever after (for of course it was a fact that nobody lived happily ever after!), and Once Upon A Time became No More! And they spread the ashes of the Phantom Rickshaw with the rubble of the Land of Oz; they filleted the bones of Glinda the Good and Ozma and the shattered Polychrome in a spectroscope and served Jack Pumpkinhead with meringue at the Biologists' Ball! The Beanstalk died in a bramble of red tape! Sleeping Beauty awoke at the kiss of a scientist and expired at a fatal puncture of his syringe. And they made Alice drink something from a bottle which reduced her to a size where she could no longer cry 'Curiouser and curioser,' and they gave the Looking Glass one hammer blow to smash it and every Red King and Oyster away!
Ray Bradbury (The Martian Chronicles)
What actually happens when you die is that your brain stops working and your body rots, like Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go dig in the same place in 10 years there will be nothing except his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is part of the flowers and the apple tree and the hawthorn bush now. When people die they are sometimes put into coffins which means that they don't mix with the earth for a very long time until the wood of the coffin rots. But Mother was cremated. This means that she was put into a coffin and burnt and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the crematorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up into the sky and I think that there are molecules of Mother up there, or in clouds over Africa or the Antartic, or coming down as rain in rainforests in Brazil, or in snow somewhere.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
She took a puff, put the cigarette in the ashtray and stared at it. Without looking up, she said, But do you believe in love, Mr Evans? She rolled the cigarette end around in the ash tray. Do you? Outside, he thought, beyond this mountain and its snow, there was a world of countless millions of people. He could see them in their cities, in the heat and the light. And he could see this house, so remote and isolated, so far away, and he had a feeling that it once must have seemed to her and Jack, if only for a short time, like the universe with the two of them at its centre. And for a moment he was at the King of Cornwall with Amy in the room they thought of as theirs—with the sea and the sun and the shadows, with the white paint flaking off the French doors and with their rusty lock, with the breezes late of an afternoon and of a night the sound of the waves breaking—and he remembered how that too had once seemed the centre of the universe. I don’t, she said. No, I don’t. It’s too small a word, don’t you think, Mr Evans? I have a friend in Fern Tree who teaches piano. Very musical, she is. I’m tone-deaf myself. But one day she was telling me how every room has a note. You just have to find it. She started warbling away, up and down. And suddenly one note came back to us, just bounced back off the walls and rose from the floor and filled the place with this perfect hum. This beautiful sound. Like you’ve thrown a plum and an orchard comes back at you. You wouldn’t believe it, Mr Evans. These two completely different things, a note and a room, finding each other. It sounded … right. Am I being ridiculous? Do you think that’s what we mean by love, Mr Evans? The note that comes back to you? That finds you even when you don’t want to be found? That one day you find someone, and everything they are comes back to you in a strange way that hums? That fits. That’s beautiful. I’m not explaining myself at all well, am I? she said. I’m not very good with words. But that’s what we were. Jack and me. We didn’t really know each other. I’m not sure if I liked everything about him. I suppose some things about me annoyed him. But I was that room and he was that note and now he’s gone. And everything is silent.
Richard Flanagan (The Narrow Road to the Deep North)