Artwork Best Quotes

By honoring each other’s ethnic, religious, and cultural backgrounds, we become stronger and happier, brightening the cosmic masterpiece of artwork that is our world. Rather than emphasize differences, we should be looking for similarities. Our differences are ultimately superficial, and the best thing to do is celebrate them.

The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars. One of the basic and difficult lessons every artist must learn is that even the failed pieces are essential. X-rays of famous paintings reveal that even master artists sometimes made basic mid-course corrections (or deleted really dumb mistakes) by overpainting the still-wet canvas. The point is that you learn how to make your work by making your work, and a great many of the pieces you make along the way will never stand out as finished art. The best you can do is make art you care about — and lots of it!

The best art is not always the most popular art, and the most popular art is never truly the best art. The best art is that which is streamed through God. And the worst art is that which is void of God. The master artist of the universe is the Creator of All Things, and his reflection is in all of us. Only the artist who is aware that he is a reflection of that greatness, and that creativity is supreme love, is a true divine artist. Even if he is not the most popular artist, he will be very popular among the stars of His universe. That is the master artist, one who uses his talents to serve as a vehicle of God. In his work, you hear God's voice and see with His eyes.

The desire to make art begins early. Among the very young this is encouraged (or at least indulged as harmless) but the push toward a 'serious' education soon exacts a heavy toll on dreams and fantasies....Yet for some the desire persists, and sooner or later must be addressed. And with good reason: your desire to make art -- beautiful or meaningful or emotive art -- is integral to your sense of who you are. Life and Art, once entwined, can quickly become inseparable; at age ninety Frank Lloyd Wright was still designing, Imogen Cunningham still photographing, Stravinsky still composing, Picasso still painting. But if making art gives substance to your sense of self, the corresponding fear is that you're not up to the task -- that you can't do it, or can't do it well, or can't do it again; or that you're not a real artist, or not a good artist, or have no talent, or have nothing to say. The line between the artist and his/her work is a fine one at best, and for the artist it feels (quite naturally) like there is no such line. Making art can feel dangerous and revealing. Making art is dangerous and revealing. Making art precipitates self-doubt, stirring deep waters that lay between what you know you should be, and what you fear you might be. For many people, that alone is enough to prevent their ever getting started at all -- and for those who do, trouble isn't long in coming. Doubts, in fact, soon rise in swarms: "I am not an artist -- I am a phony. I have nothing worth saying. I'm not sure what I'm doing. Other people are better than I am. I'm only a [student/physicist/mother/whatever]. I've never had a real exhibit. No one understands my work. No one likes my work. I'm no good. Yet viewed objectively, these fears obviously have less to do with art than they do with the artist. And even less to do with the individual artworks. After all, in making art you bring your highest skills to bear upon the materials and ideas you most care about. Art is a high calling -- fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others -- indeed anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit. Each step in the artmaking process puts that issue to the test.

In fact, if a museum were filled with all of the world's stolen artworks, it would be the most impressive collection ever created. It would have far more Baroque sculptures, much better Surrealist paintings, and the best Greek antiquities of any known institution. A gallery of stolen art would make the Louvre seem like a small-town gallery in comparison. Experts call it the Lost Museum.

The memory of human blood manifests now as a kind of visceral reaction to seeing people's veins and their necks. The skin on a neck appears to me as different from the skin anywhere else on a body. It seems as thin and consumable as rice paper wrapped around a sweet. It is too blank compared with skin everywhere else, as though it is asking to have marks made on it, like very expensive calligraphy paper, or cold-pressed Fabriano. Often, I wonder whether the urge I have to make art is the same as the urge to consume and destroy the blankness of a human neck. While at art college, I read that the best paper used by artists in the seventeenth century was made from the skins of lamb fetuses. This skin was soft and absorbent, and had an even texture right across its surface. For a long time, the process of creating art has been linked to the killing of living things. My dad, even, used fine silk stretched across wooden frames in his own work as a painter. Once, when we still had some of his pieces, I looked at the odd geometric shapes he created on a huge sheet and thought about all the silkworms who had had their cocoons torn open before they were able to become moths.

...for even the best artwork is a static thing of the eye alone, and words are by their nature linear.

Think of the celebrated artwork on your fridge. Your best effort plus the love of the Savior is a masterpiece. It's not about outcome; it's about effort.

Carlsbad Caverns National Park is best described as living artwork.

I keep a box in which I store his artwork and writings, like his response to an assignment in which he has been asked if you should always try your best. “I don’t think you should always try your best all the time,” he writes, “because, let’s say a drug atick asks you for drugs you should not try your best to find him some drugs.” Another assignment that goes into the box is

Cooking is like playing a violin. The bow is a tool used to play, as is the knives and other tools you use to prepare. (a chef's knife is even held in the same manner) Spices are the notes used in the score. The way the food is cooked and prepared is the rhythm and tempo. The ingredients are the violin themselves, ready to be played upon. The finished dish is the music played to its best melody. All of these things must be applied together at the right pace, manner, and time in order to create a flavourful rush of artwork and beauty.

Writing to his sister Willemina two years later, van Gogh still considered The Potato Eaters his most successful painting: “What I think about my own work is that the painting of the peasants eating potatoes that I did in Nuenen is after all the best thing I did” However, the painting was criticised by his friend Anthon van Rappard soon after it was completed, which was a blow to van Gogh’s confidence. He wrote back to his friend, “you... had no right to condemn my work in the way you did.” On April 14, 1991, twenty major paintings were stolen from the Vincent van Gogh National Museum, including The Potato Eaters. For unknown reasons, the thieves abandoned the artworks thirty-five minutes after the robbery and the paintings were quickly recovered.

Mr. Bredon had been a week with Pym's Publicity, and had learnt a number of things. He learned the average number of words that can be crammed into four inches of copy; that Mr. Armstrong's fancy could be caught by an elaborately-drawn lay-out, whereas Mr. Hankin looked on art-work as waste of a copy-writer's time; that the word “pure” was dangerous, because, if lightly used, it laid the client open to prosecution by the Government inspectors, whereas the words “highest quality,” “finest ingredients,” “packed under the best conditions” had no legal meaning, and were therefore safe; that the expression “giving work to umpteen thousand British employees in our model works at so-and-so” was not by any means the same thing as “British made throughout”; that the north of England liked its butter and margarine salted, whereas the south preferred it fresh; that the Morning Star would not accept any advertisements containing the word “cure,” though there was no objection to such expressions as “relieve” or “ameliorate,” and that, further, any commodity that professed to “cure” anything might find itself compelled to register as a patent medicine and use an expensive stamp; that the most convincing copy was always written with the tongue in the cheek, a genuine conviction of the commodity's worth producing—for some reason—poverty and flatness of style; that if, by the most far-fetched stretch of ingenuity, an indecent meaning could be read into a headline, that was the meaning that the great British Public would infallibly read into it; that the great aim and object of the studio artist was to crowd the copy out of the advertisement and that, conversely, the copy-writer was a designing villain whose ambition was to cram the space with verbiage and leave no room for the sketch; that the lay-out man, a meek ass between two burdens, spent a miserable life trying to reconcile these opposing parties; and further, that all departments alike united in hatred of the client, who persisted in spoiling good lay-outs by cluttering them up with coupons, free-gift offers, lists of local agents and realistic portraits of hideous and uninteresting cartons, to the detriment of his own interests and the annoyance of everybody concerned.

The best works around us, whether they are poetry, music, or artwork, come from the heart.

To make a bathroom feel relaxing and restful, it’s best to choose colors that provide feelings of warmth and comfort. These colors include earth tones ranging from rich chocolate to tan to cream. Accenting with these nurturing colors relaxes us and makes us feel safe. Paint, tile, towels, rugs, shower curtains, and artwork can be used to bring warm colors into the bathroom. Try this:

A beautiful drinking horn worthy a Jarl. The wide brass rim comes with Viking Age dragon artwork and the tip with a matching brass terminal.

For artwork, I simply turned to nineteenth-century books and magazines, of which I built a large collection. I knew that (under the copyright laws of the time) works created prior to 1906 were no longer subject to copyright, so we were free to use the artwork. To create the cartoons, I would leaf through old sources until I found a cartoon that I thought would match the text. Much later, I learned from Robert Graves’s The White Goddess that what I was practicing was iconotropy, the deliberate misreading of images. Graves thought that a lot of myths had come from people misreading or twisting the meaning of the pictures on Greek vases. I spent the next nineteen years iconotropically creating those cartoons. They were at once a chore and a relief from the pressures of running the business. Best of all, they caught on with the public, and played a major role of establishing Trader Joe’s as a “different” kind of retailer, one that didn’t take itself too seriously.

The Secret on How to Write Comedy In a fashionable context, comedy is a subjective element. Making humans funny is an incredibly difficult job and developing a chunk of comedy is even more difficult. If you are an aspiring comedy writer, there is loads to be found out and Filipino concert in Las Vegas( ticklemecomedy.com) in case you lack that writing skills, there's no way you may produce an excellent comedy piece. So how do you write stuff that is actually funny and will make everyone roll round in laughter? Are there definitely techniques on how to write comedy or steps with a view to decorate your comedic writing? Maybe these are the questions rambling around your thoughts now. Well, happily, there are some easy strategies on for writing humorous cloth. Tips on How to Write Comedy Like all different forms of writing, comedy writing is no one of a kind. It additionally takes exercise to get it right. Some comedic writers might also master the artwork of comedy writing with only a little exercise while a few conflict lots before getting Filipino show in Las Vegas to know it. With that being said, every person who wants to realize the secret to writing high-quality comedy need to consider some easy pointers. Whether you come to be being funny or no longer, the most essential element is which you have discovered how to excellent write comedic cloth and are capable of produce quality comedy pieces. To assist you emerge as a very good comedic writer, beneath are some guidelines. • Choose the type of comedy - One tip on how to write comedic portions is to pick out the type of humor you need to exhibit. There are various forms of comedy along with slapstick, parody, dark humor, edgy humor, own family humor, dry observational humor, and plenty of others. You simply need to select one in your comedy piece and paintings on it. Failure to consciousness on one sort of humor will end result on your audience being careworn. • Use warfare - Another golden rule is to discover the battle in anything and play on the boundaries. Professional comedic writers say that anger is frequently the middle of all comedy. But this doesn't suggest however that you need to be a raging psycho simply so one can realize the way to write comedy. This virtually approach that you got to have the ability to address a conflict in a humorous manner. • Carefully choose your words - Successful comedic playwrights realize nicely the way to maximize the comedic impact. Obviously, they are experts in finding the funniest in everything. Choose phrases that sound funny and discover ways to tweak your paintings to give you actual funny piece. • Know how and whilst to magnify - In comedy, "extra" is generally better. Think approximately conditions that might be funnier if things have been exaggerated a chunk. Something mildly humorous can quickly Las Vegas Filipino shows become hilarious with a little bit of embellishment. • Timing - In comedy, timing is the whole thing. It is a totally critical component in writing comedy. You want to inject the proper joke inside the proper location and in the right time. This is in which your punch traces ought to appear. This also manner understanding whilst to end. But take word that timing depends significantly at the sort of comedy you're pursuing. Practice makes best After being given these few hints on how to write comedy, you need to have a terrific begin composing fine, comedic work. But as the famous adage says "Practice makes best" so preserve to exercise and work at your stuff. You don't always want to be intrinsically humorous to study comedic writing but it'll help.

Why stock their minds with such images? The Christian inscriptions and artwork decorating these rooms explain the purpose. They are filled with words and images depicting the theme of the resurrection. The images include paintings like the one in the Catacombs of Praetextatus of a lush olive harvest (the crop Romans saw in their fields, like the crops of wheat Jesus saw in his area).5 Even as a modern, I experienced those resurrection images in an intensified spiritual light precisely because they were juxtaposed next to stark images of death.

She was a nineteen-year-old student. She sang, played piano, and went to church every Sunday. Today, there was a C.E.M.P. call-out to Northridge, where an SUV sped through a red light and hit her as she was crossing the street. Her body flew several dozen feet through the air before landing face-first on the ground. The jewelry she was wearing clattered across the intersection. The artwork she was carrying scattered in the wind. She seemed talented. She seemed smart. She seemed generous. She never had a chance. It could have just as easily been me. It could have just as easily been you. But it was her. Tomorrow, though, is another day. THE PARTING WORDS OF THE FISHWIFE SIDUR TO GILGAMESH: “When the heavenly gods created human beings, they kept everlasting life for themselves and gave us death. So, Gilgamesh, accept your fate. Each day, wash your head, bathe your body, and wear clothes that are sparkling fresh. Fill your stomach with tasty food. Play, sing dance, and be happy both day and night. Delight in the pleasures that your wife brings you, and cherish the little child who holds your hand. Make every day of your life a feast of rejoicing! This is the task that the gods have set before all human beings. This is the life you should seek, for this is the best life a mortal can hope to achieve.

I'd insist that we all out same canvases and paint together. You might not want to, but I'd assure you that we needn't be so worried about painting masterpieces. People are the masterpieces, and you are creative because you are God's best creation and HI fingerprints and brush strokes dance all inside of you. Then I'd hold up my written rules for paintbrush holders. Everyone must try. Give yourself permission to not be perfect. Refuse to be intimidated by the process. The most beauty will emerge from the paintbrushes held by those who are most free from fear. Smile. I already love what will soon come to life on your canvas. Then we'd paint. And you'd discover you actually like it. Your piece would turn out amazing, and together we'd think through the perfect place for you to hang it up in your house... We are slowly coming out of hiding. It feels good to be vulnerable with artwork and with each other.

There was once an artistically talented teenager who felt unrequited love for a girl in his art class. It so happened that his beloved’s artwork was particularly bad, so bad, in fact, that it was often quietly mocked. One day the boy overheard two classmates laughing about how bad her artwork was. But just then she entered the room, and they quickly changed the subject. After a couple of minutes, the two classmates started playing a cruel game where they praised her for her artistic abilities. She protested, but the classmates kept insisting that she had real talent and should think about exhibiting something in the end-of-year art show. A week later she pulled the lovelorn boy to one side and asked for some advice about a painting. He jumped at the chance to talk with her, and while the work was terrible, he praised it profusely. To his horror, the praise he lavished on it convinced her to enter the painting in the school art exhibition. Because of his love, he didn’t want her to be humiliated, so the day before the show he went into the room holding all the submissions and stole her painting along with a couple of others. Once the theft was discovered, the art teacher quickly worked out who was guilty and pulled the boy out of class. Before suspending him, the teacher asked why he’d stolen the paintings. “That’s easy,” replied the boy. “I wanted to win the prize and so stole the best work.” News quickly spread around the school that the girl had created a masterpiece that might have won the prize if allowed to compete.

Hume emphasized education and experience: men of taste acquire certain abilities that lead to agreement about which authors and artworks are the best. Such people, he felt, eventually will reach consensus, and in doing so, they set a ‘standard of taste’ which is universal. … Hume said men of taste must ‘preserve minds free from prejudice’, but thought no one should enjoy immoral attitudes or ‘vicious manners’ in art … Kant too spoke about judgements of taste but he was more concerned with explaining judgements of Beauty. He aimed to show that good judgements in aesthetics are grounded in features of artworks themselves, not just in us and our preferences. Kant tried to describe our human abilities to perceive and categorize the world around us. There is a complex interplay among our mental faculties including perception, imagination, and intellect or judgement. Kant held that in order to function in the world to achieve our human purposes, we label much of what we sense, often in fairly unconscious ways.