Armour Life Quotes

That money talks, I'll not deny, I heard it once: it said, 'goodbye

The best armour of old age is a well spent life perfecting it.

That's the paradox: the only time most people feel alive is when they're suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That's why the things that are worst to undergo are best to remember. But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster.

Persephone, grant me the foresight to know when I must let go my old life to start anew. Artemis, grant me the strength of your spine when you helped deliver Apollo, your own twin. Athena, grant me the solidarity in your sinews for which you were born in all of your armour. Aphrodite, grant me the kind of heart that always follows my passions true. Andromeda grant me the wish to never fall out of love with the night sky or the glisten of it’s stars. And Hera, grant me your fury, so I can remind my enemies I am not the weakness they perceive, I am the oncoming storm, I am war.

The best armour of old age is a well spent life preceding it.

Wigmore turned towards the window. A column of armoured vehicles was making its way down the Mall towards Buckingham Palace. As he watched, he cursed himself for not remaining at the hotel. He looked at Merlin. ‘Very well. Go ahead with your bloody questions.

The best Armour of Old Age is a well spent life preceding it; a Life employed in the Pursuit of useful Knowledge, in honourable Actions and the Practice of Virtue; in which he who labours to improve himself from his Youth, will in Age reap the happiest Fruits of them; not only because these never leave a Man, not even in the extremest Old Age; but because a Conscience bearing Witness that our Life was well-spent, together with the Remembrance of past good Actions, yields an unspeakable Comfort to the Soul

So furiously each other did assayle, As if their soules they would attonce haue rent Out of their brests, that streames of bloud did rayle Adowne, as if their springes of life were spent; That all the ground with purple bloud was sprent, And all their armours staynd with bloudie gore, Yet scarcely once to breath would they relent, So mortall was their malice and so sore, Become of fayned friendship which they vow'd afore.

And it would be a spare life he would be certain to lead as a schoolteacher in some urban location. But he had a serenity that came with the choice of the life he wanted to live. And this serenity and certainty I have seen only among those who have the armour of books close by.

But he had a serenity that came with the choice of the life he wanted to live. And this serenity and certainty I have seen only among those who have the armour of books close by.

You know,” he says, swallowing with some difficulty. “I always thought I was Achilles in this story—the over controlling mother, the famed heritage, the great expectations,” he smiles wryly. “But here I am James, wearing your armour, rushing off into battles I have no business fighting. Playing the hero, and failing, like the secondary character I am,” he laughs. “But that’s—“ he has to clear his throat. “That’s where the metaphor ends okay? Fuck fate, fuck prophecies, let someone else handle it. Let someone else save the day. You just…go away somewhere okay? Go live your beautiful life. Fade into obscurity, leave the heroics to people who have less to offer the world. Don’t go to Troy.

But thoughtless ingratitude is the armour of the young; without it, how would they ever get through life? The old wish the young well, but they wish them ill also: they would like to eat them up, and absorb their vitality, and remain immortal themselves. Without the protection of surliness and levity, all children would be crushed by the past - the past of others, loaded on their shoulders. Selfishness is their saving grace.

The primary nature of every human being is to be open to life and love. Being guarded, armoured, distrustful and enclosed is second nature in our culture. It is the means we adopt to protect ourselves against being hurt, but when such attitudes become characterological or structured in the personality, they constitute a more severe hurt and create a greater crippling than the one originally suffered.

Innocence is a bleeding wound without a bandage, a wound that opens with every casual knock from casual passers-by. Experience is an armour.

The barriers we face in life are so often the ones we create in our minds. As a child I couldn’t open that wooden gate because my body prevented me from doing so. As a teenager it seemed I couldn’t open that door because my mind held me hostage. The world that waited beyond it now was no longer one of safety or escape. Instead, I knew every time that I opened that door, it would be to a life of psychological insecurity and emotional entrapment. She - that cerebral leech who clung to all my thoughts - convinced me of this fact. Only with her could I find and maintain an asylum of mental armour

One day, a knight in shining armour may find my daughter, and offer to save her from her life, her problems, her troubles. In that situation, I hope that I have raised a girl that she smiles coolly and tells him, 'No, thank you. I've very much got this.' Then puts on her armour and rides off into the sunset alone to save herself.

Throughout the ancient world, naming was a sacred act. It was the word by which a child was called into his calling. It was the voice of destiny, summoning the child into his future with all its glorious promise.

I suppose to some extent all children have a touch of magic about them – like some mysterious living lens they seem to have the capacity to focus the light into the darkest and gloomiest of places – and this one had it in a very high degree. Perhaps it’s the very newness of the young, or perhaps it’s just because the shine hasn’t worn off, but they can and do, if you give them half a chance, make a dent in the toughest armour of life. If you’re very lucky they can dissolve away all those protective barricades so carefully erected over years of living.

Seeds of destruction take root in the human heart, and even among those who long for peace, they call to our darker instincts and urge us to violence.:

As the man was bundled into an armoured police van, he turned and shouted: ‘Don’t waste your life following others! Be individual! Live your dreams!’ I stood there thinking. He was right. Ours is a society of followers, trapped by an island mentality.

I was young at Myna, that first time. When had the change come? He had retreated to here, to Collegium, to spin his awkward webs of intrigue and to lecture at the College. Then, years on, the call had come for action. He had gone to that chest in which he stored his youth and found that, like some armour long unworn, it had rusted away. He tried to tell himself that this was not like the grumbling of any other man who finds the prime of his life behind him. I need my youth and strength now, as never before. A shame that one could no husband time until one needed it. All his thoughts rang hollow. He was past his best and that was the thorn that would not be plucked from his side. He was no different from any tradesman or scholar who, during a life of indolence, pauses partway up the stairs to think, This was not so hard, yesterday.

When you undress a woman you discover in her lingerie clues to her mood and desires. These whispers of silk and satin are our armour, our feathers and fantasy – black-sexy, pink-girlie, white-virginal, red-anything might happen and (we pray) almost certainly will.

Everybody tries to protect this vulnerable two three four five six seven eight year old inside, and to acquire skills and aptitudes for dealing with the situations that threaten to overwhelm it... Usually, that child is a wretchedly isolated undeveloped little being. It’s been protected by the efficient armour, it’s never participated in life, it’s never been exposed to living and to managing the person’s affairs, it’s never been given responsibility for taking the brunt. And it’s never properly lived. That’s how it is in almost everybody. And that little creature is sitting there, behind the armour, peering through the slits. And in its own self, it is still unprotected, incapable, inexperienced... And in fact, that child is the only real thing in them. It’s their humanity, their real individuality, the one that can’t understand why it was born and that knows it will have to die, in no matter how crowded a place, quite on its own. That’s the carrier of all the living qualities. It’s the centre of all the possible magic and revelation. What doesn’t come out of that creature isn’t worth having, or it’s worth having only as a tool—for that creature to use and turn to account and make meaningful... And so, wherever life takes it by surprise, and suddenly the artificial self of adaptations proves inadequate, and fails to ward off the invasion of raw experience, that inner self is thrown into the front line—unprepared, with all its childhood terrors round its ears. And yet that’s the moment it wants. That’s where it comes alive—even if only to be overwhelmed and bewildered and hurt. And that’s where it calls up its own resources—not artificial aids, picked up outside, but real inner resources, real biological ability to cope, and to turn to account, and to enjoy. That’s the paradox: the only time most people feel alive is when they’re suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That’s why the things that are worst to undergo are best to remember. But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster. So when you realise you’ve gone a few weeks and haven’t felt that awful struggle of your childish self—struggling to lift itself out of its inadequacy and incompetence—you’ll know you’ve gone some weeks without meeting new challenge, and without growing, and that you’ve gone some weeks towards losing touch with yourself.

Kindly permit me to tell you, sir, that I hate you. I hate you and your child, as I hate the life of which you are the representative: cheap, ridiculous, but yet triumphant life, the everlasting antipodes and deadly enemy of beauty. I cannot say I despise you - for I am honest. You are stronger than I. I have no armour for the struggle between us, I have only the Word, avenging weapon of the weak. Today I have availed myself of this weapon. This letter is nothing but an act of revenge - you see how honourable I am - and if any word of mine is sharp and bright and beautiful enough to strike home, to make you feel the presence of a power you do not know, to shake even a minute your robust equilibrium, I shall rejoice indeed. -

A certain readiness to perish is not so very rare, but it is seldom that you meet men whose souls, steeled in the impenetrable armour of resolution, are ready to fight a losing battle to the last, the desire of peace waxes stronger as hope declines, till at last it conquers the very desire of life. Which of us here has not observed this, or maybe experienced something of that feeling in his own person - this extreme weariness of emotions, the vanity of effort, the yearning for rest?

Standing there, I had the feeling of putting on armour, taking up secret weapons, becoming like a dreamer, invulnerable for the moment—safe in my dream. Now I could face the world, having no part in life; the presence of waiting phantoms could be forgotten. I was outside everything, surrendered unconditionally to my dream, giving no thought to my next move, prepared to obey whatever impulse next reaches me from the unseen.

Now the moon is high; and the great house, needing habitation more than ever, is like a body without life. Now it is even awful, stealing through it, to think of the live people who have slept in the solitary bedrooms, to say nothing of the dead. Now is the time for shadow, when every corner is a cavern and every downward step a pit, when the stained glass is reflected in pale and faded hues upon the floors, when anything and everything can be made of the heavy staircase beams excepting their own proper shapes, when the armour has dull lights upon it not easily to be distinguished from stealthy movement, and when barred helmets are frightfully suggestive of heads inside. But of all the shadows in Chesney Wold, the shadow in the long drawing-room upon my Lady's picture is the first to come, the last to be disturbed. At this hour and by this light it changes into threatening hands raised up and menacing the handsome face with every breath that stirs.

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.

And so, it is not our own life that we live, but the lives of the dead, and the soul that dwells within us is no single spiritual entity, making us personal and individual, created for our service, and entering into us for our joy. It is something that has dwelt in fearful places, and in ancient sepulchres has made its abode. It is sick with many maladies, and has memories of curious sins. It is wiser than we are, and its wisdom is bitter. It fills us with impossible desires, and makes us follow what we know we cannot gain. One thing, however, Ernest, it can do for us. It can lead us away from surroundings whose beauty is dimmed to us by the mist of familiarity, or whose ignoble ugliness and sordid claims are marring the perfection of our development. It can help us to leave the age in which we were born, and to pass into other ages, and find ourselves not exiled from their air. It can teach us how to escape from our experience, and to realise the experiences of those who are greater than we are. The pain of Leopardi crying out against life becomes our pain. Theocritus blows on his pipe, and we laugh with the lips of nymph and shepherd. In the wolfskin of Pierre Vidal we flee before the hounds, and in the armour of Lancelot we ride from the bower of the Queen. We have whispered the secret of our love beneath the cowl of Abelard, and in the stained raiment of Villon have put our shame into song. We can see the dawn through Shelley's eyes, and when we wander with Endymion the Moon grows amorous of our youth. Ours is the anguish of Atys, and ours the weak rage and noble sorrows of the Dane. Do you think that it is the imagination that enables us to live these countless lives? Yes: it is the imagination; and the imagination is the result of heredity. It is simply concentrated race-experience.

My advice would be to find a good woman and steer well clear of the whole bloody business, and it’s a shame no one told me the same twenty years ago.” He looked sideways at Jezal. “But if, say, you’re stuck out on some great wide plain in the middle of nowhere and can’t avoid it, there’s three rules I’d take to a fight. First, always do your best to look the coward, the weakling, the fool. Silence is a warrior’s best armour, the saying goes. Hard looks and hard words have never won a battle yet, but they’ve lost a few.” “Look the fool, eh? I see.” Jezal had built his whole life around trying to appear the cleverest, the strongest, the most noble. It was an intriguing idea, that a man might choose to look like less than he was. “Second, never take an enemy lightly, however much the dullard he seems. Treat every man like he’s twice as clever, twice as strong, twice as fast as you are, and you’ll only be pleasantly surprised. Respect costs you nothing, and nothing gets a man killed quicker than confidence.” “Never underestimate the foe. A wise precaution.” Jezal was beginning to realise that he had underestimated this Northman. He wasn’t half the idiot he appeared to be. “Third, watch your opponent as close as you can, and listen to opinions if you’re given them, but once you’ve got your plan in mind, you fix on it and let nothing sway you. Time comes to act, you strike with no backwards glances. Delay is the parent of disaster, my father used to tell me, and believe me, I’ve seen some disasters.