Are Yearbook Quotes

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It is better to be respected than it is to be popular. Popularity ends on yearbook day, but respect lasts forever.
John Bytheway
There are two kinds of people in this world: those who know where their high school yearbook is and those who do not.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
Your hand fits in mine Like it's made just for me But bear this in mind It was meant to be And I'm joining up the dots with the freckles on your cheeks And it all makes sense to me
Zayn Malik (Take Me Home Yearbook)
I've tried to ask myself Should I see someone else? I wish I knew the answer.
Niall Horan (Take Me Home Yearbook)
I look at the field, and I think about the boy who just made the touchdown. I think that these are the glory days for that boy, and this moment will just be another story someday because all the people who make touchdowns and home runs will become somebody's dad. And when his children look at his yearbook photograph, they will think that their dad was rugged and handsome and looked a lot happier than they are. I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me.
Stephen Chbosky (The Perks of Being a Wallflower)
Never quit, but sometimes do quit, ’cause you simply might not be that good at some shit.
Seth Rogen (Yearbook)
Popularity ends on yearbook day-Respect stays forever.
John Bytheway (You're Gonna Make It)
Suddenly, it's all too much. Bryn and the bump watch. Vanessa with my high school yearbook. The idea that nothing's sacred. Everything's fodder. That my life belongs to anyone but me.
Gayle Forman (Where She Went (If I Stay, #2))
I also feared boredom and mediocrity much more than I feared failure. For me, great is better than terrible, and terrible is better than mediocre, because terrible at least gives life flavor. The high school yearbook quote my friends chose for me was from Thoreau: “If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.
Ray Dalio (Principles: Life and Work)
Is it? Because that picture of me was taken by my old school's yearbook club, and they put it in the section titled 'STUDENT FAILSAUCES! XD. What's an XD? A sideways laughing face of horrendous proportions. Don't change the subject.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
I am tortured too. I am tortured by belly fat and magazine covers about how to please everyone but myself. I am tortured by sheep who click on anything that will guarantee a ten-pound loss in one week. Sheep who will get on their knees if it means someone will like them more. I am tortured by my inability to want to hang out with desperate sheep. I am tortured by goddamned yearbooks full of bullshit. I met you when. I’ll miss the times. I’ll keep in touch. Best friends forever. Is this okay? Are you all right? Are you tortured too?
A.S. King (Glory O Brien's History of the Future)
If you’re not scared, then it’s not courage.
Holly Bourne (The Yearbook)
I, um, I read what you wrote in my yearbook. In my defense, it was tomorrow, and I thought you hated me. But I’m in love with you, Neil McNair -Neil Perlman- and I think maybe I’ve been in love with you for a long time. It just took my brain a while to catch up to my heart. I don’t know how I missed it, but you are pretty fucking great.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
oh, my God," I whispered. "But how did they get my photo? Alex tapped his mouth with his thumb. "That ...book with everyone's picture in it, that you have in high school." "Yearbook," I said. Was he trying to be funny? But of course he was right; that's exactly where it was from.
L.A. Weatherly
My mom shows me her old yearbooks, and there are tons of people in there she doesn't talk to anymore. Old boyfriends, best friends… What do you think happened to them?" "Maybe they drifted apart." "That's stupid. You don't drift, not if someone matters to you." "So maybe they didn't matter, not really." "Anna?" "Yeah?" "I'd never do that. Leave you." "I know. Me either.
Abigail Haas (Dangerous Girls)
I had taken the photograph from afar (distance being the basic glitch in our relationship), using my Nikon and zoom lens while hiding behind a fake marble pillar. I was hiding because if he knew I'd been secretly photographing him for all these months he would think I was immature, neurotic and obsessive. I'm not. I'm an artist. Artists are always misunderstood.(Thwonk)
Joan Bauer
Remind yourself it’s better to be lonely than hurt. It’s better to be alone than in a room full of people who can turn on you.
Holly Bourne (The Yearbook)
People always believe they're nice in their own heads, that's what makes it so scary when you look at the state of the world.
Holly Bourne (The Yearbook)
The wonderful thing about a yearbook photo is that everyone shares the moment with you . . . forever.
Jay Asher (Thirteen Reasons Why)
people say we shouldn't be together,to oyung to young to know about forever-Zayn Malik
Zayn Malik (One Direction Take Me Home Limited Edition Yearbook)
Emira realized that Briar probably didn't know how to say good-bye because she never had to do it before. But whether she said good-bye or not, Briar was about to become a person who existed without Emira. She'd go to sleepovers with girls she met at school, and she'd have certain words that she'd always forget how to spell. She'd be a person who sometimes said things like, "Seriously?" or "That's so funny" and she'd ask a friend if this was her water or theirs. Briar would say good-bye in yearbook signatures and through heartbroken tears and through emails and over the phone. But she'd never say good-bye to Emira, which made it seem that Emira would never be completely free from her. For the rest of her life and for zero dollars an hour, Emira would always be Briar's sitter.
Kiley Reid (Such a Fun Age)
You go through life thinking there's so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don't want to forget. You need your bedspread, white with black diamonds. You need your pillow - it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The dream catcher hanging above your bed. The dozens and dozens of shells in glass jars... You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
Nina LaCour (We Are Okay)
That the end of childhood is when you realize adults don’t really know what they’re doing.
Holly Bourne (The Yearbook)
In ’97, we were fifteen and our counselors were seventeen, which, again, is like entrusting a kitten to a ferret.
Seth Rogen (Yearbook)
Will you finally sign my yearbook now?” he asks when we quiet down. “I have to have a Rowan Roth autograph for when you get famous.
Rachel Lynn Solomon (Today Tonight Tomorrow)
I had learned how to leave a place behind without leaving a piece of myself along with it, but more important, I had taught myself how to be detached. I never joined teams or clubs, and I doubted my picture appeared in a single yearbook. I was, in a way, a ghost: no one could prove I had ever existed once I physically left a location.
Mara Purnhagen (Past Midnight (Past Midnight, #1))
Bookaholics are the ones who start to feel uncomfortable and uneasy in another person’s house, and suddenly realize there are no bookshelves or magazines lying around. People who only own a telephone book and their high school yearbooks scare us.
Robert Lee Hadden
Maybe that’s why Jews are Jewish. It’s more vague and casts a wider net than other religions. “I’m a Hindu.” “I’m a Muslim.” “I’m Jew…ish.” Less commitment is involved when “ish” is in the mix.
Seth Rogen (Yearbook)
In my high school yearbook I was voted third runner-up for “Most Casual.” I never figured out if that meant most casual in dress or in overall manner. In any case, I didn’t come in first. I guess the two ahead of me wanted it less.
Amy Poehler (Yes Please)
For myself I would desire a combination of old romance and modern machinery.
Flora Thompson (The Peverel Papers: A Yearbook of the Countryside)
Perseus Jackson, I do expect you to refrain from causing any more trouble. " "Trouble?" I demanded. Dionysus snapped his fingers. A newspaper appeared on the table-the front page of today's New York Post, There was my yearbook picture from Meriwether Prep. It was hard for me to make out the headline, but I had a pretty good guess what it said. Something like: ...Perseus Jackson, I do expect you to refrain from causing any more trouble. " "Trouble?" I demanded. Dionysus snapped his fingers. A newspaper appeared on the table-the front page of today's New York Post, There was my yearbook picture from Meriwether Prep. It was hard for me to make out the headline, but I had a pretty good guess what it said. Something like: Thirteen- Year-Old Lunatic Torches Gymnasium.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Then let’s do this.” He opened the door and hopped out. “Just, if things get to be too much around here, remember your safe word.” Park smiled and followed him toward the front door. “Right. What was it again?” “‘Safe word.’” “Ah. Nice, easy, and just a little bit subversive.” “My yearbook quote.” “What, easy or—
Charlie Adhara (The Wolf at Bay (Big Bad Wolf #2))
Just keep telling the truth, Paige,” he said. “I know it’s hurting, but it’s working.
Holly Bourne (The Yearbook)
Sometimes it only takes one person to tell you a different story. A person you love and respect.
Holly Bourne (The Yearbook)
Bubby: All my friends are dying! The bastards! Don't they know I want to play mah-jongg?!
Seth Rogen (Yearbook)
I was not a cute teenager. I was not graceful, bubbly, or precocious. I did not cheerlead, work on the yearbook, organize spirit rallies, or plan dance-offs between opposing gangs of sexy brooding outsiders.
Aisha Tyler (Self-Inflicted Wounds: Heartwarming Tales of Epic Humiliation)
Artoo. Maybe you didn’t do everything on that list, but you did a lot. You were president of three clubs, editor of the yearbook, copresident of student council...’ The smirk returns as he adds: ‘...salutatorian.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I taught Leah how to tell where we were in the Campo by using her sense of smell. The south side was glazed with the smell of slain fish and no amount of water or broom-work could ever eliminate the tincture of ammonia scenting that part of the piazza. The fish had written their names in those stones. But so had the young lambs and the coffee beans and torn arugula and the glistening tiers of citrus and the bread baking that produced a golden brown perfume from the great ovens. I whispered to Leah that a sense of smell was better than a yearbook for imprinting the delicate graffiti of time in the memory.
Pat Conroy (Beach Music)
Who was she in high school? Little Miss Nobody. She could have embroidered it on her sweaters, tattooed it across her forehead. And in small letters: i am shit, i am anonymous, step on me. please. She wasn't voted Most Humorous in her high school yearbook or Best Dancer or Most Likely to Succeed, and she wasn't in the band or Spanish Club and when her ten year reunion rolled around nobody would recognize her or have a single memory to share.
T. Coraghessan Boyle (Drop City)
Stevens, who knew that mouth could do more thana rgue? You're a true blue friend, a red-hot lady and all that other good yearbook shit. You've got a big heart and I've got an even bigger...you know. So we're both winners. KG
Robin Wasserman (Greed (Seven Deadly Sins, #7))
Because [my grandparents] grew up in the Depression, they would steal EVERYTHING. Every time we went to McDonald's, they would empty the napkin dispenser and put them in a giant box that my grandfather kept in his van. If we were out at dinner and you heard my Bubby say, "Oh, this is a nice plate," you knew the next time you ate at their place, you'd be eating off that plate, because she straight jacked that shit. Knives, forks, you name it, they swiped it.
Seth Rogen (Yearbook)
Well, the weird thing about people,” polly said, “it’s, so very often, they’d rather feel important than feel happy.
Holly Bourne (The Yearbook)
Sweet is highly overrated." So is responsible, loyal, and every other adjective you'd find scrawled in my yearbook.
Jeanne Ryan (Nerve)
The wonderful thing about a yearbook photo is that everyone shares the moment with you ... Forever
Jay Asher
That's the thing about choices. They're an act of knowledge, of faith, of love. It's how we make them that sets us apart, because every single day, worlds are colliding, and our choices shape so much more than just our own story. And if we want to change this world for the better, then we must be the best possible version of ourselves, because who we are in each moment is a gift to the universe. This is what the present is: when the sum of one person's past meets a world's collective future.
Sarah Ayoub (The Yearbook Committee)
In our yearbook, there is a picture of me and Miah - sitting in Central Park - Miah has his lips poked out and is about to kiss me on my cheek. And I'm looking straight into the camera laughing. Two and half years have passed, and still, this is how I remember us. This is how I will always remember us. And I know when I look at that picture, when I think back to those few months with Miah, that I did not miss the moment.
Jacqueline Woodson (If You Come Softly)
Flora hadn't signed my yearbook. When I got it back from the cheerleaders, I skimmed over the last few pages and saw that every one of them signed except for her. I was disappointed but I wasn't surprised. We were too much of everything to be summed up in a few sentences. -Sean Foster
rainbowbrook (Kissing Is the Easy Part)
...and David Wallace blinks in the midst of idly scanning class photos from his 1980 Aurora West H.S. yearbook and seeing my photo and trying, through the tiny little keyhole of himself, to imagine what all must have happened to lead up to my death in the fiery single-car accident he'd read about in 1991...
David Foster Wallace (Oblivion)
So many people behave like they think a cinema orchestra is following them around to give them backing music, that they're the superstar of the universe...and the people who believe this way, they're the people who tend to hurt others the most. They think they're the hero of their own story, but, actually, in the pursuit of being so important, they're often the villain of everyone else's.
Holly Bourne (The Yearbook)
I’d been playing a game that was impossible to win. For a prize that didn’t exist.
Holly Bourne (The Yearbook)
It hadn’t felt safe. Then I told my story, and now I did.
Holly Bourne (The Yearbook)
Whatever Disneyland is for kids who like cartoons is what Burning Man is to adults who like hallucinogens.
Seth Rogen (Yearbook)
My dad is from Newark, New Jersey. He somehow manages to be simultaneously bald and always in dire need of a haircut.
Seth Rogen (Yearbook)
We need shoes, sunblock, exercise, toilet paper—and weed.
Seth Rogen (Yearbook)
Weed is my sunglasses. Weed is my shoes. I’m not quite cut out for this world, but weed makes it okay.
Seth Rogen (Yearbook)
Hey, just 'cause you write something doesn't mean anyone has to see it or hear it. It still exists just as much as anything else does, which is pretty fleeting.
Seth Rogen (Yearbook)
Make your yearbook picture memorable because, as my science teacher says, “Your grandkids have to laugh at something.
Maya Van Wagenen (Popular: Vintage Wisdom for a Modern Geek)
Jody had watched other classmates, including many in college prep, enter such a life with an impatient fatalism. They got pregnant or arrested or simply dropped out. Some boys, more defiant, filled the junkyards with crushed metal. Crosses garlanded with flowers and keepsakes marked roadsides where they'd died. You could see it coming in the smirking yearbook photos they'd left behind.
Ron Rash (Nothing Gold Can Stay: Stories)
In my high school yearbook there is a note from a girl who wrote, 'I like you even though you are very mean.' I do not remember the girl who wrote this note. I do not remember being mean to her, or to anyone, for that matter. I do remember that I was feral in high school, socially awkward, emotionally closed off, completely lost. Or maybe I don't want to remember being mean because I've changed in the twenty years between then and now. Around my junior year, I went from being quiet and withdrawn to being mean, where mean was saying exactly what I thought and making sarcastic comments relentlessly. Sincerity was dead to me.
Roxane Gay (Bad Feminist)
Eventually he begins to practice his new signature in the margins of the paper. He tries it in various styles, his hand unaccustomed to the angles of the N, the dotting of the two i's. He wonders how many times he has written his old name, at the top of how many tests and quizzes, how many homework assignments, how many yearbook inscriptions to friends. How many times does a person write his name in a lifetime - a million? Two million?
Jhumpa Lahiri (The Namesake)
Artoo, I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice. Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it. First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance. "Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I'm crushed when the day ends and I haven't said anything to you that isn't coated in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.) You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if this were an essay, here's the thesis statement: I'm in love with you, Rowan Roth. Please don't make too much fun of me at graduation? Yours, Neil P. McNair
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I had been kissed once by someone I liked. His name was Ray and he was Indian. He had an accent and was dark. I wasn't supposed to like him. Clarissa called his large eyes, with their half closed lids, "freak-a-delic," but he was nice and smart and helped me cheat on my algebra exam while pretending he hadn't. He kissed me by my locker the day before we turned in our photos for the yearbook. When the yearbook came out at the end of the summer, I saw that under his picture he had answered the standard "My heart belongs to" with "Susie Salmon." I guess he had had plans. I remember his lips were chapped.
Alice Sebold (The Lovely Bones)
I missed him desperately, even though he’d said he hated me, even though his anger—the rampage at his house, the X through his yearbook page, the cruel way he withdrew from everyone—scared me. I didn’t care if he wasn’t my boyfriend, or even my friend. He was my Jonah. I felt more alone without him now than I’d ever felt before I met him. My life had a hole in it.
Natalie Standiford (How to Say Goodbye in Robot)
YO MAMA SO OLD... Yo mama so old the back of her head looks like a raisin. Yo mama so old her social security number is 1. Yo mama so old when she was a child rainbows were still in black and white. Yo mama so old when she was in school there was no history class. Yo mama so old she has a picture of Moses in her yearbook. Yo mama so old she was a crossing guard when Moses parted the red sea. Yo mama so old she was a waitress at the Last Supper. Yo mama so old she has an autographed bible. Yo mama so old she knew Mr. Clean when he had an afro. Yo mama so old she knew Gandalf before he had a beard.
Jess Franken (The 100 Best Yo Mama Jokes)
Carmack was of the moment. His ruling force was focus. Time existed for him not in some promising future or sentimental past but in the present condition, the intricate web ol problems and solutions, imagination and code. He kept nothing from the past–no pictures, no records, no games, no computer disks. He didn’t even save copies of his first games, Wraith and Shadowforge. There was no yearbook to remind of his time at Shadowforge. There was no yearbook to remind of his time at school, no magazine copies of his early publications. He kept nothing but what he needed at the time. His bedroom consisted of a lamp, a pillow, a blanket, and a stack of books. There was no mattress. All he brought with him from home was a cat named Mitzi (a gift from his stepfamily) with a mean streak and a reckless bladder.
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
My plans for the future are to serve more and better, to worry less about the things that are unimportant, to let my wife and children know how much I love them, to openly support whatever I can see is good, to appreciate and to encourage everyone in the best way possible, and, in short, to do more of what makes life meaningful.
Norris B. Finlayson (Tree Farm Days)
If you don’t say anything bad about other people, it is less likely that they will say bad things about you.
Holly Bourne (The Yearbook)
There was a smell, a musty one that made you feel smarter and the need to talk quietly.
Holly Bourne (The Yearbook)
There’s nothing more fun than reading a terrible review of your movie in USA Today on your phone as you walk into an interview with a journalist from USA Today.
Seth Rogen (Yearbook: A hilarious collection of true stories from the writer of Superbad)
Your Lexicon is exceedingly impressive." "Listen back to that last sentence, you literary show-off." "I have no idea what you mean.
Holly Bourne (The Yearbook)
You can take my life,” I yelped, dodging his hands, “you can take my freedom, but you’ll never take this goddamn yearbook from me, Gus.
Emily Henry (Beach Read)
Once I ate a weed lollipop at the Golden Globes and got so high, I had to leave early.
Seth Rogen (Yearbook)
Nudists are weird. My friend went to a nudist colony and came back with a newfound appreciation for clothes.
Seth Rogen (Yearbook)
How tall is he?” my female friends would ask, often before any other questions.
Seth Rogen (Yearbook)
I used to work in Winnipeg, but I had to move to Vancouver. You see, there’s not a lot of work for a mohel who shivers uncontrollably. (This is a VERY Canadian joke.)
Seth Rogen (Yearbook)
The only problem with being a mohel is that you get used to the ceremony. Last night, I found myself going through a half-hour service before I could cut a carrot for my salad.
Seth Rogen (Yearbook)
You Don't Owe It To Them
Alice Oseman (Heartstopper Series Volume (1-4) & Heartstopper Yearbook (Hardback) 5 Books Collection Set By Alice Oseman)
Los Altos house with the garage where Apple was born In the Homestead High yearbook, 1972
Walter Isaacson (Steve Jobs)
But sir, I'm seventeen," I reply bluntly. "I'm genetically programmed to want to make statements.
Sarah Ayoub (The Yearbook Committee)
I’ll pray for good semen. And I’ll get all of my friends to pray for good semen.
Buffy Andrews (Gina and Mike (Yearbook, #1))
The pimple is perfect.
Buffy Andrews (Gina and Mike (Yearbook, #1))
You deserve good sperm. You’ve waited a long time.
Buffy Andrews (Gina and Mike (Yearbook, #1))
Jesus fuckin’ Christ, Gina. You were my dream. You’ve always been my dream. Don’t you see? You were always more important to me than baseball – than anything.
Buffy Andrews (Gina and Mike (Yearbook, #1))
What kind of work do you do,” I asked. “Promise you won’t laugh?” “Promise.” “I’m a proctologist.” I couldn’t help it. I laughed a little. “An ass doctor?
Buffy Andrews (Gina and Mike (Yearbook, #1))
Do you remember the time, Mike,” Jeremy laughed, “that you put a banana down your pants and walked up to the Palma-nator. It looked like you had one hell of a hard-on.
Buffy Andrews (Gina and Mike (Yearbook, #1))
I was just thinking that he might be willing. It’s not like he needs his semen.
Buffy Andrews
The sight washed over me like a damn wave that you never see coming until it’s too late and you’re face down eating sand.
Buffy Andrews (Gina and Mike (Yearbook, #1))
Popularity ends on Yearbook day, but respect lasts forever.
John Bytheway
Please, God, please, don't let me be normal! (high school yearbook)
Sigourney Alexandra Weaver
Last thing he needed was a lecture about his abandoned beliefs. Well, maybe not abandoned, but stuffed in the attic with yearbooks and high school soccer trophies.
Ronie Kendig (Range (The Metcalfes, #3))
Then I think about Photoshopping a picture of Wolf and me together in the yearbook: Best Couple.In your face, mysterious ponytailed wench.
Alecia Whitaker (The Queen of Kentucky)
As I drove out the wrought iron gates I had entered, I noticed for the first time how intricate and beautiful they were. They were forged by hand so many years ago and had stood the test of time.
Buffy Andrews (Gina and Mike (Yearbook, #1))
Yes, I prosecute bastards like him, make them pay for what they did to innocent victims who can’t fight for themselves. And every time I win a case, I not only win for the victim, but also for me.
Buffy Andrews (Gina and Mike (Yearbook, #1))
I asked Hillary why she had chosen Yale Law School over Harvard. She laughed and said, "Harvard didn't want me." I said I was sorry that Harvard turned her down. She replied, "No, I received letters of acceptance from both schools." She explained that a boyfriend had then invited her to the Harvard Law School Christmas Dance, at which several Harvard Law School professors were in attendance. She asked one for advice about which law school to attend. The professor looked at her and said, "We have about as many woen as we need here. You should go to Yale. The teaching there is more suited to women." I asked who the professor was, and she told me she couldn't remember his name but that she thought it started with a B. A few days later, we met the Clintons at a party. I came prepared with yearbook photos of all the professors from that year whose name began with B. She immediately identified the culprit. He was the same professor who had given my A student a D, because she didn't "think like a lawyer." It turned out, of course, that it was this professor -- and not the two (and no doubt more) brilliant women he was prejudiced against - who didn't think like a lawyer. Lawyers are supposed to act on the evidence, rather than on their prejudgments. The sexist professor ultimately became a judge on the International Court of Justice. I told Hillary that it was too bad I wasn't at that Christmas dance, because I would have urged her to come to Harvard. She laughed, turned to her husband, and said, "But then I wouldn't have met him... and he wouldn't have become President.
Alan M. Dershowitz
Baby girl, this is your mother. I know I’ve given you explicit instructions to trace this into your yearbook, but they’re my words. That means this is from me, my heart, and my love for you. There’s so many things I want to say to you, things I want you to hear, to know, but let’s start with the reason I’m having you put these words in your senior yearbook. First of all, this book is everything. It may be pictures, some names of people you won’t remember in five years, ten years, or longer, but this book is more important than you can imagine. It’s the first book that’s the culmination of your first chapter in life. You will have many. So many! But this book is the physical manifestation of your first part in life. Keep it. Treasure it. Whether you enjoyed school or not, it’s done. It’s in your past. These were the times you were a part of society from a child to who you are now, a young adult woman. When you leave for college, you’re continuing your education, but you’re moving onto your next chapter in life. The beginning of adulthood. This yearbook is your bridge. Keep this as a memento forever. It sums up who you grew up with. It houses images of the buildings where your mind first began to learn things, where you first began to dream, to set goals, to yearn for the road ahead. It’s so bittersweet, but those memories were your foundation to set you up for who you will become in the future. Whether they brought pain or happiness, it’s important not to forget. From here, you will go on and you will learn the growing pains of becoming an adult. You will refine your dreams. You will set new limits. Change your mind. You will hurt. You will laugh. You will cry, but the most important is that you will grow. Always, always grow, honey. Challenge yourself. Put yourself in uncomfortable situations (BUT BE SAFE!) and push yourself not to think about yourself, your friends, your family, but to think about the world. Think about others. Understand others, and if you can’t understand, then learn more about them. It’s so very important. Once you have the key to understanding why someone else hurts or dreams or survives, then you have ultimate knowledge. You have empathy. Oh, honey. As I’m writing this, I can see you on the couch reading a book. You are so very beautiful, but you are so very humble. You don’t see your beauty, and I want you to see your beauty. Not just physical, but your inner kindness and soul. It’s blinding to me. That’s how truly stunning you are. Never let anyone dim your light. Here are some words I want you to know as you go through the rest of your life: Live. Learn. Love. Laugh. And, honey, know. Just know that I am with you always.
Tijan (Enemies)
They also have an amazing seafood tower. I love a seafood tower and think more food should be served in tower formation. Sometimes pizzas get a little platform, but they’re really not living up to their potential.
Seth Rogen (Yearbook)
I’ve thought about starting a business where I sell prosthetic foreskins to Jews so they can feel what it would have been like to have non-Jew junk. It would be called Gentile Genitals and it would make a fortune.
Seth Rogen (Yearbook)
I exist dad! I wake up every morning and I exist. Because you made me. I didn’t ask to be here, in this world, in this house, but you guys made me and I’m here and I exist, even though you pretend I don’t. And you know what? It really hurts. It hurts that you treat me like nothing and treat Adam like everything. It hurts how we’re all scared of you. Literally everything about you hurts me, and you don’t even care that it hurts.”

Holly Bourne (The Yearbook)
None of it makes any sense to me. This girl is a freaky, genius-level kind of smart. She’ll probably be voted Most Likely to Win the Nobel Prize in her yearbook. If I still went to school, I’d be voted Most Likely to Depress People.
Brianna Bourne (The Half-Life of Love)
I go up to my room to change out of my dress. Sitting on the bed is my yearbook. I flip to the back of the book, and there it is, Peter’s message to me. Only, it’s not a message, it’s a contract. Lara Jean and Peter’s Amended Contract Peter will write a letter to Lara Jean once a week. A real handwritten letter, not an e-mail. Lara Jean will call Peter once a day. Preferably the last call of the night, before she goes to bed. Lara Jean will put up a picture of Peter’s choosing on her wall. Peter will keep the scrapbook out on his desk so any interested parties will see that he is taken. Peter and Lara Jean will always tell each other the truth, even when it’s hard. Peter will love Lara Jean with all his heart, always.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I shall never forget you… Hearts that know you love you And lips that have given you laughter Have gone to their lifetime of grief and of roses Searching for dreams that they lost In the world, far away from your walls. —Ottawa High School yearbook, 1925
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
We had pooled around fifty bucks. We all had different ways of scrounging cash. In Canada, it was slightly easier because of the one- and two-dollar coins, or 'loonies' and 'two-nies,' which are not doing Canada any favors when it comes to being taken seriously.
Seth Rogen (Yearbook)
And she has been there. I know because her senior high school yearbook, the one with no Daytons, is gone from the bureau where i had left it. She's seen my things scattered about. She knows I'm still here. But she didn't wait Part of me doesn't want to give up, and makes excuses. "She'll be back =," it says. "She just didn't want to run into Aunt Ida. Now that she knows you're here..." But she knew it. Where else would I be? I have to face it: I'm not as important as some package she needs from Seattle. My presence won't bring her back.
Michael Dorris (A Yellow Raft in Blue Water - Teacher Guide by Novel Units)
The street lamps and illuminated signs were all extinguished, and on impulse everybody looked into the sky. The frogs and crickets fell quiet to the count of five before they began to sing again. The smaller stars were spread across the darkness in a fine white powder, and the brighter ones pierced the air like nail points. In Andrew Brady’s yearbook she wrote: The thing I will always remember about you is the time we were watching the film strip in Miss Applebome’s class, and the lights were out, and you sat behind me scratching my back with your fingers.
Kevin Brockmeier (The View from the Seventh Layer)
That night, after all the guests have gone, after the chairs have been stacked back up, and the leftovers put in the fridge, I go up to my room to change out of my dress. Sitting on the bed is my yearbook. I flip to the back of the book, and there it is, Peter’s message to me. Only, it’s not a message, it’s a contract. Lara Jean and Peter’s Amended Contract Peter will write a letter to Lara Jean once a week. A real handwritten letter, not an e-mail. Lara Jean will call Peter once a day. Preferably the last call of the night, before she goes to bed. Lara Jean will put up a picture of Peter’s choosing on her wall. Peter will keep the scrapbook out on his desk so any interested parties will see that he is taken. Peter and Lara Jean will always tell each other the truth, even when it’s hard. Peter will love Lara Jean with all his heart, always.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
This message, it’s sweeter than any romance novel. It’s real. Neil loves me. Earlier today, I couldn’t picture him kissing anyone. Is it because I can only picture this happening with me, that Rowan plus Neil is this inevitability everyone has known except us? Kirby and Mara, Chantal Okafor in student council, Logan Perez who let us into the safe zone, my parents… Do I love Neil McNair? Even if I’m not entirely certain, the reality is that I really think I could. I have to get off this fucking Ferris wheel. Life is funny, though: the most romantic moment of my life, and I’m at the top of a Ferris wheel with a yearbook instead of the boy who wrote in it that he’s in love with me.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I’m in my bedroom. Pretending to hunt for an old high school yearbook so we can show her boyfriend.” “Ouch.” “Yeah.” “Okay, so to recap, I’m your pretend girlfriend and I have free rein in what I say? I can create a rich tapestry of our love?” “If you come and help me, you can do whatever the hell you want.” I can’t stop smiling. “Give me an hour.
Elle Kennedy (The Dixon Rule (Campus Diaries, #2))
One day comes after another and another and pretty soon you realize that yesterday was pretty damn long ago and that everything you had hoped for is never going to happen. You can’t control it any more than you can control that big wave from getting stronger before it nails you. All you can do is prepare and hope that when it hits, you’ll survive.
Buffy Andrews (Gina and Mike (Yearbook, #1))
The appearance of the yearbook clears up another high school mystery - why all the popular girls put up with the disgusting habits of Todd Ryder. He is a pig. Greasy, sleazy, foul-mouthed, and unwashed, he'll make a great addition to a state college fraternity. But the popular kissed up to him all year. Why? Todd Ryder is the yearbook photographer.
Laurie Halse Anderson (Speak)
I must quote from Dr. Faustus, with which the tragedy ends: "Often he talked of eternal grace, the poor man, and I don't know if it will be enough. But an understanding heart, believe me, is enough for everything." Let us understand these words correctly. They are not proud or arrogant; on the contrary they are desperately modest. We really do not know any longer whether grace is enough, precisely because we are as we are and are beginning to see ourselves as we are. But at a time of overwhelming crisis, the questionable nature of grace, or rather our knowledge that we are unworthy of grace, compels us to understand and love mankind, the fallible mankind that we ourselves are. Behind this abysmal crisis, the archetype of the Eternal Feminine as earth and as Sophia would seem to be discernible; it is no accident that these words are spoken by Frau Schweigestill, the mother. That is to say, it is precisely in chaos, in hell, that the New makes its appearance. Did not Kwanyin descend into hell rather than spend her time with the serene music makers in heaven?
Erich Neumann (Man and Time: Papers from the Eranos Yearbooks)
I have always noticed in high school yearbooks the similarity of all the graduate write-ups—how, after only a few pages, the identities of all the unsullied young faces blur, how one person melts into another and another: Susan likes to eat at Wendy’s; Donald was on the basketball team; Norman is vain about his varsity sweater; Gillian broke her arm on Spring Retreat; Brian is a car nut; Sue wants to live in Hawaii; Don wants to make a million and be a ski bum; Noreen wants to live in Europe; Gordon wants to be a radio deejay in Australia. At what point in our lives do we stop blurring? When do we become crisp individuals? What must we do in order to end these fuzzy identities—to clarify just who it is we really are?
Douglas Coupland (Girlfriend in a Coma)
...I began pulling out old pictures and yearbooks from our Los Angeles high schools and UC Berkeley. Suddenly there we were, thousands of trim-haired, neatly-dressed, conservative-looking youngsters, with perky, forced smiles, encased in identical inch by inch-and-a-quarter boxes for our children to snicker at. Only they did not snicker. “Mom, this isn’t the 60s, is it?
Elise Frances Miller (A Time to Cast Away Stones)
That’s why I smoke weed. It’s additive to my journey. It makes getting from here to there manageable and comfortable. There’s this odd concept of functionality that people apply to some things but not others. Our feet need cushioning. Our skin needs protecting. Our muscles need exercise. Our asses need wiping. But our brains? Don’t touch those! They’re perfect, and if you’re having a hard time with yours and are smoking weed, it’s bad! Unfortunately, as well designed as people are, we just aren’t completely cut out for this world we live in. We need shoes, sunblock, exercise, toilet paper—and weed. People criticize weed for changing your view of reality. But sunglasses literally change your view of reality, and nobody gives them a hard time for it.
Seth Rogen (Yearbook)
Vodka at night. Pickle juice in the morning (the best thing for a hangover). Throwing some kettlebells around between this hangover and the next one. A Russian’s day well spent. The ‘kettlebell’ or girya is a cast iron weight which looks like a basketball with a suitcase handle. It is an old Russian toy. As the 1986 Soviet Weightlifting Yearbook put it, “It is hard to find a sport that has deeper roots in the
Pavel Tsatsouline (The Russian Kettlebell Challenge: Xtreme Fitness for Hard Living Comrades)
That was the tribute written to twenty-year-old Chester W. Nimitz by the editors of the Lucky Bag, the Naval Academy yearbook of 1905. The quote, from Wordsworth’s Excursion, was apt: it got at Nimitz’s qualities of serenity, humility, and good-fellowship. He had a pleasant face and an easy manner. He was comfortable in his own skin. He was one of those rare souls who managed to be both supremely confident and genuinely modest.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
I’m going to visit you every day. And then someday, when they find a way to reverse your condition scientifically, medically, we’ll buy some land with wonderful trees and build treehouses in every one of them. And we could have a bunch of kids, and read plays together, as a family, and on clear nights, we’ll look at the stars. Can you picture it? And if you decide you don’t want kids, Totally okay, totally fine. We’ll read every book and watch every show and sleep in and travel and make money and art and love all the time, whenever we want. Or we could adopt a couple big dogs. You’ve always wanted big dogs, right?” Lewis stared at her blankly as his tail swished in the surf behind him. “Why aren’t you saying anything? Please say something,” Wren begged, clutching him harder. “I’m not the person I used to be. I’m not the man you married.” “What do you mean?” Lewis wished he could embrace her back, wrap two human arms around her small, shivering frame. He tried to do the best he could with words: “It’s like standing in my childhood bedroom, looking around at the comic books, action figures, and school yearbooks with signatures from all the girls, and remembering how that tiny room used to be my only stake in the world. I don’t know how else to explain it. There are things I cannot unsee.
Emily Habeck (Shark Heart)
Martin Heidegger’s challenge to Husserl came in the opening lines of a book, Sein und Zeit (Being and Time), which he published in Husserl’s own phenomenological Yearbook series in 1927. The first page contained an innocuous-seeming quotation from Plato’s dialogue The Sophist: For manifestly you have long been aware of what you mean when you use the expression ‘being’. We, however, who used to think we understood it, have now become perplexed.
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others)
Late afternoon light filters in through his pale curtains, and it casts the room in a dreamy kind of filter. If I were going to name it, I would call it “summer in the suburbs.” Peter looks beautiful in this light. He looks beautiful in any light, but especially this one. I take a picture of him in my mind, just like this. Any annoyance I felt over him forgetting my yearbook melts away when he snuggles closer to me, rests his head on my chest, and says, “I can feel your heart beating.” I start playing with his hair, which I know he likes. It’s so soft for a boy. I love the smell of his detergent, his soap, everything. He looks up at me and traces the bow of my lip. “I like this part the best,” he says. Then he moves up and brushes his lips against mine, teasing me. He bites on my bottom lip playfully. I like all his different kinds of kisses, but maybe this kind best. Then he’s kissing me with urgency, like he is utterly consumed, his hands in my hair, and I think, no, these are the best. Between kisses he asks me, “How come you only ever want to hook up when we’re at my house?” “I--I don’t know. I guess I never thought about it before.” It’s true we only ever make out at Peter’s house. It feels weird to be romantic in the same bed I’ve slept in since I was a little girl. But when I’m in Peter’s bed, or in his car, I forget all about that and I’m just lost in the moment.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
My name would be excluded from the address section in the yearbook, a professor would remember everyone's face except mine, and so on. And the countless mistakes in recordkeeping that often occured on paper. Whenever such things happened, I would cry out in my mind: Why me? Why do these things keep happening to me? Why me, of all the people in the world? I get left out. My life gets left out. When you're left out over and over again, you come to feel that you're left behind.
Eunjin Jang (No One Writes Back)
I wish I had asked myself when I was younger. My path was so tracked that in my 8th-grade yearbook, one of my friends predicted— accurately— that four years later I would enter Stanford as a sophomore. And after a conventionally successful undergraduate career, I enrolled at Stanford Law School, where I competed even harder for the standard badges of success. The highest prize in a law student’s world is unambiguous: out of tens of thousands of graduates each year, only a few dozen get a Supreme Court clerkship. After clerking on a federal appeals court for a year, I was invited to interview for clerkships with Justices Kennedy and Scalia. My meetings with the Justices went well. I was so close to winning this last competition. If only I got the clerkship, I thought, I would be set for life. But I didn’t. At the time, I was devastated. In 2004, after I had built and sold PayPal, I ran into an old friend from law school who had helped me prepare my failed clerkship applications. We hadn’t spoken in nearly a decade. His first question wasn’t “How are you doing?” or “Can you believe it’s been so long?” Instead, he grinned and asked: “So, Peter, aren’t you glad you didn’t get that clerkship?” With the benefit of hindsight, we both knew that winning that ultimate competition would have changed my life for the worse. Had I actually clerked on the Supreme Court, I probably would have spent my entire career taking depositions or drafting other people’s business deals instead of creating anything new. It’s hard to say how much would be different, but the opportunity costs were enormous. All Rhodes Scholars had a great future in their past. the best paths are new and untried. will this business still be around a decade from now? business is like chess. Grandmaster José Raúl Capablanca put it well: to succeed, “you must study the endgame before everything else. The few who knew what might be learned, Foolish enough to put their whole heart on show, And reveal their feelings to the crowd below, Mankind has always crucified and burned. Above all, don’t overestimate your own power as an individual. Founders are important not because they are the only ones whose work has value, but rather because a great founder can bring out the best work from everybody at his company. That we need individual founders in all their peculiarity does not mean that we are called to worship Ayn Randian “prime movers” who claim to be independent of everybody around them. In this respect, Rand was a merely half-great writer: her villains were real, but her heroes were fake. There is no Galt’s Gulch. There is no secession from society. To believe yourself invested with divine self-sufficiency is not the mark of a strong individual, but of a person who has mistaken the crowd’s worship—or jeering—for the truth. The single greatest danger for a founder is to become so certain of his own myth that he loses his mind. But an equally insidious danger for every business is to lose all sense of myth and mistake disenchantment for wisdom.
Peter Thiel (Zero to One: Notes on Startups, or How to Build the Future)
I look at the field, and I think about the boy who just made the touchdown. I think that these are the glory days for that boy, and this moment will just be another story someday because all the people who make touchdowns and home runs will become somebody's dad. And when his children look at his yearbook photograph, they will think that their dad was rugged and handsome and looked a lot happier than they are. I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me
Stephen Chbosky (The Perks of Being a Wallflower)
I look at the field, and I think about the boy who just made the touchdown. I think that these are the glory days for that boy, and this moment will just be another story someday because all the people who make touchdowns and home runs will become somebody's dad. And when his children look at his yearbook photograph, they will think that their dad was rugged and handsome and looked a lot happier than they are. I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me.
Stephen Chbosky (The Perks of Being a Wallflower)
Other than involving yourself with ungrateful vegetable matter, colour, vigour and fascination can be imparted into a small outdoor space by several other methods. In the 18th century, the inclusion of a hermit on one's estate was regarded as the epitome of country house style. There is absolutely no reason why today's dandy should not avail himself of the same privilege. It's a straightforward enough matter to entice a hopelessly drunk vagrant back to your premises using the simple lure of an opened bottle of wine. Once there, dress him in a bed sheet, wreathe his head in foliage and invite him to take up residence in an old barrel with the promise of unlimited alcohol, tobacco and scraps from your table in return for a sterling display of relentless solitude. Such a move not only provides the disadvantaged with ideal employment opportunities, but also enhances your reputation for stylish romanticism. Watch your friends gape in wonderment at the picturesque spectacle as your hermit sporadically peers out the top of the barrel and matters a few enigmatic words of wisdom.
Vic Darkwood Gustav Temple (The Chap Almanac : An Esoterick Yearbook for the Decadent Gentleman)
I tell him I’d better get going, because Margot’s coming home from Scotland tonight, and I want to stock the fridge with all her favorite foods. Peter’s face falls. “You don’t want to hang out a little longer? I can take you to the store.” “I still have to clean up the upstairs, too,” I say, standing up. He tugs on my shirt and tries to pull me back onto the bed. “Come on, five more minutes.” I lie back down next to him and he cuddles in close, but I’m still thinking about the yearbook. I’ve been working on his scrapbook for months; the least he can do is write me a nice yearbook message. “This is good practice for college,” he murmurs, pulling me toward him, wrapping his arms around me. “The beds are small at UVA. How big are the beds at UNC?” My back to him, I say, “I don’t know. I didn’t get to see the dorms.” He tucks his head in the space between my neck and shoulder. “That was a trick question,” he says, and I can feel him smile against my neck. “To check and see if you visited a random UNC guy’s dorm room with Chris. Congrats, you passed the test.” I can’t help but laugh.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
...girl reached across her desk and pulled the computer keyboard over. “What’s his name?” she said. “Crowley,” Julianna said, surprised. “Christopher Wayne Crowley.” “I shouldn’t do this.” The girl looked back up at Genevieve and laughed. “But fuck it, right?” Genevieve's disappearance from the state fair had been news for about a day. Okay, maybe for a couple of weeks. She was beautiful—the Daily Oklahoman ran her picture with every story, a photo of her from the previous year’s U. S. Grant High School yearbook. Genevieve had thought the photo...
Lou Berney (The Long and Faraway Gone)
Her best friend did a reading of a breathtaking piece Florence had written for her year-book page. ‘It may seem that life is difficult at times but it’s really as simple as breathing in and out,’ she read. ‘Rip open hearts with your fury and tear down egos with your modesty. Be the person you wish you could be, not the person you feel you are doomed to be. Let yourself run away with your feelings. You were made so that someone could love you. Let them love you.” Excerpt From Everything I Know About Love Dolly Alderton This material may be protected by copyright.
Dolly Alderton (Everything I Know About Love)
With only three days left of school, yearbooks arrive. There are several blank pages in the back for signatures, but everybody knows the place of honor is the back cover. Of course I’ve saved mine for Peter. I never want to forget how special this year was. My yearbook quote is “I have spread my dreams under your feet; /Tread softly because you tread on my dreams.” I had a very hard time choosing between that and “Without you, today’s emotions would be the scurf of yesterday’s.” Peter was like, “I know that’s from Amélie, but what the hell is a scurf?” and honestly, he had a point. Peter let me write his. “Surprise me,” he said. As we walk through the cafeteria doors, someone holds the door for us, and Peter says, “Cheers.” Peter’s taken to saying cheers instead of thanks, which I know he learned from Ravi. It makes me smile every time. For the past month or so, the cafeteria’s been half-empty at lunch. Most of the seniors have been eating off-campus, but Peter likes the lunches his mom packs and I like our cafeteria’s french fries. But because the student council’s passing out our yearbooks today, it’s a full house. I pick up my copy and run back to the lunch table with it. I flip to his page first. There is Peter, smiling in a tuxedo. And there is his quote: “You’re welcome.” --Peter Kavinsky. Peter’s brow furrows when he sees it. “What does that even mean?” “It means, here I am, so handsome and lovely to look at.” I spread my arms out benevolently, like I am the pope. “You’re welcome.” Darrell busts out laughing, and so does Gabe, who spreads his arms out too. “You’re welcome,” they keep saying to each other. Peter shakes his head at all of us. “You guys are nuts.” Leaning forward, I kiss him on the lips. “And you love it!
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Declan Lynch was a liar. He'd been a liar his entire life. Lies came to him fluidly, easily, instinctively. What does your father do for a living? He sells high-end sports cars in the summer, life insurance in the winter. He's an anesthesiologist. He does financial consulting for divorcees. He does advertising work for international companies in English-speaking markets. He's in the FBI. Where did he meet your mother? They were on yearbook together in high school. They were set up by friends. She took his picture at the county fair, said she wanted to keep his smile forever. Why can't Ronan come to a sleepover? He sleepwalks. Once he walked out to the road and my father had to convince a trucker who'd stopped before hitting him he was really his son. How did your mother die? Brain bleed. Rare. Genetic. Passes from mother to daughter, which is the only good thing, 'cause she only had sons. How are you doing? Fine. Good. Great. At a certain point, the truth felt worse. Truth was a closed-casket funeral attended by its estranged living relatives, Lies, Safety, Secrets. He lied to everyone. He lied to his lovers, his friends, his brothers. Well. More often he simply didn't tell his brothers the truth.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
Riley shook her head. “I married Brad after I got my Associate's degree in culinary arts. I worked in the Bakery at the same grocery store as Brad, and now I'm a stay at home mom.” She paused. “If you remember my senior yearbook, I was voted most likely to be the best mom.” “Oh, you have time yet.” Stella joked and Riley backhanded her in the ribs. “You're an awesome mom. Be glad you haven't proven anyone wrong. It's not all it's cracked up to be.” She paused. “That same yearbook said I'd be in prison with a wife named Roberta.” ~Conversation between Riley and Stella, "Sugar and Spies: Spy Sisters Book 1
Rebekah Martin
I think about all this sometimes when I’m watching a football game with Patrick and Sam. I look at the field, and I think about the boy who just made the touchdown. I think that these are the glory days for that boy, and this moment will just be another story someday because all the people who make touchdowns and home runs will become somebody’s dad. And when his children look at his yearbook photograph, they will think that their dad was rugged and handsome and looked a lot happier than they are. I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me.
Stephen Chbosky (The Perks of Being a Wallflower)
The greatest and the most oppressive empire on earth is the Anglo-American empire. By that is meant the British Empire, of which the United States of America forms a part. It has been the commercial Jews of the British-American empire that have built up and carried on Big Business as a means of exploiting and oppressing the peoples of many nations. This fact particularly applies to the cities of London and New York, the stronghold of Big Business. This fact is so manifest in America that there is a proverb concerning the city of New York which says: 'The Jews own it, the Irish Catholics rule it, and the Americans pay the bills.
Watch Tower Bible and Tract Society (1934 Yearbook of Jehovah's Witnesses)
The genesis of my interest in being a writer can be traced to fourth grade when we listened to a radio production of Shakespeare's The Taming of the Shrew and I asked the teacher if I could rewrite it for our class to present. Nothing like going head-to-head with the Bard, right? I can still visualise the pages I filled creating this first "great" literary endeavor. Encouraged by teachers (and one doting grandmother), I went on to write reams of yearbook copy in high school and college and, then, to teach high school English. My "real" writing career didn't begin until I turned from education to the full-time pursuit of storytelling.
Laura Abbot
I’m going to visit you every day. And then someday, when they find a way to reverse your condition scientifically, medically, we’ll buy some land with wonderful trees and build treehouses in every one of them. And we could have a bunch of kids, and read plays together, as a family, and on clear nights, we’ll look at the stars. Can you picture it? And if you decide you don’t want kids, Totally okay, totally fine. We’ll read every book and watch every show and sleep in and travel and make money and art and love all the time, whenever we want. Or we could adopt a couple big dogs. You’ve always wanted big dogs, right?” Lewis stared at her blankly as his tail swished in the surf behind him. “Why aren’t you saying anything? Please say something,” Wren begged, clutching him harder. “I’m not the person I used to be. I’m not the man you married.” “What do you mean?” Lewis wished he could embrace her back, wrap two human arms around her small, shivering frame. He tried to do the best he could with words: “It’s like standing in my childhood bedroom, looking around at the comic books, action figures, and school yearbooks with signatures from all the girls, and remembering how that tiny room used to be my only stake in the world. I don’t know how else to explain it. There are things I cannot unsee.
Emily Habeck (Shark Heart)
There were the signed, spiral-bound Spirit-in-the-Woods yearbooks from three summers in a row and the aerial photograph of everyone at camp the second summer. In it, Ethan's feet were planted on Jule's head, and Jule's feet were planted on Goodman's head, and so on and so on. And didn't it always go like that-body parts not quite lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting.
Meg Wolitzer
Do you want some help?"said Liam, rising. "No, thanks." She smiled at him, the man without a past with whom she was falling in love, and shook her head. He could help her later, she thought, when she brought down the larger boxes, big box with the theater programs and school yearbooks, and the little leather case that held the fans and the sketches and the pieces of needlework. But first, she would go alone to bring down the letters it would be the last time she would have Grandma Jo to herself. "Thanks, but I want to do this on my own." "Independent family, aren't they?" Liam grumbled to Matthew, sitting down again. "You don't know the half," said Matthew.
Gabrielle Donnelly (The Little Women Letters)
There’s stuff that makes our lives better that hasn’t been stigmatized, and nobody gives those things a second thought. Nobody thinks about why they have a strong desire to wear shoes. Nobody says that people who wear shoes are denying reality. Instead, the consensus on shoes is that we use them to adapt to reality. If we don’t wear them, our feet will hurt. They make our journey more comfortable, and we don’t judge ourselves for wearing them. They don’t make walking any less “real.” Nobody’s ever like, “You’re not really experiencing walking. You’re under the fog of footwear.” They’re like, “Yeah. Our feet aren’t made for walking in the environments we’ve settled in as a species. Wear shoes.
Seth Rogen (Yearbook)
There aren't many classrooms in the school basement. Most of the space is for storage and utilities. As far as student use goes, the darkroom is down there, along with yearbook and the school paper. Places that either don't require much light or are used by students so happy to be there that they don't care. The only illumination comes from the fluorescents overhead and what filters in from the hallway through the glass upper half of the doors. It usually takes me about ten minutes in French to lose my focus completely. This time,it took less.We were learning the past imperfect tense, which, as well as being completely incomprehensible in practice, in theory describes a state where every action was either left incomplete, unfulfilled, or repeated over and over.
Melissa Jensen (The Fine Art of Truth or Dare)
don’t have any real deep insight into Kanye and his current state of being or mindset other than to say I really love his music and my interactions with him have been lovely. But I’m sure a lot of people have said the same about a lot of people who have made incredibly shitty comments. I recently read about a phenomenon where everyone assumes their actions are based on love and the actions of those they disagree with are based on hate. I don’t think Kanye is hateful. I think he is grasping and struggling to make his way through life, and as painless as his experience seems like it should be, there’s no pain more painful than your own pain, and that goes for everyone, even Kanye. That said, I really wish he would shut the fuck up about all this political bullshit. That doesn’t help anything.
Seth Rogen (Yearbook)
A barometric low hung over the Atlantic. It moved eastward toward a high-pressure area over Russia without as yet showing any inclination to bypass this high in a northerly direction. The isotherms and isotheres were functioning as they should. The air temperature was appropriate relative to the annual mean temperature and to the aperiodic monthly fluctuations of the temperature. The rising and setting of the sun, the moon, the phases of the moon, of Venus, of the rings of Saturn, and many other significant phenomena were all in accordance with the forecasts in the astronomical yearbooks. The water vapor in the air was at its maximal state of tension, while the humidity was minimal. In a word that characterizes the facts fairly accurately, even if it is a bit old-fashioned: It was a fine day in August 1913.
Robert Musil (The Man Without Qualities)
began to walk home, very quickly. A car full of high-school girls screeched around the corner. They were the girls who ran all the clubs and won all the elections in Allison’s high-school class: little Lisa Leavitt; Pam McCormick, with her dark ponytail, and Ginger Herbert, who had won the Beauty Revue; Sissy Arnold, who wasn’t as pretty as the rest of them but just as popular. Their faces—like movie starlets’, universally worshiped in the lower grades—smiled from practically every page of the yearbook. There they were, triumphant, on the yellowed, floodlit turf of the football field—in cheerleader uniform, in majorette spangles, gloved and gowned for homecoming; convulsed with laughter on a carnival ride (Favorites) or tumbling elated in the back of a September haywagon (Sweethearts)—and despite the range of costume, athletic to casual to formal wear, they were like dolls whose smiles and hair-dos never changed.
Donna Tartt (The Little Friend)
Regardless of psychological gymnastics, we know what we see, and many of us learn from it. It’s a rare mover who becomes a collector of anything. Even rarer is a mover who gets hung up on the “sentimental value” of objects. After more than three thousand moves I know that everyone has almost the exact same stuff and I certainly know where it’s all going to end up. It’s going to end up in a yard sale or in a dumpster. It might take a generation, though usually not, but Aunt Tillie’s sewing machine is getting tossed. So is your high school yearbook and grandma’s needlepoint doily of the Eiffel Tower. Most people save the kids kindergarten drawings and the IKEA bookcases. After the basement and attic are full it’s off to a mini-storage to put aside more useless stuff. A decade or three down the road when the estate is settled and nobody wants to pay the storage fees anymore, off it all will go into the ether. This is not anecdotal. I know because I’m the guy who puts it all into the dumpster.
Finn Murphy (The Long Haul: A Trucker's Tales of Life on the Road)
She remembers standing at her locker, hearing the whispers. Whispers about her. And about Luke. She remembers turning and seeing Dani and Lynn with a group of girls they knew from Yearbook. She remembers not understanding right away. And then Dani stared her down, eyes narrowed to slits. When Hallelujah dropped her gaze, she heard Lynn’s peal of laughter. “So anyway,” Lynn went on, “Luke said . . .” She remembers the note, in English class. “You knew I liked him.” Dani’s clean cursive. Hallelujah stared at her friend’s back. Dani didn’t turn around. And she didn’t respond to calls or emails in the weeks that followed. By winter break, Dani was dating Luke. The rumors about Hallelujah had circulated and changed and circulated again. Still, on the first day of the new semester, she mustered up the courage to say something. To warn her former friend about who Luke really was. Dani laughed in her face. Called her jealous. Luke dumped Dani in February. Dani and Lynn still refused to speak to Hallelujah. It was like they’d never been friends at all.
Kathryn Holmes
You go through life thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
Nina LaCour (We Are Okay)
YOU GO THROUGH LIFE thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. The cab was waiting outside the station. The airport, I said, but no sound came out. “The airport,” I said, and we pulled away. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
Nina LaCour (We Are Okay)
Using the Worst-Case Scenario Technique Another way to correct inaccurate expectations is to imagine what would happen if the worst possible scenario occurred. Pretend that everything has gone wrong at once. Picture all the details and then exaggerate them. As you visualize the worst situation possible, you may start to laugh. The scene will seem so ridiculous that you realize there is not the slightest chance that it will take place. Lupe used the worst-case scenario technique after deciding that she really wanted to join the yearbook committee. The students in the group met after school once a week, and Lupe felt anxious about attending her first meeting. She was certain she would clamp up when people spoke to her. The morning before the meeting, she relaxed and imagined the worst things that could happen. She pictured herself saying something and everyone ignoring her. She pictured her face getting so red that it looked like she was going to explode. Then she imagined people laughing at her, saying she didn’t belong. This exercise helped Lupe realize that her fears were unfounded. That afternoon, after a little pep talk and a few deep breaths, Lupe walked into the meeting. She was relieved that people were genuinely happy to have her there. She felt proud that she was able to be involved in a situation that she would have previously avoided.
Heather Moehn (Social Anxiety (Coping With Series))
Got you,” he heard someone murmur, looking over to see one of his team members—Nate Carson, a former Air Force pararescue jumper or “PJ”, as they were known—aim his index finger at the frozen image on the laptop screen, pantomiming getting off a shot. And so they had, or at least were as close to it as they had been in months, the big man thought as he laid down the yearbook, pushing his way past Carson as he made his way to the door of the tent. Their best intelligence on Hassan's location since their abortive raid in late March, having come through just the previous day. And now all they awaited was the all-clear from Washington. For the politicians to make up their mind, as ever. The desert heat of the Sinai struck him full in the face as he stepped through the flap. Dry, choking heat—impressive even by the standards of east Texas, where he'd spent the majority of his childhood, before leaving home at the age of 18 to join the Corps. Seemed like he'd been spending his life in the desert ever since, as the Marines—and now the Agency—sent him to one desolate waste after another. North Camp was located some twenty kilometers south of the Mediterranean and not far from the border with Israel—a six hundred plus-acre compound that served as a forward operating base for the Multinational Force & Observers, the international peacekeeping force based in the Sinai ever since the Camp David Accords of '78. And now, for their team—through some special dispensation obtained by the Agency's seventh floor. All of it so far above his pay grade as to be beyond his concern.
Stephen England (Quicksand (Shadow Warriors #4))
Where will you go if you don’t get into NYU?” he asks. “Where else?” I say. “Ole Miss, with Lucy and Morgan.” “Then Ole Miss is my backup too. Here’s the thing, Jem. I’m going wherever you’re going--whether it’s New York or Oxford. I’m not missing my chance this time.” “Why?” The word just tumbles out of my mouth before I can stop myself. “You’re going to be some kind of college superstar, whether it’s the SEC or the Ivy league. You’ll probably win a freaking Heisman.” “And you just might win an Oscar,” he counters. I roll my eyes. “Yeah, right. Please.” “Why not? God, Jemma, you don’t even see it. How strong and smart and tenacious you are. Everything you do, you do well. I’ve never seen you put your mind to something and not come out on top. You win that trophy at cheer camp every single summer--what’s it called, the superstar award? Only three people at the whole camp get it or something like that, right?” “How’d you know about that?” “Miss Shelby told my mom. I think they put it in the yearbook, too, don’t they?” “Maybe,” I say with a shrug. It’s not that big of a deal. It’s just a cheerleading trophy. “And how long did it take you to win your first shooting tournament after your dad bought you that gun? Six months, tops? From what I hear, you’re the best shot in all of Magnolia Branch.” “Okay, that’s true,” I say, a smile tugging at the corners of my mouth. He reaches for my hand. “And then there’s those dresses you make, like the one you wore to homecoming. You take something old and make it new--turn it into something special. My mom says you and Lucy could make a fortune selling ’em, and I bet she’s right. Don’t you see? You’re not just good at the stuff you do--you’re the best. That’s just the way you are. So I have no doubt that you’re going to be some award-winning filmmaker if you put your mind to it.” My heart swells unexpectedly. “You really think that?” He nods, his dark eyes shining. “I really do.” “Tell me again why we’ve hated each other all these years?” “Because we’re both stubborn as mules?” he offers. I can’t help but laugh. “Yeah, I’d say that about covers it.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Mostly Gaylord deals with insurance scamming. He takes a car off a lot and the insurance company pays.” “That’s still stealing.” “I guess, but it’s an insurance company, and everyone hates those people.” “I don’t hate them.” “Well, you’re weird,” Lula said. “Do you like the car?” “I love the car.” “There you go. And by the way, you might want to put a dab of concealer on your nose.” Kranski’s Bar was on the corner of Mayberry Street and Ash. This was a neighborhood very similar to the Burg, but the houses were a little larger, the cars were newer, the kitchen appliances were probably stainless. I parked in the small lot beside the tavern, and Lula and I sashayed into the dim interior. Bertie was working behind the bar that stretched across the back of the room. A bunch of high-top tables were scattered around the front of the room. Two women sat at one of the tables, eating nachos and drinking martinis. At one end of the bar four men were drinking beer and watching the overhead television. I spotted Kenny Morris at the other end. He was alone, nursing what looked like whiskey. Bertie caught my eye, tilted his head toward Kenny, and I nodded back. “I guess that’s the guy you’re looking for,” Lula said. “You want to tag-team him?” “No. I just want to talk to him. I’ll go it alone.” Lula hoisted herself onto a barstool by the four men, and I approached Kenny. “Anyone sitting here?” I asked him. “No,” he said. “No one ever sits there.” “Why not?” “The television is at the other end.” “But you’re here.” “Yeah, I’m not into the team television thing.” He looked a lot like his yearbook photograph. His hair was a little longer. He was slim. Medium height. Pleasant looking. Wearing jeans and a blue dress shirt with the top button open and the sleeves rolled. He was staring at my nose with an intensity usually displayed by dermatologists during a skin cancer exam. I couldn’t blame him. I’d smeared some makeup on it, but even in the dark bar it was emitting a red glow. “It’s a condition,” I said. “It comes and goes. It’s not contagious or anything. Do you come in here often?” “Couple times a week.
Janet Evanovich (Turbo Twenty-Three (Stephanie Plum, #23))
Emira realized that Briar probably didn’t know how to say good-bye because she’d never had to do it before. But whether she said good-bye or not, Briar was about to become a person who existed without Emira. She’d go to sleepovers with girls she met at school, and she’d have certain words that she’d always forget how to spell. She’d be a person who sometimes said things like, “Seriously?” or “That’s so funny,” and she’d ask a friend if this was her water or theirs. Briar would say good-bye in yearbook signatures and through heartbroken tears and through emails and over the phone. But she’d never say good-bye to Emira, which made it seem that Emira would never be completely free from her. For the rest of her life and for zero dollars an hour, Emira would always be Briar’s sitter.
Kiley Reid (Such a Fun Age)
school yearbook, they were
Dennis Ortman (Transcending Post-Infidelity Stress Disorder: The Six Stages of Healing)
If only you would apply yourself.” My teachers in high school told me that so often that they decided to really drill it in by writing it in my yearbook, over and over. I was a bad student. Still am. Busywork was the bane of my existence—those little homework assignments that felt like a waste of time, that required organizational skills like Writing Down Your Assignment and Not Losing Your Handout. These were difficult tasks for me. My locker was a pile of loose papers that got more and more crinkly as the weeks went on until it looked like the inside of a recycling bin. I discovered that if you ignore something long enough, it really does go away. Literally. The papers would disintegrate. I would pass just enough tests and do enough begging to eke by with a D. Sometimes.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
As public schools in the United States began desegregating and students of different skin tones were photographed for yearbooks in the same frame, the technical fixes that could be employed when a Black child was photographed alone were not useful. In particular, Black parents, objecting to the fact that their children’s facial features were rendered blurry, demanded higher-quality images.20 But the photographic industry did not fully take notice until companies that manufactured brown products like chocolate and wooden furniture began complaining that photographs did not depict their goods with enough subtlety, showcasing the varieties of chocolate and of grains in wood.
Ruha Benjamin (Race After Technology: Abolitionist Tools for the New Jim Code)
... but books made good company. My favorites were the Point Horror series, because I desperately wanted to be a teenager. I understood that that was when you really started living and being an American Teenager appeared to come with a certain glamour. When I was a kid it seemed that everything good happened in America. Like cheerleading and yearbooks and proms, Satanism and the Manson family. I pictured myself hanging out at the mall, at the drive-in, at the ice skating rink with friends with names like Stacy & Chuck and one of them would be murdered.
Alice Slater (Death of a Bookseller)
This was my first time buying weed in a legal setting and when you’re me that something you never forget it’s a fucking dream come true. The normalization of something you’ve been told your whole life is highly illicit was oddly validating.
Seth Rogen (Yearbook)
It's like standing in my childhood bedroom, looking around at the comic books, action figures, and school yearbooks with signatures from all the girls, and remembering how that tiny room used to be my only stake in the world.
Emily Habeck (Shark Heart)
If, however, you are writing a book because you want to share your story, and you value a connection with readers above all else, then great fortune may await – it just may not be a financial one.
Bloomsbury Publishing (Writers' & Artists' Yearbook 2022 (Writers' and Artists'))
When I was younger, Bubby and Zaidy just didn't seem that into me. I got the impression they liked my older sister, Danya, more than me, mostly because their words and actions made it wildly clear that they did.
Seth Rogen (Yearbook)
All those grainy photos lined up in rows like they were in some sort of tragic yearbook. Graduating to nowhere.
Chevy Stevens (Dark Roads)
The ten-year reunion had been an odd experience. I’d gone mostly out of curiosity, but had found the evening awkward and anticlimactic. Most people had turned out to be exactly who I’d expected them to be. Our class had produced no celebrities or mega successes. Everyone had extremely mundane and commonplace jobs, except for Donal Larkin’s twin sister Shannon, who’d joined the State Department. There had been a lot of strained small talk with people who didn’t remember me, as well as a few uncomfortable conversations with people I’d forgotten who remembered me well. One woman whose name and face rang no bell whatsoever had proudly produced her yearbook to show off the heartfelt note I’d written to her. There on the page, in my own handwriting, was a lengthy message I had no memory of writing, extolling our meaningful and abiding friendship. The whole experience had been unsettling. I wasn’t particularly looking forward to repeating it, but I supposed since I was on the reunion committee now I had no choice but to attend the thirty-year.
Susannah Nix (Mad About Ewe (Common Threads, #1))
On May 27, Bryn Mawr awarded 167 bachelor of arts degrees. Sixty percent of the class was headed straight to graduate or professional school. My friends and teachers had assumed I would go to law school, but I could not imagine devoting myself to the details of torts or civil procedure. If I decided to pursue further education, I knew it would be for graduate work in history. What had always captured me intellectually was the broad sweep of ideas and social forces. And having grown up in a changing and not-changing Virginia, I knew how those assumptions and circumstances exerted their power through time, often creating silences and blindnesses that undermined human possibility. From at least when I had written to Eisenhower as a nine-year-old, I had recognized the force and the burden of history; I understood the words of the white southern poet and novelist Robert Penn Warren: “History is what you can’t / Resign from.”11 Coming to terms with the past would ultimately become an intellectual and professional commitment as well as a personal necessity. I grew up to be a historian. My page in the Bryn Mawr college yearbook, 1968. On my right wrist I am wearing the bracelet my grandmother gave me the night my mother died. But not yet. I had decided I needed to be in the real world for a while. I had loved school since I began kindergarten at the age of four, and at Bryn Mawr I had become caught up not just in learning
Drew Gilpin Faust (Necessary Trouble: Growing Up at Midcentury)
I still remember the smell of the South. It smelled like azaleas. And leaves. And peanuts. Peanuts everywhere. Planters peanuts had their headquarters in Suffolk. Mr. Obici ran it. He was a big deal in town. The big peanut man. He gave a lot of money out to people. He built a hospital. You could buy peanuts by the pound in Suffolk for nothing. There were farmers growing peanuts, hauling peanuts, making peanut oil, peanut butter, even peanut soap. They called the high school yearbook The Peanut. They even had a contest once to see who could make the best logo for Planters peanut company. Some lady won it. They gave her twenty-five dollars, which was a ton of money in those days.
James McBride (The Color of Water)
The relationship became so close by the mid-1970s that Israeli Prime Minister Yitzhak Rabin invited South African Prime Minister John Vorster to visit, including a tour of Yad Vashem, the country’s Holocaust memorial in Jerusalem. Vorster had been a Nazi sympathizer and member of the fascist Afrikaner group Ossewabrandwag during World War II. In 1942, he proudly expressed his admiration for Nazi Germany. Yet when Vorster arrived in Israel in 1976, he was feted by Rabin at a state dinner. Rabin toasted “the ideals shared by Israel and South Africa: the hopes for justice and peaceful coexistence.” Both nations faced “foreign-inspired instability and recklessness.” A few months after Vorster’s visit, the South African government yearbook explained that both states were facing the same challenge: “Israel and South Africa have one thing above all else in common: they are both situated in a predominantly hostile world inhabited by dark peoples.”6 The relationship between the nations was broad but also sworn to secrecy. In April 1975, a security agreement was signed that defined the relationship for the next twenty years. A clause within the deal stated that both parties pledged to keep its existence concealed.
Antony Loewenstein (The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World)
I place the yearbook on the coffee table and begin to flip through it, scouting for guys with The Look. The Look™ is the almost indescribable quality of a person’s face that lets people know they’re queer. My main criteria for identifying queer guys might be Do they look nice? Because straight boys are not nice. They are not considerate. They don’t do anything for you unless they want something.
Aaron H. Aceves (This Is Why They Hate Us)
The fuck are you doing?” I looked up to see my brother Xander standing in the doorway to the living room. “Doesn’t anybody knock around here?” I shielded my crotch with the yearbook. “I have a key. Why would I knock?” He stuck his hands on his hips. “A better question is, why are you naked in the living room?” “I’m getting more comfortable with my vulnerability,” I said, like it was obvious. “Well, I was coming by to see if you wanted to go get some lunch, but you’ll have to put your vulnerability away.
Melanie Harlow (Small Town Swoon (Cherry Tree Harbor, #4))
gyat
Gyatt (DDG 1) 1960 Yearbook Staff
Plath had been inspired by an article she had read in the Writer’s Yearbook, advising her to think of herself as a woman first, and a writer second—otherwise, every rejection would throw her “into depression.” If she identified herself too closely with her craft, the failures would seem like “grievous wounds” to her sense of “personal worth.
Heather Clark (Red Comet: The Short Life and Blazing Art of Sylvia Plath)
Looking back later, acquaintances marveled at the feat of this awkward, skinny kid the yearbook called “a rather quiet chap about campus,” dour and brooding, who couldn’t even win a girlfriend, who attracted enemies, who seemed, a schoolmate recalled, “the man least likely to succeed in politics.” They hadn’t learned what Nixon was learning. Being hated by the right people was no impediment to political success. The unpolished, after all, were everywhere in the majority.
Rick Perlstein (Nixonland: The Rise of a President and the Fracturing of America)
Grimod de La Reynière was the founder of culinary journalism. His articles in newspapers and yearbooks fed restaurants with new ideas. No more was the art of good eating a luxury reserved for the banquet halls of nobility. The one whose fingers were all over this had none: Grimod de La Reynière, grand master of pen and spoon, was born with no hands, and he wrote, cooked, and ate with hooks.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
Yo momma is so fat… when a bus hit her she said, “Who threw the pebble?” Yo momma is so fat… when she puts on her yellow rain coat and walks down the street people shout out “taxi”! Yo momma is so fat… she uses the interstate as a slip and slide. Yo momma is so fat… you could use her bellybutton as a wishing well. Yo momma is so fat… the government forced her to wear taillights and blinkers so no one else would get hurt. Yo momma is so fat… she supplies 99% of the world’s gas. Yo momma is so fat… when she goes to Taco Bell, they run for the border! Yo momma is so fat… she rolled out of bed and everybody thought there was an earthquake. Yo momma is so fat… when God said, “Let there be light,” he had to ask her to move out of the way. Yo momma is so fat… she has more chins than a Chinese phone book. Yo momma is so fat… she jumped in the air and got stuck. Yo momma is so fat… she's got to wake up in sections. Yo momma is so skinny… Yo momma is so skinny… she can hang glide with a Dorito! Yo momma is so skinny… she swallowed a meatball and thought she was pregnant. Yo momma is so skinny… she turned sideways and disappeared. Yo momma is so skinny… she hula hoops with a cheerio. Yo momma is so skinny… she has to run around in the shower just to get wet. Yo momma is so skinny… she don’t get wet when it rains. Yo momma is so skinny… her nipples touch. Yo momma is so skinny… she has to wear a belt with her spandex pants. Yo momma is so skinny… she can see through peepholes with both eyes. Yo momma is so skinny… she can dive through a chain-linked fence. Yo momma is so skinny… she uses cotton balls for pillows. Yo momma is so old… Yo momma is so old… she knew the Great Wall of China when it was only good! Yo momma is so old… that her bus pass is in hieroglyphics! Yo momma is so old… she was wearing a Jesus starter jacket! Yo momma is so old… her birth certificate is in Roman numerals. Yo momma is so old… she ran track with dinosaurs. Yo momma is so old… she knew Burger King while he was still a prince. Yo momma is so old… her birth certificate says expired on it. Yo momma is so old… she has a picture of Moses in her yearbook. Yo momma is so old… that when she was in school there was no history class. Yo momma is so old… her social security number is 1! Yo momma is so old… I told her to act her own age, and she died. Yo momma is so short… Yo momma is so short… she does backflips under the bed. Yo momma is so short … she can play handball on the curb. Yo momma is so short… she can use a sock for a sleeping bag. Yo momma is so short… she can tie her shoes while standing up. Yo momma is so short… she can sit on a dime and swing her legs. Yo momma is so short … she has to use a ladder to pick up a dime. Yo momma is so short … she poses for trophies! Yo momma is so short… she has a job as a teller at a piggy bank. Yo momma is so short… she has to use rice to roll her hair up. Yo momma is so short… she uses a toothpick as pool stick. Yo momma is so short… she can surf on a popsicle stick.
Various (151+ Yo Momma Jokes)
Brothers,” he continues, “are lifelong. And though you take that field tonight, you have also taken that field before, just as you will tomorrow, and the next day, and the next. That field is your home—your battlefield—and those other men are intruders. They don’t respect it. They’re trespassing—unwanted guests..“I can assure you they didn’t,” my father says. Again, the room chants, “Hoorah!” I hold my breath because this next part, more than anything that led up to it, is what I’ve been waiting for. I check the camera, my father still centered in my frame and his face as serious as I’ve ever seen it. Our team has won the first two games of the year, but he knows that two is not ten. A loss, at this point, will be unforgiveable. “What’s that word on your backs?” His question echoes, and the answer is swift. “Honor, sir!” they all shout in unison. They always do. It’s more than memorization, and it’s always made me sit in awe of how it all plays out. “Honor! That’s right. There are no individuals in here. We all have one name. It isn’t the mascot. It isn’t your nickname or some fad that will be forgotten the second the yearbook is printed. It’s a word that means heart, that means drive and ambition, that means giving your all and leaving the best of every goddamned thing you’ve got out there on that field. Turn to your right!” They all do, seated in a circle on the benches, looking at the helmets and heads of their teammates. My dad should have been a preacher, or perhaps a general. He was born to stand before boys and make them believe that for two and a half hours, they are men. “Turn to your left!” All heads shift, the sound swift, but mouths quiet. “Honor. Brotherhood. Tradition.” He pauses, his team still sitting with heads angled and eyes wide on the dark blue sheen of the helmets and sweat-drenched heads next to them. “Again…” he says, and this time they say it with him. “Honor. Brotherhood. Tradition.” “Whose house is this?” my father asks, quiet and waiting for a roar. “Our house!” “Whose house is this?” He’s louder now. “Our house!” “Whose house…” My dad’s face is red and his voice is hoarse by the time he shouts the question painted above the door that the Cornwall Tradition runs through to the field. The final chant back is loud enough that it can be heard through the cinderblock walls. I know, because last week, I filmed the speech from outside. With chests full, egos inflated, voices primed and muscles ready for abuse, this packed room of fifty—the number that always takes the field, even though less than half of them will play—stands, each putting a hand on the back of everyone in front of them.
Ginger Scott (The Hard Count)
You're Right, I Believe You
William A Kolbe
If you’ve already worked in some capacity or done any internships, your contacts are everybody you’ve met in your work plus all your personal contacts. If you haven’t been employed yet, you still have plenty of contacts. “Take out your college yearbook,” says Wein. “Who sat next to you in class? Who do you know that’s gone into the field you’re interested in? You don’t have to know them well to put them on the list.” You’d also include any contacts your parents have, friends of your parents, people you met on family vacations, even kids you knew in summer camp.
Kate White (I Shouldn't Be Telling You This: Success Secrets Every Gutsy Girl Should Know)
Looking through the book, I realized that there actually were several kids I didn’t know. Was it possible that I never shared a class with them in all twelve years of school? I scanned the yearbook
Stephen E. Stanley (A Midcoast Murder (A Jessie Ashworth Mystery, #1))
Before World War II, there was no such thing as organic food. All food was organic. Food was just food—plants, grains, meats, and dairy that we could all recognize or grow. There were no long lists of ingredients on packages that you couldn’t pronounce, much less have any idea what they did to your body or the environment. In 1938, the USDA’s Yearbook of Agriculture was called Soils and Men, and it remains a handbook of organic farming today, but back then that was the norm.
Nora Pouillon (My Organic Life: How a Pioneering Chef Helped Shape the Way We Eat Today)
I open the yearbook and start paging through it as fast as I can. Basketball games, Ping-Pong, Yearbook Club, Drama. I check the cover to make sure it’s not a mistake. It’s like I’m reading about another place entirely. The school in this book has nothing to do with the place where I spend my days, the place where three in ten of us won’t graduate. It doesn’t show the empty air around me as I wait alone in the school yard, the bathrooms I won’t go into, or the dead look I have to keep on my face as I go from class to class.
Meg Medina (Yaqui Delgado Wants to Kick Your Ass)
I'm just crazy because I choose to be." - Marist High School yearbook, 1990
Patrick Michael Mooney
When my mom picked me up, I had her drive me to the LA Police Academy. I had heard they sold a license-plate frame that supposedly was cop-friendly—a cop who saw it might not pull you over for a traffic infraction. In the store I noticed a stack of books: the LAPD yearbook. I said I wanted one “as a gift for my uncle, who’s with the LAPD.” It cost $75 but it was amazing, like finding the Holy Grail: it had the picture of every LAPD officer, even the undercover guys assigned to organized crime.
Anonymous
Carl discreetly turned his head to the left and then the right to make sure Mom wasn’t within hearing range. “I tried to stick it in er ass once and she didn’t speak to me for a week,” he nearly whispered before belting out a slur of loose chuckles. “And gettin’ ‘er to do ya on top? Forget about it!” In ways, I morphed into Carl’s description of the ideal woman. Like Mom, physical beauty was my ultimate priority. I spent hours on end stripped naked, posing in front of my full length bedroom mirror at every angle so that each wrinkle, roll, and pinch of fat could receive sharp scrutiny before I strived for complete self annihilation. I made it a habit of studying every Teen magazine model and the skinniest cheerleaders in my middle school yearbook. I observed their arms, legs, and hips. I held their images against mine with a goal for my bones to protrude further and calves spread further apart when standing straight. However, I saw the way Carl bent his head down and lowered his voice when he spoke about Mom, as if it was our job to keep a feisty, barking puppy believing that it was our guard dog. “Ure mom can’t help she got half ure I-Q,” Carl would chuckle.
Maggie Georgiana Young (Just Another Number)
published a Spanish–English paper for Fremont High School’s neighboring community as well as the school newspaper and yearbook.
Gregory A. Smith (Place- and Community-Based Education in Schools)
Brennan credited his time in the army with shaping his deep suspicion of government. While he was fighting at the front, his draft board sent a letter to his home stating he would be fined and imprisoned if he did not turn up for his physical. “Just goes to show how much the government knows about what’s going on,” he said. On April 4, 1919, Walter Brennan was one of six thousand returning troops that Governor Calvin Coolidge saluted as their ship docked. Six days later, while the demobbed Brennan was marching in a Swampscott parade, he spotted Ruth Wells, the daughter Lynn’s local sheriff, crossing the street. Walter’s and Ruth’s families knew one another, but Walter, three years older than Ruth, had not paid that much attention to her until he went away to war and began writing letters to her. When Ruth was six, she broke a bottle belonging to Walter’s mother, and nine-year-old Walter teased her to tears by telling her, “she’d get it when they got home.” During the war, she attended Simmons College, graduating in 1919 from a three-year program in secretarial studies, having taken courses not only in shorthand, typing, business practices, commercial law, and economics, but also in English, History, French, and German. Her yearbook entry in The Microcosm gives the impression of a lively and sociable personality with interests in the theater, parties, and dances. She was not one to sulk or spend much time worrying. “He kind of discovered you,” Ralph Edwards said to Ruth. “Oh, I did that,” she explained. “We were invited by Walter’s mother to dinner, my mother and my two sisters . . . Walter
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
Did I get my picture in the yearbook under "Most Likely to Commit Suicide"?
Jerry Stahl (Perv - A Love Story)
I reset the alarm, let myself out, and went to my car. I dumped the yearbooks and files onto the passenger seat, but didn’t drive away. I thought about the gun. Amy might have had second thoughts. She might have decided it was too loud or too smelly or just wasn’t fun. Maybe having a gun around the house made her feel less safe, so she got rid of it. There were plenty of innocent reasons her gun was missing, but guesses weren’t facts. I
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
Book 1 Item#4   Yearbooks   Whenever I find yearbooks for one or two dollars I always pick them up. Many people want to revisit their high school or college
D.R. Farmer (Thrifit Store Profits: 10 Common Items That Sell For Huge Profit On Ebay and Amazon (Thrift Store Profits Book 1))
according to mythical thinking, the gods and cosmic forces represented here are not conceived merely as existing side by side: they act upon one another and within each another
Joseph Campbell: : The Mysteries : Papers from the Eranos Yearbooks, Eranos 2
All this likely begs the questions: “What’s wrong with you, Seth? Why do you do so many drugs and why can’t you stop talking about it?” And the best answer to that I can come up with is “They give me insights into my own thinking, feeling, and behavior in ways that I haven’t found elsewhere, and they’re super-fun.” It’s really nothing new. People have been getting fucked up for thousands of years. There’s something about removing myself from my normal baseline of operation that feels exciting and adventurous. And shared adventures can be incredibly bonding. I think I also keep yapping about drugs like acid, MDMA, and shrooms because of how incredibly fucking bothered I am that they’re viewed as these big bad wolves compared to alcohol, which is both way more prevalent and way more shitty for you.
Seth Rogen (Yearbook)
Cadoc does not have feelings for me. You’ll see. We’ll graduate, he’ll marry Gwyneth, and I will just be some face in the yearbook that will be completely forgotten.” “You’re not a footnote, sweetie,” she said, smiling at me the way one might if she were appeasing a child, “you’re Style.” I stared at her, certain I was hearing wrong. “Please stop comparing my life to Taylor Swift songs” “Oh please, that’s like the highest compliment I could pay you. It means your life is actually interesting, epic, like a love song.” “My life is small, and boring. I’m not worthy of being compared to Taylor Swift. I’m…. Jack Johnson.” “Ha! Whatever you say, Queenie.” I rolled my eyes. “I’m going to bed.” “You do that. I give it two years.” “Two years?” “Before you and Jasper become Last Kiss. If anyone is a footnote, he’s a footnote.” Royals and Rebels 2: Love and War only on Dreame
Cambria Covell
And then I think of Mom. I think of her going through my yearbook, inadvertently reminding me how I’ll never be as pretty as the other girls at school, how pretty she was when she was my age, how I’ll never be as pretty as her, and I suddenly want to be anywhere other than my own house.
Akemi Dawn Bowman (Starfish)
I stare at the mirror, running my fingers around my round face and my wide nose and wondering if Mom really does think she could have done better than Dad—better than Asian—and if she does, does she think she could have done better than me? It hurts. It hurts hearing her vocalize my fear—that people might not look at me the way they look at her. And it hurts to think she looks down on Dad, and maybe down on me, and Taro, and Shoji. Closing my eyes, I think of all the faces in my sketchbook. The ones I’ve drawn since Hiroshi told me beauty isn’t just one thing. They’re all different and special and unique. I don’t look at them the way Mom looks at the faces in a yearbook. Because it wouldn’t be fair. It feels cruel, like I’m saying one type of face is better than another. Like I’m saying one kind of heritage is better than another. It’s an ugly thing to do. I’d rather have an ugly face than an ugly heart. I let my hands drop to my sides and shake my head at the mirror. And I decide, right there and then, that I don’t care if I’m not someone’s idea of pretty. I don’t care if my name might disappoint someone, or if my face might disappoint someone’s parents. Because that says so much more about them than it does about me. Who cares what anyone else thinks? Who cares what Mom thinks, when she’s immature enough to keep a last name she hates just to maintain an imaginary war with Serena? I love my last name. And maybe I’m even learning to love my face. That can be enough. It has to be. It will be.
Akemi Dawn Bowman (Starfish)
People criticize weed for changing your view of reality. But sunglasses literally change your view of reality, and nobody gives them a hard time for it. Weed is my sunglasses. Weed is my shoes. I’m not quite cut out for this world, but weed makes it okay.
Seth Rogen (Yearbook)
President Obama: We cannot have a society in which some dictator someplace can start imposing censorship here in the United States. Because if somebody is able to intimidate folks out of releasing a satirical movie, imagine what they start doing when they see a documentary that they don’t like or news reports that they don’t like. Or even worse, imagine if producers and distributors and others start engaging in self-censorship because they don’t want to offend the sensibilities of somebody whose sensibilities probably need to be offended. So that’s not who we are. That’s not what America is about. Again, I’m sympathetic that Sony, as a private company, was worried about liabilities and this and that and the other. I wish they had spoken to me first. I would have told them, “Do not get into a pattern in which you’re intimidated by these kinds of criminal attacks.”…I think it says something interesting about North Korea that they decided to have the state mount an all-out assault on a movie studio because of a satirical movie….I love Seth and I love James, but the notion that that was a threat to them, I think gives you some sense of the kind of regime we’re talking about here.
Seth Rogen (Yearbook)
These victim-blaming talking points were being repeated just hours after the shooting, not only by the media but by the president himself. The idea that it’s up to the threatened classes to protect themselves from bigots rather than up to the bigots not to spread hatred and act on their terrible instincts is as stupid as, well, Trump. “Everyone knows people hate Jews! Lock the doors next time!” So comforting.
Seth Rogen (Yearbook)
After losing the election, Trump did something nobody, except those with eyes and a brain, saw coming. He refused to admit he lost. And the spineless fuckheads in the GOP decided to support this lie, even though they knew it was complete bullshit. Lucky for them, their supporters don’t care about reality, so it was ultimately an easy lie to sell.
Seth Rogen (Yearbook)
People were asking, “How could this happen?” And unfortunately, the answer is obvious. First, it’s real easy to get your hands on a high-powered assault rifle in America. Combine that with a president who de-stigmatized outward hatred and social-media platforms that allow people to stoke flames of hatred to the point of combustion.
Seth Rogen (Yearbook)
They cut to an interview with my dad, where he went off on Vander Zalm. Ilooked over at him watching. He couldn’t have been happier. I looked back tothe TV.ANCHOR: While many in attendance were obviously disturbed by the disruption...It cut to shots of terrified members of the crowd watching my dad rant like amadman. It then cut to a shot of me, my sister, and my mother, completelyignoring my father. The only ones in the entire crowd not looking in hisdirection.ANCHOR: ...this family somehow managed to be totally unfazed by the outburst
Seth Rogen (Yearbook)
Either way, it’s legal in Canada now and, at the time of this writing, inching slowly toward legalization in America, but there’s still a long way to go, probably because it’s just too effective a way to persecute minorities and keep prisons full, which are things that they love to do in America.
Seth Rogen (Yearbook)
My first experience was great, and I did the perfect amount. But there was this nagging thought in my head. It’s not a great thought but one that I stand by: You haven’t really done a drug till you’ve done a bit too much of it.
Seth Rogen (Yearbook)
No space of regret can make amends for one life's opportunity misused.
Holly Bourne (The Yearbook)
Three years later, my mother bought a page in the back of the yearbook, as was customary for graduating seniors. On it, she put funny baby photos and well wishes, but tucked inconspicuously throughout the page were little quotes from Mark Twain about the absurdity of uniforms and the danger of blind obedience, and Laurel Thatcher Ulrich’s famous “Well-behaved women seldom make history.” My mother’s final parting jab.
Brianna Madia (Nowhere for Very Long: The Unexpected Road to an Unconventional Life)
There were more meetings here of the reunion committee and this kept him busy, especially the assembling of mock yearbooks made up of the classmates’ autobiographies that Gloria had accumulated via e-mail. Bev did household chores
Ruth Doan MacDougall (The Husband Bench: or Bev's Book (The Snowy Series 4))
She made me laugh all the time as a child, as an adolescent and even as a surly teenager. I place my hand over my still beating heart, wondering how I can keep going, knowing that Julia will never make me laugh again except in my memories. ‘Oh, Julia,’ I say, as I press down on my chest. She liked things to be fair and right. She would never have dated a married man. It would have gone against everything she stood for. Where would she have even met one? Unless she knew him from Sydney. Eric Peters pops into my head again. The image of the year-book photo. But he lives in Sydney and Brian said that Julia was taking weekends away in Melbourne. The letters seem to indicate that they were together in Melbourne. Sydney’s only a short flight away, but still. I hate that I have no answers to any of these questions.
Nicole Trope (My Daughter's Secret)