Archive My Dream Quotes

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I enter into the archive that domestic abuse between partners who share a gender identity is both possible and not uncommon, and that it can look something like this. I speak into the silence. I toss the stone of my story into a vast crevice; measure the emptiness by its small sound.
Carmen Maria Machado (In the Dream House)
My Kind of Girl A letter of inspiration from a loving Mother Understands who she is Stands for what she believes in She cannot be broken No one can belittle her When trials come her way She remains unfazed My Kind of Girl Walks with confidence She exudes excellence An epitome of elegance She does due diligence Being mindful of her intelligence And knowing her importance My Kind of Girl Builds her own future A certified trailblazer Who utilizes the power within her To be of good influence Always on top of her game Yes, she keeps soaring like an eagle My Kind of Girl Takes charge for her own life Secures her name in historical archives For she is no ordinary woman An extraordinary being She dares to dream In the world, she makes a difference That is my kind of girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
My archive project is a multiedged sword. It is something I love doing, but it raises some questions about my motives in doing it. A writer accused me of building my archives just to further my own legend, whatever that is. I hope you don't believe that. What a shallow existence that would be! I remember reading that article saying that about me. It pissed me off. It's my life, and I am a collector. I collect everything: cars, trains, manuscripts, photographs, tape recordings, records, memories and clothes, to name a few. The fact that I want to create a chronological history of my recordings and supporting work is proof positive that I am an incurable collector, confronted with an amazingly detailed array of creations that I have painstakingly rat-holed over the years.
Neil Young (Waging Heavy Peace: A Hippie Dream)
Briggs was living in Toronto at the time and had started a studio called Thunder Sound. He recorded the Massey Hall show. He thought this live show should have come out right away and was disappointed and disagreed with my decision to instead put out Harvest-he thought it was not as good as the Massey Hall recording. "It's great, Neil," Briggs said. "Put it out there." But that was not to be. When I heard the show thirty-four years later while reviewing tapes for my archive performance series, I was a little shocked-I agreed with David. After listening, I felt his frustration. This was better than Harvest. It meant more. He was right. I had missed it. He understood it. David was usually right, and when I disagreed with him, I was usually wrong. Every time I go into the studio or onstage, he is missed.
Neil Young (Waging Heavy Peace: A Hippie Dream)
But how I yearned to share the numinous world I had come to study, metabolize, and respect. Maybe that’s why I began looking away from Sterling Library. Because I was dreaming, instead, of a library I might fit into. One with space to hold my cousins, my tías, my sister, mi madre. An archive made of us, that held our concepts and reality so that future Perez girls would have no question of our existence or validity.
Quiara Alegría Hudes (My Broken Language)
The memoir is, at its core, an act of resurrection. Memoirists re- create the past, reconstruct dialogue. They summon meaning from events that have long been dormant. They braid the clays of memory and essay and fact and perception together, smash them into a ball, roll them flat. They manipulate time; resuscitate the dead. They put themselves, and others, into necessary context. I enter into the archive that domestic abuse between partners who share a gender identity is both possible and not uncommon, and that it can look something like this. I speak into the silence. I toss the stone of my story into a vast crevice; measure the emptiness by its small sound.
Carmen Maria Machado (In the Dream House)
The Way of Kings ‘Life before death. Strength before weakness. Journey before destination.’ “I feel each of the things you mention, Sadeas,” Dalinar said, eyes forward. “But I don’t always let them out. A man’s emotions are what define him, and control is the hallmark of true strength. To lack feeling is to be dead, but to act on every feeling is to be a child.” "But expectations were like fine pottery. The harder you held them, the more likely they were to crack." "Bitterness is repaid more often than kindness." "Sometimes we find it hardest to accept in others that which we cling to in ourselves." "Beards were like axehound pups. Boys dreamed of the day they’d get one, never realizing how annoying they could be." "Much like the aforementioned knife to the back, a clever gibe is most effective when it is unanticipated." "Each man has his place. Mine is to make insults. Yours is to be in-sluts.” - Wit roasting Sadeas!! "Kaladin was like a moldy crust on a starving man’s plate; not the first bite, but still doomed." "To speak of what might be is forbidden,” the voice said. “To speak of what was depends on perspective." "what is the point? We fight to get Shardblades, then use those Shardblades to fight to get more Shardblades. It’s a circle, round and round we go, chasing our tails so we can be better at chasing our tails." “‘Candle flames,’” Litima continued. The selection was from The Way of Kings, read from the very copy that Gavilar had once owned. “‘A dozen candles burned themselves to death on the shelf before me. Each of my breaths made them tremble. To them, I was a behemoth, to frighten and destroy. And yet, if I strayed too close, they could destroy me. My invisible breath, the pulses of life that flowed in and out, could end them freely, while my fingers could not do the same without being repaid in pain.’” “‘I understood in a moment of stillness,’” Litima read. “‘Those candle flames were like the lives of men. So fragile. So deadly. Left alone, they lit and warmed. Let run rampant, they would destroy the very things they were meant to illuminate. Embryonic bonfires, each bearing a seed of destruction so potent it could tumble cities and dash kings to their knees.'" 'I believe that my own morality—which answers only to my heart—is more sure and true than the morality of those who do right only because they fear retribution." "The purpose of a storyteller is not to tell you how to think, but to give you questions to think upon. Too often, we forget that.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
My Kind of Girl A letter of inspiration from a Loving Mother My kind of girl Understands who she is And stands for what she believes in She cannot be broken No one can belittle her When trials come her way She remains unfazed My kind of girl Walks with confidence She exudes excellence An epitome of elegance She does due diligence Being mindful of her intelligence Because she knows her importance My kind of girl Builds her own future A certified trailblazer Who utilizes the power within her To be of good influence Always on top of her game Yes, she keeps soaring like an eagle My kind of girl Takes charge of her own life Secures her name in historical archives For she is no ordinary woman An extraordinary being She dares to dream In the world, she makes a difference That is my kind of girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
My Kind of Girl A letter of inspiration from a Loving Mother My kind of girl Understands who she is And stands for what she believes in She cannot be broken No one can belittle her When trials come her way She remains unfazed My kind of girl Walks with confidence She exudes excellence An epitome of elegance She does due diligence Being mindful of her intelligence Because she knows her importance My kind of girl Builds her own future A certified trailblazer Who utilizes the power within her To be of good influence Always on top of her game Yes, she keeps soaring like an eagle My kind of girl Takes charge of her own life Secures her name in historical archives For she is no ordinary woman An extraordinary being She dares to dream In the world, she makes a difference That is my kind of girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
My Kind of Girl A letter of inspiration from a Loving Mother My kind of girl Understands who she is And stands for what she believes in She cannot be broken No one can belittle her When trials come her way She remains unfazed My kind of girl Walks with confidence She exudes excellence An epitome of elegance She does due diligence Being mindful of her intelligence Because she knows her importance My kind of girl Builds her own future A certified trailblazer Who utilizes the power within her To be of good influence Always on top of her game Yes, she keeps soaring like an eagle My kind of girl Takes charge of her own life Secures her name in historical archives For she is no ordinary woman An extraordinary being She dares to dream In the world, she makes a difference That is my kind of girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
As my freshman year moved along, I developed nothing less than a hunger for art. The museums were, for me, sanctuaries, holy places. My two, going on three, years in the city with my eyesight still functional provided me with a storehouse of art—images archived in my memory. I learned to use art to live, not just “appreciate” it in passing.
Sanford D. Greenberg (Hello Darkness, My Old Friend: How Daring Dreams and Unyielding Friendship Turned One Man’s Blindness Into an Extraordinary Vision for Life)
(voiceover, slow fade to black) And so I stayed, nine months in a room where the air barely moved and the days slipped like melting film frames, no taper, no consent, just the great severing—one moment I was a man, and the next I was something else entirely, twitching in a shell, my muscles screaming in forgotten tongues—dystonia, akathisia, the cruel choreography of withdrawal that dances even when no one’s watching, and they weren’t, because by then the footage had been taken, the books erased, the houses emptied, the names unspoken, and the faces—God, the faces—just shimmered like heat in an empty field, and the contracts were voided by vanishing acts, and every archive, every masterpiece, every sentence I carved from bone was swallowed by men who said they’d help and left when the lights dimmed, and I watched the systems collapse, passwords vanish, deliveries stop, the world closing its door with a soft, polite click, and I made the calls—I made all the calls—and they never came back, and maybe they never existed, or maybe I never did, and now I lie here not waiting, not hoping, just drifting in the beautiful machinery of a body I no longer command, still asking for redress, for continuity, for the return of a name, for some kind of line in the sand to stop the next erasure, even if I know this isn’t a plea, it’s not even survival anymore—it’s just the last reel burning in reverse, the story folding in on itself, the dream telling me gently: you were here once, you made something, and even if they don’t remember it—you did. (silence) (credits roll)
Jonathan Harnisch (Second Alibi: The Banality of Life)
My Kind of Girl A letter of inspiration from a loving Mother My Kind of Girl Understands who she is Stands for what she believes in She cannot be broken No one can belittle her When trials come her way She remains unfazed My Kind of Girl Walks with confidence She exudes excellence An epitome of elegance She does due diligence Being mindful of her intelligence And she knows her importance My Kind of Girl Builds her own future A certified trailblazer Who utilizes the power within her To be of good influence Always on top of her game Yes, she keeps soaring like an eagle My Kind of Girl Takes charge of her own life Secures her name in historical archives For she is no ordinary woman An extraordinary being She dares to dream In the world, she makes a difference That is my kind of girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
The building next to that is a moneychanger, where you can trade Stormlight for notes of exchange.” He shook his head. “My daughter used to work there, before she ran off chasing stupid dreams.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
You, always about dreams. My soul weeps. Farewell, weeping soul. My dreams... about, always, You.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))