Arcade Love Quotes

After dinner or lunch or whatever it was -- with my crazy 12-hour night I was no longer sure what was what -- I said, "Look, baby, I'm sorry, but don't you realize that this job is driving me crazy? Look, let's give it up. Let's just lay around and make love and take walks and talk a little. Let's go to the zoo. Let's look at animals. Let's drive down and look at the ocean. It's only 45 minutes. Let's play games in the arcades. Let's go to the races, the Art Museum, the boxing matches. Let's have friends. Let's laugh. This kind of life like everybody else's kind of life: it's killing us.

Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.

My body is a cage that keeps me from dancing with the one I love, but my mind holds the key.

She sang that night like - I cannot say like an angel, for her songs were all of champagne suppers and strolling in the Burlington Arcade; perhaps, then, like a fallen angel - or yet again like a falling one: she sang like a falling angel might sing with the bounds of heaven fresh burst behind him, and hell still distant and unguessed. And as she did so, I sang with her - not loudly and carelessly like the rest of the crowd, but softly, almost secretly, as if she might hear me the better if I whispered rather than bawled.

Imagine that Dungeons and Dragons and an ’80s video arcade made hot, sweet love, and their child was raised in Azeroth. If you’re not already experiencing a nerdgasm at the thought, I don’t want to know you.” —John Scalzi, New York Times bestselling author of Old Man’s War

We had a very Tom and Jerry relationship, me and my mom. She was the strict disciplinarian; I was naughty as shit. She would send me out to buy groceries, and I wouldn’t come right home because I’d be using the change from the milk and bread to play arcade games at the supermarket. I loved videogames. I was a master at Street Fighter. I could go forever on a single play. I’d drop a coin in, time would fly, and the next thing I knew there’d be a woman behind me with a belt. It was

But walking down Regents Arcade this afternoon, I noticed a new need that’s normally so close-up you never know it’s there. You and your mum need to like each other. Not love, but like.

It felt warm sitting around the dhuni. I felt connected to the sadhus, to the temple, and even to Shiva. Is this it? Am I on the precipice of something? Is this what I've been looking for? It feels so close, I can nearly reach out and grab it, the answer to all my questions could be right in this circle, I could follow this path, I could grow my hair six feet long, I could stand in one spot for six years with my arm in the air, I could cover myself in ash, I could smoke chillums all day and chant all night, yes, this is what it's all been leading to, already, I feel my mind emptying out, it's slowing down just like in Greece, but this time the filmstrip is coming into focus, this time I can almost make it out, this time things are making sense, yes, of course, Paul is right, I must act like a sadhu, I must do what's right, and now the film stops for one brief second and I take a look, and there it is, my journey, yes, it's anything but a straight line, it's more like a spiral that twists all over the place, just like the lines in my palm, it's a spiral that at any moment could point up or down, in or out, and now, sitting at the feet of the holy men, looking into the warm pools of the sadhu's eyes - I suddenly realize what this is all about. Each person's journey is different, and this spiral of mine isn't finished spinning. At least, not here - not now, not in this magical arcade. It's as I always suspected. I don't want a guru. I don't want an ashram. I need to find my own way.

Crown Of Love They say it fades if you let it, love was made to forget it. i carved your name across my eyelids, you pray for rain i pray for blindness. if you still want me, please forgive me, the crown of love is not upon me. if you still want me, please forgive me, because the spark is not within me. i snuffed it out before my mom walked in my bedroom. the only thing that you keep changin' is your name. my love keeps growin' still the same, just like cancer, and you won't give me a straight answer! if you still want me, please forgive me, the crown of love has fallen from me. if you still want me, please forgive me, because your hands are not upon me. i shrugged them off before my mom walked in my bedroom. the pains of love, and they keep growin', in my heart there's flowers growin' on the grave of our old love, since you gave me a straight answer. if you still want me, please forgive me, the crown of love is not upon me. if you still want me, please forgive me, because the spark is not within me. it's not within me. it's not within me. you gotta be the one. you gotta be the way. your name is the only word, the only word that i can say!

One night, walking along 8th Street in the East Village, I saw some adolescent boys, out too late and unattended. They were playing an arcade video game set up on the sidewalk, piloting a digital spacecraft through starlit infinity, blasting everything in their path to bits. Now and then, the machine would let out a robotic shout of encouragement: You’re doing great! So the urchins flew on through the make-believe nothingness, destroying whatever they saw, hypnotized by the mechanical praise that stood in for the human voice of love. That, it seemed to me, was postmodernism in a nutshell. It ignored the full spiritual reality of life all around it in order to blow things apart inside a man-made box that only looked like infinity. You’re doing great, intellectuals! You’re doing great. Much

Because I have to be honest here, I don’t usually have coffee with girls who walk into my shop, and I don’t usually talk about school, and I’m a little bit nervous because I think you’re both badass and beautiful. So can we make a pact for tonight to get rid of the bullshit and just talk about stuff that matters? Like why you want to go to the beach, and how it feels to listen to Arcade Fire, and whether you love or hate New York as much as I do, and what you want out of life.

One night, he left Stephen and me in the arcade and rushed off to a – this hurt my feelings – “real” game. That night, he missed a foul shot by two feet and made the mistake of admitting to the other players that his arms were tired from throwing miniature balls at a shortened hoop all afternoon. They laughed and laughed. ‘In the second overtime,’ Joel told me, ‘when the opposing team fouled me with four seconds left and gave me the opportunity to shoot from the line for the game, they looked mighty smug as they took their positions along the key. Oh, Pop-A-Shot guy, I could hear them thinking to their smug selves. He’ll never make a foul shot. He plays baby games. Wa-wa-wa, little Pop-A-Shot baby, would you like a zwieback biscuit? But you know what? I made those shots, and those songs of bitches had to wipe their smug grins off their smug faces and go home thinking that maybe Pop-A-Shot wasn’t such a baby game after all.” I think Pop-A-Shot’s a baby game. That’s why I love it. Unlike the game of basketball itself, Pop-A-Shot has no standard socially redeeming value whatsoever. Pop-A-Shot is not about teamwork or getting along or working together. Pop-A-Shot is not about getting exercise or fresh air. It takes place in fluorescent-lit bowling alleys or darkened bars. It costs money. At the end of a game, one does not swig Gatorade. One sips bourbon or margaritas or munches cupcakes. Unless one is playing the Super Shot version at the ESPN Zone in Times Square, in which case, one orders the greatest appetizer ever invented on this continent – a plate of cheeseburgers.

Do our possessions mourn us? Do electric sheep dream of Roy Batter? Will my coat, riddled with holes, remember the rich hours of our companionship? Asleep on buses from Vienna to Prague, nights at the opera, walks by the sea, the grave of Swinburne in the Isle of Wight, the arcades of Paris, the caverns of Luray, the cafés of Buenos Aires. Human experience bound in its threats. How many poems bleeding from its ragged sleeves? I averted my eyes just for a moment, drawn by another coat that was warmer and softer, but that I did not love. Why is it that we lose the things we love, and things cavalier cling to us and will be the measure of our worth after we're gone?

You have to have approached a place from all four cardinal points if you want to take it in, and what’s more, you also have to have left it from all these points. Otherwise it will quite unexpectedly cross your path three or four times before you are prepared to discover it. One stage further, and you seek it out, you orient your-self by it. The same thing with houses. It is only after having crept along a series of them in search of a very specific one that you come to learn what they contain. From the arches of gates, on the frames of house doors, in letters of varying size, black, blue, yellow, red, in the shape of arrows or in the image of boots or freshly-ironed laundry or a word stoop or a stairway’s solid landing, the life leaps out at you, combative, determined, mute. You have to have traveled the streets by streetcar to realize how this running battle con-tinues up along the various stories and finally reaches its decisive pitch on the roofs.

Through the window we saw them, all three arm in arm, going toward the café. Rockets were going up in the square. "I'm going to sit here," Brett said. "I'll stay with you," Cohn said. "Oh, don't!" Brett said. "For God's sake, go off somewhere. Can't you see Jake and I want to talk?" "I didn't," Cohn said. "I thought I'd sit here because I felt a little tight." "What a hell of a reason for sitting with any one. If you're tight, go to bed. Go on to bed." "Was I rude enough to him?" Brett asked. Cohn was gone. "My God! I'm so sick of him!" "He doesn't add much to the gayety." "He depresses me so." "He's behaved very badly." "Damned badly. He had a chance to behave so well." "He's probably waiting just outside the door now." "Yes. He would. You know I do know how he feels. He can't believe it didn't mean anything." "I know." "Nobody else would behave as badly. Oh, I'm so sick of the whole thing. And Michael. Michael's been lovely, too." "It's been damned hard on Mike." "Yes. But he didn't need to be a swine." "Everybody behaves badly," I said. "Give them the proper chance." "You wouldn't behave badly." Brett looked at me. "I'd be as big an ass as Cohn," I said. "Darling, don't let's talk a lot of rot." "All right. Talk about anything you like." "Don't be difficult. You're the only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." “Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side Street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down.

I’m unpunctual, because I don’t feel the pains of waiting. I wait like a cow. For when I feel a purpose, even if a very uncertain one, of my momentary existence, I’m so vain in my weakness that, once this purpose has been set before me, I will gladly tolerate anything for its sake. If I were in love, what I could do then. How long I waited years ago under the arcades on the Ring until M.[380] came by and even if she only passed by with her lover.

That nut on that island? The one who loves water?

The watch is very old, purchased from a specialist dealer in a fortified arcade in Singapore. It is military ordnance. It speaks to the man of battles fought in another day. It reminds him that every battle will one day be as obscure, and that only the moment matters, matters absolutely. The enlightened warrior rides into battle as if to a loved one’s funeral, and how could it be otherwise?

Frida Kahlo, San Miguel, Ash Wednesday You faded so long ago but here in the souvenir arcade you’re everywhere: the printed cotton bags, the pierced tin boxes, the scarlet T-shirts, the beaded crosses; your coiled braids, your level stare, your body of a deer or martyr. It’s a meme you can turn into if your ending’s strange enough and ardent, and involves much pain. The rope of a hanged man brings good luck; saints dangle upside down or offer their breasts on a plate and we wear them, we invoke them, insert them between our flesh and danger. Fireworks, two streets over. Something’s burning somewhere, or did burn, once. A torn silk veil, a yellowing letter: I’m dying here. Love on a skewer, a heart in flames. We breathe you in, thin smoke, grief in the form of ashes. Yesterday the children smashed their hollowed eggs on the heads of others, baptizing them with glitter. Shell fragments litter the park like the wings of crushed butterflies, like sand, like confetti: azure, sunset, blood, your colours.

rice cooker looked neat, too—when Cecilia wasn’t drawing up orders for her custom bullet journals, she loved cooking, so she’d probably want to try it. Maybe she could borrow Ojiichan’s phone and call her sisters to meet up— “Tessa-chan, over here!” Ojiichan hollered from the corner. “But, look!” Tessa gestured at the next shop. The sparkling clear displays of the arcade games reeled her in, teeming with a special kind of magic. The machines were stuffed with all sorts of plushies and even themed chocolate and snacks from her favorite animes. Ojiichan smiled. “We’re going to be late. I still have to fill out the paperwork for you two.” “Why do I need to register for an antique store?” Tessa asked. Couldn’t they spend time looking around Tokyo instead of just staying in a musty old shop? Jin’s jaw dropped, his eyes already glued to something. “Wait, we’re going here?” Tessa followed his gaze to the building Ojiichan was standing in front of. Exercise Land? That sounded like the polar opposite of cool. Slowly, she read the big poster board set in front: Starting at noon! Move to the beat, and join us for our most popular senior aerobics

People with ADHD have impairment in this selective, sustained attention process. Our focus involuntarily shifts based on whatever most recently grabbed our interest. Like a pinball in an arcade machine, our concentration bounces quickly from blinking light to flashing sound without consciously meaning to switch gears. This makes tasks like studying, paperwork, or listening to others extraordinarily difficult. We end up taking in fragments rather than an integrated whole. From the outside, it appears like we are ignoring the person, subject, or task at hand. In reality, our attention gets derailed unintentionally. Common attention regulation challenges include: ● inability to pay close attention to details ● difficulty staying focused on one task ● appearing not to listen in conversations ● losing track of instructions easily ● failure to follow through on responsibilities ● impulse control difficulties

Further Reading Atwood, Kathryn. Women Heroes of World War II (Chicago Review Press, 2011). Copeland, Jack. Colossus: The Secrets of Bletchley Park’s Code-Breaking Computers (Oxford University Press, 2010). Cragon, Harvey. From Fish to Colossus: How the German Lorenz Cipher was Broken at Bletchley Park (Cragon Books, 2003). Edsel, Robert. The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History (Hachette Book Group, 2009). Eisner, Peter. The Freedom Line (William Morrow, 2004). Helm, Sarah. A Life in Secrets: The Story of Vera Atkins and the Lost Agents of SOE (Hachette UK Book Group, 2005). Hodges, Andrew. Alan Turing: The Enigma (Random House UK, 2014). Mazzeo, Tilar. The Hotel on Place Vendôme: Life, Death, and Betrayal at the Hotel Ritz in Paris (HarperCollins, 2015). Mulley, Clare. The Spy Who Loved: The Secrets and Lives of Christine Granville (St. Martin’s Press, 2012). O’Keefe, David. One Day in August: The Untold Story Behind Canada’s Tragedy at Dieppe (Knopf Canada, 2013). Pearson, Judith. The Wolves at the Door: The True Story of America’s Greatest Female Spy (Rowman & Littlefield, 2005). Ronald, Susan. Hitler’s Art Thief (St. Martin’s Press, 2015). Rosbottom, Ronald. When Paris Went Dark: The City of Light Under German Occupation 1940–1944 (Hachette Book Group, 2014). Sebba, Anne. Les Parisiennes: How the Women of Paris Lived, Loved, and Died Under Nazi Occupation (St. Martin’s Press, 2016). Stevenson, William. Spymistress: The Life of Vera Atkins, the Greatest Female Secret Agent of World War II (Arcade Publishing, 2007). Vaughan, Hal. Sleeping With the Enemy: Coco Chanel’s Secret War (Random House, Inc., 2011). Witherington Cornioley, Pearl; edited by Atwood, Kathryn. Code Name Pauline: Memoirs of a World War II Special Agent (Chicago Review Press, 2015). From the Combined Intelligence Objectives Subcommittee/Target Intelligence Committee (TICOM) Archives. NW32823—Demonstration of Kesselring’s “Fish Train” (TICOM/M-5, July 8, 1945).

Greg had told me on the ride over that there was another organisation called SLAA, which stood for Sex and Love Addicts Anonymous. He didn’t know the difference between the two, but this was more conveniently located, and anyway love wasn’t his addiction.

Unconditional Love is a perpetual emotion machine. It inspires us to include others. The longer I am bathed in its radiance, the more I find myself looking at others with an open heart. I can look past their faults and love them. I can say, “I may not like the things you do, but I love you.

I asked my daughter how many kids would come to her birthday party if all we offered was cake. No games, no entertainment. They could come to the house to spend time with her and bring gifts to celebrate her, but we wouldn’t have anything else for them. She thought for a minute and said, “Maybe just a couple.” Then I asked her how many would come if I rented out Dave & Buster’s and let them have unlimited tokens, food, and prizes. She laughed and said confidently that the whole school would show up. So let’s say that for her birthday party I rent out the arcade and her whole school comes. They’re all going nuts, having the time of their lives. Imagine if I pulled her aside during the party, put my arm around her, and said, “Look at all the people who came to be with you!” Would she actually believe those people were there because they love her and want to spend time with her? Or would my comment actually be insulting? Isn’t this basically what we do with God? We have learned that we can fill church buildings if we bring in the right speaker or band. Make things exciting enough and people will come. We say, “God, look how many people are coming because they love being with You!” But do we really think God is fooled by this? Do we think God is pleased? He knows how many would show up if it was just Him. He knows there might be only a few if all we offered was Communion or prayer.

that expensive butcher in the arcade on the way home from the

He was a priest now, pagan, half-naked in the night, performing obscure rites of interment. Or he was the lead player in his own novel, or in one of those new arcade games William loved, compelled to repeat some totemic motion until he got it right. Only once did he feel, as he had on New Year's Eve, that someone was standing among the trees, watching. Well, let him watch, damn it. Something was being enacted here, as if it had been this deeper mission calling Mercer home all along. And now that he'd completed it, maybe he would be allowed to advance through to the next level, to a world where no one got shot.

La cachucha, is that for us, maestro? Will it be danced across the tottering floorboards of the cavaliers' wing, between cramped walls, blackened with smoke and greasy with grime, under its low ceiling? Curse you, the way you play! La cachucha, is that for us, for us cavaliers? Outside the snowstorm howls. Do you mean to teach the snowflakes to dance in rhythm, are you playing for the light-footed children of the blizzard? Female bodies, which tremble under the pulse beat of hot blood, small sooty hands, which have thrown aside the cooking pot to grasp the castanets, naked feet under tucked-up skirts, yard coated with flakes of marble, crouching gypsies with bagpipe and tambourine, Moorish arcades, moonlight and black eyes, do you have those, maestro? If not, let the fiddle rest! Cavaliers are drying their wet clothes by the fire. Should they swirl around in their tall boots with iron-shod heels and thumb-thick soles? They have waded through the ell-deep snow the whole day to reach the bear's winter lair. Do you think they should dance in their wet, steaming homespun clothes, with the shaggy bruin as a partner? Evening sky, glittering with stars, red roses in dark female hair, tormenting sweetness in the evening air, untaught grave in the movements, love rising out of the earth, raining from the sky, hovering in the air, do you have this, maestro? If not, why force us to long for such things? Cruelest of men, are you sounding the attack for a tethered warhorse? Rutger von Orneclou is lying in his bed, imprisoned by gout pains. Spare him the torment of sweet memories, maestro! He too has worn a sombrero and a gaudy hairnet, he too has owned a velvet jacket and a sash with a dagger tucked in it. Spare old Orneclou, maestro!

A 12-year-old Japanese boy loved Space Invaders so much, he robbed a bank with a shotgun to get money to play the game at the arcade. He asked for coins instead of notes so he didn’t have to convert the money at the arcade. At the start of the game, the ships move very slowly. Each time a ship is destroyed, the ships gradually move faster. By the end of the game, the final ship moves at top speed. What many people don’t know is that the final ship is moving at the speed that the developers intended all of the ships to move from the beginning. So why don’t they? If

Patti Smith wrote to me in Amsterdam in 1971, and she said, 'I always loved you because you could find the laughter loophole in any tragedy.' If you're going to be up close with life, the one perk you get from experiencing pain is that you also get to experience what is hysterically funny about it. There's something just so absurd about life that is quirky and weird. For instance, there is something completely funny - a laughter loophole - in most of the rapes that happened to me. In Bad Reputation! I tell the story of this guy who tied my legs together, and I thought, 'Well, how's he going to rape me if he ties my legs together?' I guess everybody has those experiences. It's a way to maintain sanity. The reason why I chose realism was because I was just so stunned by how crazy real life is. I suppose because my early experiences were with camp - with Vaccaro, for example- everything has been a sideshow carnival. I wanted to show the ridiculousness of reality. (from an Interview with Dominic Johnson)

Go out the north exit of Nakano Station and into the Sun Mall shopping arcade. After a few steps, you'll see Gindaco, the takoyaki (octopus balls) chain. Turn right into Pretty Good #1 Alley. Walk past the deli that specializes in okowa (steamed sticky rice with tasty bits), a couple of ramen shops, and a fugu restaurant. Go past the pachinko parlor, the grilled eel stand, the camera shops, and the stairs leading to Ginza Renoir coffee shop. If you see the bicycle parking lot in front of Life Supermarket, you're going the right way. During the two-block walk through a typical neighborhood, you've passed more good food than in most midsized Western cities, even if you don't love octopus balls as much as I do. Welcome to Tokyo. Tokyo is unreal. It's the amped-up, neon-spewing cyber-city of literature and film. It's an alley teeming with fragrant grilled chicken shops. It's children playing safely in the street and riding the train across town with no parents in sight. It's a doughnut chain with higher standards of customer service than most high-end restaurants in America. A colossal megacity devoid of crime, grime, and bad food? Sounds more like a utopian novel than an earthly metropolis.

You were born from a winking star," he begins. "You're a goddess of devotion and neon light. You see beauty in passion and tragedy, but you romanticize them to a fault. You can't get enough of blueberry lemonade and vanilla gelato--so much that you don't care if either stains your dress or your tongue. You fall asleep to records, and your favorite constellation is Sagittarius. You've made a skateboard into a weapon." He grins to himself. "You're afraid of the dark, but not afraid of your superiors. You play arcade hostess to mortals who can't see you. You have beautiful, fidgety hands covered in fishnet. You talk too much, but when you're silent, the world becomes a desolate place. Your greatest wish isn't to be loved--it's to give love." He bows his head, clasps his hands. "You've put up with a stubborn archer. You've put him in his place. You've given him solace. You've given him a home. You've given him back his heart. And all he wants is to deserve you.