Itching Ears Quotes

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My words itch at your ears till you understand them
Walt Whitman (Song of Myself)
Coffined thoughts around me, in mummycases, embalmed in spice of words. Thoth, god of libraries, a birdgod, moonycrowned. And I heard the voice of that Egyptian highpriest. In painted chambers loaded with tilebooks. They are still. Once quick in the brains of men. Still: but an itch of death is in them, to tell me in my ear a maudlin tale, urge me to wreak their will.
James Joyce (Ulysses)
For the time will come when men will not put up with sound doctrine. Instead, to suit their own desires, they will gather around them a great number of teachers to say what their itching ears want to hear. They will turn their ears away from the truth and turn aside to myths. (2 Timothy 4:3-4, niv)
Tim LaHaye (Are We Living in the End Times?: Curretn Events Foretold in Scripture... and What They Mean)
I don't need a mate,” she muttered, staring up at the bright circle of the early autumn moon. “But can't you send me a nice, sexy, strongmale to dance with? Pretty please?” She hadn't had a lover for close to eight months now, and it was starting to hurt on every level. “He doesn't even have to be smart, just good between the sheets.” Good enough to unsnap the tension in her body, allow her to function again. Because sex wasn't simply about pleasure for a cat like her—it was about affection, about trust, about everything good. “Though right this second, I'd take plain old hot sex.” That was when Riley walked out of the shadows. “Got an itch, kitty?” Snapping to her feet, she narrowed her eyes, knowing he had to have deliberately stayed downwind in order to sneak up on her. “Spying?” “When you're talking loud enough to wake the dead?” She swore she could feel steam coming out her ears.
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
You see, said the wolf. He senses me. Not clearly, but he does. Hello, Fool. My ears itch. Outside the tent, the Fool reached down suddenly to scratch the wolf’s ears.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
Her hair was pulled into a high ponytail high on her head, with unkempt bangs feathered over her brow and ears. She looked like she hadn't given a passing thought to her hair or clothes that day, maybe ever. She was pretty, but not exceptionally so. Not noticeably so, until you bothered to look. Kai realized, with some surprise, that he was looking. Which was how he noticed a splotch of grease on her brow, half covered beneath her bangs. Another laugh caught in his lungs. It was so endearing, and such a far cry from the perfectly coiffed and bejeweled girls who he normally met, that it made his fingers itch to reach across the table and rub it away. He scolded his fingers. He scolded himself. He needed to pull himself together.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
For the time is coming when people will not endure sound teaching, but having itching ears they will accumulate for themselves teachers to suit their own passions.” 2 Timothy 4:3
Mary A. Kassian (True Woman 201: Interior Design - Ten Elements of Biblical Womanhood (True Woman))
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
Hot.” The last word, barely a whisper, lost itself in my hair as he pressed his lips to that spot just below my ear that can, apparently, flip the off switch in my brain. Before I realized it my hands were inside that jacket, stroking the hard planes of his chest and stomach. And then, as if moving without any prompting from me they reached down, undid his belt, pulled it loose, and…“Ahhh, that feels great,” I moaned.“I am completely grossed out over here!” Cassandra informed us.Vayl, who’d been peering down at me with an expression of utter disbelief, stared at Cassandra over the top of my head. “It is not what you think,” he assured her.“As if I’d do something that disgusting,” I said, pulling away from him, but keeping the belt, because the buckle relieved the itching so much better than fingernails. I continued using it to scratch the inflamed skin across my stomach as I sat down by Cassandra. “You are pathetic,” she told me. “I’d get all offended, but I’m pretty sure you’re right.
Jennifer Rardin (One More Bite (Jaz Parks, #5))
For the time is coming when people will not endure n sound [1] teaching, but having itching ears they will accumulate for themselves teachers to suit their own passions, 4and o will turn away from listening to the truth and p wander off into myths
Anonymous (Holy Bible: English Standard Version (ESV))
Anxiety rushed in without warning. It came like thunder as my heart raced louder in my ears. It came like the sea over my head as my lungs struggled to expand. It came like a swarm of gnats crawling over my skin, itching, burning, complete in their distraction.
Jodi Meadows (Before She Ignites (Fallen Isles, #1))
For the time will come when men will not put up with sound doctrine. Instead, to suit their own desires, they will gather around them a great number of teachers to say what their itching ears want to hear. They will turn their ears away from the truth and turn aside to myths.   2 Timothy 4:3-4
Mark Goodwin (Perdition (The Days of Noah, #3))
Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings. The literature or discourse that goes along with this is similarly manufactured to tease without satisfaction, to replace every partial gratification with a new desire. For this stream of stimulants is designed to produce cravings for more and more of the same, though louder and faster, and these cravings drive us to do work which is of no interest save for the money it pays—to buy more lavish radios, sleeker automobiles, glossier magazines, and better television sets, all of which will somehow conspire to persuade us that happiness lies just around the corner if we will buy one more.
Alan W. Watts (The Wisdom of Insecurity)
Doc bought a package of yellow pads and two dozen pencils. He laid them out on his desk, the pencils sharpened to needle points and lined up like yellow soldiers. At the top of a page he printed: OBSERVATIONS AND SPECULATIONS. His pencil point broke. He took up another and drew lace around the O and the B, made a block letter of the S and put fish hooks on each end. His ankle itched. He rolled down his sock and scratched, and that made his ear itch. “Someone’s talking about me,” he said and looked at the yellow pad. He wondered whether he had fed the cotton rats. It is easy to forget when you’re thinking.
John Steinbeck (Sweet Thursday (Cannery Row, #2))
--How I Was Visited By Messengers-- Something clicked in the clock on the wall, and I was visited by messengers. at first, I did not realize that I was visited by messengers. instead, I thought that something was wrong with the clock. but then I saw that the clock worked just fine, and probably told the correct time. then I noticed that there was a draft in the room. and then it shocked me: what kind of thing could, at the same time, cause a clock to click and a draft to start in the room? I sat down on a chair next to the divan and looked at the clock, thinking about that. the big hand was on the number nine, and the little one on the four, therefore, it was a quarter till four. there was a calendar on the wall below the clock, and its leafs were flipping, as if there was a strong wind in my room. my heart was beating very fast and I was so scared it almost made me collapse. "i should have some water," I said. on the table next to me was a pitcher with water. I reached out and took the pitcher. "water should help," I said and looked at the water. it was then that I realized that I had been visited by messengers, and that I could not tell them apart from the water. I was scared to drink the water, because I could, by accident, drink a messenger. what does that mean? nothing. one can only drink liquids. could the messengers be liquid? no. then, I can drink the water, there is nothing to be afraid of. but I couldn't find the water. I walked around the room and looked for the water. I tried putting a belt in my mouth, but it was not the water. I put the calendar in my mouth -- that also was not the water. I gave up looking for the water and started to look for the messengers. but how could I find them? what do they look like? I remembered that I could not distinguish them from the water, therefore, they must look like water. but what does water look like? I was standing and thinking. I do not know for how long I stood and thought, but suddenly I came to. "there is the water," I thought. but that wasn't the water and instead I got an itch in my ear. I looked under the cupboard and under the bed, hoping that there I might find the water or the messengers. but under the cupboard, in a pile of dust, I found a little ball, half eaten by a dog, and under the bed I found some pieces of glass. under the chair I found a half-eaten steak, I ate it and it made me feel better. it wasn't drafty anymore, the clock was ticking steadily, telling the time: a quarter till four. "well, this means the messengers are gone," I said quietly and started to get dressed, since I had a visit to make. -August 22, 1937
Daniil Kharms
He was a cop. A good citizen. But this cop had an itching finger and an eager ear for a word that rhymed with ‘trigger,’ and when Clifton fell he had found it. The Police Special spoke its lines and the rhyme was completed. Just look around you. Look at what he made, look inside you and feel his awful power. It was perfectly natural. The blood ran like blood in a comic-book killing, on a comic-book street in a comic-book town on a comic-book day in a comic-book world.
Ralph Ellison
He listened some more; then he come tiptoeing down and stood right between us; we could a touched him, nearly. Well, likely it was minutes and minutes that there warn't a sound, and we all there so close together. There was a place on my ankle that got to itching, but I dasn't scratch it; and then my ear begun to itch; and next my back, right between my shoulders. Seemed like I'd die if I couldn't scratch. Well, I've noticed that thing plenty times since. If you are with the quality, or at a funeral, or trying to go to sleep when you ain't sleepy—if you are anywheres where it won't do for you to scratch, why you will itch all over in upwards of a thousand places. Pretty soon Jim says:
Mark Twain (The Adventures of Huckleberry Finn)
Have I ever been in love? Have your ears ever itched from inside your urethra?
Jarod Kintz (This Book is Not for Sale)
I teach straying from me, yet who can stray from me? I follow you whoever you are from the present hour, My words itch at your ears till you understand them.
Walt Whitman (Song of Myself)
I am fortunately an entirely handsome devil and appear even younger than twenty-nine. I look like a clean cut youth, a boy next door, and a good egg, and my mother stated at one time that I have the face of a heaven's angel. I have the eyes of an attractive marsupial, and I have baby-soft and white skin, and a fair complexion. I do not even have to shave, and I have finely styled hair without any of dandruff's unsightly itching or flaking. I keep my hair perfectly groomed, neat, and short at all times. I have exceptionally attractive ears.
David Foster Wallace
You'll stay," he said firmly. "But-" He crossed his arms. "Do I look like a man in the mood to be argued with?" She stared at him mutinously. "If you run," he warned, "I will catch you." Sophie eyed the distance between them, then tried to judge the distance back to My Cottage.If he stopped to pull on his clothing she might have a chance of escaping, but if he didn't... "Sophie," he said, "I can practically see the steam coming out of your ears. Stop taxing your brain with useless mathematical computations and do as I asked." One of her feet twitched. Whether it was itching to run home or merely turn around, she'd never know. "Now," he ordered. With a loud sigh and grumble, Sophie crossed her arms and turned around to stare at a knothole in the tree trunk in front of her as if her very life depended on it The inferal man wasn't being particularly quiet as he went about his business, and she couldn't seem to keep herself from listening to and trying to identify every sound that rustled and splashed behind her.Now he was emerging from the water, now he was reaching for his breeches, now he was... It was no use.She had a dreadfully wicked imagination, and there was no getting around it. He should have just let her return to the house. Instead she was forced to wait, utterly mortified, while he dressed. Her skin felt like it was on fire, and she was certain her cheeks must be eight different shades of red. A gentleman would have let her weasle out of her embarrassment and hole up in her room back at the house for at least three days in hopes that he'd just forget about the entire affair.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
In 2 Timothy 4:2–4, Paul the Apostle warned us of the consequences of being ashamed to preach the gospel, saying, “Preach the word; be prepared in season and out of season; correct, rebuke and encourage—with great patience and careful instruction. For the time will come when people will not put up with sound doctrine. Instead, to suit their own desires, they will gather around them a great number of teachers to say what their itching ears want to hear. They will turn their ears away from the truth and turn aside to myths.
Phil Robertson (unPHILtered: The Way I See It)
I myself once heard a great fool (a great scholar I would have said) undertaking in a laborious discourse to explain the mystery of the Holy Trinity; in the unfolding whereof, that he might shew his wit and reading, and together satisfy itching ears, he proceeded in a new method, as by insisting on the letters, syllables, and proposition, on the concord of noun and verb, and that of noun substantive, and noun adjective; the auditors all wondered, and some mumbled to themselves that hemistich of Horace, Why all this needless trash?
Erasmus (Praise of Folly)
I think," Paul said delicately, "she might be a little… concerned about your current choice of boyfriends." Which one? Chloe almost asked. "Alyec? What the fuck, man? I wasn't pissed or rude to her face about Ottavio or that loser Steve who brought fucking ecstasy into my mom's house and tried to sell it at my Halloween party." Paul nodded again, getting quieter as she got louder. He did not disagree. "Alyec is completely hot, doesn't take himself seriously, and doesn't deal drugs. Look, whatever," Chloe said, calming down. She could feel her fingertips beginning to itch again. "I think she's acting like a real bitch about everything, and frankly, I don't have time to deal with her shit right now. If she's not going to be around to lend an ear, at least she can keep her distance and shut the fuck up.
Celia Thomson (The Fallen (The Nine Lives of Chloe King, #1))
The humming noise disturbed him. It wasn’t in his ears but in his body—under his skin, in his bones. It made the long bones of his arms and legs thrum like plucked strings, and itched in his blood, making him want constantly to scratch. Fiona couldn’t hear it; he’d asked, to be sure she was safe before letting her help him. He
Diana Gabaldon (Drums of Autumn (Outlander, #4))
There is always an unthinking group that permits itself to be blown to and fro by all kinds of doctrinal winds, as a feather is blown about by air currents. This group always falls all over itself adopting innovations, as though the most modern were always the best. There are also the ever-changing weather vanes and the limber-necks [Wendehaelse], pedagogues and preachers who with delicate noses smell the direction of the wind, who are adept at twisting and turning with every change, and who, under the pretense of offering newly discovered and original truths, yet preach only that for which the ears of the people itch. There are also the religious politicians, great and small, who never ask, “What is true?” or “What does Scripture say?” but only ask, “What is up to date?” “What will bring results?
Matthew C. Harrison (At Home in the House of My Father)
My youth was the most stubborn, peremptory part of myself. In my most relaxed moments, it governed my being. It pricked up its ears at the banter of eighteen-year-olds on the street. It frankly examined their bodies. It did not know its place: that my youth governed me with such ease didn't mean I was young. It meant I was divided as if housing a stowaway soul, rife with itches and yens which demanded a stern vigilance. I didn't live thoughtlessly in my flesh anymore. My body had not, in its flesh, fundamentally changed quite so much as it now could intuit the change that would only be dodged by an untimely death, and to know both those bodies at once, the youthful, and the old, was to me the quintessence of being middle-aged. Now I saw all my selves, even those that did not yet exist, and the task was remembering which I presented to others.
Susan Choi (My Education)
Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings.
Alan W. Watts (The Wisdom of Insecurity)
Just as the lamp burns bright when wick and oil are clean, so is it with our minds. All things can corrupt when minds are prone to evil. A soft word of praise benignly intended can wreak havoc on one whose ears itch to hear it. So often, we are pulled and strung along by our feelings, led to this mischief and that because we crave a fleeting emotion. Our simmering anger needs but a nudge to flame up and scald everyone around us. Yet when our thoughts are pure, we become a light by which others learn to read. —
Jeff Wheeler (The Blight of Muirwood (Legends of Muirwood, #2))
TIMOTHY 4  hI charge you in the presence of God and of Christ Jesus,  iwho is to judge the living and the dead, and by  jhis appearing and his kingdom: 2preach the word; be ready in season and out of season;  kreprove, rebuke, and  lexhort, with complete patience and teaching. 3 mFor the time is coming when people will not endure  nsound [1] teaching, but having itching ears they will accumulate for themselves teachers to suit their own passions, 4and  owill turn away from listening to the truth and  pwander off into myths. 5As for you,  qalways be sober-minded,  rendure suffering, do the work of  san evangelist,  tfulfill your ministry. 6For  uI am already being poured out as a drink offering, and the time of my  vdeparture has come. 7 wI have fought the good fight,  xI have finished the race, I have kept the faith. 8Henceforth there is  ylaid up for me  zthe crown of righteousness, which the Lord,  athe righteous judge, will award to me on  bthat day, and not only to me but also to all  cwho have loved his appearing.
Anonymous (Holy Bible: English Standard Version (ESV))
Scared?” Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.” He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango. “Curran! Let . . . “ I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow. “Impressed yet?” he asked with a big smile. Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right. He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.” I gasped, trying to draw air into my lungs. “I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.” As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty. He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare. I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me. All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.” His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened. I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant. He squared his shoulders. “Shall we continue?” “It would be my pleasure.” He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him. Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human. “Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.” Mouse? “I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.” “I’m not filled with catnip.” “Let’s find out.” He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him. “I can stop you with one word,” I said. He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said. “Wedding.” All humor fled his eyes. He let go and just like that, the game was over.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Censorship diminished, and copyright was originated. Moreover, the early years of the eighteenth century gave rise to a galaxy of new phenomena that included the printed handbill, printed receipts, printed tickets, printed advertisements, and posters. At the same time there was a surge in the production of political pamphlets, broadsides, books for children, and even street maps. Alexander Pope satirized the rage for print in his poem The Dunciad (1728–43); he mockingly suggested that its democratizing power had brought ‘the Smithfield Muses to the Ear of Kings’. Johnson echoed Pope’s sentiments, complaining that ‘so widely is spread the itch of literary praise, that almost every man is an author, either in act or in purpose’.3
Henry Hitchings (Defining the World: The Extraordinary Story of Dr. Johnson's Dictionary)
Medicine once consisted of the knowledge of a few simples, to stop the flow of blood, or to heal wounds; then by degrees it reached its present stage of complicated variety. No wonder that in early days medicine had less to do! Men's bodies were still sound and strong; their food was light and not spoiled by art and luxury, whereas when they began to seek dishes not for the sake of removing, but of rousing, the appetite, and devised countless sauces to whet their gluttony, – then what before was nourishment to a hungry man became a burden to the full stomach. 16. Thence come paleness, and a trembling of wine-sodden muscles, and a repulsive thinness, due rather to indigestion than to hunger. Thence weak tottering steps, and a reeling gait just like that of drunkenness. Thence dropsy, spreading under the entire skin, and the belly growing to a paunch through an ill habit of taking more than it can hold. Thence yellow jaundice, discoloured countenances, and bodies that rot inwardly, and fingers that grow knotty when the joints stiffen, and muscles that are numbed and without power of feeling, and palpitation of the heart with its ceaseless pounding. 17. Why need I mention dizziness? Or speak of pain in the eye and in the ear, itching and aching[11] in the fevered brain, and internal ulcers throughout the digestive system? Besides these, there are countless kinds of fever, some acute in their malignity, others creeping upon us with subtle damage, and still others which approach us with chills and severe ague. 18. Why should I mention the other innumerable diseases, the tortures that result from high living?   Men used to be free from such ills, because they had not yet slackened their strength by indulgence, because they had control over themselves, and supplied their own needs.[12] They toughened their bodies by work and real toil, tiring themselves out by running or hunting or tilling the earth. They were refreshed by food in which only a hungry man could take pleasure. Hence, there was no need for all our mighty medical paraphernalia, for so many instruments and pill-boxes. For plain reasons they enjoyed plain health;
Seneca (Letters from a Stoic)
Power needs balance,” said Amar. “Our game today, as our reign, is simply a matter of reaction. What can we do when chaos is flung into our face?” A sound sliced through the air. I looked up just in time to see an arrow heading straight for me. “What will you do?” asked Amar. His voice was everywhere at once. I felt a tug in my hands, a strange itch and restlessness. Without thinking, I threw up my hands, all my attention focused on the arrow. It stopped midair. I flicked my hand and it whirled to charge at Amar. He snapped his fingers and the arrow shivered, paled and turned into a blossom of ice. “I take it you’re angry,” said Amar. The brittleness from his voice wasn’t gone; if anything it seemed more pronounced. “Only two more days until the full moon. Then, if you want, you may certainly fling arrows into my back. Until then, try for more creativity. We cannot just spin problems back. We must do more.” More, I thought. I could do that. I don’t know how much time passed while we danced, spinning power between us like it was just another game. He tossed the ball of ice my way and I shattered it. “What were you thinking when you broke that?” he asked. Even though I saw him across the room, I could feel his voice at my ear, low and burning. “You.” He laughed and continued to conjure things out of the air and throw them to me.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them. “He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.” “Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.” “In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile. The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!” Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped. “I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck. Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?” Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!” “Do you sit?” he asked with what might have been sarcasm. Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.” For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.
Judith McNaught (Almost Heaven (Sequels, #3))
You want us to love you, is that right? Love, Tabitha Crum, is to be earned, not given away to just anyone like a festering case of fleas. She'd been seven when her mother had made the comparison of love and irritable itching. Tabitha remembered the statement quite well because it was the same year children at school had suddenly gotten it in their heads that she had a case of head lice. That had been a difficult time and nobody had gotten close to Tabitha since. Of course, with the addition of a pet mouse over the last year, her lack of friendship could perhaps be further explained by the misapprehension that she spoke to herself. Pemberley was a most excellent consultant in all matters, but he tended to stay out of sight, so Tabitha could somewhat understand the slanderous comments. Or it might have been the unfortunate, uneven unattractive, blunt-scissored haircut her mother was so fond of giving her. Or it could have been the simple truth that making friends can be an awkward and a difficult thing when it's a one-sided endeavor and you've a pet mouse and you've been painted as odd and quiet and shy, when really you're just a bit misunderstood. In any case, nobody at St. John's seemed lacking for companionship except her. But Tabitha reminded herself that there were far worse things than not having friends. In fact, she often made a game of listing far worse things: • eating the contents of a sneeze • creatures crawling into her ear holes. • losing a body part (Though that one was debatable depending on the part. An ear or small toe might be worth a friend or two.
Jessica Lawson (Nooks & Crannies)
Broadway lit up just as crazy as ever, and the crowd thick as molasses. Just fling yourself into it like an ant and let yourself get pushed along. Everybody doing it, some for a good reason, and some for no reason at all. All this push and movement representing action, success, get ahead. Stop and look at shoes, or fancy shirts. The new fall overcoat, wedding rings at 98 cents a piece. Every other joint a food emporium. Everytime I hit that runway toward dinner hour, a fever of expectancy seized me. It's only a stretch of a few blocks from Time Square to 50th street, and when one says 'Broadway', that's all that's really meant. And it's really nothing, just a chicken run, and a lousy one at that. But at 7 in the evening, when everybody's rushing for a table, there is a sort of electrical crackle in the air. And your hair stands on end like antennae, and if you're receptive, you not only get every flash and flicker, but you get the statistical itch. The quid pro quo of the interactive, interstitial, ectoplasmatic quantum of bodies jostling in space like the stars which compose the Milky Way. Only, this is the gay white way. The top of the world with no roof above and not even a crack or a hole under your feet to fall through and say it's a lie. The absolute impersonality of it brings you to a pitch of warm human delirium, which makes you run forward like a blind nag, and wag your delirious ears. Everyone is so utterly, confoundedly not himself, that you become automatically the personification of the whole human race. Shaking hands with a thousand human hands, cackling with a thousand different human tongues, cursing, applauding, whistling, crooning, soliloquizing, orating, gesticulating, urinating, fecundating, wheedling, cajoling, whimpering, bartering, pimping, caterwauling, and so on and so forth. You are all the men who ever lived up until Moses, and beyond that, you are a woman buying a bird cage, or just a mouse trap.
Henry Miller (Tropic of Capricorn (Tropic, #2))
I have a trainer,” she confirmed while searching for an escape route. Standing closer to this man is like being stuck in an elevator, she decided. You’d bargain with God to get free. “But not just any trainer. Not only does this woman tackle a stallion no one else can seem to tame but she resurrects the dead, n’est-ce pas? You have done wonders to stir McCloud’s blood again, or so I have heard.” A.J.’s mouth dropped open at the insinuation. “What are you talking about?” “Surely you jest. The news is all around.” He gesticulated with a limp wrist. “Although I must say, you are faithless to leave your family in favor of a man who is not your husband. No matter how good you find his services.” Her vision narrowed on the man’s jugular. “Why, you little—” Devlin appeared at her side. “A.J.! Time to go pace off the course.” “Ah,” Philippe said grandly. “And here is your good teacher, the man you gave up so much for. Myself, I could not imagine leaving my family for someone else’s stable, but I am French and we are known for our loyalty. Then again, I also don’t need the particular kind of instruction this McCloud offers.” A.J. could sense her face tuning brick red and felt like a boxer winding up for a punch. “Come on,” Devlin said. “Yes, run along, you two. I imagine there is much you must do to each other.” That did it. She lost it. “Why, you tar-mouthed gossip hound—” She was itching to go further but Devlin put a firm hand on her arm and began to lead her away. “And speaking of gossip,” the Frenchman called out as they left, “you would do well to keep your ear to the floor. I myself am going to make an announcement soon.” “That’s ‘ear to the ground,’ you—” “Enough,” Devlin hissed, dragging her off. When they were out of range from the crowd, A.J. whirled on him, eyes flashing turquoise. “How could you let him go on like that? You didn’t give me the chance to defend us!” Devlin said nothing, which infuriated her further. He just stood there, staring at her calmly. Didn’t he have any pride? “I mean, come on! Marceau made insinuations that were insane and you hauled me off before I could respond.” When that didn’t get any reaction, she frowned. “Hello?” “You finished?” he asked. “Or do you want to give him more of what he’s after?” A.J. looked confused. He said, “Tell me what you’re thinking about right now.” “How I’d like to crown him with a bag of feed.
J.R. Ward (Leaping Hearts)
55. We should, therefore, have a guardian, as it were, to pluck us continually by the ear and dispel rumours and protest against popular enthusiasms. For you are mistaken if you suppose that our faults are inborn in us; they have come from without, have been heaped upon us. Hence, by receiving frequent admonitions, we can reject the opinions which din about our ears. 56. Nature does not ally us with any vice; she produced us in health and freedom. She put before our eyes no object which might stir in us the itch of greed. She placed gold and silver beneath our feet, and bade those feet stamp down and crush everything that causes us to be stamped down and crushed. Nature elevated our gaze towards the sky and willed that we should look upward to behold her glorious and wonderful works. She gave us the rising and the setting sun, the whirling course of the on-rushing world which discloses the things of earth by day and the heavenly bodies by night, the movements of the stars, which are slow if you compare them with the universe, but most rapid if you reflect on the size of the orbits which they describe with unslackened speed; she showed us the successive eclipses of sun and moon, and other phenomena, wonderful because they occur regularly or because, through sudden causes they help into view – such as nightly trails of fire, or flashes in the open heavens unaccompanied by stroke or sound of thunder, or columns and beams and the various phenomena of flames. 57. She ordained that all these bodies should proceed above our heads; but gold and silver, with the iron which, because of the gold and silver, never brings peace, she has hidden away, as if they were dangerous things to trust to our keeping. It is we ourselves that have dragged them into the light of day to the end that we might fight over them; it is we ourselves who, tearing away the superincumbent earth, have dug out the causes and tools of our own destruction; it is we ourselves who have attributed our own misdeeds to Fortune, and do not blush to regard as the loftiest objects those which once lay in the depths of earth. 58. Do you wish to know how false is the gleam that has deceived your eyes? There is really nothing fouler or more involved in darkness than these things of earth, sunk and covered for so long a time in the mud where they belong. Of course they are foul; they have been hauled out through a long and murky mine-shaft. There is nothing uglier than these metals during the process of refinement and separation from the ore. Furthermore, watch the very workmen who must handle and sift the barren grade of dirt, the sort which comes from the bottom; see how soot-besmeared they are! 59. And yet the stuff they handle soils the soul more than the body, and there is more foulness in the owner than in the workman.
Seneca (Letters from a Stoic)
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
the time will come when they will not endure gsound doctrine, hbut according to their own desires, because they have itching ears, they will heap up for themselves teachers; 4and they will turn their ears away from the truth, and ibe turned aside to fables. 5But you be watchful in all things, jendure afflictions, do the work of kan evangelist, fulfill your ministry.
Anonymous (NKJV Study Bible)
2 Timothy 4:3-4 (ESV) 3 For the time is coming when people will not endure sound teaching, but having itching ears they will accumulate for themselves teachers to suit their own passions, 4 and will turn away from listening to the truth and wander off into myths.
Jeff Kluttz (Apostasy! The Word-Faith Doctrinal Deception)
The apostle Paul foretold that, "The time will come when men will not put up with sound doctrine. Instead, to suit their own desires, they will gather around them a great number of teachers to say what their itching ears want to hear" (2 Timothy 4:3).
Vincent Cheung (On Good and Evil)
For the time will come when they will not endure sound doctrine; but after their own lusts shall they heap to themselves teachers, having itching ears; And they shall turn away their ears from the truth, and shall be turned unto fables. 2 Timothy 4:3-4
Benjamin Baruch (The Day of the LORD is at Hand: 7th Edition - 2014)
Men have itching ears, but I have no commission from God to scratch them.
Mack Tomlinson (In Light of Eternity, The Life of Leonard Ravenhill)
m For the time is coming when people will not endure  n sound [1] teaching, but having itching ears they will accumulate for themselves teachers to suit their own passions,
Anonymous (The ESV MacArthur Study Bible)
A man and a woman are having drinks when they get into an argument about who enjoys sex more. The man says, “Men obviously enjoy sex more than women. We’re completely obsessed with getting laid!” “That doesn’t prove anything,” the woman countered. “Think about this... when your ear itches and you put your finger in it and wiggle it around, then pull it out, which feels better—your ear or your finger?
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
the time will come when men will not put up with sound doctrine. Instead, to suit their own desires, they will gather around them a great number of teachers to say what their itching ears want to hear" (2 Timothy 4:3).
Vincent Cheung (On Good and Evil)
Some churches are large not because of God’s blessing, but because the pastors preach what the people want to hear or offer programs that fulfill the felt needs of congregants. Paul states that this will happen in 2 Timothy 4, when he says that people will not endure sound doctrine but those with itching ears will heap up teachers for themselves.
Thomas White
He didn’t know how he got in the box.  Everything was foggy and numb like the bad end of a heavy dose.  He tried to blink himself clear, but couldn’t focus his mind.  This wasn’t heroin. He knew the difference.  His throat folded over on itself as he tried to swallow. When was the last time he drank something? When was the last time he remembered doing anything? And why the hell was he in a box? His hands were bound and he could feel the roughly cut end of a zip-tie digging into the skin on his leg where his wrists had been resting.  It felt like wood under his fingernails in the dark and he could feel the corners around him — he was hunched over, his knees to his chest. There were air holes the size of his fingers drilled through the plywood. He remembered the feeling of the layers from that time he’d been made to help his dad build that bookcase that fit in the nook under the stairs.  Mum had wanted to have one made, but dad had said it was way too expensive, and that he would build one — with Ollie’s help.  Why the hell was he in this box?  His arm was itching, the track marks enraged and fresh.  Ollie kicked out, his bare heels catching splinters as he thumped against the sides, listening to the noise ring in the room around him. He couldn’t see anything, couldn’t hear anything except his own heart in his ears. He could smell fresh sawdust, damp earth, something sharp and synthetic, like bleach, and his own breath, hot against his cheeks as he pressed his eye to the hole above him. He tried to calm himself, replaying the last things he remembered over and over in his head. It was all fog. There were streets, people he knew but whose faces he couldn’t see, then there was someone he didn’t recognise, someone alien to him, and then nothing.  His fingers traced the seams, looking for a gap. There wasn’t one.  Tears burned hot on his face, his eyes stinging in the dust.  He kept searching, the rough skin under his chewed nails discovering the hard protrusion of an angled nail. The tip was sticking out through the wood on his right side — hammered through the lid at an odd angle. God, how couldn’t he remember being nailed inside a damn coffin?  He pulled at it, hands still bound, and felt his fingernails pull back.  He wept more, digging into the wood around it, focused solely on it. The only weak point in the box. His only chance. There was no one else around and he had to escape. That was all he knew.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Take Care not to have an itching tongue, nor tingling ears; neither attract others, nor listen to backbiters. [Letter to Nepotian]
Jerome (The Letters of Saint Jerome (Illustrated))
Timothy 4:3-4—For the time will come when they will not endure sound doctrine; but after their own lusts they will heap to themselves teachers, having itching ears; And they shall turn away their ears from the truth, and shall be turned unto fables.
Richard Wilson (Warn the Church)
There will be a Falling Away from Scriptural Truth Before the Return of Jesus Christ: The harlot church Mystery Babylon promotes blasphemy and spiritual fornication. They follow the Mystery Religions of Babylon. This is Eastern mysticism and Western esotericism. The Bible says, “Now concerning the coming of our Lord Jesus Christ and our being gathered together to Him, we ask you, brothers, not to be easily disconcerted or alarmed by any spirit or message or a letter seeming to be from us, alleging that the Day of the Lord has already come. Let no one deceive you in any way, for it will not come until the rebellion occurs and the man of lawlessness—the son of destruction—is revealed. He will oppose and exalt himself above every so-called god or object of worship. So, he will seat himself in the temple of God, proclaiming himself to be God (2 Thessalonians 2:1-3, Berean Study Bible). Colossians 2:8 says, “Beware lest anyone cheat you through philosophy and empty deceit, according to the tradition of men, according to the basic principles of the world, and not according to Christ (NKJV). “For the time is coming when people will not endure sound doctrine; but after their own lusts, shall they heap unto themselves teachers; having itching ears and they shall turn away their ears from the truth and be turned aside unto fables” (2 Timothy 4:3-4, KJV). * These Scriptures warn us that a counterfeit Church will promote a false theology, not the Gospel of Jesus Christ.
Anonymous (Bible: Holy Bible King James Version Old and New Testaments (KJV), (Formatted for E-Reading))
EACH FOLLOWING DAY (or every two to three days): Increase the time by thirty to sixty seconds, up to ten minutes, without increasing the speed. ♦ When you get to ten minutes, drop the time down to three to four minutes and increase the speed one setting. Increase the time at this new speed following the same guidelines as above. ♦ As you gradually increase the speed, one setting at a time, follow this same pattern of increasing the amount of time day by day. Continue to drop the time back down when you increase the speed setting. Troubleshooting ♦ If you feel worse in the twenty-four hours after your vibration session, try less time and/or frequency the next time. You can even rest a day and only vibrate two to three times per week. Another good way to slow down is to just sit next to the machine and put only your feet on the vibrating plate. ♦ It is common to experience itching in some areas of the body, such as ears, nose, or feet, while vibrating. This may be due to increased circulation in that area, a release of toxins, or possibly some energy phenomenon. While this itching can be irritating, as long as it stops shortly after vibrating, it is harmless—a minor inconvenience in the process of healing. ♦ It is also highly recommended to incorporate a healthy diet and natural supplements to help lower inflammation levels in your body. See the detoxification section in chapter 7 and the troubleshooting section in chapter 2.
Becky Chambers (Whole Body Vibration: The Future of Good Health)
It is not easy to escape from a truth, once it has been presented to you. It has a way of itching your mental ear, once it has lodged there. For behind that ear is a part of you, hidden though it may be, by many sheaths, which knows—which Knows! Deny it though you may, you cannot escape from Truth once its seed has been lodged within your consciousness, for it will draw sustenance from your subconsciousness, and will in time sprout and put forth leaf and blossom.
Ramacharaka
Although it was summer, I felt a chill in the air like a tickling wind, just cold enough to raise goosebumps on my skin. That breeze made the leaves rustle and the grass blow in a new direction. My ears itched as I heard the creak of the heavy wooden stakes that held up our tower—it sounded like a weak old animal, groaning in pain as it settled.
Kel Byron (A Lonely Broadcast: Book One (A Lonely Broadcast, #1))
A good herbal treatment for hay fever, especially for allergic sneezing and itching eyes, ears, and throats, is stinging nettles (Urtica dioica), especially a freeze-dried extract of the leaves of this plant. (See Appendix for a source.) One to two capsules every two to four hours as needed will control symptoms with none of the toxicity of antihistamines and steroids
Andrew Weil (Spontaneous Healing: How to Discover and Enhance Your Body's Natural Ability to Maintain and Heal Itself)
Whenever your conversation really counts, let your nose itch, your ear tingle, or your foot prickle. Do not fidget, twitch, wiggle, squirm, or scratch. And above all, keep your paws away from your face. Hand motions near your face and all fidgeting can give your listener the gut feeling you’re fibbing.
Leil Lowndes (How to Talk to Anyone: 92 Little Tricks for Big Success in Relationships)
There in the embrace of the sand I felt the throbbing heart of the earth, felt the rhythm of the currents of boiling rock beneath me, and heard in the most hidden place in my ears a strange song of some of itching torment, trying to find a comfortable way to settle down and sleep, while the continents danced back and forth on my skin and oceans froze and fell. And while I heard the song of this largest dance, still I could hear the small melodies of shifting sand and falling stone and settling soil. I heard the agony of rock being cut and torn in a thousand places on the surface of my skin, and I wept at the thousand deaths of stone and soil, of plants that thinly held to life between the stone and the sky. Armies thundered on my skin, death in every heart, with dead trees carved to make tools to build more death. Only the voices of men are louder than the voices of trees, and though a million stalks of wheat whisper terribly together as they die, the death scream of a man's mind is the strongest cry the earth can hear. I felt blood soak into my skin, and I no longer wept; I longed to die, to be free of the incessant crying. I screamed.
Orson Scott Card (Treason)
There in the embrace of the sand I felt the throbbing heart of the earth, felt the rhythm of the currents of boiling rock beneath me, and heard in the most hidden place in my ears a strange song of some itching torment, trying to find a comfortable way to settle down and sleep, while the continents danced back and forth on my skin and oceans froze and fell. And while I heard the song of this largest dance, still I could hear the small melodies of shifting sand and falling stone and settling soil. I heard the agony of rock being cut and torn in a thousand places on the surface of my skin, and I wept at the thousand deaths of stone and soil, of plants that thinly held to life between the stone and the sky. Armies thundered on my skin, death in every heart, with dead trees carved to make tools to build more death. Only the voices of men are louder than the voices of trees, and though a million stalks of wheat whisper terribly together as they die, the death scream of a man's mind is the strongest cry the earth can hear. I felt blood soak into my skin, and I no longer wept; I longed to die, to be free of the incessant crying. I screamed.
Orson Scott Card (Treason)
There in the embrace of the sand I felt the throbbing heart of the earth, felt the rhythm of the currents of boiling rock beneath me, and heard it the most hidden place in my ears a strange song of some of itching torment, trying to find a comfortable way to settle down and sleep, while the continents danced back and forth on my skin and oceans froze and fell. And while I heard the song of this largest dance, still I could hear the small melodies of shifting sand and falling stone and settling soil. I heard the agony of rock being cut and torn in a thousand places on the surface of my skin, and I wept at the thousand deaths of stone and soil, of plants that thinly held to life between the stone and the sky. Armies thundered on my skin, death in every heart, with dead trees carved to make tools to build more death. Only the voices of men are louder than the voices of trees, and though a million stalks of wheat whisper terribly together as they die, the death scream of a man's mind is the strongest cry the earth can hear. I felt blood soak into my skin, and I no longer wept; I longed to die, to be free of the incessant crying. I screamed.
Orson Scott Card (Treason)
I don’t want to call for him. The memory of his hands on me, his breath on my ear, catches in my throat like a half-swallowed pill. But at the same time, I realize I’m dying to be near him. He’s like an itch I can’t scratch. I want to understand him. To know what sort of thing he is, what his true form might look like. What I do know is that I can’t trust myself around him.
Meg Smitherman (Thrum)
Scripture frowns on those “who have eyes, but see not, who have ears, but hear not” (Jer. 5:21). Similarly if we prefer artwork which tells us what we want to hear, as opposed to helping us see what is actually there, such work may actually constitute “itching ears [gathering] teachers to suit their own passions” (2 Tim. 4:3). If our preferred art only tells us what we already know and does not challenge us to see what we never before perceived, it will not only fail to develop in us ears to hear, it may actually deepen our (culpable) deafness.
Doug Serven (Firstfruits of a New Creation: Essays in Honor of Jerram Barrs)
Diocles asked casually. “It’s sweating underneath one’s armour that causes it”, he said.  “Mind your own business.” He scratched again. “A salve of labdanum and maidenhair mixed into bear grease will help to relieve the itch”, Diocles suggested.  “It’s a proven remedy.” “It’s a fighting man’s heat rash, Greek”, Hostilius growled.  “Nothing you would be familiar with.” And then Dolos, the trickster whispered into my aide’s ear. “Like Heracles’s itch?” he asked. Most warriors were familiar with the exploits of the man-god, but few knew that the great hero, Hercules, or Heracles as the Greeks called him, was rumoured to have succumbed to what started as an itch associated with desire. “Sure”, Hostilius replied, and waved away Diocles’s words.  “Like I said, it’s a fighting man’s itch and I’ll endure it.” Just then there was a knock at the door.  A manservant entered five heartbeats later. He bowed low.  “Lord”, he said, “Lord Papa ben Nasor requests your attendance at your earliest convenience.” “Who?” Hostilius asked. “It’s what the Palmyreans call Odaenathus”, I said, and dismissed the servant. * * * “The lords of the desert tribes have answered my call”, Odaenathus said.  “We depart in three days’ time.” Hostilius
Hector Miller (Athenian (The Thrice Named Man #12))
instinct warned her to tread carefully around him, though she itched to box his ears for his arrogance.
Grace Draven (Master of Crows (Master of Crows, #1))
This indeed is then done, when the itching palate is repressed, when the bold tongue is restrained in silence, when the ear is closed to evil speaking, when the eye is forbidden to look at illicit things, when the hand is restrained lest it strike cruelly, the foot lest it go off wandering idly; when the heart is resisted lest it envy the good fortune of another’s happiness, lest it desire through avarice that which is not its own, lest it cut itself off by wrath from fraternal love, lest it arrogantly praise itself above others, lest it yield to seductive luxury through pleasure, lest it sink immoderately into grief, or in joy open the way to the tempter.
James Bruce Ross (The Portable Medieval Reader)
Well, well, my dear, I’m sure I find your, ah, offer most tempting. I mean, you’re quite a lovely female for an alien but I am a mated male,” said a low voice in her ear. Sophie’s eyes flew open and she saw that Magistrate Licklow was frowning at her. “I’m sorry, what?” She looked at him uncertainly as she felt the sleeves of her tharp twitch again. “I’m just saying that while I appreciate your offer of, ah, intimate relations, I must politely decline.” He cleared his throat. “So please stop touching me.” “But I’m not!” Sophie was appalled. “What would make you think I was doing…doing something like that?” “Because you are.” He was beginning to look red in the face—clearly something was happening beneath the table but Sophie had no idea what. Her hands were still fisted in her lap with the long sleeves of her tharp hanging down almost to the ground. They still seemed to be twitching a little but it was hard to tell when she was itching so abominably. Her knees were together and her feet were up on the bottom rung of her chair, so it wasn’t like she was playing footsie with the Magistrate. What was he talking about? “I’m not,” she said earnestly. “I promise you. I would never—” “Oh, shocking!” Unfortunately Lady Whitethorn had picked up on what was going on—or what the Magistrate thought was going on, anyway—and she was glaring at Sophie. “No, really,” Sophie protested. “I don’t know what’s happening but I promise I have nothing to do with it. I’m not touching anybody, see?
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
The Light Fae. As a race, they were supposed to be all about good and decency, but there wasn’t a shred of either emotion within the walls of Usaeil’s castle. Neve observed Talin examining everything around him – from the castle, the Fae walking outside, the trees, and even the sky. His pale silver eyes missed nothing. She wondered what he saw, and how he catalogued things. His long, black hair had the barest hint of a wave to it as it hung to the shoulders of his pale blue shirt. He shoved one side behind an ear and tilted his head as if listening. She didn’t think he realized she was still beside him, not that she minded. It gave her a chance to fill her gaze with his sharply chiseled features. The hard planes of his jaw and chin were in direct contrast to his wide lips and thick eyelashes. It was difficult to look at Talin and notice anything but those beautiful eyes. Except when she did look down, she saw a body that made her hands itch to touch him. His shirt barely contained wide shoulders that tapered to narrow hips where navy pants encased his legs. Every muscle was honed and defined. As eye-catching as Talin’s personal package was, it didn’t hold a candle to what drew her interest – his bearing. The way he stood, walked, talked. In a castle full of Light who believed themselves above others, the only one who had the attitude and demeanor to carry it off was Talin.
Donna Grant (Dark Alpha’s Demand (Reaper #3))
Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)
Robin M. King (Memory of Monet (Remembrandt, #3))
Held captive now by more than bonds and strength of arm, she turned her face to study his, fascinated by the sleepy innocence that clouded his half-closed eyes. The merciless killer was gone, replaced by a drowsy, mischievous boy who stroked her as if she were a newly acquired pet. A slow smile curved his mouth, a dreamy smile that told her he was more asleep than awake. He moved closer to whisper something unintelligible against her cheek. Her lips tingled, then parted. She found herself wondering how it might have felt if he had kissed her, then cringed at the wayward thought. Comanches didn’t kiss, they just took. And her time was running out. With the tip of his tongue, he outlined her ear. “Topsannah, tani-har-ro.” The words came out so slurred, she doubted he even knew he was saying them. “Prairie flower,” he muttered, “in springtime.” He fell silent. His arm around her waist went lifeless and heavy. His breathing changed, becoming measured and deep. The mahogany fringe of his eyelashes rested on his cheeks. Loretta stared, incredulity sweeping over her in waves. He was fast asleep. And she was pinned beneath his arm and leg. She wrinkled her nose. The fur of the buffalo robe tickled, and it smelled sharply of smoke and bear grease. Probably full of lice and fleas, too, she thought with disgust, then promptly began to itch, which was sheer torture because she couldn’t scratch. His hand rested on her ribs like an anchor. Though escape was impossible, bound as she was, being so close to him made her feel claustrophobic. Slowly, ever so slowly, she tried to ease out from under him, only to have him go tense again and pull her back into the crook of his body. “Sleep,” he murmured. “We will make war tomorrow, no?
Catherine Anderson (Comanche Moon (Comanche, #1))
That's when it comes, the urge to shout in the church, the nursery, the crowded movie house. It's an itch at first. Inconsequential. But that itch is soon a torrent behind a straining damn. Noah's flood. That itch is my whole life. Here is comes now. Cover your ears. Build an ark. "Eat me!" I scream.
Jonathan Lethem
Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings. The literature or discourse that goes along with this is similarly manufactured to tease without satisfaction, to replace every partial gratification with a new desire. For this stream of stimulants is designed to produce cravings for more and more of the same, though louder and faster, and these cravings drive us to do work which is of no interest save for the money it pays—to buy more lavish radios, sleeker automobiles, glossier magazines, and better television sets, all of which will somehow conspire to persuade us that happiness lies just around the corner if we will buy one more. Despite the immense hubbub and nervous strain, we are convinced that sleep is a waste of valuable time and continue to chase these fantasies far into the night. Animals spend much of their time dozing and idling pleasantly, but, because life is short, human beings must cram into the years the highest possible amount of consciousness, alertness, and chronic insomnia so as to be sure not to miss the last fragment of startling pleasure. It isn’t that the people who submit to this kind of thing are immoral. It isn’t that the people who provide it are wicked exploiters; most of them are of the same mind as the exploited, if only on a more expensive horse in this sorry-go-round. The real trouble is that they are all totally frustrated, for trying to please the brain is like trying to drink through your ears. Thus they are increasingly incapable of real pleasure, insensitive to the most acute and subtle joys of life which are in fact extremely common and simple.
Alan W. Watts (The Wisdom of Insecurity)
Preach the word; be prepared in season and out of season; correct, rebuke and encourage—with great patience and careful instruction. For the time will come when people will not put up with sound doctrine. Instead, to suit their own desires, they will gather around them a great number of teachers to say what their itching ears want to hear. (2 Tim. 4:2–3 NIV)
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
Did I really write to them from a fake e-mail account, posing as my mother to get out of it? My face flames and sweat dots my hairline. It itches, but my arms refuse to let me do anything about it. The crowd blurs into a dull shifting mass, pressing in on me. I look back up at the ceiling for stability, but it only makes me dizzier. Colors swirl together. God shifts his eyes from Adam to me. Murmurs and whispers amplify, joining my accelerating pulse until there’s a stampede in my ears. My heart might explode. What have I done? Chiara grabs my hand and supports my weakened body through a maze of people and doorways until we’re outside. The brightness burns my eyes, but I welcome the awakening. “What happened? You looked as if you might fall over.” I avoid her question and instead gaze up at the weathered, bluish dome of St. Peter’s Basilica looming over us from high above all the other buildings in the city. Is the pope in there praying for liars like me?
Kristin Rae (Wish You Were Italian (If Only . . . #2))
The Big Ear is a necessary tool for anyone attempting to describe the physical world or the world of the imagination. It helps concentrate our attention, block out distractions and provide access to the mysteries hidden beneath the surface. But these gifts are not granted free and clear. In exchange, we must pay the price of increased awareness. Like the boy in “The Big Ear,” we may overhear what we could have happily done without, something that changes forever the way we navigate our world. In giving our attention to the thing itself—the sight or smell or taste or sound or texture—we may forget to say what we originally thought we wanted, or needed, to say, some thought or purpose that probably calcified years ago. We become so involved in bringing forth the qualities of the thing itself that we are thrown headlong into the present moment. The roar, the squeak, the corduroy, the itch of it so fully consumes us that we can’t stop to think of what it all means—or what our inner censors have warned us not to say. We no longer have to struggle to force breath into our description. Suddenly it gasps and sputters. It begins to breathe on its own. EXERCISES
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
Paw, paw, paw. On his shirt. “Fucking hell.” He gave in and rubbed that black belly. “And no, I don’t need anything.” The purring got so loud, he had to lean in to the butler. “What did you say?” “I’m happy to oblige whatever you require.” “Yeah. I know. But I’m going to take care of my brother. No one else. Are we clear.” The cat was now rubbing its head into his pec. Then stretching up into the itching. Oh, God, this was awful—especially as the butler’s already droopy face sagged down to what were no doubt knobby knees. “Ah, shit, Fritz—” “Is he ill?” iAm closed his eyes briefly as the female voice registered. Fantastic. Another party heard from. “He’s fine,” iAm said without looking at the Chosen Selena. Leaving the kibitzers in the dust, he went into the pantry with the freeloading cat and . . . Right. How was he going to get the load of post-migraine recovery rations down from the shelves with his arms full of— What was its name? Fine. It was G*dd*mn Cat, then. Looking down into those wide, contented eyes, iAm thinned his lips as he rubbed under its chin. Behind an ear. “Okay, enough with this.” He played with one of the paws. “I gotta put you down now.” Assuming control, he took the cat out of its recline and went to put it down on the— Somehow the thing managed to claw its way into the very fibers of his fleece and hang off the front of him like a tie. “Are you kidding me.” More purring. A blink of those luminous eyes. An expression of self-possession that iAm took to mean this interaction was going to go the cat’s way—and no one else’s. “Mayhap I shall help?” Selena asked softly. iAm bit out a curse and glared at the cat. Then at the Chosen. But short of taking off his pullover? G*dd*mn Cat was sticking with him. “I need some of those Milanos up there?” The Chosen reached up and took a bag from the Pepperidge Farm munchie department. “And he’s going to need some of those tortilla chips.” “Plain or the lime flavor?” “Plain.” iAm gave up the ghost and resumed servicing G*dd*mn—and the cat immediately went into full La-Z-Boy again. “He’s going to want one of the Entenmann’s pound cakes. And we’re going to bring him three ice-cold Cokes, two big Poland Springs, room temperature, and a partridge in a pear tree.” -Boo, iAm, Fritz, & Selena
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Recalling St. Paul’s command to Timothy (2 Tim. 4:1–5) to preach the truth in season and out of season, “For the time is coming when people will not endure sound teaching, and having itching ears they will accumulate for themselves teachers to suit their own likings, and will turn away from listening to the truth and wander into myths
Daniel Utrecht (The Lion of Munster: The Bishop Who Roared Against the Nazis)
With nothing to do but wait, I tried to settle into a daze to distort the unbroken hours ahead. Mr. Morris did so effortlessly, but I had to fight to subdue a rising tide of impatience. The smallest thing – an itch behind my ear or a gurgle in my stomach – were buoyant irritancies that kept hoisting me up and out of my reverie. I pushed to go deeper, to burrow into the unplumbed depths of that untouchable quiet within us all that is unmoved by our niggling sensations. Even the air was somehow too potent with the perfume of flowering plants to permit anything but acute alertness. When I could stand it no longer, I emerged out of breath from my daydream as if surfacing from underwater.
Cameron Dick (Head of the Hyena: Volume 1)