Applied Epic Quotes

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy? Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question. O: It’s a rather ghettoized genre. P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre. O: It’s certainly regarded as less than serious fiction. P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that. (Pauses) That was a bloody good answer, though I say it myself.

Do you want to hurt yourself?' 'No. I'm trying to get a grip. Have a more normal life.' Scribble, scribble. 'The number of suicides in the area has recently escalated,' she commented. 'The train track suicides. Yes, I know. And yet, here I am. Thrilled to be in counseling. Weren't we supposed to be focusing on a healthy expression of my grief?' Scribble. 'You seem disoriented. Have you been drinking?' 'I have too few brain cells naturally to waste any on a temporary buzz.' Scribble. 'Drugs?' 'Just write See Above-the same philosophy applies. Look, I had a really lousy lunch. Food poisoning of epic proportions. Its messed me up.' 'I'd like to get a urine sample.' 'Give me your coffee cup.' Scribble, scribble, scribble.

Just as we once abhorred the vacuum, today we find repugnant the very idea of deceleration, regression, retreat, limitation, degrowth, applying brakes, descent - sufficiency. Anything that brings to mind any of these movements toward an intensive sufficiency of world (instead of an epic overcoming of the "limits " separating us from a hyperworld) is immediately accused of naïve localism, primitivism, irrationalism, bad conscience, guilt, or even just fascistic tendencies, period.

Once I had been jerked back to reality, like I was in a log on Splash Mountain and someone quickly applied the brakes, I knew this had been a terrible choice, but I was in it now. There was no getting out; there was no abandoning the mission.

This classification is applied to the two Homeric epics: the Iliad is simple and based on suffering, the Odyssey is complex and based on character.

Take my story as a cautionary tale, a narrative argument against ready-made solutions. It tells you that applying formulas is not good enough - not, that is, when you're faced with really hard problems!

Zach had been on the receiving end of a few of Lanning’s ass-chewings back in the day. They were epic sagas of righteous fury and perfectly applied touches of profanity. It was like being verbally disemboweled.

Later that same spring of 1872, in his own annual report, Roebling would write that most men got over their troubles either by suffering for a long time or "by applying the heroic mode of returning into the caisson at once as soon as pains manifested themselves.

On the eleventh day, it finally stopped raining. Musashi chafed to be out in the open, but it was another week before they were able to return to work under a bright sun. The field they had so arduously carved out of the wilderness had disappeared without a trace; in its place were rocks, and a river where none had been before. The water seemed to mock them just as the villagers had. Iori, seeing no way to reclaim their loss, looked up and said, “This place is beyond hope. Let’s look for better land somewhere else.” “No,” Musashi said firmly. “With the water drained off, this would make excellent farmland. I examined the location from every angle before I chose it.” “What if we have another heavy rain?” “We’ll fix it so the water doesn’t come this way. We’ll lay a dam from here all the way to that hill over there.” ‘That’s an awful lot of work.” “You seem to forget that this is our dōjō. I’m not giving up a foot of this land until I see barley growing on it.” Musashi carried on his stubborn struggle throughout the winter, into the second month of the new year. It took several weeks of strenuous labor to dig ditches, drain the water off, pile dirt for a dike and then cover it with heavy rocks. Three weeks later everything was again washed away. “Look,” Iori said, “we’re wasting our energy on something impossible. Is that the Way of the Sword?” The question struck close to the bone, but Musashi would not give in. Only a month passed before the next disaster, a heavy snowfall followed by a quick thaw. Iori, on his return from trips to the temple for food, inevitably wore a long face, for the people there rode him mercilessly about Musashi’s failure. And finally Musashi himself began to lose heart. For two full days and on into a third, he sat silently brooding and staring at his field. Then it dawned on him suddenly. Unconsciously, he had been trying to create a neat, square field like those common in other parts of the Kanto Plain, but this was not what the terrain called for. Here, despite the general flatness, there were slight variations in the lay of the land and the quality of the soil that argued for an irregular shape. “What a fool I’ve been,” he exclaimed aloud. “I tried to make the water flow where I thought it should and force the dirt to stay where I thought it ought to be. But it didn’t work. How could it? Water’s water, dirt’s dirt. I can’t change their nature. What I’ve got to do is learn to be a servant to the water and a protector of the land.” In his own way, he had submitted to the attitude of the peasants. On that day he became nature’s manservant. He ceased trying to impose his will on nature and let nature lead the way, while at the same time seeking out possibilities beyond the grasp of other inhabitants of the plain. The snow came again, and another thaw; the muddy water oozed slowly over the plain. But Musashi had had time to work out his new approach, and his field remained intact. “The same rules must apply to governing people,” he said to himself. In his notebook, he wrote: “Do not attempt to oppose the way of the universe. But first make sure you know the way of the universe.

One person at WeWork wasn’t worried about the company’s future. “Do you know how long it takes a diamond to be created?” Adam asked a reporter during Summit. “Half a million to four million years. I love that analogy—to make something very precious, you have to apply a lot of pressure.

The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?" Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again. "Hello," Skulduggery said, speaking loudly to be heard over the alarm. "Hi," said the man. "The door's locked." "Is it?" "Yes." "That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?" There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?" Skulduggery tilted his head. "Who am I speaking with?" "This is Oscar Nightfall." "Are you sure?" "What?" "Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know." Oscar Nightfall sounded puzzled. Who are you?" "Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?" "What's your name? Give me you name." "No. It's mine." "Tell me your name!" "My name is Oscar Nightfall." "What? No it isn't. That's my name." "Is it? Since when?" "Since I took it!" "You didn't ask me if you could take it. I was using it first." "Open this door immediately." "I don't have the key." "I'll fetch the Cleavers." "I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go." Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more.

The Proverbs 31 woman is introduced as a 'woman hayil' the same Hebrew word used for Boaz and signifies 'strength' and 'power' like that of an 'elite warrior similar to the hero of the Homeric epic.' The meaning, however, gets lost in translation, for whenever hayil applies to a woman in the Bible, translators have opted for softer English words ('virtuous,' 'excellent,' 'capable,' or 'noble character'). These words don't begin to do justice to the meaning, for in reality 'it may well be that a woman of this caliber had all the attributes of her male counterpart.' She is a woman of valor--an apt description of an ezer.

Power can do everything but the most important thing: it cannot control love . . . In a concentration camp, the guards possess almost unlimited power. By applying force, they can make you renounce your God, curse your family, work without pay, eat human excrement, kill and then bury your closest friend or even your own mother. All this is within their power. Only one thing is not: they cannot force you to love them. This fact may help explain why God sometimes seems shy to use his power. He created us to love him, but his most impressive displays of miracle—the kind we may secretly long for—do nothing to foster that love. As Douglas John Hall has put it, “God’s problem is not that God is not able to do certain things. God’s problem is that God loves. Love complicates the life of God as it complicates every life.” (Philip Yancey, Disappointment with God)

The law isn’t supposed to be about unspoken excuses and behind-the-scenes calculations. The beauty of the system is that judges and juries are allowed to consider only what is seen and heard in open court. In between the white lines of this arena, it’s all supposed to make sense. This is where we all get to be equal again. In the defendant’s chair, rich and poor ride the same roller coaster, face the same music. Case has to match case. Sentence should match sentence. But they don’t match anymore. They probably never did, and probably it was never even close. But at least there was the illusion of it. What’s happened now, in this new era of settlements and non prosecutions is that the state has formally surrendered to its own excuses. It has decided just to punt from the start and take the money which doesn’t become really wrong until it turns around the next day and decides to double down on the less-defended, flooring it all the way to trial against a welfare mom or some joker who sold a brick of dope in the projects. Repeat the same process a few million times, and that’s how the jails in American get the population they have. Even if every single person they sent to jail were guilty, the system would still be an epic fail—it’s the jurisprudential version of Pravda, where the facts int he paper might have all been true on any given day, but the lie was all in what was not said. That’s what nobody gets, that the two approaches to justice may individually make a kind of sense. but side by side they’re a dystopia, here common city courts become factories for turning poor people into prisoners, while federal prosecutors on the white-collar beat turn into overpriced garbage men, who behind closed doors quietly dispose of the sins of the rich for a fee. And it’s evolved this way over time and for a thousand reasons, so that almost nobody is aware of the whole picture, the two worlds so separate that they’re barely visible to each other. The usual political descriptors like “unfairness” and “injustice” don’t really apply. it’s more like a breakdown into madness.

Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.

Another obstacle was the stubbornness of the countries the pipeline had to cross, particularly Syria, all of which were demanding what seemed to be exorbitant transit fees. It was also the time when the partition of Palestine and the establishment of the state of Israel were aggravating American relations with the Arab countries. But the emergence of a Jewish state, along with the American recognition that followed, threatened more than transit rights for the pipeline. Ibn Saud was as outspoken and adamant against Zionism and Israel as any Arab leader. He said that Jews had been the enemies of Arabs since the seventh century. American support of a Jewish state, he told Truman, would be a death blow to American interests in the Arab world, and should a Jewish state come into existence, the Arabs “will lay siege to it until it dies of famine.” When Ibn Saud paid a visit to Aramco’s Dhahran headquarters in 1947, he praised the oranges he was served but then pointedly asked if they were from Palestine—that is, from a Jewish kibbutz. He was reassured; the oranges were from California. In his opposition to a Jewish state, Ibn Saud held what a British official called a “trump card”: He could punish the United States by canceling the Aramco concession. That possibility greatly alarmed not only the interested companies, but also, of course, the U.S. State and Defense departments. Yet the creation of Israel had its own momentum. In 1947, the United Nations Special Committee on Palestine recommended the partition of Palestine, which was accepted by the General Assembly and by the Jewish Agency, but rejected by the Arabs. An Arab “Liberation Army” seized the Galilee and attacked the Jewish section of Jerusalem. Violence gripped Palestine. In 1948, Britain, at wit’s end, gave up its mandate and withdrew its Army and administration, plunging Palestine into anarchy. On May 14, 1948, the Jewish National Council proclaimed the state of Israel. It was recognized almost instantly by the Soviet Union, followed quickly by the United States. The Arab League launched a full-scale attack. The first Arab-Israeli war had begun. A few days after Israel’s proclamation of statehood, James Terry Duce of Aramco passed word to Secretary of State Marshall that Ibn Saud had indicated that “he may be compelled, in certain circumstances, to apply sanctions against the American oil concessions… not because of his desire to do so but because the pressure upon him of Arab public opinion was so great that he could no longer resist it.” A hurriedly done State Department study, however, found that, despite the large reserves, the Middle East, excluding Iran, provided only 6 percent of free world oil supplies and that such a cut in consumption of that oil “could be achieved without substantial hardship to any group of consumers.

Throughout the South, the conventional rules of the road did not apply when a colored motorist was behind the wheel. If he reached an intersection first, he had to let the white motorist go ahead of him. He could not pass a white motorist on the road no matter how slowly the white motorist was going and had to take extreme caution to avoid an accident because he would likely be blamed no matter who was at fault. In everyday interactions, a black person could not contradict a white person or speak unless spoken to first. A black person could not be the first to offer to shake a white person’s hand. A handshake could occur only if a white person so gestured, leaving many people having never shaken hands with a person of the other race. The consequences for the slightest misstep were swift and brutal.

Tronstad understood well Rutherford’s theory that tritium and deuterium could be used to obtain a fusion reaction with a potentially enormous energy release. Nonetheless, Tronstad dismissed the idea that heavy water could be applied to any great military use. Instead, he and Brun conjectured that the Germans might want deuterium for some kind of poison gas, but they doubted this application would yield results. Whatever the reason, Tronstad decided, if the Nazis were interested in heavy water, then so too should he be.

Applied Kinesiology is the process of testing the body’s strength or weakness after exposure to stimuli. A simple example: I ask you to think about a time in your life when you felt bad. If the conditions are correct (which is tricky), I could push down on your outstretched arm and

Carlson could have offered a counterpoint instead of a polemic; he could have encouraged a debate. Instead he chose to lie about Yellen’s words. That made for more impact, more rage, not informed discussion. It was paradoxical, because just a few moments later, Carlson claimed “they,” the people in charge, “don’t want a debate.” When he worked at Heritage, he said, the idea was that “just because the other side was rotten didn’t mean you could be rotten.” But he had stopped applying that principle many, many years—and many, many rotten words—ago.

In any portion of the state, when laws relating to public lands are defied and set at naught, our first duty is to re-examine the laws, with the view of ascertaining what defects, if any, have produced this condition of society and, upon discovery of any defect, to apply a remedy,

the Crafts’ note about their book—that it is “not intended as a full history” of their lives—also applies to this one. I have chosen to focus on the story of their mutual self-emancipation against a backdrop of transformation in the United States,

by 1841, was applied to the laws to segregate them. The first such laws were passed not in the South, but in Massachusetts, as a means of designating a railcar set apart for black passengers.

Vohannes turns and grins at her. “So! Here is the triumphant warrior, fresh off of her conquest. What an epic night you’ve had!” “Vo, I honestly do not have time for your supposed charms. How did you get in?” “By liberally applying my supposed charms, of course,” says Vohannes.

Find a few smiles, capture a few laughs, touch a couple hearts, stimulate a mind or two, and for the love of all things holy, find a way to allow the things into your life that help you enjoy the trip because it ends the same for all of us anyway. Don't take things so seriously; things always find a way to work themselves out. Whatever you need, someone else needs to give, as I learned very clearly from all the beautiful homeless women who brightened my dim heart. We are all connected in this crazy, cosmic soup, and no matter how much it may feel like it sometimes, none of us are ever truly alone in our struggles, trials, challenges, and hard times, and the same applies to the good times. We're never alone in the victories, triumphs, epic moments, and peak experiences in our lives. When you have a little, give a little. When you need a little, accept a little because there are always people who need to share the good in their lives just as much as there are people who need that good stuff during the bad times.

Despite the refusal of the Obama Justice Department to prosecute anyone at the IRS, it is clear that what happened was an epic clampdown on any conservative voices speaking or advocating against the president’s disastrous policies and in favor of patriotism and adherence to the Constitution and the rule of law. Over the course of twenty-seven months leading up to the 2012 election, not a single Tea Party–type organization received tax-exempt status. Many were unable to operate; others disbanded because donors refused to fund them without the IRS seal of approval; some organizations and their donors were audited without justification; and many incurred legal fees and costs fighting the unlawful conduct by Lerner and other IRS employees. The IRS suppressed the entire Tea Party movement just in time to help Obama win reelection. And everyone in the administration involved in this outrageous conduct got away with it without being punished or prosecuted. Was it simply a case of retribution against the perceived “enemies” of the administration? No, this was much bigger than political payback. It was a systematic and concerted effort to squash the Tea Party movement—one of the most organic and powerful political movements in recent memory—during an election season. [See Appendix for select IRS documents uncovered by Judicial Watch.] This was about campaign politics. It was a scandal for the ages. President Obama obviously wanted this done even if he gave no direct orders for it. In 2015, he told Jon Stewart on The Daily Show that “you don’t want all this money pouring through non-profits.” But there is no law preventing money from “pouring through non-profits” that they use to achieve their legal purposes and the objectives of their members. Who didn’t want this money pouring through nonprofits? Barack Obama. In the subsequent FOIA litigation filed by Judicial Watch, the IRS obstructed and lied to a federal judge and Judicial Watch in an effort to hide the truth about what Lois Lerner and other senior officials had done. The IRS, including its top political appointees like IRS Commissioner John Koskinen and General Counsel William J. Wilkins, have much to answer for over their contempt of court and of Congress. And the Department of Justice lawyers and officials enabling this cover-up in court need to be held accountable as well. If the Tea Party and other conservative groups had been fully active in the critical months leading up to the 2012 election, would Mitt Romney have been elected president? We will, of course, never know for certain. But we do know that President Obama’s Internal Revenue Service targeted right-leaning organizations applying for tax-exempt status and prevented them from entering the fray during that period. That is how you steal an election in plain sight. Accountability is not something we will get from the Obama administration. But Judicial Watch will continue its independent investigation and certainly any new presidential administration should take a fresh look at this IRS scandal.

Avery was attacking the most fundamental questions of immunology and, ultimately, genetics. From each failed experiment he learned, perhaps not much but something. And what he was learning went beyond how to fine-tune an experiment. What he was learning from his failures had large ramifications that applied to entire fields of knowledge. One could argue that none of Avery’s experiments failed.

As for Meg, she looked like Meg. Her red high-tops and yellow leggings clashed epically with her new unicorn T-shirt, which she seemed determined to wear until it fell to pieces. She had applied adhesive bandages across her cheekbones, like warriors or footballers might do. Perhaps she thought they made her look “commando,” despite the fact that the bandages were decorated with pictures of Dora the Explorer.

I realized that you don't try on a pair of pants, fart in them, and then put them back on the shelf, and the same rough politeness applied here, too. Plain and simple, I bled on it, I bought it.

That afternoon, Neal DosSantos, a young architect who worked at a firm in Manhattan, was strolling back to his office after eating lunch in Gramercy Park when he spotted Adam heading briskly uptown on the sidewalk and talking animatedly into his phone. WeWork’s CEO was walking past Pete’s Tavern, one of New York’s oldest bars, wearing a gray T-shirt, black pants—and no shoes. DosSantos recognized Adam by sight. He had friends at WeWork and had considered applying for a job there over the years. Given all he had heard about the founder, the moment seemed to sum everything up: Neumann was moving quickly and talking fast, the only CEO who would casually walk the streets of New York barefoot during the most trying week of his life. (One of Adam’s publicists at the time explained away the incident to me by arguing that this was simply who he was: “Adam grew up on a kibbutz and likes to walk barefoot. He is a kibbutznik. Should we ask him to stop?”)

The wording of his revelation would apply not only when adultery was suspected but also when there had been an accusation of rape. Unless a woman could produce four witnesses to her rape—a virtual impossibility—she would be considered guilty of slander and adultery, and punished accordingly. Aisha’s exoneration was destined to become the basis for the silencing, humiliation, and even execution of countless women after her.

William Park, Oswald Avery, and Paul Lewis each approached science in his own way. Park, a man who almost became a medical missionary, saw it as a means to a larger end; he saw it as a tool to relieve suffering. Disciplined and methodical, his interest lay chiefly in immediate results that he could apply to his purpose. His contributions, particularly those made with Anna Williams, were enormous; their improvement of diphtheria antitoxin alone doubtless saved hundreds of thousands of lives over the past century. But his purpose also limited him, narrowed him, and limited the kind of findings he and those under him would make. Avery was driven and obsessive. Part artist and part hunter, he had vision, patience, and persistence. His artist’s eye let him see a landscape from a new perspective and in exquisite detail, the hunter in him told him when something, no matter how seemingly trivial, was out of place, and he wondered. The wonder moved him to the sacrifice of all else. He had no choice but to sacrifice. It was his nature. Cutting a Gordian knot gave him no satisfaction. He wanted to unfold and understand mysteries, not cut through them. So he tugged at a thread and kept tugging, untangling it, following where it led, until he unraveled an entire fabric. Then others wove a new fabric for a different world. T. S. Eliot said any new work of art alters slightly the existing order. Avery accomplished that all right, and far more. Paul Lewis was a romantic, and a lover. He wanted. He wanted more and loved more passionately than Park or Avery. But as is true of many romantics, it was the idea of the thing as much or more than the thing itself that he loved. He loved science, and he loved the laboratory. But it did not yield to him. The deepest secrets of the laboratory showed themselves to Lewis when he was guided by others, when others opened a crack for him. But when he came alone to the laboratory, that crack closed. He could not find the right loose thread to tug at, the way to ask the question. To him the laboratory presented a stone face, unyielding to his pleadings. And whether his death was a suicide or a true accident, his failure to win what he loved killed him. One could consider Lewis, in a way meaningful only to him, the last victim of the 1918 pandemic.

In South Carolina, colored people had to apply for a permit to do any work other than agriculture after Reconstruction.

Henry James described the Hopkins as a place where, despite “the immensities of pain” one thought of “fine poetry . . . and the high beauty of applied science. . . . Grim human alignments became, in their cool vistas, delicate symphonies in white. . . . Doctors ruled, for me, so gently, the whole still concert.

While technically the economy had been in recovery for four years, in popular parlance the word depression was applied to the whole decade of the 1930s. So economists dubbed this new depression within a depression a “recession.” This has been the term for economic downturns ever since, and the word depression is now usually capitalized and refers exclusively to the uniquely dark days of the 1930s.

Runic Artistry (Epic)You have created art and you have created runes. Now, combine the two creating something both beautiful and powerful. Runic Artistry facilitates the creation of Runic Arrays. A sequence of runes in a pattern that agrees with your sensibilities and the multiverse. Decrease Mana Cost of Runic Arrays by 5% and apply 5% of Dexterity and 5% of Creativity to Magic Power for Runic Arrays. All values increase by 1% per Skill Level.

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