Appear Heartless Quotes

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I'd developed an inability to demonstrate much negative emotion at all. It was another thing that made me seem like a dick - my stomach could be all oiled eels, and you would get nothing from my face and less from my words. It was a constant problem: too much control or no control at all.
Gillian Flynn (Gone Girl)
Madame Lefoux acted as midwife. In her scientific way, she was unexpectedly adept at the job. When the infant finally appeared, she held it up for Alexia to see, rather proudly, as though she'd done all the hard work herself. 'Goodness,' said an exhausted Lady Maccon, 'are babies customarily that repulsive looking?
Gail Carriger (Heartless (Parasol Protectorate, #4))
I have never been joyful, and yet it has always seemed as if joy were my constant companion, as if the buoyant jinn of joy danced around me, invisible to others but not to me, whose eyes shone with delight. Then when I walk past people, happy-go-lucky as a god, and they envy me because of my good fortune, I laugh, for I despise people, and I take my revenge. I have never wished to do anyone an injustice, but I have always made it appear as if anyone who came close to me would be wronged and injured. Then when I hear others praised for their faithfulness, their integrity, I laugh, for I despise people, and I take my revenge. My heart has never been hardened toward anyone, but I have always made it appear, especially when I was touched most deeply, as if my heart were closed and alien to every feeling. Then when I hear others lauded for their good hearts, see them loved for their deep, rich feelings, then I laugh, for I despise people and take my revenge. When I see myself cursed, abhorred, hated for my coldness and heartlessness, then I laugh, then my rage is satisfied. The point is that if the good people could make me be actually in the wrong, make me actually do an injustice-well, then I would have lost.
Søren Kierkegaard (Either/Or: A Fragment of Life)
Goodness,” said an exhausted Lady Maccon, “are babies customarily that repulsive looking?” Madame Lefoux pursed her lips and turned the infant about, as though she hadn’t quite looked closely before. “I assure you, the appearance improves with time.” Alexia held out her arms—her dress was already ruined anyway—and received the pink wriggling thing into her embrace. She smiled up at her husband. “I told you it would be a girl.” “Why isna she crying?” complained Lord Maccon. “Shouldna she be crying? Aren’t all bairns supposed to cry?” “Perhaps she’s mute,” suggested Alexia. “Be a sensible thing with parents like us.” Lord Maccon looked properly horrified at the idea.
Gail Carriger (Heartless (Parasol Protectorate, #4))
Ooh, ooh, ooh!” Ivy was practically bouncing in excitement over some kind of revelation. “I had a thought,” she said, examining the edge of the wooden stake with interest. “Oh, yes?” encouraged Alexia loudly. Ivy stopped and frowned, her pert little face creased in worry. “I said I had one. It appears to have vanished.
Gail Carriger (The Parasol Protectorate Boxed Set: Soulless, Changeless, Blameless, Heartless and Timeless)
H appears no different from the corpses already here. But H is different. She has made three sick people well. She has brought them extra time on Earth. To be able as a dead person to make a gift of this magnitude is phenomenal. Most people don't manage this sort of thing while they're alive. Cadavers like H are the dead's heroes. It is astounding to me and achingly sad that with 80,000 people on the waiting list for donated hearts and livers and kidneys, with sixteen a day dying there on that list, that more than half the people in the position H's family was in will say no, will choose to burn those organs or let them rot. We abide the surgeon's scalpel to save our own lives, our loved one's lives, but not to save a stranger's life. H has no heart but heartless is the last thing you'd call her.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
I shook my head at what appeared, the text detailing the anatomy of some shadow beast,
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
I’m not heartless. I appear so because I’m afraid of getting hurt. I’m one of those fragile hearts that once cared too much.
Nitya Prakash
It appears that in order to win favor in the eyes of the God of the Old Testament, you have to be an obedient and heartless ethnic cleanser. Otherwise, step aside.
Dan Barker (God: The Most Unpleasant Character in All Fiction)
No one was around to publicly shame me, but I am perfectly able to shame myself. And worse -- around myself it is not a matter of appearing to be stupid and heartless; instead I confirm to myself that I am definitively one or the other.
Heidi Julavits (The Folded Clock: A Diary)
How fares the thumb, boy? well? Aye, merry, ’tis the sign of the penis. With the women, look you, observe the ear. The parts appear and come together. So obesity and malice. So grumbling and nagging. So gossip, envy, spite, and avarice. Slowly settling into. So feminine weakness. Heartless piety. Savage morals. They come together. No more goody geedge. Ruthless, lifelong revenge. Zrrr. Grease in a cold pan. Stay off from gingerly lobed and delicately whorled ones. Thus appear the parts. Mind your uncle, boy, who knows. And the men then. Lewd speech and slovenly habits. And the peasant’s suspicion, his cruelty and rancor, his anger, drunkenness, pig-headed ignorance and bestiality. Inevitable they should be parts. Hoolyhoohoo. All in the normal course of nature. And they were saying we had evolved. What did it mean? But, he said in a voice that was clearly audible, I protest this world of unilluminated cocks. He caught the sense of his own words—so absurd—and his body began to shake—half in laughter, half in despair.
William H. Gass (Omensetter's Luck)
Josh’s appearance in my life was making me feel new things. I liked how I was feeling but my feelings scared me, too. Josh made me feel things I hadn’t known I could feel. The only words I could think of were fluttery, tingly, excited, scared, thrilled, curious, hot, wet, weak and strong at the same time, safe, too, but also like I was dancing at the edge of danger.
Catou Martine (Heartless)
Lord Ambrose was an exceptionally well-formed gentleman. His perpetual expression was one of pensive hauteur exacerbated by aquiline features and brooding dark eyes. Alexia felt that he had much in common with a mahogany wardrobe that belonged to Mrs. Loontwill’s great-grandfather and now resided in embarrassed austerity among the frippery of her mother’s boudoir. That is to say, Lord Ambrose was immovable, impossible to live with, and mostly filled with frivolities incompatible with outward appearance.
Gail Carriger (Heartless (Parasol Protectorate, #4))
But understand this, that  y in the last days there will come times of difficulty. 2For people will be  z lovers of self,  a lovers of money,  b proud,  b arrogant, abusive,  b disobedient to their parents, ungrateful, unholy, 3 c heartless, unappeasable, slanderous, without self-control, brutal,  d not loving good, 4treacherous, reckless,  e swollen with conceit,  f lovers of pleasure rather than lovers of God, 5having the appearance of godliness, but  g denying its power.  h Avoid such people. 6For among them are  i those who creep into households and capture weak women, burdened with sins and led astray by various passions, 7always learning and never able to  j arrive at a knowledge of the truth.
Anonymous (The Holy Bible: English Standard Version)
There exist mysterious links between language and the human brain; and the heartless and brutal way in which language is used in our times, as if it were only a power tool in public relations, a shortcut from sly producer to gullible consumer, has always seemed to me the most threatening portent of incipient bestialization. It is frightening to observe that a progressive aphasia, not organically determined, appears to overtake large numbers of people who seem to be unable to express themselves except by hoarse barks and expletives. The gift of tongues, not explainable on the basis of natural selection, is the true attribute of humanization; and it is only fitting that it be revoked shortly before the tails begin to grow.
Erwin Chargaff (Heraclitean Fire: Sketches from a Life Before Nature)
It came home to me as a great blow that it was only men who could take the world by its ears and conquer their fate, while women, metaphorically speaking, were forced to sit with tied hands and patiently suffer as the waves of fate tossed them hither and thither, battering and bruising without mercy. Familiarity made me used to this yoke; I recovered from the disappointment of being a girl, and was reconciled to that part of my fate. In fact, I found that being a girl was quite pleasant, until a hideous truth dawned upon me--I was ugly! ... In conjunction with this brand of hell I developed a reputation of cleverness. Worse and worse! Girls! girls! Those of you who have hearts, and therefore a wish for happiness, homes, and husbands by and by, never develop a reputation of being clever. It will put you out of the matrimonial running as effectually as though it had been circulated that you had leprosy. So, if you feel that you are afflicted with more than ordinary intelligence, and especially if you are plain with it, hide your brains, cramp your mind, study to appear unintellectual--it is your only chance. Provided a woman is beautiful, allowance will be made for all her shortcomings. She can be unchaste, vapid, untruthful, flippant, heartless, and even clever; so long as she is fair to see, men will stand by her, and as men in this world are "the dog on top," they are the power to truckle to. A plain woman will have nothing forgiven her.
Miles Franklin (My Brilliant Career)
Rafe was the one who cleared up that agonizing matter, which proves that he is not nearly as cold and heartless as he wishes to appear.” A small smile played across Cassandra’s lips. “He never fooled me for an instant.” “Who?” Rafe called from the distance before emerging from a copse of trees. She didn’t bother to shout. Obviously he could hear her from where he was. “Never mind.” In an effort to hide her heated cheeks, she finished loading her gun. He stalked closer, scowling at Lydia. “If that gun misfires…” Before he could finish his warning, Cassandra aimed at the target and pulled the trigger. This time, she hit the pail, leaving a hole a few inches from the one Lydia made. A surge of primal triumph surged up from her toes. “Huzzah!” Lydia shouted. Cassandra grinned. “You may just make a marksman out of me yet.” “It was a good shot,” Rafe said grudgingly. “All the same, don’t become overconfident and careless.” Lydia raised her gaze heavenward. “Now you see what I had to endure.” Cassandra
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
What is the point of a diamond dangling on a heartless chest? Or on a deaf ear? Or on an ungenerous hand? What is the point of loving people for the way that your eyes see them, not for who they really are on the inside? Don’t be the one who gets fooled by an egg dipped in gold. At the first obstacle, its beautiful covering shatters, and all that is left is nothing that will please your eyes. Use your eyes to see into people's hearts, not the way that they make their hearts appear.
B.S
But since our sluggish minds rest far beneath the height of divine providence, we must have recourse to a distinction which may assist them in rising. I say then, that though all things are ordered by the counsel and certain arrangement of God, to us, however, they are fortuitous,—not because we imagine that fortune rules the world and mankind, and turns all things upside down at random, (far be such a heartless thought from every Christian breast); but as the order, method, end, and necessity of events, are, for the most part, hidden in the counsel of God, though it is certain that they are produced by the will of God, they have the appearance of being fortuitous, such being the form under which they present themselves to us, whether considered in their own nature, or estimated according to our knowledge and judgment.
David Gibson (From Heaven He Came and Sought Her: Definite Atonement in Historical, Biblical, Theological, and Pastoral Perspective)
A detachment of General Cos's army appeared at the village of Gonzales, on the 28th of September, and demanded the arms of the inhabitants; it was the same demand, made for the same purpose, which the British detachment, under Major Pitcairn, had made at Lexington, on the 16th of April, 1775. It was the same demand l And the same answer was given—resistance—battle—victory ! The American blood was at Gonzales what it had been at Lexington; and between using their arms, and surrendering their arms, that blood can never hesitate. Then followed the rapid succession of brilliant events, which in two months left Texas without an armed enemy in her borders, and the strong forts of Goliad and the Alamo, with their garrisons and cannon, the almost bloodless prizes of a few hundred Texan rifles. This was the origin of the revolt; and a calumny more heartless can never be imagined than that which would convert this rich and holy defence of life, liberty, and property, into an aggression for the extension of slavery. Just in its origin, valiant and humane in its conduct, the Texan revolt has illustrated the Anglo-Saxon character, and given it new titles to the respect and admiration of the world. It shows that liberty, justice, valor—moral, physical, and intellectual power— characterise that race wherever it goes. Let our America rejoice, let old England rejoice, that the Brasos and Colerado, new and strange names—streams far beyond the western bank of the Father of Floods—have felt the impress, and witnessed the exploits of a people sprung from their loins, and carrying their language, laws, and customs, their magna charta and its glorious privileges, into new regions and far distant climes.
Charles Edwards Lester (The Life of Sam Houston: (1855))
What we get, instead, are characters keeping their heartless compulsions secret from those who love them; characters scheming to appear loving or to prove to themselves that what feels like love is really just disguised self-interest; or, at most, characters directing an abstract or spiritual love toward somebody profoundly repellent . . .
Jonathan Franzen
O'er some, Love's shadow may but pass As passes the breath-stain o'er glass; And pleasures, cares, and pride combined, Fill up the blank Love leaves behind. But there are some whose love is high, Entire, and sole idolatry; Who, turning from a heartless world, Ask some dear thing, which may renew Affection's severed links, and be As true as they themselves are true. But Love's bright fount is never pure; And all his pilgrims must endure All passion's might suffering Ere they may reach the blessed spring. And some who waste their lives may find A prize which they may never win: Like those who search for Irem's groves Which found, they may not enter in. Where is the sorrow that appears In Love's long catalogue of tears? And some there are who leave the path In agony and fierce disdain; But bear upon each cankered breast The scar that never heals again.
Letitia E. Landon
An uneasy truce had come to exist between Lillian and St. Vincent after a great deal of past conflict. Although she would never truly like him, Lillian had prosaically decided that St. Vincent would have to be tolerated, since he had been friends with Westcliff for years. Lillian knew if she asked her husband to end the friendship he would do so for her sake, but she loved him too much to make such a demand. And St. Vincent was good for Marcus. With his wit and perceptiveness, he helped to bring a measure of balance to Marcus's overburdened life. Marcus, as one of the most powerful men in England, was in dire need of people who didn't take him too seriously. The other point in St. Vincent's favor was that he appeared to be a good husband to Evie. He seemed to worship her, actually. One would never have thought of putting them together- Evie the shy wallflower, St. Vincent the heartless rake- and yet they have developed a singular attachment to each other. St. Vincent was self-assured and sophisticated, possessing a male beauty so dazzling that people sometimes caught their breath when they glanced at him. But all it took was one word from Evie to make him come running. Even though their relationship was quieter, less outwardly demonstrative than those of the Hunts or Westcliffs, a mysterious and passionate intensity existed between the two. And as long as Evie was happy, Lillian would be cordial to St. Vincent.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
My brain has no heart, and my heart has no brain. That's why when I speak my mind, I appear heartless and when I do what's in my heart I seem thoughtless.
Abhysheq Shukla
Zero Empathy It has already been mentioned but it still can’t be stressed enough. Narcissists have zero empathy, meaning that they also feel no remorse for their evil deeds. They are egocentric, never apologize, don’t know how to apologize; are expert story- tellers, present themselves as having high morals, are untruthful and manipulative, have superficial charm and an imposed sense of (false/ fake) social grace or philosophy, and feign like, love or care to get what they want. They can make themselves appear as the hero with superior morality when in reality they are evil, heartless and cold inside. An extreme narcissist truly has no shame or problem with ruining someone else’s life.
Theresa J. Covert (Divorcing and Healing from a Narcissist: Emotional and Narcissistic Abuse Recovery. Co-parenting after an Emotionally destructive Marriage and Splitting up with with a toxic ex)
But then a single point of light appeared which burned so much brighter than them that it cast them into the realms of irrelevance, and I saw her soaring across the sky burning hotter than the sun itself. She was so endlessly beautiful, so powerful, so strong. My heart. My love. My queen. And that was the way I wanted to leave this life, because when it came down to it, I knew that she was it for me. The only thing I’d ever truly needed and for the briefest span of time she had belonged to me. And that was enough. There is only her.
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
For the Athenians, he says boldly, are so envious that they would reject what is manifestly the best advice for the city if they suspected a speaker of giving this good advice for the sake of gain. A speaker, therefore, who wants to lead the city for its good must first overcome its suspicions of him, and this task is apparently impossible by straightforward means alone. For Diodotus concludes that even a speaker who wants to say what is better must lie to the multitude in order to be trusted, and that it is impossible to benefit the city—and the city alone—without deceiving it (III 42–43). With remarkable frankness, Diodotus tells the Athenians that he will deceive them. And this admission leaves us with the following questions. Why is it impossible to earn the city’s trust without lying to it? And how, precisely, does Diodotus lie? Diodotus’ lie would appear to be his claim that he will not even consider the question of justice, i.e., whether the Mytileneans were unjust, but only that of whether it is in Athens’s interest to kill them all. It is true that the bulk of his argument against these killings is a hard-headed analysis in terms of Athenian self-interest; yet one feels that he is not so simply heartless as he pretends. Moreover, he does not, as we shall see, wholly disregard considerations of justice. Diodotus begins by claiming that even the most severe punishments cannot deter all rebellions, and that Athens should therefore be prepared to try to end any rebellion that does occur with as little cost as possible. Athens can do this, he says, by exploiting the division of classes among the rebels and by giving the multitude the prospect of leniency for themselves if they should willingly hand over the city, as the multitude within Mytilene had done, more or less, once they had received heavy arms. But then, surprisingly, Diodotus adds that it would now be unjust to kill the multitude, as distinct from the oligarchs, at Mytilene, since they had been the Athenians’ benefactors. So in spite of his original claim, Diodotus does argue explicitly in terms of justice. Moreover, there is much in his speech that has subtly been leading up to this argument from justice.
Leo Strauss (History of Political Philosophy)
You want to save me from them so you can force me to lead you to one of the glass prisons. I'll release the Warper trapped inside and you can learn how to finish the Kirakawa ritual." “That’s not why. Although you don’t appear bothered by that scenario.” I shrugged. “At least the Council would believe a Warper still lives and others are using blood magic.” “But people would die,” he said in shock. I almost laughed out loud at how we had reversed roles. It was fun playing the heartless destroyer. “It would be the Council’s fault. In fact the idea is growing on me.” I tapped a finger on my lips as if lost in thought. “If I release a Warper, I don’t really need you at all. Unless we use you as a sacrifice.: I studied him. He backed up. “You really are insane.” I pished. “I’m being smart. Think of how powerful I would be if I teamed up with a Warper. WE’d have my messengers, blood magic and, with my ability to siphon power, we’d have diamonds to fund our takeover. I could release the others and be unstoppable.” Delven’s shoulders dropped in chagrin as he realized what I’d been doing. “I should have known. You may have changed, but you’re not a ruthless killer.”I can learn to be ruthless.” I bent down to retrieve my switchblade. He grabbed my arm to stop me. This time I grasped at his wrist with my free hand and clamped down on his pressure point. He fell to his knees. “After all, you taught me well.
Maria V. Snyder (Sea Glass (Glass, #2))
It was only inevitable that after ignoring every crackle of warning in the sky and every rumbling step that followed outside my window, the heartless giant I helped to create would finally appear.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
they do not see the ways in which the majority of the institutions that frame their coming of age journeys are steeped in therapeutic ideology. Their schools, for example, may appear to them as sites of betrayal that act against their interests; but they learn the therapeutic language through school psychologists and social workers that teach them to take responsibility for managing their emotions. Similarly, while the state may confront them as heartless and cold, whether stealing their hard-earned money or failing to protect their families, its subsidized alcohol and drug recovery programs or support groups reinforce the language of individual empowerment through accepting sole responsibility for one’s self (Nolan 1998). Through everyday interactions and practices, these institutions foster a culture of neoliberalism outside the economic sphere (see Illouz 2007) which I argue is central to reproducing social inequality and exploitation at the most intimate level of the self.
Jennifer M. Silva (Coming Up Short: Working-Class Adulthood in an Age of Uncertainty)
You’re not supposed to do my laundry.” “Well, you’re not supposed to interrupt me watching Gossip Girl reruns. But here we are.” “I don’t need you to do my laundry.” I sit up with a deep sigh. “Okay. We’re really fixating on that? It was some towels and a few sweaters. Not your tight boxers. So let’s just cool our jets, yeah? They were already in the basket, and I’m not lazy, so I tossed them in the washer. Not a big deal. No need to put me on death row over it.” He stares at me, but rather than scowling, he appears a little perplexed. “No one has ever done my laundry for me.” “Probably because it’s not worth facing the electric chair over.
Elsie Silver (Heartless (Chestnut Springs, #2))
Cal,” I whispered. “I’ve been meaning to tell you- I mean, Darcy thinks I should. And Orion too actually, and Tory now I mention it. And anyway, well now might not be the best time, but-” The dome was suddenly ripped off of us and Lionel appeared with his claws wrapped around
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
Okay, Darth Cade.” At that moment, Luke blasts into the kitchen from washing up. “No! I want dad to be Jar Jar Binks!” Cade’s forehead wrinkles and he appears genuinely confused. “What the hell is a Jar Jar Binks?
Elsie Silver (Heartless (Chestnut Springs, #2))
a tiny golden charm in the shape of a Hydra fell into my palm. Energy rushed along my skin like a kiss of recognition and I straightened, frowning as silver footsteps appeared on the dark stone at the far end of the tunnel and I stilled, realisation finally finding me. “Mom?” I breathed into the quiet,
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
I love your freckles,” he murmurs from behind me, the pad of his finger tracing lines across the expanse of my back. “They remind me of all the constellations. Like I could draw lines between them, and pictures would appear.
Elsie Silver (By Elsie Silver..4 Books Collection set: Flawless, Heartless, Powerless & Reckless PAPERBACK)