Aperture Photography Quotes

With the selfies, a photographer has finally found his place in a photograph.

A selfie has more face and fewer feelings.

In order to know someone who is at some level unknowable, you must leave yourself wide open. If you don't, you foreclose the possibility of learning something critical about this person you need, your parent, the person upon whom your survival depends. It's like time-lapse photography; your lens at maximum aperture in order to capture something fleeting and elusive. The problem becomes one of calibration. How to protect yourself in the process. How to capture something without going blind.

The key to creating the best out of focus foreground framed photos is to use a small f-stop number (also known as a larger aperture.)

Ancora oggi il colore della pelle è un fattore di discriminazione per molti cittadini nel mondo. Le categorie etniche stabilite sulla base della melanina ci intrappolano in mondi che non riflettono la complessità della realtà in cui viviamo. Nel tentativo di decostruire questa narrazione, la pluripremiata fotografa Angélica Dass (n. 1979) ha realizzato Humanae, un progetto fotografico che è una collezione di ritratti in cui classifica i diversi colori della pelle umana. Mette in discussione il concetto di razza e le categorie limitate che usiamo per descriverci, raccontando così la società contemporanea e le nuove generazioni. Ora il progetto Humanae è anche un libro, appena uscito per i tipi newyorkesi di Aperture, con il titolo di The Colors We Share. Consigliato ad un pubblico di lettori giovani, dai sei anni in su, è puro stile a misura di bambino: 44 pagine e un formato quadrato di 22 x 22 cm, con copertina rigida, riservato proprio ai libri per lettori giovanissimi. “The Colors We Share” è un libro fotografico (per bambini) che celebra la diversa bellezza del colore della pelle On Medium @ Sight, Touch, and Imagination

As a beginner, the first thing to understand when taking pictures is exposure. Exposure is a term used to refer to the darkness and lightness of an image. It usually involves three elements: ISO, aperture, and shutter speed.

WATCH THAT QCD POSITION! While I was writing this book, I hosted a lighting seminar for neophyte photographers using cameras of all breeds, and out of 30 photographers in two sessions, no fewer than four Canon shooters were having trouble setting the aperture when using the Manual exposure mode I was having them use while working with studio flash units. (Each of them rarely used Manual.) All four had accidentally set the QCD switch to Lock (if they were 7D owners) or to the On (only) position (if they were 50D or 40D users), disabling the Quick Control Dial. I expect that this happens more frequently than I suspected, so I’m calling it to your attention once more in these two sidebars.

Exposure value is a way to express the combination of aperture and shutter speed. A camera setting with an aperture of f16 and a shutter speed of 1/125s represents a given Exposure Value (EV). ISO is not a part of the EV equation. Other combinations of aperture and shutter speed will give the same EV. An aperture of f11 and a shutter speed of 1/250s will result in the same EV as an aperture of f22 and a shutter speed of 1/60s.

Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man.

Shutter speed and aperture are inversely related, so that a wide aperture requires a faster shutter speed under any given light conditions. The wide aperture lets in more light, and a faster shutter speed lets in less by reducing the time that the sensors are exposed.

Sometimes knowing what to shoot is a big relief. Other times, being extemporaneous is the way to go. I love to go out and see what the universe is presenting to me on any given day. Learning to be sensitive to what is out there with no preconceived idea is a wonderful way to discover new subject matter. But only looking for the shot that presents itself in the moment seldom creates new technical skills. In order to master the camera, I give myself special assignments. Giving yourself an assignment helps you to learn about photography and your equipment. By knowing what you want to achieve, you can plan things out. This way you can slow things down. Shoot and confirm. Take notes. Concentrate on getting the shot just right! You will learn to master Aperture Priority, shutter speed, ISO, manual settings, and more. Digital Camera, 2018

softer look, open up the aperture to around f/2.8. Go with slow shutter speeds of 2 sec or more to capture the movement of blowing leaves, flowing water, or heat waves rising off desert sand.

softer look, open up the aperture to around f/2.8. Go with slow shutter speeds of 2 sec or more

Stop down the aperture to f/11, f/16, or f/22 to achieve the best front-to-back focus.

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