Apache Love Quotes

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The Apache don't have a word for love," he said. "Know what they both say at the marriage? The squaw-taking ceremony?" "Tell me." "Varlebena. It means forever. That's all they say.
Louis L'Amour (Hondo)
Mason took in enough cannabis smoke to allow a Lipan Apache manipulating a blanket over it to transmit the complete works of Tennyson.
Richard Condon (Money Is Love)
The way Mom saw it, women should let menfolk do the work because it made them feel more manly. That notion only made sense if you had a strong man willing to step up and get things done, and between Dad's gimp, Buster's elaborate excuses, and Apache's tendency to disappear, it was often up to me to keep the place from falling apart. But even when everyone was pitching in, we never got out from under all the work. I loved that ranch, though sometimes it did seem that instead of us owning the place, the place owned us.
Jeannette Walls (Half Broke Horses)
It is funny how the things we hate are the things we miss most when they are gone
Erin Bowman (Vengeance Road (Vengeance Road, #1))
The other night we talked about literature's elimination of the unessential, so that we are given a concentrated "dose" of life. I said, almost indignantly, "That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that i expected all your life to be delirious, intoxicated." Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm. It is amusing that, when Henry, Fred, and I talked together, we fell back into a deep naturalness. Perhaps none of us is a sensational character. Or perhaps we have no need of condiments. Henry is, in reality, mild not temperamental; gentle not eager for scenes. We may all write about sadism, masochism, the grand quignol, bubu de montparnasse (in which the highest proof of love is for a pimp to embrace his woman's syphilis as fervently as herself, a noblesse-oblige of the apache world), cocteau, drugs, insane asylums, house of the dead, because we love strong colors; and yet when we sit in the cafe de la place clichy, we talk about henry's last pages, and a chapter which was too long, and richard's madness. "One of his greatest worries," said Henry, "was to have introduced us. He thinks you are wonderful and that you may be in danger from the 'gangster author.
Anaïs Nin
Availing himself of the innate Apache love of fighting, he offered full army pay to warriors willing to turn against their own people (he had plenty of takers).
Peter Cozzens (The Earth Is Weeping: The Epic Story of the Indian Wars for the American West)
Sharon was Apache, and I was Spokane, but we practiced our tribal religions like we practiced Catholicism: We loved all of the ceremonies but thought they were pitiful cries to a disinterested god.
Sherman Alexie (Ten Little Indians)
Go ahead. Ask me who the father is.” He only smiled. “Do I look that stupid to you?” She pushed back her short hair with a sigh. “He doesn’t know, and you’re not to tell him. In English, Apache or Lakota,” she emphasized, covering all her bases. He nodded. “What are you going to do?” “I haven’t the slightest idea,” she confessed. “I only used the home-pregnancy test this morning, but I was pretty sure before then. I’ve got to find a place to live where Leta won’t see me for a while. I can’t risk having her tell Tate.” She glanced at him. “Where were you all this time?” she wanted to know. “Sitting calmly in a wing chair sipping coffee and trying to look invisible.” He lifted his eyebrows at her disbelieving expression. “Somebody had to keep his head.” “There’s an old saying that, if you can keep your head when everyone around you is losing theirs, you don’t have a clue what’s going on,” she misquoted. “Could be. But I’m not sporting a bruised face, like some I could name.” He leaned forward. “Want to marry me?” “Thanks, Colby,” she said softly. “I really mean it. But it wouldn’t be fair to any of us. Especially you.” He folded his arms and leaned back. “The offer doesn’t have a time limit. I really do love children.
Diana Palmer (Paper Rose (Hutton & Co. #2))
A cavalry of sweaty but righteous blond gods chased pesky, unkempt people across an annoyingly leaky Mexican border. A grimy cowboy with a headdress of scrawny vultures lay facedown in fiery sands at the end of a trail of his own groveling claw marks, body flattened like a roadkill, his back a pincushion of Apache arrows. He rose and shook his head as if he had merely walked into a doorknob. Never mind John Wayne and his vultures and an “Oregon Trail” lined with the Mesozoic buttes of the Southwest, where the movies were filmed, or the Indians who were supposed to be northern plains Cheyenne but actually were Navajo extras in costume department Sioux war bonnets saying mischievous, naughty things in Navajo, a language neither filmmaker nor audience understood anyway, but which the interpreter onscreen translated as soberly as his forked tongue could manage, “Well give you three cents an acre.” Never mind the ecologically incorrect arctic loon cries on the soundtrack. I loved that desert.
Ellen Meloy (The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest)
Georgians are a combination of Klingons and Apaches. They are warriors, men from another millennium who get along very well with the United States because they think the rest of Europe are a bunch of wimps.” The prominent highway between the airport and downtown Tbilisi, he noted, is named George W. Bush Street in honor of a 2005 visit by the American president. “They love Bush. He mispronounces words and starts wars. What’s not to like?
John Shiffman (Operation Shakespeare: The True Story of an Elite International Sting)
Not that living with her was any walk in the park. Her mood swings were fierce, and she was prone to savage dreams, often waking him up with her sleep talk, semicoherent tear-choked pleas to be left alone. And what he at first thought was a temporary desire for a protector in her life had over the years morphed into a river of visceral, mostly inarticulate need for him, a neediness her never quite understood but responded to with everything he had. She could never wear him out with her demands, there was something about her that made him want to be the best possible version of himself. He loved her, loved to come through for her, loved that what he had always thought of with embarrassment as his flatline personality, his bland stolidness, could become the rock in the raging sea of another soul's life. Still, there was something inside her he could never quite get at. Sometimes he felt like a knight assigned to protect a maiden from a dragon that only she could see, and so he paid attention to the words she cried out in her sleep, when her half-panicked rants became less coherent and maybe closer to the bone, but he was not a particularly analytical individual, so all his secret studying came to nothing. And given that he had been raised in a home in which he'd been taught to take people as they were, no questions asked, a home in which the character trait prized above all else was an Apache level of forbearance, he would die before straight up asking his wife of tweleve years, the mother of his two sons, Who Are You.
Richard Price
Sì sedette accanto alla tomba della donna che aveva amato con tutta l'anima ed attese la morte, senza mai abbandonare colei alla quale, come aveva giurato, non avrebbe mai rinunciato
Joanne Redd (Apache Bride)
Then she sang:   Dumbarton’s drums beat bonnie O, When they mind me of my dear Johnnie O! How happy am I When my soldier is by, While he kisses and blesses his Annie O! Tis a soldier alone can delight me O, For his graceful looks do invite me O! While guarded in his arms I’ll fear no war’s alarms, Neither danger nor death shall e’er fright me O!   My love is a handsome laddie O, Genteel, but ne’er foppish or gaudy O! Though commissions are dear, Yet I’ll buy him one this year, For he’ll serve no longer a cadie O! A soldier has honor and bravery O, Unacquainted with rogues and their knavery O! He minds no other thing But the ladies or the king, For every other care is but slavery O!   Then I’ll be the captain’s lady O! Farewell, all my friends and my daddy O! I’ll wait no more at home, But I’ll follow with the drum, And whene’er that beats I’ll be ready O! Dumbarton’s drums sound bonnie O! They are sprightly like my dear Johnnie O! How happy I shall be When on my soldier’s knee, And he kisses and blesses his Annie O!
Joseph Alexander Altsheler (Apache Gold)