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The painting is considered to have been very valuable to Vermeer, as he chose never to part with it or sell it, even when he was in debt. In 1676, his widow Catharina bequeathed the piece to her mother, Maria Thins, in an attempt to avoid the sale of the painting to satisfy creditors. The executor of Vermeer’s estate, the famous Delft microscopist Anton van Leeuwenhoek, determined that the transferral of the work to the late painter’s mother-in-law was illegal.
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