Honeymoon Sayings Quotes

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How can I find the words? Poets have taken them all and left me with nothing to say or do" "Except to teach me for the first time what they meant.
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
She couldn't have found anything nastier to say if she had thought it out with both hands for a fortnight.
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
How it is I know not; but there is no place like a bed for confidential disclosures between friends. Man and wife, they say, there open the very bottom of their souls to each other; and some old couples often lie and chat over old times till nearly morning. Thus, then, in our hearts' honeymoon, lay I and Queequeg - a cosy, loving pair.
Herman Melville (Moby-Dick or, The Whale)
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too. Dawson: That's not true. Amanda: But it is. Honeymoons always come to an end. Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right. Amanda: We're not that young anymore- Dawson: But we are. We still have the rest of our lives. Amanda: I know. That's why I need you to do something for me. Dawson: Anything. Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
Nicholas Sparks (The Best of Me)
Of all the misconceptions about love the most powerful and pervasive is the belief that "falling in love" is love or at least one of the manifestations of love. It is a potent misconception, because falling in love is subjectively experienced in a very powerful fashion as an experience of love. When a person falls in love what he or she certainly feels is "I love him" or "I love her." But two problems are immediately apparent. The first is that the experience of falling in love is specifically a sex-linked erotic experience. We do not fall in love with our children even though we may love them very deeply. We do not fall in love with our friends of the same sex-unless we are homosexually oriented-even though we may care for them greatly. We fall in love only when we are consciously or unconsciously sexually motivated. The second problem is that the experience of falling in love is invariably temporary. No matter whom we fall in love with, we sooner or later fall out of love if the relationship continues long enough. This is not to say that we invariably cease loving the person with whom we fell in love. But it is to say that the feeling of ecstatic lovingness that characterizes the experience of falling in love always passes. The honeymoon always ends. The bloom of romance always fades.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Estragon: I remember the maps of the Holy Land. Coloured they were. Very pretty. The Dead Sea was pale blue. The very look of it made me thirsty. That's where we'll go, I used to say, that's where we'll go for our honeymoon. We'll swim. We'll be happy.
Samuel Beckett (Waiting for Godot)
Love is never a relationship; love is relating. It is always a river, flowing, unending. Love knows no full stop; the honeymoon begins but never ends. It is not like a novel that starts at a certain point and ends at a certain point. It is an ongoing phenomenon. Lovers end, love continues—it is a continuum. It is a verb, not a noun. And why do we reduce the beauty of relating to relationship? Why are we in such a hurry? Because to relate is insecure, and relationship is a security. Relationship has a certainty; relating is just a meeting of two strangers, maybe just an overnight stay and in the morning we say goodbye. Who knows what is going to happen tomorrow? And we are so afraid that we want to make it certain, we want to make it predictable. We would like tomorrow to be according to our ideas; we don’t allow it freedom to have its own say. So we immediately reduce every verb to a noun. You
Osho (Love, Freedom, and Aloneness: On Relationships, Sex, Meditation, and Silence)
One can only presume that people who say that their favorite record of all time reminds them of their honeymoon in Corsica, or of their family Chihuahua, don't actually like music very much.
Nick Hornby (Songbook)
The only person that should wear your ring is the one person that would never… 1. Ask you to remain silent and look the other way while they hurt another. 2. Jeopardize your future by taking risks that could potentially ruin your finances or reputation. 3. Teach your children that hurting others is okay because God loves them more. God didn’t ask you to keep your family together at the expense of doing evil to others. 4. Uses religious guilt to control you, while they are doing unreligious things. 5. Doesn't believe their actions have long lasting repercussions that could affect other people negatively. 6. Reminds you of your faults, but justifies their own. 7. Uses the kids to manipulate you into believing you are nothing. As if to suggest, you couldn’t leave the relationship and establish a better Christian marriage with someone that doesn’t do these things. Thus, making you believe God hates all the divorced people and will abandon you by not bringing someone better to your life, after you decide to leave. As if! 8. They humiliate you online and in their inner circle. They let their friends, family and world know your transgressions. 9. They tell you no marriage is perfect and you are not trying, yet they are the one that has stirred up more drama through their insecurities. 10. They say they are sorry, but they don’t show proof through restoring what they have done. 11. They don’t make you a better person because you are miserable. They have only made you a victim or a bitter survivor because of their need for control over you. 12. Their version of success comes at the cost of stepping on others. 13. They make your marriage a public event, in order for you to prove your love online for them. 14. They lie, but their lies are often justified. 15. You constantly have to start over and over and over with them, as if a connection could be grown and love restored through a honeymoon phase, or constant parental supervision of one another’s down falls. 16. They tell you that they don’t care about anyone other than who they love. However, their actions don’t show they love you, rather their love has become bitter insecurity disguised in statements such as, “Look what I did for us. This is how much I care.” 17. They tell you who you can interact with and who you can’t. 18. They believe the outside world is to blame for their unhappiness. 19. They brought you to a point of improvement, but no longer have your respect. 20. They don't make you feel anything, but regret. You know in your heart you settled.
Shannon L. Alder
I don’t think hiding from a hitman qualifies as a honeymoon.” “If you’re fucking in a house that isn’t yours after recently getting married, I’d say it qualifies as a honeymoon.
Onley James (Lunatic (Necessary Evils, #6))
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
Joseph Brodsky
What are we doing?” I whisper. “I have no idea,” he says. “I don't know what I've been doing this entire trip.” “Vacation self,” I murmur. He runs his fingers over my wet hair before coming to rest on the bare skin of my neck. “Maybe,” he says quietly. “Or maybe it's just me, and it’s just you.
Olivia Hayle (How to Honeymoon Alone)
You have me.” His serious eyes penetrate mine. “For the rest of your days, I will be here for you—someone to trust, to lean on—to have and to hold from this day on.” Marshall is a thing of beauty both inside and out. I reach up and touch my fingers to his lips. Somebody is going to be very lucky to love him fully one day. “Those sounded an awful lot like wedding vows,” I whisper. “You will be everything to me, Skyla. A lover…” He kisses a finger. “A friend…” He kisses the tip of another. “A spouse…” He pushes my finger into his hot mouth and I pluck it out. “Where shall we spend our honeymoon?” He goes right there without provocation. “No honeymoon—but, well…” I fold my arms across my chest. “I’m sort of not really seeing Gage, since I can’t trust him. Logan wants to wait until the end of the faction war before we see where our feelings lie, so I suppose I’m open.” “Open?” His head twitches to the side just so. “You know, for wooing—no kissing though. You’ll have to woo without lingual contact.” “No kissing.” His chest broadens under the guise of this new turn of events. “Fantastic.” He says it sharp as if this were a war and he just gained ground on the enemy. “What shall we do to commemorate our first day of coupledom?
Addison Moore (Toxic Part Two (Celestra #7.5))
How it is I know not, but there is no place like a bed for confidential disclosures between friends. Man and wife, they say, there open the very bottom of their souls to each other, and some old couples often lie and chat over old times till nearly morning. Thus, then, in our hearts' honeymoon, lay I and Queequeg – a cosy, loving pair.
Herman Melville (Moby-Dick or, The Whale)
I can count on one hand the number of people I trust—and Simon Barrister, 4th Earl of Ellington, is one of them. He greets me with a back-smacking hug and a glowing smile. And when I say glowing, I mean literally—his face is bright tomato red, and crispy around the edges. “What the hell happened to your face?” “Damn Caribbean sun hates me. No matter how much sunscreen I used, it found a way to fry me like a chip!” He elbows me. “Made for a creative honeymoon, if you know what I mean. Burn ointment can be quite sensual.
Emma Chase (Royally Screwed (Royally, #1))
can’t see that she could have found anything nastier to say if she’d thought it out with both hands for a fortnight. She
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
our honeymoon, say you want me too <3
Lana Del Rey (Lana Del Rey - Honeymoon)
Right now is the shiny happy part that everyone loves. It’s why so many people get married after barely knowing each other. It’s also why they get divorced when they do know each other.” She laughs, and I lean back, mulling that over. I don’t remember the ‘honeymoon’ phase being this damn good in the past. “I’m overanalyzing this,” I say on a sigh. “It’s your nature. It’s what makes you good at this job. But I’m telling you, right now the girl could fart out toxic waste that had you pulling on a mask, and you’d think it was cute. It’s part of the phase.
S.T. Abby (The Risk (Mindf*ck, #1))
When a person falls in love what he or she certainly feels is ‘I love him’ or ‘I love her.’ But two problems are immediately apparent. The first is that the experience of falling in love is specifically a sex-linked erotic experience. We do not fall in love with our children even though we may love them very deeply. We do not fall in love with our friends of the same sex – unless we are homosexually oriented – even though we may care for them greatly. We fall in love only when we are consciously or unconsciously sexually motivated. The second problem is that the experience of falling in love is invariably temporary. No matter whom we fall in love with, we sooner or later fall out of love if the relationship continues long enough. This is not to say that we invariably cease loving the person with whom we fell in love. But it is to say that the feeling of ecstatic lovingness that characterizes the experience of falling in love always passes. The honeymoon always ends. The bloom of romance always fades. To
M. Scott Peck (The Road Less Travelled: A New Psychology of Love, Traditional Values and Spiritual Growth (Classic Edition))
in The Biology of Belief (and more). I’ll explain why it is not your hormones, your neurochemicals, your genes, or your less-than-ideal upbringing that prevents you from creating the relationships you say you want. Your beliefs are preventing you from experiencing those elusive, loving relationships. Change your beliefs, change your relationships.
Bruce H. Lipton (The Honeymoon Effect: The Science of Creating Heaven on Earth)
Of course, you think you love him. You're barely twenty-five years old. You're liable to think a lot of things." Lillian sat stiffly in her wheelchair, her gaze fixed on her granddaughter. "I thought you had some sense in that pretty head. Or you would at least, at some point, wake up and smell the coffee." Sara crossed her arms over her chest. "I did wake up and smell the coffee. Just this morning. Luke makes wonderful coffee. He uses fresh beans." Lillian made a sour face. "Please! Spare me the details of your honeymoon. Too much information, as the teenagers say." Lillian appeared to have recovered her energy for arguing, despite her casts and the bruise around her eye that had turned an amazing shade of bluish purple.
Thomas Kinkade (A Christmas To Remember (Cape Light #7))
Harriet came round this morning to show me her ring – big solitaire ruby – old Abrahams had it cut and set specially to instructions. Poor H. laughed at herself, because when Peter gave it to her yesterday she was looking at him and ten minutes afterwards, when challenged, couldn’t even tell him the colour of the stone. Said she was afraid she never would learn to behave like other people, but Peter had only said it was the first time his features had ever been prized above rubies. Peter joined us at lunch – also Helen, who demanded to see the ring, and said sharply, ‘Good Heavens! I hope it’s insured.’ To do her justice, I can’t see that she could have found anything nastier to say if she’d thought it out with both hands for a fortnight.
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
Aren’t you worried she’ll check up on you?” I’d ask him, and he’d shake his head, dismissing the idea. “I’m a good liar,” he told me once with a grin. Once, he said, “Even if she did check, the thing with Rachel is, she won’t remember what happened tomorrow anyway.” That’s when I started to realize just how bad things were for him. It wipes the smile off my face, though, thinking about those conversations. Thinking about Tom laughing conspiratorially while he traced his fingers lower over my belly, smiling up at me, saying, “I’m a good liar.” He is a good liar, a natural. I’ve seen him doing it: convincing check-in staff that we were honeymooners, for example, or talking his way out of extra hours at work by claiming a family emergency. Everyone does it, of course they do, only when Tom does it, you believe him.
Paula Hawkins (The Girl on the Train)
I’ll tell you this, if he gives me one more order with that W word again, I’m going to divorce him before we can even finish the wedding.” “The W . . . Okay, Bella, as usual you have lost me. W word?” “Yeah. W, . . . as in Wife. Ugh! He’s always saying or thinking things in this high and mighty way and tacking the word ‘wife’ onto the end like it’s some kind of password that lets him order me around.” Bella noted her friend’s still perplexed expression, so she screwed up her face, attitude, and voice into an uncanny approximation of Jacob. “‘I do not want you hunting in your condition, wife. It is too dangerous for you and the babe to accompany me, wife. I have told Elijah that there are to be no more training lessons until after the birth, and do not argue with me about this, wife, because my mind is set.” Isabella sagged back with a frustrated sigh. “Oy! It’s just so obnoxious and so . . . high-handed! You know the honeymoon is over when you go from ‘my love,’ ‘my little flower,’ and ‘my heart’ and become simply ‘wife.’” Legna smothered the urge to chuckle. Her little friend’s famous sarcasm always tickled her, and it was meant to tickle. Bella had a way of hiding behind her wit and humor. She was stating things that clearly disturbed her, but she mocked them in such a way that anyone who did not know her would treat it as little more than a comedy routine. Legna knew better. “Now, Bella, you know Jacob adores you. He naturally wants to protect you. He literally worships the ground you walk on.” “Ha ha,” Bella said dryly. “Earth Demon. Worship the ground. Cute. Really cute.” “Well, come on now. Seriously. As a Demon of the Earth, Jacob has an affinity with nature.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Next an Intimacy Consultant named Anita arrived. When Anita walked in she looked very studious. However, when she started to set up I would have never guessed that she did this for a living. First came all types of lingerie; see through, lacy, racy, edible, and even costumes. "Okay," Phoebe cleared her throat. "The idea here is to purchase things for our dear Lilli to wear or use on her honeymoon." Phoebe giggled and I scowled at her. "Don’t waste your money," I spat quickly, earning a laugh from Maggie and Viola. "Oh, honey, if Aidan is anything like his uncle then you will definitely want to get yourself some." "Mom," Maggie yelled and covered her ears. We all burst into laughter. "I’m just saying," Viola shrugged. "Your father is quite—" "Seriously? Seriously, mom? No…Ew, ew, ew!" Maggie screamed as she left the room. "God, please let my car get here soon!
Sadie Grubor (Save the Date (Modern Arrangements, #1))
Where is everybody?” “Hiding,” she said. “Except for Doolittle. He was excused from the chewing-out due to having been kidnapped. He’s napping now like he doesn’t have a care in the world. I got to hear all sorts of interesting stuff through the door.” “Give.” She shot me a sly smile. “First, I got to listen to Jim’s ‘it’s all my fault; I did it all by myself’ speech. Then I got to listen to Derek’s ‘it’s all my fault and I did it all by myself’ speech. Then Curran promised that the next person who wanted to be a martyr would get to be one. Then Raphael made a very growling speech about how he was here for a blood debt. It was his right to have restitution for the injury caused to the friend of the boudas; it was in the damn clan charter on such and such page. And if Curran wanted to have an issue with it, they could take it outside. It was terribly dramatic and ridiculous. I loved it.” I could actually picture Curran sitting there, his hand on his forehead above his closed eyes, growling quietly in his throat. “Then Dali told him that she was sick and tired of being treated like she was made out of glass and she wanted blood and to kick ass.” That would do him in. “So what did he say?” “He didn’t say anything for about a minute and then he chewed them out. He told Derek that he’d been irresponsible with Livie’s life, and that if he was going to rescue somebody, the least he could do is to have a workable plan, instead of a poorly thought-out mess that backfired and broke just about every Pack law and got his face smashed in. He told Dali that if she wanted to be taken seriously, she had to accept responsibility for her own actions instead of pretending to be weak and helpless every time she got in trouble and that this was definitely not the venue to prove one’s toughness. Apparently he didn’t think her behavior was cute when she was fifteen and he’s not inclined to tolerate it now that she’s twenty-eight.” I was cracking up. “He told Raphael that the blood debt overrode Pack law only in cases of murder or life-threatening injury and quoted the page of the clan charter and the section number where that could be found. He said that frivolous challenges to the alpha also violated Pack law and were punishable by isolation. It was an awesome smackdown. They had no asses left when he was done.” Andrea began snapping the gun parts together. “Then he sentenced the three of them and himself to eight weeks of hard labor, building the north wing addition to the Keep, and dismissed them. They ran out of there like their hair was on fire.” “He sentenced himself?” “He’s broken Pack law by participating in our silliness, apparently.” That’s Beast Lord for you. “And Jim?” “Oh, he got a special chewing-out after everybody else was dismissed. It was a very quiet and angry conversation, and I didn’t hear most of it. I heard the end, though—he got three months of Keep building. Also, when he opened the door to leave, Curran told him very casually that if Jim wanted to pick fights with his future mate, he was welcome to do so, but he should keep in mind that Curran wouldn’t come and rescue him when you beat his ass. You should’ve seen Jim’s face.” “His what?” “His mate. M-A-T-E.” I cursed. Andrea grinned. “I thought that would make your day. And now you’re stuck with him in here for three days and you get to fight together in the Arena. It’s so romantic. Like a honeymoon.” Once again my mental conditioning came in handy. I didn’t strangle her on the spot.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
When people say, “She’s a good-looking woman,” they usually mean, “She used to be a good-looking woman.” But when I say that about Margaret, I mean it. She thinks—she knows—that she’s changed, and she has; though less to me than to anybody else. Naturally, I can’t speak for the restaurant manager. But I’d put it like this: she sees only what’s gone, I see only what’s stayed the same. Her hair is no longer halfway down her back or pulled up in a French pleat; nowadays it is cut close to her skull and the grey is allowed to show. Those peasanty frocks she used to wear have given way to cardigans and well-cut trousers. Some of the freckles I once loved are now closer to liver spots. But it’s still the eyes we look at, isn’t it? That’s where we found the other person, and find them still. The same eyes that were in the same head when we first met, slept together, married, honeymooned, joint-mortgaged, shopped, cooked and holidayed, loved one another and had a child together. And were the same when we separated. But
Julian Barnes (The Sense of an Ending)
I turn on my heel, which is no easy feat in a gravel parking lot. Not losing eye contact with Galen, I stare him down until I get to the door he's opened for me. He seems unconcerned. In fact, he seems downright emotionless. "This better be good," I tell him as I plop down. "You should have returned my calls. Or my texts," he says, his voice tight. As he backs out of the parking space, I yank my cell out of my purse, perusing the texts. "Well, doesn't look like anyone died, so why the hell did you ruin my date?" It's the first time I've ever cursed at royalty and it's liberating. "Or is this a kidnapping? Is Grom in the trunk? Are you taking us on our honeymoon?" You're supposed to be hurting him, not yourself, moron. My lip trembles like the traitor it is. Even though I'm looking away, I can tell Galen's impassive expression has softened because of the way he says, "Emma." "Leave me alone, Galen." He pulls my chin to face him. I knock his hand away. "You can't go forty miles an hour on the interstate, Galen. You need to speed up.” He sighs and presses the gas. By the time we reach a less-embarrassing speed, I’ve abandoned my hurt for rage-o-plenty, struck by the realization that I’ve turned into “that girl.” Not the one who exchanges her doctorate for some kids and a three-bedroom two-bath, but the other kind. That girl who exchanges her dignity and chances for happiness for some possessive loser who beats her when she makes eye contact with some random guy working the hot dog stand. Not that Galen beats me, but after his little show, what will people think? He acted like a lunatic tonight, stalking me to Atlantic City, blowing up my phone, and threatening my date with physical violence. He made serial-killer eyes, for crying out loud. That might be acceptable in the watery grave, but by dry-land standards, it’s the ingredients for a restraining order. And why are we getting off the interstate? “Where are you taking me? I told you I want to go home.” “We need to talk,” he says quietly, taking a dark road just off the exit. “I’ll take you home after I feel you understand.” “I don’t want to talk. You might have realized that when I didn’t answer your calls.” He pulls over on the shoulder of Where-Freaking-Are-We Street. Shutting off the engine, he turns to me, putting his arm around the back of my seat. “I don’t want to break up.” One Mississippi…two Mississippi…”You followed me like a crazy person to tell me that? You ruined my date for that? Mark is a nice guy. I deserve a nice guy, don’t I, Galen?” “Absolutely. But I happen to be a nice guy, too.” Three Mississippi…four Mississippi…”Don’t you mean Grom? And you’re not a nice guy. You threatened Mark with physical pain.” “You threw Rayna through a window. Call it even?” “When are you going to get over that? Besides, she provoked me!” “Mark provoked me, too. He put his hand on your leg. We won’t even talk about the kiss on your cheek. Don’t think I didn’t hear you give him permission either.” “Oh, now that’s rich,” I snort, getting out of the car. Slamming the door, I scream at him. “Now you’re acting jealous on behalf of your brother,” I say, spinning in place. “Can Grom do anything without the almighty Galen helping him?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I must have roamed dementedly about for a time in the streets. When I at last got back to my own place, Faustine was again there ahead of me, coiled torpid in the bed like a loathsome boa-constrictor. She was already in the never-never land where ghouls like her belonged. I covered her face with one of the pillows, pressed down upon it with the weight of my whole body, held it there until she should have been dead ten times over. Yet when I removed the pillow to look, the black of strangulation was missing from her face. She was still in that state of suspended animation that defied me, a taunting smile visible about her lips. I had a gun in my valise, from years before when I'd been on an engineering job in the jungles of Ecuador. I got it out, looked it over. It was still in good working order, although it only had one bullet left in it. That one would be enough. She wasn't going to escape me! I pressed the muzzle to her smooth white forehead, mid-center. "Die, damn you!" I growled, and pulled the trigger back. It exploded with a crash. A film of smoke hid her face from me for a minute. When it had cleared again, I looked. There was no bullet-hole in her skull! A black powder-smudge marked the point of contact. The gun dropped to the floor with a thud. That ineradicable smile still glimmered up at me, as if to say: "You see? You can't." I rubbed my finger over the black; the skin was unbroken underneath. A blank cartridge, that must have been it. I raised her head; there was a rent in the sheet under it. I probed through it with two fingers. I could feel the bullet lying imbedded down in the stuffing of the mattress. ("Vampire's Honeymoon)
Cornell Woolrich (Vampire's Honeymoon)
The water rippled as she moved closer, draping her arms around his neck in steamy affection. "How ever shall we while away the hours until then, my husband?" He laughed softly, wickedly, but he soon carried her over to the bed. Moving under the covers, fully naked, their bodies still warm and damp from the bath, Rohan laid her down with endless kisses full of tender passion. As he made slow, deep, gentle love to her, he kept whispering, "I love you," and it was so worth the wait to hear him say it at last. Kate was in heaven, his strength covering her, his vulnerability safe in her hands. She yielded herself to him gladly, giving him all she was. As he urged her body toward completion, her heart was so full of helpless love for him that she wept with release. They lay together afterwards, spoon fashion, in spent, glowing silence. Rohan was behind her, his arm draped over her waist, his palm resting on the mattress. She slid her hand atop his, idly comparing the size of their hands. His was so much larger than hers, and yet, for all his power and strength, she knew he needed her in a way that was more than physical.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
A Letter To Say, "I'll See You Later" I remember just like it was yesterday the grapevine, clothesline, lilacs and peonies. I remember the secret hiding place for 50-cent pieces. I remember just like it was yesterday the color wheel Christmas Tree, The Honeymooner’s, The Dukes of Hazzard and Jeopardy! I remember just like it was yesterday the house was full of children, but I was your only and your favorite. You always made time for me, even when I deserved the fly swatter. I remember just like it was yesterday falling asleep to the scent of Dove soap on your pillow, you lying for me so I wouldn’t be abused again. I remember just like it was yesterday your big “Black Cat” and the late, dark nights driving to IFP and knowing there was “No Place Like Home.” I remember just like it was yesterday the “horns” in your ‘do and the smell of Raffinee wafting through the house and Listerine in the bathroom. I remember your bows and polka dots and “just a few fries.” I remember the green blanket. I remember just like it was yesterday the way it felt to sit on your lap and have you sing “She’s Grandma’s Little Baby.” I remember just like it was yesterday the day you told me I could “Shit in the sugar bowl.” I remember just like it was yesterday telling you that you were going to be a great-grandma…for the first time. I remember just like it was yesterday the 1st time you held him in your arms; you helped me raise him. Your house was always our home. I remember just like it was yesterday having my heart broken but you helped me mend it. I remember just like it was yesterday asking for your help when I couldn’t do it on my own; you’ve always been my rock. I remember just like it was yesterday confiding my secrets to you – you were the first to know another baby was on the way, this time a girl. I remember just like it was yesterday the joy they brought to your life; they were the reason you didn’t give up. I remember just like it was yesterday saying words I never meant, not spending more time with you because my life got in the way. I remember just like it was yesterday you loving on me, your strength and vitality, your faith, hope and kindness. I remember just like it was yesterday wishing for more tomorrows so I could tell you that I love you another time. I remember just like it was yesterday having you tell me you love me, “more than anyone will ever know.” I remember just like it was yesterday you taught me to never say good-bye, just say “I’ll see you later.
Amanda Strong
In Europe they think it is a bit barbaric, this way to look for a wife," Mohammad says to his hands, which have not stopped fidgeting since we sat down. [...] "Sometimes I believe it is barbaric how do people meet each other in Europe, you know, so often through alcohol or some kind of superficial meeting, parties or someplace other. It is so easy to… how do you call it… act as some other person. I had one German girlfriend, for two years were we together and only have I seen some sides of her, very good and kind, but only the outside, fun and happy, I could not see who was she in earnest. It was always something for showing other people.
Alison Wearing (Honeymoon in Purdah: An Iranian Journey)
Ben had the most expressive face I’d ever seen. When he told a story, he dove into it, re-enacting each character with a new set of his jaw and cast of his brow. His eyes shone vibrantly, and every time he laughed, it showed in his whole body. Just watching him made me smile. I felt warm around him, and happy, and comfortable. I felt like flannel pajamas, hot cocoa, a teddy bear, and my favorite comedy on DVD. I felt like home. I loved Ben, that’s what I felt. It popped into my head, and I didn’t doubt it for a second. I loved Ben. Well that was settled then, wasn’t it? Then my eyes darted to Sage, and I noticed he wasn’t focused on Ben’s story either. He was watching me. He was watching me watch Ben, to be precise, leaning back on his elbows and staring so fixedly that I could practically hear him scratching his way into my brain to listen to what I was thinking. And the minute I felt that, I was desperate to take back what I’d thought, and make sure he hadn’t understood. Especially since I had this strong feeling that if he believed I loved Ben, he’d disappear. Maybe not right away, but as soon as he could. And that would be the end of the world. “Okay, Sage, your turn,” Rayna said. “What’s the most embarrassing thing you’ve ever done in the middle of a social function?” Instantly Sage’s intense stare was gone, replaced by a relaxed pose and a charming smile. “Um, I would say doing a spit take in front of Clea’s mom, several senators, and the Israeli foreign minister would probably cover it.” “You did that?” I asked. “Oh yes, he did,” Rayna nodded. “And the minister still offered you his house in Tel Aviv for the honeymoon? That’s shocking.” “Rayna is particularly charming,” Sage noted. “Thank you, darling.” She batted her eyes at him like a Disney princess. “What happened?” Ben asked. “Piri spiked your drink with garlic?” “You say that like it’s a joke,” Sage said. “I’m pretty sure she did.” “She must really have it out for you,” Ben said. “Palinka’s Hungarian holy water. You don’t mess with that.” “Speaking of holy water, I so did not get that on our trip,” Rayna put in. “Clea and I were touring one of the cathedrals in Italy, and in front of the whole tour I go, “That’s too cute! Look, they have birdbaths in the church!
Hilary Duff (Elixir (Elixir, #1))
And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard's kitchen mat. Hadn't my own mother told me that as soon as she and my father left Reno on their honeymoon—my father had been married before, so he needed a divorce—my father said to her, "Whew, that's a relief, now we can stop pretending and be ourselves?"—and from that day on my mother never had a minute's peace. I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn't want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.
Sylvia Plath (The Bell Jar)
When you live with someone, your relationship inevitably moves past the honeymoon, exploratory stage where each touch and kiss is new and thrilling. It becomes more intense in some ways, though. The newness fades, replaced by familiarity. You know how she’ll respond. You know, just by the way she looks at you, that she wants you. You don’t need the buildup, the kiss that moves into desperation, the slide of palm over skin that becomes a caress and then a frantic removal of clothes. You don’t always need the foreplay. You look at each other, and you know. You just know. You reach for each other, and you merge. Rhythm is instinctive. You breathe in synch. Your hips meet, hands find flesh, foreheads touch, eyes flutter and flicker and lock. You slide into her. You don’t need to look or guide yourself in, you just fit. You match. She lifts her hips just so, and you’re there, and she lets out a sweet sigh of love as you fill her, and then everything fades and you find your rhythm and your completion together, and you don’t need to say a word.
Jasinda Wilder (Beta (Alpha, #2))
You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage! First I ought to know her name, though I’ll tell you she suddenly seems damned familiar.” “You will help?” “Didn’t I just say so? Who is that delectable creature?” “Elizabeth Cameron. She made her debut last-“ Alex stopped as Roddy’s smile turned harsh and sardonic. “Little Elizabeth Cameron,” he mused half to himself. “I should have guessed, of course. The chit set the city on its ear just after you left on your honeymoon trip, but she’s changed. Who would have guessed,” he continued in a more normal voice, “that fate would have seen fit to endow her with more looks than she had then.” “Roddy!” Alex said, sensing that his attitude toward helping was undergoing a change. “You already said you’d help. “You don’t need help, Alex,” he snickered. “You need a miracle.” “But-“ “Sorry. I’ve changed my mind.” “Is it the-the gossip about that old scandal that bothers you?” “In a sense.” Alexandra’s blue eyes began to spark with dangerous fire. “You’re a fine one to believe gossip, Roddy! You above all know it’s usually lies, because you’ve started your share of it!” “I didn’t say I believe it,” he drawled coolly. “In fact, I’d find it hard to believe that any man’s hands, including Thornton’s, have ever touched that porcelain skin of hers. However,” he said, abruptly closing the lid on his snuffbox and tucking it away, “society is not as discerning as I, or, in this instance, as kind. They will cut her dead tonight, never fear, and not even the influential Townsendes or my influential self could prevent it. Though I hate the thought of sinking any lower in your esteem than I can see I already have, I’m going to tell you an unlovely truth about myself, my sweet Alex,” he added with a sardonic grin. “Tonight, any unattached bachelor who’s foolish enough to show an interest in that girl is going to be the laughingstock of the Season, and I do not like being laughed at. I do not have the courage, which is why I am always the one to make jokes of others
Judith McNaught (Almost Heaven (Sequels, #3))
What if Mike pitches a fit at the reception? What if he causes a scene? Did I pack enough shoes for the honeymoon? What if I don’t like living in the country? Am I supposed to plant a garden? I don’t know how to saddle a horse. What if I feel out of place? I never learned how to square dance. Is it do-si-do or allemande left? Wait…is it square dancing? Or two-stepping? I don’t even know the dances. I don’t belong out there. What if I want to get a job? There IS no job. Does J know I’m getting married today? Does Collin? Does Kev? What if I pass out during the ceremony? I’ve seen it on America’s Funniest Home Videos dozens of times. Someone always passes out. What if the food’s cold when we get to the reception? Wait…it’s supposed to be cold. Wait…some of it is, some of it isn’t. What if I’m not what Marlboro Man’s looking for? What if my face flakes off as I’m saying “I do”? What if my dress gets caught inside my panty hose? I’m so shaky all of a sudden. My hands feel so wet and clammy… I’ve never had a panic attack before. But as I would soon find out, there’s a first time for everything. Oh, Ree…don’t do this now.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The courtship continued through January 2000, causing Musk to postpone his honeymoon with Justine. Michael Moritz, X.com’s primary investor, arranged a meeting of the two camps in his Sand Hill Road office. Thiel got a ride with Musk in his McLaren. “So, what can this car do?” Thiel asked. “Watch this,” Musk replied, pulling into the fast lane and flooring the accelerator. The rear axle broke and the car spun around, hit an embankment, and flew in the air like a flying saucer. Parts of the body shredded. Thiel, a practicing libertarian, was not wearing a seatbelt, but he emerged unscathed. He was able to hitch a ride up to the Sequoia offices. Musk, also unhurt, stayed behind for a half-hour to have his car towed away, then joined the meeting without telling Harris what had happened. Later, Musk was able to laugh and say, “At least it showed Peter I was unafraid of risks.” Says Thiel, “Yeah, I realized he was a bit crazy.” Musk remained resistant to a merger. Even though both companies had about 200,000 customers signed up to make electronic payments on eBay, he believed that X.com was a more valuable company because it offered a broader array of banking services.
Walter Isaacson (Elon Musk)
When people say, ‘She’s a good-looking woman,’ they usually mean, ‘She used to be a good-looking woman.’ But when I say that about Margaret, I mean it. She thinks – she knows – that she’s changed, and she has; though less to me than to anybody else. Naturally, I can’t speak for the restaurant manager. But I’d put it like this: she sees only what’s gone, I see only what’s stayed the same. Her hair is no longer halfway down her back or pulled up in a French pleat; nowadays it is cut close to her skull and the grey is allowed to show. Those peasanty frocks she used to wear have given way to cardigans and well-cut trousers. Some of the freckles I once loved are now closer to liver spots. But it’s still the eyes we look at, isn’t it? That’s where we found the other person, and find them still. The same eyes that were in the same head when we first met, slept together, married, honeymooned, joint-mortgaged, shopped, cooked and holidayed, loved one another and had a child together. And were the same when we separated. But it’s not just the eyes. The bone structure stays the same, as do the instinctive gestures, the many ways of being herself. And her way, even after all this time and distance, of being with me.
Julian Barnes (The Sense of an Ending)
Korie: Ray’s daughter, Rachel, and I were best friends, and they were going to Phil’s house for dinner one night. They invited me to go along. I still remembered Willie from camp, so needless to say, I was just dying to go. I begged my parents to let me go with them. They said yes! I even remember what I wore at Willie’s house-a black top with fluorescent green earrings. Don’t judge…it was the eighties. When Rachel and I got to the Robertsons’ house, the first thing Phil said to us was: “Have you met my boys, Jason Silas and Willie Jess? They’ll make good husbands someday. They’re good hunters and fisherman.” I was so nervous. I couldn’t believe this was happening. The other thing I remember about walking in their home was that Phil and Kay had a sign on the door that said, “Honeymoon in progress.” Phil and Kay have never been shy about their honeymooning…another thing that shocked me about their family. Once we had eaten, Willie took us back to his room, which was actually the laundry room. He made us laugh the whole time. He would stick his thumb in his mouth and pretend that he was blowing up his muscles. He did acupressure tricks and showed us our pressure points. This was all very impressive to a couple of fifth-grade girls. After a while, I decided I was going to try to really impress Korie. I started punching the tiles on the ceiling of the laundry room, which was a trick one of my buddies taught me. I’d rear back and just punch my fist through the ceiling and busted tile would fall over onto the floor. I’m sure she was really impressed.
Willie Robertson (The Duck Commander Family)
Soon it was time for us to leave; the clock had struck midnight, and we had miles to go before we slept. After throwing my bouquet and saying good-byes, Marlboro Man and I ran through the doors of the club and climbed into the back of a smoky black limousine--the vehicle that would take us to the big city miles away, where we’d stay before flying to Australia the next day. As we pulled away from the waving, birdseed-throwing crowd at the front door of the club, we immediately settled into each other’s arms, melting into a puddle of white silk and black boots and sleepy, unbridled romance. It was all so new. New dress…new love…a new country--Australia--that neither of us had ever seen. A new life together. A new life for me. New crystal, silver, china. A newly renovated, tiny cowboy house that would be our little house on the prairie when we returned from our honeymoon. A new husband. My husband. I wanted to repeat it over and over again, wanted to shout it to the heavens. But I couldn’t speak. I was busy. Passion had taken over--a beast had been unleashed. Sleep deprived and exhausted from the celebration of the previous week, once inside the sanctity of the limousine, we were utterly powerless to stop it…and we let it fly. It was this same passion that had gotten us through the early stages of our relationship, and, ultimately, through the choice to wave good-bye to any life I’d ever imagined for myself. To become a part of Marlboro Man’s life instead. It was this same passion that assured me that everything was exactly as it should be. It was the passion that made it all make sense.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
In the meantime, I tried my best to acclimate to my new life in the middle of nowhere. I had to get used to the fact that I lived twenty miles from the nearest grocery store. That I couldn’t just run next door when I ran out of eggs. That there was no such thing as sushi. Not that it would matter, anyway. No cowboy on the ranch would touch it. That’s bait, they’d say, laughing at any city person who would convince themselves that such a food was tasty. And the trash truck: there wasn’t one. In this strange new land, there was no infrastructure for dealing with trash. There were cows in my yard, and they pooped everywhere--on the porch, in the yard, even on my car if they happened to be walking near it when they dropped a load. There wasn’t a yard crew to clean it up. I wanted to hire people, but there were no people. The reality of my situation grew more crystal clear every day. One morning, after I choked down a bowl of cereal, I looked outside the window and saw a mountain lion siting on the hood of my car, licking his paws--likely, I imagined, after tearing a neighboring rancher’s wife from limb to limb and eating her for breakfast. I darted to the phone and called Marlboro Man, telling him there was a mountain lion sitting on my car. My heart beat inside my chest. I had no idea mountain lions were indigenous to the area. “It’s probably just a bobcat,” Marlboro Man reassured me. I didn’t believe him. “No way--it’s huge,” I cried. “It’s seriously got to be a mountain lion!” “I’ve gotta go,” he said. Cows mooed in the background. I hung up the phone, incredulous at Marlboro Man’s lack of concern, and banged on the window with the palm of my hand, hoping to scare the wild cat away. But it only looked up and stared at me through the window, imagining me on a plate with a side of pureed trout. My courtship with Marlboro Man, filled with fizzy romance, hadn’t prepared me for any of this; not the mice I heard scratching in the wall next to my bed, not the flat tires I got from driving my car up and down the jagged gravel roads. Before I got married, I didn’t know how to use a jack or a crowbar…and I didn’t want to have to learn now. I didn’t want to know that the smell in the laundry room was a dead rodent. I’d never smelled a dead rodent in my life: why, when I was supposed to be a young, euphoric newlywed, was I being forced to smell one now? During the day, I was cranky. At night, I was a mess. I hadn’t slept through the night once since we returned from our honeymoon. Besides the nausea, whose second evil wave typically hit right at bedtime, I was downright spooked. As I lay next to Marlboro Man, who slept like a baby every night, I thought of monsters and serial killers: Freddy Krueger and Michael Myers, Ted Bundy and Charles Manson. In the utter silence of the country, every tiny sound was amplified; I was certain if I let myself go to sleep, the murderer outside our window would get me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
What’ll it be?” Steve asked me, just days after our wedding. “Do we go on the honeymoon we’ve got planned, or do you want to go catch crocs?” My head was still spinning from the ceremony, the celebration, and the fact that I could now use the two words “my husband” and have them mean something real. The four months between February 2, 1992--the day Steve asked me to marry him--and our wedding day on June 4 had been a blur. Steve’s mother threw us an engagement party for Queensland friends and family, and I encountered a very common theme: “We never thought Steve would get married.” Everyone said it--relatives, old friends, and schoolmates. I’d smile and nod, but my inner response was, Well, we’ve got that in common. And something else: Wait until I get home and tell everybody I am moving to Australia. I knew what I’d have to explain. Being with Steve, running the zoo, and helping the crocs was exactly the right thing to do. I knew with all my heart and soul that this was the path I was meant to travel. My American friends--the best, closest ones--understood this perfectly. I trusted Steve with my life and loved him desperately. One of the first challenges was how to bring as many Australian friends and family as possible over to the United States for the wedding. None of us had a lot of money. Eleven people wound up making the trip from Australia, and we held the ceremony in the big Methodist church my grandmother attended. It was more than a wedding, it was saying good-bye to everyone I’d ever known. I invited everybody, even people who may not have been intimate friends. I even invited my dentist. The whole network of wildlife rehabilitators came too--four hundred people in all. The ceremony began at eight p.m., with coffee and cake afterward. I wore the same dress that my older sister Bonnie had worn at her wedding twenty-seven years earlier, and my sister Tricia wore at her wedding six years after that. The wedding cake had white frosting, but it was decorated with real flowers instead of icing ones. Steve had picked out a simple ring for me, a quarter carat, exactly what I wanted. He didn’t have a wedding ring. We were just going to borrow one for the service, but we couldn’t find anybody with fingers that were big enough. It turned out that my dad’s wedding ring fitted him, and that’s the one we used. Steve’s mother, Lyn, gave me a silk horseshoe to put around my wrist, a symbol of good luck. On our wedding day, June 4, 1992, it had been eight months since Steve and I first met. As the minister started reading the vows, I could see that Steve was nervous. His tuxedo looked like it was strangling him. For a man who was used to working in the tropics, he sure looked hot. The church was air-conditioned, but sweat drops formed on the ends of his fingers. Poor Steve, I thought. He’d never been up in front of such a big crowd before. “The scariest situation I’ve ever been in,” Steve would say later of the ceremony. This from a man who wrangled crocodiles! When the minister invited the groom to kiss the bride, I could feel all Steve’s energy, passion, and love. I realized without a doubt we were doing the right thing.
Terri Irwin (Steve & Me)
Today—June the first—Robin was able to say for the first time: “I’m getting married next month.” July the second suddenly seemed very close. The dressmaker back in Harrogate wanted a final fitting, but she had no idea when she would be able to fit in a trip home. At least she had her shoes. Her mother was taking the RSVPs and updating her regularly on the guest list. Robin felt strangely disconnected from it all. Her tedious hours of surveillance in Catford Broadway, staking out the flat over the chip shop, were a world away from queries on the flowers, who should sit beside whom at the reception, and (this last from Matthew) whether or not she had yet asked Strike for the fortnight off for the honeymoon, which Matthew had booked and which was to be a surprise
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
Most of her recipes came from her father, but Noor learned how to make the luscious potato cake from Nelson's mother. The recipe her mother-in-law had whispered into Noor's ear was the authentic one used by Nelson's great-grandmother. In its own unpresumptuous way, the Spanish Tortilla is an honest love omelet, and every bite must be suffused with fragrant olive oil- in this case, too much of a good thing is not a sin. Even when Noor was an amateur and the potatoes were sometimes raw, Nelson would say, "Oh my God! That was the best tortilla of my whole life!" Which of course wasn't true, but he was acknowledging the effort of peeling and slicing immense quantities of potatoes. What she loved most about Spanish food was its lusty simplicity, so unlike the gastronomical somersaults of French cuisine or the complexity of the Persian food she grew up with. When she was little she could eat pyramids of saffron rice and rich meat stews, but she now associated the colors and perfumes of her husband's native cuisine with their courtship, with paddleboats and honeymoons and champagne in silver buckets, with flamenco and candlelight and little fried sardines with sea salt by the water. Her postcards were menus, smudged and wine-stained, saved from their meals, addressed to herself and read carefully like romance manuals.
Donia Bijan (The Last Days of Café Leila)
paused to wonder what I would say if I could send a message back through time to my skinny twenty-two-year-old self. What would I say to him about love and marriage? I realized I would tell him to thank God for his ruined honeymoon. I would tell him he doesn’t know a thing, yet, about love or marriage. I would tell him that nobody’s wedding goes perfectly, and that every honeymoon has some hitches. And I’d tell him that’s a good thing because life isn’t lived in the abstract ideals of one’s own script but is lived instead in the sort of unity that comes through trials and struggles and cross-bearing, together. I would tell him the little turbulences he was facing then would pale in comparison to the trials they would face later on. I would tell him to stop being so ridiculously uptight and entitled and thank God for showing such goodness to him, with a wife like this, with a life like this.
Russell D. Moore (The Storm-Tossed Family: How the Cross Reshapes the Home)
All’s Fair Every honeymoon has an ending. Even in the best of marriages, spouses inevitably have spats. Successful wives say they learned early how to take strife in stride; many, in fact, insist that the freedom to argue is essential in maintaining a stable marriage. Most fights focus on minor but recurring issues. Skirmishes grow into battles, battles into wars—over how high to set the thermostat, how loud to make the television, who holds the remote, what time to set the clock radio, who showers first, which way the toilet paper faces, and of course, the position in which the toilet seat is left. Over time, the process of fighting often becomes more important than the content of the fights. “We never solve anything by fighting,” one wife says. “We just sort of let off steam.” Whatever they argue about, when the smoke clears and the air cools, most wives feel better for having boiled over. Whether or not issues are resolved, they’re able to blow up, make up and move on. No harm done.
Merry Bloch Jones (I Love Him, But . . .)
It’s just such a monstrous thing to do,’ Sally says now, looking at my food. ‘I just don’t know what kind of person would abandon his wife on their honeymoon, halfway across the world!
Carol Mason (After You Left)
It is brave to believe that you are a unique, precious young lady no matter what your feelings might be saying.
Sofi Benitez (Honey Moon Dog Daze (Honey Moon #1))
I guess I need to leave it up to the Great Magician, as Harry would say.
Sofi Benitez (Honey Moon Dog Daze (Honey Moon #1))
Jesus. I get it. Damn,” Mac said. “But I don’t think hiding from a hitman qualifies as a honeymoon.” “If you’re fucking in a house that isn’t yours after recently getting married, I’d say it qualifies as a honeymoon. But my normal is slightly skewed given my celebrity status and being married to a sociopath, so what do I know?” Elijah asked.
Onley James (Lunatic (Necessary Evils, #6))
We’re doomed. There’s just too much drive and success between the two of us.” “That means the honeymoon phase will last until we’re eighty,” he says.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
And he wasn’t happy about that at all. Not that he would say so outright. Nothing was ever as simple as that. Nothing could ever be said in a few precise words if it could be said in many vague ones.
Hayden Hall (The Accidental Honeymoon Catastrophe (Frat Brats of Santa Barbara, #5))
You’re beautiful under the morning sunshine, I wanted to say. I couldn’t get the words over my lips. Physically, I could not speak. Emotionally, I had no clue where the line was. Telling him how beautiful he was — and not just in passing,
Hayden Hall (The Accidental Honeymoon Catastrophe (Frat Brats of Santa Barbara, #5))
She says that she is happy with me but…is this a lie? Am I not enough for my beautiful human? Because she is everything to me.
Ruby Dixon (Ice Planet Honeymoon: Vektal and Georgie (Ice Planet Barbarians, #1.5))
Scowling, the parson said, “I find that mighty disrespectful, Miss MacGregor. Shameful, even.” Rylan stepped between Parson Alden and Maizy. “She saved this ranch and she will continue to do so until I’m well. She’s given selflessly in the finest kind of Christian service, and she’s done it wearing those britches. I won’t stand by while someone calls that kind of love and generosity shameful. You’d best apologize to her and get on with speaking those vows.” When he left, Maizy said, “My ears are still ringing from all his terrible predictions if you don’t take care.” Rylan pulled her close. “I’ll be careful. I promise. But did you notice all his talk was about work?” “Well, of course. What else would he talk about?” Rylan pulled his wife close. He kissed her soundly. As she was clinging to him, he raised his head just enough to say, “The doc didn’t say a word about overdoing a honeymoon.” Maizy’s eyes grew round. “Why, no, he didn’t.” They both laughed and began their married life finally, fully, and passionately.
Mary Connealy (Spitfire Sweetheart (Four Weddings and a Kiss))
Eyeballing the broken welds on the headboard of the brass bed, she remarked, “Who do you think won the bet this time?” Because, after the first two bed mishaps, a betting pool started. “I won,” Leo purred as he flipped her onto her back. “You mean you wagered on us breaking the bed?” “Hell yeah I did. But I won more than that. I totally scored when it came to finding you.” “Don’t you mean I found you? I mean, after all, it was my Frisbee that smacked you in the head.” “A Frisbee I could have caught.” “You never saw—” He shook his head. She giggled. “Pookie, you sly devil, do you mean you purposely let yourself get smacked by it just to meet me? But if that’s the case, then why play hard to get?” “Because you scared me but that was before I realized you were exactly what I needed. I love you, Vex.” “Pookie!” she squealed as she plastered him with smooches. “I love you too, so much that I am totally going to forget about the fact that Reba and Zena have a ticket for me to go to Russia and rescue my sister.” “And miss out on a chance at a honeymoon? Did I forget to mention I’m going too? What do you say we go pay a tiger a visit?” “Aren’t you afraid I might start a war?” “I’d be more surprised if you didn’t. Now enough talking, Vex. It’s time for our morning nookie.” And while they couldn’t break the bed any further, the condo below them did complain about cracking plaster.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Some say that it’s very easy to be happily married on vacation, but it’s much harder to pull it off in the real world. Which is why honeymoons were invented,
Charla Muller (365 Nights: A Memoir of Intimacy)
What question do you get that really bugs you? Jep: “How in the world did you get your wife?” I point to my beard and say, “There’s dimples under here.” I guess people are trying to be nice, and I take it as a compliment when they tell me my wife is beautiful. Jess: Another question we get is, “Your show is fake, right?” That’s easy. We are the same on television as we are in person. What you see is who we are and how we live our lives. Plus, look at Uncle Si. No one could make him up or write dialogue for him. That is exactly how he talks. But Si is the sweetest, kindest man I know, and I adore him. He loves to sit and tell stories to the kids. I’ve also had people tell me I’m prettier in person, or they remark on how little I am. That makes me think, Am I ugly on TV? Do I look bigger on TV? I’ve also had comments about how I married for money. Trust me. We wouldn’t have had a trailer honeymoon if we’d had money when we got married.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
He wrapped his arms around her. “Have I told you today how happy I am that you gave up the good fight and moved back in with me?” “Not today,” she said, sucking in his sex-and-sin scent. “But last night you mentioned it quite a few times.” She’d tried for six weeks to live by herself in the apartment over Gracie’s garage, thinking she needed to experience life on her own before living with Mitch. She’d hated every minute of it. When she’d taken to sneaking into the farmhouse and crawling into bed with him in the middle of the night, he’d finally put his foot down. She sighed. Contentment had her curling deeper into his embrace. She didn’t care if it was wrong: Mitch and this farmhouse made her happy. “Maddie,” he said, his voice catching in a way that had her lifting her chin. “You know I love you.” “I know. I love you too.” His fingers brushed a lock of hair behind her chin. “Come with me.” He clasped her hand and led her into the bedroom before motioning her to the bed. She sat, and he walked over to the antique dresser and took a box out of the dresser. He walked back to the bed and sat down next to her. “I wanted to give this to you tonight, but then I saw you standing in the doorway and I knew I couldn’t wait.” Maddie looked at the box, it was wooden, etched with an intricate fleur-de-lis design on it and words in another language. “What is it?” “It was my grandmother’s. They bought it on their honeymoon. It’s French. It says, ‘There is only one happiness in life: to love and be loved.’” “It’s beautiful.” That he would give her something so treasured brought the threat of tears to her eyes. He handed it to her. “Open it.” She took the box and suddenly her heart started to pound. She lifted the lid and gasped, blinking as her vision blurred. Mitch grasped her left hand. “I know it’s only been three months, but in my family, meeting the night your car breaks down is a sign of a long, happy marriage.” Maddie couldn’t take her eyes off the ring. It was a gorgeous, simple platinum band with two small emerald stones flanking what had to be a three-carat rectangular diamond. She looked at Mitch. “Maddie Donovan, will you please marry me?” “Yes.” She kissed him, a soft, slow, drugging kiss filled with hope and promises. There was no hesitation. Not a seed of worry or shred of doubt. Her heart belonged to only one man, and he was right in front of her. “It would be my honor.” He slipped the ring on her finger. “My grandma would be thrilled that you have her ring.” “It’s hers?” It sparkled in the sunlight. It looked important on her hand. “It’s been in the family vault since she died. My mom sent it a couple of weeks ago. She’s been a little pushy about the whole thing. I think she’s worried I’ll do something to screw it up and she’ll lose the best daughter-in-law ever.” Maddie laughed. “I love her, too.” He ran his finger over the platinum band. “I changed the side stones to emeralds because they match your eyes. Do you think I made the right choice?” She put her hands on the sides of his face. “It is the most gorgeous ring I have ever laid eyes on. I love it. I love you. You know I’d take you with a plastic ring from Wal-Mart.” “I know.” She kissed him. “But I’m not going to lie: this is a kick-ass ring.” He grinned. “You know, I think that’s what my grandma used to say.” “She was obviously a smart woman.” “For the record, don’t even think about running.” Mitch pushed her back on the bed and captured her beneath him. “I will hunt you down to the ends of the earth and bring you back where you belong.” She reached for him, this man who’d been her salvation. “I will run down the aisle to meet you.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
He tips his glass and drinks. So does Matt. And everyone in the crowd. Except me. “What’s wrong?” Matt asks. “Nothing,” I say. I motion my mother forward, and she puts a box in my hands. It’s small, but it’s weighty at the same time. “I have a present for you.” “I thought our honeymoon was our present to each other,” he reminds me with a scowl. We’re leaving for the Carolina coast for a week with the kids tonight. I can’t wait. I motion for him to take my package. “The vacation is our gift. This is just extra.” I blink back the tears that are already forming in my eyes. He makes a face and opens up the box. He looks inside and then gets confused. He pulls the tiny little item out of the box. It’s a onesie that has tattoo designs all over it, and on the back, it has the name Reed. “What’s this?” he asks, confused. Then his eyes grow wide. Friday gasps when she realizes what’s going on, and the rest of the crowd rumbles and fidgets. “Is this…?” he asks. He stops, because he’s choked with emotion. “Yes,” I say. Tears roll down my face, and I don’t care. I lean close to him. “You knocked me up.” He takes me in his arms and pulls me close, and a sob rolls through him. “Are you serious?” “Completely serious, Matt,” I say. “But wait.” I look down and shake the onesie out. A second one falls out, and Matt catches it in the air. “Two?” he asks. I nod, so broken by his reaction that I can’t speak. “Two tiny little heartbeats,” I say as soon as I can. “Holy fuck,” he breathes into my ear. He squeezes me so tightly that I chirp. “I love you so fucking much,” he says to me. He takes a second to breathe me in and compose himself, then he drops to his knees and lays his forehead on my belly. He says something quietly to his unborn children, and I’m not even sure what it was, but I do know it was between him and them. Or him and God. I’m not sure which. Then he stands and looks up at the crowd. Half of them are as teary-eyed as we are. “Do you know what this means?” he asks our friends and family. They rumble, but he can’t hear one voice over another. He points to Logan. “This means my sperm are better swimmers than yours, little brother!” he says. He signs while he talks, and Logan flips him off. But he’s laughing. He wraps his arms around Emily and lays his hands on the small swell of her belly. I slap his shoulder. “What if it’s my eggs that are amazing and not your sperm?” “What if it’s just us?” he asks quietly, and he kisses me. “Us together.” “I told you I believe in miracles, Matt,” I say when I can finally lift my head. “You’re my miracle,” he says. “You. Just you.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
This is the lousiest honeymoon ever,” she says when I come running up to her.
Marko Kloos (Angles of Attack (Frontlines, #3))
Gary and Mary go on their honeymoon, and the first night Gary spends six hours eating Mary’s pussy. The next afternoon, they go to an Italian restaurant. Suddenly, Gary starts to freak out. He screams, “Waiter! Waiter! Come over here!” The waiter says, “Can I help you, sir?” Gary yells, “There’s a hair in my spaghetti! Get it the fuck out of here!” The waiter apologizes up and down as he quickly takes the spaghetti away. Mary looks over at Gary, shaking her head, and whispers, “What a hypocrite you are. You spent most of last night with your face full of hair.” “Yeah? Well, how long do you think I’d have stayed if I’d found a piece of spaghetti in there?
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
likes to see a bit o’ money into the bargain – there’s more to marriage, as they say, than four bare legs in a bed.
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
Well, sure, the vows say ‘in sickness and health’ and ‘for better or worse’ and all that, but that’s kind of like clicking okay to the terms and conditions when you download an app or sign up for a credit card. You don’t think any of that is going to apply to you. Or if you do, you don’t expect it to happen right after your honeymoon, before you’ve even had a chance to be married.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Seeing too much of you might cure me of my obsession with you.” “Obsessed, you say?” “Don’t get too excited. The honeymoon phase will end, and then you’ll be the old ball and chain.” “Do you think I’ll ever get tired of this ass? Don’t get too complacent expecting a sexual reprieve anytime soon, my princess.
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
I don’t have to sleep with him on our Honeymoon,” Lauren says. “They actually encourage you to just spend the night, like, kissing. Talking about vulnerable stuff you wouldn’t want to discuss on-camera.” “Right. And there’s a lot of vulnerable stuff you need to tell him,” Damian says. “For instance, you need to tell him you don’t like guys.
Annabel Paulsen (Here for the Wrong Reasons)
No one in his family could remember talking about it. Must have been dreadful, they agreed. And, being Walkers, and Bushes, they didn't bring it up. It was only years later, when he got into politics and had to learn to retail bits of his life, that he ever tried to put words around the war. His first attempts, in the sixties, were mostly about the cahm-rah-deree and the spirit of the American Fighting Man. The Vietnam War was an issue then, and Bush was for it. (Most people in Texas were.) He said he learned "a lot about life" from his years in the Navy—but he never said what the lessons were. Later, when peace was in vogue, Bush said the war had "sobered" him with a grave understanding of the cost of conflict—he'd seen his buddies die. The voters could count on him not to send their sons to war, because he knew what it was. Still later, when he turned Presidential prospect, and every bit of his life had to be melted down to the coin of the realm–character–Bush had to essay more thoughts about the war, what it meant to him, how it shaped his soul. But he made an awful hash of it, trying to be jaunty. He told the story of being shot down. Then he added: "Lemme tell ya, that'll make you start to think about the separation of church and state . Finally, in a much-edited transcript of an interview with a minister whom he hired as liaison to the born-again crowd, Bush worked out a statement on faith and the war: something sound, to cover the bases. It wasn't foxhole Christianity, and he couldn't say he saw Jesus on the water—no, it was quieter than that.... But there, on the Finback, he spent his time standing watch on deck in the wee hours, silent, reflective, under the bright stars... "It was wonderful and energizing, a time to talk to God. "One of the things I realized out there all alone was how much family meant to me. Having faced death and been given another chance to live, I could see just how important those values and principles were that my parents had instilled in me, and of course how much I loved Barbara, the girl I knew I would marry…” That was not quite how he was recalled by the men of the Finback. Oh, they liked him: a real funny guy. And they gave him another nickname, Ellie. That was short for Elephant. What they recollected was Bush in the wardroom, tossing his head and emitting on command the roaring trumpeted squeal of the enraged pachyderm; it was the most uncanny imitation of an elephant. Nor were "sobered" or "reflective" words that leapt to Bar's mind when she remembered George at that time. The image she recalled was from their honeymoon, when she and George strolled the promenades, amid the elderly retirees who wintered at that Sea Island resort. All at once, George would scream "AIR RAID! AIR RAID!" and dive into the shrubs, while Bar stood alone and blushing on the path, prey to the pitying glances of the geezers who clucked about "that poor shell-shocked young man." But there was, once, a time when he talked about the war, at night, at home, to one friend, between campaigns, when he didn't have to cover any bases at all. "You know," he said, "it was the first time in my life I was ever scared. "And then, when they came and pulled me out ..." (Him, Dottie Bush's son, out of a million miles of empty ocean!) "Well." Bush trailed off, pleasantly, just shaking his head.
Richard Ben Cramer (What It Takes: The Way to the White House)
I took Elspeth home first. I had written to my father while we were on honeymoon, and had had a letter back saying: “Who is the unfortunate chit, for God’s sake? Does she know what she has got?” So all was well enough in its way on that front.
George MacDonald Fraser (Flashman (The Flashman Papers, #1))
One of his favorite themes was the expressionistic barrenness of the old Honeymooners set; later he would become an advocate of realism, saying that humor derived from the one off-center element in a setting of absolute normality.
Doug Hill (Saturday Night: A Backstage History of Saturday Night Live)
as Aristotle might say, it is an improbable-possible.
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
The bee flew past, buzzing loudly. They could feel the wind from its wings as it zoomed into the bee nest. Kate furrowed her brow. “I don’t know, they seem to ignore us like regular bees would.”  “Yeah,” Jack said, “they are bee-having normally.”  Kate giggled. “Bee-hiving normally.”  “But they DO have red eyes,” Mom said, “maybe they’ve been bee-witched!”  Dad groaned at Mom. “You too?” “What's wrong hub-bee?” Mom asked with a smirk.  Dad rolled his eyes. “No more please!”  “What?” Mom said, “can’t you tell that I’ve POLLEN in love with you?”  Dad covered his ears, and the kids laughed.  Mom continued. “Because you’re my honey.”  Dad cringed again. “Dad,” Jack said, “if you don’t like her jokes tell her to buzz off.”  Kate laughed. “Yeah, maybe you guys aren't in the... HONEY-moon phase anymore.”  “Don’t be a bay-bee,” Mom said to Dad, “bee positive!”  “AAAH!” Dad yelled. “Stop, stop!”  “What’s wrong?” Mom asked, “Do these jokes sting?”  Jack and Kate cracked up and even Mom started laughing her head off while Dad stood there with his hands over his ears saying, “Lalala! I can’t hear you!” When he noticed they had all stopped talking, he took his hands down. “Finally. You guys were bee-ing annoying.” They had a final laugh, then walked closer to the bee nest, to get a better look. Mom tapped Dad on the shoulder. “Do you like my hair today?”  Dad looked confused for a moment. “Uh... yes? It's very nice. You always look nice.”  Mom smiled at him. “Thank you dear, I just wanted to know if I needed to honeycomb it.
Pixel Ate (The Accidental Minecraft Family: MegaBlock 3 Edition (Books 9-12) (The Accidental Minecraft Family Megablock))
Thirty minutes later, we reached the rocky Anjuna beach and parked the bike. We walked for five minutes and reached a shack called Curlies. We sat on adjacent easy chairs, both of us facing the Arabian Sea. I removed my sneakers to rest my feet on the sandy floor of Curlies. ‘Beer?’ Brijesh said. ‘Sure,’ I said. He asked a waiter to bring us two Kingfishers. Two tables away, I saw another Indian couple. The girl wore red and white bangles on both hands, a wedding chudaa; they had just gotten married. Must be their honeymoon. They held hands, but it seemed a little awkward. Arranged marriage, maybe. I looked at Brijesh. We would be a married couple too by this weekend. Brijesh smiled as he handed me a half-pint Kingfisher bottle. ‘What did you tell your folks?’ Brijesh said. ‘I told Aditi didi that I am going for a walk with you.’ ‘They don’t know you are at Anjuna?’ ‘No,’ I said, ‘mom will freak out.’ I sipped my beer. We watched the sun go down. A young singer at Curlies sang and played the guitar. The Goan sunset became even more poignant with the music. The singer sang Justin Bieber’s song, Sorry. Is it too late now to say sorry? Yeah, I know that I let you down
Chetan Bhagat (One Indian Girl)
They named you Taos because that’s where they went on their honeymoon, and there was something in it, something beyond the sentimental or nostalgic, they were trying to say: once we went so far. And you were how far they went. There is no more distant star, I now believe.
Haven Kimmel (The Solace of Leaving Early: A Novel)
The ceremony was beautiful, and as Hope and Mark stood beneath the towering floral arch, I couldn't help but think this scene truly looked like something out of a fairytale wedding. I even started feeling a little emotional--- until they started to recite their vows. Hope had told me earlier that she and Mark had written their own vows but failed to say more about them. At first, I thought my hearing had failed or I was having some kind of stroke. "What language is that?" I whispered to Dom from our perch in the back. "I... I actually think it's a pretend language," he replied. "What are you talking about?" I asked. "What do you mean pretend language?" "Do you have one of the programs with you?" he asked. "I bet there's a note in there about it." "No, but let me grab one." I didn't have to go far before I found the table at the back of the aisle and a basket full of programs. Each program was iridescent, in the shape of a flower with a beautiful lilac ribbon tied at the bottom. Under the order of service, a small line read: "The bride and groom have chosen to recite their own vows to one another in their favorite mythical tongue: Sindarin, one of the Elvish languages of Tolkein." My eyes were wide as saucers. Both the Elvish and English translations were printed below for everyone to follow along. Dom was going to lose it for sure. I quietly moved back to my seat next to Dom, who was still filming. "You're not going to believe what I'm about to tell you," I whispered as I casually fanned myself with the floral program. "What is it?" he asked. "It's Elvish," I said, holding back a laugh. "What?" he replied a little too loud. "Keep your voice down," I said, now pointing to the line in the program as proof. "Like, from The Lord of the Rings?" "I can't believe she didn't mention this to me earlier," I said. "But yes, I think so. This wedding is just full of surprises." "For once, I'm at a loss for words," Dom said. "They are clearly perfect for each other if this was something they both enjoyed. I bet they go to all those conferences for people who like fantasy stuff." "Maybe that's what they're doing for their honeymoon," I added. "I haven't asked them about it yet. If it is, I'm going to die." We were both holding back giggles at this point, but thankfully the couple finished reciting whatever it was they were saying to each other. I wondered whether we'd need to add subtitles to our video if we showed this part of the ceremony. As soon as the officiant pronounced them man and wife, the ceremony musicians played a set of chimes and the officiant asked for every guest to open the small box that was placed at the base of every bench. Inside each box was a butterfly that flew into the air and fluttered around the entire area above all the guests. I supposed that since real fairies weren't available, butterflies were the next best option. It was actually the perfect ending to this mythical ceremony, and everyone cheered in delight.
Mary Hollis Huddleston (Piece of Cake: A Novel)
Your only real control is to withhold your expertise. And although withholding expertise is the only leverage real experts have, it can be a powerful one, indeed. Let me show you how this relates to the second basic component of positioning: Good positioning makes you noninterchangeable. Imagine a somewhat difficult conversation with one of your existing clients. You’re uncomfortable with the direction they want to pursue, particularly since you know they’ll be holding you partly responsible for the results. You make your case carefully but passionately. You feel strongly that this is a mistake, for all sorts of reasons. The client presses and presses, but you don’t relent. There’s an honest disagreement. It’s not that you don’t know where the other party stands. No, you are both clear about that and just disagree. Eventually, the client says — after three years of working together, no less — that they are noticing an increasingly different perspective on how to impact the future and maybe it’s time for a fresh approach. Essentially they want to sever the relationship and move on. This usually doesn’t come out of the blue. It’s likely to have built up over time until the client gets to this place where they seem to be looking for opportunities to disagree with you. Nevertheless, the expert (you) has reached a turning point with the other controlling party (the client). As this crack in the surface widens, and it looks less reparable than earlier disagreements, the client entertains the possibility of replacing your expertise. They’ve surveyed the landscape of firms like yours and they aren’t that worried about finding an expert who will be a little more cooperative and helpful (as they read the disagreement). So what has seemed increasingly likely does, in fact, occur, and the client severs the relationship with your firm. That point is when the stopwatch starts. Tick, tick, tick. It keeps running until that same client finds a suitable (or even better) substitute for your expertise. But here’s the thing: The client is the one who defines success in that venture. When you hear about who they found to replace your firm, you may scoff and mutter about how inadequate the substitute expert is, but you don’t get to do that. “They hired who? [Snicker.] I saw their work for XYZ and was not impressed. The client will quickly find out that we weren’t so bad after all and that what we’ve been saying makes sense. There will be an initial honeymoon and then it’ll be just like it was with us.” It doesn’t matter.
David C. Baker (The Business of Expertise: How Entrepreneurial Experts Convert Insight to Impact + Wealth)
Princess Gabrielle! Please be safe!” Azazel was crying as Alex, Gabrielle, and Nyx wandered up the small boarding ran at the back. “Please don’t do anything reckless! And please don’t take apart the prince’s spaceships! A-and always brush your teeth!! Oh! Why do I feel like a parent watching his daughter go away on her honeymoon!! My wives don’t even have kids!” “Put a sock in it, Azazel!” Karen snapped. “Wait. Did you just say wives?” The last thing Alex saw before the boarding ramp was sealed shut was Karen grabbing Azazel by the ear.
Brandon Varnell (A Most Unlikely Hero, Vol. 7 (A Most Unlikely Hero, #7))
No way. I drove her down to Brissie and made sure he was a decent fellow first. Brisbane, I mean.” Ethan’s jaw dropped. “Did you say you took your wife to meet the guy she was leaving you for?” Clay shrugged. “Had to make sure he wasn’t one of those lunatics you hear about.
Keira Andrews (Honeymoon for One)
They lean into each other, entwine arms and legs, innocently, affectionately, and I look at them, their identical eyes and smiles, and try to imagine the divergence of their lives. Mitra marrying at fourteen, while her cousin begins life in England. Mitra leaving school to have children while Farah studies, learns English, grows up in London, maybe goes on to university. I stare into the soft faces of those girls and try to imagine them meeting again, ten years from now. Farah will return for a visit. She will wear fashionable clothes and will wear a chaador with disdain. She will speak a refined English and will fit awkwardly into her mother tongue; it will no longer hold her. She will have developed a taste for philosophy over coffee, will have grown used to speaking her mind, will have had many friendships and a heartbreak that will have left her unsettled but independent, will have become successful, enviable. She and Mitra will gasp when they see each other after all these years. They will hug and separate and hug and separate and kiss each other on the cheek again and again. Then they will sit across from each other staring, wondering how the other one got so old. Mitra will have four children; no, five; and will wear this, them, in her face. Her arms will be thick, strong, her hands calloused, and she will cry easily, not because she is sad, but because her emotions will not live behind her mind. Farah will be shocked to see her old friend and will think it pathetic, her life, all these children, this cooking and praying and serving; this waste. The visit will be pleasant but awkward, forced in a way neither of them expected. Farah will find an excuse to spend the rest of her holiday in Tehran and will return to England without seeing Mitra again. They will be cousins always but never friends, because each will have a wisdom the other cannot understand. The girls stare at me, waiting for an answer. "Yes," I say, "You will both be happy.
Alison Wearing (Honeymoon in Purdah: An Iranian Journey)
My honeymooner is pleasant and sweet.
Wisdom Kwashie Mensah (THE HONEYMOON: A SACRED AND UNFORGETTABLE SAVOUR OF A BLISSFUL MARITAL JOURNEY)
As i take my place at the microphone, a hot flash of nerves spikes, washing away my previous desire in an instant. But I speak from the heart, wishing my sister a lifetime of happiness and threatening her new husband with death and dismemberment if he so much as says one mean word to her. He smiles like I'm kidding, and I slash a line across my throat with my thumb to show that I'm dead serious.
Lauren Landish (My Big Fat Fake Honeymoon)
You don't have to do that, you know? Say all that romantic stuff," I tell him, ducking my chin down. "I get it. It's fake. Been there done that with my family, except I'm smart enough to not get caught in the 'feels' trap." He lifts my chin with his other hand. "I'm Italian. We are romantic. I simply say what I think.
Lauren Landish (My Big Fat Fake Honeymoon)
Lorenzo steps closer, his body a breath away from mine as he whispers, "Trust me?" I have no idea what he's asking, but I nod because what else am I gonna do? We're about to go to dinner and pretend like we're happy newlyweds with someone who could blow up my entire social circle, and likely my professional life, with a single well-placed word. Lorenzo walks me backward until my back hits the wall. I gasp, surprised. But he's not done. "Trust me," he orders softly. And with that, he picks me to straddle him and slams my back against the door with a thump. It rattles loudly behind me. "Fuck, Abigail, Quick, mia rosa. Come on my cock before your friends get here or they're going to hear me fucking you deep and hard. I want your cum on me and my cum in you while we sit at this prim and proper dinner, wife." I gasp, both at his filthy talk and the ridge of his cock pressing against my core. "Ungh." I can't make words, am barely making incoherent sounds, and Lorenzo lifts one hand from my thigh to hold my head still. He meets my eyes, one of his brows lifted pointedly. If I couldn't feel his cock, I wouldn't even know what this is doing to him. For all the fire rushing through my body and turning my brain to melted goo, he's clear-eyed and has a plan. I blink and realize what he's doing. Emily needs to think we're newlyweds, and what do newlyweds do non-stop? Fuck. Now that I've caught on, he winks at me and I smile back. He thrusts against me and I bounce on the door. "Yes, hard ... just like that," I moan. He grunts, finding a pace that is actually doing a lot for me even though I just came in the shower a bit ago. I'd be embarrassed at the wet heat of my core, but his cock jumps against me. I like that he's carried away too as he dry humps me, only hinting at what we're playacting. "Take it. Take me, Abigail," he hisses through clenched teeth. Is that for effect or is he holding the reins that tightly? "Yes, my Italian Stallion!" I cry out, clawing at his shoulders for purchase. Confusion mars his face as he mouths, "Italian Stallion?" I shake me head and whisper back, "I don't know, it just came out." He grins like that's the funniest thing he's ever heard and goes back to thrusting against me with renewed furor. "That's it, mia rosa. Are you going to come for me?" Oh shit. I am. Like I am ... for real. Any sane, rational, reasonable person would tilt their hips and move away from the power of his thrusts to save a little face. Do I? Absolutely not. If anything, I'm humping him back, riding him like the pony at my sixteenth birthday party. Don't laugh ... it was an amazing blowout. Like I'm about to have ... "Yes, yes. Right there Lorenz-ohh!" He pulls me tight against him, his cock grinding against my clit as he grunts through several short strokes and says something I don't understand in Italian. Is he? Did he? As I float back to Earth and realize what just happened, there's another knock on the door. This one is harder and louder. "Hey, Abi! We have reservations, you know?" Emily yells through the wood, literally inches away from where I just loudly came on Lorenzo's cock for real.
Lauren Landish (My Big Fat Fake Honeymoon)
Helen obligingly presented us with a copy of the new form of marriage service, with all the vulgar bits left out--which was asking for trouble. Peter very funny about it--said he knew all about the "procreation of children," in theory though not in practice, but that the "increase of mankind" by any other method sounded too advanced for him, and that, if he ever did indulge in such dangerous amusements, he would, with his wife's permission, stick to the old-fashioned procedure. He also said that, as for the "gift of continence," he wouldn't have it as a gift, and had no objection to admitting as much. At this point, Helen got up and left the house, leaving P. and Harriet to wrangle over the word "obey." P. said he would consider it a breach of manners to give orders to his wife, but H. said, Oh, no--he'd give orders fast enough if the place was on fire or a tree falling down and he wanted her to stand clear. P. said, in that case they ought both to say "obey," but it would be too much jam for the reporters. Left them to fight it out. When I came back, found Peter had consented to be obeyed on condition he might "endow" and not "share" his worldly goods. Shocking victory of sentiment over principle.
Dorothy L. Sayers (Busman's Honeymoon)
Although Beatrix considered Hampshire to be the most beautiful place in England, the Cotswolds very nearly eclipsed it. The Cotswolds, often referred to as the heart of England, were formed by a chain of escarpments and hills that crossed Gloucestershire and Oxfordshire. Beatrix was delighted by the storybook villages with their small, neat cottages, and by the green hills covered with plump sheep. Since wool had been the most profitable industry of the Cotswolds, with profits being used to improve the landscape and build churches, more than one plaque proclaimed, THE SHEEP HATH PAID FOR ALL. To Beatrix's delight, the sheepdog had a similarly elevated status. The villagers' attitude toward dogs reminded Beatrix of a Romany saying that she had once heard from Cam... "To make a visitor feel welcome, you must also make his dog feel welcome." Here in this Cotswold village, people took their dogs everywhere, even to churches in which pews were worn with grooves where leashes had been tied.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
What's wrong hub-bee?” Mom asked with a smirk.  Dad rolled his eyes. “No more please!”  “What?” Mom said, “can’t you tell that I’ve POLLEN in love with you?”  Dad covered his ears, and the kids laughed.  Mom continued. “Because you’re my honey.”  Dad cringed again. “Dad,” Jack said, “if you don’t like her jokes tell her to buzz off.”  Kate laughed. “Yeah, maybe you guys aren't in the... HONEY-moon phase anymore.”  “Don’t be a bay-bee,” Mom said to Dad, “bee positive!”  “AAAH!” Dad yelled. “Stop, stop!”  “What’s wrong?” Mom asked, “Do these jokes sting?”  Jack and Kate cracked up and even Mom started laughing her head off while Dad stood there with his hands over his ears saying, “Lalala! I can’t hear you!
Pixel Ate (The Accidental Minecraft Family: Book 11)
Yeah,” Jack said, “they are bee-having normally.”  Kate giggled. “Bee-hiving normally.”  “But they DO have red eyes,” Mom said, “maybe they’ve been bee-witched!”  Dad groaned at Mom. “You too?” “What's wrong hub-bee?” Mom asked with a smirk.  Dad rolled his eyes. “No more please!”  “What?” Mom said, “can’t you tell that I’ve POLLEN in love with you?”  Dad covered his ears, and the kids laughed.  Mom continued. “Because you’re my honey.”  Dad cringed again. “Dad,” Jack said, “if you don’t like her jokes tell her to buzz off.”  Kate laughed. “Yeah, maybe you guys aren't in the... HONEY-moon phase anymore.”  “Don’t be a bay-bee,” Mom said to Dad, “bee positive!”  “AAAH!” Dad yelled. “Stop, stop!”  “What’s wrong?” Mom asked, “Do these jokes sting?”  Jack and Kate cracked up and even Mom started laughing her head off while Dad stood there with his hands over his ears saying, “Lalala! I can’t hear you!
Pixel Ate (The Accidental Minecraft Family: Book 11)
Of course, I’d known before then. But that night, clutching yet another beer bottle, watching Christian move on the dance floor, I verbalized the subtle knowledge in my mind. I loved him. Shamefully and hopelessly. I tried to talk myself out of it. It’s not like there is a definition. They can’t take your blood sample, run a test and give you the results. It’s all vague, subjective, prone to manipulation, hypochondria. You wake up one day thinking you’re in love with someone and the following week, you’re not. All that drama, the cultural pressure. The epitome of so-called happiness sold to us by the media. They say it can last a year, the honeymoon phase. Two at best. In love… It was just a chemical process, imagination, internalization of recycled clichés, and a hefty dose of delusion. But it didn’t hurt any less. I wanted him, craved him, couldn’t bear anyone else to touch him just as I needed him to be content and sheltered—yes, even if it meant he’d be with someone else. Happy and safe. He was the single, most important being in the whole universe. If Christian was hopeful and joyous as ever, my life had a purpose, the world had a meaning.
Roe Horvat (Dirty Mind)
Liz giggles. “Oh my god, you are so cute.” The base of my horns grows hot. “I am a hunter. We are not cute. We are strong. Brave. Fearless. We—” I pause as she lifts her small foot into the air. “What are you doing?” “Can you rub my foot? It’s cold and your hands are warm.” I take her foot and begin to rub it, caressing the small whitish-pink toes and kneading the sole. “As I was saying—
Ruby Dixon (Ice Planet Honeymoon: Raahosh & Liz (Ice Planet Barbarians, #2.5))
You can tell me another Star War.” “There’s only one,” Liz says, exasperated. “And I’ve told it to you already.” “But you love it, so tell it again.” Her eyes flare with pleasure as she glances back at me. “You want to hear it again? Really?” “I like the things you like,” I tell her simply, and hold her tight.
Ruby Dixon (Ice Planet Honeymoon: Raahosh & Liz (Ice Planet Barbarians, #2.5))
But she wasn’t in love with him yet. She fell in love with her husband because of the way they disagreed with each other. “When everything’s great, it’s easy to fall in love,” she said. “But when you disagree—how you come to a consensus is very telling. My husband both met and exceeded my expectations. I have never once thought that I could have found someone better.” How different that was from our culture’s view of love, where having disagreements in the beginning of a relationship seems like the death knell. The beginning of a relationship is supposed to be like a honeymoon. A couple is supposed to feel totally in synch. Any deviation from that is a sign that you’re not compatible. But Madathil is saying it’s not whether you argue—its how you get through the arguments. And the more practice you have getting through those arguments gracefully, she told me, the less you’ll argue later.
Lori Gottlieb (Marry Him: The Case for Settling for Mr. Good Enough)
Dad didn't hate weddings," Mae said. Her mom's brow creased. "Yes, he did," she said with a chuckle. "He was always going on about how he could go the rest of his life without hearing the wedding march ever again." "No, he didn't," Mae said more firmly. She set her fork down. "He hated going to your family's weddings. Because it meant being around a bunch of white people who were just subtle enough to keep their racism discreet." That did it. Susan froze. John took a long drink from his wineglass. Connor's gaze steadied on Mae, a haze of uncertainty in his eyes. Madison jerked her head back. Sierra watched her, looking vaguely curious. Her mom stared, mouth open. "It was inevitable," Mae continued. "Whenever we had to be around the Parkers. Someone would always say something borderline. Dad and I would exchange a look, like, Here we go. Every wedding, every Christmas, every Thanksgiving, every Easter, we would sit across from each other at a table full of white people and share our silent little looks." Her face was burning. Every pair of eyes at the table was laser-focused on her. Even Jayla, sitting one table over with the wedding party, was staring. Mae's mom opened her mouth, which just reminded Mae she had more to say. "I wish you'd told me about grandma being racist to Althea." It was mortifying, spilling her guts in front of her in-laws, but it was freeing, too. Like she was invincible. Like even though she was about to wreck her entire life, at least no one could stop her. You couldn't stop a hurricane. "You said you didn't want me to feel different around her, but, Mom, I already did. And I wish you'd told me I had a sister. Do you know how much less alone I would have felt, knowing Sierra was my sister? Being around family that looked like me? Instead of a grandpa who said the n-word in front of me when I was eight? Or my husband's mom asking me how dark my skin gets in the sun?" Susan paled. "Or a cousin who--- you know what, Madison," Mae said, catching her eye across the table, "it is racist to say you refuse to shop at Black-owned businesses, and I shouldn't have defended you when Sierra called you on it." Madison's cheeks reddened, and she looked like she was going to object, but Mae wasn't done. "Is it any wonder that I would drive to Hobson and sacrifice so much to stay there, burning through all my PTO, giving up my entire honeymoon, because I finally had a family that didn't make me feel out of place?
Shauna Robinson (The Townsend Family Recipe for Disaster)
He reached up and found my hand and caressed my thumb, saying nothing. I gazed down adoringly at his face. A relaxed face now, its great burden of care finally removed. I hadn’t realized how much it had affected him, this fear for me, this certain knowledge that some crisis was coming that he might be powerless to avert. And now that I’d survived it, that he’d rescued me from the fate he’d always feared for me, his soul had taken on the peace of the fully redeemed. It had made for an epic honeymoon
Beatriz Williams (Overseas)
My wife’s at the house. At the barn, I should say. They drove. The rain slashed over the road in the lights and the wipers rocked back and forth over the glass. We’ll be married sixty years April twenty-second. That’s a long time. Yes it is. It dont seem like it, but it is. She come out here with her family from Oklahoma in a covered wagon. Got married we was both seventeen. We went to Dallas to the exposition on our honeymoon. They didnt want to rent us a room. Didnt neither one of us look old enough to be married. There aint been a day passed in sixty years I aint thanked God for that woman. I never done nothin to deserve her, I can tell you that. I dont know what you could do.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
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