Sweater Gift Quotes

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The rest of the year, I wondered if the point of Christmas was just spending money and getting fat and opening gifts. Indulging. But when Christmas finally comes, and that warm, tingly, mints-and-sweaters-and-fireplace-fires feeling gathers in the bottom of your stomach, and you're lying on the floor with all the lights off but the ones on the Christmas tree, and listening to the silence of the snow falling outside, you see the point. For that one instance in time, everything is good in the world. It doesn't matter if everything isn't actually good. It's the one time of the year when pretending is enough.
Francesca Zappia (Made You Up)
A Kite is a Victim A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do. A kite is a contract of glory that must be made with the sun, so you make friends with the field the river and the wind, then you pray the whole cold night before, under the travelling cordless moon, to make you worthy and lyric and pure. Gift You tell me that silence is nearer to peace than poems but if for my gift I brought you silence (for I know silence) you would say This is not silence this is another poem and you would hand it back to me There are some men There are some men who should have mountains to bear their names through time Grave markers are not high enough or green and sons go far away to lose the fist their father’s hand will always seem I had a friend he lived and died in mighty silence and with dignity left no book son or lover to mourn. Nor is this a mourning song but only a naming of this mountain on which I walk fragrant, dark and softly white under the pale of mist I name this mountain after him. -Believe nothing of me Except that I felt your beauty more closely than my own. I did not see any cities burn, I heard no promises of endless night, I felt your beauty more closely than my own. Promise me that I will return.- -When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you.- Song I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I'd never been your lover -Reach into the vineyard of arteries for my heart. Eat the fruit of ignorance and share with me the mist and fragrance of dying.-
Leonard Cohen (The Spice-Box of Earth)
For white people, nothing makes them appreciate the gift of life more than voluntarily trying to end it.
Christian Lander (Whiter Shades of Pale: The Stuff White People Like, Coast to Coast, from Seattle's Sweaters to Maine's Microbrews)
The funny thing about almost-dying is that afterward everyone expects you to jump on the happy train and take time to chase butterflies through grassy fields or see rainbows in puddles of oil on the highway. It’s a miracle, they’ll say with an expectant look, as if you’ve been given a big old gift and you better not disappoint Grandma by pulling a face when you unwrap the box and find a lumpy, misshapen sweater. That’s what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you’re supposed to be excited to wear, day after day, even when you’d rather stay in bed and do nothing. The truth is this: it doesn’t take any skill to almost-die, or to almost-live, either.
Lauren Oliver (Vanishing Girls)
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
Ember, he’s not going to—” I pushed off the car. “Please. Hayden, please don’t tell him. I’m all Olivia really has. Please.” My voice cracked, and I looked away, embarrassed. “She’s all I have.” Hayden made a soft noise deep in his throat. Then he clasped my elbows and pulled me right up against him. His arms carefully snaked around my waist, trapping me in a hug. It could have been the bunny. Hell, it could’ve been the last two years that suddenly made me want to stay in Hayden’s embrace. Surely— surely not the way his heat thawed the ice encasing my entire body. Or how hard his chest felt under the sweater… or how perfectly I fit against him. And he was a chivalrous type of guy. Right? He wanted to help me control my gift, as ridiculous as that sounded. Comfort— he offered comfort, and I needed to remember that. His arms around my waist made it hard, really hard to keep that in mind, though. “Okay.” Hayden’s breath stirred the hair around my ear. “Even though I think I should tell him, I won’t. But I will figure out who did this.
Jennifer L. Armentrout (Cursed)
The Mania Speaks You clumsy bootlegger. Little daffodil. I watered you with an ocean and you plucked one little vein? Downed a couple bottles of pills and got yourself carted off to the ER? I gifted you the will of gunpowder, a matchstick tongue, and all you managed was a shredded sweater and a police warning? You should be legend by now. Girl in an orange jumpsuit, a headline. I built you from the purest napalm, fed you wine and bourbon. Preened you in the dark, hammered lullabies into your thin skull. I painted over the walls, wrote the poems. I shook your goddamn boots. Now you want out? Think you’ll wrestle me out of you with prescriptions? A good man’s good love and some breathing exercises? You think I can’t tame that? I always come home. Always. Ravenous. Loaded. You know better than anybody: I’m bigger than God.
Jeanann Verlee (Said The Manic To The Muse)
I don't like to brag or anything--but I really am exceptionally gifted when it comes to the "Stuff" department. If I had a title, it might be "Her Royal Highness, the Queen of Crap." I could look snootily down from high atop my pile of ancient magazines, holding a scepter of dried bridesmaid bouquets, bedecked with a crown made entirely of those extra button packs that helpfully accompany sweater purchases, proclaiming "SAVE IT!" in an emphatic yet regal tone.
Eve O. Schaub (Year of No Clutter)
People who have nothing to prove offer practical baby gifts: sturdy cotton rompers made to withstand the cycle of vomit and regular washing. People who are competing for the titles of best-loved aunts and uncles - people like my sisters and me - send satin pants and delicate hand-crafted sweaters accompanied by notes reading "P.S. The fur collar is detachable.
David Sedaris (Dress Your Family in Corduroy and Denim)
The rainy winter days passed quickly. Thanksgiving came and not long afterward Christmas vacation. Ramona missed Daisy, who went with her family to visit her grandparents. When she returned, the girls spent an afternoon dressing up Roberta in the clothes she had received for Christmas. Roberta was agreeable to having a dress pulled over her head, her arms stuffed into a sweater, her head shoved into caps. She enjoyed the girls’ admiration. She was not so happy about a pair of crocheted slippers with ears and tails that looked like rabbits, a gift from Howie’s grandmother, who enjoyed crocheting. Roberta did not care for the slippers.
Beverly Cleary (Ramona's World (Ramona, #8))
The funny thing about almost-dying is that afterward everyone expects you to jump on the happy train and take time to chase butterflies through grassy fields or see rainbows in puddles of oil on the highway. It’s a miracle, they’ll say with an expectant look, as if you’ve been given a big old gift and you better not disappoint Grandma by pulling a face when you unwrap the box and find a lumpy, misshapen sweater. That’s what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you’re supposed to be excited to wear, day after day, even when you’d rather stay in bed and do nothing. The truth is this: it doesn’t take any skill to almost-die, or to almost-live, either.
Lauren Oliver (Vanishing Girls)
You can tell me all about the new job and lecture me about my lack of focus once I’m done with this mission and giving you this sweater in person. But you’d better meet me somewhere civilized and comfortable, because I’m done with impossible environments.” The comm goes still, and she feels a small ping of guilt for ignoring him. Most ships can’t even handle communications at this range, but the Resistance does have some wonderful toys. Vi puts her boots up and leans back in her seat, focusing on the unwieldy wooden knitting needles that look more like primitive weapons than elegant tools. “It’s all about forward momentum, Gigi,” she says to her astromech, U5-GG. “Better a hideous sweater infused with love than…I don’t know. What other gifts do people give their only living relative? A nice chrono? I shall continue to the end, if imperfectly.” She spins in her chair and holds up what she’s accomplished so far. “What do you think?” Gigi beeps and boops in what sounds
Delilah S. Dawson (Phasma)
Mr. Fish told my mother that he would make a “gift” of Sagamore’s body—to my grandmother’s roses. He implied that a dead dog was highly prized, among serious gardeners; my grandmother wished to be brought into the discussion, and it was quickly agreed which rosebushes would be temporarily uprooted, and replanted, and Mr. Fish began with the spade. The digging was much softer in the rose bed than it would have been in Mr. Fish’s yard, and the young couple and their baby from down the street were sufficiently moved to attend the burial, along with a scattering of Front Street’s other children; even my grandmother asked to be called when the hole was ready, and my mother—although the day had turned much colder—wouldn’t even go inside for a coat. She wore dark-gray flannel slacks and a black, V-necked sweater, and stood hugging herself, standing first on one foot, then on the other, while Owen gathered strange items to accompany Sagamore to the underworld. Owen was restrained from putting the football in the burlap sack, because Mr. Fish—while digging the grave—maintained that football was still a game that would give us some pleasure, when we were “a little older.” Owen found a few well-chewed tennis balls, and Sagamore’s food dish, and his dog blanket for trips in the car; these he included in the burlap sack, together with a scattering of the brightest maple leaves—and a leftover lamb chop that Lydia had been saving for Sagamore (from last night’s supper).
John Irving (A Prayer for Owen Meany)
freeze, so she opted for pants with a thick, nubbly sweater that added substance to her frame. As always, her necklace was in place, and she donned a lovely bright cashmere scarf to keep her neck warm. When she stepped back to appraise herself in the mirror, she felt she looked almost as good as she had before chemotherapy started. Collecting her purse, she took a couple more pills—the pain wasn’t as bad as yesterday, but no reason to risk it—and called an Uber. Pulling up to the gallery a few minutes after closing time, she saw Mark through the window, discussing one of her photographs with a couple in their fifties. Mark offered the slightest of waves when Maggie stepped inside and hurried to her office. On her desk was a small stack of mail; she was quickly sorting through it when Mark suddenly tapped on her open door. “Hey, sorry. I thought they’d make a decision before you arrived, but they had a lot of questions.” “And?” “They bought two of your prints.” Amazing, she thought. Early in the life of the gallery, weeks could go by without the sale of even a single print of hers. And while the sales did increase with the growth of her career, the real renown came with her Cancer Videos. Fame did indeed change everything, even if the fame was for a reason she wouldn’t wish upon anyone. Mark walked into the office before suddenly pulling up short. “Wow,” he said. “You look fantastic.” “I’m trying.” “How do you feel?” “I’ve been more tired than usual, so I’ve been sleeping a lot.” “Are you sure you’re still up for this?” She could see the worry in his expression. “It’s Luanne’s gift, so I have to go. And besides, it’ll help me get into the Christmas spirit.
Nicholas Sparks (The Wish)
But then, as I’m leaving school, I see John parked out front. He’s standing in front of his car; he hasn’t seen me yet. In this bright afternoon light, the sun warms John’s blond head like a halo, and suddenly I’m struck with the visceral memory of loving him from afar, studiously, ardently. I so admired his slender hands, the slope of his cheekbones. Once upon a time I knew his face by heart. I had him memorized. My steps quicken. “Hi!” I say, waving. “How are you here right now? Don’t you have school today?” “I left early,” he says. “You? John Ambrose McClaren cut school?” He laughs. “I brought you something.” John pulls a box out of his coat pocket and thrusts it at me. “Here.” I take it from him, it’s heavy and substantial in my palm. “Should I…should I open it right now?” “If you want.” I can feel his eyes on me as I rip off the paper, open the white box. He’s anxious. I ready a smile on my face so he’ll know I like it, no matter what it is. Just the fact that he thought to buy me a present is so…dear. Nestled in white tissue paper is a snow globe the size of an orange, with a brass bottom. A boy and girl are ice-skating inside. She’s wearing a red sweater; she has on earmuffs. She’s making a figure eight, and he’s admiring her. It’s a moment caught in amber. One perfect moment, preserved under glass. Just like that night it snowed in April. “I love it,” I say, and I do, so much. Only a person who really knew me could give me this gift. To feel so known, so understood. It’s such a wonderful feeling, I could cry. It’s something I’ll keep forever. This moment, and this snow globe. I get on my tiptoes and hug him, and he wraps his arms around me tight and then tighter. “Happy birthday, Lara Jean.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
didn't thank didn't wave goodbye didn't flutter the air with kisses a mound of gifts unwrapped bed unmade no appetite always elsewhere though it was raining elsewhere though strangers peopled the streets though we at home slaved and baked and wept and hung ornaments and perfumed the dark did he marvel did he thank was he grateful did he know was he human was he there always elsewhere: didn't thank didn't kiss toothbrush stiffened with unuse puppy whining in the hall car battery dead sweaters unraveled was that human? Went where?
Joyce Carol Oates
His mother asked Joey what my favorite pie was and made it special for me—raspberry pear. She also gave me a pile of gifts too large to carry: kitchen appliances and perfumes and lipstick and hats and socks and sweaters and everything warm and cute she could possibly imagine. I felt so guilty for the expense; this was just so much. But she beamed as she watched us open it all.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
There used to be something a little more authentic about the lack of amenities,” he said. “That’s probably true.” “Now it feels more like the Cape or the Hamptons. Or other towns in Maine. I guess that’s the way it always happens. Visitors go to the Midcoast because they think they want something rustic and industrial—the way life should be and all that—but really what they want is rustic and industrial plus one good coffee shop, and if they’re staying for longer than a weekend, then they want all that plus two good coffee shops, because the first one gets boring after a while—” “It really does.” “I understand. But then the tourists also want a T-shirt shop that sells gifts to bring home for the in-laws, and then a designer boutique because they weren’t expecting it to get so cool at night and because they’ve talked themselves into spending more money than they’d budgeted for just because they’re on vacation and because it’d be nice to find a knit sweater that matches exactly with their notion of what a well-heeled mariner on the Maine coast might wear on exactly such an evening, and so the town tries to provide all these services until, before you know it, it’s made enough concessions, on behalf of convenience and some imagined version of the town that only exists in brochures—to eventually, not that anyone’s really noticed, because it takes place over years or decades—trade ‘authenticity’ for what feels more like an airbrushed portrait of itself. A caricature. Buildings shaped like factories but containing everything someone from out of town thinks they don’t want but do want, or thinks they do want but don’t want.
Adam White (The Midcoast)
Now it feels more like the Cape or the Hamptons. Or other towns in Maine. I guess that’s the way it always happens. Visitors go to the Midcoast because they think they want something rustic and industrial—the way life should be and all that—but really what they want is rustic and industrial plus one good coffee shop, and if they’re staying for longer than a weekend, then they want all that plus two good coffee shops, because the first one gets boring after a while—” “It really does.” “I understand. But then the tourists also want a T-shirt shop that sells gifts to bring home for the in-laws, and then a designer boutique because they weren’t expecting it to get so cool at night and because they’ve talked themselves into spending more money than they’d budgeted for just because they’re on vacation and because it’d be nice to find a knit sweater that matches exactly with their notion of what a well-heeled mariner on the Maine coast might wear on exactly such an evening, and so the town tries to provide all these services until, before you know it, it’s made enough concessions, on behalf of convenience and some imagined version of the town that only exists in brochures—to eventually, not that anyone’s really noticed, because it takes place over years or decades—trade ‘authenticity’ for what feels more like an airbrushed portrait of itself. A caricature. Buildings shaped like factories but containing everything someone from out of town thinks they don’t want but do want, or thinks they do want but don’t want.” “So Damariscotta should have stayed in its lane,” I said. I meant it as a joke, but Chip seemed to take it seriously. “You know, it probably should have,” he said.
Adam White (The Midcoast)
I had been treated like an adult more than was necessary, being the object of inappropriate affections from producers who left gifts of cashmere sweaters in my dressing room and hugged me for too long. Those men told me how beautiful I was, and how I was so mature for my age, and they just couldn’t talk to their wives the way they could talk to me.
Lisa Jakub (You Look Like That Girl: A Child Actor Stops Pretending and Finally Grows Up)
Upon the unwrapping of each package, she vows to write a thank-you letter to Aunt Tammy—a letter of the handwritten, thick-papered, thesaurus-consulted variety—but every day following, Joan “forgets.” She “forgets” for so many consecutive days that the idea of a thank-you letter begins to gain weight in her mind, becoming too heavy to lift. By the end of the first week, a mass of gratitude and shame has accumulated inside her body and grown so dense that adequately transcribing it, surely, would take a lifetime. It would bruise both writer and reader. To send a thank-you letter now, she believes by week two, would be like mailing a handwritten account of my indolence, my boorishness. I can’t. I can’t. And once Joan has decided that the opportunity to demonstrate her appreciation has expired, the gifts begin to sicken her. Even when they’re hidden, their presence fills her apartment like an odor that is also an itch. Like some toxin. Joan hides the gifts in drawers, tucks them beneath sweaters too expensive to donate but not comfortable enough to wear, twists them in plastic bags, which she then shoves in paper sacks, which she then stows in the coat closet, behind the vacuum. But it doesn’t help. She can’t eat or sleep or read or pray or watch her shows or even recite the nation’s capitals. She tears her cuticles. Her asthma worsens. At any given moment, she feels like she might cry—not because she wants to, to bespeak her sensitivity, but because she needs to, in order to proceed with her day. By the end of the month, her guilt crescendos, the odor of the unthanked gifts too foul and itchy to endure any longer, and Joan surrenders. She gathers the gifts in
Tess Gunty (The Rabbit Hutch)
Ian opens the box and moves the polystyrene strips to uncover a matryoshka. He’s astonished when he sees that it’s his face painted on it. "But...," he says. "Is it me?" He looks at Andrea, puzzled. "You’re very good." The look is from a photo of him at a party, before he knew him personally, that he found on the internet. He’s in a gray suit and has a cane, like a count from the olden days. "That's the Count," he says, and Ian looks at him and swallows. Andrea smiles. His gift holds a deep meaning that only the two of them understand. Ian opens the first doll and inside there is another. He gasps on seeing it. "That’s Dorian," says Andrea. He has painted Ian as he had looked on the night of his first event. When he wore the white Versace suit and Borsalino fedora. His hand trembling, Ian opens the doll to see the next one inside. "That's Ian," Andrea smiles, as does Ian when he sees himself portrayed with the black linen scarf and white sweater that he was wearing when they had met for the first time in Clusone. He has a serious look in the previous dolls while here he is cheerful. Ian shakes the doll a little and hears the wood rattle. He looks at Andrea, doubtful: they both know that their rapport finishes here. Andrea hasn’t discovered his innermost layer and sounderstands his perplexity. Ian seems to have to pluck up courage and then opens again. Inside there is the last, smallest doll, made from a single small piece of wood and known as the "seed". It dances in a large empty space, given that the doll above it is missing. It’s golden and doesn’t have a face. "That’s the soul," says Andrea. "One’s missing. That's why there's that little table with brushes in my room. I hope to do it soon. As soon as I can." Ian takes the little piece of wood and holds it in his fist. "Thank you, Andrea. It’s a wonderful gift," he says, tightening his jaw. "I eagerly await the last." He’s
Key Genius (Heart of flesh)
She thinks: A gift is a gift; you don't get to choose, whether it be a secret kept, a polite falsehood, a book you've already read, or a sweater that does not fit. You open it, you open your mind, you do not think about how you might use it or whether indeed it is any use to you. You understand that the giver is giving you what she can, that she is doing her best. You say thank you.
Carrie Snyder (The Juliet Stories)
Sometimes to accept is also a gift. The anthropologist David Graeber points out that the explanation that we invented money because barter was too clumsy is false. It wasn’t that I was trying to trade sixty sweaters for the violin you’d made when you didn’t really need all that wooliness. Before money, Graeber wrote, people didn’t barter but gave and received as needs and goods ebbed and flowed. They thereby incurred the indebtedness that bound them together, and reciprocated slowly, incompletely, in the ongoing transaction that is a community. Money was invented as a way to sever the ties by completing the transactions that never needed to be completed in the older system, but existed like a circulatory system in a body. Money makes us separate bodies, and maybe it teaches us that we should be separate.
Rebecca Solnit (The Faraway Nearby)
Tall and ruddy in the white cable-knit fishing sweater her mother had given him for Christmas, its collar thick as an Elizabethan ruff, Michael arrived like someone carrying gifts even though his arms were empty.
Jonathan Rosen (The Best Minds: A Story of Friendship, Madness, and the Tragedy of Good Intentions)
Chloe’s mom opened the door for Kim, then stared at her. She wore a black felt hat pulled tightly down to cover her ears and loose black jeans with a frumpy black sweater, like she was trying to disguise her whole body, not just her head. Round Lennon-style sunglasses with thick red lenses hid her slitted eyes. She stuck a gloved hand out and presented Anna King with a bouquet of flowers. “Here. I hope this is an acceptable hostess gift. Thank you for inviting me to the party. I’ve never been to one before.
Celia Thomson (The Nine Lives of Chloe King (The Nine Lives of Chloe King #1-3))
But when it was he who sat drooping and exhausted, there in front of me, when he'd done lamenting, I brought over the tub and returned the gift he gave me, I untied the shoes from his listless feet, then tugged off his socks, and I got on my knees in front of him and first the one foot, then the other, I washed, it came to me suddenly this washing of feet was truly the most beautiful thing to happen between us so far, as he humbled himself before me, so I also, before him, and I washed his feet, wishing to do that for as long as ever I could. I wiped his feet carefully, and he, toppling over me from the drink. Then I hauled off his sweater, him falling over on me, it was like undressing a corpse, I got the pants off, then the shorts, threw that body down, naked, onto the Union Jack my fiancé used as a bedspread, he splayed his legs and lay on his back, completely relaxed, and went to sleep.
Bohumil Hrabal (In-House Weddings (Writings From An Unbound Europe))
At Gayhead point, I wondered what it would feel like to fall. If you raised your arms above your head like you were diving and you aimed true for the waves, wouldn’t you experience perfect freedom? That the body would land broken on the rocks below didn’t matter, because you wouldn’t be there for the landing. So you would experience only that single moment of clean, pure freedom and grace. But then, that would be it. There would be no chance to remember that feeling and strive, for the rest of your life, to feel it again. Or to surpass it. Or to pull somebody aside and tell them what it had felt like. There would be nothing. It reminded me of when I wanted to find out about the universe and I’d asked my father, “What was there before there was everything?” He said, “There was nothing.” “But what is nothing?” “Nothing is nothing,” he said. It was so difficult to picture. Because wasn’t nothing something too? Wasn’t the thick silence and blackness of nothing actually a place you could be? Son, I’m tired. Please just go outside and play. Is that what death was like? But no, it wouldn’t be “like” anything. I was desperate to discover what nothing felt like. It was the absence of something that attracted me. It was the start. Everything important originated with nothingness. At Christmas, the floor could be spread with gifts, but I would be concerned only with what I didn’t get. Not pouting because I didn’t get a sweater vest, but wondering, What would have been in the box that isn’t here? My brother inspired awe in me because he wasn’t there anymore. I loved my mother most when she was locked behind her door, writing. Because I couldn’t have her. And because I never hugged my father, it was his embrace I sought most of all. Where there is nothing, absolutely anything is possible. And this thrilled me. It gave me hope. In a way, if I wasn’t having a happy childhood right now, I could have one later.
Augusten Burroughs (A Wolf at the Table)