Antique Funny Quotes

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Kat," Hale groaned, then fell back onto the pillows. "Funny, I didn't hear a doorbell." "I let myself in; hope that's okay." Hale smiled. "Or the alarm." She stepped inside, tossed a pocket-size bag of tools onto the bed. "You're due for an upgrade." Hale propped himself against the antique headboard and squinted up at her. "She returns." He crossed his arms across his bare chest. "You know, I could be naked in here.
Ally Carter (Heist Society (Heist Society, #1))
It was his wife we objected to. Her name was Leda, but he called her Tip. She was very small and her hair, eyes, and skin, though naturally of different shades, were all muddy. She seldom sat- she perched on things - and liked to cock her head a little to one side. Nora had a theory that once when Edge opened an antique grave, Tip ran out of it,...
Dashiell Hammett (The Thin Man)
I'm English. We're about as tactful as a hot poker up the bum, most of the time.
Ian Loome (The Antique Hunters)
It's funny, isn't it, what will make you break? Your lover moves to London and falls in love with a news reader for the BBC and you feel fine and then one day you raise your umbrella slightly to cross Fifty-seventh Street and stare into the Burberry shop and begin to sob. Or your baby dies at birth and five years later, in an antique store, a small battered silver rattle with teeth marks in one end engraved with the name Emily lies on a square of velvet, and the sobs escape from the genie's bottle somewhere deep in your gut where they've lain low until then. Or the garbage bag breaks.
Anna Quindlen (One True Thing)
He opened the desk drawer, finding nothing but small pots of paint (used for brightening up antiques) and a paintbrush. He wondered if he would be able to throw paint in the man’s face, and blind him for long enough to escape. He opened the top of a pot of paint and dipped in his finger.
Neil Gaiman (The Graveyard Book)
We would gladly have listened to her (they said) if only she had spoken like a lady. But they are liars and the truth is not in them. Shrill… vituperative… no concern for the future of society… maunderings of antiquated feminism… selfish femlib… needs a good lay… this shapeless book… of course a calm and objective discussion is beyond… twisted, neurotic… some truth buried in a largely hysterical… of very limited interest, I should… another tract for the trash-can… burned her bra and thought that… no characterization, no plot… really important issues are neglected while… hermetically sealed… women's limited experience… another of the screaming sisterhood… a not very appealing aggressiveness… could have been done with wit if the author had… deflowering the pretentious male… a man would have given his right arm to… hardly girlish… a woman's book… another shrill polemic which the… a mere male like myself can hardly… a brilliant but basically confused study of feminine hysteria which… feminine lack of objectivity… this pretense at a novel… trying to shock… the tired tricks of the anti-novelists… how often must a poor critic have to… the usual boring obligatory references to Lesbianism… denial of the profound sexual polarity which… an all too womanly refusal to face facts… pseudo-masculine brusqueness… the ladies'-magazine level… trivial topics like housework and the predictable screams of… those who cuddled up to ball-breaker Kate will… unfortunately sexless in its outlook… drivel… a warped clinical protest against… violently waspish attack… formidable self-pity which erodes any chance of… formless… the inability to accept the female role which… the predictable fury at anatomy displaced to… without the grace and compassion which we have the right to expect… anatomy is destiny… destiny is anatomy… sharp and funny but without real weight or anything beyond a topical… just plain bad… we "dear ladies," whom Russ would do away with, unfortunately just don't feel… ephemeral trash, missiles of the sex war… a female lack of experience which… Q. E. D. Quod erat demonstrandum. It has been proved.
Joanna Russ (The Female Man)
At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter. The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself. Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen! You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world. At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972. A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'? I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!" They asked me to play the record over and over again.
Jung Chang (Wild Swans: Three Daughters of China)
Nature contains its abortions, and its self-parodies. Take a beak that isn't a beak, wings that aren't wings, fins that aren't fins, paws that aren't paws, agonized squawks that make you want to laugh, and you have a duck. But if domestic poultry can exist side by side with real birds I see no reason why our "classic" tragedy should not exist side by side with the antique.
Victor Hugo (Les Misérables)
Nature contains its abortions, and its self-parodies. Take a break that isn't a break, wings that aren't wings, fins that aren't fins, paws that aren't paws, agonized squawks that make you want to laugh, and you have a duck. But if domestic poultry can exist side by side with real birds I see no reason why our "classic" tragedy should not exist side by side with the antique.
Victor Hugo (Les Misérables)
It’s funny the things you miss. Like phone cords. Reading this today, you might not even know what a phone cord is. Or it’s a relic that you see in an office, or on that antique phone in the corner of the classroom, used to call the principal’s secretary. But once upon a time—that would be our time—a telephone cord seemed like nothing less than a lifeline. It was your attachment to the outside world and, even more than that, your attachment to the people you loved, or wanted to love, or tried to love. Everything about it was fitting—the way it curled in on itself, they way it got so easily tangled, the way you could pull it only so far before it kept you in place. Twisted and knotted and essential.
David Levithan (Two Boys Kissing)
Then Beverley Brook stepped onto the footplate and pointed a shotgun straight at the Queen’s head – I recognised the Purdey from my trunk. It was nice to see it getting an airing. Beverley herself was wearing an oversized leather jerkin and jeans. Her dreads had been tied into a plait down her back and a pair of antique leather and brass goggles were pushed up onto her brow. ‘Put your hands on your head,’ she said, ‘and step away from the boyfriend.’ The Queen hissed and gripped the rope harder.
Ben Aaronovitch
Your Mama's So Old she went to an antique auction and three people bid on her! 
Olav Laudy (4000 decent very funny jokes)
They ease into a third week, and a fourth, and then a weekend comes when there's absolutely nothing scheduled. Cal thinks they must be about to tell him to go home for five damn minutes at least, but then Anya mentions antiquing, which is something Cal has never done. When he says so, she freaks out, and it turns out that what he must do has nothing to do with going home and everything to do with picking through other people's decrepit, smelly, abandoned old furniture.
Sidney Bell (This Is Not the End)
Do you have any old copies of Dickens? Bookseller: We've got a copy of David Copperfield from 1850 for $150. Customer: Why is it so expensive if it's that old?
Jen Campbell (Weird Things Customers Say in Bookshops)
Americans don't have much history so they like things they think are old.
Jasmine Warga (Other Words for Home)
How can you tell that you are getting old? A: You go to an antique auction and three people bid on you!
Johnny B. Laughing (LOL: Funny Jokes and Riddles for Kids (Laugh Out Loud Book 1))
Like no small number of wealthy people he'd taken up an antiquated form of transportation as a hobby.
Tom B. Night (Mind Painter)
Two assistants typed at keyboards projected onto antique desks, and their screens were polarized monoglass so thin that from the side, they vanished entirely. A funny juxtaposition of the old and the new
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